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This programme contains some strong language | 0:00:02 | 0:00:05 | |
Oi, mate! | 0:00:14 | 0:00:16 | |
What was that, mate? | 0:00:36 | 0:00:38 | |
Trampoline. | 0:00:38 | 0:00:39 | |
Ah. | 0:00:40 | 0:00:42 | |
Any of you chaps see a trampoline? | 0:00:46 | 0:00:48 | |
Went that way. | 0:00:49 | 0:00:50 | |
Was there a child in it? | 0:00:52 | 0:00:54 | |
Don't think so. | 0:00:54 | 0:00:55 | |
Right. | 0:00:55 | 0:00:57 | |
Is that good news? | 0:00:57 | 0:00:59 | |
Potentially. | 0:01:00 | 0:01:01 | |
# Will you search through the lonely earth for me? | 0:01:19 | 0:01:23 | |
# Climb through the briar and bramble | 0:01:23 | 0:01:28 | |
# I'll be your treasure | 0:01:28 | 0:01:33 | |
# I'm waiting for you | 0:01:33 | 0:01:38 | |
# I'm waiting for you. # | 0:01:38 | 0:01:42 | |
You said, and I quote... "I've got to give her space." | 0:01:48 | 0:01:52 | |
I know. | 0:01:52 | 0:01:53 | |
You said you'd like Kate to call you Dad, | 0:01:53 | 0:01:55 | |
-but it was too early and you had to give her space. -I know. | 0:01:55 | 0:01:59 | |
And then, you go and dump 45 individually-wrapped | 0:01:59 | 0:02:02 | |
birthday and Christmas presents on her. | 0:02:02 | 0:02:04 | |
I've been an idiot. | 0:02:04 | 0:02:06 | |
Surprised she didn't call the police. | 0:02:06 | 0:02:08 | |
Terrified I've blown it. | 0:02:10 | 0:02:12 | |
Where'd she go? | 0:02:12 | 0:02:13 | |
Don't know. | 0:02:15 | 0:02:17 | |
Not answering her phone. | 0:02:17 | 0:02:19 | |
Ah, she's just gone to find some of that space you said you'd give her. | 0:02:19 | 0:02:22 | |
She'll be back. | 0:02:22 | 0:02:24 | |
Bloody hope so. | 0:02:24 | 0:02:26 | |
Oh, I got that job. | 0:02:30 | 0:02:33 | |
Yeah? | 0:02:33 | 0:02:35 | |
Yep. | 0:02:35 | 0:02:36 | |
That's because I mentioned crack dust | 0:02:36 | 0:02:38 | |
and the Botswanian death metal scene. | 0:02:38 | 0:02:41 | |
Must have been. You're welcome. | 0:02:41 | 0:02:43 | |
So, you're going to take it? | 0:02:44 | 0:02:45 | |
Don't know. | 0:02:45 | 0:02:47 | |
You haven't told Becky yet, have you? | 0:02:48 | 0:02:50 | |
-Nope. -What's the problem? | 0:02:50 | 0:02:53 | |
-I'm so scared, mate. -Of what? | 0:02:53 | 0:02:55 | |
Of taking my family out to the middle of nowhere - | 0:02:55 | 0:02:58 | |
to a malaria zone, for Christ's sake - | 0:02:58 | 0:03:00 | |
and not knowing what the fuck I'm doing once I'm there. | 0:03:00 | 0:03:03 | |
And not being able to cope. | 0:03:03 | 0:03:04 | |
And Becky seeing me not being able to cope. | 0:03:04 | 0:03:07 | |
Feels like stepping off a cliff into the unknown. | 0:03:07 | 0:03:10 | |
Sometimes in life, we have to step off cliffs. | 0:03:11 | 0:03:16 | |
That's not an expression. Shut up! | 0:03:16 | 0:03:18 | |
-Since meeting Kate, I... -Yeah, I know what you're going to say. | 0:03:20 | 0:03:22 | |
Since meeting your daughter for the first time, | 0:03:22 | 0:03:25 | |
it's made you re-evaluate what's important in life | 0:03:25 | 0:03:27 | |
and made you determined to grab every opportunity | 0:03:27 | 0:03:31 | |
and not take anything for granted. | 0:03:31 | 0:03:33 | |
Not word for word, but along those lines. | 0:03:33 | 0:03:36 | |
-Yeah, well, I've heard it all before. -Where? | 0:03:36 | 0:03:38 | |
On Oprah Winfrey, so back off. | 0:03:38 | 0:03:40 | |
Fed up with people trying to push me in directions I don't want to go. | 0:03:41 | 0:03:44 | |
You should take that job, mate. | 0:03:46 | 0:03:48 | |
You'll regret it, if you don't. | 0:03:48 | 0:03:51 | |
When have you got to let them know by? | 0:03:51 | 0:03:53 | |
End of the week, I think. It says in the letter. | 0:03:53 | 0:03:55 | |
-Bollocks. -What? | 0:04:00 | 0:04:02 | |
It's not there. Must have fallen out. | 0:04:02 | 0:04:04 | |
Oh, well. There you go. It's a sign. | 0:04:06 | 0:04:09 | |
There's no such thing as signs. | 0:04:10 | 0:04:13 | |
There are, when you want there to be. | 0:04:13 | 0:04:15 | |
Peter, what's going on? Why aren't you answering your phone? | 0:04:46 | 0:04:49 | |
I've had enough, Sophie. I'm packing up, getting out of here. | 0:04:49 | 0:04:52 | |
I don't know. | 0:04:52 | 0:04:54 | |
Terry and the others turned it into some stupid conspiracy | 0:04:54 | 0:04:56 | |
and it's spoilt for me. I'm going home. | 0:04:56 | 0:04:59 | |
What, that's it? You're just going? | 0:04:59 | 0:05:02 | |
It's not your fault, but the whole thing has gone sour. | 0:05:02 | 0:05:05 | |
They can have their rally, dig it all up. | 0:05:05 | 0:05:08 | |
It's nothing to do with me anymore. I'm sorry. | 0:05:08 | 0:05:11 | |
It was nice to meet you. | 0:05:12 | 0:05:14 | |
Yeah, you too. | 0:05:15 | 0:05:16 | |
SOPHIE SIGHS | 0:05:21 | 0:05:23 | |
Where are you? | 0:05:30 | 0:05:32 | |
No, change of plan. It has to be tonight. | 0:05:32 | 0:05:34 | |
Soon as you can. | 0:05:35 | 0:05:37 | |
-Capital of Mongolia? -Ulaanbaatar. | 0:05:41 | 0:05:44 | |
GAME BEEPS Knew it. | 0:05:44 | 0:05:46 | |
Largest carnivore? | 0:05:46 | 0:05:48 | |
-Blue whale. -Land carnivore. | 0:05:48 | 0:05:50 | |
Bengal tiger. | 0:05:50 | 0:05:52 | |
GAME BUZZES | 0:05:52 | 0:05:53 | |
-BOTH: -Polar bear. -Surprising. | 0:05:53 | 0:05:55 | |
Here, you going to be seeing your mate - the foreign one? | 0:06:01 | 0:06:05 | |
Peter, German? | 0:06:05 | 0:06:06 | |
-Yeah. -Yeah, maybe. | 0:06:06 | 0:06:07 | |
-He left this here. -Oh, right. Yeah, I can give it to him. | 0:06:07 | 0:06:10 | |
-When was he in? -Earlier, with two others. | 0:06:10 | 0:06:13 | |
Was Sophie with him? | 0:06:13 | 0:06:14 | |
Nah, it's two blokes. The one with the hair and a short one... | 0:06:14 | 0:06:17 | |
Simon and Garfunkel. They have their detectors with them? | 0:06:17 | 0:06:20 | |
Think so. | 0:06:20 | 0:06:21 | |
-Mate, you can't do that. -Shut up. | 0:06:26 | 0:06:28 | |
What's in there? | 0:06:28 | 0:06:30 | |
-What did he say his grandfather's name was? -Schneider. | 0:06:31 | 0:06:35 | |
Bellman. | 0:06:35 | 0:06:37 | |
Well, maybe it was his mum's dad. | 0:06:37 | 0:06:38 | |
No, he said his grandmother was pregnant with his father | 0:06:38 | 0:06:41 | |
when the plane went down. | 0:06:41 | 0:06:42 | |
Well, there's any number of reasons he could have a different name. | 0:06:42 | 0:06:45 | |
Mate, it's not looking good. He's after something else. | 0:06:45 | 0:06:48 | |
Surely, all that buried gold stuff's just internet bullshit. | 0:06:48 | 0:06:51 | |
It's a rural urban myth. | 0:06:51 | 0:06:53 | |
What was that? | 0:06:56 | 0:06:58 | |
Gold coin. | 0:06:58 | 0:07:00 | |
-Yeah? -Yeah. | 0:07:00 | 0:07:01 | |
It's German. It's got an eagle on it. | 0:07:02 | 0:07:05 | |
Is the eagle holding anything? | 0:07:06 | 0:07:08 | |
Yep. | 0:07:11 | 0:07:13 | |
It's holding a wreath. | 0:07:13 | 0:07:14 | |
Is there a symbol in the wreath? | 0:07:17 | 0:07:18 | |
Yeah. | 0:07:25 | 0:07:26 | |
We need to get hold of Terry. Emergency meeting. | 0:07:30 | 0:07:34 | |
Second thoughts, Mike. | 0:07:43 | 0:07:45 | |
We'll leave it here, in case he comes back for it. | 0:07:45 | 0:07:48 | |
Turns out we're not thirsty. | 0:07:48 | 0:07:50 | |
NERVOUS LAUGHTER | 0:07:50 | 0:07:51 | |
Neither of us. | 0:07:52 | 0:07:54 | |
DOORBELL RINGS | 0:08:02 | 0:08:03 | |
Lance, Andy. | 0:08:10 | 0:08:11 | |
Terence. | 0:08:13 | 0:08:14 | |
Come through to the operations room. | 0:08:14 | 0:08:16 | |
Everybody. | 0:08:21 | 0:08:23 | |
-EVERYBODY: -Lance. Andy. | 0:08:23 | 0:08:25 | |
Hello! Oh, how exciting. | 0:08:29 | 0:08:32 | |
-ALL: -Sheila. | 0:08:32 | 0:08:33 | |
Oh, I wish I'd known you were all coming. I'd have laid on a buffet. | 0:08:33 | 0:08:37 | |
Who would like some lemonade? | 0:08:38 | 0:08:40 | |
-Oh. Yes, please. -Yes, please, Sheila. -Aye, oh, you should try some. | 0:08:40 | 0:08:43 | |
-It's good stuff. -Mmm, tasty. -Really is. | 0:08:43 | 0:08:46 | |
-Well, two please, Sheila. -Go on, then. -Yes, please. | 0:08:47 | 0:08:51 | |
So, what's this about? | 0:08:56 | 0:08:57 | |
We don't think Peter's who he says he is. | 0:08:57 | 0:08:59 | |
We don't think his grandfather was on that plane | 0:08:59 | 0:09:01 | |
and he was seen drinking with the Dirt Sharks. | 0:09:01 | 0:09:03 | |
-I knew it. -Sneaky bastard. | 0:09:03 | 0:09:06 | |
And we've seen something that might back up Varde's buried gold theory. | 0:09:06 | 0:09:10 | |
Why, what'd you see? | 0:09:10 | 0:09:12 | |
Well, don't want to reveal too much at this stage. | 0:09:12 | 0:09:15 | |
But suffice it to say, a large gold coin dropped out of his wallet. | 0:09:15 | 0:09:19 | |
What type of gold coin? | 0:09:19 | 0:09:22 | |
A bad gold coin. | 0:09:22 | 0:09:24 | |
No! | 0:09:24 | 0:09:26 | |
-'Fraid so. -You mean a N... -Not in this house. Thank you, Russell. | 0:09:26 | 0:09:30 | |
We think they're going to hit that site. | 0:09:31 | 0:09:33 | |
-When? -Well, he knows we're onto him. | 0:09:33 | 0:09:36 | |
Why else would he be drinking with the Dirt Sharks? | 0:09:36 | 0:09:38 | |
-What, you think tonight? -We need to protect it. | 0:09:38 | 0:09:41 | |
I think you're right. I think we need to get up there. | 0:09:41 | 0:09:44 | |
-All of us? -A stakeout? | 0:09:44 | 0:09:46 | |
-Nothing more, nothing less, young Hugh. -Cool. | 0:09:46 | 0:09:49 | |
Right, so there are three ways into that field. | 0:09:50 | 0:09:55 | |
-You're going to have to guard all three. -Where will you be? | 0:09:56 | 0:09:59 | |
Sheila and I have got a prior engagement. | 0:09:59 | 0:10:01 | |
What? Where are you going? | 0:10:01 | 0:10:03 | |
Lindy hop. | 0:10:03 | 0:10:05 | |
Well, can't you forego the lindy hop? | 0:10:05 | 0:10:06 | |
Well, Sheila's been looking forward to the lindy hop. | 0:10:06 | 0:10:09 | |
So, dance is more important than detecting? | 0:10:09 | 0:10:11 | |
No, but Sheila is. | 0:10:11 | 0:10:13 | |
So, who's up for an all-nighter? | 0:10:14 | 0:10:18 | |
Lemonade! | 0:10:19 | 0:10:20 | |
-Ah. -Here. | 0:10:22 | 0:10:23 | |
-Thanks, Sheila. -Thank you. | 0:10:23 | 0:10:25 | |
The DMDC. | 0:10:27 | 0:10:29 | |
-ALL: -DMDC. | 0:10:29 | 0:10:30 | |
I'll get it. DOORBELL RINGS | 0:10:34 | 0:10:37 | |
Oh, hello, Sophie. | 0:10:40 | 0:10:41 | |
Hi, Sheila. Are they here? | 0:10:41 | 0:10:43 | |
Yes. Yes, do come through. | 0:10:43 | 0:10:45 | |
-Do you want some lemonade? -No, thanks. | 0:10:48 | 0:10:50 | |
-Oh, Sophie, there you are. -What have you done? | 0:10:51 | 0:10:54 | |
What have we done? | 0:10:54 | 0:10:56 | |
I just spoke to Peter. He's packing up and going. | 0:10:56 | 0:10:58 | |
-You've driven him away. -No, Sophie... -Yes, Andy. | 0:10:58 | 0:11:02 | |
He came to us, asking for help, | 0:11:02 | 0:11:03 | |
with a personal and emotional journey he was making. | 0:11:03 | 0:11:06 | |
-And you've just turned it into a farce. -Sophie... | 0:11:06 | 0:11:08 | |
You're all so paranoid! | 0:11:08 | 0:11:10 | |
You think everybody's out to take something from you. | 0:11:10 | 0:11:13 | |
Look, calm down, Sophie. | 0:11:13 | 0:11:15 | |
He's been lying to us. He's not even who he says he is. | 0:11:15 | 0:11:17 | |
-Oh, who is he, then? -Well, his name's not Schneider. | 0:11:17 | 0:11:20 | |
And that's your proof? | 0:11:20 | 0:11:21 | |
He's been seen drinking with the Dirt Sharks. | 0:11:21 | 0:11:24 | |
Yeah, I bet he wish he'd gone to them in the first place, | 0:11:24 | 0:11:27 | |
cos they're not going to turn the whole thing into a carnival | 0:11:27 | 0:11:29 | |
and invite the local paper down. | 0:11:29 | 0:11:31 | |
Sophie, he's a Night Hawk. | 0:11:38 | 0:11:40 | |
No. You're wrong. I'll prove it. | 0:11:40 | 0:11:43 | |
What's going on? | 0:12:14 | 0:12:15 | |
I decided to go up there | 0:12:17 | 0:12:18 | |
before Terry and the rest go digging it all up. | 0:12:18 | 0:12:21 | |
Why, what's up there? | 0:12:21 | 0:12:22 | |
You know what's up there, I told you. My grandfather's plane. | 0:12:22 | 0:12:26 | |
But he wasn't on it when it went down. | 0:12:26 | 0:12:28 | |
Yeah, but I still have a connection to it. | 0:12:28 | 0:12:30 | |
Won't be the special moment I was hoping for, | 0:12:30 | 0:12:32 | |
but it'll still be something. | 0:12:32 | 0:12:34 | |
They say you're a liar - that Schneider isn't even your name. | 0:12:34 | 0:12:37 | |
I never said my name was Schneider. | 0:12:37 | 0:12:40 | |
I have my stepfather's name, Bellman. | 0:12:40 | 0:12:42 | |
I thought we were spending the summer together. | 0:12:45 | 0:12:48 | |
We still can. | 0:12:48 | 0:12:49 | |
I'm sorry, I was angry before. I don't have to go home. | 0:12:49 | 0:12:54 | |
I'll go in the morning. Just let me do this tonight. | 0:12:54 | 0:12:57 | |
-Do you want me to help? -No, thanks. | 0:13:00 | 0:13:03 | |
I think I want to do this on my own. | 0:13:03 | 0:13:05 | |
You won't be able to take the van up that track, | 0:13:05 | 0:13:07 | |
so we should move the stuff on foot... | 0:13:07 | 0:13:10 | |
SOPHIE SIGHS | 0:13:15 | 0:13:17 | |
Hello, Kate? It's your dad. | 0:13:38 | 0:13:41 | |
It's Lance. | 0:13:41 | 0:13:43 | |
I just thought I'd leave you a message - another message. | 0:13:44 | 0:13:49 | |
Ignore the other seven. | 0:13:49 | 0:13:50 | |
I...just wondered if I was going to see you again, that's all. | 0:13:52 | 0:13:57 | |
And sorry about all the Christmas and birthday presents. | 0:14:00 | 0:14:04 | |
Don't know what I was thinking. | 0:14:04 | 0:14:07 | |
I'm going to load them all up in the car | 0:14:07 | 0:14:09 | |
and take them down the charity shop on Monday. | 0:14:09 | 0:14:11 | |
You were probably never into Evel Knievel, anyway. | 0:14:11 | 0:14:15 | |
I think that was probably for me. | 0:14:15 | 0:14:18 | |
But I do want you to keep that pocket money I saved you. | 0:14:20 | 0:14:23 | |
Yeah, that's yours. | 0:14:25 | 0:14:27 | |
You can give it away if you want, but I want you to have it. | 0:14:27 | 0:14:30 | |
Maybe... | 0:14:34 | 0:14:36 | |
Let me know if you want me to send it on anywhere. | 0:14:37 | 0:14:41 | |
Text me the address, if it's easier. | 0:14:44 | 0:14:46 | |
OK. Bye. | 0:14:48 | 0:14:50 | |
Come on, V. Why the silent treatment? | 0:15:13 | 0:15:16 | |
Did you tell your parents? | 0:15:24 | 0:15:26 | |
Tell them what? | 0:15:27 | 0:15:29 | |
That you were going to be up late? | 0:15:29 | 0:15:32 | |
No. | 0:15:32 | 0:15:33 | |
Do you want me to give them a ring? | 0:15:35 | 0:15:37 | |
Not really, no. | 0:15:39 | 0:15:41 | |
Funny, you never think you'll actually end up on a stakeout. | 0:15:56 | 0:15:59 | |
This is the third stakeout I've been on. | 0:16:02 | 0:16:06 | |
Yeah? What were the other two? | 0:16:06 | 0:16:08 | |
Well, first was protecting a giant vegetable, | 0:16:10 | 0:16:13 | |
the night before an important horticultural show. | 0:16:13 | 0:16:17 | |
It's a long story. I didn't grow it. | 0:16:17 | 0:16:20 | |
Pumpkin? | 0:16:21 | 0:16:22 | |
Marrow. | 0:16:22 | 0:16:23 | |
The other one? | 0:16:25 | 0:16:27 | |
Oh. Well, I staked out an ex-girlfriend's house, | 0:16:27 | 0:16:30 | |
see who she was going out with. | 0:16:30 | 0:16:32 | |
What? | 0:16:35 | 0:16:36 | |
Mate, that's stalking. | 0:16:36 | 0:16:38 | |
No, no. It would have become stalking if I'd have done it loads. | 0:16:38 | 0:16:43 | |
How many times did you do it? | 0:16:43 | 0:16:44 | |
Hmm, three or four. | 0:16:44 | 0:16:46 | |
SWING MUSIC | 0:16:58 | 0:17:01 | |
HE GROANS | 0:17:07 | 0:17:08 | |
HE GROANS | 0:17:20 | 0:17:21 | |
Terry to Cobb's Lane. Come in, Cobb's Lane, over. | 0:17:32 | 0:17:35 | |
This is Cobb's Lane. Go ahead, Lindy Hop, over. | 0:17:36 | 0:17:40 | |
Anything to report? Over. | 0:17:40 | 0:17:42 | |
Negative, Terence. | 0:17:43 | 0:17:45 | |
Nothing come through the Cobb's Lane access in either direction. Over. | 0:17:45 | 0:17:49 | |
There's no activity down by the site? Over. | 0:17:49 | 0:17:52 | |
'We don't actually have an eyeball on the site, Terence, from where we are. | 0:17:54 | 0:17:58 | |
'Over.' | 0:17:58 | 0:17:59 | |
Copy that. | 0:17:59 | 0:18:01 | |
Keep the access point under surveillance | 0:18:01 | 0:18:03 | |
'and standby for further instructions. | 0:18:03 | 0:18:05 | |
'Over.' | 0:18:05 | 0:18:07 | |
Juliet Bravo. | 0:18:09 | 0:18:10 | |
'Come in, Estan Road, over.' | 0:18:13 | 0:18:16 | |
Go ahead. Over. | 0:18:17 | 0:18:19 | |
'Anything happening down there? Over.' | 0:18:20 | 0:18:22 | |
Negative. | 0:18:24 | 0:18:25 | |
No. No suspicious activity here. | 0:18:26 | 0:18:30 | |
Over. | 0:18:30 | 0:18:32 | |
'Do you have a good view of the crash site? Over.' | 0:18:33 | 0:18:36 | |
No. Not from here, Terry. | 0:18:36 | 0:18:39 | |
It's the other side of the hill from us. Over. | 0:18:39 | 0:18:41 | |
'Copy that. Over.' | 0:18:43 | 0:18:45 | |
'Terry to Danebury Road, do you read me? Over.' | 0:18:47 | 0:18:50 | |
Danebury Road receiving you. Over. | 0:18:51 | 0:18:54 | |
'Louise, tell me you can see the crash site from where you are? | 0:18:54 | 0:18:59 | |
'Over.' | 0:18:59 | 0:19:00 | |
Um, that's a negative, Terry. Not from this position. | 0:19:01 | 0:19:04 | |
Am I to understand that not one of you can see the actual site | 0:19:06 | 0:19:10 | |
that we're supposed to be watching? Over. | 0:19:10 | 0:19:13 | |
'Seems about the size of it, Terry. | 0:19:15 | 0:19:17 | |
'Looks that way, Terry, yes. | 0:19:17 | 0:19:19 | |
'That's an affirmative. | 0:19:19 | 0:19:22 | |
'Over.' | 0:19:22 | 0:19:24 | |
Which one of you is closest? Over. | 0:19:24 | 0:19:26 | |
'That'll be us, Terry - Cobb's Lane. | 0:19:28 | 0:19:30 | |
'Do you want us to take a wander over? | 0:19:30 | 0:19:33 | |
'Over.' | 0:19:33 | 0:19:34 | |
Might be an idea, Lance(!) | 0:19:36 | 0:19:37 | |
Let's hit it. | 0:19:39 | 0:19:41 | |
Shit! | 0:20:03 | 0:20:04 | |
Come in, Terry. Over. | 0:20:05 | 0:20:07 | |
-Go ahead, over. -'We're too late.' | 0:20:07 | 0:20:10 | |
Night Hawks. | 0:20:10 | 0:20:12 | |
How did they get there? | 0:20:12 | 0:20:13 | |
Don't know. Didn't come past any of us. | 0:20:13 | 0:20:16 | |
Well, how many? Over. | 0:20:16 | 0:20:18 | |
Four. At least three with detectors. | 0:20:18 | 0:20:21 | |
Right, I'm going to call the police. | 0:20:22 | 0:20:24 | |
You sit tight and do not let them know you're there. | 0:20:24 | 0:20:26 | |
'Things can turn nasty with these sorts of people. | 0:20:26 | 0:20:29 | |
'I'll drop Sheila home and then I'll get straight down there. | 0:20:29 | 0:20:32 | |
'Over and out.' | 0:20:32 | 0:20:33 | |
SNORING | 0:20:34 | 0:20:36 | |
-Can you see any of their faces? -No. | 0:20:39 | 0:20:42 | |
Pretty sure it's Peter and the Dirt Sharks, | 0:20:42 | 0:20:45 | |
but there's somebody else, standing further away. | 0:20:45 | 0:20:48 | |
Just seems to be watching. | 0:20:48 | 0:20:49 | |
Anyone doing any gold dancing? | 0:20:49 | 0:20:51 | |
No. | 0:20:51 | 0:20:52 | |
Do Night Hawks do a gold dance, when they find gold? | 0:20:53 | 0:20:56 | |
I don't know. Does seem a bit frivolous. | 0:20:56 | 0:20:59 | |
DETECTOR BEEPS | 0:21:05 | 0:21:06 | |
Come on. Your detector's beeping. Why aren't you digging? | 0:21:06 | 0:21:09 | |
They're all false signals. There's so much scrap metal around. | 0:21:09 | 0:21:13 | |
The ground's all mineralised. Burnt from the explosion. | 0:21:13 | 0:21:16 | |
Doesn't this piece of junk have a gold setting? | 0:21:16 | 0:21:18 | |
The Arado 120B is a highly sophisticated | 0:21:18 | 0:21:21 | |
deep-seeking metal detector. | 0:21:21 | 0:21:23 | |
I don't understand why a German bomber going over England | 0:21:23 | 0:21:25 | |
would be carrying gold. Isn't that a ridiculous idea? | 0:21:25 | 0:21:29 | |
SIRENS BLARE | 0:21:29 | 0:21:30 | |
Shit. | 0:21:30 | 0:21:32 | |
Oh! | 0:21:32 | 0:21:34 | |
Ah! | 0:21:37 | 0:21:38 | |
No! The Arado! | 0:21:44 | 0:21:48 | |
You imbecile! | 0:21:49 | 0:21:51 | |
Stay down and keep your hands where I can see them. | 0:21:51 | 0:21:54 | |
I knew this would happen. I've stopped! There, I've stopped! | 0:21:55 | 0:21:58 | |
I'm not trying to get away! | 0:21:58 | 0:22:01 | |
Oh! I'm not resisting! | 0:22:01 | 0:22:04 | |
Agh! You're pulling my hair! HE SCREAMS | 0:22:04 | 0:22:07 | |
Come here! | 0:22:07 | 0:22:10 | |
Stop resisting and calm down, you big girl. | 0:22:10 | 0:22:12 | |
Get off me! | 0:22:12 | 0:22:13 | |
SNORING | 0:22:16 | 0:22:18 | |
Margarine. | 0:22:30 | 0:22:31 | |
-I haven't done anything wrong. -Why were you running, then? | 0:22:34 | 0:22:37 | |
-I didn't know who you were. -How many of you are there? | 0:22:37 | 0:22:40 | |
I didn't even want to come. Wasn't trying to get away. | 0:22:40 | 0:22:42 | |
-How many more? -There were four of them. | 0:22:42 | 0:22:45 | |
What are your names? | 0:22:45 | 0:22:46 | |
Philip Peters. | 0:22:46 | 0:22:48 | |
Paul Lee. | 0:22:48 | 0:22:50 | |
-Where are the other two? -I don't know. | 0:22:50 | 0:22:52 | |
Right, what are you doing here? | 0:22:52 | 0:22:54 | |
Night hawking. That's what they've been doing. | 0:22:54 | 0:22:56 | |
How dare you! | 0:22:56 | 0:22:58 | |
We have permission to be here. | 0:22:58 | 0:23:00 | |
-At two o'clock in the morning? -Who do you have permission from? | 0:23:00 | 0:23:04 | |
From me. | 0:23:04 | 0:23:05 | |
And you are? | 0:23:05 | 0:23:07 | |
I'm the Mayor. This is my land. | 0:23:07 | 0:23:09 | |
And you know these two men? | 0:23:09 | 0:23:11 | |
-Yes. -And you gave them permission to be here? -Mm-hmm. | 0:23:11 | 0:23:16 | |
-So what's the...? Why are we...? -Here comes Terry. | 0:23:16 | 0:23:19 | |
We've hit a snag, Terry. | 0:23:25 | 0:23:26 | |
Seems the Mayor has given them permission to dig. | 0:23:27 | 0:23:30 | |
No, actually. You can't give them permission to dig here, | 0:23:30 | 0:23:34 | |
because I've got the licence from the MoD | 0:23:34 | 0:23:37 | |
that says that this is a protected place. | 0:23:37 | 0:23:40 | |
Wrong. The Protection and Military Remains Act 1986 | 0:23:40 | 0:23:44 | |
states that this is a controlled site. | 0:23:44 | 0:23:46 | |
What's the difference? | 0:23:46 | 0:23:48 | |
Do you know what? | 0:23:50 | 0:23:52 | |
I know I should know the difference | 0:23:52 | 0:23:53 | |
between a protected place and a controlled site, | 0:23:53 | 0:23:56 | |
according to the Protection of Military Remains Act 1986, | 0:23:56 | 0:23:59 | |
but right now, I can't bring it to mind. | 0:23:59 | 0:24:03 | |
I shall have to look it up in a book - | 0:24:03 | 0:24:06 | |
and my book is back at the station, | 0:24:06 | 0:24:09 | |
so who'd like to come to the station? | 0:24:09 | 0:24:11 | |
We'll all go. | 0:24:13 | 0:24:15 | |
I'll give some of you a lift. | 0:24:15 | 0:24:17 | |
Hey. | 0:24:53 | 0:24:54 | |
What are you doing up? | 0:24:55 | 0:24:57 | |
I've got a three-month-old baby. | 0:24:57 | 0:24:59 | |
Oh, yeah. | 0:24:59 | 0:25:01 | |
How was your stakeout? | 0:25:10 | 0:25:12 | |
Yeah, we caught three of the bad guys, but one got away. | 0:25:12 | 0:25:15 | |
Is he asleep? | 0:25:18 | 0:25:19 | |
Just gone down. | 0:25:20 | 0:25:22 | |
Did you hear about that job yet? | 0:25:24 | 0:25:27 | |
-No, not yet. -No? | 0:25:27 | 0:25:29 | |
I got some good news today. | 0:25:31 | 0:25:33 | |
-Oh, yeah? -Yeah. I've been accepted on VSO. | 0:25:33 | 0:25:36 | |
Wait, so what does that mean? | 0:25:38 | 0:25:40 | |
It means me and Stanley are going to Botswana. | 0:25:40 | 0:25:44 | |
Without me? | 0:25:44 | 0:25:45 | |
You can do what you like, Andy. I really don't care. | 0:25:47 | 0:25:49 | |
Becky? | 0:25:49 | 0:25:51 | |
You are a fucking liar, Andy. | 0:25:51 | 0:25:53 | |
I know you got that job, because I saw the letter. | 0:25:54 | 0:25:57 | |
But you're too spineless to tell me about it. | 0:25:57 | 0:26:00 | |
So, me and Stanley will go to Botswana on our own | 0:26:00 | 0:26:03 | |
and you can stay here and play stakeouts | 0:26:03 | 0:26:05 | |
with your metal detecting friends. | 0:26:05 | 0:26:07 | |
-You can't... -Just watch me. | 0:26:07 | 0:26:09 | |
For Christ's sake, Becky, this isn't fair. | 0:26:09 | 0:26:11 | |
You've just come up with a plan and forged ahead with it, | 0:26:11 | 0:26:13 | |
knowing that I don't think it's the right thing to do. | 0:26:13 | 0:26:16 | |
I didn't come up with any plan, we both did. | 0:26:16 | 0:26:19 | |
We've always said we'd go to Africa. We've been saying it for years. | 0:26:19 | 0:26:22 | |
I thought you were joking. | 0:26:22 | 0:26:23 | |
I wasn't joking. | 0:26:26 | 0:26:27 | |
I fell in love with you because you're a dreamer. | 0:26:30 | 0:26:33 | |
But when it comes to the crunch, you don't act on those dreams. | 0:26:33 | 0:26:37 | |
Because if you don't act on them, | 0:26:37 | 0:26:39 | |
there's no risk of failure or disappointment. | 0:26:39 | 0:26:42 | |
What other things we said we'd do were you joking about? | 0:26:44 | 0:26:47 | |
SNORING | 0:27:42 | 0:27:45 |