Browse content similar to The Security Threat. Check below for episodes and series from the same categories and more!
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# Oh oh oh oh oh oh Oh oh oh oh-oh | 0:00:09 | 0:00:14 | |
# Oh oh oh oh oh oh Oh oh oh-oh | 0:00:14 | 0:00:17 | |
# Oh oh oh | 0:00:17 | 0:00:20 | |
# Oh oh oh-oh | 0:00:22 | 0:00:25 | |
# Oh oh oh oh oh oh Oh oh oh oh-oh | 0:00:29 | 0:00:33 | |
# Oh oh oh oh oh oh Oh oh oh-oh | 0:00:33 | 0:00:37 | |
# Oh oh-oh. # | 0:00:37 | 0:00:40 | |
COCK CROWS | 0:00:41 | 0:00:43 | |
'He's the cock that wakes you up. | 0:00:43 | 0:00:46 | |
'Ivan Brackenbury!' | 0:00:46 | 0:00:47 | |
Stick 'em up! Fancy dress day, raising money for charity. | 0:00:47 | 0:00:52 | |
Hey up, Matron - put some money in the bucket otherwise I'll blow your brains out. | 0:00:52 | 0:00:57 | |
I'm only kidding. I won't do that. | 0:00:57 | 0:00:59 | |
We're raising money for charity - fancy dress day, anybody? | 0:00:59 | 0:01:03 | |
It's very exciting, I'm raising money by being in fancy dress today | 0:01:03 | 0:01:07 | |
and I've decided to ask the hospital manager herself to sponsor me. | 0:01:07 | 0:01:11 | |
Fingers crossed. | 0:01:11 | 0:01:13 | |
Been having a think about the hospital bed crisis. | 0:01:13 | 0:01:16 | |
Could you look into the feasibility of bunk beds? | 0:01:16 | 0:01:19 | |
It just seems so obvious. | 0:01:19 | 0:01:21 | |
And fun. | 0:01:21 | 0:01:23 | |
Stick 'em up! | 0:01:23 | 0:01:24 | |
Aaaaaahhh! What do you want!? | 0:01:24 | 0:01:26 | |
Money, please. | 0:01:26 | 0:01:28 | |
I'm mad today and I'm not taking no for an answer. | 0:01:28 | 0:01:31 | |
Take anything you want. | 0:01:31 | 0:01:33 | |
Really? Anything? | 0:01:33 | 0:01:35 | |
Yes. | 0:01:35 | 0:01:36 | |
-This money? -Yes, anything. | 0:01:36 | 0:01:38 | |
What, all of it? Oh, my goodness. | 0:01:38 | 0:01:40 | |
What, even this chocolate bar? | 0:01:40 | 0:01:41 | |
Yes! Just go! | 0:01:41 | 0:01:43 | |
Thank you so much. That's... Thank you. Bye. | 0:01:43 | 0:01:47 | |
High-ho - let's gallop off! | 0:01:47 | 0:01:49 | |
'The UK's favourite DJs - Ivan Brackenbury!' | 0:01:50 | 0:01:56 | |
Welcome back to the charity fancy dress day. | 0:01:56 | 0:01:59 | |
As you can see, I'm the Lone Ranger. | 0:01:59 | 0:02:01 | |
They can't see. | 0:02:01 | 0:02:02 | |
Yeah, all right! Sadly, Shaz isn't Tonto like I asked. | 0:02:02 | 0:02:05 | |
She's come as a triangle. | 0:02:05 | 0:02:07 | |
It's a maple leaf. You said Toronto. | 0:02:07 | 0:02:09 | |
The donations have been flying in, | 0:02:09 | 0:02:11 | |
even from our very own hospital manager, Susan Mitchell. | 0:02:11 | 0:02:15 | |
-£300... -Whoo! -..and a Lion bar. Thank you, Susan. | 0:02:15 | 0:02:19 | |
Oh, look, a couple of guys have dressed up as policemen. | 0:02:19 | 0:02:22 | |
See, they've made an effort, Shaz. Anyway, on with the show. | 0:02:22 | 0:02:27 | |
MUSIC: Superman by Black Lace | 0:02:27 | 0:02:31 | |
The police artist impressions are back from the descriptions you gave. | 0:02:35 | 0:02:38 | |
Oh! That's him. I can still see the murder in his eyes. | 0:02:38 | 0:02:43 | |
I'd like to see him try getting in here with the new security measures. | 0:02:43 | 0:02:46 | |
Yes. We have possibly gone a little too far now. | 0:02:46 | 0:02:49 | |
CCTV, intruder alarm, airport-style security. | 0:02:49 | 0:02:52 | |
It's like Batman's lair in here. | 0:02:52 | 0:02:54 | |
Exactly, and no-one's coming in my bat cave without my consent. | 0:02:54 | 0:02:57 | |
I take security very seriously. | 0:02:58 | 0:03:00 | |
A man, possibly a serial killer, | 0:03:00 | 0:03:03 | |
was able to walk in off the street and confront me. | 0:03:03 | 0:03:07 | |
That's not on. | 0:03:07 | 0:03:08 | |
This is a building filled with sick and vulnerable people, | 0:03:08 | 0:03:12 | |
and, at the end of the day, | 0:03:12 | 0:03:13 | |
if it happens again, they can't protect me. | 0:03:13 | 0:03:16 | |
These are the new security protocols. | 0:03:16 | 0:03:18 | |
Heavy! | 0:03:18 | 0:03:20 | |
She's our head of security? | 0:03:21 | 0:03:23 | |
She's just been taken out by a folder. | 0:03:23 | 0:03:25 | |
She gets results. | 0:03:25 | 0:03:27 | |
Anyone breaks these, I'll give them a warning. | 0:03:27 | 0:03:30 | |
If they break 'em again, I'll break their legs! | 0:03:30 | 0:03:33 | |
We can't rely on her. | 0:03:36 | 0:03:37 | |
I'll be happier when the new camera drone arrives then we can go anywhere in the hospital. | 0:03:37 | 0:03:41 | |
Can't we already do that, just by walking? | 0:03:41 | 0:03:43 | |
Yes, but the drone eliminates all major security threats. | 0:03:43 | 0:03:46 | |
Susan... how much is all this going to cost? | 0:03:46 | 0:03:49 | |
You can't put a price on safety, Sunny. 5/8's changed everything. | 0:03:49 | 0:03:53 | |
5/8? | 0:03:53 | 0:03:54 | |
Yesterday. The 5th of August. Honestly! Oh, God, look at him! | 0:03:54 | 0:03:59 | |
Laughing at me with his eyes. | 0:04:00 | 0:04:02 | |
Stethoscope needs to come off! | 0:04:03 | 0:04:05 | |
'Please remember to remove all belts, mobile phones, | 0:04:05 | 0:04:07 | |
'metal objects and liquids. | 0:04:07 | 0:04:09 | |
'Should the alarm sound, please wait to the right for your full body cavity search.' | 0:04:09 | 0:04:14 | |
I feel you've got a guardian angel watching over you taking a special interest in you. | 0:04:14 | 0:04:19 | |
Do you feel its presence? | 0:04:19 | 0:04:20 | |
No. | 0:04:20 | 0:04:21 | |
Right, well, I'll leave that with you. | 0:04:21 | 0:04:23 | |
I've got to go, I've got a past life regression on Ward Four. | 0:04:23 | 0:04:27 | |
Cheer up. | 0:04:27 | 0:04:29 | |
'I do prefer dealing with the older patients cos they've got' | 0:04:29 | 0:04:31 | |
more friends that've crossed over that want to talk to them. | 0:04:31 | 0:04:34 | |
And, also, they themselves are closer to the other side. | 0:04:34 | 0:04:38 | |
Especially as you approach winter. | 0:04:38 | 0:04:41 | |
BEEPING | 0:04:43 | 0:04:44 | |
BEEPING | 0:04:48 | 0:04:49 | |
HE KNOCKS ON DOOR | 0:04:49 | 0:04:51 | |
Hello! Can you let me in? Anyone? | 0:04:51 | 0:04:54 | |
Someone is getting an overwhelming urge to open the door. | 0:04:57 | 0:05:01 | |
But you've decided against it. Yep, that's what's happened. | 0:05:04 | 0:05:09 | |
Form an orderly queue! | 0:05:14 | 0:05:18 | |
Idiots! | 0:05:18 | 0:05:20 | |
Can't believe we all need new passes just cos some nutter robbed the manager. | 0:05:20 | 0:05:24 | |
I know - it's mad, in't it? | 0:05:24 | 0:05:26 | |
I were in her office just before it happened. | 0:05:26 | 0:05:28 | |
Did you see him? | 0:05:28 | 0:05:29 | |
No, but one minute I'm in there, | 0:05:29 | 0:05:31 | |
with me fancy dress costume and me toy gun. | 0:05:31 | 0:05:34 | |
Next minute, there's some proper lunatic in there | 0:05:34 | 0:05:36 | |
with a real costume and a real gun. | 0:05:36 | 0:05:39 | |
Small world, in't it? I hope this don't take long. | 0:05:39 | 0:05:42 | |
I've got a couple of records playing. | 0:05:42 | 0:05:44 | |
You do sometimes have to leave songs running while you pop out for whatever reason, | 0:05:44 | 0:05:48 | |
and it's always good to have a few long ones up your sleeve. | 0:05:48 | 0:05:52 | |
I call them my poo songs. | 0:05:52 | 0:05:54 | |
Bohemian Rhapsody, American Pie, Bat Out Of Hell. | 0:05:54 | 0:05:58 | |
I've only ever had to use all three back-to-back once. | 0:05:58 | 0:06:02 | |
That were Poo Tuesday. | 0:06:02 | 0:06:04 | |
Thanks. | 0:06:06 | 0:06:07 | |
Is this going to take long? | 0:06:07 | 0:06:09 | |
It's just that I'm already on Bat Out Of Hell and I think | 0:06:09 | 0:06:11 | |
just knowing it's on's actually making me want to do a poo. | 0:06:11 | 0:06:14 | |
I know that voice. | 0:06:14 | 0:06:16 | |
It's Ivan Brackenbury! | 0:06:16 | 0:06:19 | |
The cheerful earful! | 0:06:19 | 0:06:21 | |
Not guilty! Yes, it is! | 0:06:21 | 0:06:24 | |
'I'm a massive fan of Ivan.' | 0:06:24 | 0:06:26 | |
I listen to him all the time at work | 0:06:26 | 0:06:28 | |
and I've been to all of his roadshows in the car park. | 0:06:28 | 0:06:31 | |
I'm not obsessed or anything. | 0:06:31 | 0:06:34 | |
I've got his past six years' security photos in my purse, | 0:06:34 | 0:06:38 | |
just because... | 0:06:38 | 0:06:39 | |
-JINGLE IMPRESSION: -He's bonkers. | 0:06:39 | 0:06:42 | |
I love your show. | 0:06:43 | 0:06:45 | |
And I love all your charity things you do. | 0:06:45 | 0:06:46 | |
Last week's sponsored scream was hilarious. | 0:06:46 | 0:06:49 | |
Oh, right, that was actually a panic attack, but thanks. | 0:06:49 | 0:06:52 | |
I'm doing a sponsored sing instead of speak later. | 0:06:52 | 0:06:54 | |
# Well, I'll sponsor you. | 0:06:54 | 0:06:58 | |
# Thank you. What's your name? | 0:06:58 | 0:07:00 | |
# Hilary. Here's 50p. | 0:07:00 | 0:07:02 | |
# Thank you. I'll put it with the rest. # | 0:07:02 | 0:07:05 | |
I can't believe I'm actually looking at Ivan Brackenbury's playlist. | 0:07:07 | 0:07:12 | |
You can add a song if you like. | 0:07:12 | 0:07:13 | |
I don't normally let staff, but I'm desperate for requests. | 0:07:13 | 0:07:17 | |
-There you go. -Thank you. | 0:07:19 | 0:07:21 | |
And there's your pass. | 0:07:21 | 0:07:23 | |
It's access all areas. | 0:07:26 | 0:07:29 | |
Thank you! | 0:07:29 | 0:07:31 | |
-Ooh! -I'm OK. | 0:07:31 | 0:07:34 | |
I think it were my funny bone. | 0:07:34 | 0:07:35 | |
MUSIC: When You Were Young by The Killers | 0:07:35 | 0:07:41 | |
# He doesn't look a bit like Jesus... # | 0:07:41 | 0:07:44 | |
Oh, there we go. Oh, it's heavy, Mrs Leydon! | 0:07:46 | 0:07:50 | |
What is it? | 0:07:51 | 0:07:53 | |
Ha ha ha! Beep beep! I've done it again. | 0:07:53 | 0:07:57 | |
-CAR LOCK BEEPS -Every time. | 0:07:57 | 0:07:58 | |
Anyone going in Ward Four? | 0:07:58 | 0:08:00 | |
'Scuse me, Doctor, are you going in Ward Four? | 0:08:00 | 0:08:03 | |
I've got a patient in there, | 0:08:03 | 0:08:04 | |
someone I'm helping get in touch with his Nordic forefathers. Ray? | 0:08:04 | 0:08:07 | |
He went for surgery ages ago. | 0:08:07 | 0:08:09 | |
Why am I not surprised? | 0:08:09 | 0:08:10 | |
Moving him around, | 0:08:10 | 0:08:11 | |
stopping him getting actual treatment from an actual healer. | 0:08:11 | 0:08:15 | |
COMEDY NOISES | 0:08:20 | 0:08:21 | |
Watch out, Mrs Leydon, there's a dog. | 0:08:22 | 0:08:24 | |
BARKING NOISE Ooh! | 0:08:24 | 0:08:26 | |
What do you reckon? | 0:08:26 | 0:08:28 | |
We've already got an organ. | 0:08:28 | 0:08:31 | |
FARTING NOISES | 0:08:31 | 0:08:33 | |
I know, but this one's got 5,000 pre-programmed songs. | 0:08:33 | 0:08:37 | |
And all the ones we use in the service - | 0:08:37 | 0:08:39 | |
Vengaboys, Black Eyed Peas. | 0:08:39 | 0:08:41 | |
It's even got a couple of hymns, and it plays them in time. | 0:08:41 | 0:08:44 | |
HYMN MUSIC PLAYS | 0:08:44 | 0:08:46 | |
I love using gadgets to liven up me sermons. | 0:08:47 | 0:08:50 | |
I've started using virtual reality. | 0:08:50 | 0:08:53 | |
It's a lot of fun, especially if you stick it on Mrs Leydon and put the zombie game on her. | 0:08:53 | 0:08:57 | |
Ooh! Argh! | 0:08:57 | 0:08:58 | |
'There's nothing wrong with using technology to help you spread the Lord's word,' | 0:08:58 | 0:09:02 | |
and cos I put it in my sermons, it's tax deductible. | 0:09:02 | 0:09:05 | |
I can't believe somebody at yesterday's service | 0:09:05 | 0:09:08 | |
complained I did a fat joke. | 0:09:08 | 0:09:10 | |
They need to lighten up. | 0:09:10 | 0:09:11 | |
BA-DUM TSHH, LAUGHING | 0:09:11 | 0:09:14 | |
All right. OK, time for our next hymn. | 0:09:14 | 0:09:17 | |
It's OK, Mrs Leydon, I've got it on a pre-set. | 0:09:17 | 0:09:20 | |
Oh, but I always play the songs. | 0:09:20 | 0:09:22 | |
It's all right, you sit down, put your feet up. | 0:09:22 | 0:09:24 | |
Here we go. Hymn 104, The Lord Is My Shepherd. | 0:09:27 | 0:09:30 | |
MUSIC PLAYS | 0:09:30 | 0:09:31 | |
# The Lord's my shepherd, I'll not want... # | 0:09:31 | 0:09:36 | |
BAA | 0:09:36 | 0:09:37 | |
# He makes me down to lie | 0:09:37 | 0:09:42 | |
BAA | 0:09:42 | 0:09:43 | |
# In pastures green | 0:09:43 | 0:09:45 | |
# He leadeth me... # | 0:09:45 | 0:09:48 | |
BAA | 0:09:48 | 0:09:51 | |
MAN SHOUTS INSTRUCTIONS | 0:09:51 | 0:09:55 | |
Should the alarm sound, please wait to the right for your full body cavity search. | 0:09:55 | 0:10:00 | |
Hello. This pass won't let me on the wards. | 0:10:00 | 0:10:02 | |
I've got urgent medical work to carry out. | 0:10:02 | 0:10:05 | |
You're not a doctor. | 0:10:05 | 0:10:06 | |
I know. I take a more holistic approach and the new pass won't let me in. | 0:10:06 | 0:10:11 | |
Yeah. It says here you haven't got clearance. | 0:10:11 | 0:10:13 | |
I'm a porter, I'm access all areas. | 0:10:13 | 0:10:15 | |
Yeah - it says here you work in the kitchen. | 0:10:15 | 0:10:18 | |
That's not me. She's Chinese. | 0:10:18 | 0:10:20 | |
Well, if the system says you're Chinese, | 0:10:20 | 0:10:22 | |
I have to go with what it says. | 0:10:22 | 0:10:23 | |
New procedures. | 0:10:23 | 0:10:25 | |
Honestly, this wouldn't be happening to me if I was a doctor. | 0:10:25 | 0:10:28 | |
Well, that's not my problem, Mrs Ling. | 0:10:28 | 0:10:31 | |
They will do anything to stop alternative medicine. | 0:10:31 | 0:10:34 | |
Doctors for years have had the cure for the common cold, | 0:10:34 | 0:10:37 | |
but they won't let us have it cos they'll be out of a job. | 0:10:37 | 0:10:40 | |
They've cured all these things for themselves. | 0:10:40 | 0:10:42 | |
I've been working in this hospital for eight years and I've yet to see a doctor in here with the flu. | 0:10:42 | 0:10:48 | |
Ask yourself why? | 0:10:49 | 0:10:52 | |
Sweetness, do I look like a Mrs Ling? | 0:10:52 | 0:10:55 | |
I'm a porter and I need clearance. | 0:10:55 | 0:10:57 | |
Well, this says you haven't got clearance. | 0:10:57 | 0:10:59 | |
I know! The pass is wrong. | 0:10:59 | 0:11:01 | |
Yes, I see that, sir, but I can't give you clearance without a pass. | 0:11:01 | 0:11:06 | |
You're holding it in your hand! | 0:11:06 | 0:11:07 | |
Sir, if you raise your voice to me one more time, | 0:11:07 | 0:11:11 | |
I am going to leave you in a world of pain. | 0:11:11 | 0:11:13 | |
-Do you want to see what these hands can do? -No! | 0:11:13 | 0:11:16 | |
-Do you? -No, I don't. Put them down. Let me get the pass. | 0:11:16 | 0:11:19 | |
Yeah. | 0:11:19 | 0:11:20 | |
Have you got a pass? | 0:11:23 | 0:11:25 | |
'As head of hospital security,' | 0:11:25 | 0:11:28 | |
the biggest weapon you have | 0:11:28 | 0:11:29 | |
isn't your fists. No, it's reason. | 0:11:29 | 0:11:33 | |
I explain to people, I know why they're angry, | 0:11:33 | 0:11:37 | |
I try to tell them I see where they're coming from, and then | 0:11:37 | 0:11:40 | |
I tell them if they don't get out me face I will use me fists. | 0:11:40 | 0:11:44 | |
'What am I?' | 0:11:44 | 0:11:45 | |
Right, you lucky listeners what sent in your answers, it's time for What Am I? | 0:11:45 | 0:11:51 | |
'What am I?' | 0:11:51 | 0:11:53 | |
I am made of a hard material, you might find me on a soldier | 0:11:53 | 0:11:58 | |
or a motorbike rider and you strap me on your head. | 0:11:58 | 0:12:03 | |
Well, none of you got it. | 0:12:03 | 0:12:05 | |
I am...a helmet. | 0:12:05 | 0:12:07 | |
Another one of those tomorrow. Now, this is for Mike with Tourette's. | 0:12:07 | 0:12:11 | |
# You know you make me wanna shout... # | 0:12:11 | 0:12:15 | |
Sorry to interrupt when you're on. New security protocol. | 0:12:15 | 0:12:19 | |
Just need to check, have either of you been recently radicalised? | 0:12:19 | 0:12:24 | |
No, I don't think so. | 0:12:24 | 0:12:27 | |
No. | 0:12:27 | 0:12:28 | |
Two more nos. | 0:12:28 | 0:12:31 | |
Also, er... | 0:12:32 | 0:12:33 | |
I thought you might want some more song requests, you know, | 0:12:33 | 0:12:37 | |
if-if-if you're interested? | 0:12:37 | 0:12:38 | |
Oh, yeah, brilliant. Who needs the patients when we've got you? | 0:12:38 | 0:12:43 | |
My ideal woman would have to be the head of Rachel from Friends, | 0:12:43 | 0:12:46 | |
the torso of Holly Willoughby and the legs of Angelina Jolie. | 0:12:46 | 0:12:51 | |
All joined up, obviously, not just like loose or in a bag or something. | 0:12:51 | 0:12:55 | |
I'd actually just be happy with Rachel from Friends...'s head. | 0:12:55 | 0:12:59 | |
So this is me mic. And that's short for... | 0:12:59 | 0:13:02 | |
my microphone. | 0:13:02 | 0:13:03 | |
It's so exciting. | 0:13:03 | 0:13:05 | |
I just want to grab it and shout, "Let me live me own life, Mum!" | 0:13:05 | 0:13:09 | |
Yeah, well, don't. And that's the charity totalizer. | 0:13:09 | 0:13:12 | |
It's getting there, thanks to the manager's donation. | 0:13:12 | 0:13:15 | |
I'd love to know how all this stuff works. | 0:13:15 | 0:13:18 | |
Really? What you doin' tonight? | 0:13:18 | 0:13:20 | |
Nothing. I can cancel anything. Anything! | 0:13:20 | 0:13:23 | |
Great. Well, you should take this home and read it. | 0:13:23 | 0:13:26 | |
Bring it back tomorrow, though - I need it. | 0:13:26 | 0:13:28 | |
Oh. Thanks. | 0:13:28 | 0:13:30 | |
No worries! | 0:13:30 | 0:13:32 | |
'Security. It's Susan. The security desk is unmanned. | 0:13:32 | 0:13:35 | |
'Get back. Roger. Over.' | 0:13:35 | 0:13:38 | |
Coming. Hilary. Over. | 0:13:38 | 0:13:40 | |
Bye. | 0:13:40 | 0:13:42 | |
She seems nice. | 0:13:43 | 0:13:45 | |
Yeah, and she's given me loads of good requests as well. | 0:13:45 | 0:13:47 | |
I Wanna Hold Your Hand, Love Me Tender, | 0:13:47 | 0:13:51 | |
I Want You, I Need You, I Love You. | 0:13:51 | 0:13:52 | |
-Do you think maybe she's trying to tell you something? -No. | 0:13:52 | 0:13:55 | |
A bit of a crush, maybe? | 0:13:55 | 0:13:57 | |
No. | 0:13:57 | 0:13:58 | |
I dunno. She seemed keen. | 0:13:58 | 0:13:59 | |
No. | 0:13:59 | 0:14:00 | |
Ooh! OK, this request is going out to Hilary the security guard | 0:14:00 | 0:14:06 | |
and it's I Love You, Ivan. | 0:14:06 | 0:14:09 | |
Oh, one minute, don't seem to have that one on the system | 0:14:09 | 0:14:13 | |
so here's a suitable alternative - | 0:14:13 | 0:14:14 | |
it's a classic from Mr Blobby. | 0:14:14 | 0:14:17 | |
I've never had a girlfriend girlfriend but I've had loads of girls who are me friends - | 0:14:18 | 0:14:24 | |
me mum before she died. | 0:14:24 | 0:14:26 | |
Not just me mum, though - that makes me sound like a right saddo. | 0:14:26 | 0:14:30 | |
I've loads of aunties, too. | 0:14:30 | 0:14:32 | |
Ha ha! Oh, come on, Mrs L. What about this one? | 0:14:32 | 0:14:35 | |
Why is a Catholic priest like a Christmas tree? | 0:14:35 | 0:14:39 | |
Cos their balls are only for decoration. | 0:14:39 | 0:14:41 | |
BA-DUM TSHH | 0:14:41 | 0:14:42 | |
You can't say that! | 0:14:42 | 0:14:44 | |
Yeah, no, you're right. I'll save it until Christmas. | 0:14:44 | 0:14:46 | |
I'll use it in Midnight Mass. | 0:14:46 | 0:14:48 | |
'My favourite time of year is Christmas.' | 0:14:48 | 0:14:50 | |
I love Midnight Mass because we're always sold out. | 0:14:50 | 0:14:53 | |
It's a great atmosphere and everyone's had a few bevvies so I can work a bit blue. | 0:14:53 | 0:14:56 | |
Oh, Father Kenny is great with cheeky innuendo! | 0:14:56 | 0:15:01 | |
He means no harm by it. | 0:15:01 | 0:15:03 | |
I'm terrible at innuendo, if you know what I mean. | 0:15:03 | 0:15:08 | |
I thought maybe I could play the new keyboard at this afternoon's service? | 0:15:10 | 0:15:14 | |
Nah, you're all right. I was going to open with Jerusalem and you can never play that. | 0:15:14 | 0:15:18 | |
Well, I could try. | 0:15:18 | 0:15:19 | |
Nah, the keyboard's better. | 0:15:19 | 0:15:21 | |
KEYBOARD PLAYS | 0:15:21 | 0:15:22 | |
I've been working with Father Kenny for 20 years | 0:15:24 | 0:15:28 | |
and we've never fallen out. | 0:15:28 | 0:15:30 | |
He went through a phase of using a puppet in the sermons. | 0:15:30 | 0:15:34 | |
Reverend Timpkins. Oh, I didn't like that. | 0:15:34 | 0:15:38 | |
It was very blue material. | 0:15:38 | 0:15:40 | |
It's bollocks! Whoa! One minute there... | 0:15:40 | 0:15:43 | |
That puppet - he really led Father Kenny astray. | 0:15:43 | 0:15:47 | |
I was glad when he left. | 0:15:47 | 0:15:50 | |
Should've got one of these ages ago. | 0:15:50 | 0:15:52 | |
I didn't realise they're so easy to use. | 0:15:52 | 0:15:54 | |
Well, maybe that keyboard can help you prepare, then, because I'm not! | 0:15:54 | 0:15:59 | |
-KEYBOARD: -Ooooooh! | 0:15:59 | 0:16:01 | |
They can do everything! | 0:16:01 | 0:16:03 | |
Security, we have an emergency. | 0:16:06 | 0:16:08 | |
Unknown flying weapon in the hospital... | 0:16:08 | 0:16:11 | |
Oh, wait, no, it's a fly on my screen. | 0:16:11 | 0:16:13 | |
Carry on. Over. | 0:16:13 | 0:16:15 | |
I just got your lunch from the ambulance men. | 0:16:15 | 0:16:19 | |
Should we really be using them to pick up takeaway? | 0:16:19 | 0:16:21 | |
It's soup, Sunny. It's disgusting cold. | 0:16:21 | 0:16:24 | |
OK, they're back. | 0:16:25 | 0:16:26 | |
What? Security threat? | 0:16:26 | 0:16:27 | |
Even better. See that doctor and nurse? | 0:16:27 | 0:16:29 | |
Well, it looks like they've had an affair, from what I can make out. | 0:16:29 | 0:16:32 | |
He's gone back to his wife but she's pregnant and hasn't told him. | 0:16:32 | 0:16:34 | |
It's better than Holby. | 0:16:34 | 0:16:36 | |
Do you think this could become a security threat? | 0:16:36 | 0:16:38 | |
We'll have a better idea when the drone arrives, | 0:16:38 | 0:16:40 | |
then I can follow them anywhere. | 0:16:40 | 0:16:42 | |
Everybody take your belts and shoes off. | 0:16:42 | 0:16:44 | |
I've got a delivery for Susan Mitchell. | 0:16:44 | 0:16:46 | |
You'll have to join the back of the queue, go through security, green lift, fourth floor. | 0:16:46 | 0:16:51 | |
As you know, Father David from St Luke's will be joining me for the evening service. | 0:16:54 | 0:16:58 | |
Funny guy, actually. | 0:16:58 | 0:17:00 | |
Before he was ordained as a Catholic priest, he was a mechanic. | 0:17:00 | 0:17:02 | |
So you could call him a Catholic converter! | 0:17:02 | 0:17:04 | |
BA-DUM TSHH | 0:17:04 | 0:17:06 | |
No? Tough crowd, Mrs Leydon. | 0:17:06 | 0:17:09 | |
Oh. Yeah. | 0:17:09 | 0:17:10 | |
All right. Let me find the reading. | 0:17:11 | 0:17:14 | |
Normally my assistant would print this off. | 0:17:14 | 0:17:17 | |
No. Oh... | 0:17:17 | 0:17:19 | |
Oh. | 0:17:19 | 0:17:20 | |
I suppose Mrs Leydon does do a lot round here. | 0:17:23 | 0:17:26 | |
Leaves me clear to focus on my calling - comedy. | 0:17:26 | 0:17:30 | |
She's part of the furniture. Not that I'd spray her with polish. | 0:17:30 | 0:17:33 | |
That's my pledge to her. | 0:17:33 | 0:17:34 | |
She'd have loved that. | 0:17:34 | 0:17:36 | |
They won't let us out. | 0:17:37 | 0:17:39 | |
I've got you two down but the baby didn't sign in when you arrived. | 0:17:39 | 0:17:42 | |
She's only just been born. | 0:17:42 | 0:17:44 | |
But it's new procedures. | 0:17:44 | 0:17:46 | |
Everyone has to be signed in and the baby didn't sign in. | 0:17:46 | 0:17:48 | |
She never "came in", though. What were we supposed to do? | 0:17:48 | 0:17:52 | |
I can't make exceptions. Sorry! | 0:17:52 | 0:17:55 | |
'OK, this next song is another request going out to the | 0:17:55 | 0:17:58 | |
'lovely Hilary, a very special woman who's been sending in song requests. | 0:17:58 | 0:18:04 | |
'This is Whitney Houston who, sadly, is now dead of drugs.' | 0:18:04 | 0:18:08 | |
# And I-I will always love you | 0:18:08 | 0:18:20 | |
# Will always love you... # | 0:18:22 | 0:18:28 | |
Anything good? | 0:18:33 | 0:18:35 | |
It's OK, I suppose. | 0:18:35 | 0:18:36 | |
Oh, I remember this one. Yeah, that got a big laugh. | 0:18:38 | 0:18:42 | |
Shouldn't you be doing the afternoon service? | 0:18:42 | 0:18:45 | |
Well, I needed to talk to you. I've got a dilemma. | 0:18:45 | 0:18:48 | |
It's not the Kenny Dalglish Jesus dream again, is it? | 0:18:48 | 0:18:51 | |
No. | 0:18:51 | 0:18:53 | |
I took someone for granted and I need their forgiveness. | 0:18:53 | 0:18:58 | |
She's my organist. Well, she's a lot more than that, | 0:18:58 | 0:19:02 | |
and I'm just hoping she'll forgive me and come back. | 0:19:02 | 0:19:05 | |
I thought you didn't need an organist with your new keyboard. | 0:19:05 | 0:19:10 | |
Well, it's not the piano, Mrs Leydon, it's who's hitting the keys. | 0:19:10 | 0:19:13 | |
Am I right, girls? | 0:19:13 | 0:19:14 | |
Ooh, you are funny! | 0:19:14 | 0:19:16 | |
Come on, we've got a service to do. | 0:19:16 | 0:19:18 | |
I'll tell you what, as a special treat I'll bring back the Reverend Timpkins. | 0:19:18 | 0:19:22 | |
-I know you like him. -Ooh, yeah! | 0:19:22 | 0:19:24 | |
All right? Come on, then, I've still got his number. | 0:19:24 | 0:19:27 | |
"Yes, you have!" Who said that?! | 0:19:27 | 0:19:28 | |
-Oh. -Come on! | 0:19:28 | 0:19:30 | |
Sod it. | 0:19:46 | 0:19:47 | |
OUT OF TUNE SINGING | 0:19:49 | 0:19:53 | |
THEY ALL SING HYMN | 0:19:57 | 0:20:03 | |
I don't think it's possible. | 0:20:03 | 0:20:04 | |
But it looks so state of the art. I'd love it for here. | 0:20:04 | 0:20:07 | |
Uh, yeah. The only thing is, The Matrix was a film. | 0:20:07 | 0:20:10 | |
Well, just see if it is possible. | 0:20:10 | 0:20:12 | |
-Sunny, look! -What? Have you had your nails done again? | 0:20:14 | 0:20:17 | |
No, there. That box. It's a suspicious package. | 0:20:17 | 0:20:19 | |
We've got a suspicious package. | 0:20:19 | 0:20:21 | |
We'll have to evacuate. | 0:20:21 | 0:20:22 | |
What? That's a huge procedure. | 0:20:22 | 0:20:24 | |
Do we really want to evacuate the entire hospital over a package? | 0:20:24 | 0:20:27 | |
It's in the security protocols. | 0:20:27 | 0:20:29 | |
To think, yesterday we would just have binned that box. | 0:20:29 | 0:20:31 | |
Now, thanks to my terrible ordeal, | 0:20:31 | 0:20:33 | |
we can manage this threat and evacuate. | 0:20:33 | 0:20:34 | |
Or we just bin the box? | 0:20:34 | 0:20:37 | |
I'd feel a lot better after a big evacuation, Sunny. | 0:20:37 | 0:20:39 | |
All right, look. How about just this wing? | 0:20:39 | 0:20:42 | |
Fine. | 0:20:42 | 0:20:43 | |
But would it kill you to be a bit ambitious for once in your life? | 0:20:43 | 0:20:47 | |
'Evacuation. Please leave the hospital immediately. | 0:20:48 | 0:20:52 | |
'Evacuation. Please leave the hospital immediately.' | 0:20:52 | 0:20:56 | |
Don't worry, folks, | 0:20:56 | 0:20:57 | |
Ivan Brackenbury, the cheerful earful, is still here. | 0:20:57 | 0:21:00 | |
If you are evacuating, take a radio with you cos I'll will be doing | 0:21:00 | 0:21:04 | |
me afternoon quiz, What Hat Am I Wearing? | 0:21:04 | 0:21:07 | |
You will need the exact style, colour and fabric. | 0:21:07 | 0:21:11 | |
Are you coming? | 0:21:11 | 0:21:12 | |
No. A good DJ always goes down with his ship. | 0:21:12 | 0:21:14 | |
Anyway, they're always doing these tests, | 0:21:14 | 0:21:16 | |
and it never amounts to anything. | 0:21:16 | 0:21:18 | |
-They reckon it could be a bomb. -Oh! | 0:21:18 | 0:21:20 | |
Well, you might want to hurry up there, ladies and gentlemen, | 0:21:20 | 0:21:23 | |
I've just been reliably informed that it's definitely a bomb. | 0:21:23 | 0:21:27 | |
That's a Drive Time exclusive. | 0:21:27 | 0:21:29 | |
-Boom! -'Drive Time exclusive.' | 0:21:29 | 0:21:31 | |
'Evacuation. Please leave the hospital immediately. | 0:21:31 | 0:21:35 | |
'Evacuation. Please leave the hospital immediately.' | 0:21:35 | 0:21:40 | |
Shall we take the valuables, just in case? | 0:21:40 | 0:21:43 | |
No, Mrs Leydon, leave the keyboard. | 0:21:43 | 0:21:46 | |
-I just want to take the things that are really important to me. -Ah! | 0:21:46 | 0:21:49 | |
So you grab the Reverend Timpkins and I'll get the stuff off the wall. | 0:21:49 | 0:21:53 | |
-Has he just winked at you? -Oh! | 0:21:54 | 0:21:57 | |
Hilary, what are you doing here? | 0:21:59 | 0:22:00 | |
Evacuation. I've got to make sure everyone leaves the wing. | 0:22:00 | 0:22:02 | |
I'm not going anywhere. The airwaves need me. | 0:22:02 | 0:22:06 | |
You're so brave. | 0:22:06 | 0:22:08 | |
I could stay with you and push your buttons if you show me how. | 0:22:08 | 0:22:12 | |
I thought you were supposed to be helping everyone get out? | 0:22:12 | 0:22:14 | |
'Hilary, what's taking you so long? Over. Victor.' | 0:22:14 | 0:22:18 | |
Stop telling me what to do, Susan! | 0:22:18 | 0:22:20 | |
RADIO SHATTERS | 0:22:20 | 0:22:22 | |
I'm staying here. | 0:22:22 | 0:22:24 | |
Would you like to sit in me chair? | 0:22:24 | 0:22:25 | |
-Yeah! -There you go. | 0:22:27 | 0:22:30 | |
That's the fader for me mic, right, and I push that forward gently when I need to speak. | 0:22:31 | 0:22:37 | |
Oh! | 0:22:38 | 0:22:39 | |
OK? And this one's for the music. | 0:22:41 | 0:22:45 | |
You just slide it up like this. | 0:22:45 | 0:22:47 | |
MUSIC: Unchained Melody | 0:22:47 | 0:22:49 | |
Oh! Hang on. That's... Not that one. This one. | 0:22:49 | 0:22:51 | |
# A little bit of Monica... # | 0:22:51 | 0:22:53 | |
Oh! That were lucky! That wasn't on the playlist. | 0:22:53 | 0:22:55 | |
I don't think anyone would have noticed. I got to it just in time. | 0:22:55 | 0:22:58 | |
What a nightmare! | 0:22:58 | 0:22:59 | |
People'll be wondering why I'm playing the theme from Ghost! | 0:22:59 | 0:23:03 | |
Come on, hurry up or get out of the way - | 0:23:03 | 0:23:05 | |
one or the other! | 0:23:05 | 0:23:07 | |
That's the bomb squad in there now. | 0:23:07 | 0:23:08 | |
They'll be carrying out a controlled explosion. | 0:23:08 | 0:23:10 | |
And to think you doubted my safety fears. | 0:23:10 | 0:23:12 | |
You're probably feeling pretty stupid right now. | 0:23:12 | 0:23:15 | |
Just cold, really. I left my coat inside. | 0:23:15 | 0:23:17 | |
PHONE RINGS | 0:23:17 | 0:23:18 | |
Probably be the health minister calling to congratulate me on my security measures. | 0:23:18 | 0:23:22 | |
Hello, Susan Mitchell? | 0:23:22 | 0:23:24 | |
Yes, I am expecting a package delivery. | 0:23:26 | 0:23:29 | |
What? | 0:23:29 | 0:23:30 | |
They're telling me they couldn't get into my office | 0:23:30 | 0:23:33 | |
so they left the package in a corridor. | 0:23:33 | 0:23:35 | |
EXPLOSION | 0:23:38 | 0:23:40 | |
Yes, I've noticed some damage to the item so I will be returning it. | 0:23:45 | 0:23:49 | |
So, how much did that drone cost? | 0:23:51 | 0:23:53 | |
Sunny, I've told you before - you can't put a price on safety. | 0:23:53 | 0:23:56 | |
Three-and-a-half thousand pounds. | 0:23:57 | 0:24:00 | |
'It is now safe to enter the building. | 0:24:02 | 0:24:05 | |
'It is now safe to enter the building.' | 0:24:06 | 0:24:11 | |
He says he forgives you. Does that make sense? | 0:24:11 | 0:24:14 | |
Excuse me - we're in the middle of a psychic reading here. | 0:24:14 | 0:24:18 | |
Honestly, surly chef - how rude! Could've knocked. | 0:24:18 | 0:24:22 | |
I've had to accept my pass is my path, | 0:24:22 | 0:24:25 | |
and wherever it now allows me to go, is where I can connect, | 0:24:25 | 0:24:28 | |
because while there are obstacles to the physical, | 0:24:28 | 0:24:31 | |
there are no barriers to the mental. | 0:24:31 | 0:24:34 | |
Where were we? Oh, yes, your cat! | 0:24:34 | 0:24:37 | |
He says he forgives you, OK? | 0:24:37 | 0:24:39 | |
He knows he needed to be neutered, | 0:24:39 | 0:24:42 | |
and with that, I'm going to leave my love there with you, all right, my darling? | 0:24:42 | 0:24:46 | |
Well, I think we can call the security drive a success. | 0:24:51 | 0:24:55 | |
How's that? | 0:24:55 | 0:24:56 | |
It was 14 times over budget, | 0:24:56 | 0:24:58 | |
the evacuation meant five vital operations were missed, and... | 0:24:58 | 0:25:01 | |
Well, if you want to talk about safety in figures, fine. | 0:25:01 | 0:25:04 | |
Here's a figure. Yesterday, I was robbed once. Today? No times. | 0:25:04 | 0:25:10 | |
That's a 100% drop-off in maniacs robbing me. | 0:25:10 | 0:25:13 | |
Although who knows where he is now. | 0:25:13 | 0:25:15 | |
# I'm the love that you looked for Write to me and escape | 0:25:17 | 0:25:23 | |
# Yes I like Pina Colada... # | 0:25:23 | 0:25:25 | |
Back tomorrow at six with the Breakfast Show in association with Lyle and Co Funeral Directors. | 0:25:25 | 0:25:31 | |
The Breakfast Show - brightening up your mourning. | 0:25:31 | 0:25:35 | |
Oh, look, they've spelt morning wrong. There's no U in it, is there? | 0:25:35 | 0:25:39 | |
You're so clever. That were amazing! | 0:25:39 | 0:25:43 | |
Ah. I couldn't have done it without you. | 0:25:43 | 0:25:45 | |
Aw! | 0:25:45 | 0:25:46 | |
Well, I normally do, | 0:25:46 | 0:25:47 | |
but if you ever want to help out again, just pop by. | 0:25:47 | 0:25:50 | |
This might sound mad, but I was wondering if maybe you might, | 0:25:56 | 0:26:00 | |
you know, fancy a drink? | 0:26:00 | 0:26:02 | |
Wow. | 0:26:02 | 0:26:03 | |
Or not, you know. Up to you. | 0:26:03 | 0:26:05 | |
Just thought you might... | 0:26:05 | 0:26:06 | |
Yeah. Yeah, Hilary, I'd really like that. | 0:26:06 | 0:26:09 | |
You would? | 0:26:09 | 0:26:11 | |
Yeah. Tea, four sugars. | 0:26:11 | 0:26:13 | |
DOOR OPENS | 0:26:15 | 0:26:17 | |
Ooh, she's been back, has she? I think she fancies you. | 0:26:20 | 0:26:23 | |
Don't be silly. I can usually spot these things. | 0:26:23 | 0:26:27 | |
I've got a very good girl-dar. | 0:26:27 | 0:26:28 | |
Finally, a big shout to everyone returning from the evacuation. | 0:26:30 | 0:26:33 | |
Coming up later, I'll be playing our new game | 0:26:33 | 0:26:36 | |
live from the geriatrics' ward - The Weakest Hip. | 0:26:36 | 0:26:40 | |
But now, this is going out to Julie, | 0:26:41 | 0:26:43 | |
who's not too happy about the plastic surgery she's had done. | 0:26:43 | 0:26:48 | |
This is the Communards. | 0:26:48 | 0:26:50 | |
# Don't leave me this way | 0:26:50 | 0:26:54 | |
# I don't understand how I'm at your command | 0:26:54 | 0:26:59 | |
# So, baby, please don't don't you leave me this way... # | 0:26:59 | 0:27:05 | |
SHE GROANS # Baby, my heart is full of love and desire for you | 0:27:05 | 0:27:11 | |
# So come down and do what you've gotta do... # | 0:27:11 | 0:27:14 | |
SHE SHOUTS # You started this fire down in my soul | 0:27:14 | 0:27:19 | |
# Now can't you see it's burning out of control | 0:27:19 | 0:27:22 | |
# So come down and satisfy the need in me | 0:27:22 | 0:27:25 | |
# Cos only your good loving will set me free | 0:27:25 | 0:27:29 | |
-# Set me free -Set me free | 0:27:29 | 0:27:31 | |
# Set me free Set me free | 0:27:31 | 0:27:34 | |
# Set me free Set me free-ee-ee-ee | 0:27:34 | 0:27:42 | |
# Set me free | 0:27:42 | 0:27:44 | |
# Set me free | 0:27:44 | 0:27:46 | |
# Set me free | 0:27:46 | 0:27:48 | |
# Set me free. # | 0:27:48 | 0:27:50 |