Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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Am I totally confused, or are these ratings not good? | 0:00:03 | 0:00:06 | |
No, you're not confused at all. | 0:00:06 | 0:00:09 | |
-Do we pull it? -And replace it with what? | 0:00:09 | 0:00:12 | |
I can feel the acid eating my stomach. | 0:00:12 | 0:00:14 | |
-Should we talk about what happened? -(I had fun.) | 0:00:14 | 0:00:17 | |
Me too. | 0:00:17 | 0:00:19 | |
-I see no reason to feel guilty. -Yeah, absolutely none. | 0:00:19 | 0:00:22 | |
-It's not like we're together. -We're not together. We... We are... | 0:00:22 | 0:00:25 | |
..Not. | 0:00:26 | 0:00:27 | |
This programme contains strong language | 0:00:34 | 0:00:42 | |
GUNSHOT BLAST | 0:01:06 | 0:01:07 | |
Hello? | 0:01:18 | 0:01:19 | |
MERC: In here. | 0:01:19 | 0:01:20 | |
Oh. I'll come back. | 0:01:20 | 0:01:22 | |
No, no, it's OK. Come in. | 0:01:22 | 0:01:24 | |
Oh! Look at these numbers. | 0:01:28 | 0:01:30 | |
-I've seen them. -No, no, look. Look. | 0:01:30 | 0:01:32 | |
(SIGHS) | 0:01:32 | 0:01:34 | |
They're terrible, I know. | 0:01:34 | 0:01:36 | |
Why don't we have a dance show? | 0:01:36 | 0:01:38 | |
You said there were enough dance shows. I can come back. | 0:01:38 | 0:01:41 | |
Every fucking dance show is killing us! | 0:01:41 | 0:01:43 | |
Who wants to watch other people dance?! | 0:01:43 | 0:01:45 | |
People will watch anything. | 0:01:45 | 0:01:47 | |
Obviously not. | 0:01:47 | 0:01:49 | |
I don't have one goddamn night that's working. Not one! | 0:01:49 | 0:01:52 | |
All my new shows are tanking. Why? | 0:01:52 | 0:01:54 | |
I don't know. | 0:01:54 | 0:01:56 | |
And Pucks! What the hell happened to Pucks? | 0:01:56 | 0:01:58 | |
Research is all over it. We'll fix it. | 0:01:58 | 0:02:01 | |
I look at these ratings, it's like 9/11. | 0:02:01 | 0:02:03 | |
It's not like 9/11. | 0:02:03 | 0:02:05 | |
It's like watching the Towers fall. | 0:02:05 | 0:02:07 | |
It's nothing like that. | 0:02:07 | 0:02:08 | |
This is my Ground Zero. | 0:02:08 | 0:02:10 | |
By the way, this is not better than your Holocaust analogy. | 0:02:10 | 0:02:13 | |
Look, we will recover from this. | 0:02:13 | 0:02:16 | |
Everything is cyclical. | 0:02:16 | 0:02:17 | |
We will laugh about this some day. | 0:02:17 | 0:02:20 | |
-Not if we make a show out of it. -Listen to me. | 0:02:20 | 0:02:23 | |
We will come back stronger than ever. | 0:02:23 | 0:02:26 | |
What if we don't? | 0:02:27 | 0:02:28 | |
What if this is the time it just keeps getting worse? | 0:02:28 | 0:02:32 | |
I liked being on top. | 0:02:36 | 0:02:38 | |
Oh, I know you did. | 0:02:39 | 0:02:42 | |
You'll be on top again. | 0:02:42 | 0:02:45 | |
Will I? | 0:02:45 | 0:02:46 | |
Oh, baby! | 0:02:46 | 0:02:48 | |
It's going to be OK. I promise. | 0:02:50 | 0:02:54 | |
WATER SPLASHES IN TOILET | 0:02:57 | 0:02:59 | |
-Jesus! -What? | 0:03:04 | 0:03:07 | |
Our numbers from last night. | 0:03:07 | 0:03:08 | |
Oh, we go down again? | 0:03:08 | 0:03:10 | |
Not just down. It's like a fucking bungee jump. | 0:03:10 | 0:03:13 | |
Oh, shit! | 0:03:13 | 0:03:15 | |
Oh, man. | 0:03:17 | 0:03:18 | |
You know what just keeps going up? That fucking talking dog show. | 0:03:18 | 0:03:23 | |
-You know, I could've been on... -Jesus Christ, let it go! | 0:03:23 | 0:03:26 | |
I'm just saying. | 0:03:26 | 0:03:27 | |
-Oh, I've got a message for you. -Yeah? | 0:03:28 | 0:03:31 | |
Some woman friended me on Facebook. | 0:03:31 | 0:03:32 | |
She said she needs to get back in touch. | 0:03:32 | 0:03:34 | |
-You're on Facebook? -Uh-uh. -What's her name? | 0:03:34 | 0:03:36 | |
It's actually an odd one. | 0:03:36 | 0:03:38 | |
-Oh shit, is it Labia? -Yes! | 0:03:38 | 0:03:41 | |
Is that really how it's pronounced? It's not 'Lah-bia' or 'La-bee-a'? | 0:03:41 | 0:03:44 | |
-Nope, Labia. -As in? -Labia. | 0:03:44 | 0:03:47 | |
Since when are you on Facebook? | 0:03:47 | 0:03:49 | |
-A couple of months. -She's my stalker. | 0:03:49 | 0:03:51 | |
Facebook. Wow! | 0:03:51 | 0:03:52 | |
He's got a stalker named Labia and that's what you're focusing on? | 0:03:52 | 0:03:55 | |
It's, like, Hungarian or Polish or some shit. | 0:03:55 | 0:03:58 | |
I'm just surprised. We always made fun of people on Facebook. | 0:03:58 | 0:04:00 | |
They wore me down. Pretty much everyone's on it. | 0:04:00 | 0:04:03 | |
Your mother's on Facebook. | 0:04:03 | 0:04:04 | |
My mother's on Facebook? | 0:04:04 | 0:04:05 | |
-We're Facebook friends. -You and my mother? | 0:04:05 | 0:04:08 | |
You're not real-life friends. | 0:04:08 | 0:04:10 | |
I like her better this way. You can't hear her. | 0:04:10 | 0:04:12 | |
Listen, you've got to un-friend her. Seriously. | 0:04:12 | 0:04:14 | |
She's a fucking nut-bag! But you saw her picture, she's pretty hot, huh? | 0:04:14 | 0:04:18 | |
And that's important in a stalker? | 0:04:18 | 0:04:21 | |
It's important period. | 0:04:21 | 0:04:22 | |
-You need us? -Your 11:00 pitch meeting with the network is now. | 0:04:23 | 0:04:26 | |
-Hey, Matt. -Hey. -OK, off we go. | 0:04:26 | 0:04:29 | |
(ENGLISH ACCENT) Off we go! | 0:04:29 | 0:04:30 | |
All right, the first story is a bit of a road trip for Lyman and Nicola. | 0:04:36 | 0:04:40 | |
Fun! | 0:04:40 | 0:04:41 | |
It's Nicola's sister's wedding, but there's a huge blizzard and no planes are flying. | 0:04:41 | 0:04:45 | |
-Uh oh! -Nicola's car is buried under a mountain of snow, | 0:04:45 | 0:04:48 | |
so Lyman offers to drive her in his truck. | 0:04:48 | 0:04:51 | |
Can I just jump in? Quick thought. | 0:04:51 | 0:04:54 | |
What if, instead of Nicola's sister getting married, | 0:04:54 | 0:04:57 | |
it's one of the boys' sisters? | 0:04:57 | 0:05:00 | |
-That's fun. -Mmm. | 0:05:00 | 0:05:02 | |
Well, that would be a very different story. | 0:05:02 | 0:05:04 | |
Yeah, it's just a way to get all the boys in there. | 0:05:04 | 0:05:07 | |
Why are all the boys going to this wedding? | 0:05:07 | 0:05:09 | |
What if it's not a wedding? | 0:05:09 | 0:05:11 | |
Right. What if it's, like, a big game they don't want to miss? | 0:05:11 | 0:05:14 | |
A big game in a blizzard? | 0:05:14 | 0:05:16 | |
Why does it even have to snow? | 0:05:16 | 0:05:17 | |
Yes, why is there ever weather, really? | 0:05:17 | 0:05:20 | |
So, now Lyman's taking the boys to a big game? | 0:05:20 | 0:05:25 | |
Look, obviously none of us are writers. | 0:05:25 | 0:05:28 | |
BOTH: Obviously. | 0:05:28 | 0:05:29 | |
But what if the boys take Lyman's truck without his permission? | 0:05:29 | 0:05:35 | |
Ooh, that's nice and stakesy. | 0:05:35 | 0:05:37 | |
So the only part of our story that's left is there's a truck? | 0:05:37 | 0:05:40 | |
What if there's not? | 0:05:40 | 0:05:41 | |
All right, stop. Just... | 0:05:43 | 0:05:45 | |
Stop. | 0:05:45 | 0:05:46 | |
Tell us what is going on? | 0:05:46 | 0:05:48 | |
OK, er... It's the ratings. | 0:05:52 | 0:05:55 | |
You said not to worry about them. | 0:05:55 | 0:05:56 | |
Yeah, you can start now. | 0:05:56 | 0:05:58 | |
I see. | 0:05:58 | 0:05:59 | |
But, hold on, there is good news. | 0:05:59 | 0:06:02 | |
Our research says there is a core teenage audience | 0:06:02 | 0:06:05 | |
that's really connecting with the boys, especially Stoke. | 0:06:05 | 0:06:10 | |
Stoke. | 0:06:10 | 0:06:12 | |
Stoke can't even act, he's mostly hair. | 0:06:12 | 0:06:14 | |
-They like the hair. -It's hot hair. -Mmm. | 0:06:14 | 0:06:17 | |
So, now we can focus on what's actually working. | 0:06:17 | 0:06:21 | |
We just need to concentrate more on the boys and less on... | 0:06:21 | 0:06:25 | |
Matt and Morning. | 0:06:25 | 0:06:26 | |
You realise that would change the show. | 0:06:27 | 0:06:29 | |
Everything we've got is geared towards Matt. | 0:06:29 | 0:06:31 | |
-Matt is the show. We'd have to throw it all out. -No, no, no! | 0:06:31 | 0:06:35 | |
We're not saying everything. | 0:06:35 | 0:06:38 | |
Just shift the focus a little. Scooch it over a bit. | 0:06:38 | 0:06:41 | |
Scooch it? | 0:06:41 | 0:06:43 | |
Give it a scooch! | 0:06:43 | 0:06:44 | |
It may be just a matter of tweaks. | 0:06:44 | 0:06:46 | |
Tweaks? | 0:06:46 | 0:06:48 | |
And scooches. | 0:06:48 | 0:06:49 | |
"Relax, we're not going to get caught." | 0:06:55 | 0:06:57 | |
-"That's cos we're not going." -"Or you could grow a pair." | 0:06:57 | 0:07:00 | |
"My having testicles doesn't stop this from being stupid." | 0:07:00 | 0:07:03 | |
-THEY LAUGH -DIRECTOR: "Coach Lyman enters." | 0:07:03 | 0:07:06 | |
-"Has anyone seen the keys to my truck?" -"What do they look like?" | 0:07:06 | 0:07:09 | |
"One of them looks like a young Richard Chamberlain(!)" | 0:07:09 | 0:07:12 | |
"They look like keys." | 0:07:12 | 0:07:13 | |
"Sorry, Coach, haven't seen them." | 0:07:13 | 0:07:15 | |
"I'm losing my mind." | 0:07:15 | 0:07:17 | |
"Lyman exits." | 0:07:17 | 0:07:18 | |
-"He's totally going to find out." -"No way." | 0:07:20 | 0:07:22 | |
"He's going to be all weekend at that conference. | 0:07:22 | 0:07:25 | |
"He's not back till Monday." | 0:07:25 | 0:07:26 | |
"You sure?" | 0:07:26 | 0:07:28 | |
"He's gone the whole time." | 0:07:28 | 0:07:29 | |
"OK, if we're going to do this thing, we've got to leave now." | 0:07:29 | 0:07:33 | |
"The pageant's over in, like, an hour." | 0:07:33 | 0:07:35 | |
"When we get there, that hotel will be filled | 0:07:35 | 0:07:37 | |
"with one winner and 49 depressed and insecure girls, | 0:07:37 | 0:07:42 | |
"and they'll need help with their self-esteem. | 0:07:42 | 0:07:44 | |
LAUGHTER | 0:07:44 | 0:07:46 | |
"It doesn't bother you that we're emotional predators taking advantage of their pain?" | 0:07:46 | 0:07:50 | |
"No. | 0:07:50 | 0:07:51 | |
"Come on! 49 hot girls. We're talking pageant contestant hot. | 0:07:51 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:56 | |
This is going to be fun. | 0:08:00 | 0:08:02 | |
He just kept turning pages and looking. | 0:08:02 | 0:08:05 | |
-Oh no, he was counting, I definitely saw him counting. -Ready? | 0:08:05 | 0:08:08 | |
(SIGH) No. | 0:08:08 | 0:08:09 | |
-MATT: Hey! -You wanted to see us? | 0:08:11 | 0:08:13 | |
Yeah, come on in. | 0:08:13 | 0:08:14 | |
So, today was fun. | 0:08:21 | 0:08:23 | |
-It was. -I thought it was... -Good. | 0:08:23 | 0:08:24 | |
-It was just... It had so much... -You were good. | 0:08:24 | 0:08:27 | |
-Very pleased. -Mmm. | 0:08:27 | 0:08:28 | |
I got to see how the audience experiences it. That was different. | 0:08:28 | 0:08:32 | |
THEY LAUGH NERVOUSLY | 0:08:32 | 0:08:35 | |
Right, well... | 0:08:37 | 0:08:38 | |
This is a tricky episode, | 0:08:38 | 0:08:41 | |
what with the boys going off on their little adventure. | 0:08:41 | 0:08:44 | |
Yeah. I noticed it didn't leave a lot of adventure for me. | 0:08:44 | 0:08:48 | |
Which was weird. Or, as you say, "tricky". | 0:08:48 | 0:08:51 | |
THEY SPEAK AT THE SAME TIME | 0:08:51 | 0:08:53 | |
-I could see that. -No, that's a point. -Definitely. | 0:08:53 | 0:08:56 | |
So, what are we going to do? | 0:08:56 | 0:08:58 | |
Er, about? | 0:08:58 | 0:08:59 | |
About me not speaking between pages three and 24. | 0:08:59 | 0:09:02 | |
Really? Is it that many? | 0:09:02 | 0:09:04 | |
-Uh huh! -Three and 24... -Wow. | 0:09:04 | 0:09:06 | |
You don't notice it when you are there. | 0:09:06 | 0:09:07 | |
-You're so present. -You have presence. -OK, how about this? | 0:09:07 | 0:09:10 | |
What if I go on their little adventure with them? | 0:09:10 | 0:09:12 | |
Well, that wouldn't quite make sense. | 0:09:12 | 0:09:16 | |
The whole point is they're stealing your truck. | 0:09:16 | 0:09:19 | |
Also, I'm not sure the boys would want to go with you. | 0:09:19 | 0:09:23 | |
Yeah, I could see that. | 0:09:23 | 0:09:25 | |
Except you're making them up! | 0:09:25 | 0:09:27 | |
You can make them want to go with me. Huh? | 0:09:27 | 0:09:30 | |
Look, the episode is working. | 0:09:30 | 0:09:32 | |
I wish you were in it more, I really do, | 0:09:32 | 0:09:34 | |
but I don't think that's a reason to start dismantling the whole thing. | 0:09:34 | 0:09:38 | |
I agree. | 0:09:38 | 0:09:40 | |
OK. | 0:09:41 | 0:09:43 | |
Yeah? | 0:09:43 | 0:09:44 | |
You're right, it works. Let's not screw it up. | 0:09:44 | 0:09:47 | |
Oh, thank you. | 0:09:47 | 0:09:49 | |
Just promise I'm going to be heavy in next week's show. | 0:09:49 | 0:09:53 | |
Erm... | 0:09:53 | 0:09:54 | |
Erm... | 0:09:55 | 0:09:57 | |
-Oh, Jesus. -What? | 0:09:57 | 0:10:00 | |
-I get it. -What? What, what, what do you get? | 0:10:00 | 0:10:02 | |
This is your little revenge. | 0:10:02 | 0:10:04 | |
For what happened with the three of us. | 0:10:04 | 0:10:06 | |
What?! | 0:10:06 | 0:10:07 | |
Well, that is pretty shitty! | 0:10:07 | 0:10:10 | |
Seriously, could you maybe be less professional?! | 0:10:10 | 0:10:14 | |
-That is not what this is. -Bullshit! -It's not us. | 0:10:14 | 0:10:16 | |
-It's coming from the network. -Oh! | 0:10:16 | 0:10:19 | |
Oh. | 0:10:19 | 0:10:21 | |
I really wish it was you guys. | 0:10:22 | 0:10:24 | |
They're trying to appeal to a younger demographic. | 0:10:26 | 0:10:30 | |
They want us to refocus the show on the boys | 0:10:30 | 0:10:33 | |
and less on you and Morning. | 0:10:33 | 0:10:35 | |
Wow! | 0:10:41 | 0:10:44 | |
I'm sorry. | 0:10:44 | 0:10:46 | |
Hmm, me too. | 0:10:46 | 0:10:48 | |
So, er... Where are you guys? | 0:10:48 | 0:10:50 | |
Do you want to do a show about a bunch of hockey kids? | 0:10:50 | 0:10:53 | |
We didn't want to do a show about a hockey coach. | 0:10:53 | 0:10:55 | |
They think Stoke is a break-out star. | 0:10:55 | 0:11:00 | |
Which one's Stoke? | 0:11:00 | 0:11:01 | |
With the hair? Oh! | 0:11:01 | 0:11:04 | |
It always comes down to the fucking hair! | 0:11:04 | 0:11:07 | |
They have numbers and research... | 0:11:07 | 0:11:08 | |
-Research said Joey was going to be a hit. -Joey was a hit! | 0:11:08 | 0:11:11 | |
-Joey was terrific, in many ways. -You were good. | 0:11:11 | 0:11:14 | |
It's just there was less... | 0:11:14 | 0:11:16 | |
(SIGHS) OK. | 0:11:16 | 0:11:18 | |
Not to be an asshole about it but this is not what I signed up for. | 0:11:18 | 0:11:23 | |
I don't need to get paid to watch other people act. | 0:11:23 | 0:11:26 | |
Totally understand. | 0:11:26 | 0:11:27 | |
And now, to be an asshole about it, are you fucking kidding me?! | 0:11:27 | 0:11:30 | |
I'm the only one on this whole fucking show anyone's ever heard of! | 0:11:30 | 0:11:34 | |
-Morning... -Yeah, right(!) What's she done? -Morning? | 0:11:34 | 0:11:37 | |
-Oh, she did that... -Morning did... | 0:11:37 | 0:11:39 | |
-Er... -This is bullshit! They want less of me?! On PUCKS?! | 0:11:39 | 0:11:45 | |
On fucking Pucks?! I'm not good enough for this piece of shit show?! | 0:11:45 | 0:11:52 | |
-You're angry, it's OK. -Let it out, otherwise you'll get sick. | 0:11:52 | 0:11:56 | |
-Does Merc know about this?! -What do you think? -Jesus! Fuck! | 0:11:56 | 0:12:00 | |
-I'm going to fight this. -Fine, do it. | 0:12:00 | 0:12:02 | |
You've got the relationship. | 0:12:02 | 0:12:04 | |
This is not the way this is going to go down. This is not OK! | 0:12:04 | 0:12:08 | |
Urgh! | 0:12:08 | 0:12:09 | |
(PANTS) | 0:12:11 | 0:12:12 | |
Shit! | 0:12:25 | 0:12:26 | |
-Yup. -Unbelievable. -Mmm-hmm. | 0:12:27 | 0:12:30 | |
-How can they do this? You're Joey! -Right? | 0:12:30 | 0:12:33 | |
And I'm Kelly! | 0:12:33 | 0:12:34 | |
-Huh? -Kelly? I'm Kelly Girl? -OK. | 0:12:35 | 0:12:39 | |
I hate this fucking business. | 0:12:39 | 0:12:41 | |
I brought hors d'oeuvres. | 0:12:45 | 0:12:46 | |
And you think you don't have a problem. | 0:12:46 | 0:12:48 | |
Who said I don't have a problem? | 0:12:48 | 0:12:50 | |
BEVERLEY LAUGHS | 0:12:51 | 0:12:52 | |
Where do you even get it? Do you have like a dealer or... | 0:12:55 | 0:13:00 | |
A dealer?! No! | 0:13:00 | 0:13:03 | |
That sounds so druggy. | 0:13:03 | 0:13:05 | |
I have a prescription. | 0:13:08 | 0:13:10 | |
Why? | 0:13:10 | 0:13:11 | |
So I don't need a dealer. | 0:13:11 | 0:13:13 | |
There's this doctor | 0:13:13 | 0:13:15 | |
and you just have to tell him you're having trouble sleeping. | 0:13:15 | 0:13:19 | |
-Are you having trouble sleeping? -No. | 0:13:19 | 0:13:22 | |
Oh, I so need this today. | 0:13:24 | 0:13:26 | |
Matt was furious. | 0:13:26 | 0:13:28 | |
You told him? | 0:13:28 | 0:13:29 | |
Course we told him. He's not stupid. | 0:13:31 | 0:13:34 | |
Well, hopefully he realises it's all for the good of the show. | 0:13:34 | 0:13:38 | |
-Oh, my God! -What? | 0:13:38 | 0:13:40 | |
You turned into work Carol. | 0:13:40 | 0:13:41 | |
-You always say that. That's so not true. -You should hear yourself, | 0:13:41 | 0:13:46 | |
your voice changes, you become brutally pleasant. | 0:13:46 | 0:13:49 | |
Then don't fucking talk about work! | 0:13:49 | 0:13:51 | |
And we're back. | 0:13:51 | 0:13:52 | |
Ha ha(!) Did you remember to say no salami? | 0:13:52 | 0:13:56 | |
Oh, God, sorry. | 0:13:56 | 0:13:57 | |
It's OK. I'll just pick it out. | 0:13:57 | 0:13:59 | |
Sean hates chickpeas. Doesn't even like to touch them. | 0:13:59 | 0:14:04 | |
I always had to pick them out of his salad. | 0:14:04 | 0:14:06 | |
That's a weird thing to be nostalgic about. | 0:14:06 | 0:14:08 | |
I know. | 0:14:08 | 0:14:10 | |
So, how are things? You guys seem fine when I'm with you. | 0:14:10 | 0:14:15 | |
We are fine. At work it's almost normal. | 0:14:15 | 0:14:19 | |
We're just like we used to be. Minus all the good bits. | 0:14:19 | 0:14:23 | |
Aw... | 0:14:23 | 0:14:25 | |
I miss touching him. Feeling him hold me. | 0:14:25 | 0:14:29 | |
-It's like with me and Merc. -Not yet. -OK. | 0:14:29 | 0:14:32 | |
I miss talking with him, I mean really talking. | 0:14:34 | 0:14:39 | |
Some days I feel like I don't know him at all. He's on Facebook! | 0:14:39 | 0:14:43 | |
-Right. -You knew this? | 0:14:43 | 0:14:46 | |
Yeah. We're Facebook friends. | 0:14:46 | 0:14:48 | |
Apparently I don't know YOU so well, either. | 0:14:48 | 0:14:51 | |
Ooh! You want to see his Facebook page? | 0:14:51 | 0:14:54 | |
This is my page. | 0:15:02 | 0:15:05 | |
-1,642 friends. You ARE popular! -I know! | 0:15:07 | 0:15:14 | |
OK. | 0:15:14 | 0:15:15 | |
Here's Sean's page. | 0:15:15 | 0:15:18 | |
-He's got 137 friends. -Not so popular. | 0:15:20 | 0:15:24 | |
Huh. | 0:15:25 | 0:15:27 | |
What? | 0:15:27 | 0:15:29 | |
An old girlfriend of his. | 0:15:29 | 0:15:30 | |
Ooh, pretty. | 0:15:30 | 0:15:32 | |
In a fat, stupid way. | 0:15:33 | 0:15:35 | |
SHE CLEARS HER THROAT | 0:15:35 | 0:15:37 | |
I didn't even know they were in touch. | 0:15:37 | 0:15:40 | |
What's 'information'? | 0:15:40 | 0:15:42 | |
Basic stuff. Your birthday, where you're from, relationship status... | 0:15:42 | 0:15:48 | |
-Seriously, let's just turn this off. -It's all right. I want to see. | 0:15:49 | 0:15:55 | |
I'm sure it still says married. Why even... | 0:15:55 | 0:15:57 | |
'It's complicated.' | 0:16:01 | 0:16:02 | |
Well... | 0:16:07 | 0:16:09 | |
I suppose it is. | 0:16:10 | 0:16:12 | |
-Morning. -Hey. Can I see you for a sec? | 0:16:13 | 0:16:17 | |
What's this? | 0:16:21 | 0:16:22 | |
I felt bad that I never gave you a birthday present. | 0:16:22 | 0:16:25 | |
Oh, I definitely feel like you gave me something. | 0:16:25 | 0:16:29 | |
-Well, I also got you this. -Oh. You really didn't need to. | 0:16:29 | 0:16:34 | |
Ah, perfect. We writers do love our pens. | 0:16:34 | 0:16:38 | |
Look, I had it engraved. | 0:16:38 | 0:16:40 | |
'YCOMT'. | 0:16:42 | 0:16:44 | |
'You Came On My Tits.' | 0:16:44 | 0:16:46 | |
-That is true. -I thought it'd be tacky | 0:16:51 | 0:16:52 | |
-to have it all written out. -You made the right call. | 0:16:52 | 0:16:55 | |
Plus they charge by the letter, so... | 0:16:55 | 0:16:56 | |
Ah, frugal and filthy. Well, thank you. | 0:16:56 | 0:17:00 | |
-You could use it while writing next week's script. -Definitely. | 0:17:00 | 0:17:03 | |
And hopefully you'll think of me. | 0:17:03 | 0:17:05 | |
How could I not? | 0:17:05 | 0:17:06 | |
Exactly. | 0:17:06 | 0:17:08 | |
I always forget about this place. | 0:17:16 | 0:17:18 | |
Didn't we come here years ago with Jeff Saklow from Fox? | 0:17:18 | 0:17:21 | |
Yeah. Yeah, he brought that hooker with the boob that kept falling out. | 0:17:21 | 0:17:24 | |
Ha-ha! Right. | 0:17:24 | 0:17:26 | |
He ended up marrying her, you know. | 0:17:26 | 0:17:28 | |
Wait, that's Tracy? | 0:17:28 | 0:17:29 | |
I guess I never looked at her face. | 0:17:29 | 0:17:31 | |
Because it didn't have a nipple on it. | 0:17:31 | 0:17:33 | |
Hey, look who's here. | 0:17:34 | 0:17:36 | |
-The penne still great? -Always. | 0:17:37 | 0:17:40 | |
Oh, shit. Just give me a spinach salad. No egg, no bacon, | 0:17:40 | 0:17:44 | |
dressing on the side and a knife so I can kill myself. | 0:17:44 | 0:17:47 | |
I'll have the penne. | 0:17:47 | 0:17:49 | |
-You prick. -HE LAUGHS | 0:17:50 | 0:17:52 | |
So, talk to me. | 0:17:53 | 0:17:55 | |
What's going on? | 0:17:55 | 0:17:56 | |
Well, I don't know if you know, but they're saying Pucks needs to be | 0:17:56 | 0:18:00 | |
more about the kids and less about me. | 0:18:00 | 0:18:02 | |
-That's nuts! -They said it's coming from you. | 0:18:02 | 0:18:04 | |
Well, not just me. | 0:18:05 | 0:18:08 | |
Look, we're only trying to do what we can to help the show. | 0:18:08 | 0:18:11 | |
And you think less of me will help the show? | 0:18:11 | 0:18:14 | |
I've got to listen to the fucking research. | 0:18:14 | 0:18:17 | |
You don't have an opinion of your own? | 0:18:17 | 0:18:18 | |
Eh... | 0:18:18 | 0:18:19 | |
Look, you know why I did this show? | 0:18:19 | 0:18:22 | |
-Because I gave you a shit load of money? -No. | 0:18:22 | 0:18:24 | |
I didn't need to do this thing. I came back because you asked me to. | 0:18:24 | 0:18:29 | |
-With a shit load of money. -Forget the money. | 0:18:29 | 0:18:31 | |
You said you had a show for me. You asked me as a personal favour. | 0:18:31 | 0:18:35 | |
You said the network needed me. | 0:18:35 | 0:18:39 | |
(SIGHS) You're right. You're absolutely right. | 0:18:39 | 0:18:43 | |
-I know. -I hired you to be the star of a show. | 0:18:43 | 0:18:45 | |
-It's not fair of us to switch it up now. -Thank you. | 0:18:45 | 0:18:49 | |
The trouble is, the show we hired you for? | 0:18:50 | 0:18:53 | |
It's not working. | 0:18:53 | 0:18:54 | |
So here's the question. | 0:18:56 | 0:18:58 | |
Do you want to be one of the actors on a show that's on the air, | 0:18:58 | 0:19:02 | |
or the star of something that gets cancelled? | 0:19:02 | 0:19:04 | |
MOBILE PHONE RINGS | 0:19:16 | 0:19:17 | |
Hey. I just wanted to give you a heads-up. I'm quitting the show. | 0:19:19 | 0:19:23 | |
What? | 0:19:23 | 0:19:25 | |
I'm calling Merc La Penis now. | 0:19:25 | 0:19:28 | |
I'm also going to tell him I'm screwing his wife. | 0:19:28 | 0:19:31 | |
And after that, I'm going to tell him again! | 0:19:31 | 0:19:33 | |
All right, listen to me. | 0:19:33 | 0:19:34 | |
-La Penis! -'Are you listening?' | 0:19:34 | 0:19:37 | |
-Yeah, what? -Do not do anything till I get there. Where are you? | 0:19:37 | 0:19:41 | |
Right, the phone stays in your pocket. Do nothing. | 0:19:44 | 0:19:48 | |
HE LAUGHS | 0:19:50 | 0:19:52 | |
La Penis. That's... | 0:19:52 | 0:19:53 | |
MOBILE PHONE CHIMES | 0:19:55 | 0:19:57 | |
We've got a problem. | 0:20:00 | 0:20:03 | |
Just tell me you haven't called him yet. | 0:20:13 | 0:20:15 | |
-Who? -Did you call Merc? | 0:20:15 | 0:20:18 | |
No. | 0:20:18 | 0:20:20 | |
No, put the phone away. | 0:20:21 | 0:20:22 | |
Put it away. Put it... | 0:20:22 | 0:20:25 | |
You do not want to do this! | 0:20:25 | 0:20:27 | |
Oh, I want to do it. | 0:20:27 | 0:20:29 | |
People do not hire people who walk out on shows. | 0:20:29 | 0:20:33 | |
-Do you ever want to work again? -I don't care. | 0:20:33 | 0:20:35 | |
Listen to me. | 0:20:35 | 0:20:37 | |
Sorry. I hate to be a douche, but could I get an autograph? | 0:20:39 | 0:20:43 | |
It's just... Huge fan. | 0:20:43 | 0:20:45 | |
Sure thing. | 0:20:45 | 0:20:47 | |
Er... | 0:20:48 | 0:20:50 | |
Sorry. | 0:20:51 | 0:20:52 | |
-What's your name? -Dennis. | 0:20:56 | 0:20:58 | |
'Dennis, you are not a douche.' | 0:21:01 | 0:21:07 | |
HE GIGGLES | 0:21:07 | 0:21:09 | |
There you go. Bye-bye. | 0:21:09 | 0:21:11 | |
Thanks, man. | 0:21:11 | 0:21:13 | |
-Fancy. -A gift from Morning. | 0:21:16 | 0:21:18 | |
'Y-C-O-M-T'. 'You Came On My Tits'? | 0:21:18 | 0:21:23 | |
Yes! How did you know? | 0:21:23 | 0:21:25 | |
What else could it be? | 0:21:25 | 0:21:27 | |
Sorry I'm late. I had trouble getting in. | 0:21:28 | 0:21:30 | |
-Why? -Because I'm not 22. | 0:21:30 | 0:21:34 | |
I was just trying to tell Matt | 0:21:34 | 0:21:36 | |
why it would be a mistake for him to leave the show. | 0:21:36 | 0:21:40 | |
And I was saying I don't give a shit. There, you're all caught up. | 0:21:40 | 0:21:44 | |
-I'd love a whiskey. -Sure. | 0:21:44 | 0:21:47 | |
Need I even ask? Right. | 0:21:47 | 0:21:49 | |
(Come here.) | 0:21:53 | 0:21:55 | |
You can't quit. | 0:22:02 | 0:22:04 | |
I'm too old, I'm too rich, and I've been doing this too long. | 0:22:06 | 0:22:11 | |
I don't need this shit! | 0:22:11 | 0:22:13 | |
You're right, you don't. | 0:22:13 | 0:22:14 | |
-Thank you. -You realise if you leave, there is no show. | 0:22:14 | 0:22:19 | |
What about the boys? | 0:22:19 | 0:22:21 | |
They couldn't carry your bag, let alone a TV series. | 0:22:21 | 0:22:23 | |
No argument from me. | 0:22:23 | 0:22:25 | |
Look, you don't owe me anything, | 0:22:25 | 0:22:29 | |
but if this thing goes down, we go back to London. | 0:22:29 | 0:22:31 | |
So? | 0:22:31 | 0:22:33 | |
If we go back now, that's it, we're done. | 0:22:33 | 0:22:37 | |
As long as we're here, I still have a chance. | 0:22:38 | 0:22:41 | |
Don't quit yet. | 0:22:43 | 0:22:44 | |
Please. | 0:22:46 | 0:22:47 | |
Bev? | 0:22:50 | 0:22:51 | |
Andrew! | 0:22:52 | 0:22:55 | |
-Oh, my God! How are you? -Great! | 0:22:55 | 0:22:59 | |
This is Matt LeBlanc. | 0:23:02 | 0:23:05 | |
Andrew Lesley. Andrew used to be our PA. | 0:23:05 | 0:23:07 | |
Now he's a big time screenwriter. | 0:23:07 | 0:23:09 | |
Yeah, yeah, yeah, we've met. | 0:23:09 | 0:23:11 | |
Oh, fuck! Andrew! | 0:23:11 | 0:23:14 | |
-Sean! Hey. -Oh. | 0:23:14 | 0:23:17 | |
OK. | 0:23:17 | 0:23:19 | |
How have you been? | 0:23:20 | 0:23:22 | |
Well, I'm positively drowning in meetings. | 0:23:22 | 0:23:25 | |
-Oh, fatally? -It's insane. | 0:23:25 | 0:23:28 | |
It's only my first movie, | 0:23:28 | 0:23:30 | |
and suddenly it's like I'm the only one in town who can write one. | 0:23:30 | 0:23:33 | |
That IS insane. | 0:23:33 | 0:23:35 | |
Paramount's over the moon. | 0:23:35 | 0:23:37 | |
Are you sitting down? They're letting me direct the next one. | 0:23:37 | 0:23:42 | |
You're directing?! | 0:23:42 | 0:23:43 | |
-The next one?! -I know! It's mad! | 0:23:43 | 0:23:46 | |
BOTH: Yes! | 0:23:46 | 0:23:48 | |
How are you all? How's the show going? | 0:23:48 | 0:23:50 | |
No complaints. | 0:23:50 | 0:23:52 | |
-We're on the air. -I know, I saw it. | 0:23:52 | 0:23:54 | |
Well, it's very different from what we did before. | 0:23:59 | 0:24:03 | |
Very different. | 0:24:03 | 0:24:05 | |
We're still pleased with it. | 0:24:05 | 0:24:06 | |
Aah, that's nice. | 0:24:06 | 0:24:09 | |
I'm going to hit him. | 0:24:09 | 0:24:11 | |
-DIRECTOR: Picture up. On a bell! -BELL RINGS | 0:24:15 | 0:24:18 | |
Action! | 0:24:18 | 0:24:20 | |
Hey, you know what we should do? | 0:24:20 | 0:24:22 | |
Before we bring Coach's truck back, | 0:24:22 | 0:24:24 | |
we should paint it a slightly different colour | 0:24:24 | 0:24:26 | |
and see if he notices. | 0:24:26 | 0:24:29 | |
-Repaint the truck? -Yeah. | 0:24:29 | 0:24:30 | |
-Why? -It'd be funny. | 0:24:31 | 0:24:35 | |
That's not funny, that's just weird. | 0:24:36 | 0:24:37 | |
"Is it beige? Is it ecru?" That's not a joke. | 0:24:37 | 0:24:41 | |
-What's ecru? -It's a colour. | 0:24:41 | 0:24:43 | |
-Ecru's a colour? -Yeah, it's like taupe. -Taupe? -Taupe. | 0:24:43 | 0:24:46 | |
How do you know this? | 0:24:46 | 0:24:47 | |
Er, not to stereotype, but two gay dads? | 0:24:47 | 0:24:51 | |
Never taught me to throw a ball, but I do know ecru and taupe. | 0:24:51 | 0:24:54 | |
Hey! Less talking, more skating. | 0:24:54 | 0:24:57 | |
And cut! | 0:24:58 | 0:25:01 | |
Good work today, everyone. | 0:25:02 | 0:25:04 | |
Erm... before everyone leaves, | 0:25:05 | 0:25:08 | |
Mr LeBlanc here has been generous enough to book the rink for us | 0:25:08 | 0:25:11 | |
for the rest of the day. Free skates and hot chocolate, whatever you want. | 0:25:11 | 0:25:15 | |
CREW: All right! | 0:25:15 | 0:25:17 | |
CHEERING AND APPLAUSE | 0:25:17 | 0:25:18 | |
Well, see you tomorrow. | 0:25:23 | 0:25:25 | |
You're not staying to skate? | 0:25:25 | 0:25:26 | |
Oh, please, skate?! | 0:25:26 | 0:25:28 | |
Are you forgetting Zurich? | 0:25:28 | 0:25:29 | |
I distinctly recall being peeled off the ice with a spatula. | 0:25:29 | 0:25:32 | |
Oh, come on, everyone's staying. | 0:25:32 | 0:25:34 | |
I promise there'll be no kamikaze Swiss children taking you down. | 0:25:34 | 0:25:38 | |
'50s DOO-WOP MUSIC PLAYS | 0:25:41 | 0:25:43 | |
-You're such a baby! -I am not a baby! | 0:25:57 | 0:25:59 | |
I just don't understand the appeal of trying to balance on a floor | 0:25:59 | 0:26:04 | |
made of ice with two knives strapped to my shoes, waiting to fall down, | 0:26:04 | 0:26:09 | |
which you know will happen. At which point I will be thrown into the path | 0:26:09 | 0:26:13 | |
of a bunch of people, many of whom don't like me, | 0:26:13 | 0:26:16 | |
also with knives on their shoes. | 0:26:16 | 0:26:21 | |
-You ready? -Fine. | 0:26:24 | 0:26:26 | |
Big, big, baby. All right, now let go. Come on. I've got you. | 0:26:26 | 0:26:31 | |
Now the other one. | 0:26:32 | 0:26:33 | |
There you go, that's it. | 0:26:38 | 0:26:39 | |
(LAUGHS) | 0:26:39 | 0:26:41 | |
There you go, just try to relax. | 0:26:41 | 0:26:43 | |
OK? | 0:26:43 | 0:26:44 | |
Good. Right, I'm just going to come round here. | 0:26:45 | 0:26:47 | |
There you go. Look at you, skating. | 0:26:47 | 0:26:51 | |
-Mm-hmm. Now can I stop? -No. | 0:26:51 | 0:26:54 | |
Woah! (LAUGHS) | 0:26:54 | 0:26:56 | |
There you go. | 0:26:56 | 0:26:58 | |
-Got you, it's OK. Just relax. -I am. | 0:26:59 | 0:27:05 | |
-That's it, relax. -OK. | 0:27:05 | 0:27:06 | |
There you go. Very nice. See? | 0:27:11 | 0:27:15 | |
How's that? | 0:27:15 | 0:27:16 | |
Better. | 0:27:19 | 0:27:20 | |
THEY LAUGH | 0:27:35 | 0:27:36 | |
Subtitles by Red Bee Media Ltd | 0:28:05 | 0:28:09 |