Browse content similar to The Day Simon Thought It May Be a Good Idea to Find New Living Arrangements. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:06 | |
'I can't help but sympathise with you, Tony. | 0:00:07 | 0:00:09 | |
'There's one or two round my neck of the woods | 0:00:09 | 0:00:11 | |
'I'd be happy to see put in camps. | 0:00:11 | 0:00:12 | |
'Also today, why are you fat?' | 0:00:12 | 0:00:15 | |
What's he doing? Turn it off, Mum! | 0:00:41 | 0:00:44 | |
Finished, finished. | 0:00:44 | 0:00:46 | |
He's lying on my floor, this is what he does in the morning. | 0:00:46 | 0:00:50 | |
What's wrong with you? Are you still sleeping on that air bed? | 0:00:50 | 0:00:55 | |
I'm all right, it's just my neck and spine a bit. | 0:00:55 | 0:00:57 | |
I knew you'd love it here. Has Clive finished the roof now? | 0:00:59 | 0:01:03 | |
-Pretty much, yeah, I think he's back Monday? -Don't tell him how attractive I am at the moment. OK. | 0:01:03 | 0:01:07 | |
Do you want to give me your trousers now? | 0:01:07 | 0:01:09 | |
Oh, really, they're fine, they're fine. | 0:01:09 | 0:01:11 | |
Please, for ME, you've been wearing them all week. | 0:01:11 | 0:01:14 | |
-They're fine. They're fine. -You may want them for the audition, | 0:01:14 | 0:01:17 | |
I don't know when I'll be doing another wash. | 0:01:17 | 0:01:20 | |
Just take your trousers off so you can talk to your mother. Go on, Simon, quick! | 0:01:20 | 0:01:24 | |
Oh, my God. | 0:01:24 | 0:01:25 | |
You'll be nice to Liz when she gets here, yeah? | 0:01:26 | 0:01:29 | |
Me be nice? Who called her to apologise, Mum? | 0:01:29 | 0:01:32 | |
It was very big of me. | 0:01:32 | 0:01:34 | |
I know, good girl. Thank you. | 0:01:34 | 0:01:36 | |
-Where you going? -My legs are naked. -I used to wipe your bottom! | 0:01:36 | 0:01:39 | |
I want to hear about this play you're auditioning for. | 0:01:39 | 0:01:41 | |
Stop it, this is inappropriate poking! | 0:01:41 | 0:01:45 | |
Let me out, I need to meditate. | 0:01:45 | 0:01:46 | |
-Oh, why can't you masturbate like a normal person? -Oh, Tanya! | 0:01:46 | 0:01:50 | |
What? When he was a toddler he wouldn't leave it alone. | 0:01:50 | 0:01:53 | |
-Remember? We thought he'd rip it off. -Yeah. | 0:01:53 | 0:01:55 | |
DOORBELL | 0:01:55 | 0:01:57 | |
What's he doing? Is that how he parades himself around now? | 0:02:05 | 0:02:09 | |
Look, Barry! | 0:02:09 | 0:02:10 | |
Barry! Gosh! | 0:02:11 | 0:02:13 | |
What do you look so shocked for? | 0:02:13 | 0:02:14 | |
Oh, I just, I just I can't remember when Barry came round for lunch. | 0:02:14 | 0:02:19 | |
He's always here, Mum. | 0:02:19 | 0:02:21 | |
Barry? Barry?! No! Is he really here? Am I dreaming? | 0:02:21 | 0:02:25 | |
# I dreamed a dream in time gone by... # | 0:02:25 | 0:02:28 | |
-Yes, all right, Tanya. -Oh, is this a new coat? | 0:02:28 | 0:02:31 | |
-No. -No, I remember it. It's nice and brown. | 0:02:32 | 0:02:38 | |
Aah. How's my sister? | 0:02:38 | 0:02:41 | |
Yeah, yeah, fine. | 0:02:41 | 0:02:44 | |
Friends? | 0:02:44 | 0:02:45 | |
Yeah, OK. Don't need to turn the news on already, do we? | 0:02:45 | 0:02:49 | |
Yeah, what did we say? I'm here, OK? | 0:02:49 | 0:02:52 | |
It's OK. Let him watch it, Liz. The news. | 0:02:52 | 0:02:58 | |
Is anything happening? | 0:02:58 | 0:03:00 | |
Nothing at all. Apart from the devastating flood in China. | 0:03:00 | 0:03:04 | |
Oh, China, I'm making fish balls! | 0:03:04 | 0:03:07 | |
She's making our fish balls. | 0:03:07 | 0:03:09 | |
I'm making special ones for Simon with no fish. | 0:03:09 | 0:03:12 | |
Oh, isn't it nice we can all sit in a room together with no tension? | 0:03:13 | 0:03:17 | |
Of course. | 0:03:17 | 0:03:19 | |
Why should there be any tension? | 0:03:19 | 0:03:21 | |
Can we all just have a nice day without any drama? | 0:03:21 | 0:03:24 | |
Yes, I'm saying it's nice there isn't any. | 0:03:24 | 0:03:26 | |
-What tension do you think there should be? -None! That's what I'm saying. | 0:03:26 | 0:03:29 | |
-I haven't got any tension! -Lovely! | 0:03:29 | 0:03:31 | |
-Put that down. -Go on put it down. | 0:03:31 | 0:03:33 | |
'Cities downstream are not just inundated, | 0:03:33 | 0:03:37 | |
'they have been ripped apart to devastating effect.' | 0:03:37 | 0:03:40 | |
Aah. | 0:03:40 | 0:03:41 | |
-'Hundreds have died.' -Isn't this nice? | 0:03:41 | 0:03:45 | |
So, it's available from now. | 0:03:45 | 0:03:48 | |
And it's, so it's 600 pounds a month including all the Council tax | 0:03:48 | 0:03:51 | |
and the... A week? Oh, right. | 0:03:51 | 0:03:54 | |
Oh, no. Yeah, I was just thinking, er, I might call you back, | 0:03:54 | 0:03:58 | |
is that OK? | 0:03:58 | 0:04:00 | |
BANGING FROM THE ATTIC | 0:04:00 | 0:04:02 | |
-Is this the one you meant? -Oh, no, I don't need it now, Mum. | 0:04:05 | 0:04:09 | |
-What do you want that for? -Can we do it later, Mum? | 0:04:09 | 0:04:12 | |
Oh, OK. | 0:04:12 | 0:04:15 | |
-HE SNORTS -Shall we turn it off now? | 0:04:15 | 0:04:17 | |
Liz! People are losing their homes! A lot of people have died. | 0:04:18 | 0:04:22 | |
Oh, it's OK, let him enjoy the flood, Liz. | 0:04:22 | 0:04:25 | |
Oh, I haven't offered Barry a drink. Can he have tea? | 0:04:25 | 0:04:28 | |
I know he mustn't have milk. | 0:04:28 | 0:04:30 | |
I can have milk, who on earth said I can't have milk? | 0:04:30 | 0:04:32 | |
Oh, no, Liz said that dairy thickens your mucus. | 0:04:32 | 0:04:36 | |
Semi-skimmed will be fine, thank you. | 0:04:36 | 0:04:40 | |
-Oh, I've only got full-fat. -Just black for me. | 0:04:40 | 0:04:42 | |
Here's the star! Barry's here! | 0:04:48 | 0:04:51 | |
(Be nice today.) | 0:04:51 | 0:04:53 | |
Say hello to Barry. | 0:04:53 | 0:04:54 | |
HE SNORTS | 0:04:56 | 0:04:57 | |
Gosh, still got that, er... | 0:04:57 | 0:05:01 | |
What's that? | 0:05:01 | 0:05:02 | |
The er, the what is it, post-nasal, er, nasal congestion? | 0:05:02 | 0:05:05 | |
Post-nasal drip, Simon. Does it bother you? | 0:05:05 | 0:05:08 | |
Oh, no, I was, just, doesn't it bother you? | 0:05:08 | 0:05:11 | |
-Can't something be done? -Well yes, Simon, you can take antihistamines, | 0:05:11 | 0:05:14 | |
which will clear up the drip, but makes the mucus much thicker, | 0:05:14 | 0:05:17 | |
or there's decongestants, which thins the mucus but increases the drip. Which would you suggest? | 0:05:17 | 0:05:22 | |
Yeah, just carry on as you are, I suppose. | 0:05:22 | 0:05:24 | |
Can he have sugar? | 0:05:24 | 0:05:26 | |
Yes. | 0:05:26 | 0:05:27 | |
-Simon's got an audition for a play. -Oh, yes? | 0:05:30 | 0:05:33 | |
The Tempest. What do you think of that? | 0:05:33 | 0:05:36 | |
Amazing, isn't it? | 0:05:36 | 0:05:38 | |
What's amazes me is how any of these actors survive. | 0:05:38 | 0:05:40 | |
90 percent out of work, the reality is they just end up being | 0:05:40 | 0:05:44 | |
-a drain on the people around them. -Not me, you don't mean me, do you? -No. | 0:05:44 | 0:05:48 | |
I'll definitely be back in London one day. | 0:05:48 | 0:05:50 | |
How much do you think rent in London is, per square foot? | 0:05:50 | 0:05:53 | |
-I don't know. -Guess. -I don't even know what a square foot is. | 0:05:53 | 0:05:56 | |
You're talking 44 pounds a square foot in Central London, | 0:05:56 | 0:05:59 | |
and that's unfurnished. | 0:05:59 | 0:06:01 | |
Right. So... | 0:06:01 | 0:06:02 | |
It wasn't the best idea of the century selling your flat | 0:06:02 | 0:06:05 | |
at the time you did, I think we did all warn you, Simon. | 0:06:05 | 0:06:08 | |
Ben Theodore's directing it, tell him. | 0:06:09 | 0:06:11 | |
This actor he's been obsessed with for five years. | 0:06:11 | 0:06:14 | |
What about the yoghurt woman? | 0:06:14 | 0:06:15 | |
She used to be someone, ended up talking about yoghurt. | 0:06:15 | 0:06:17 | |
He's not Martine McCutcheon. | 0:06:18 | 0:06:20 | |
No, Martine McCutcheon. I'm not Martine McCutcheon. | 0:06:20 | 0:06:22 | |
It's such a lovely story, Liz, | 0:06:22 | 0:06:24 | |
they, er, they bumped into each other on the tube. | 0:06:24 | 0:06:27 | |
-You managed to pull him yet? -HE SNORTS | 0:06:27 | 0:06:29 | |
He said he quite liked my cardigan, that means something, doesn't it? | 0:06:29 | 0:06:34 | |
-Maybe he'll screw your cardigan. -Oh, Tanya! | 0:06:34 | 0:06:36 | |
What, I said, "screw." | 0:06:36 | 0:06:37 | |
Why would he ask you to audition? Doesn't he want his play to be good? | 0:06:37 | 0:06:40 | |
I was assertive. I said "I should be in this play. | 0:06:40 | 0:06:43 | |
"Why aren't I in this play. I can be in a play." | 0:06:43 | 0:06:45 | |
-He didn't say, "Cos you can't act?" -No. | 0:06:45 | 0:06:48 | |
He was quite impressed with me taking the time out to find myself creatively. | 0:06:48 | 0:06:52 | |
Is that what you said? Out loud? | 0:06:52 | 0:06:54 | |
-What part is it? -Ariel. Prospero's servant? | 0:06:54 | 0:06:58 | |
-Who's playing Prospero? June Sarpong? -THEY LAUGH | 0:06:58 | 0:07:00 | |
You shouldn't be the servant. You should be June Sarpong. | 0:07:00 | 0:07:04 | |
It's Shakespeare! "To be, or not to be..." | 0:07:04 | 0:07:07 | |
Bloody good question. | 0:07:07 | 0:07:09 | |
Oh, Clive's here. | 0:07:09 | 0:07:10 | |
-Thanks, Mum. -Don't get up. | 0:07:11 | 0:07:13 | |
-Hello, Bazza. -Hi. | 0:07:15 | 0:07:17 | |
What brought you here? Lose a bet? | 0:07:17 | 0:07:20 | |
Clive, he's like a funny character, isn't he? | 0:07:20 | 0:07:23 | |
Should send him over to China, maybe cheer them up a bit. | 0:07:23 | 0:07:26 | |
Si, I'm going to need you to flex your muscles, | 0:07:26 | 0:07:29 | |
-there's a bunch of stuff in the loft that needs moving. -What stuff? | 0:07:29 | 0:07:32 | |
Look at those arms, you want to lay off the steroids, pal! | 0:07:32 | 0:07:36 | |
Wouldn't say no to another tea when you're ready, Lilly. | 0:07:36 | 0:07:38 | |
Offshore Earthquake, right? I heard 7.5 on the old Richter. | 0:07:38 | 0:07:43 | |
Actually 7.5 on the Moment Magnitude Scale. | 0:07:43 | 0:07:47 | |
Not quite the same thing at all. | 0:07:47 | 0:07:50 | |
Fastest growing economy on the planet. | 0:07:50 | 0:07:52 | |
Probably us that has to cough up for it, though. | 0:07:52 | 0:07:55 | |
OK, shall we then? | 0:07:55 | 0:07:57 | |
Come on, Van Diesel. | 0:07:57 | 0:07:59 | |
How long have you been here? | 0:08:01 | 0:08:02 | |
Most people do get up before midday, Si. | 0:08:02 | 0:08:05 | |
Gosh, how ridiculous. Maybe I should meditate up here. | 0:08:05 | 0:08:07 | |
What are we doing? Was that a bit tense with Mum? | 0:08:07 | 0:08:10 | |
Should I find some way of getting this done myself? | 0:08:10 | 0:08:13 | |
Got a spare 20 grand you're desperate to get rid of? | 0:08:13 | 0:08:16 | |
-Oh no, you carry on. -Are you pushing me away? | 0:08:16 | 0:08:18 | |
No, no, let's move the boxes. | 0:08:18 | 0:08:19 | |
No, no, no. I don't need you to move boxes, I need a favour. | 0:08:19 | 0:08:22 | |
All right, Jewface? Mum said I should Help out. | 0:08:22 | 0:08:25 | |
Watch where you stand, young Adam, there's a lot of damp, | 0:08:25 | 0:08:28 | |
and some of the floor isn't as secure as I'd like. | 0:08:28 | 0:08:31 | |
Here's what I need from you, Captain. | 0:08:31 | 0:08:33 | |
What do you need? | 0:08:33 | 0:08:35 | |
Five minutes, alone, with mum, today. | 0:08:35 | 0:08:38 | |
Really? Could it not be pass you a tool? | 0:08:38 | 0:08:40 | |
Go on, what do you need? Do you, do you want a mole grip? | 0:08:40 | 0:08:43 | |
Gosh, you know your tools. | 0:08:43 | 0:08:45 | |
-We used to do a bit on the show called Toolbox Jury. -Classic. | 0:08:45 | 0:08:48 | |
No Listen, I know I came on a bit strong with the song last time, | 0:08:48 | 0:08:52 | |
but I'm playing the long game now, Si, | 0:08:52 | 0:08:54 | |
just need five minutes alone today to get things rolling again. | 0:08:54 | 0:08:58 | |
Then, when she sees this insulation. | 0:08:58 | 0:09:00 | |
Oh, yeah, she's always been a big fan of InstaFibre. | 0:09:00 | 0:09:03 | |
Sorry. What do you think you going to say? | 0:09:03 | 0:09:06 | |
Stop touching things, what are you doing? | 0:09:06 | 0:09:08 | |
You're just like Dad. | 0:09:08 | 0:09:09 | |
Seduction isn't about words, Si. | 0:09:11 | 0:09:13 | |
OK, well, what are we doing, what's happening? | 0:09:15 | 0:09:20 | |
Simon. | 0:09:20 | 0:09:21 | |
Yes. | 0:09:21 | 0:09:23 | |
Never be afraid of silence. | 0:09:23 | 0:09:26 | |
I am. I am afraid of silence. | 0:09:26 | 0:09:28 | |
Don't be. What is there to be... | 0:09:28 | 0:09:31 | |
I don't know, don't like it. | 0:09:31 | 0:09:32 | |
OK, I get, I get the point, yeah, are you going to talk. | 0:09:34 | 0:09:37 | |
Talk. Please, I can't take it. Speak. | 0:09:37 | 0:09:39 | |
OK, shh... | 0:09:39 | 0:09:41 | |
What are you? Why are you... | 0:09:42 | 0:09:45 | |
-..Why are you touching my elbow? -Feel anything? | 0:09:45 | 0:09:47 | |
Eh, uncomfortable? Again. | 0:09:47 | 0:09:50 | |
Do you two want to be alone? | 0:09:50 | 0:09:52 | |
What about this? | 0:09:52 | 0:09:54 | |
Oh, my God, yep, that's the one. Gosh. That was magical. Thank you. | 0:09:54 | 0:09:57 | |
It's so funny you living with Grandma now. | 0:09:57 | 0:09:59 | |
-What do you do all day? -I don't know, contemplate things? | 0:09:59 | 0:10:03 | |
-What do you contemplate? -Living here, loneliness, detachment. | 0:10:03 | 0:10:06 | |
It's like being at a retreat but with no healthy food, | 0:10:06 | 0:10:08 | |
and just one old woman. | 0:10:08 | 0:10:09 | |
-Right, then. -Hopefully I'll get this play and I can rent somewhere in London, maybe. | 0:10:09 | 0:10:13 | |
You should get somewhere in Soho, near Dad's work flat. | 0:10:13 | 0:10:16 | |
-You can walk to the sex shops. -What's Dad's work flat? | 0:10:16 | 0:10:19 | |
Dad's work has a load of flats for lawyers and people. | 0:10:19 | 0:10:23 | |
-But this one's so run-down and tiny no-one ever really uses it. -Does he ever lend it to anyone? | 0:10:23 | 0:10:27 | |
Yeah, he's in charge of the keys. Oh, my God! | 0:10:27 | 0:10:31 | |
Hello! | 0:10:31 | 0:10:32 | |
Urgh, they're so hairy! | 0:10:32 | 0:10:36 | |
Yep, they don't make 'em like that any more. | 0:10:36 | 0:10:38 | |
Although Mum opted for quite a retro vibe. | 0:10:38 | 0:10:40 | |
What do you want to do with this, Si? | 0:10:40 | 0:10:42 | |
I don't know, I'll get a bin liner and throw it away? | 0:10:42 | 0:10:44 | |
Well you can't throw away Bernie's stuff. | 0:10:44 | 0:10:47 | |
What then? Charity shop? Stop looking. | 0:10:47 | 0:10:49 | |
There's not even any sex, just naked women bending over. | 0:10:49 | 0:10:52 | |
Nice work if you can get it. So, you will ask her, yeah? | 0:10:52 | 0:10:56 | |
Yeah, can I go down now? I don't like it up here. | 0:10:56 | 0:10:59 | |
You can take it now, I don't mind. | 0:11:02 | 0:11:04 | |
Mum... | 0:11:04 | 0:11:05 | |
Just take it. What do want it for anyway? | 0:11:05 | 0:11:07 | |
I've got a... I've got a fancy dress party coming up, all right nosey? | 0:11:07 | 0:11:12 | |
-Oh, it's for the fancy dress party? -Whose? -You don't know them. | 0:11:12 | 0:11:16 | |
I'll put it away. Don't worry about it. | 0:11:16 | 0:11:19 | |
I know all your snippy friends. Why do you have to be so secretive all the time? | 0:11:19 | 0:11:22 | |
And they're off! | 0:11:22 | 0:11:24 | |
Ah, I'm putting it away. Can we all... | 0:11:24 | 0:11:26 | |
So, what are you going as in mum's tracksuit? | 0:11:26 | 0:11:28 | |
Duh! Uma Thurman. In Kill Bill? | 0:11:28 | 0:11:33 | |
-How do you know about Kill Bill? -It was on a fancy dress website. | 0:11:33 | 0:11:36 | |
-Well, try it on then. -No, not now. | 0:11:36 | 0:11:38 | |
Go on! It'll be fun! You can do a fashion show for Barry! | 0:11:38 | 0:11:42 | |
Get him going a bit. What are you going as? | 0:11:42 | 0:11:44 | |
He's going as Quentin Tarantino. Aren't you? | 0:11:44 | 0:11:46 | |
-What's the outfit for Quentin Tarantino? -A leather jacket. And sunglasses. | 0:11:46 | 0:11:51 | |
That's the Terminator. Or Fonzie, that's not... | 0:11:51 | 0:11:54 | |
-No, you have to go as a couple. -Shouldn't he be Bill then? | 0:11:54 | 0:11:57 | |
-He didn't want to go as Bill. -Why not? -Because he didn't. | 0:11:57 | 0:11:59 | |
-Why? -Google him. -Just tell me! | 0:11:59 | 0:12:02 | |
The actor died while touching himself in a cupboard, OK? | 0:12:02 | 0:12:07 | |
How are you Barry? | 0:12:13 | 0:12:14 | |
Not bad. 300 dead. | 0:12:14 | 0:12:17 | |
Oh, gosh, that's not good is it? | 0:12:17 | 0:12:19 | |
Do you not watch the news, Simon? | 0:12:19 | 0:12:22 | |
I try not to, it's often quite sad, isn't it? | 0:12:22 | 0:12:24 | |
Well, is it OK if the grown-ups try to remain informed? | 0:12:24 | 0:12:27 | |
Oh, it's nice they talk, isn't it? | 0:12:27 | 0:12:30 | |
How's work? How's the world of medical insurance? | 0:12:30 | 0:12:34 | |
-Why? -I don't know, it's what people ask, isn't it? | 0:12:34 | 0:12:37 | |
"How's work?," "How's your wife?" "Sport." | 0:12:37 | 0:12:40 | |
-I am watching this, Simon. -Sorry, sorry. | 0:12:40 | 0:12:42 | |
'Until 9 o'clock yesterday morning, | 0:12:42 | 0:12:44 | |
'the towns and villages that line the bank of the Yangtze River..." | 0:12:44 | 0:12:47 | |
Who said, um, Adam said something about your company having a flat? | 0:12:47 | 0:12:51 | |
-Is that a thing? -Did he? -HE SNORTS | 0:12:51 | 0:12:54 | |
-In Soho, somewhere. -Yes, Greek Street. | 0:12:56 | 0:12:58 | |
Greek Street, Mum, that's near where you had your hysterectomy! | 0:13:00 | 0:13:03 | |
Oh, yeah, nice area, we had pasta. | 0:13:03 | 0:13:06 | |
Yeah, but that should be quite perfect for me, Soho, | 0:13:07 | 0:13:09 | |
-if, er, I get this play. -I don't think so. | 0:13:09 | 0:13:11 | |
No? Oh, why, is it occupied? | 0:13:11 | 0:13:13 | |
It's not as simple as that. | 0:13:13 | 0:13:14 | |
Look, I hate to be the one to break it to you, Simon, | 0:13:14 | 0:13:17 | |
but the whole world doesn't revolve around you. See? | 0:13:17 | 0:13:21 | |
So, what, what are you saying? It's occupied? | 0:13:22 | 0:13:25 | |
Oh, look, Mum, is this our wedding video? How embarrassing? | 0:13:25 | 0:13:29 | |
You don't want to watch it, do you? | 0:13:29 | 0:13:31 | |
We're at a critical stage here, Liz. | 0:13:31 | 0:13:34 | |
310. Just found a family under an office block. | 0:13:34 | 0:13:37 | |
-Don't bother. Really. -I just thought maybe... | 0:13:37 | 0:13:40 | |
Everybody thought I looked like Audrey Hepburn, I don't think so, did you? | 0:13:40 | 0:13:44 | |
-Who? -Shall we just stick it on, or..? | 0:13:44 | 0:13:46 | |
It will only be for about a month. | 0:13:46 | 0:13:48 | |
Ooh, look fish balls! Look, Barry, your favourite! | 0:13:48 | 0:13:51 | |
Now, the warm ones are on the right, Liz, | 0:13:51 | 0:13:54 | |
I remembered you always used to want them warm, | 0:13:54 | 0:13:56 | |
-and, Tanya, yours are on the left. -Great. | 0:13:56 | 0:13:58 | |
It's just Adam said you lend it to people sometimes so I... | 0:13:58 | 0:14:02 | |
It's a bit more complicated than that. | 0:14:02 | 0:14:04 | |
Oh, Tanya! Please. | 0:14:04 | 0:14:05 | |
-I'd be there for like a month maybe and then... -Tanya! | 0:14:05 | 0:14:09 | |
-I saw all my old single girls last night. -Oh, yes. | 0:14:09 | 0:14:14 | |
We've started Zumba dancing, you should come on Tuesday, Liz. | 0:14:14 | 0:14:17 | |
It fuses hypnotic Latin rhythms. Do you want to come? | 0:14:17 | 0:14:21 | |
What? | 0:14:21 | 0:14:24 | |
No, I'm sure it's a lot of fun for you. | 0:14:24 | 0:14:27 | |
HE COUGHS AND SNORTS | 0:14:27 | 0:14:29 | |
What? It's not embarrassing once you get into it, I promise. | 0:14:29 | 0:14:33 | |
How is this helping? | 0:14:33 | 0:14:35 | |
Shh, stop now. | 0:14:35 | 0:14:36 | |
What dancing with a load of flabby middle aged divorcees? | 0:14:36 | 0:14:40 | |
Why are you laughing at me? | 0:14:40 | 0:14:43 | |
Fish balls! | 0:14:43 | 0:14:44 | |
They're laughing at me. Barry's sat there chuckling to himself. | 0:14:44 | 0:14:48 | |
What's that about Barry Chuckle? Ooh, where's Barry Chuckle? | 0:14:48 | 0:14:52 | |
Really? | 0:14:56 | 0:14:58 | |
There's no point being a big grump about it, | 0:15:00 | 0:15:02 | |
-just ignore the boring wanker. -Tanya! | 0:15:02 | 0:15:05 | |
Oh, I didn't know you were there. I didn't mean it. | 0:15:05 | 0:15:08 | |
You know I think he's wonderful. | 0:15:08 | 0:15:10 | |
Do you want to come in now? I want everyone together. | 0:15:10 | 0:15:13 | |
In a minute. Is Clive still here? | 0:15:13 | 0:15:15 | |
He's not eating with us. | 0:15:15 | 0:15:17 | |
I sleep with these morons and they refuse to piss off. | 0:15:17 | 0:15:21 | |
Do I have a bungee rope attached to my vagina or something? | 0:15:21 | 0:15:24 | |
-Tanya! -Don't you remember how he assaulted Simon? | 0:15:24 | 0:15:27 | |
Yeah, but isn't he handy? | 0:15:27 | 0:15:30 | |
-Suppose so. What? -What. | 0:15:30 | 0:15:34 | |
Do you want to say anything? | 0:15:34 | 0:15:35 | |
Do you want to help your son? It's like the Dictaphone. | 0:15:35 | 0:15:38 | |
Oh, the Dictaphone. | 0:15:38 | 0:15:40 | |
Let it go, he wouldn't lend you his Dictaphone, 15 years ago? | 0:15:40 | 0:15:45 | |
Why would he lie? "Sorry, Simon, don't have a spare one." | 0:15:45 | 0:15:48 | |
There were two sat in his drawer. | 0:15:48 | 0:15:49 | |
-Maybe he just... -Two! Two Dictaphones in his drawer. | 0:15:49 | 0:15:53 | |
What did you need a Dictaphone for anyway? | 0:15:53 | 0:15:55 | |
To make my jingles. | 0:15:55 | 0:15:57 | |
-You might not even get the play... -Oh. | 0:15:57 | 0:15:59 | |
Maybe you should wait for something better to come along anyway. | 0:15:59 | 0:16:03 | |
What's better? This is my chance to be a person again. | 0:16:03 | 0:16:05 | |
-What do you want me to do? -I dunno, defend me? Support me? | 0:16:05 | 0:16:09 | |
Just get me the flat, just tell him I should have the flat? | 0:16:09 | 0:16:11 | |
Are you masturbating? | 0:16:11 | 0:16:13 | |
Stop it! Masturbating all the time in my kitchen. | 0:16:13 | 0:16:19 | |
Do you want me to put these in the wash? | 0:16:19 | 0:16:21 | |
-Do you not want me to throw away? -Er, maybe just put it in. No? | 0:16:21 | 0:16:25 | |
You want me to? | 0:16:25 | 0:16:27 | |
Yeah they're all right, aren't they? | 0:16:27 | 0:16:30 | |
-I'll throw 'em, yeah? -OK, yeah, I suppose. | 0:16:30 | 0:16:32 | |
How much would they pay you for the play? | 0:16:32 | 0:16:34 | |
Oh, I don't know, I'm rich in soul. | 0:16:34 | 0:16:37 | |
Why can't you be in a film with Russell Brand? | 0:16:37 | 0:16:40 | |
-I don't know. -He's got real charisma, hasn't he? | 0:16:40 | 0:16:42 | |
You need to look at him, and see how he does it. | 0:16:42 | 0:16:46 | |
Cheer up, I'll talk to Barry, OK? | 0:16:46 | 0:16:48 | |
OK, but don't upset him. | 0:16:48 | 0:16:49 | |
Excuse me, I have tact, I can deal with the patronising shit. | 0:16:49 | 0:16:53 | |
-Tanya! -Why are you still here? | 0:16:53 | 0:16:56 | |
I'm putting Simon's pants in the bin! | 0:16:56 | 0:16:58 | |
-She's had her shredded wheat. -What's wrong with your father? Why won't he lend me the flat? | 0:17:04 | 0:17:09 | |
-Because he thinks you're irresponsible and selfish. -Well? | 0:17:09 | 0:17:12 | |
How often do you think Grandpa was up here with this? Once a week? | 0:17:12 | 0:17:15 | |
-I don't know. Can't we throw it away? -Grandpa was such a pervert. | 0:17:15 | 0:17:18 | |
-He was a human being with a penis. -Urgh! | 0:17:18 | 0:17:20 | |
What? It's sweet isn't it to just have the one porn magazine. Sort of loyal. | 0:17:20 | 0:17:24 | |
Si, look me in the eye and tell me that she's better off without me? | 0:17:24 | 0:17:27 | |
Oh, God, I don't really like eye contact. | 0:17:27 | 0:17:29 | |
Maybe just give it some time? | 0:17:29 | 0:17:31 | |
-She's having a lot of fun with her friends, Zumba dancing. -What's Zumba dancing? | 0:17:31 | 0:17:35 | |
It infuses Latin rhythms, everyone's talking about it, it's big news. | 0:17:35 | 0:17:38 | |
Be warned, Adam, women are like roads, | 0:17:38 | 0:17:42 | |
the more curves they've got, the more likely you are to kill yourself. | 0:17:42 | 0:17:46 | |
I'm not seeing the complete picture. What did I do wrong? | 0:17:46 | 0:17:50 | |
-You got drunk and ran Grandpa over. -It wasn't that. These things are complicated, -Come on, you're a mate, | 0:17:50 | 0:17:55 | |
I didn't just fall off the turnip truck, what was it? | 0:17:55 | 0:17:58 | |
I don't know, maybe you were just trying to look like | 0:17:58 | 0:18:01 | |
an alpha male all the time? | 0:18:01 | 0:18:02 | |
I'm a pretty sensitive guy underneath all this. | 0:18:02 | 0:18:06 | |
Yeah, yeah, me too. Maybe you should have shown that you were fallible? | 0:18:06 | 0:18:09 | |
it's good to see a bit of vulnerability. | 0:18:09 | 0:18:11 | |
You're pulling my plonker. | 0:18:11 | 0:18:13 | |
-No, no, I don't think I am. -Really? | 0:18:14 | 0:18:16 | |
All right, you're the boss, I can pretend to be a bit of a loser. | 0:18:16 | 0:18:21 | |
-OK. -What about this? | 0:18:21 | 0:18:22 | |
Vulnerable? | 0:18:25 | 0:18:26 | |
Erm... | 0:18:26 | 0:18:28 | |
Bad note. I think just be kind. | 0:18:28 | 0:18:31 | |
What? | 0:18:31 | 0:18:32 | |
-I turned two pages at once! -Oh, God, throw it away. | 0:18:32 | 0:18:35 | |
We could bring Grandpa back, like Jurassic Park. | 0:18:35 | 0:18:38 | |
Oh, Simon, I've done something awful. | 0:18:51 | 0:18:54 | |
-Oh, what? -I'm very sorry. | 0:18:54 | 0:18:58 | |
Oh. | 0:18:58 | 0:18:59 | |
It must have been dry clean only. | 0:18:59 | 0:19:01 | |
Yeah, maybe. | 0:19:02 | 0:19:03 | |
I should have checked, it was your favourite. | 0:19:03 | 0:19:06 | |
Oh, no, that one? No. It was too big, really. | 0:19:06 | 0:19:10 | |
I'm doing your no-fish fish balls. | 0:19:10 | 0:19:12 | |
-How are you feeling about me living here? -It's lovely having you. | 0:19:12 | 0:19:16 | |
-Is it? -It's lovely. -OK. -Really, lovely. | 0:19:16 | 0:19:19 | |
I'm feeling a bit concerned that it's been... | 0:19:19 | 0:19:23 | |
..Am I annoying here? | 0:19:23 | 0:19:24 | |
No! You annoying? You're my grandson. | 0:19:24 | 0:19:29 | |
But if Barry's got this flat, I could... | 0:19:29 | 0:19:30 | |
Oh, you don't want to live in London. | 0:19:30 | 0:19:32 | |
Just stay here, where's the sense in moving? | 0:19:32 | 0:19:35 | |
-I could just be nearer the play. -You can get the tube, easy. | 0:19:35 | 0:19:37 | |
-Well, still it's just a whole... -No, no, no | 0:19:37 | 0:19:40 | |
-you are completely free to go, any time you want. -Could you talk to Barry? | 0:19:40 | 0:19:43 | |
Anytime YOU want. I just don't see the sense in it. | 0:19:43 | 0:19:47 | |
Why can't he have the flat? Just out of curiosity? | 0:19:55 | 0:19:58 | |
-Tanya, please. -No, no, I'm very calm. | 0:19:58 | 0:20:01 | |
It's just he owes a lot of money to Derren Brown, Barry says. | 0:20:01 | 0:20:05 | |
-Derren Brown? -This is tension. | 0:20:05 | 0:20:06 | |
Listen to my voice! Light, smooth. | 0:20:06 | 0:20:09 | |
-So what is the problem... -Well, for starters, | 0:20:09 | 0:20:12 | |
he'd have to prove that he is using it for work purposes. | 0:20:12 | 0:20:14 | |
Yeah, well he probably got a play now. | 0:20:14 | 0:20:16 | |
-That doesn't count! -So what... | 0:20:16 | 0:20:19 | |
So, what exactly, if you had to put it into words... | 0:20:20 | 0:20:23 | |
What you don't seem to understand - | 0:20:23 | 0:20:25 | |
entertainers have the highest insurance premiums. | 0:20:25 | 0:20:28 | |
When was the last time he entertained anyone? | 0:20:28 | 0:20:31 | |
-It's not just a question of me handing over my keys. -It's such a big a deal, isn't it? -Mum, Mum, Mum. | 0:20:31 | 0:20:36 | |
If Simon were to use the flat, | 0:20:36 | 0:20:37 | |
I would have to sign a form to say that I was solely responsible for anything that goes on. | 0:20:37 | 0:20:41 | |
What do you think is going to go on? | 0:20:41 | 0:20:43 | |
We don't know, do we? | 0:20:43 | 0:20:45 | |
-Nothing, nothing will go on. -Drugs? Prostitutes? -OK, Mum... | 0:20:45 | 0:20:48 | |
My son is the most reliable, dull person you could have in there. | 0:20:48 | 0:20:51 | |
He doesn't even eat fish! | 0:20:51 | 0:20:53 | |
Tanya. That's enough. | 0:20:53 | 0:20:54 | |
I seem to remember a certain incident of someone walking | 0:20:54 | 0:20:58 | |
dog poo into our car. | 0:20:58 | 0:20:59 | |
-When he was 7? -We had to have it professionally cleaned. | 0:20:59 | 0:21:02 | |
-He was 7! -No I should have known better, it's true. | 0:21:02 | 0:21:04 | |
If he looked after his money... | 0:21:04 | 0:21:06 | |
Excuse me, he's rich in soul! You know what forget the flat. | 0:21:06 | 0:21:11 | |
No, don't forget, remember the flat! Remember! | 0:21:11 | 0:21:13 | |
Why can't he live with one of his friends? | 0:21:13 | 0:21:15 | |
Because he's embarrassed about not having any money, | 0:21:15 | 0:21:17 | |
and is trying to look like a recluse! | 0:21:17 | 0:21:19 | |
At the end of the day, | 0:21:19 | 0:21:20 | |
even if I were to make the appropriate calls, | 0:21:20 | 0:21:22 | |
nothing is guaranteed. | 0:21:22 | 0:21:23 | |
But, you could call... | 0:21:23 | 0:21:25 | |
Tanya! He's not a responsible adult, OK? | 0:21:25 | 0:21:28 | |
What do you mean? | 0:21:28 | 0:21:30 | |
Actually, I was just talking to Adam in the loft, | 0:21:30 | 0:21:32 | |
because I'm quite kind you know. | 0:21:32 | 0:21:34 | |
I feel sort of responsible for him, in a way. | 0:21:34 | 0:21:36 | |
What? What are you talking to my son about? | 0:21:36 | 0:21:38 | |
-What did he say? -No, nothing. -What's wrong? | 0:21:38 | 0:21:40 | |
Nothing. I was just talking to him in the loft, I'm saying he's all right, | 0:21:41 | 0:21:45 | |
-he's cool about stuff. -Adam! -What are you doing? -What did he say? -He didn't say anything. | 0:21:45 | 0:21:49 | |
I don't know what he's told you but the reason is Barry snores, | 0:21:49 | 0:21:52 | |
-that's why he's been sleeping in the spare room. That's all. There's nothing wrong. -Oh, dear God. | 0:21:52 | 0:21:56 | |
What's... I mean, he's all right about Grandpa and everything. | 0:21:56 | 0:22:00 | |
What? | 0:22:03 | 0:22:05 | |
-Have you had a fish ball? -No. -Well have one! | 0:22:08 | 0:22:11 | |
So, what do you think? It's possible? | 0:22:19 | 0:22:21 | |
Unbelievable! I will ask for you, OK? | 0:22:21 | 0:22:24 | |
If it's so important, | 0:22:24 | 0:22:25 | |
nothing else is going on in the world, as usual, I'll ask for you. | 0:22:25 | 0:22:29 | |
Thank you, Barry. Say thank you to Barry, Simon. | 0:22:29 | 0:22:34 | |
Thank you, Barry. When do you think you'll know, | 0:22:34 | 0:22:36 | |
just so I know what I'm doing with my life. | 0:22:36 | 0:22:38 | |
Next week, perhaps? Is that OK? | 0:22:38 | 0:22:40 | |
Yes, perfect, fine. Thank you. Sorry, I won't mention it again. | 0:22:40 | 0:22:44 | |
You're very kind. Isn't Barry kind? He's very kind. | 0:22:44 | 0:22:47 | |
What do you think the chances are? 80-20? | 0:22:48 | 0:22:52 | |
Are you ready? Come on, we're all waiting now. | 0:22:54 | 0:22:57 | |
No, you'll laugh. | 0:22:57 | 0:22:59 | |
No, we won't. | 0:22:59 | 0:23:00 | |
HE SNORTS | 0:23:00 | 0:23:01 | |
PHONE MESSAGE ALERT | 0:23:01 | 0:23:03 | |
Is that my phone? | 0:23:03 | 0:23:05 | |
Oh, I promised I'd ask, | 0:23:05 | 0:23:06 | |
is there any way you'd be happier getting back with Clive? | 0:23:06 | 0:23:09 | |
-No! -OK, just checking. | 0:23:09 | 0:23:11 | |
I'd be happier with Ralph Moat. | 0:23:11 | 0:23:13 | |
-Raoul? Raoul Moat? -Not Ralph? | 0:23:13 | 0:23:16 | |
Right, you ready? I'm... I'm coming in! | 0:23:16 | 0:23:18 | |
Ready or not, here goes nothing! | 0:23:18 | 0:23:20 | |
-They've offered me the part. -What?! | 0:23:20 | 0:23:22 | |
I'm coming in! | 0:23:22 | 0:23:24 | |
Ben spoke to the producer, he's worried that | 0:23:24 | 0:23:26 | |
they've insulted me asking to audition, | 0:23:26 | 0:23:28 | |
they think I'm a really interesting choice. | 0:23:28 | 0:23:31 | |
He's got the play. They've offered it to him, Mum! | 0:23:31 | 0:23:34 | |
-Oh, thank God. I exist, I'm a person. -Ah, isn't he clever? | 0:23:34 | 0:23:38 | |
Well? | 0:23:38 | 0:23:39 | |
This is going to launch you! Do you hear me? This is it. | 0:23:39 | 0:23:42 | |
You get Russell Brand a ticket. | 0:23:42 | 0:23:44 | |
Oh, and he did it all on his own, didn't you? | 0:23:44 | 0:23:46 | |
No father! | 0:23:46 | 0:23:47 | |
Hello! | 0:23:47 | 0:23:48 | |
BOTH: # There's no business like show business | 0:23:48 | 0:23:52 | |
# Like no business I know... # | 0:23:52 | 0:23:55 | |
TANYA! You made me put it on! | 0:23:55 | 0:23:57 | |
Well, Mum, what do you think? It's brilliant, isn't it? | 0:23:58 | 0:24:01 | |
-When does it start? -I think rehearsals start Monday. | 0:24:01 | 0:24:04 | |
Can you stop going on about a stupid bloody play? I'm Uma Thurman here! | 0:24:04 | 0:24:07 | |
It's good, no? | 0:24:12 | 0:24:14 | |
Sexy? | 0:24:17 | 0:24:19 | |
Don't be annoyed, it looks lovely. | 0:24:19 | 0:24:24 | |
You can keep it, if you want, I don't know what I should come as. | 0:24:24 | 0:24:28 | |
Are you going as well? | 0:24:28 | 0:24:30 | |
Oh, no, no, I mean for something else. | 0:24:30 | 0:24:35 | |
What, another fancy dress party? | 0:24:35 | 0:24:37 | |
-What's going on? Who's party is it? -Someone change the record? Liz. | 0:24:40 | 0:24:44 | |
Will somebody please speak? | 0:24:45 | 0:24:47 | |
We're having a small party for our anniversary, all right? | 0:24:47 | 0:24:50 | |
So, what was the part then, in the play? | 0:24:52 | 0:24:54 | |
Ariel. | 0:24:54 | 0:24:56 | |
She doesn't care. Are you not inviting me? | 0:24:56 | 0:24:58 | |
You're not inviting me, are you? No, that's fine. | 0:24:59 | 0:25:02 | |
Oh, don't make a whole thing about it, Tanya. | 0:25:02 | 0:25:05 | |
-I'm not. -I'm getting changed. | 0:25:05 | 0:25:08 | |
Look, it's a couples thing. | 0:25:08 | 0:25:10 | |
It's a couples thing. | 0:25:10 | 0:25:12 | |
Course it is. Yeah, I understand. | 0:25:12 | 0:25:14 | |
Yeah? | 0:25:14 | 0:25:16 | |
Cool, OK, good, good. | 0:25:16 | 0:25:19 | |
Wagamama! | 0:25:19 | 0:25:21 | |
-Oi! -God, there's a lock! | 0:25:26 | 0:25:29 | |
It's what he would have wanted! | 0:25:29 | 0:25:31 | |
Do you know what? I'm family. | 0:25:34 | 0:25:37 | |
We have friends who have invited us to their anniversary parties, | 0:25:37 | 0:25:41 | |
so we have to invite them. | 0:25:41 | 0:25:42 | |
-Shh, you're invited, you're invited. -You don't really want to go to this party do you? | 0:25:42 | 0:25:47 | |
It's the principle. It's my sister's anniversary. | 0:25:47 | 0:25:50 | |
Yeah, but do you ever even see each other socially, just like, | 0:25:50 | 0:25:52 | |
you and Liz, for a coffee or something? | 0:25:52 | 0:25:54 | |
-What? -Who meets up for coffee? | 0:25:54 | 0:25:57 | |
We're not some ridiculous women in a TV show. We're a family, | 0:25:57 | 0:25:59 | |
it's important we're able to sit in the same room together. | 0:25:59 | 0:26:02 | |
We don't even have to talk, just say hello, keep it light, and go home. | 0:26:02 | 0:26:06 | |
So, we're all agreed, yeah? Tanya's invited, yeah, Barry? | 0:26:06 | 0:26:13 | |
-Maybe you could come with Clive? -Don't mention Clive all the time. | 0:26:13 | 0:26:16 | |
Well don't keep him in the loft then. | 0:26:16 | 0:26:19 | |
-You know what? Fuck you both. -Tanya! -And you! -Oh! | 0:26:21 | 0:26:24 | |
Sorry, not you. You're both so high and mighty, aren't you? | 0:26:24 | 0:26:28 | |
-No. -What are you talking about now? | 0:26:28 | 0:26:31 | |
You couldn't just say, "Yeah, of course Simon can use the flat for a couple of weeks," | 0:26:31 | 0:26:34 | |
-No, no, you have to make it like it is really putting you out! -Tanya! | 0:26:34 | 0:26:38 | |
-Tanya, what you don't seem to... -HE SNORTS | 0:26:38 | 0:26:40 | |
..understand is... | 0:26:40 | 0:26:42 | |
Well, I wonder why it's difficult for me to... | 0:26:42 | 0:26:44 | |
-SHE SNORTS -..Understand? | 0:26:44 | 0:26:45 | |
Sorry, that wasn't necessary. | 0:26:45 | 0:26:48 | |
Oh, she's got such a mouth. | 0:26:48 | 0:26:49 | |
He's talking to the person for me, please let's not make a whole thing. | 0:26:49 | 0:26:52 | |
We all do things for family, Barry. | 0:26:52 | 0:26:55 | |
He's doing it. Thank you again, by the way. It's very good of you. | 0:26:55 | 0:26:58 | |
He did say he'd ask. | 0:26:58 | 0:27:00 | |
-Why couldn't you lend him your Dictaphone? -Oh! | 0:27:00 | 0:27:03 | |
-What? -What? I don't know what she's talking about. | 0:27:03 | 0:27:06 | |
Every time I come into this house another drama. Thank you. | 0:27:06 | 0:27:10 | |
Well, thank you all for a brilliant day. | 0:27:10 | 0:27:11 | |
Hang on, I'm still talking. | 0:27:11 | 0:27:14 | |
So, what are you going to go as? | 0:27:14 | 0:27:16 | |
Thanks, Tanya. Thanks very much. All I wanted was one pleasant day. | 0:27:16 | 0:27:20 | |
-Oh, shut up! -Shh, shoosh. Is he OK? | 0:27:20 | 0:27:24 | |
-I tried, didn't I? Tried again with your family. -What? | 0:27:24 | 0:27:27 | |
All right. So you'll let me know, yeah? That's a nice coat. | 0:27:27 | 0:27:31 | |
CRASHING FROM UPSTAIRS | 0:27:31 | 0:27:32 | |
Oh, what was that? | 0:27:32 | 0:27:34 | |
What's happened? | 0:27:34 | 0:27:37 | |
It all just came from up there. | 0:27:37 | 0:27:39 | |
Oh, gosh, my ceiling. | 0:27:41 | 0:27:43 | |
Oh, my God. Who's is all this? | 0:27:43 | 0:27:46 | |
-Er, it's Simon's. -Not mine, they're... | 0:27:46 | 0:27:48 | |
Actually folks, they're mine. | 0:27:48 | 0:27:50 | |
-What? -Sorry gang, it gets quite lonely up there. | 0:27:50 | 0:27:53 | |
What do you think you're doing, | 0:27:53 | 0:27:55 | |
dropping your pornography all over my son? | 0:27:55 | 0:27:58 | |
-You could have killed him. -You didn't bring these.. | 0:27:58 | 0:28:00 | |
Sorry, Lily, I'm a fallible old pervert, nothing can be done. | 0:28:00 | 0:28:03 | |
I'll be gone as soon as I fix the roof, well, | 0:28:03 | 0:28:06 | |
and this hole in the ceiling now. | 0:28:06 | 0:28:08 | |
I think it may be best if you went now. | 0:28:08 | 0:28:09 | |
Right. | 0:28:09 | 0:28:11 | |
No, hang on. Clive's fixing my Mum's roof. | 0:28:11 | 0:28:15 | |
-It doesn't look like it. -Did you offer to do it? | 0:28:15 | 0:28:18 | |
No. What are you doing for this family? You don't masturbate, no? | 0:28:18 | 0:28:23 | |
You just have functional sex twice a year with Kill Bill? | 0:28:23 | 0:28:26 | |
Simon's right, you are a patronising shit. | 0:28:27 | 0:28:30 | |
Clive is a generous, kind man, let him have a wank in the loft! | 0:28:30 | 0:28:34 | |
Oh, Tanya. | 0:28:34 | 0:28:37 | |
60-40? | 0:28:38 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:59 | 0:29:07 |