Browse content similar to Bubbly. Check below for episodes and series from the same categories and more!
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# Have I the right to hold you? | 0:00:02 | 0:00:04 | |
# You know I've always told you | 0:00:04 | 0:00:07 | |
# I've loved you from the very start | 0:00:07 | 0:00:11 | |
# Well, come right back I just can't bear it | 0:00:13 | 0:00:17 | |
# I got some love and I long to share it | 0:00:17 | 0:00:20 | |
# Come right back Right back where you belong | 0:00:20 | 0:00:25 | |
# Oh, yeah, you belong. # | 0:00:25 | 0:00:28 | |
SHE HUMS TO HERSELF | 0:00:36 | 0:00:38 | |
SHE SIGHS | 0:00:50 | 0:00:52 | |
Jars and bottles, plastic bottles. Ah! | 0:00:52 | 0:00:54 | |
Tops, tops... | 0:00:57 | 0:00:58 | |
SHE SIGHS | 0:01:20 | 0:01:22 | |
SHE SIGHS | 0:01:24 | 0:01:26 | |
-Do you consider yourself a tree lover? -Oh, it's you. | 0:01:50 | 0:01:54 | |
And my morning's been going so well. | 0:01:54 | 0:01:56 | |
A tree lover? | 0:01:57 | 0:01:59 | |
Well, I see you performing your civic duty by, er... | 0:01:59 | 0:02:02 | |
..letting him fertilise this tree here. | 0:02:02 | 0:02:05 | |
Where did you ever get that idea? | 0:02:05 | 0:02:07 | |
Well, has it ever occurred to you that a steady diet of dog poo | 0:02:07 | 0:02:10 | |
and dog pee might not be beneficial to a tree? You know, | 0:02:10 | 0:02:14 | |
might actually harm it? | 0:02:14 | 0:02:17 | |
No, I can in all honestly say it never has, no. Never. | 0:02:17 | 0:02:21 | |
Which could be why this particular tree's lost its | 0:02:21 | 0:02:25 | |
snap, crackle and pop. | 0:02:25 | 0:02:27 | |
I don't think you should worry | 0:02:27 | 0:02:29 | |
your already overburdened head with any of this. | 0:02:29 | 0:02:31 | |
I think we can leave the dogs | 0:02:31 | 0:02:32 | |
and the trees to sort all this out amongst themselves. | 0:02:32 | 0:02:35 | |
This from Professor Dugdale, head of symbiotic tree | 0:02:35 | 0:02:40 | |
and dog studies at the "Do The Bears Defecate In The Woods?" Institute. | 0:02:40 | 0:02:44 | |
No, I'd say you're a man in need of a holiday. | 0:02:44 | 0:02:48 | |
So would I, so would I. | 0:02:48 | 0:02:50 | |
Yes. Well, good to see you. Keep up the good work. | 0:02:50 | 0:02:53 | |
And don't stop feeding the dog. | 0:02:57 | 0:02:59 | |
Oh! Morning, Phil. | 0:03:10 | 0:03:13 | |
Bloody Dugdale. | 0:03:18 | 0:03:20 | |
He's very regular. | 0:03:20 | 0:03:23 | |
Yes, he is. | 0:03:23 | 0:03:24 | |
So's his dog. | 0:03:24 | 0:03:25 | |
SHE CHUCKLES | 0:03:25 | 0:03:27 | |
More exciting hints... on recycling etiquette. | 0:03:27 | 0:03:32 | |
Yes, all changed again. | 0:03:32 | 0:03:35 | |
-You must have had one, too. -Yes, I did. | 0:03:35 | 0:03:37 | |
Newspapers must not co-mingle with kitchen paper. | 0:03:37 | 0:03:40 | |
Co-mingle, eh? | 0:03:40 | 0:03:43 | |
-Let me put the kettle on. -OK. | 0:03:43 | 0:03:45 | |
"Let me put the kettle on." | 0:03:45 | 0:03:47 | |
You make it sound so alluring. | 0:03:49 | 0:03:51 | |
-Oh, shut up and have a biscuit. -All right. | 0:03:51 | 0:03:55 | |
Edith... | 0:03:59 | 0:04:01 | |
-I'm not sure, Phil, I really don't know. -Why, what was I going to say? | 0:04:01 | 0:04:05 | |
Well, what you always say when you eat the first biscuit. | 0:04:05 | 0:04:08 | |
Well, that's why you make the biscuits - | 0:04:08 | 0:04:10 | |
it's to start our usual conversation. | 0:04:10 | 0:04:12 | |
So how about it? | 0:04:13 | 0:04:14 | |
Look, if we were married I wouldn't have to cross the road | 0:04:16 | 0:04:19 | |
every day, would I? | 0:04:19 | 0:04:21 | |
What other advantages would there be? | 0:04:21 | 0:04:23 | |
Apart from you not having to cross the road? | 0:04:23 | 0:04:25 | |
Well, I've told you, we'd pool our resources. | 0:04:25 | 0:04:28 | |
I'd sell my house, you'd sell yours, | 0:04:28 | 0:04:29 | |
and we can buy a place in the sun in another country. | 0:04:29 | 0:04:34 | |
-It could give us ten more years. -Or finish us off. | 0:04:34 | 0:04:37 | |
Why are you being so timid? You never used to be timid. | 0:04:37 | 0:04:41 | |
When we were young... Hm-hm! | 0:04:41 | 0:04:43 | |
-I wouldn't like to die abroad. -Who's dying? | 0:04:43 | 0:04:46 | |
-I don't imagine we're going to live forever. -You're quite wrong. | 0:04:46 | 0:04:50 | |
Due to medical science, I am now over 25% titanium. | 0:04:50 | 0:04:55 | |
-Better than I've ever been. -Oh, dear. | 0:04:55 | 0:04:58 | |
Droves of bionic crumblies all wandering about | 0:04:58 | 0:05:01 | |
trying to remember where we put our bus passes. | 0:05:01 | 0:05:04 | |
-You should have married me in the first place. -You never asked me. | 0:05:05 | 0:05:09 | |
Well, that was your mother. She thought I was no good. | 0:05:09 | 0:05:13 | |
Very perspicacious, my mum. | 0:05:13 | 0:05:14 | |
Hm. | 0:05:16 | 0:05:17 | |
SHE GRUNTS | 0:05:24 | 0:05:26 | |
Colin was a good bloke. | 0:05:46 | 0:05:48 | |
And you were happy with Celia. | 0:05:48 | 0:05:49 | |
Mm! Mm! | 0:05:49 | 0:05:51 | |
Alternate days. | 0:05:51 | 0:05:53 | |
I am old now. | 0:05:53 | 0:05:54 | |
I'm ancient. I'm on my own. | 0:05:54 | 0:05:56 | |
I need rescuing by you. | 0:05:56 | 0:05:58 | |
On your own? You're here most of the time! | 0:05:58 | 0:06:01 | |
Well, I want to be here all of the time, I want us | 0:06:01 | 0:06:04 | |
to get married, I'm... I'm... I'm very conventional, you know? | 0:06:04 | 0:06:07 | |
I'm not like you used to be - a hippie. | 0:06:07 | 0:06:10 | |
I was never a hippie. I was... | 0:06:10 | 0:06:12 | |
-I was a mod if I was anything. -Mod! | 0:06:12 | 0:06:15 | |
THEY LAUGH | 0:06:15 | 0:06:16 | |
I can't do this much more. | 0:06:22 | 0:06:23 | |
Was it something I said? | 0:06:36 | 0:06:37 | |
Probably. | 0:06:39 | 0:06:40 | |
Usually is. | 0:06:40 | 0:06:41 | |
Listen, I... I won't do this any more, I promise. | 0:06:43 | 0:06:46 | |
You... You... You're right, it's time just... | 0:06:46 | 0:06:48 | |
..to let it go. | 0:06:50 | 0:06:52 | |
Let it go? Oh, dear. | 0:06:52 | 0:06:54 | |
Are you kidding? | 0:06:57 | 0:06:59 | |
Is this what I think it is? | 0:06:59 | 0:07:01 | |
Oh, thank God! | 0:07:01 | 0:07:03 | |
You planned this - you knew all along! | 0:07:05 | 0:07:06 | |
Well, not planned exactly, not all along. | 0:07:06 | 0:07:09 | |
Bloody hell, you got me then! | 0:07:09 | 0:07:12 | |
-I'll never trust you again. -You once accused me of being reckless. | 0:07:12 | 0:07:15 | |
Well, if this is reckless, bring it on! | 0:07:15 | 0:07:18 | |
Ohh! | 0:07:18 | 0:07:19 | |
DOORBELL | 0:07:19 | 0:07:20 | |
Don't get it. No, don't... | 0:07:21 | 0:07:23 | |
HE GROANS | 0:07:23 | 0:07:25 | |
HE LAUGHS | 0:07:27 | 0:07:28 | |
-Hello, Mum. -Roger! Hello, dear. | 0:07:30 | 0:07:33 | |
-Where are you off to? -I've come home. | 0:07:33 | 0:07:35 | |
-Home? -I've left Wendy, that's it, it's over. -What? -I've left her. | 0:07:35 | 0:07:40 | |
Left her? But what about the children? | 0:07:40 | 0:07:43 | |
I've especially left them. | 0:07:43 | 0:07:46 | |
-Something must have happened. -Stuff, Mum. -Stuff? | 0:07:46 | 0:07:49 | |
Yeah, and then some. | 0:07:49 | 0:07:50 | |
I mean, we had kids, we spent nearly 20 years together. | 0:07:50 | 0:07:54 | |
Well, that can't be it. That can't be all. | 0:07:54 | 0:07:57 | |
Quite enough for me! | 0:07:57 | 0:07:59 | |
What are you going to do? | 0:08:02 | 0:08:04 | |
And seriously, what about Jason and Jennifer? | 0:08:04 | 0:08:07 | |
-Oh, Mum, don't go all sentimental on me. -They're your children! | 0:08:07 | 0:08:10 | |
No, they're almost entirely Wendy's. | 0:08:10 | 0:08:12 | |
I only contribute to the colour of their hair. | 0:08:12 | 0:08:14 | |
And Jason's shaved his off and Jane, she's dyed hers orange. | 0:08:14 | 0:08:17 | |
-But teenagers are always difficult. -Yeah, evidently. | 0:08:17 | 0:08:20 | |
-They'll grow out of it. -I might be dead by then. -Oh, dear. | 0:08:20 | 0:08:24 | |
Don't worry, Mum, it's OK. It's better this way. | 0:08:24 | 0:08:28 | |
-I'm feeling happier already. -When did you decide to leave? | 0:08:28 | 0:08:31 | |
About 19 years ago. Still, better late than never. | 0:08:31 | 0:08:34 | |
I'll just take this stuff up to my bedroom. | 0:08:34 | 0:08:37 | |
Love a cup of tea, Mum. | 0:08:39 | 0:08:40 | |
-I'll put the kettle on. -Oh, great. | 0:08:40 | 0:08:42 | |
Oh! | 0:08:42 | 0:08:44 | |
-No work today, then? -Oh, packed it in. | 0:08:46 | 0:08:49 | |
-What? -I handed in my notice. -You didn't. -This morning. -Roger! | 0:08:49 | 0:08:53 | |
-I want to do something else. -What? -I don't know... | 0:08:53 | 0:08:57 | |
-I'm waiting for inspiration. A sign. -A sign? | 0:08:58 | 0:09:01 | |
Something'll come up. | 0:09:01 | 0:09:03 | |
What? And when? And what are you going to live on? | 0:09:03 | 0:09:06 | |
I've got a few savings. | 0:09:06 | 0:09:08 | |
Enough for a few months. | 0:09:10 | 0:09:11 | |
God, it's great to be home, Mum. | 0:09:11 | 0:09:13 | |
I can't tell you! | 0:09:13 | 0:09:14 | |
Whoo! | 0:09:14 | 0:09:16 | |
HE LAUGHS | 0:09:16 | 0:09:17 | |
Phil's here. Phil from across the road. | 0:09:20 | 0:09:22 | |
Didn't he die? | 0:09:22 | 0:09:24 | |
No, he dropped in for a cup of tea. | 0:09:24 | 0:09:26 | |
-Oh, he's in the habit of doing that, is he? -Well, yes, yes, he is. | 0:09:26 | 0:09:30 | |
Yes, he's a... He's a good friend. | 0:09:30 | 0:09:32 | |
He's... He's company. | 0:09:32 | 0:09:34 | |
You've got me for company now, haven't you, Mum? | 0:09:34 | 0:09:36 | |
It'll be just like old times. | 0:09:36 | 0:09:38 | |
Got any biscuits? | 0:09:41 | 0:09:42 | |
I... I just made some. | 0:09:42 | 0:09:43 | |
Fantastic. You see? Ha-ha! You knew I was coming! | 0:09:43 | 0:09:48 | |
Are there any biscuits left? | 0:09:53 | 0:09:54 | |
Yeah, a few. Are you all right? | 0:09:54 | 0:09:57 | |
-I'm not sure. -Well, who was that? | 0:09:57 | 0:10:00 | |
Roger. He's come home. | 0:10:00 | 0:10:02 | |
-Home? -That's what he says. | 0:10:02 | 0:10:04 | |
He says he's left Wendy and come home. | 0:10:04 | 0:10:07 | |
And he's left his job in the bank. | 0:10:07 | 0:10:10 | |
He's not bringing the kids, is he? | 0:10:11 | 0:10:13 | |
No, he says he's especially left them. | 0:10:13 | 0:10:15 | |
Thank God - last time they were here they scratched my car. | 0:10:15 | 0:10:18 | |
-It's a bit of a blow, isn't it? -Yes, yes, it is. So what are his plans? | 0:10:18 | 0:10:23 | |
I'm not sure he's got any other than to come here. | 0:10:23 | 0:10:26 | |
But he can't... He can't stay here. I mean, we're going away. | 0:10:26 | 0:10:29 | |
-It won't be for long. -Certainly won't. | 0:10:29 | 0:10:31 | |
-Well, I can't refuse him, can I? -Of course you can refuse him. | 0:10:31 | 0:10:35 | |
Of course you can. You know what's going to happen, right? | 0:10:35 | 0:10:37 | |
You'll be shopping and cooking and washing and...and... | 0:10:37 | 0:10:41 | |
..and ironing before you know what's going on. | 0:10:41 | 0:10:43 | |
-I shouldn't think so. -Oh, I know you, Edith, you're too NICE. | 0:10:43 | 0:10:47 | |
-You mean a pushover? -No, no. | 0:10:47 | 0:10:50 | |
No, you're... You're kind. | 0:10:50 | 0:10:52 | |
That's what I love about you. You've got to give him an ultimatum. | 0:10:52 | 0:10:56 | |
You know... | 0:10:56 | 0:10:57 | |
Two weeks and out. | 0:10:57 | 0:11:00 | |
Well, we'll see. | 0:11:00 | 0:11:01 | |
SPOONS CLATTER DOWN | 0:11:03 | 0:11:04 | |
You don't WANT him to come back here, do you? | 0:11:05 | 0:11:07 | |
What makes you think that? | 0:11:07 | 0:11:09 | |
-You might be thinking... "he's my son". -Well, he is. | 0:11:09 | 0:11:13 | |
Yeah, I know, but there are limits. | 0:11:13 | 0:11:15 | |
I can still see him in that little red pedal car with his silly hat on. | 0:11:15 | 0:11:18 | |
Edith, please. | 0:11:18 | 0:11:19 | |
-Don't let this change your mind about us. -No! | 0:11:22 | 0:11:27 | |
Oh, no, I wouldn't do that. My mind's made up. | 0:11:27 | 0:11:30 | |
-Hello, Phil. -Hello, Roger! | 0:11:33 | 0:11:36 | |
-Mum... -Oh, just leave them on the chair, I'll do them later. | 0:11:36 | 0:11:39 | |
Thanks, Mum. | 0:11:39 | 0:11:41 | |
HE GROANS | 0:11:41 | 0:11:42 | |
-Oh, back trouble? -No, no, no, that's the least of my worries. | 0:11:44 | 0:11:47 | |
So, we've just been talking about your domestic... | 0:11:47 | 0:11:51 | |
Oh, yeah, yeah. Mum told you? | 0:11:51 | 0:11:53 | |
Yeah, have you tried counselling? | 0:11:53 | 0:11:55 | |
Oh, yeah, yeah, yeah. Hopeless. | 0:11:55 | 0:11:57 | |
Once a week for two months. | 0:11:57 | 0:11:59 | |
Dr Duckworth. | 0:11:59 | 0:12:01 | |
I mean, Wendy thought he was wonderful, of course. | 0:12:01 | 0:12:03 | |
It was hopeless. | 0:12:03 | 0:12:04 | |
-The main problem was he was trying to save the marriage. -Ah! | 0:12:04 | 0:12:07 | |
If he'd have listened to me in the first place, then... | 0:12:07 | 0:12:10 | |
You found Dad's old dressing down! | 0:12:10 | 0:12:12 | |
I'd been going to cut it up for dusters, just never got round to it. | 0:12:12 | 0:12:15 | |
Yes. Have some biscuits. | 0:12:20 | 0:12:22 | |
Mum. Have you seen my gear? | 0:12:32 | 0:12:35 | |
What gear, dear? | 0:12:35 | 0:12:36 | |
Well, my Scalextrics, my Matchbox vintage car collection, my comics. | 0:12:36 | 0:12:40 | |
Oh, those things. Oh, they've gone. | 0:12:40 | 0:12:42 | |
-Gone? -Years ago. -Gone where? | 0:12:42 | 0:12:45 | |
Well, Dad had a big clear out. | 0:12:45 | 0:12:47 | |
-What? -When he did the rewiring. | 0:12:47 | 0:12:49 | |
-So where are they? What did he do with them? -I can't remember. -Mum! | 0:12:49 | 0:12:54 | |
-It was ages ago. -Mum. | 0:12:54 | 0:12:55 | |
Erm... | 0:12:55 | 0:12:57 | |
-I think he might have given them to the charity shop. -The charity shop? | 0:12:57 | 0:13:02 | |
Yes, you know, Oxfam or the animal one. | 0:13:02 | 0:13:05 | |
Dad gave my comics to Oxfam? | 0:13:05 | 0:13:07 | |
Well, they've been there a long time. | 0:13:07 | 0:13:10 | |
Well... That's my collection! | 0:13:10 | 0:13:12 | |
Well, there did seem to be rather a lot of them. | 0:13:12 | 0:13:14 | |
Exactly, well, that's the point, that's what collections are, | 0:13:14 | 0:13:17 | |
aren't they? | 0:13:17 | 0:13:18 | |
They're quantities of things saved and left to mature somewhere... | 0:13:18 | 0:13:22 | |
..somewhere safe. | 0:13:22 | 0:13:24 | |
So that you can find them for later when you want them. | 0:13:24 | 0:13:27 | |
But you don't lovingly spend years collecting things | 0:13:27 | 0:13:31 | |
and putting them somewhere safe and out of the way so that just | 0:13:31 | 0:13:33 | |
at the point when they become really valuable they can be chucked out! | 0:13:33 | 0:13:36 | |
Oh, they weren't chucked out! | 0:13:36 | 0:13:38 | |
Thrown away. Bloody hell! | 0:13:38 | 0:13:40 | |
-Oh, Roger! -What? -Oh, grow up! | 0:13:40 | 0:13:42 | |
-It's all right. -It's not all right. | 0:13:42 | 0:13:45 | |
It's all right for you. Hm? | 0:13:45 | 0:13:47 | |
I had every Beano and Dandy from 1964 to '72 in mint condition - | 0:13:47 | 0:13:52 | |
a priceless collection. | 0:13:52 | 0:13:54 | |
-It was worth thousands. -Oh, dear. | 0:13:54 | 0:13:57 | |
Not the thousands, a couple of hundred at most! | 0:13:57 | 0:13:59 | |
The Scalextric and the vintage car collection were...as good as new. | 0:14:01 | 0:14:04 | |
They made millions of them. My David had one. | 0:14:04 | 0:14:08 | |
I mean, they're worthless. | 0:14:08 | 0:14:09 | |
Yes, well, I wouldn't expect you to understand | 0:14:09 | 0:14:12 | |
the significance of cultural and social ephemera. | 0:14:12 | 0:14:14 | |
-Oh, why wouldn't I? -It's social history. | 0:14:14 | 0:14:17 | |
I'm writing a book on the seminal influence of The Bash Street Kids. | 0:14:17 | 0:14:20 | |
I haven't started it yet, but I'm going to. | 0:14:20 | 0:14:22 | |
HE GUFFAWS | 0:14:22 | 0:14:24 | |
I wouldn't have missed this for the whole world. | 0:14:26 | 0:14:28 | |
Roger? | 0:14:29 | 0:14:31 | |
I'm going round to see Annie. | 0:14:31 | 0:14:33 | |
-Annie? -Next door. -Annie Harris? | 0:14:33 | 0:14:35 | |
Annie Harris. | 0:14:35 | 0:14:37 | |
Well, she went to Canada years and years ago - | 0:14:37 | 0:14:40 | |
just before you started at St Edmund's. | 0:14:40 | 0:14:42 | |
-I need to see her. -What for? -I should have married her. | 0:14:42 | 0:14:46 | |
-You were only seven. -That's right. | 0:14:46 | 0:14:48 | |
We were innocent. | 0:14:50 | 0:14:51 | |
And that's how I know it was genuine. True and pure. | 0:14:52 | 0:14:56 | |
It was the real thing. | 0:14:56 | 0:14:58 | |
Ye Gods. | 0:14:58 | 0:15:01 | |
-We were made for each other. -Oh. | 0:15:01 | 0:15:03 | |
I used to sneak out and see her, then climb back in through the... | 0:15:03 | 0:15:05 | |
..through the little window in the sitting room. | 0:15:05 | 0:15:08 | |
Oh? Did you? | 0:15:08 | 0:15:09 | |
And she felt the same way as I did. | 0:15:11 | 0:15:12 | |
Unfortunately, events intervened and tore us apart. | 0:15:14 | 0:15:19 | |
Otherwise it would have all been quite different | 0:15:20 | 0:15:23 | |
and I wouldn't be standing here today. | 0:15:23 | 0:15:25 | |
-Oh? -No, I'd be in Canada. | 0:15:25 | 0:15:28 | |
Running my own TV station or my own international shipping company. | 0:15:28 | 0:15:33 | |
Or Prime Minister - I mean, don't sell yourself short. | 0:15:33 | 0:15:37 | |
Roger! | 0:15:40 | 0:15:41 | |
SHE SIGHS HEAVILY | 0:15:43 | 0:15:44 | |
-He's not right, is he? -He's unhappy. -Well, who's happy? | 0:15:44 | 0:15:49 | |
TYRES SCREECH | 0:15:49 | 0:15:50 | |
What now? | 0:15:50 | 0:15:52 | |
It's Wendy. She just drove past. | 0:15:52 | 0:15:56 | |
I thought I heard somebody go by in second gear with a handbrake on. | 0:15:56 | 0:15:59 | |
Yeah, she's checking out the house. | 0:15:59 | 0:16:02 | |
She'll park out of sight and then walk straight back. | 0:16:02 | 0:16:05 | |
You know, sort of typically sneaky behaviour. | 0:16:05 | 0:16:08 | |
Don't tell her that I'm here. | 0:16:08 | 0:16:10 | |
Roger, you've got to talk to her. | 0:16:10 | 0:16:12 | |
No, I can't. I can't even be in the same room as her. | 0:16:12 | 0:16:16 | |
Oh, don't be ridiculous. | 0:16:16 | 0:16:17 | |
With that little smile of hers. | 0:16:17 | 0:16:20 | |
Oh, Wendy's got a lovely smile. | 0:16:20 | 0:16:22 | |
Yeah, not when you're on the sharp end of it. | 0:16:22 | 0:16:24 | |
And not when it's intended to destroy your soul | 0:16:24 | 0:16:26 | |
and to squeeze every drop out of you and to freeze dry your brain. | 0:16:26 | 0:16:30 | |
Roger! | 0:16:30 | 0:16:31 | |
You see, people think I exaggerate, which makes it harder to bear, | 0:16:31 | 0:16:34 | |
of course. But I am determined to be strong. | 0:16:34 | 0:16:38 | |
DOORBELL | 0:16:38 | 0:16:39 | |
-I'm not here. -You've got to see her! | 0:16:39 | 0:16:42 | |
Bloody hell. | 0:16:42 | 0:16:44 | |
-I'll be in the shed. -Right. -Don't tell her that. | 0:16:46 | 0:16:49 | |
Of course not. | 0:16:49 | 0:16:50 | |
Now, you help me out a bit here, Phil, and I might return the favour. | 0:16:50 | 0:16:53 | |
-Gotcha. -Oh, go on through. He's in the kitchen. -Oh, hello, Wendy. | 0:16:53 | 0:16:56 | |
Hello, Phil. Where's Roger? | 0:16:56 | 0:17:00 | |
-He's in the shed. -Oh, right. | 0:17:00 | 0:17:02 | |
Avoiding me, no doubt. How are you, Phil? | 0:17:02 | 0:17:04 | |
-Well, I'm very well, thank you. -And your back's better? -Yes, yes. | 0:17:04 | 0:17:07 | |
-Well, better than it was. -Oh, good. I'm very glad. -Yeah, me too. | 0:17:07 | 0:17:11 | |
-And you won't have to have surgery? -No, no. | 0:17:11 | 0:17:13 | |
Well, that's a blessing, isn't it? | 0:17:13 | 0:17:14 | |
Well, they don't always work, do they, these operations? | 0:17:14 | 0:17:16 | |
-Not always, no. -And when they do you can't be sure you won't catch | 0:17:16 | 0:17:19 | |
one of those dreadful infections, can you? | 0:17:19 | 0:17:21 | |
That's right, and you go to Switzerland, you know, to recuperate | 0:17:21 | 0:17:24 | |
in a sanatorium, and you get hit by a passing snowboarder and then | 0:17:24 | 0:17:27 | |
you lose a leg in the subsequent botched emergency surgery. | 0:17:27 | 0:17:31 | |
Well, if you need...any help with anything, anything at all. | 0:17:33 | 0:17:36 | |
-That's very kind of you. -No, really. I mean it. -Yes, I know you do. | 0:17:36 | 0:17:39 | |
-Where's Roger? -Oh, in the shed. He doesn't want to see me, does he? | 0:17:39 | 0:17:43 | |
Uh... | 0:17:43 | 0:17:44 | |
Well, we have some serious things to talk about later, Edith, | 0:17:44 | 0:17:48 | |
so I'll just pop the bubbly in the fridge. | 0:17:48 | 0:17:51 | |
-Right. -Just for the moment. | 0:17:51 | 0:17:52 | |
Have I come at an inconvenient time? | 0:17:52 | 0:17:54 | |
Well, you know, I think inconvenient... | 0:17:54 | 0:17:57 | |
..is an extremely good word. | 0:17:57 | 0:17:58 | |
You know, because we were there celebrating | 0:17:58 | 0:18:01 | |
the pleasures of tranquillity | 0:18:01 | 0:18:03 | |
and quietness and peace, and enjoying the time together alone. | 0:18:03 | 0:18:07 | |
Phil, later. | 0:18:07 | 0:18:09 | |
-Oh, please don't go on my account! -No, no, no. | 0:18:09 | 0:18:11 | |
-I've got to paint my lawn. -Oh. | 0:18:11 | 0:18:14 | |
Otherwise the barnacles start building up. | 0:18:14 | 0:18:16 | |
-Well, if you need any help... -No, no. I'll manage. | 0:18:16 | 0:18:19 | |
-I only need one coat. -Phil, would you mind telling Roger Wendy's here? | 0:18:19 | 0:18:23 | |
-He won't come in. -Well, of course he will. -No, no, he won't. He hates me. | 0:18:23 | 0:18:27 | |
-He doesn't hate you. -He does - he said it often enough. | 0:18:27 | 0:18:32 | |
We all say things we don't mean in the heat of the moment. | 0:18:32 | 0:18:34 | |
Well, he said it in the heat of the moment | 0:18:34 | 0:18:36 | |
and then subsequently in several periods of calm. | 0:18:36 | 0:18:38 | |
-Total calm. -I used to hate my brother Joe. -Did you really? | 0:18:38 | 0:18:42 | |
-Yeah, back then. -Oh, but not now? -Not now. | 0:18:42 | 0:18:44 | |
Oh, well, that's nice to hear. | 0:18:44 | 0:18:46 | |
I consulted a witch doctor and he gave me a small wax replica | 0:18:46 | 0:18:50 | |
of Joe and I used to push drawing pins into it over the weekend. | 0:18:50 | 0:18:54 | |
Eventually a tree fell on him. | 0:18:54 | 0:18:57 | |
Oh! | 0:18:57 | 0:18:58 | |
Phil... | 0:18:58 | 0:19:00 | |
OK. | 0:19:00 | 0:19:01 | |
See you later. | 0:19:02 | 0:19:04 | |
DOOR CLOSES | 0:19:04 | 0:19:06 | |
-Such a nice man. -Well, quite a nice man. | 0:19:06 | 0:19:10 | |
-Would you like some coffee? -Oh, well... If you're having one. | 0:19:20 | 0:19:24 | |
-I am. -Are you sure? -Absolutely. | 0:19:24 | 0:19:26 | |
-Really, really? -Absolutely, positively. -Oh, well, OK, then. | 0:19:26 | 0:19:30 | |
All right, I'll have one. Thank you. Only if you're having one. | 0:19:30 | 0:19:32 | |
SHE SIGHS | 0:19:32 | 0:19:33 | |
Wendy, I haven't had chance to talk to Roger about all this. | 0:19:36 | 0:19:40 | |
-I'm sure he blames me. -I should think that's normal, isn't it? | 0:19:40 | 0:19:44 | |
Par for the course. I should think you probably blame him, don't you? | 0:19:44 | 0:19:47 | |
-Not really. -No? -Mainly I blame the way he was brought up. -Oh. -Yes. | 0:19:47 | 0:19:52 | |
-You mean me? -Oh, good heavens, no. Absolutely not. | 0:19:52 | 0:19:56 | |
No, I'm talking about the times. You know... | 0:19:56 | 0:20:00 | |
Mothers used to spoil their sons in those days, didn't they? | 0:20:00 | 0:20:03 | |
In those days? | 0:20:03 | 0:20:04 | |
Well, there has been quite a lot of changes in the last 30 years. | 0:20:04 | 0:20:07 | |
Sandra definitely thinks so. | 0:20:07 | 0:20:09 | |
I should say that Roger and Sandra were both equally spoilt. | 0:20:10 | 0:20:14 | |
That's not what Sandra says. | 0:20:14 | 0:20:16 | |
She's sure that Roger was more spoilt than she was. | 0:20:16 | 0:20:19 | |
-Well, she's wrong. -She's grateful now, of course. -Grateful? | 0:20:19 | 0:20:21 | |
-She feels rather sorry for Roger. -Oh? | 0:20:21 | 0:20:24 | |
She's got a better grip on reality than he has. | 0:20:24 | 0:20:26 | |
She says he suffers from... delusional expectation syndrome. | 0:20:26 | 0:20:30 | |
Well, I don't know what that means. There's nothing wrong with Roger. | 0:20:31 | 0:20:35 | |
I should think he's just having a perfectly routine midlife crisis. | 0:20:35 | 0:20:40 | |
I mean, he is nearly 50. We're all entitled to one of those, aren't we? | 0:20:40 | 0:20:45 | |
I should think he needs a decent holiday. | 0:20:45 | 0:20:47 | |
He's never stopped since the children were born, | 0:20:47 | 0:20:49 | |
and you moved into that enormous house. | 0:20:49 | 0:20:52 | |
KNOCKING | 0:20:52 | 0:20:54 | |
-What? What is it? -I think you'd better call the fire brigade. | 0:20:54 | 0:20:57 | |
What? | 0:20:59 | 0:21:00 | |
-He's stuck. -Roger! | 0:21:04 | 0:21:07 | |
Well and truly stuck. | 0:21:07 | 0:21:10 | |
-Mum! -I'm coming. | 0:21:10 | 0:21:12 | |
Ohh! | 0:21:12 | 0:21:14 | |
I think it's got caught. | 0:21:14 | 0:21:16 | |
-Scissors, scissors! -Why is he there? | 0:21:16 | 0:21:19 | |
-What was he doing? -He's practising his housebreaking techniques. | 0:21:19 | 0:21:22 | |
-Well, it's a good idea. He's got to get a new job soon. -What? | 0:21:22 | 0:21:26 | |
-Hurry up, I can't breathe! -Oh! | 0:21:26 | 0:21:28 | |
Wendy, Wendy, can you fetch me the kitchen steps, please? Quickly. | 0:21:28 | 0:21:33 | |
-If you give me a shout I'll give him a push. -I don't want a push. | 0:21:33 | 0:21:38 | |
What are you going to do? | 0:21:38 | 0:21:39 | |
Cut it away. It's caught, you see. | 0:21:39 | 0:21:41 | |
Well, don't do that. That's a perfectly good dressing gown. | 0:21:41 | 0:21:44 | |
It's ancient! I was going to cut it up anyway! | 0:21:44 | 0:21:47 | |
Just cut it away, cut it away! | 0:21:47 | 0:21:49 | |
There are poor people out there | 0:21:49 | 0:21:50 | |
-who'd be very glad of a dressing gown like that. -Poor people... | 0:21:50 | 0:21:52 | |
Bugger poor people! | 0:21:52 | 0:21:54 | |
-Why don't you worry about me for a change?! -Oh, Roger, how can you? | 0:21:54 | 0:21:57 | |
I worry about you all the time. | 0:21:57 | 0:21:59 | |
Now, if you were less selfish and thought about other people from time | 0:21:59 | 0:22:02 | |
to time you might not get yourself into this kind of situation. | 0:22:02 | 0:22:05 | |
I'm stuck in a window, you daft woman, and I can't breathe! | 0:22:05 | 0:22:07 | |
-Roger, shut up and hold your breath! -Why are you stuck in the window? | 0:22:07 | 0:22:12 | |
I can give him a push from this side, or I can come in there | 0:22:12 | 0:22:14 | |
and you push him that way, but I can't pull. | 0:22:14 | 0:22:16 | |
-You know, not with my back. -Yes. -No, don't push. -Oh? -No pushing. | 0:22:16 | 0:22:20 | |
No pulling. Why don't you just go home, you old lecher? | 0:22:20 | 0:22:23 | |
-Roger! He's trying to help! -You haven't answered me. -What? | 0:22:24 | 0:22:28 | |
You tried to climb through the window to avoid me, didn't you? | 0:22:28 | 0:22:30 | |
-What an outlandish idea. -Yes, you did. | 0:22:30 | 0:22:33 | |
It was a trip down memory lane. | 0:22:33 | 0:22:35 | |
-What? -This is the way I used to get back in after I'd been to see Annie. | 0:22:35 | 0:22:39 | |
The musical? | 0:22:40 | 0:22:41 | |
No, no, the woman I should have married. | 0:22:41 | 0:22:43 | |
That's a cruel lie that will rebound on you, Roger. | 0:22:43 | 0:22:46 | |
I'm truly sorry for you. | 0:22:46 | 0:22:48 | |
-Bog off. -Look at you. | 0:22:48 | 0:22:49 | |
You are surrounded by kind and decent people trying to help. | 0:22:49 | 0:22:52 | |
There's Phil, who's half crippled, your mother who's far too old | 0:22:52 | 0:22:55 | |
-and frail to be put through this sort of thing. -Wendy! | 0:22:55 | 0:22:57 | |
No, it's all right, Edith. Someone's got to tell him how it is. | 0:22:57 | 0:23:00 | |
I thought a squirt of washing up liquid would help. | 0:23:00 | 0:23:03 | |
I thought we were supposed to be mates. | 0:23:03 | 0:23:05 | |
This would all be a lot easier if we'd just shut up for a minute! | 0:23:05 | 0:23:08 | |
What I don't understand is why you should try and climb in | 0:23:08 | 0:23:12 | |
through this window when you could come in through the door. | 0:23:12 | 0:23:15 | |
-What? -Or through a larger, more convenient window. | 0:23:15 | 0:23:18 | |
-You just don't get it, do you? -Frankly, no. -This was an adventure. | 0:23:18 | 0:23:21 | |
I was on a quest. Getting through the little window was part of it. | 0:23:21 | 0:23:25 | |
-Some kids have imagination. -Oh! You were being creative. | 0:23:25 | 0:23:29 | |
-That's one word for it. -Ah! | 0:23:29 | 0:23:32 | |
Oh, no... | 0:23:32 | 0:23:33 | |
Ahh! Ohh! I can breathe. Brilliant. | 0:23:33 | 0:23:37 | |
-Thank you. -It's just typical of you, isn't it, Roger? | 0:23:37 | 0:23:39 | |
Well, we all know what's going to happen next. | 0:23:39 | 0:23:41 | |
The moment you're all right you'll clear off, | 0:23:41 | 0:23:43 | |
leave everybody else upset and in need of counselling. | 0:23:43 | 0:23:46 | |
And meanwhile, some unfortunate person - | 0:23:46 | 0:23:48 | |
someone far worse off than you, who have been very glad of this - | 0:23:48 | 0:23:51 | |
has to do without a perfectly good dressing gown. | 0:23:51 | 0:23:54 | |
We don't care about the bloody dressing gown! | 0:23:54 | 0:23:58 | |
It was an old worn-out dressing gown. | 0:23:58 | 0:24:00 | |
No-one would have wanted it, | 0:24:00 | 0:24:01 | |
no-one in their right mind would have wanted it! | 0:24:01 | 0:24:03 | |
Now, why don't you just go home and leave Roger be?! | 0:24:03 | 0:24:07 | |
SHE SOBS | 0:24:07 | 0:24:09 | |
Sorry. I'm so sorry. | 0:24:09 | 0:24:12 | |
MEN SNIGGER | 0:24:12 | 0:24:14 | |
And you can stop grinning! | 0:24:15 | 0:24:17 | |
Both of you! | 0:24:19 | 0:24:20 | |
# Sun is shinin' in the sky | 0:24:28 | 0:24:32 | |
# There ain't a cloud in sight | 0:24:32 | 0:24:34 | |
# It's stopped rainin' Everybody's in the lane | 0:24:34 | 0:24:39 | |
# And don't you know | 0:24:39 | 0:24:40 | |
# It's a beautiful new day Hey, hey | 0:24:40 | 0:24:45 | |
# Runnin' down the avenue | 0:24:45 | 0:24:47 | |
# See how the sun shines brightly in the city | 0:24:47 | 0:24:53 | |
# On the streets Where once was pity | 0:24:53 | 0:24:55 | |
# Mr Blue Sky is living here today Hey, hey | 0:24:55 | 0:25:00 | |
# Mr Blue Sky Please tell us why | 0:25:02 | 0:25:04 | |
-# You had to hide away for so long -So long | 0:25:04 | 0:25:09 | |
# Where did we go wrong? | 0:25:09 | 0:25:11 | |
# Mr Blue Sky Please tell us why | 0:25:12 | 0:25:15 | |
-# You had to hide away for so long -So long | 0:25:15 | 0:25:20 | |
# Where did we go wrong? # | 0:25:20 | 0:25:22 | |
Where did he go this afternoon? | 0:25:27 | 0:25:29 | |
-Oh, to see if the community centre still looked the same. -Same as what? | 0:25:29 | 0:25:34 | |
As when he once played Frederic in The Pirates Of Penzance there. | 0:25:34 | 0:25:39 | |
-You're joking? -If only. | 0:25:39 | 0:25:40 | |
And then he went to search for Marigold morning emulsion paint | 0:25:42 | 0:25:46 | |
that they stopped making centuries ago. | 0:25:46 | 0:25:49 | |
For what? | 0:25:49 | 0:25:51 | |
So he could do up his room to look like it did when he was little. | 0:25:51 | 0:25:55 | |
-It's all becoming rather alarming, isn't it? -Yes. Yes, it is. -Mm. | 0:25:56 | 0:26:02 | |
HE SIGHS | 0:26:04 | 0:26:05 | |
Cheers. | 0:26:05 | 0:26:06 | |
SHE SIGHS | 0:26:06 | 0:26:07 | |
SHE SIGHS | 0:26:12 | 0:26:13 | |
-This is all pretty rotten timing, isn't it? -It's just awful. | 0:26:13 | 0:26:17 | |
But nothing's really changed, has it? | 0:26:17 | 0:26:19 | |
I mean, nothing's kind of... permanently happened. | 0:26:19 | 0:26:24 | |
Well, something's happened. | 0:26:24 | 0:26:25 | |
I'm trying to look on the bright side, Edith. | 0:26:25 | 0:26:27 | |
Give me a hand, throw me a life belt. | 0:26:27 | 0:26:31 | |
Oh, what, like, let's pretend we have no responsibilities | 0:26:31 | 0:26:35 | |
and go off, never to be seen or heard of again? | 0:26:35 | 0:26:37 | |
Perfect. | 0:26:37 | 0:26:39 | |
I mean, look. Putting our lives on hold at this juncture | 0:26:39 | 0:26:42 | |
when we've just made this wonderful decision - | 0:26:42 | 0:26:45 | |
I mean, isn't really going to help anyone, is it? | 0:26:45 | 0:26:48 | |
-Least of all Roger. -It wouldn't work. I'd be worrying. | 0:26:48 | 0:26:53 | |
Well, at first, but...later? | 0:26:53 | 0:26:55 | |
-I would. And so would you. -Try me. | 0:26:55 | 0:26:59 | |
Look, Edith... | 0:26:59 | 0:27:00 | |
Think of us somewhere far, far away | 0:27:01 | 0:27:05 | |
sitting on a balcony | 0:27:05 | 0:27:07 | |
looking out over the Mediterranean | 0:27:07 | 0:27:11 | |
with our Pinot Grigios in our hands, | 0:27:11 | 0:27:14 | |
sitting together watching the sun set slowly into the sea. | 0:27:14 | 0:27:22 | |
Hm? | 0:27:22 | 0:27:24 |