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# Today's the day I decorate with paper I got off the eBay | 0:00:17 | 0:00:21 | |
# It's a surprise for Bob So I've done a good job | 0:00:21 | 0:00:24 | |
# I think he'll be over the moon with it | 0:00:24 | 0:00:27 | |
# Look what he did The useless prick | 0:00:29 | 0:00:31 | |
# He's covered my home with horses | 0:00:31 | 0:00:33 | |
# I wish that he would leave well alone | 0:00:33 | 0:00:36 | |
# And stop destroying my beautiful HOME! # | 0:00:36 | 0:00:39 | |
So, Bob, what do you think? | 0:00:39 | 0:00:42 | |
What do I think? It's awful! | 0:00:42 | 0:00:43 | |
It's like seeing your mum in a codpiece. What's the scenario here? | 0:00:43 | 0:00:47 | |
Horses. Beautiful horses. Some of them galloping. | 0:00:47 | 0:00:50 | |
Some of them...not so galloping. | 0:00:50 | 0:00:53 | |
That one there's more like a kangaroo. | 0:00:53 | 0:00:55 | |
Kangaroo?! That's Billy Bongo. | 0:00:55 | 0:00:57 | |
He won the Grand National in 1927 and 1978. Billy Bongo! | 0:00:57 | 0:01:02 | |
I remember Billy Bongo. | 0:01:02 | 0:01:04 | |
Whatever happened to Billy? | 0:01:07 | 0:01:09 | |
Well, he got eaten by the IRA. Oh. | 0:01:09 | 0:01:12 | |
And what about this fella here? This one, it's too long. | 0:01:12 | 0:01:16 | |
It's like a German sausage dog. | 0:01:16 | 0:01:17 | |
Well, you're right about the German, | 0:01:17 | 0:01:19 | |
because it's a German tandem horse for two people, you know, | 0:01:19 | 0:01:22 | |
for lovers or friends, you know. | 0:01:22 | 0:01:24 | |
It's a German honeymoon horse. Oh, right. | 0:01:24 | 0:01:26 | |
Bob, did I ever tell you I was a horse whistler? | 0:01:26 | 0:01:30 | |
I think you mean horse whisperer. | 0:01:30 | 0:01:31 | |
No, horse whistler. | 0:01:31 | 0:01:33 | |
I used to whistle... VIC WHISTLES | 0:01:33 | 0:01:34 | |
Whoops. ..and the horses would come. Very useful at the stud farm. | 0:01:34 | 0:01:39 | |
Of course, yeah. | 0:01:39 | 0:01:41 | |
Well, I'll tell you what, Vic, I'm gonna live with it, | 0:01:41 | 0:01:44 | |
well, up to half an hour or so, and then you can rip it down | 0:01:44 | 0:01:47 | |
and we'll have it burnt in the brazier at a gypsy encampment. | 0:01:47 | 0:01:50 | |
Well, charming(!) | 0:01:50 | 0:01:51 | |
# Have a look I'm all dressed up | 0:01:54 | 0:01:57 | |
# Today I'm meeting a lady | 0:01:57 | 0:01:58 | |
# I have to admit I'm feeling shit | 0:01:58 | 0:02:01 | |
# I was up till half four drinking lager. # | 0:02:01 | 0:02:04 | |
Here, I like your new wallpaper. | 0:02:04 | 0:02:07 | |
That's German honeymoon horses, innit? Yeah. | 0:02:07 | 0:02:10 | |
Apparently. Billy Bongo there. | 0:02:10 | 0:02:13 | |
Some of them galloping. Some of them not so galloping. | 0:02:13 | 0:02:15 | |
See, he's not ignorant. Yeah. So, Bosh, you moving out today? No. | 0:02:15 | 0:02:19 | |
Why would I, you twat? Whoa! | 0:02:19 | 0:02:21 | |
Well, firstly, because it's not your house | 0:02:21 | 0:02:24 | |
and also, I've never actually invited you to live here, have I? | 0:02:24 | 0:02:27 | |
You're still ill, aren't you? Am I? | 0:02:27 | 0:02:28 | |
Yeah, you're still ill, you know, whooping cough. | 0:02:28 | 0:02:31 | |
Oh, yeah, whooping cough. BOSH COUGHS | 0:02:31 | 0:02:32 | |
Whoo-hoo. HE COUGHS | 0:02:32 | 0:02:35 | |
Whoo-hoo. So, Bosh, what's with the fancy clobber? Top half anyway like. | 0:02:35 | 0:02:39 | |
Well, I've got me probation officer coming round to check on us, like. | 0:02:39 | 0:02:42 | |
Now, I've told her that I've got a steady job | 0:02:42 | 0:02:44 | |
and that Julie next door is my fiance. | 0:02:44 | 0:02:46 | |
Oh, yes, and I've also told her that I own this place. | 0:02:46 | 0:02:49 | |
Hey, hey, hey, no way. Never. Not gonna happen. No way. | 0:02:49 | 0:02:51 | |
This is not barnacle country. | 0:02:51 | 0:02:53 | |
Oh, yes, I think it is. Oh, yes, yes, yes. Yes, it will. | 0:02:53 | 0:02:55 | |
Oh, Bosh! Hold on, Bosh! Your breath stinks! | 0:02:55 | 0:02:58 | |
Does it? Oh, man! | 0:02:58 | 0:03:01 | |
It stinks of booze and...flies. | 0:03:01 | 0:03:03 | |
Well, I've been having a party, haven't I? | 0:03:03 | 0:03:06 | |
You can't see your probation officer | 0:03:06 | 0:03:08 | |
stinking of booze and flies. Here, hang on. | 0:03:08 | 0:03:11 | |
Try a bit of this. What is it? | 0:03:11 | 0:03:13 | |
BUBBLING | 0:03:15 | 0:03:17 | |
CHICKEN CLUCKS | 0:03:25 | 0:03:27 | |
Cheeky chicken. | 0:03:27 | 0:03:29 | |
Well, how about that? | 0:03:31 | 0:03:33 | |
It repels chickens as well. | 0:03:35 | 0:03:37 | |
And if I was you, Bosh, I'd put some trousers on. | 0:03:37 | 0:03:39 | |
Your probation office might not be as free-thinking as me. | 0:03:39 | 0:03:42 | |
You know what I mean, like? Bosh. Some trousers. Some trousers on. | 0:03:42 | 0:03:46 | |
Bosh makes tentative step towards trouser collection. | 0:03:46 | 0:03:50 | |
Well done, Bosh. Well done. | 0:03:50 | 0:03:52 | |
Can you believe that? Him wanting to say that this is his house? | 0:03:52 | 0:03:55 | |
I can't believe it. Isn't it extraordinary? | 0:03:55 | 0:03:57 | |
It is extraordinary. I can't believe it. Hey, Bob, Bob. | 0:03:57 | 0:04:00 | |
Yeah? Forgot to tell you. | 0:04:00 | 0:04:01 | |
This wallpaper also repels flies. Yeah? How come? | 0:04:01 | 0:04:04 | |
Well, I put up these rolls here with | 0:04:04 | 0:04:06 | |
a mixture of fly spray and hair gel. | 0:04:06 | 0:04:08 | |
Oh, get you! | 0:04:08 | 0:04:10 | |
And it'll also keep all the wasps away as well. | 0:04:10 | 0:04:12 | |
Yeah, but we don't actually get wasps in here, do we, Vic? | 0:04:12 | 0:04:14 | |
Hmm, well, you will now, because I've put this roll up here with marmalade. | 0:04:14 | 0:04:18 | |
Thick cut, that's why it's a bit lumpier than the others. | 0:04:20 | 0:04:22 | |
Do you know what you are, Vic? What? | 0:04:22 | 0:04:24 | |
You're an idiot. A what? Yeah, you're an idiot. | 0:04:24 | 0:04:26 | |
I'm an idiot, am I? You're an idiot, yeah. I'm an idiot. An idiot. | 0:04:26 | 0:04:30 | |
Would an idiot be able to do this? | 0:04:30 | 0:04:32 | |
Eh? It's beautiful, it's beautiful, yeah. | 0:04:42 | 0:04:44 | |
Now who's the idiot? | 0:04:44 | 0:04:45 | |
Aye, so I'm an idiot, yeah. Yeah. | 0:04:45 | 0:04:47 | |
# Wanna make love tonight | 0:04:50 | 0:04:54 | |
# I wanna make love all right | 0:04:54 | 0:04:59 | |
# I wanna make love to... # | 0:04:59 | 0:05:02 | |
Horses. | 0:05:02 | 0:05:03 | |
Some galloping. Some not so galloping. Yes. | 0:05:04 | 0:05:09 | |
Famously ridden through the streets of Coventry by Lady Godiva naked. | 0:05:09 | 0:05:13 | |
I said NEIGH-ked. You know what I mean? | 0:05:13 | 0:05:17 | |
Beef, I like your belt! | 0:05:17 | 0:05:19 | |
It's yellow. The most yellow of all my yellow belts. | 0:05:19 | 0:05:23 | |
As yellow as a buttercup. Like the buttercup, | 0:05:23 | 0:05:27 | |
I can use this to test whether you like yellow belts. | 0:05:27 | 0:05:30 | |
Come closer. | 0:05:33 | 0:05:34 | |
Closer still. | 0:05:36 | 0:05:38 | |
Closer still. Oh, right, oh right. OK. | 0:05:40 | 0:05:42 | |
That's it, down we go. OK. | 0:05:42 | 0:05:43 | |
Yes. Yeah. | 0:05:46 | 0:05:48 | |
That's it. You there. Come here. | 0:05:48 | 0:05:50 | |
Test whether he likes yellow belts. | 0:05:50 | 0:05:52 | |
Can you get in there? Yeah. Ooh. Yes. | 0:05:53 | 0:05:58 | |
Urgh! Urgh! Urgh! | 0:06:02 | 0:06:06 | |
So, Vic, do I like yellow belts, can you see? Yeah. | 0:06:06 | 0:06:09 | |
Yes, I do. Yes, you do. Well, that makes sense | 0:06:09 | 0:06:12 | |
because I said I liked his belt. Can I have me wig back, please? | 0:06:12 | 0:06:16 | |
I've no idea what you're talking about. Excuse me? | 0:06:16 | 0:06:18 | |
I said I've no idea what you're talking about. | 0:06:18 | 0:06:21 | |
Vic, just give us me wig back. | 0:06:21 | 0:06:22 | |
It's down there. Look, it's trying to escape again. | 0:06:22 | 0:06:26 | |
Yeah. | 0:06:26 | 0:06:27 | |
THEY LAUGH | 0:06:29 | 0:06:30 | |
Yeah? Yeah? | 0:06:30 | 0:06:31 | |
Oh, you're laughing, are you? | 0:06:34 | 0:06:35 | |
Hello, everybody. I like the new wallpaper. | 0:06:41 | 0:06:44 | |
German honeymoon horses. | 0:06:44 | 0:06:46 | |
Yeah. Come and have a look. Yeah, I'll come and have a look. | 0:06:46 | 0:06:48 | |
No, wait there. Just the cool guys. | 0:06:48 | 0:06:50 | |
You like it? | 0:06:53 | 0:06:54 | |
That's fucking genius. | 0:06:54 | 0:06:55 | |
Uh-huh. Some of 'em galloping. | 0:06:55 | 0:06:57 | |
And some of them not so galloping. | 0:06:57 | 0:07:00 | |
This is why I like you so much, Vic. You keep on surprising me. | 0:07:00 | 0:07:04 | |
Erik, I've got some wallpaper I could put up in your room for you. | 0:07:04 | 0:07:07 | |
It's got like aircraft on it and robots. | 0:07:07 | 0:07:09 | |
Aircraft? Do I look like I'm five years old? | 0:07:09 | 0:07:12 | |
"I'm in an aircraft. | 0:07:12 | 0:07:14 | |
"I should probably land so my mum can change my diaper." | 0:07:14 | 0:07:18 | |
Need to learn when to shut up, we were having a moment. Oh. | 0:07:20 | 0:07:24 | |
Yeah, Erik, I'll see you later on at dusk. | 0:07:24 | 0:07:26 | |
We'll have a Ribena together or something. | 0:07:26 | 0:07:29 | |
You crazy, Vic. | 0:07:29 | 0:07:31 | |
So, what was it you came round for, Beef? | 0:07:34 | 0:07:36 | |
I'm storing some things for Bosh. Is he around? Is he? | 0:07:36 | 0:07:39 | |
I don't know. I'll have a look if he's upstairs. | 0:07:39 | 0:07:42 | |
Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! | 0:07:42 | 0:07:48 | |
Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! | 0:07:48 | 0:07:54 | |
BOTH: Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! | 0:07:54 | 0:08:00 | |
ALL: Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! Bosh! | 0:08:00 | 0:08:05 | |
He's up there. He's probably got his head submerged. | 0:08:05 | 0:08:08 | |
What, he's having a bath? No, he'll be looking at his tropical fish. | 0:08:08 | 0:08:11 | |
So, what did you come round for, Beef? | 0:08:11 | 0:08:15 | |
All right. Just hiding some things for him until the heat dies down. | 0:08:15 | 0:08:18 | |
Anyway, are there any women in the flat? I'm feeling incredibly randy. | 0:08:18 | 0:08:23 | |
No, of course not, Beef. I'll be off then. | 0:08:23 | 0:08:27 | |
I shall sit on my dishwasher until the feeling passes. All the best. | 0:08:27 | 0:08:30 | |
Yeah. Bye, Beef. Bye, Beef. | 0:08:30 | 0:08:33 | |
She's nearly here. So here's the plan - you two get lost. One of you | 0:08:33 | 0:08:36 | |
go and get Julie and one of you come back pretending to be me boss. | 0:08:36 | 0:08:39 | |
No, I'm not doing it. I'm not doing it, Bosh. | 0:08:39 | 0:08:42 | |
I'll have no part to play in it. | 0:08:42 | 0:08:43 | |
Sorry, I'm not doing it. | 0:08:43 | 0:08:45 | |
Well, in that case, I have no alternative than to | 0:08:45 | 0:08:47 | |
play my trump card | 0:08:47 | 0:08:48 | |
and send these exotic photographs of you to the national press. | 0:08:48 | 0:08:52 | |
Exotic photo? What exotic photos?! | 0:08:52 | 0:08:55 | |
Ah-ha! The John McCririck ones. | 0:08:55 | 0:08:58 | |
Ssh... I thought I told you to get rid of them. | 0:08:58 | 0:09:03 | |
Yeah, well, no. I sent them to Bosh when he was in prison. | 0:09:03 | 0:09:06 | |
I thought it might cheer him up. And they did, Vic, they did. | 0:09:06 | 0:09:09 | |
Have you still got them? Yeah, have a look at those. | 0:09:09 | 0:09:11 | |
THEY LAUGH | 0:09:11 | 0:09:14 | |
Ooh, what's that you and John are sitting on? | 0:09:14 | 0:09:17 | |
You're riding around on, is it a St Bernard? | 0:09:17 | 0:09:20 | |
Yes. What's that on your head? It's a Christmas pudding. | 0:09:20 | 0:09:24 | |
VIC LAUGHS Oh, that's a nice one, you've | 0:09:24 | 0:09:26 | |
got your arms around John's waist. | 0:09:26 | 0:09:29 | |
Is that a rolling pin you're holding there? | 0:09:29 | 0:09:31 | |
Here. There! Ha-ha! All gone. | 0:09:31 | 0:09:34 | |
That won't destroy the negatives, mate. | 0:09:34 | 0:09:37 | |
Oh, ssh... I should've killed you when I had the chance. | 0:09:37 | 0:09:40 | |
KNOCK ON DOOR Right, she's here. | 0:09:40 | 0:09:42 | |
Go on, get out. Get out. One of you go and get Julie | 0:09:42 | 0:09:44 | |
and one of you come back pretending to be me boss. | 0:09:44 | 0:09:47 | |
Go on. Scram, scram, scram. | 0:09:47 | 0:09:49 | |
Oh, hello. Do come in, Fiona, and make yourself at home, you twat. | 0:09:49 | 0:09:53 | |
So, this is your new home? | 0:09:56 | 0:10:00 | |
I like your German honeymoon horses. Some of them galloping. | 0:10:00 | 0:10:03 | |
Some of them not so galloping. HE BLUSTERS | 0:10:03 | 0:10:06 | |
But where have my manners... They have abandoned me. | 0:10:06 | 0:10:08 | |
Please, sit yourself down there, my sweet, sweet darling. | 0:10:08 | 0:10:12 | |
Now, can I get you a lager, | 0:10:12 | 0:10:14 | |
a cigarette or perhaps a chicken nugget? | 0:10:14 | 0:10:18 | |
Thank you. I'm fine. | 0:10:20 | 0:10:21 | |
So, how have things been going since your release, Mr er...Bush? | 0:10:21 | 0:10:28 | |
Bosh. Not Bush? | 0:10:28 | 0:10:29 | |
Nutbush City Limits. Whatever you like. | 0:10:29 | 0:10:32 | |
Do carry on, your worship. | 0:10:32 | 0:10:34 | |
You clamber up through that window and be quiet. | 0:10:35 | 0:10:38 | |
Right, go on. Give us hoggle up. Eh? Cup your hands. | 0:10:38 | 0:10:40 | |
No, down there. Come on. Oh, I know what you mean, like on the telly. | 0:10:40 | 0:10:43 | |
Yeah. On the telly. Ooh! Is that... You've got it? | 0:10:43 | 0:10:46 | |
It's quite refreshing, but no, it's not right. OK, I'll decouple. | 0:10:46 | 0:10:49 | |
I know. Here... | 0:10:49 | 0:10:52 | |
on there, on the waistband there, get it in there. | 0:10:52 | 0:10:55 | |
You've got purchase? Yeah. Oh. | 0:10:55 | 0:10:58 | |
Up you go. Come on. | 0:10:58 | 0:10:59 | |
Hang on, it's quite hard. Oh, thanks very much. Oh! | 0:10:59 | 0:11:03 | |
Ah! | 0:11:03 | 0:11:06 | |
Shush! | 0:11:08 | 0:11:09 | |
TAMBOURINE RATTLES AND HORN HONKS | 0:11:12 | 0:11:16 | |
Sorry, what is going on in there? | 0:11:19 | 0:11:22 | |
Oh, that will be my maid. She's continental, don't you know? | 0:11:22 | 0:11:25 | |
Excuse me one moment while I go and chide her. | 0:11:25 | 0:11:30 | |
Oi! Shut up in there, you daft cow, before I come in there and bite you! | 0:11:30 | 0:11:35 | |
I'm so sorry about that, madam. Now, where were we? | 0:11:36 | 0:11:40 | |
(That's your fault that! Shush!) (It's your fault.) | 0:11:40 | 0:11:43 | |
Look what you've done now! | 0:11:45 | 0:11:47 | |
GARBAGE DISPOSAL RUMBLES | 0:11:47 | 0:11:49 | |
Ssh! | 0:12:01 | 0:12:03 | |
Turn it off at the fuse board! | 0:12:04 | 0:12:06 | |
Yeah, no problem. | 0:12:06 | 0:12:08 | |
Get in the fuse board in there. Turn it off. | 0:12:08 | 0:12:12 | |
RADIO PLAYS | 0:12:21 | 0:12:23 | |
So, this is your house? And does your maid live here? | 0:12:27 | 0:12:31 | |
Yes. Pardon me, madam. | 0:12:31 | 0:12:33 | |
I'm so sorry about all this infernal noise. | 0:12:33 | 0:12:35 | |
What must you think of me? Not much I'm sure. | 0:12:35 | 0:12:37 | |
Excuse me whilst I go and rap the bloody servant. | 0:12:37 | 0:12:40 | |
Oi! Oh, aye! Something's happening. Ooh! | 0:12:46 | 0:12:49 | |
Go and get Julie, you big bag of nought. | 0:12:55 | 0:12:58 | |
Tell her to pretend to be me wife. | 0:12:58 | 0:13:00 | |
I'm so sorry about that, but running a house of this size and grandeur | 0:13:22 | 0:13:26 | |
is a constant worry for both me and my fiancee, | 0:13:26 | 0:13:29 | |
who will be here shortly, you twat. | 0:13:29 | 0:13:32 | |
KNOCK ON DOOR Yoo-hoo. Ah! | 0:13:34 | 0:13:37 | |
Julie, I was just wondering if you could... Hang on a minute. | 0:13:37 | 0:13:41 | |
Julie, I was wondering if you could do me a favour? | 0:13:49 | 0:13:52 | |
Oh, yes, of course. But first of all, | 0:13:52 | 0:13:54 | |
I'm absolutely desperate to go fishing. | 0:13:54 | 0:13:56 | |
Oh, come on, don't be an arsehole, just say yes. Please? | 0:13:56 | 0:13:59 | |
Oh, yes, yes, yes. Come on a little spot of fishing. Come on. Right. | 0:13:59 | 0:14:03 | |
Landing nets, hooks. Yeah. All the fishing shit. Come on, let's fish, | 0:14:03 | 0:14:08 | |
let's do it. Ah! Oh I did enjoy that did you? What did you catch? | 0:14:08 | 0:14:13 | |
Nothing. Oh, come on, I saw your float bobbing and the fish taking your bait. | 0:14:13 | 0:14:17 | |
Oh, don't be tight. Tell me what you got. | 0:14:17 | 0:14:19 | |
A trout. Hold it up. | 0:14:19 | 0:14:21 | |
Let me take a picture. | 0:14:24 | 0:14:26 | |
He's a beauty, isn't he? How much do you think he weighs? | 0:14:29 | 0:14:32 | |
I don't know, about 2oz. Oh, the fish! 10lb? | 0:14:32 | 0:14:39 | |
Oh, you silly boy. There's nothing there. We didn't even go fishing. | 0:14:39 | 0:14:44 | |
THEY LAUGH | 0:14:44 | 0:14:46 | |
Julie, look. Now listen, about that favour. | 0:14:46 | 0:14:49 | |
Bosh's probation officer's coming around in a minute. | 0:14:49 | 0:14:53 | |
Would you, please, pretend to be his fiancee? | 0:14:53 | 0:14:56 | |
Oh, yes. What fun! Yes, yes! Good. Just come round in a minute. | 0:14:56 | 0:15:00 | |
In a minute? Yeah. Oh, defo. Thanks. | 0:15:00 | 0:15:02 | |
And you say you're now in full-time employment? Oh, yes. | 0:15:02 | 0:15:06 | |
What is it you do? I don't know. | 0:15:06 | 0:15:08 | |
But my boss will be here shortly to fill you in. | 0:15:08 | 0:15:11 | |
Ah, hello. Ah, there he is now. | 0:15:11 | 0:15:15 | |
I'm Gary Hardboard, Bosh's employer. | 0:15:15 | 0:15:18 | |
Good day, madam, I'm Bosh's boss, Lord Halfmore. Now then, look here, | 0:15:18 | 0:15:23 | |
every morning, he raises the sluice gates and allows the fish and the | 0:15:23 | 0:15:26 | |
birds and the small craft and the mosses and the crabs to pass through. | 0:15:26 | 0:15:30 | |
And at the end of the day, he closes the sluice gates and everything | 0:15:30 | 0:15:33 | |
seems to be satisfactory and in good order. | 0:15:33 | 0:15:35 | |
I thank you for your kind time and attention. | 0:15:35 | 0:15:38 | |
Sorry, hold on. I don't understand. | 0:15:38 | 0:15:40 | |
Which one of these bosses do you actually work for? | 0:15:40 | 0:15:42 | |
I don't mind. Which one do you like? | 0:15:42 | 0:15:45 | |
Ah, Brownhole. Ah, Sergeant Tobotsman. Yes. | 0:15:45 | 0:15:51 | |
A problem has arisen with our insurers. | 0:15:51 | 0:15:54 | |
Yes, well, I think there looks like a good place to have | 0:15:54 | 0:15:57 | |
a high powered business meeting. I quite agree. Let's go through. | 0:15:57 | 0:16:00 | |
After you. Thank you, madam. Good day, madam. Good day. | 0:16:00 | 0:16:03 | |
You work for both of them, do you? It's looking that way, innit? | 0:16:03 | 0:16:06 | |
Hmm. And you're in a steady relationship? Tell me about her. | 0:16:06 | 0:16:10 | |
Oh, yes, well, she works for a Turkish man in Persia. | 0:16:10 | 0:16:14 | |
Istanbul? Yeah, that's him, Stan Bull. He guts fish. | 0:16:14 | 0:16:19 | |
Hello, my treacle! | 0:16:19 | 0:16:22 | |
I just got back from the old typing pool. | 0:16:22 | 0:16:24 | |
Cor, them Olivettis don't half blister your fingers! | 0:16:24 | 0:16:27 | |
What are you doing in my house? You coppers do my head in! | 0:16:27 | 0:16:31 | |
You must be the PERSIAN fiancee? | 0:16:33 | 0:16:36 | |
Yes, I am Fatima. Let me tell you your fortune. | 0:16:36 | 0:16:41 | |
All right, Julie? Fatima. | 0:16:43 | 0:16:46 | |
Hold on a second. Who the hell is this? | 0:16:46 | 0:16:49 | |
You really are beautiful. Maybe we should make love. | 0:16:53 | 0:16:57 | |
Tell me, what are you doing here? | 0:16:58 | 0:17:00 | |
I'm interviewing Bosh. Ah, he's applying for a job, is he? | 0:17:00 | 0:17:04 | |
That'll be a first. | 0:17:04 | 0:17:06 | |
Maybe he'll find somewhere to live, or even get himself a girlfriend. | 0:17:06 | 0:17:10 | |
I understand Julie is free. | 0:17:10 | 0:17:12 | |
Your stolen bicycle pumps are outside if you want them. | 0:17:12 | 0:17:14 | |
Ah, thanks very much, mate. | 0:17:14 | 0:17:16 | |
Oh, I get it. You've been lying to me. | 0:17:16 | 0:17:18 | |
You haven't got a home or a job or a girlfriend. | 0:17:18 | 0:17:22 | |
Right. Well, this is absolutely unacceptable. | 0:17:22 | 0:17:25 | |
I'll be back next week and if things haven't significantly improved, | 0:17:25 | 0:17:28 | |
I'll report you to the court for breach of your probation order. | 0:17:28 | 0:17:31 | |
Do you understand? Get yourself a job. | 0:17:31 | 0:17:34 | |
Oh, yes, I quite agree, you twat. | 0:17:34 | 0:17:36 | |
One week. | 0:17:37 | 0:17:39 | |
Don't you dare, Beef! You've ruined the whole plan. | 0:17:41 | 0:17:45 | |
What plan? What whole plan? | 0:17:45 | 0:17:49 | |
Right. No, stop it, stop it! Drop the beat. | 0:18:07 | 0:18:10 | |
You need to sort this out, mate. Me? Why me? | 0:18:10 | 0:18:12 | |
John McCririck. You've got to get yourself a job. | 0:18:12 | 0:18:15 | |
A job, yeah, that's it, yeah, I'll take it. What is it? No, I haven't got a job, Bosh. | 0:18:15 | 0:18:19 | |
Bosh, what you've gotta do is think about what you really like doing. | 0:18:19 | 0:18:24 | |
Oh. Oh, God. Think, think, squirt, squirt. | 0:18:24 | 0:18:26 | |
That's not a job, though. | 0:18:30 | 0:18:32 | |
I know, I wanna be like that twat off the telly. | 0:18:32 | 0:18:34 | |
What Gordon Ramsay? Yeah. | 0:18:34 | 0:18:37 | |
Gordon Ramsay. Gordon Ramsay. That gives me an idea for a plan. | 0:18:37 | 0:18:42 | |
What plan? What whole plan? | 0:18:42 | 0:18:45 | |
Right. Best behaviour, please, Julie, she'll be here in a minute. | 0:18:54 | 0:18:57 | |
This is such a hoot. | 0:18:57 | 0:19:00 | |
Right. Hello! Here are your starters. | 0:19:00 | 0:19:04 | |
Whole chicken for you. | 0:19:04 | 0:19:06 | |
Whole chicken for you. Now, let us say grace. | 0:19:06 | 0:19:10 | |
Two, three, four. | 0:19:10 | 0:19:13 | |
# Ole, ole, ole, ole, ole, ole | 0:19:13 | 0:19:18 | |
# Ole, ole. # | 0:19:18 | 0:19:22 | |
That's it. OK. Now, would you like anything to drink? | 0:19:22 | 0:19:26 | |
I've got skimmed, semi-skimmed, pasteurised or full fat. | 0:19:26 | 0:19:29 | |
Maybe you'd like to try the yogurt? No. We're fine, thanks. | 0:19:29 | 0:19:32 | |
OK then. All right. I'm sorry Martin, that table's taken. | 0:19:32 | 0:19:36 | |
You'll have to eff off. KNOCK ON DOOR | 0:19:36 | 0:19:39 | |
Oh, hello, madam. Welcome to my new job. | 0:19:39 | 0:19:43 | |
I'm the proprietor of this pop-up restaurant Ramsay's Kitchen Nightmares, | 0:19:43 | 0:19:46 | |
named after the famous restaurant off of Gordon Ramsay's. | 0:19:46 | 0:19:49 | |
Now, allow me to show you to your table, you twat. | 0:19:49 | 0:19:52 | |
I have warmed your seat for you. Um-hm. | 0:19:55 | 0:19:58 | |
Well, this is very impressive, Bosh. Well done. | 0:20:00 | 0:20:04 | |
You know, if this is for real and not just one of your scams, | 0:20:04 | 0:20:08 | |
I might give you another chance. All right. | 0:20:08 | 0:20:10 | |
Well, in that case, how would you like your chicken cooked? | 0:20:10 | 0:20:13 | |
Roasted or boiled? Sorry, I'm a vegetarian. | 0:20:13 | 0:20:17 | |
Well, have it cold then. | 0:20:17 | 0:20:19 | |
No, I'm a vegetarian. | 0:20:19 | 0:20:21 | |
Well, have it cold then. | 0:20:22 | 0:20:24 | |
No, I don't want chicken. Have you got anything else? | 0:20:24 | 0:20:26 | |
I've got halibut upstairs in the bath. | 0:20:26 | 0:20:28 | |
I'm a vegetarian! Well, have it raw then. | 0:20:28 | 0:20:31 | |
What else have you got? | 0:20:31 | 0:20:34 | |
Fags, milk and yogurt. | 0:20:34 | 0:20:36 | |
Could you ask the chef to knock me up something? | 0:20:37 | 0:20:40 | |
Well, I'll give it a go, yeah. | 0:20:40 | 0:20:41 | |
Right. She wants one of you two to knock her up or something. | 0:20:45 | 0:20:48 | |
Knock her up?! She's not had her pudding yet. | 0:20:48 | 0:20:51 | |
She wants us to knock her something up to eat. Does she not like chicken? | 0:20:51 | 0:20:54 | |
No, she's a vegetarian. | 0:20:54 | 0:20:56 | |
Well, did you tell her she could have it cold? Yeah. | 0:20:56 | 0:20:59 | |
Vegetarians don't eat chicken, not even cold. | 0:20:59 | 0:21:02 | |
Did you not even know that? | 0:21:02 | 0:21:03 | |
It's ridiculous. | 0:21:03 | 0:21:04 | |
Look, tell her we'll think of something. | 0:21:04 | 0:21:07 | |
Yeah. All right. Well, get a bloody move on. Especially you. | 0:21:07 | 0:21:11 | |
Because if I don't feed her, then I go back to prison | 0:21:11 | 0:21:14 | |
and the press get the photos. | 0:21:14 | 0:21:15 | |
All right. Ooh. | 0:21:15 | 0:21:18 | |
Well, right. Vic, think. | 0:21:18 | 0:21:20 | |
Something that's not chicken, but you CAN eat it. | 0:21:20 | 0:21:25 | |
Have a look in the cupboards, Vic. | 0:21:25 | 0:21:28 | |
Chickens. | 0:21:28 | 0:21:31 | |
Chickens. Try the cupboard below. | 0:21:33 | 0:21:35 | |
Oh! | 0:21:35 | 0:21:37 | |
Chickens everywhere! Cheeky chicken! | 0:21:40 | 0:21:44 | |
Whoa! Ah! | 0:21:44 | 0:21:47 | |
Cheeky chicken! Cheeky chicken! | 0:21:49 | 0:21:51 | |
You all right? | 0:21:53 | 0:21:55 | |
We can serve chicken. Whoa! | 0:21:55 | 0:21:59 | |
BOTH: Cheeky chicken. | 0:21:59 | 0:22:00 | |
Right. Not chicken, but you... BOTH: CAN eat it. | 0:22:03 | 0:22:07 | |
I know, I'll ask Erik, he's foreign, isn't he? | 0:22:07 | 0:22:11 | |
And you get on the phone to Beef, see what he's got in his cupboards. Right. | 0:22:11 | 0:22:14 | |
I'm so sorry about the inevitable delay, madam. | 0:22:14 | 0:22:17 | |
The chef can be rather partial. | 0:22:17 | 0:22:19 | |
Perhaps some light entertainment whilst you wait? | 0:22:19 | 0:22:23 | |
PLAYS "LONDON'S BURNING" | 0:22:23 | 0:22:25 | |
Et cetera. | 0:22:30 | 0:22:31 | |
# ..London's burning London's burning. # | 0:22:33 | 0:22:36 | |
Erik. # ..Fire, fire... # | 0:22:36 | 0:22:38 | |
# ..Fire, fire. # | 0:22:41 | 0:22:44 | |
Oh, Erik. | 0:22:44 | 0:22:46 | |
What do you want? I'm very busy working on some dimensions. | 0:22:46 | 0:22:50 | |
That's interesting. Dimensions for what? | 0:22:50 | 0:22:52 | |
Your coffin. ERIK LAUGHS | 0:22:52 | 0:22:57 | |
And so on. Yeah, thanks, Erik. | 0:22:57 | 0:22:59 | |
Look, Bosh has got a diner downstairs who won't eat meat. | 0:22:59 | 0:23:02 | |
You haven't got anything I can serve up, have you? | 0:23:02 | 0:23:04 | |
Yeah. Yeah? Yeah, yeah, yeah. Oh, great. | 0:23:04 | 0:23:07 | |
Yeah, yeah, yeah. Here, serve that. | 0:23:07 | 0:23:11 | |
ERIK LAUGHS Yeah, tennis, yeah, yeah. | 0:23:12 | 0:23:15 | |
Ahoy, it's a classic. | 0:23:15 | 0:23:17 | |
Yeah, no, it's right up there, yeah. Erik... | 0:23:17 | 0:23:19 | |
Oh, hello there. I like your moo-moo. | 0:23:25 | 0:23:29 | |
I bet you do. | 0:23:29 | 0:23:30 | |
It's made from Moroccan sausage skin and winkles and it's heatproof. | 0:23:30 | 0:23:35 | |
I've been sat in the airing cupboard all morning without a simple bit of discomfort. | 0:23:35 | 0:23:40 | |
I should be in there. | 0:23:40 | 0:23:42 | |
All right, Beef? This is all I could find. | 0:23:42 | 0:23:45 | |
Let's have a look. What is it? | 0:23:45 | 0:23:47 | |
Does it matter? I mean, does it really matter?! | 0:23:47 | 0:23:49 | |
Yeah, it does matter, Beef. I think this is flour. | 0:23:52 | 0:23:55 | |
Look, here's an egg. Egg. | 0:23:57 | 0:23:59 | |
Right. we crack the egg into the flour. That'll make a pizza. Yeah. | 0:23:59 | 0:24:04 | |
And for a topping. We use maybe this sauce of Beef's. | 0:24:04 | 0:24:08 | |
Let me try it. | 0:24:08 | 0:24:10 | |
Yeah, that's OK. Try it. | 0:24:10 | 0:24:12 | |
Hmm. Real depth of flavour. What is it? | 0:24:14 | 0:24:17 | |
I don't know. I bought it from a bazaar in Nairobi. | 0:24:17 | 0:24:20 | |
Mmm. It says here, "Mugabe's personal nerve agent. | 0:24:22 | 0:24:28 | |
"Sugar free. May contain nuts. | 0:24:28 | 0:24:31 | |
"Please follow us on Twitter and Facebook." | 0:24:31 | 0:24:34 | |
You kill him. | 0:24:34 | 0:24:37 | |
Nerve agent! Nerve agent, Beef! You know what that means? | 0:24:50 | 0:24:54 | |
It means we're going to die. | 0:24:54 | 0:24:56 | |
Beef. What? Contact me mum and tell her I love her. | 0:24:57 | 0:25:02 | |
I love her too. On a weekly basis. | 0:25:02 | 0:25:05 | |
Ooh! So, I guess this is cheerio. So goodbye, Vic. | 0:25:05 | 0:25:10 | |
I've always loved you. | 0:25:10 | 0:25:12 | |
Oh, Bob! Goodbye. I love you too. | 0:25:12 | 0:25:15 | |
I'm feeling horny again. | 0:25:15 | 0:25:21 | |
Get out of my way. | 0:25:21 | 0:25:23 | |
Ooh, ooh! Ooh! | 0:25:23 | 0:25:25 | |
You to me are everything, | 0:25:27 | 0:25:29 | |
the greatest song a man could sing. Oh! | 0:25:29 | 0:25:33 | |
No, Beef, no! Get out of here. Go on, man. Shame. | 0:25:33 | 0:25:37 | |
I shall return with shoes made of...iron ore! | 0:25:37 | 0:25:42 | |
I'm so sorry about that, madam. | 0:25:44 | 0:25:47 | |
We get all sorts in here. It really can be quite a challenge. | 0:25:47 | 0:25:50 | |
Bosh, I'm dying due to nerve agent ingestion! | 0:25:53 | 0:25:59 | |
So, I guess it's goodbye. OK. | 0:25:59 | 0:26:02 | |
I'd like you to have me racehorse when I'm gone. What, Daft John? | 0:26:02 | 0:26:05 | |
Yes, it's his 50th birthday on Saturday. | 0:26:05 | 0:26:08 | |
There's a coconut in the fridge for him. | 0:26:08 | 0:26:11 | |
Could you make sure he gets it? He loves to suck on them. | 0:26:11 | 0:26:13 | |
Vic, Vic, it's all right. Listen, it's OK. | 0:26:14 | 0:26:18 | |
It's worn off. Must be out of date or something. Oh. | 0:26:18 | 0:26:21 | |
Yeah, phew. Ooh. Oh. | 0:26:21 | 0:26:23 | |
Did I hear you say coconut? I love coconuts. | 0:26:23 | 0:26:26 | |
Maybe I could have that? | 0:26:26 | 0:26:27 | |
Of course, madam. Mortimer. | 0:26:27 | 0:26:30 | |
You can't deprive Daft John of his sucking coconut! | 0:26:30 | 0:26:34 | |
I don't care about his sucking coconut. | 0:26:34 | 0:26:36 | |
If I don't feed her, I'm going back to sucking prison. | 0:26:36 | 0:26:39 | |
There you are, madam, a lovely coconut topped pizza. | 0:26:39 | 0:26:44 | |
Thank you. | 0:26:44 | 0:26:45 | |
That pizza looks a bit hard. | 0:26:45 | 0:26:46 | |
Yeah, it turns out it wasn't flour, it was grout. | 0:26:46 | 0:26:49 | |
Is grout edible? | 0:26:51 | 0:26:53 | |
Nope. | 0:26:53 | 0:26:54 | |
This looks delicious, Bosh. Well done. | 0:26:54 | 0:26:57 | |
It's not cordon bleu, but it's a good effort. | 0:26:57 | 0:27:00 | |
So, I'm not going back to prison, then? | 0:27:00 | 0:27:04 | |
Well, no, of course not. ALL: Yay! | 0:27:04 | 0:27:07 | |
And I am wearing iron ore shoes. | 0:27:14 | 0:27:18 | |
And tonight, I celebrate my love for you. | 0:27:18 | 0:27:22 | |
ALL: Yay! | 0:27:26 | 0:27:28 | |
Are you trying to knock me up or something? | 0:27:28 | 0:27:31 | |
That was my plan. My whole plan. | 0:27:31 | 0:27:34 | |
ALL: Hey! | 0:27:34 | 0:27:36 | |
# Didn't we have a lovely day? | 0:27:36 | 0:27:39 | |
# The day I ran a restaurant | 0:27:39 | 0:27:41 | |
# So what happens next? | 0:27:41 | 0:27:43 | |
# We form a circle Dance around the hydrothermal... # | 0:27:43 | 0:27:46 | |
ALL HUM ALONG | 0:27:50 | 0:27:52 | |
Thank you. Thank you. | 0:28:04 | 0:28:07 |