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# Today is the day, hip, hip, hooray | 0:00:19 | 0:00:23 | |
# That Vic cooks me my breakfast | 0:00:23 | 0:00:27 | |
# I haven't a clue what I'm meant to do | 0:00:27 | 0:00:31 | |
# I wish he'd just have a Curly Wurly, oh! # | 0:00:31 | 0:00:35 | |
So how long do I cook this egg for? | 0:00:37 | 0:00:40 | |
-Six foot seven. -Six foot...? | 0:00:40 | 0:00:42 | |
I said, how long do I cook the eggs for? | 0:00:42 | 0:00:44 | |
Oh, I'm sorry! Flies. | 0:00:44 | 0:00:47 | |
I thought you asked me how tall Gandhi wanted to be when he grew up. | 0:00:47 | 0:00:51 | |
-How long do I cook this egg for? -All right! | 0:00:51 | 0:00:53 | |
An egg, three minutes. | 0:00:53 | 0:00:55 | |
-Both sides? -It doesn't really mattee-e-er... | 0:00:55 | 0:00:58 | |
-Your egg, Simon. -Yeah, I'm Bob. | 0:01:01 | 0:01:03 | |
No, the egg's called Simon. | 0:01:03 | 0:01:05 | |
I've kind of grown to love it over the past three minutes, | 0:01:05 | 0:01:08 | |
-so be gentle with it. -Oh, sweet. | 0:01:08 | 0:01:10 | |
-Also, your black pudding. -Black pudding. | 0:01:10 | 0:01:13 | |
-Your bacon. -HE LAUGHS | 0:01:13 | 0:01:15 | |
And a nice cup of tea. | 0:01:15 | 0:01:18 | |
-There we are. -Thank you. I really appreciate it, I really do. | 0:01:20 | 0:01:23 | |
-But excuse me? -Yeah. | 0:01:23 | 0:01:25 | |
-Excuse me? -Yeah? -Toast? | 0:01:25 | 0:01:28 | |
Yes. Of course, sir. | 0:01:28 | 0:01:30 | |
DING! | 0:01:33 | 0:01:34 | |
Ah, and I took the liberty of warming up your toupee for you. | 0:01:34 | 0:01:39 | |
Oh, thanks. | 0:01:39 | 0:01:40 | |
GIBBERS INCOHERENTLY | 0:01:42 | 0:01:44 | |
BOTH GIBBER | 0:01:45 | 0:01:47 | |
TRAIN WHISTLE BLOWS | 0:01:50 | 0:01:51 | |
# Look at my pie, a feast for the eyes | 0:01:52 | 0:01:54 | |
# It's made of pork and pastry | 0:01:54 | 0:01:57 | |
-# I have to admit -That looking at it | 0:01:57 | 0:02:00 | |
# It really does look rather tasty. # | 0:02:00 | 0:02:03 | |
Emergency, emergency, 999, emergency! | 0:02:03 | 0:02:06 | |
Julie, Julie, Julie, Julie, Julie, what seems to be the problem? | 0:02:06 | 0:02:09 | |
It's an emergency! | 0:02:09 | 0:02:11 | |
Yes, but what's the nature of the emergency, Julie? | 0:02:11 | 0:02:13 | |
My fridge is broken, emergency, 999. | 0:02:13 | 0:02:16 | |
Julie, do you want to put your pie in our fridge? | 0:02:16 | 0:02:19 | |
Oh, Vic! Would you do that for me, Vic? | 0:02:19 | 0:02:22 | |
Look after my pie for me? | 0:02:22 | 0:02:23 | |
CROCKERY SMASHES | 0:02:23 | 0:02:25 | |
Thank you, Vic. Are there any other little teeny-weeny jobs | 0:02:25 | 0:02:29 | |
I could do in return, say, perhaps in your bedroom? | 0:02:29 | 0:02:31 | |
I've only got three minutes so we'd have to be super-duper quick. | 0:02:31 | 0:02:34 | |
No, there's no jobs in the bedroom, Julie, really. | 0:02:34 | 0:02:37 | |
So, guys, I just need you to look after this pie for me | 0:02:37 | 0:02:40 | |
whilst I go on holiday for a couple of hours. | 0:02:40 | 0:02:42 | |
Of course. Sorry, a couple of hours, Julie? | 0:02:42 | 0:02:45 | |
-Yes, it's one of those short breaks. -Oh, right. -Where you going? | 0:02:45 | 0:02:48 | |
Mexico. | 0:02:48 | 0:02:50 | |
Not in two hours, you're not, Julie. | 0:02:50 | 0:02:52 | |
-Exeter? -You might do that. -Excellent. | 0:02:53 | 0:02:56 | |
Look, the thing is, I've got Bruce Willis coming around later | 0:02:56 | 0:03:01 | |
to talk about starring in the film of my erotic novel, Nobbin Hood. | 0:03:01 | 0:03:05 | |
-THE Bruce Willis? -Yes, yes! | 0:03:07 | 0:03:09 | |
Are you going to... Are you going to try and touch his willy? | 0:03:09 | 0:03:13 | |
Yes! | 0:03:26 | 0:03:28 | |
THEY LAUGH | 0:03:28 | 0:03:29 | |
Anyway, the thing is, he insists on eating this particular pork pie. | 0:03:29 | 0:03:34 | |
It's also Morgan Freeman's favourite, apparently. | 0:03:34 | 0:03:36 | |
As if that matters. | 0:03:36 | 0:03:39 | |
It's really important to me that Bruce gets this pie. | 0:03:39 | 0:03:41 | |
-You won't let me down now, will you? -No, course not, Julie. -Are you sure? | 0:03:41 | 0:03:44 | |
My whole career does depend on him agreeing to play Nobbin Hood. | 0:03:44 | 0:03:47 | |
Yep? So remember, no touchy-touchy, no licky-licky. | 0:03:47 | 0:03:52 | |
Right, I'm off to go pack. See you later. | 0:03:52 | 0:03:54 | |
-Bye, Julie. -See you, Julie. | 0:03:54 | 0:03:56 | |
Oi, daft lads, come here, eat me. Check out my glossy crust. | 0:03:56 | 0:04:01 | |
Don't be a pair of tossers all your life. Tuck in, tuck in! | 0:04:01 | 0:04:04 | |
CRACK! | 0:04:07 | 0:04:09 | |
HE GROWLS AND SLATHERS | 0:04:12 | 0:04:14 | |
Come on, let's just have a little bit. | 0:04:14 | 0:04:16 | |
No, stop it, Vic. Stop it! You're acting like an idiot. | 0:04:16 | 0:04:18 | |
-Oh, I'm acting like an idiot, am I? -Yes. | 0:04:18 | 0:04:20 | |
Would an idiot be able to do this? | 0:04:20 | 0:04:22 | |
Huh?! | 0:04:24 | 0:04:26 | |
You know what, you kick like a girl. | 0:04:32 | 0:04:33 | |
Yeah, well, I don't know any girls, do I, so I wouldn't know. | 0:04:33 | 0:04:36 | |
Yeah, you've got a point. | 0:04:36 | 0:04:37 | |
-I'll point at you in a minute if you're not careful. -No, don't! | 0:04:37 | 0:04:40 | |
-Yeah? -Oh, you did. | 0:04:40 | 0:04:42 | |
Yeah! Now who's the idiot?! | 0:04:42 | 0:04:43 | |
# Blew my giro on this erotic biro | 0:04:45 | 0:04:48 | |
# I'm in love with the beautiful lady | 0:04:48 | 0:04:51 | |
# If you turn it around, her knickers fall down | 0:04:52 | 0:04:56 | |
# It's the greatest thing since Joseph met Mary-y-y-y-y! # | 0:04:56 | 0:05:02 | |
Oh, it's bust. I shouldn't have had that romantic bath with her. | 0:05:07 | 0:05:11 | |
All right, Beef? I like your scarf. | 0:05:11 | 0:05:14 | |
It's made of ham. Birmingham. | 0:05:14 | 0:05:18 | |
It was made in Birmingham. | 0:05:18 | 0:05:21 | |
I wear it when I play cricket. | 0:05:21 | 0:05:22 | |
Nothing else, just the scarf and what God gave me. | 0:05:22 | 0:05:26 | |
How's that? | 0:05:26 | 0:05:27 | |
We're just guarding this pork pie for Julie. | 0:05:29 | 0:05:31 | |
-Pork? -Yeah. | 0:05:31 | 0:05:33 | |
The meat of pigs? The most ancient of all British dogs? | 0:05:33 | 0:05:37 | |
Can any man deny its flesh? | 0:05:39 | 0:05:42 | |
Not I. | 0:05:43 | 0:05:44 | |
-Pork. -Beef...? | 0:05:45 | 0:05:47 | |
-Pork. -Beef...! | 0:05:47 | 0:05:49 | |
-Pork! -No, Beef! | 0:05:49 | 0:05:50 | |
I'm sorry, Beef, but it's not our pie. | 0:05:55 | 0:05:58 | |
It's for Julie's meeting with Bruce Willis. | 0:05:58 | 0:06:01 | |
Bruce Willis, you say? | 0:06:01 | 0:06:03 | |
I starred alongside him in Too Hot For Spaniards in the West End. | 0:06:03 | 0:06:07 | |
It totally bombed. | 0:06:07 | 0:06:09 | |
And then he ran off with that chimp, Dudley Moore. | 0:06:09 | 0:06:11 | |
Demi Moore? | 0:06:11 | 0:06:12 | |
No, I think you'll find it was Dudley Moore. | 0:06:12 | 0:06:15 | |
I caught them exploring each other on discarded teacakes | 0:06:15 | 0:06:18 | |
outside Fortnum's. | 0:06:18 | 0:06:20 | |
Mmmm. Mmmm! | 0:06:20 | 0:06:22 | |
Thank you for that, Beef. | 0:06:22 | 0:06:23 | |
Look, what we need to do is think of something | 0:06:23 | 0:06:26 | |
that'll take our minds off this pie. | 0:06:26 | 0:06:29 | |
Feast on me! Have me! | 0:06:29 | 0:06:31 | |
I'm yours... | 0:06:31 | 0:06:32 | |
Stop it, stop it, stop it! | 0:06:32 | 0:06:35 | |
-ANGUISHED: -Stop tormenting me, you gorgeous bitch! | 0:06:35 | 0:06:40 | |
-CHEERFULLY: -I know! What we need to do | 0:06:40 | 0:06:43 | |
is tell each other fascinating pork pie stories. | 0:06:43 | 0:06:46 | |
Yes, to take our minds off eating the pork pie. | 0:06:46 | 0:06:48 | |
To take our minds off eating the pork pie. | 0:06:48 | 0:06:50 | |
I'll start first because I'm the oldest. | 0:06:50 | 0:06:52 | |
No, no... | 0:06:55 | 0:06:57 | |
Right, now then. | 0:06:59 | 0:07:01 | |
Not too long ago I was working as a gardener for Sir Elton John. | 0:07:01 | 0:07:06 | |
And one morning I was pushing a wheelbarrow full of custard | 0:07:06 | 0:07:10 | |
towards one of Elton's feeding troughs. | 0:07:10 | 0:07:13 | |
Oh, hold on, sorry. Soz for interrupting. | 0:07:13 | 0:07:15 | |
Is that what he has for breakfast, custard? | 0:07:15 | 0:07:17 | |
Yeah, and it's extra sweetened with sprinkles on the top. | 0:07:17 | 0:07:20 | |
So does David have custard also? | 0:07:20 | 0:07:22 | |
No, David has a lie-in and has a couple of pints and a pickled egg. | 0:07:22 | 0:07:25 | |
Anyway, I was pushing the wheelbarrow | 0:07:25 | 0:07:28 | |
-when the wheel snagged on something. -I'm soz to interrupt again | 0:07:28 | 0:07:31 | |
but I'd love to know what it snagged on. Wouldn't that be interesting? | 0:07:31 | 0:07:34 | |
I don't know. It doesn't matter. | 0:07:34 | 0:07:36 | |
Hang on, yes, it does matter! He just asked you a question. | 0:07:36 | 0:07:39 | |
What did it snag on? | 0:07:39 | 0:07:41 | |
I don't know. Maybe it was one of Elton's tiny little dogs, | 0:07:41 | 0:07:44 | |
a picker-wanker or a chin-wagger or something. | 0:07:44 | 0:07:46 | |
I don't know. I don't know what it snagged on. | 0:07:46 | 0:07:49 | |
Anyway, the wheel bounced off and into his feeding trough. | 0:07:49 | 0:07:52 | |
Good heavens, that's trouble on a plate. | 0:07:52 | 0:07:54 | |
Exactly. And at that precise moment, | 0:07:54 | 0:07:57 | |
from around by the orangery came waddling Sir Elton himself. | 0:07:57 | 0:08:01 | |
"What do you think you're doing, daft lad?" | 0:08:01 | 0:08:04 | |
he said in that rich, sonorous voice of his. | 0:08:04 | 0:08:08 | |
And then I remembered, in me lunch bucket | 0:08:08 | 0:08:12 | |
I had a five-inch thick-crust pork pie. | 0:08:12 | 0:08:17 | |
Hold on, I know, I know, | 0:08:17 | 0:08:18 | |
-so you used the pork pie as a replacement wheel on the barrow? -No. | 0:08:18 | 0:08:23 | |
I just stuck it up his arse and told him to stuff his job. | 0:08:23 | 0:08:25 | |
That's a nice story, terrific story. | 0:08:27 | 0:08:29 | |
-Thank you. -Beef! | 0:08:29 | 0:08:31 | |
Beef, concentrate on the pork pie stories. | 0:08:31 | 0:08:34 | |
-I'm sorry. -Why don't you take your turn now? | 0:08:34 | 0:08:36 | |
OK, all right. Draw near. | 0:08:36 | 0:08:39 | |
Nearer still. | 0:08:40 | 0:08:42 | |
Nearer still. | 0:08:42 | 0:08:43 | |
All right, back off! | 0:08:43 | 0:08:45 | |
It was a dark, sweaty night, | 0:08:46 | 0:08:48 | |
the kind of night that would force a man | 0:08:48 | 0:08:50 | |
to lick an emperor penguin to death. | 0:08:50 | 0:08:52 | |
I was driving down the A428 when I picked up a headless hitchhiker. | 0:08:53 | 0:08:59 | |
I was drunk, so I asked her to take the wheel. | 0:08:59 | 0:09:03 | |
Hang on a minute, you asked a headless phantom to drive your car? | 0:09:03 | 0:09:08 | |
Yes, she was headless and had no arms. | 0:09:08 | 0:09:11 | |
Sorry, no head and no arms? | 0:09:11 | 0:09:14 | |
-Or legs. -Just a torso? | 0:09:14 | 0:09:16 | |
Not even that. | 0:09:16 | 0:09:18 | |
Was this actually a person, Beef? | 0:09:19 | 0:09:21 | |
-HE CHUCKLES -No. | 0:09:21 | 0:09:23 | |
It was a pork pie. | 0:09:26 | 0:09:28 | |
Whoa! That's a lot better than your story, that was. | 0:09:28 | 0:09:32 | |
-All right, lads? -Oh, hey up! | 0:09:32 | 0:09:34 | |
-Jeez! -Oh, gosh! | 0:09:34 | 0:09:35 | |
What a lovely pork pie. Give us some. | 0:09:35 | 0:09:37 | |
No, keep your hands off it. | 0:09:37 | 0:09:39 | |
And aren't you meant to be leaving today, Bosh? | 0:09:39 | 0:09:42 | |
No, I'm not leaving today. I'm still ill. I've got a bad back. | 0:09:42 | 0:09:45 | |
-Have you been to the doctor's? -Yeah, I've been to the doctor's. | 0:09:45 | 0:09:47 | |
Yeah, and what did the doctor say? | 0:09:47 | 0:09:49 | |
The doctor said I could stay here as long as I like. | 0:09:49 | 0:09:52 | |
And he's told me to tell you that you're a twat. | 0:09:52 | 0:09:55 | |
Bosh, we're telling pork pie stories to take our mind off eating the pie. | 0:09:55 | 0:09:59 | |
You must have a plethora of them! | 0:09:59 | 0:10:01 | |
Oh, let me think, pork pie stories. Think, think. | 0:10:01 | 0:10:04 | |
-Yeah, go on. -Scratch, scratch. Comb, comb. | 0:10:04 | 0:10:07 | |
Flick, yes! | 0:10:07 | 0:10:08 | |
Ooh! | 0:10:08 | 0:10:10 | |
Oh, look at... | 0:10:10 | 0:10:11 | |
When I was in prison, | 0:10:16 | 0:10:18 | |
I shared a cell with this fella called Ben Gunn. | 0:10:18 | 0:10:20 | |
Now, he was a violent psychopath, right, | 0:10:20 | 0:10:23 | |
but he made some of the best pork pies in the world. | 0:10:23 | 0:10:27 | |
'Every night, right, I used to listen to him | 0:10:27 | 0:10:30 | |
'saying the ingredients of his special pork pies.' | 0:10:30 | 0:10:33 | |
-SNORTING: -Poooorrk! | 0:10:33 | 0:10:35 | |
Poorrrk! | 0:10:35 | 0:10:37 | |
Poorrrrrk! | 0:10:37 | 0:10:38 | |
'And so I wrote the ingredients down in my special notepad.' | 0:10:38 | 0:10:44 | |
Pooorrrk! | 0:10:44 | 0:10:45 | |
Porrrrk! | 0:10:45 | 0:10:46 | |
Have you still got that notepad, Bosh? | 0:10:47 | 0:10:49 | |
No, Bob, I haven't got that notepad. I ate it. | 0:10:49 | 0:10:52 | |
But I remember the secret ingredients like it were yesterday. | 0:10:52 | 0:10:56 | |
-Right, do you still remember them? -Yeah, I remember them. Go on, then. | 0:10:56 | 0:10:59 | |
-SNORTING: -Porrrrk. | 0:11:00 | 0:11:02 | |
Porrrrk. | 0:11:02 | 0:11:04 | |
Porrrrrk. | 0:11:04 | 0:11:05 | |
Oh, shit - he was snoring, weren't he? | 0:11:05 | 0:11:07 | |
Three years without any sleep for that. That's your fault, that is. | 0:11:09 | 0:11:13 | |
-Sorry, Bosh. -Yeah, well, you will be. | 0:11:13 | 0:11:15 | |
Here, how come he gets a go on the pie? | 0:11:15 | 0:11:17 | |
What do you mean, a go on the pie? Hey, move your elbows, Vic. | 0:11:17 | 0:11:20 | |
Not your eyebrows, move your elbows. | 0:11:22 | 0:11:25 | |
Move them! | 0:11:25 | 0:11:26 | |
VIC GROANS | 0:11:26 | 0:11:27 | |
What have you done? Julie's going to kill us. | 0:11:27 | 0:11:31 | |
Bruce Willis is going to go down on us. | 0:11:31 | 0:11:34 | |
Look, look, lads, I know, I know that I got you in this fix. | 0:11:34 | 0:11:37 | |
Let me just think. Let me just think for a minute. | 0:11:37 | 0:11:40 | |
ANGRY GERMAN SHOUTING | 0:11:40 | 0:11:43 | |
DESCENDING WHISTLE | 0:11:49 | 0:11:51 | |
-Anything? -Not really, no. -Oh, Jesus! | 0:11:53 | 0:11:56 | |
Hang on, what's he scratching his arse with? | 0:11:58 | 0:12:01 | |
No nails, not no more need apply, not now anyway, Maureen. | 0:12:01 | 0:12:04 | |
What? That was gibberish, Bosh. No Maureen, what? | 0:12:04 | 0:12:07 | |
No nails, not no need apply, not now anyway, Maureen. | 0:12:07 | 0:12:09 | |
No, he's talking horse shit. | 0:12:09 | 0:12:11 | |
That's contact adhesive, | 0:12:11 | 0:12:12 | |
which, luckily, gives me an idea for a plan. | 0:12:12 | 0:12:18 | |
Good squirt. | 0:12:24 | 0:12:25 | |
There you go, good as new. Now can we have some? | 0:12:25 | 0:12:28 | |
No, Bosh, but thank you. | 0:12:28 | 0:12:30 | |
Hang on there, let me run this past you. | 0:12:30 | 0:12:33 | |
Why don't we heat up the entire interior | 0:12:33 | 0:12:36 | |
and sample the pleasures from within? | 0:12:36 | 0:12:38 | |
Come on, Bob, don't be a twat all your life. | 0:12:39 | 0:12:42 | |
It's a good plan. | 0:12:42 | 0:12:44 | |
-OK. -Yeah? | 0:12:44 | 0:12:46 | |
All right. Heat up the insides of the pie. Do it, Bosh. | 0:12:46 | 0:12:49 | |
HAIRDRYER WHIRRS | 0:12:51 | 0:12:52 | |
-OK, everybody ready? -Mm-hmm. -Yeah? Let's do this. | 0:12:57 | 0:13:01 | |
SLURPING | 0:13:05 | 0:13:07 | |
-Wow, what did you think? -Splendid. -Yeah. Bosh, you like it? | 0:13:14 | 0:13:17 | |
-Totally blown away. -Vic? -Knockout! | 0:13:17 | 0:13:19 | |
Wasn't it though? OK, let's reinflate. | 0:13:19 | 0:13:21 | |
Bosh, let's put some of that expanding cavity wall muck in there. | 0:13:23 | 0:13:27 | |
Yeah, keep it going, come on. | 0:13:29 | 0:13:31 | |
Steady, there it comes. | 0:13:31 | 0:13:33 | |
It's rising. | 0:13:33 | 0:13:34 | |
ALL MUMBLE ENCOURAGMENT | 0:13:34 | 0:13:37 | |
Careful, careful. | 0:13:37 | 0:13:39 | |
-That's it. -Yeah! -Good as new, basically. | 0:13:39 | 0:13:43 | |
Right, all packed. | 0:13:43 | 0:13:44 | |
FYI, if Bruce should turn up early, tell him I've hung | 0:13:44 | 0:13:47 | |
a tin of corned beef on a string in the letter box to tide him over. | 0:13:47 | 0:13:51 | |
Remember, take good care of that pie. | 0:13:51 | 0:13:54 | |
If Bruce doesn't get his pie, | 0:13:54 | 0:13:56 | |
he'll pull out of the film and one of you will have to die. | 0:13:56 | 0:13:58 | |
Now Julie, I know you're only going away for a couple of hours, | 0:13:58 | 0:14:01 | |
but I'm really going to miss you. | 0:14:01 | 0:14:03 | |
Oh, Vic, that's so sweet of you. | 0:14:03 | 0:14:06 | |
You know I don't have to go, you know. | 0:14:06 | 0:14:08 | |
We could stay and play sex bingo. Say house. | 0:14:08 | 0:14:10 | |
-House. -Bingo! | 0:14:10 | 0:14:11 | |
You win a pottery Alsatian | 0:14:11 | 0:14:13 | |
and a good old-fashioned go on my Barnaby Smudge. | 0:14:13 | 0:14:15 | |
All right, thank you, Julie, | 0:14:15 | 0:14:17 | |
but I think maybe you should just go and enjoy your holiday. | 0:14:17 | 0:14:20 | |
Thank you. Look, they're all giving you a goodbye shape. | 0:14:20 | 0:14:22 | |
-Oh, goodbye shapes! -Yeah, goodbye. | 0:14:22 | 0:14:25 | |
-Goodbye. -Bye. -Goodbye. | 0:14:25 | 0:14:26 | |
-Yes, goodbye. -Goodbye. | 0:14:26 | 0:14:28 | |
Don't worry about your pie, Julie. | 0:14:28 | 0:14:31 | |
Oh, this is a disaster. This could have serious consequences, you know. | 0:14:37 | 0:14:41 | |
-What are we going to do? -What are YOU going to do, more like? | 0:14:41 | 0:14:44 | |
Eh? What do you... Hold on, we all did it. | 0:14:44 | 0:14:46 | |
-It wasn't just me. -Don't look at me. I wasn't even there. | 0:14:46 | 0:14:50 | |
What, so you're going to tell Julie it was all me? | 0:14:50 | 0:14:52 | |
We were just doing what you told us, weren't we, boys? | 0:14:52 | 0:14:55 | |
-Absolutely. -Very much so, yeah. | 0:14:55 | 0:14:56 | |
-You've lived up to your nickname, haven't you? -What nickname? | 0:14:56 | 0:14:59 | |
Nothing, it's just something that people call you now and then. | 0:14:59 | 0:15:02 | |
Oh, yeah? Do you know anything about this nickname? | 0:15:02 | 0:15:05 | |
I might do. I might have heard it. | 0:15:05 | 0:15:06 | |
Oh, right. Yeah, and so what is it? | 0:15:06 | 0:15:08 | |
It's not for me to say. | 0:15:08 | 0:15:09 | |
Is it Chase Me Charlie, is it that one? | 0:15:09 | 0:15:11 | |
No, no, people don't call you that so much any more after the change. | 0:15:11 | 0:15:15 | |
What is it? | 0:15:16 | 0:15:18 | |
The Moron. | 0:15:18 | 0:15:19 | |
And I suppose you made that up, did you? | 0:15:21 | 0:15:23 | |
-It wasn't me, no. -Yeah, who was it then? | 0:15:23 | 0:15:25 | |
Your mother. | 0:15:26 | 0:15:29 | |
On her deathbed. | 0:15:29 | 0:15:31 | |
And in her will. | 0:15:31 | 0:15:32 | |
And on her gravestone. | 0:15:32 | 0:15:34 | |
"Beloved mother of the Moron." | 0:15:34 | 0:15:36 | |
-Which is why we don't take you for a walk round the graveyard any more. -Yeah. | 0:15:36 | 0:15:40 | |
Look, if I was a moron, do you think I'd be able to sing like this? | 0:15:40 | 0:15:45 | |
# I'm riding round in circles every day | 0:15:46 | 0:15:50 | |
# I don't know if I'm going or if I'll stay | 0:15:50 | 0:15:54 | |
# Cos I'm riding round in circles every day. # | 0:15:54 | 0:15:58 | |
Yeah? | 0:16:00 | 0:16:01 | |
Moron, is it? | 0:16:03 | 0:16:05 | |
-Hello, everyone. -Oh, all right, Erik. | 0:16:05 | 0:16:08 | |
Father. Or should I say the Moron. | 0:16:08 | 0:16:11 | |
ALL LAUGH | 0:16:11 | 0:16:13 | |
That was foocking er-wful. | 0:16:13 | 0:16:16 | |
What was? | 0:16:16 | 0:16:17 | |
Everything, the dance and the song. | 0:16:17 | 0:16:20 | |
Ah-ha-ha-ha(!) | 0:16:20 | 0:16:22 | |
Come on, we need to concentrate on replacing this pie. | 0:16:22 | 0:16:26 | |
Now where can we get a luxury pie from? | 0:16:26 | 0:16:29 | |
I can do a search for pork pies on my new laptop. | 0:16:29 | 0:16:32 | |
Oh, thank you, Erik. What, just on Google, something like this? | 0:16:32 | 0:16:36 | |
-How does this work, then? -Oh, shut up. | 0:16:36 | 0:16:38 | |
I can't concentrate when you guys are talking buh-llocks. | 0:16:38 | 0:16:41 | |
-Ah, there you go. -Oh, well done, Erik... | 0:16:46 | 0:16:47 | |
Don't touch me, the Moron. | 0:16:47 | 0:16:49 | |
Oh, OK, some pork pie shops. So Desperate House Pies. | 0:16:52 | 0:16:56 | |
Dude, Where's My Pie? | 0:16:57 | 0:16:59 | |
Pie and Prejudice. | 0:17:00 | 0:17:02 | |
No Woman, No Pie. | 0:17:02 | 0:17:05 | |
No Woman, No Pie, that sounds good. | 0:17:05 | 0:17:06 | |
Whoa, whoa, whoa. Hold on. | 0:17:06 | 0:17:08 | |
Julie said it was Morgan Freeman's favourite pie. | 0:17:08 | 0:17:13 | |
There might be a clue in that. | 0:17:13 | 0:17:15 | |
Oh, here it is. | 0:17:15 | 0:17:16 | |
"Morgan Freeman, like many other Afro-American actors, | 0:17:16 | 0:17:20 | |
"will only eat pork pies supplied by Ben Gunn's Pork Emporium." | 0:17:20 | 0:17:25 | |
Ooh, Ben Gunn, my old cellmate, the pork pie master himself. | 0:17:25 | 0:17:28 | |
You know, he's even got his own fleet of pigs. | 0:17:28 | 0:17:30 | |
I married a pig once. | 0:17:30 | 0:17:32 | |
You mean an ugly bird, right? | 0:17:33 | 0:17:35 | |
No, I actually mean a pig. It was Soho in the '60s. | 0:17:35 | 0:17:39 | |
It was quite the thing to do. | 0:17:39 | 0:17:40 | |
That and drive around in bumper cars. | 0:17:40 | 0:17:44 | |
All right then, shall we just go to Ben Gunn's and get a pie? | 0:17:44 | 0:17:48 | |
No, we can't. It says he's shut here for Yom Kippur. | 0:17:48 | 0:17:51 | |
Bosh, surely you could break in for us or summat, couldn't you? | 0:17:52 | 0:17:55 | |
Oh, you're joking, mate. Ben Gunn's a psycho. | 0:17:55 | 0:17:57 | |
And his pie shop's got one of the most | 0:17:57 | 0:17:59 | |
impenetrable security systems in the western hemisphere. | 0:17:59 | 0:18:02 | |
There's only one man I know that can get in there. | 0:18:02 | 0:18:05 | |
-And who's that? -Barry Gibb. | 0:18:05 | 0:18:07 | |
The last surviving Brother Gibb! | 0:18:07 | 0:18:08 | |
The very same man. | 0:18:08 | 0:18:10 | |
Oh, gosh darnit, | 0:18:10 | 0:18:12 | |
Mr Gibb is spending this afternoon entertaining | 0:18:12 | 0:18:15 | |
a young lady in Epping Forest. | 0:18:15 | 0:18:18 | |
Which effing Forest? | 0:18:18 | 0:18:20 | |
Ha-ha! | 0:18:20 | 0:18:21 | |
# Ha, ha, cannonballs, cannonballs | 0:18:24 | 0:18:27 | |
# Ha...ha.... | 0:18:27 | 0:18:30 | |
# Cannonballs, cannonballs. # | 0:18:30 | 0:18:32 | |
Whoa, whoa, whoa, hold on. Bosh, come on, Bosh. | 0:18:36 | 0:18:38 | |
It's only a little shop. Surely you can break in for us. | 0:18:38 | 0:18:41 | |
Well, I might be able to break in there, you know. | 0:18:41 | 0:18:44 | |
It depends how long you let me stay, like, you know what I mean? | 0:18:44 | 0:18:47 | |
What about another week? | 0:18:47 | 0:18:48 | |
Yeah, lovely, six weeks it is. Fantastic. | 0:18:48 | 0:18:51 | |
Right, let's all run away and break into Ben Gunn's pie shop. | 0:18:51 | 0:18:54 | |
-Come on. -Thank you, Erik. -Shut up. | 0:18:54 | 0:18:57 | |
SINGS IDIOTICALLY | 0:18:59 | 0:19:01 | |
THEY LAUGH | 0:19:01 | 0:19:02 | |
RESPONDS SIMILARLY | 0:19:02 | 0:19:04 | |
What's the big joke then, lads? | 0:19:12 | 0:19:13 | |
Bosh just told us the funniest thing I've ever heard. | 0:19:13 | 0:19:16 | |
-Yeah? What was it? -I can't remember. Did you get the crisps? | 0:19:16 | 0:19:19 | |
Yeah, I could only afford three packs, I'm afraid. | 0:19:19 | 0:19:21 | |
There's only three of us. | 0:19:21 | 0:19:22 | |
Wish I had a pack of crisps. | 0:19:25 | 0:19:27 | |
Prawn cocktail, are you out of your mind? | 0:19:27 | 0:19:30 | |
There is no way I am eating that ocean filth. | 0:19:30 | 0:19:33 | |
Bosh, can I have one of yours? | 0:19:38 | 0:19:39 | |
No, you can't, I've got none left. | 0:19:39 | 0:19:41 | |
Vic? | 0:19:41 | 0:19:42 | |
We haven't got time to stand around here eating crisps. We've got a job to do. | 0:19:42 | 0:19:46 | |
Oh, Vic, I could have had them! | 0:19:46 | 0:19:47 | |
You still can. | 0:19:47 | 0:19:49 | |
I'm not picking them up off the floor. | 0:19:49 | 0:19:51 | |
Ha! Listen to the old diva. I'll pick them up for you then. | 0:19:51 | 0:19:54 | |
Here you are. There you are, Your Majesty. | 0:19:54 | 0:19:57 | |
Look, we need one of them credit cards, security, | 0:20:01 | 0:20:03 | |
swipe-swipe-swipe things. | 0:20:03 | 0:20:05 | |
I've got one. Claire's Accessories loyalty card, that'll work. | 0:20:05 | 0:20:08 | |
Bollocks it will! | 0:20:08 | 0:20:09 | |
BEEPS | 0:20:10 | 0:20:11 | |
Like I said, no problem. | 0:20:11 | 0:20:12 | |
Right, stand back, I'll have a look in here with my special spy camera. | 0:20:12 | 0:20:16 | |
Right. Zoom, zoom, focus, focus, focus, Kodak. | 0:20:16 | 0:20:20 | |
Shit! | 0:20:22 | 0:20:23 | |
Ben Gunn's actually in there asleep, with his cleaver, guarding the pies. | 0:20:23 | 0:20:28 | |
I've got a good idea. | 0:20:28 | 0:20:29 | |
You go in there. | 0:20:30 | 0:20:32 | |
I know what he's like. I'm not doing it. | 0:20:32 | 0:20:34 | |
I'll stand over here and scratch my nuts. | 0:20:34 | 0:20:36 | |
-Come on, he's fast asleep. We might get away with it. -Go on, then. | 0:20:36 | 0:20:40 | |
Fine. | 0:20:40 | 0:20:42 | |
(There he is. | 0:20:49 | 0:20:51 | |
(Right, Vic, go and get that pie.) | 0:20:51 | 0:20:53 | |
Why is it always me? | 0:20:53 | 0:20:55 | |
-It's never you! -Exactly, so send him. | 0:20:55 | 0:20:58 | |
(Yeah, all right, good point. Beef, go and get that pie.) | 0:20:58 | 0:21:01 | |
-No, I can't! -Why not? | 0:21:01 | 0:21:03 | |
I'm on. | 0:21:03 | 0:21:04 | |
It doesn't matter. Go and get the pie. | 0:21:08 | 0:21:10 | |
-Be quiet. -All right. -Go! | 0:21:10 | 0:21:12 | |
PRRRT! PRRRT! | 0:21:14 | 0:21:17 | |
"FARTING" IN TIME WITH FOOTSTEPS | 0:21:17 | 0:21:19 | |
Beef, psst, psst! Take your shoes off. | 0:21:19 | 0:21:22 | |
It's not my shoes. I'm nervous. | 0:21:22 | 0:21:24 | |
Just stop there. Vic, go and get the pie. Go and get the pie. | 0:21:26 | 0:21:29 | |
FOOTSTEPS "FART" | 0:21:29 | 0:21:32 | |
Vic, stop! Vic, are you nervous? | 0:21:35 | 0:21:38 | |
No, I'm not nervous. | 0:21:38 | 0:21:40 | |
Stay there. | 0:21:40 | 0:21:41 | |
MUSICAL "FARTS" | 0:21:42 | 0:21:44 | |
-Are you nervous? -I'm not nervous at all. | 0:21:47 | 0:21:50 | |
I think it's the floor. | 0:21:50 | 0:21:52 | |
"FARTING" ALONG WITH FOOTSTEPS | 0:21:52 | 0:21:57 | |
All right, Beef, stop it! | 0:21:57 | 0:21:59 | |
MOURNFUL DESCENDING "FART" | 0:22:02 | 0:22:04 | |
ASCENDING "FART" | 0:22:04 | 0:22:07 | |
Look, lads. Shush! We're going to have to make a run for it. | 0:22:10 | 0:22:14 | |
Ready? One, two, three. | 0:22:14 | 0:22:18 | |
CACOPHONY OF "FARTS" | 0:22:18 | 0:22:21 | |
Shit, it's padlocked. Let's get out of here. | 0:22:28 | 0:22:29 | |
No, no, no, hold on. I've got a plan. | 0:22:29 | 0:22:32 | |
SAWING AND HAMMERING | 0:22:34 | 0:22:37 | |
(I'm stuck!) | 0:22:40 | 0:22:43 | |
-I'm stuck! -What's that clown saying? | 0:22:43 | 0:22:45 | |
I think he's saying he's stuck. | 0:22:45 | 0:22:47 | |
Ben Gunn's behind you. | 0:22:47 | 0:22:48 | |
What? | 0:22:48 | 0:22:50 | |
Benn Gunn's behind you! | 0:22:50 | 0:22:52 | |
Whoa! | 0:22:52 | 0:22:53 | |
Don't harm me. I'm ELO's archivist. | 0:22:53 | 0:22:56 | |
If you kill me, their music will be lost for ever! | 0:22:56 | 0:22:58 | |
HE SNORES | 0:23:00 | 0:23:02 | |
FARTING | 0:23:04 | 0:23:07 | |
It's all right, Bosh, it's just the floor. | 0:23:07 | 0:23:09 | |
Oh, it's not the floor, man. I'm bloody nervous. | 0:23:09 | 0:23:11 | |
ELONGATED FART | 0:23:11 | 0:23:15 | |
Right, come on. | 0:23:15 | 0:23:17 | |
Let's get going before Ben Gunn comes back round again. | 0:23:17 | 0:23:19 | |
That's a relief, innit? | 0:23:35 | 0:23:37 | |
Yes, we should celebrate. | 0:23:37 | 0:23:38 | |
Why don't we eat some of the pork pie? | 0:23:38 | 0:23:40 | |
Heyyyy! Nearly had us. | 0:23:40 | 0:23:43 | |
Excuse me, you pack of bastards! I've had a terrible day! | 0:23:43 | 0:23:48 | |
You sang my lovely song, like, in a really childish manner | 0:23:48 | 0:23:52 | |
when it should be sung like Wet Wet Wet, like soft rock. | 0:23:52 | 0:23:55 | |
And worst of all, | 0:23:55 | 0:23:57 | |
the heel of my boot is tight up hard against my bellend. | 0:23:57 | 0:24:02 | |
Will you get me out, please? | 0:24:03 | 0:24:05 | |
Stop it! | 0:24:15 | 0:24:16 | |
It's made of bulletproof glass. | 0:24:16 | 0:24:18 | |
To stop people shooting at the pies. | 0:24:18 | 0:24:20 | |
Stand aside. | 0:24:20 | 0:24:22 | |
I'll pop him out of there | 0:24:22 | 0:24:23 | |
-like a cork from a cheap bottle of German wine. -What's he doing?! | 0:24:23 | 0:24:27 | |
HE STRAINS | 0:24:30 | 0:24:31 | |
It's impossible. I'm spent. | 0:24:40 | 0:24:42 | |
Depression has set in and various bits and pieces. | 0:24:42 | 0:24:45 | |
Now listen, lads, this is a long shot and I've never done it before, | 0:24:45 | 0:24:49 | |
but I have seen it done on television so it should work, OK? | 0:24:49 | 0:24:53 | |
Bosh, drum roll. | 0:24:54 | 0:24:56 | |
Beef, curtain. | 0:24:56 | 0:24:58 | |
DRUM ROLL | 0:24:58 | 0:25:00 | |
VIC WARBLES | 0:25:02 | 0:25:04 | |
Three, two, one, Al Jazeera! | 0:25:04 | 0:25:07 | |
TRUMPET STING | 0:25:07 | 0:25:09 | |
ALL CHEER | 0:25:09 | 0:25:10 | |
It worked! It worked! | 0:25:10 | 0:25:12 | |
Hi, guys! | 0:25:12 | 0:25:14 | |
Hello, Julie. | 0:25:14 | 0:25:16 | |
Julie, your pie. | 0:25:16 | 0:25:18 | |
Oh, thanks. Look, it's going really well with Bruce. | 0:25:18 | 0:25:21 | |
I reckon if he likes the pie, he'll do the film, | 0:25:21 | 0:25:23 | |
and he's really ready for his pie. Listen. | 0:25:23 | 0:25:25 | |
-BRUCE: -Where's my pie? Where's my pie? | 0:25:25 | 0:25:28 | |
Where's my pie? | 0:25:28 | 0:25:31 | |
I'd better take him his pie. | 0:25:32 | 0:25:34 | |
You should. | 0:25:34 | 0:25:35 | |
Good luck, Julie. Come on, let's listen. | 0:25:35 | 0:25:38 | |
Where's my pie? I want my pie. | 0:25:40 | 0:25:42 | |
I need my pie. | 0:25:42 | 0:25:45 | |
Here it is, Brucey. | 0:25:45 | 0:25:46 | |
Eating some pie, eating some pie! | 0:25:46 | 0:25:50 | |
Yum, yum, yum. | 0:25:50 | 0:25:52 | |
I like this pie. I love this pie. | 0:25:52 | 0:25:55 | |
I'll do this film cos I love this pie. | 0:25:55 | 0:25:58 | |
-Yes. -Oh, that seemed to go very well, didn't it? -Yeah. | 0:25:58 | 0:26:03 | |
Where's my pie, scumbags? | 0:26:03 | 0:26:05 | |
Mr Gunn, I'm just a little boy. I've got nothing. | 0:26:05 | 0:26:09 | |
Hello, Mr Gunn. You clearly don't recognise me from prison | 0:26:11 | 0:26:14 | |
and that's fabulous, so I'm just off to buy a cauliflower. | 0:26:14 | 0:26:17 | |
-I hope that's absolutely fine with you. -Shut it, Bosh. | 0:26:17 | 0:26:20 | |
Now I know it's nearby, | 0:26:20 | 0:26:22 | |
cos I secreted a tracking device inside of it. | 0:26:22 | 0:26:25 | |
He said yes. He'll do the film and he loves sex bingo! | 0:26:25 | 0:26:28 | |
Hello, Ben! Lovely pies. | 0:26:28 | 0:26:32 | |
-You haven't eaten it, have you? -No. | 0:26:32 | 0:26:34 | |
Attached to the tracker is a small explosive device, | 0:26:34 | 0:26:37 | |
which is triggered by digestive juices. | 0:26:37 | 0:26:40 | |
If anyone eats it, boom! | 0:26:40 | 0:26:42 | |
Must go, Morgan's going to be furious. | 0:26:44 | 0:26:47 | |
A tracker on a pork pie? How queer is that? | 0:26:49 | 0:26:53 | |
Isn't it just? Yeah. | 0:26:53 | 0:26:55 | |
DISTANT EXPLOSION | 0:26:55 | 0:26:58 | |
Bang goes Nobbin Hood. | 0:26:58 | 0:26:59 | |
Sounds like Bruce Willis has died. | 0:26:59 | 0:27:01 | |
Hard. | 0:27:04 | 0:27:06 | |
# Didn't we have a lovely day the day we killed Bruce Willis? | 0:27:11 | 0:27:15 | |
# So what happens next? | 0:27:15 | 0:27:16 | |
# Let's sing a song | 0:27:16 | 0:27:18 | |
# Good idea, Bob knows one! | 0:27:18 | 0:27:20 | |
# I'm riding round in circles every day | 0:27:22 | 0:27:25 | |
# Soft rock version, soft rock version | 0:27:25 | 0:27:26 | |
# I don't know if I'm going or if I'll stay | 0:27:26 | 0:27:29 | |
# He's a moron, he's a moron | 0:27:29 | 0:27:31 | |
# I'm riding round in circles every day! # | 0:27:31 | 0:27:37 | |
THEY HUM | 0:27:37 | 0:27:39 | |
CHEERING AND APPLAUSE | 0:27:39 | 0:27:41 |