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"Dear Murray, I'm going away for a bit." | 0:00:02 | 0:00:04 | |
Don, listen, I've got to cancel. | 0:00:04 | 0:00:06 | |
'We've brought Gord and Aud.' | 0:00:06 | 0:00:07 | |
-ALL: -Hi! | 0:00:07 | 0:00:09 | |
-Hi! -God, what happened to your ear? | 0:00:10 | 0:00:12 | |
Oh, don't worry. Er, someone bit me, it's fine. | 0:00:12 | 0:00:14 | |
Everyone's been running round like headless chickens | 0:00:14 | 0:00:16 | |
looking for that memory stick. Emma said you had it. | 0:00:16 | 0:00:19 | |
-Yeah, I've got it here. Er... -Well? | 0:00:19 | 0:00:22 | |
-I've moved in with Abby. -What? | 0:00:22 | 0:00:23 | |
It gives me great pleasure to present to you | 0:00:23 | 0:00:25 | |
this luxury beach-side villa on the Turkish Riviera. | 0:00:25 | 0:00:29 | |
The adventure starts tonight! | 0:00:29 | 0:00:31 | |
Come on, your flight leaves in two hours! | 0:00:31 | 0:00:33 | |
ALL SHOUT GOODBYE | 0:00:33 | 0:00:35 | |
Right... | 0:00:41 | 0:00:42 | |
Shall we check in? | 0:00:42 | 0:00:44 | |
I'm sorry, I can't do this. | 0:00:46 | 0:00:48 | |
We've got the tickets and everything. | 0:00:48 | 0:00:50 | |
Murray, I know this isn't easy, but I need some time away. | 0:00:50 | 0:00:53 | |
You'll have that. In Turkey. | 0:00:53 | 0:00:55 | |
On my own, Murray. | 0:00:55 | 0:00:56 | |
We could sleep at different ends of the villa. | 0:00:56 | 0:00:59 | |
OK. | 0:00:59 | 0:01:00 | |
-Bex... -Taxi. -I'll sleep in the hammock. | 0:01:00 | 0:01:02 | |
-All right, love? -Can you take me back to Brighton? | 0:01:02 | 0:01:04 | |
-Yeah, course. -No, no. Not Brighton. We're going to Turkey. | 0:01:04 | 0:01:07 | |
I'll be at Abby's, OK? And I'll call you... | 0:01:07 | 0:01:09 | |
-Please, take it. It's all yours. -Right, thank you. | 0:01:09 | 0:01:12 | |
Right, where are the tickets? | 0:01:12 | 0:01:14 | |
Please, don't make this more difficult | 0:01:14 | 0:01:16 | |
than it already is, Murray. | 0:01:16 | 0:01:17 | |
-Ooh! New bikini! -You just leave that, please. | 0:01:17 | 0:01:20 | |
Tickets... Yep. | 0:01:20 | 0:01:22 | |
Passports... Brilliant. | 0:01:22 | 0:01:24 | |
I'll just get you to Turkey, all that stress will disappear. | 0:01:24 | 0:01:27 | |
-Taxi! -No, no. No. | 0:01:27 | 0:01:30 | |
Er, we're fine, thanks. Not needed. Sorry. | 0:01:30 | 0:01:32 | |
I've no money. Is it OK to stop at a cashpoint? | 0:01:32 | 0:01:34 | |
Go ahead. It's all yours. Yeah, we're going to Turkey. | 0:01:34 | 0:01:36 | |
-Had a nice holiday? -It was OK. | 0:01:36 | 0:01:38 | |
See? See how relaxed he is, Bex? Come on. | 0:01:38 | 0:01:41 | |
Give me your bag. I'll check in. Come on. | 0:01:41 | 0:01:44 | |
We'll wake up in that golden sunshine | 0:01:44 | 0:01:47 | |
and have a good old natter about... | 0:01:47 | 0:01:49 | |
Bex? | 0:01:49 | 0:01:50 | |
Bex! | 0:01:50 | 0:01:52 | |
Bex! Bex! | 0:01:52 | 0:01:54 | |
Bex... | 0:01:54 | 0:01:56 | |
The plane leaves in an hour! | 0:01:56 | 0:01:58 | |
Bex! | 0:01:58 | 0:01:59 | |
-BEX: -Morning. | 0:02:29 | 0:02:30 | |
Morning, Bex. | 0:02:30 | 0:02:33 | |
How did you sleep? | 0:02:33 | 0:02:34 | |
-Mm, not great. -Well, it is a Bodyshape memory-foam mattress. | 0:02:34 | 0:02:37 | |
-I've never had any complaints before. -No, no. | 0:02:37 | 0:02:40 | |
The mattress was fine. It was just I can't stop thinking about Murray. | 0:02:40 | 0:02:43 | |
Bex... | 0:02:43 | 0:02:44 | |
we discussed this. | 0:02:44 | 0:02:47 | |
To reach your potential, you need to find the right soil. | 0:02:47 | 0:02:51 | |
And the soil in that relationship with Murray is the... | 0:02:51 | 0:02:55 | |
-BOTH: -The wrong soil. -Exactly. | 0:02:55 | 0:02:58 | |
Just as Clifford was my wrong soil. | 0:02:58 | 0:03:01 | |
But you're free now, my darling. | 0:03:02 | 0:03:05 | |
Just don't forget we wear the airline slippers in here | 0:03:06 | 0:03:09 | |
with bare feet. Otherwise we smudge the Italian tiling. | 0:03:09 | 0:03:13 | |
-Sorry. -No, no! You're forgiven. | 0:03:13 | 0:03:16 | |
First offence. | 0:03:16 | 0:03:17 | |
I carry mine around in my pocket, but if ever you forget, | 0:03:17 | 0:03:21 | |
I keep some spares in this container here. | 0:03:21 | 0:03:23 | |
And some by the door. | 0:03:23 | 0:03:25 | |
Oh, that's handy. | 0:03:25 | 0:03:27 | |
It's just a few simple rules. | 0:03:27 | 0:03:29 | |
Otherwise it's anarchy. | 0:03:29 | 0:03:30 | |
Oh, and don't forget, it's book club tonight. | 0:03:30 | 0:03:33 | |
-You have read the book, haven't you? -Yeah. | 0:03:33 | 0:03:35 | |
-I really enjoyed... -No, no, no, no, no, no. | 0:03:35 | 0:03:37 | |
Don't tell me what you thought now. Discussion time is later. | 0:03:37 | 0:03:41 | |
SHE SIGHS | 0:03:43 | 0:03:44 | |
PHONE BUZZES | 0:03:44 | 0:03:46 | |
BEEP | 0:03:53 | 0:03:55 | |
-Ah, Don. -'Hi, Murray.' | 0:03:55 | 0:03:57 | |
I won't be long. Costs a fortune to call Turkey from a mobile. | 0:03:57 | 0:04:01 | |
Oh... Has Bex not spoken to you? | 0:04:01 | 0:04:04 | |
Oh, I know, I know, it's Mehmet, isn't it? | 0:04:04 | 0:04:05 | |
He's just called to apologise | 0:04:05 | 0:04:07 | |
for not being at the airport for you. | 0:04:07 | 0:04:08 | |
He's going to bring round some olives to say sorry. | 0:04:08 | 0:04:11 | |
Sort of Turkish custom. | 0:04:11 | 0:04:12 | |
Oh! Oh, no, no. No, tell him not to bother. | 0:04:12 | 0:04:15 | |
Actually, you've flown in at a really good time. | 0:04:15 | 0:04:18 | |
There's some Turkish festival tonight. | 0:04:18 | 0:04:20 | |
-Mehmet's going to barbecue a goat. -Right. | 0:04:20 | 0:04:22 | |
Don, I did send a text to Bex reminding her to call you, so... | 0:04:22 | 0:04:25 | |
Text? | 0:04:25 | 0:04:26 | |
-You two not talking to each other? -HE CHUCKLES | 0:04:26 | 0:04:28 | |
CHUCKLING: No, no, no. It's... | 0:04:28 | 0:04:31 | |
a little bit more complicated than that. | 0:04:31 | 0:04:33 | |
Have you been out on the balcony yet? | 0:04:33 | 0:04:35 | |
-Er... Not yet, no. -Well, go now. | 0:04:35 | 0:04:37 | |
I've got a little something for you. | 0:04:37 | 0:04:39 | |
-Don, I... -Go on. I want to hear your reaction. | 0:04:39 | 0:04:42 | |
-Are you there yet? -Um... | 0:04:43 | 0:04:45 | |
Er... | 0:04:45 | 0:04:47 | |
Yes? | 0:04:47 | 0:04:48 | |
Well? What do you think? | 0:04:48 | 0:04:51 | |
Eh? Eh? | 0:04:51 | 0:04:52 | |
Oh, Don I'm...speechless. | 0:04:53 | 0:04:56 | |
You love it, don't you? I knew you'd love it. | 0:04:56 | 0:04:59 | |
Yes, I do...love it. Yeah. | 0:05:00 | 0:05:02 | |
What do you think of the colour? | 0:05:02 | 0:05:04 | |
I love it. | 0:05:04 | 0:05:06 | |
You were always commenting on my hot tub. | 0:05:06 | 0:05:08 | |
I... Yes, a hot tub, yeah! | 0:05:09 | 0:05:11 | |
-Ha-ha-ha! -Now, listen. | 0:05:11 | 0:05:13 | |
I don't want you two getting up to any naughtiness in there. | 0:05:13 | 0:05:16 | |
We won't. | 0:05:16 | 0:05:17 | |
Um, Don, I-I... | 0:05:17 | 0:05:19 | |
I really think you should speak to Bex. TAPPING | 0:05:19 | 0:05:21 | |
What is it, Paula? | 0:05:21 | 0:05:23 | |
-SHE MOUTHS -Sorry, Murray. | 0:05:23 | 0:05:25 | |
I'm being summoned. I'll talk to you later. | 0:05:25 | 0:05:28 | |
Don... | 0:05:28 | 0:05:29 | |
RINGING TONE | 0:05:34 | 0:05:36 | |
'Hi, this is Bex. Please leave a message.' | 0:05:36 | 0:05:38 | |
BEEP Bex... | 0:05:38 | 0:05:39 | |
I really think you should talk to your parents. | 0:05:39 | 0:05:41 | |
You've got to tell them what's going on. | 0:05:41 | 0:05:44 | |
Thanks. | 0:05:59 | 0:06:01 | |
-WOMAN: -Can I help? | 0:06:03 | 0:06:04 | |
Oh, hi. Hi. | 0:06:04 | 0:06:07 | |
Actually, yes. Um... | 0:06:08 | 0:06:10 | |
I haven't got an appointment, | 0:06:10 | 0:06:12 | |
is there any chance of a wash and blow? | 0:06:12 | 0:06:15 | |
-Yes, of course. -Great. | 0:06:16 | 0:06:19 | |
What are you doing here? | 0:06:28 | 0:06:29 | |
W-W-What are you doing here? | 0:06:29 | 0:06:31 | |
-You're supposed to be in Turkey. -TOILET FLUSHES | 0:06:31 | 0:06:35 | |
G-G-Grant! | 0:06:44 | 0:06:45 | |
I thought you were in Turkey. | 0:06:45 | 0:06:47 | |
So you thought you'd use my house? | 0:06:47 | 0:06:49 | |
-My bed? -Well, I couldn't take her back to Mum's. | 0:06:49 | 0:06:51 | |
Hasn't she got a place of her own? | 0:06:51 | 0:06:53 | |
She's got cats, and you know what I'm like with cats. | 0:06:53 | 0:06:56 | |
-At nine o'clock in the morning? -Well, she works nights. | 0:06:56 | 0:06:58 | |
She doesn't knock off from the petrol station till eight. | 0:06:58 | 0:07:01 | |
-What do you think? -I asked you to pop round and clear up, | 0:07:04 | 0:07:06 | |
not drag someone back from the petrol pumps for a quick...pump. | 0:07:06 | 0:07:10 | |
Mark, you said the house was empty. | 0:07:10 | 0:07:12 | |
Wait, Bex didn't open her presents. | 0:07:12 | 0:07:14 | |
Her 40th birthday... | 0:07:14 | 0:07:16 | |
She hasn't even got her presents. | 0:07:16 | 0:07:18 | |
Yeah, look... | 0:07:18 | 0:07:19 | |
If this is all going to get emotional, | 0:07:19 | 0:07:21 | |
I'm really not sure I'm your man. | 0:07:21 | 0:07:23 | |
I just don't know how it got to this. | 0:07:23 | 0:07:25 | |
You know, sometimes in these situations, | 0:07:25 | 0:07:27 | |
it's best just to keep things... | 0:07:27 | 0:07:29 | |
bottled up. | 0:07:29 | 0:07:31 | |
Or you could pop round | 0:07:31 | 0:07:32 | |
and give her the presents. That'll break the ice. | 0:07:32 | 0:07:35 | |
That's actually not a bad idea. | 0:07:35 | 0:07:36 | |
Yeah, and then you could take her out for a coffee | 0:07:36 | 0:07:38 | |
-and, like, really chat things through. -You're not using the house. | 0:07:38 | 0:07:41 | |
Grant, are we doing this or not? | 0:07:41 | 0:07:43 | |
No, you're not! Go somewhere else. | 0:07:43 | 0:07:46 | |
Let yourself out. | 0:07:48 | 0:07:50 | |
So, are you going anywhere nice on your holidays? | 0:07:58 | 0:08:01 | |
Well, I was. I'm not now. | 0:08:01 | 0:08:03 | |
Yeah, I turned down the chance of going to Turkey last night. | 0:08:03 | 0:08:08 | |
I... | 0:08:08 | 0:08:09 | |
I actually got all the way to the airport and couldn't face it. | 0:08:09 | 0:08:12 | |
Long story. | 0:08:13 | 0:08:15 | |
-PAULA: -Bex? | 0:08:16 | 0:08:17 | |
Bex! | 0:08:18 | 0:08:20 | |
Mum. | 0:08:20 | 0:08:21 | |
BEEPING | 0:08:31 | 0:08:33 | |
Oh, hi, Abby. | 0:08:36 | 0:08:38 | |
Er... | 0:08:38 | 0:08:39 | |
Look, I know it's a bit awkward cos of the situation with Bex, | 0:08:39 | 0:08:42 | |
but probably best if you and I just try and get along. | 0:08:42 | 0:08:44 | |
What do you want, Murray? | 0:08:44 | 0:08:46 | |
I-I-I've got these birthday presents for her, so... | 0:08:46 | 0:08:48 | |
She's hurting, Murray. Really hurting. | 0:08:48 | 0:08:50 | |
So if I could just give them to her. | 0:08:50 | 0:08:52 | |
Do you want to know the name of the person who hurt her? | 0:08:52 | 0:08:54 | |
Rather just give her the presents. | 0:08:54 | 0:08:56 | |
The name of the person who hurt her is Murray. | 0:08:56 | 0:08:58 | |
Yes, I thought it might be. | 0:08:58 | 0:08:59 | |
Er, could I please just speak to my wife? | 0:08:59 | 0:09:01 | |
-SIGHING: -She's not in. | 0:09:01 | 0:09:02 | |
Right. | 0:09:02 | 0:09:04 | |
Do you know where she is, or...? | 0:09:04 | 0:09:06 | |
For your information, I'm trying to create a Murray-free zone here. | 0:09:06 | 0:09:09 | |
-Thanks for the heads-up. -A Murray-less safe haven. | 0:09:09 | 0:09:12 | |
I'll take the presents... | 0:09:12 | 0:09:14 | |
-I'd like to give them to her. -No, no. | 0:09:14 | 0:09:15 | |
-No, give them to me. -I want to give her the presents myself. | 0:09:15 | 0:09:18 | |
No! I don't want you coming back! | 0:09:18 | 0:09:20 | |
PHONE RINGS | 0:09:20 | 0:09:22 | |
Oh, hi, Bex. Where are you? | 0:09:26 | 0:09:28 | |
Why are you at your parents'? | 0:09:28 | 0:09:31 | |
What...? Hey! No... | 0:09:31 | 0:09:33 | |
She doesn't want to see you, Murray. | 0:09:33 | 0:09:36 | |
-PAULA: -Go on through. I'm just making lunch. | 0:09:42 | 0:09:45 | |
Oh, Murray. | 0:09:45 | 0:09:46 | |
I can't believe it. | 0:09:46 | 0:09:48 | |
Bex! Your husband's here. | 0:09:48 | 0:09:50 | |
-Hi, Bex. -Murray. | 0:09:54 | 0:09:56 | |
Happy birthday. | 0:09:58 | 0:09:59 | |
Yeah, thanks. | 0:10:00 | 0:10:02 | |
I'll put them down here. | 0:10:02 | 0:10:04 | |
How's your dad taken it? | 0:10:07 | 0:10:10 | |
I haven't spoken to him yet. | 0:10:10 | 0:10:11 | |
Mum said to wait for him to finish his bird table. | 0:10:11 | 0:10:14 | |
-Oh. -Don! | 0:10:14 | 0:10:17 | |
Keeley'll be here in a minute. | 0:10:17 | 0:10:18 | |
Remember she's bringing her new boyfriend. | 0:10:18 | 0:10:21 | |
Can you do it? | 0:10:21 | 0:10:23 | |
-What? -Tell Dad. | 0:10:23 | 0:10:24 | |
You want me to tell your dad you've left me? | 0:10:24 | 0:10:26 | |
Yeah, well, he'll take it better coming from you. | 0:10:26 | 0:10:28 | |
-DON: -Oh! -It's best. | 0:10:28 | 0:10:30 | |
I'd like to see next-door's cat have a go at that! | 0:10:30 | 0:10:33 | |
-What's going on? -Look, Dad, we've, um... | 0:10:37 | 0:10:41 | |
We've got some news that we want to tell you. | 0:10:41 | 0:10:44 | |
-Haven't we, Murray? -Not really. Um... | 0:10:44 | 0:10:46 | |
Tell me what? | 0:10:46 | 0:10:47 | |
Bex, I think you should, um... | 0:10:47 | 0:10:49 | |
-Go on, Murray. -Bex, you do it. | 0:10:49 | 0:10:50 | |
-Come on. -Bex! | 0:10:50 | 0:10:52 | |
What is it? | 0:10:52 | 0:10:53 | |
Don, um... | 0:10:53 | 0:10:55 | |
Er... | 0:10:55 | 0:10:57 | |
Bex and I are taking... | 0:10:57 | 0:10:59 | |
a... | 0:10:59 | 0:11:00 | |
a bit of a break from each other. | 0:11:00 | 0:11:02 | |
What does that mean? | 0:11:02 | 0:11:03 | |
We've sort of separated. | 0:11:03 | 0:11:05 | |
-Oh, my God. -Just for a few days. | 0:11:05 | 0:11:06 | |
-It might be a bit longer. -Difficult to know exactly how long. | 0:11:06 | 0:11:09 | |
Yeah, I just need to sort my head out. | 0:11:09 | 0:11:11 | |
It's that bit that's making the exact time calculation difficult. | 0:11:11 | 0:11:13 | |
-I spoke to you in Turkey this morning. -Yes... | 0:11:13 | 0:11:17 | |
I'm really sorry about that. We never actually got on the plane. | 0:11:17 | 0:11:20 | |
-No. -Ah... | 0:11:20 | 0:11:22 | |
I'm sorry. Excuse me. I just need to get some fresh air. | 0:11:23 | 0:11:26 | |
That was horrible. | 0:11:28 | 0:11:30 | |
He took it pretty well, considering. | 0:11:30 | 0:11:32 | |
DOOR CLOSES | 0:11:32 | 0:11:33 | |
BIRD CAWS | 0:11:38 | 0:11:40 | |
OK, well, I think I'd better get going. | 0:11:42 | 0:11:45 | |
No, no, no. No. Don't go, Murray, stay for lunch. | 0:11:45 | 0:11:48 | |
Oh, that's very kind, Paula, but I... | 0:11:48 | 0:11:50 | |
I... | 0:11:50 | 0:11:52 | |
-can't. -Course you can. | 0:11:52 | 0:11:54 | |
We're family. | 0:11:54 | 0:11:55 | |
DOOR OPENS | 0:11:55 | 0:11:57 | |
Right, whenever I had any business problems, | 0:11:59 | 0:12:02 | |
I'd get out a old envelope, | 0:12:02 | 0:12:03 | |
draw a line down the middle and work out the pros and the cons. | 0:12:03 | 0:12:07 | |
So... | 0:12:07 | 0:12:09 | |
Murray... | 0:12:09 | 0:12:10 | |
Pros. Er... | 0:12:10 | 0:12:13 | |
Good-looking. | 0:12:13 | 0:12:14 | |
Good sense of humour. | 0:12:16 | 0:12:17 | |
-Er, smells nice... -No, Dad, sorry, we are not doing this. | 0:12:19 | 0:12:22 | |
Now, cons. | 0:12:22 | 0:12:23 | |
Come on, Bex. Throw them out. | 0:12:23 | 0:12:24 | |
Or we could just carry on with the pros. | 0:12:24 | 0:12:27 | |
-I mean... -Come on, Bex. What are the cons? | 0:12:27 | 0:12:29 | |
OK, put "absent". He's just not been around. | 0:12:29 | 0:12:32 | |
-He's at work all the time. -Yeah, well, that's not a con. | 0:12:32 | 0:12:34 | |
He's working hard so his wife can have a nice house, nice holidays. | 0:12:34 | 0:12:37 | |
It's a good point, Bex. | 0:12:37 | 0:12:39 | |
I'm sorry, could you be any more sexist? | 0:12:39 | 0:12:41 | |
Yeah, that is a bit sexist, Don. | 0:12:41 | 0:12:42 | |
-I can't believe how sexist that is, Don. -I'm just trying to help. | 0:12:42 | 0:12:45 | |
DOOR OPENS KEELEY: Hiya. | 0:12:45 | 0:12:47 | |
-ALL: -Hi! | 0:12:47 | 0:12:49 | |
-Oh... -Um, this is Zak. | 0:12:49 | 0:12:52 | |
Um... This is my mum and dad. | 0:12:52 | 0:12:54 | |
-This is Don and Paula. -Hi. | 0:12:54 | 0:12:56 | |
-Hello, Zak. -Hello, Zak. | 0:12:56 | 0:12:58 | |
And this is my sister, Bex. | 0:12:58 | 0:13:00 | |
- And her husband, Murray. - Hi, Zak. | 0:13:00 | 0:13:02 | |
-Hey. -Um... | 0:13:02 | 0:13:04 | |
Why...? Why aren't you in Turkey? | 0:13:04 | 0:13:06 | |
They've... They've split up. | 0:13:07 | 0:13:08 | |
- Temporarily. - Is it my fault? | 0:13:08 | 0:13:10 | |
No, it's not your fault. You know, it's been on the cards for a while. | 0:13:10 | 0:13:13 | |
-A while? -What are you talking about? | 0:13:13 | 0:13:15 | |
I mean, he's the best thing that's ever happened to you. | 0:13:15 | 0:13:18 | |
Oh, thank you, Don. | 0:13:18 | 0:13:19 | |
When you think of some of the idiots you were with before... | 0:13:19 | 0:13:21 | |
Yes, your father's right. | 0:13:21 | 0:13:23 | |
I mean, it beggars belief. I mean, | 0:13:23 | 0:13:24 | |
some of the muppets you girls have brought through that front door. | 0:13:24 | 0:13:28 | |
CLOCK CHIMES | 0:13:31 | 0:13:33 | |
I've got a box of chocolates for you, Paula. | 0:13:34 | 0:13:36 | |
Oh! | 0:13:36 | 0:13:38 | |
And for you, Don, a nut sock for your new bird table. | 0:13:38 | 0:13:41 | |
-Oh... -That's... | 0:13:41 | 0:13:43 | |
-Thank you, Zak. -..that's lovely. | 0:13:43 | 0:13:45 | |
They're a mixture of white and dark truffles. | 0:13:47 | 0:13:50 | |
Yeah... Can we get back to my list? | 0:13:50 | 0:13:52 | |
Dad, you know, Zak and Keeley are here. | 0:13:52 | 0:13:54 | |
-Yeah, I don't think we should... -Well, they don't mind. | 0:13:54 | 0:13:57 | |
OK, fine. Yeah, put "promising one thing and then doing another". | 0:13:57 | 0:14:00 | |
-That won't fit on the board. -What do you mean? | 0:14:00 | 0:14:02 | |
Well, you said you'd to talk to Curtis | 0:14:02 | 0:14:04 | |
about not taking so much work on. | 0:14:04 | 0:14:06 | |
Ah, yes, well, I'm actually going in to see him this afternoon. | 0:14:06 | 0:14:08 | |
Yeah, I'm sorry, but I've actually heard all that before. | 0:14:08 | 0:14:11 | |
Really, I am. SHE SIGHS | 0:14:11 | 0:14:13 | |
-At least give him a chance, Bex. -Yes, your mother's right. | 0:14:13 | 0:14:15 | |
Yeah, thanks for the input, but this is...this is between me and Murray. | 0:14:15 | 0:14:18 | |
The nut sock works for most bird tables. | 0:14:23 | 0:14:26 | |
You can hang it loose, or... | 0:14:28 | 0:14:30 | |
lie it on the flat bit. | 0:14:30 | 0:14:32 | |
Yeah. I'm sure it's wonderful. | 0:14:32 | 0:14:34 | |
-LIFT: -'Doors opening.' | 0:14:50 | 0:14:51 | |
'Going up.' | 0:14:53 | 0:14:55 | |
Murray! | 0:14:55 | 0:14:56 | |
Oh, hi, Emma. Have you seen Curtis today? | 0:14:56 | 0:14:58 | |
Aren't you meant to be in Turkey? | 0:14:58 | 0:15:00 | |
Ah, yes. Er... | 0:15:00 | 0:15:02 | |
Oh, it's just, um... | 0:15:02 | 0:15:04 | |
Well, Bex and I are experiencing | 0:15:04 | 0:15:06 | |
a few difficulties in our marriage at the moment, and, er... | 0:15:06 | 0:15:09 | |
..she's moved out. | 0:15:11 | 0:15:13 | |
-That's fantastic! -Sorry? | 0:15:13 | 0:15:15 | |
That's terrible. Really terrible. | 0:15:15 | 0:15:16 | |
Obviously, I'm going to do everything I can | 0:15:16 | 0:15:18 | |
to get her back, so... | 0:15:18 | 0:15:19 | |
Is there any point if she's already made her mind up? | 0:15:19 | 0:15:22 | |
It's not cut and dried yet, so... | 0:15:22 | 0:15:23 | |
-But she's moved out. -Temporarily. | 0:15:23 | 0:15:25 | |
-She must be mad to leave you. -Sorry? | 0:15:25 | 0:15:28 | |
I'm sorry, I didn't mean to imply | 0:15:28 | 0:15:29 | |
that she was, you know, actually mad! | 0:15:29 | 0:15:31 | |
-I didn't think you were. I was just... -Is she, though? | 0:15:31 | 0:15:34 | |
I mean, not clinically, but has she had any... | 0:15:34 | 0:15:38 | |
..trouble in the past? | 0:15:39 | 0:15:41 | |
LIFT DOORS OPEN | 0:15:41 | 0:15:43 | |
INDISTINCT OFFICE CHATTER | 0:15:45 | 0:15:48 | |
Murray. | 0:15:55 | 0:15:57 | |
Yeah, I'm not in Turkey. | 0:15:57 | 0:15:58 | |
I'll cut to the chase. Er, Bex has left me. | 0:15:58 | 0:16:01 | |
-Oh, no. -Yeah. | 0:16:01 | 0:16:02 | |
So we didn't think it was that good an idea to go on holiday together. | 0:16:02 | 0:16:05 | |
I'm really sorry, mate. | 0:16:05 | 0:16:07 | |
Tamzin always held you two up as having the perfect marriage. | 0:16:07 | 0:16:09 | |
Yeah, well... HE SIGHS | 0:16:09 | 0:16:11 | |
-..these things happen, you know. -So who is it, then? | 0:16:11 | 0:16:14 | |
-What? -Who's the lucky lady you're... | 0:16:14 | 0:16:16 | |
-There is no lucky lady. -Is it Ruth from foreign exchange? | 0:16:16 | 0:16:18 | |
-No! -Come on, you can tell me. -There's no-one. | 0:16:18 | 0:16:20 | |
-Come on. -There isn't anyone. -Come on, Murray. -There's no-one! | 0:16:20 | 0:16:23 | |
OK. OK. | 0:16:23 | 0:16:25 | |
-So who's Bex seeing? -Bex isn't seeing anyone either! | 0:16:26 | 0:16:29 | |
OK. Fine. If that's what you want to believe. | 0:16:29 | 0:16:32 | |
Oh, very nice. | 0:16:34 | 0:16:36 | |
Maybe I should have done a bit more of that. | 0:16:36 | 0:16:38 | |
How often do you get Tamzin flowers? | 0:16:38 | 0:16:40 | |
These aren't for Tamzin. | 0:16:41 | 0:16:43 | |
They're for...someone else. | 0:16:43 | 0:16:45 | |
-Oh. -My... | 0:16:45 | 0:16:46 | |
roofer. | 0:16:46 | 0:16:47 | |
Well, his wife. They...work as a team. | 0:16:47 | 0:16:51 | |
OK. Actually, I wanted to run something past you. | 0:16:51 | 0:16:54 | |
-Um... -Just a heads-up, but in an ideal world, | 0:16:54 | 0:16:56 | |
Tamzin wouldn't need to know about the flowers. | 0:16:56 | 0:16:58 | |
-Sure, yeah. Fine. -By the way, did you find that memory stick? | 0:16:58 | 0:17:01 | |
-Er, yeah. -Good, cos I've got enough problems with Pentratech as it is, | 0:17:01 | 0:17:04 | |
without telling them I've lost all their data. | 0:17:04 | 0:17:06 | |
In fact, I might need you to go over and see them. | 0:17:06 | 0:17:08 | |
Actually, it's on that point I wanted to discuss, because... | 0:17:08 | 0:17:12 | |
well, Bex thinks that part of our problem might be | 0:17:12 | 0:17:15 | |
that I've got my work-life balance wrong, and I was thinking of... | 0:17:15 | 0:17:19 | |
going part-time. | 0:17:19 | 0:17:21 | |
Or maybe some sort of flexitime arrangement. | 0:17:22 | 0:17:24 | |
Er... | 0:17:24 | 0:17:26 | |
Certainly scaling my hours back a bit. | 0:17:26 | 0:17:29 | |
-CHUCKLING: -Mm. | 0:17:29 | 0:17:30 | |
That's very interesting, cos... | 0:17:30 | 0:17:31 | |
I wasn't supposed to tell you this till next week, | 0:17:31 | 0:17:34 | |
but, er...what the hell. | 0:17:34 | 0:17:35 | |
What difference does a few days make? | 0:17:35 | 0:17:37 | |
Tell me what? HE CHUCKLES | 0:17:37 | 0:17:38 | |
We're offering you a promotion. | 0:17:38 | 0:17:40 | |
HE CLICKS HIS TONGUE AND CHUCKLES | 0:17:41 | 0:17:44 | |
Hi, Murray. | 0:17:50 | 0:17:52 | |
I was wondering if now might be a good time | 0:17:52 | 0:17:54 | |
to talk about my performance review. | 0:17:54 | 0:17:55 | |
Not really, Nereesha. I'm not really supposed to be in today. | 0:17:55 | 0:17:58 | |
-I'm meant to be in Turkey, remember? -It's just that | 0:17:58 | 0:18:01 | |
I was meant to have the opportunity to present my views on it yesterday. | 0:18:01 | 0:18:04 | |
Yes, yes, I'm sorry about that. Turned into quite a stressful day. | 0:18:04 | 0:18:08 | |
It says here, and I quote, | 0:18:08 | 0:18:10 | |
"Nereesha doesn't always display the flexibility | 0:18:10 | 0:18:13 | |
"that the situation requires." | 0:18:13 | 0:18:15 | |
It's a small criticism. Er, could we pick this up another time? | 0:18:15 | 0:18:17 | |
I'd rather we deal with it now. | 0:18:17 | 0:18:19 | |
Yes, you see, this is where that word "flexibility" comes in. | 0:18:19 | 0:18:23 | |
LIFT BELL DINGS | 0:18:25 | 0:18:27 | |
You see, it's difficult to wait | 0:18:27 | 0:18:28 | |
with this character assassination hanging over me. | 0:18:28 | 0:18:31 | |
Right. Er, well, can it just sort of hang over you a little bit longer? | 0:18:31 | 0:18:36 | |
I... | 0:18:36 | 0:18:37 | |
-WOMAN: -Hello, darling! | 0:18:49 | 0:18:51 | |
Thanks. | 0:18:53 | 0:18:55 | |
PHONE RINGS | 0:18:55 | 0:18:56 | |
-Hi, Tamzin. -Hi, Murray. Do you know where Curtis is? | 0:18:59 | 0:19:02 | |
No. No, no. I don't. Um... | 0:19:02 | 0:19:04 | |
I can't get hold of him on his mobile. | 0:19:04 | 0:19:06 | |
We're going to the theatre. He said to meet him here at 5.30. | 0:19:06 | 0:19:10 | |
Oh, yes. He's... He's got a meeting with, um... | 0:19:10 | 0:19:13 | |
-..I think it was marketing. -Right. | 0:19:15 | 0:19:17 | |
Cos his assistant said there's nothing in his diary. | 0:19:17 | 0:19:20 | |
This keeps happening. | 0:19:20 | 0:19:21 | |
Is there something I should know, Murray? | 0:19:21 | 0:19:24 | |
No. No, no, no, absolutely, definitely not. | 0:19:24 | 0:19:27 | |
In fact, actually, yeah, I... | 0:19:27 | 0:19:28 | |
I remember, um, he was going to get his phone fixed | 0:19:28 | 0:19:32 | |
at the...phone shop, yes. | 0:19:32 | 0:19:34 | |
Yeah, it was the phone shop, yeah. | 0:19:34 | 0:19:36 | |
Right. I'll just wait here for him, then. | 0:19:36 | 0:19:38 | |
Thanks. Bye, Murray. | 0:19:38 | 0:19:40 | |
CAR HORN TOOTS | 0:19:49 | 0:19:50 | |
Hello, sweetheart. What are you doing here? | 0:19:52 | 0:19:55 | |
What am I doing here? We're going to the theatre...to see Cats. | 0:19:55 | 0:19:59 | |
Of course. Yes. Cats, that's why I rushed back from the meeting. | 0:19:59 | 0:20:02 | |
The phone shop. | 0:20:02 | 0:20:03 | |
Yeah. | 0:20:05 | 0:20:06 | |
The...phone shop. I've been to the phone shop. | 0:20:06 | 0:20:08 | |
-Hello, Murray. -Hi, Curtis. | 0:20:08 | 0:20:10 | |
Tamzin. Sorry, I was just in the...cafe. | 0:20:10 | 0:20:12 | |
So you got your phone fixed? OK, cos I know | 0:20:12 | 0:20:14 | |
you're having a problem with your phone. | 0:20:14 | 0:20:16 | |
Yeah. They did a good job fixing it. It's a...pretty good phone shop. | 0:20:16 | 0:20:19 | |
It is a good phone shop, yeah. I got my phone fixed there, too, so... | 0:20:19 | 0:20:23 | |
So the good thing is, | 0:20:23 | 0:20:25 | |
if we need to make any calls on the way to Cats, we can. | 0:20:25 | 0:20:28 | |
I thought we agreed, Curtis, | 0:20:28 | 0:20:31 | |
that you would get back to me if I called. | 0:20:31 | 0:20:34 | |
Yeah, but the phone wasn't working. | 0:20:34 | 0:20:37 | |
That's why I was in the phone shop. | 0:20:37 | 0:20:39 | |
Well... | 0:20:39 | 0:20:41 | |
We don't want me getting all suspicious again, | 0:20:41 | 0:20:44 | |
do we, sweetheart, hm? | 0:20:44 | 0:20:45 | |
Absolutely. | 0:20:45 | 0:20:47 | |
HE WHISPERS: Thank you. | 0:20:48 | 0:20:50 | |
-Is now a good time? -No. | 0:20:52 | 0:20:54 | |
Grant! | 0:21:06 | 0:21:08 | |
HE SIGHS | 0:21:08 | 0:21:10 | |
I've cleared up everything after the party. | 0:21:15 | 0:21:18 | |
That's what Tina and I were... | 0:21:18 | 0:21:19 | |
-..doing. -Right. | 0:21:21 | 0:21:23 | |
I want you both out of here. | 0:21:23 | 0:21:25 | |
No problem. If you can just give us 15 minutes. | 0:21:25 | 0:21:27 | |
-Now. -OK. Er... | 0:21:27 | 0:21:29 | |
If you find a thong, it's Tina's. | 0:21:29 | 0:21:32 | |
DOORBELL RINGS | 0:21:32 | 0:21:33 | |
-Oh! Hi, Paula. Er... -Hello, Murray. Look, can I ask a favour? | 0:21:37 | 0:21:41 | |
Yeah, please. Go ahead. Yeah, yeah. | 0:21:41 | 0:21:43 | |
It's just that I'm going to my sister's. | 0:21:43 | 0:21:45 | |
I promised I'd be her eyes for the next week. | 0:21:45 | 0:21:47 | |
But the trouble is, well, | 0:21:47 | 0:21:49 | |
I'm worried about leaving Don on his own. | 0:21:49 | 0:21:51 | |
Oh! Oh, don't worry. You know, I can look in on him, make sure he's OK. | 0:21:51 | 0:21:55 | |
He hasn't said a word for two hours, | 0:21:55 | 0:21:56 | |
and he's thrown that bird table on the bonfire. | 0:21:56 | 0:21:59 | |
-As I said... -I've packed a suitcase. | 0:21:59 | 0:22:01 | |
-Huh? -He's not very good at being on his own at the best of times. | 0:22:01 | 0:22:05 | |
-Oh, I see. Er... -Don... Don! | 0:22:05 | 0:22:07 | |
Murray's agreed to take you, but you have got to start talking. | 0:22:07 | 0:22:10 | |
-By the way, the leg of your sofa's broken. -What? | 0:22:10 | 0:22:13 | |
Oh! I'll get your case, Don. | 0:22:17 | 0:22:20 | |
Did you, er, find a DVD yet, Don? | 0:22:28 | 0:22:31 | |
There's... | 0:22:31 | 0:22:33 | |
There's loads there on the shelf. | 0:22:33 | 0:22:35 | |
Ooh, er... | 0:22:35 | 0:22:37 | |
Sorry if it's a bit lumpy. | 0:22:37 | 0:22:38 | |
Not sure where Bex keeps the blender. | 0:22:38 | 0:22:41 | |
Er... Sorry, Don. | 0:22:41 | 0:22:42 | |
TV PLAYS | 0:22:42 | 0:22:45 | |
Oh. | 0:22:45 | 0:22:46 | |
OK. | 0:22:46 | 0:22:48 | |
The wedding video. | 0:22:48 | 0:22:50 | |
It's just coming up to the bit where you say your vows. | 0:22:50 | 0:22:52 | |
Yeah... | 0:22:52 | 0:22:54 | |
Are you sure this is a good idea, Don? | 0:22:54 | 0:22:56 | |
-I mean... -You look so happy, both of you. | 0:22:56 | 0:22:59 | |
Yeah, we were. | 0:23:03 | 0:23:04 | |
And we will be again, you know. | 0:23:07 | 0:23:09 | |
Come on. Got to eat something. | 0:23:09 | 0:23:11 | |
I'm not sure I'm going to be able to cope. | 0:23:11 | 0:23:13 | |
Well, you know, we've got to be, um... | 0:23:13 | 0:23:16 | |
..strong. | 0:23:18 | 0:23:19 | |
Um... | 0:23:20 | 0:23:21 | |
I can't imagine life without you. | 0:23:27 | 0:23:29 | |
Thanks. | 0:23:34 | 0:23:36 | |
Everyone... Everyone, this is Bex. | 0:23:45 | 0:23:48 | |
Bex, this is book club. | 0:23:48 | 0:23:51 | |
-ALL GREET BEX -Get your slippers on! | 0:23:51 | 0:23:54 | |
-Hi, everyone. -ALL: -Hi. | 0:23:56 | 0:23:58 | |
Thank you for letting me join you. | 0:23:58 | 0:24:00 | |
Abby's told me all about you all, | 0:24:00 | 0:24:02 | |
and it's exactly the sort of thing that I need to be doing. | 0:24:02 | 0:24:05 | |
-ABBY: -Bex left her husband last night. | 0:24:05 | 0:24:07 | |
ALL EXCLAIM | 0:24:07 | 0:24:11 | |
-Welcome to the team! -LAUGHTER | 0:24:11 | 0:24:13 | |
-WOMAN: -Well done! | 0:24:13 | 0:24:14 | |
So...! Who was he cheating on you with? | 0:24:14 | 0:24:18 | |
He... He wasn't. | 0:24:19 | 0:24:20 | |
They all say that. | 0:24:20 | 0:24:22 | |
Mine lied to me for three years. | 0:24:22 | 0:24:24 | |
-But you got your own back, Lin. -Oh! | 0:24:24 | 0:24:26 | |
I wrote what I thought of him down the side of his Lexus. | 0:24:26 | 0:24:31 | |
Excuse the bad language! | 0:24:31 | 0:24:32 | |
LAUGHTER | 0:24:32 | 0:24:34 | |
Er, I don't know about...about you all, but I love this book. | 0:24:40 | 0:24:45 | |
-We'll come on to the book later. -Yeah. | 0:24:45 | 0:24:47 | |
So...when did you decide to leave him? | 0:24:47 | 0:24:50 | |
Yesterday. | 0:24:50 | 0:24:52 | |
MURMURING | 0:24:52 | 0:24:53 | |
And what I really love about the story... | 0:24:53 | 0:24:55 | |
Mine was doing it with my Zumba instructor. Oh, Jane! | 0:24:55 | 0:24:58 | |
Tell Bex how you dumped your last husband. Ho-ho! | 0:24:58 | 0:25:01 | |
ALL CHATTER | 0:25:01 | 0:25:03 | |
Go on! | 0:25:03 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:07 | |
DOG BARKS IN DISTANCE | 0:25:14 | 0:25:15 | |
Don? | 0:25:18 | 0:25:20 | |
Don? | 0:25:25 | 0:25:26 | |
Don? | 0:25:32 | 0:25:33 | |
Don? | 0:25:34 | 0:25:35 | |
Don? | 0:25:38 | 0:25:39 | |
Don? | 0:25:42 | 0:25:43 | |
KNOCK ON DOOR | 0:25:50 | 0:25:51 | |
-I just dropped off and then he'd gone! -So where is he? | 0:25:54 | 0:25:56 | |
DON SNORES | 0:26:03 | 0:26:05 | |
-I can't move him. -What...? | 0:26:05 | 0:26:06 | |
Don, I'm back again. I'm with Bex this time. | 0:26:08 | 0:26:11 | |
-Um... -Pull him over to you. Be careful. | 0:26:11 | 0:26:14 | |
One, two, three... Come on, Don. | 0:26:14 | 0:26:17 | |
How much has he had? | 0:26:17 | 0:26:18 | |
-Oh! -I don't know. | 0:26:18 | 0:26:21 | |
I lost count. Just sort of, you know, left him to it. | 0:26:21 | 0:26:24 | |
-What's he doing here anyway? -DON GROANS | 0:26:24 | 0:26:26 | |
Right, well, your mum has gone to your aunt's, | 0:26:26 | 0:26:28 | |
so I'm just looking after him for a few days. | 0:26:28 | 0:26:32 | |
-Nice job(!) -Whoa, whoa, whoa. Whoa, whoa! | 0:26:32 | 0:26:34 | |
Whoa. | 0:26:34 | 0:26:35 | |
Well, someone's got to take care of him. | 0:26:35 | 0:26:38 | |
You're at Abby's. | 0:26:38 | 0:26:40 | |
-Keeley's, well... -Hopeless. | 0:26:40 | 0:26:42 | |
Yeah, well, something like that. Oh! | 0:26:42 | 0:26:44 | |
-Thank you. -Hey, I don't mind. | 0:26:46 | 0:26:49 | |
I've lost a wife, but, hey, I've gained a 64-year-old housemate. | 0:26:50 | 0:26:55 | |
Oh! | 0:26:55 | 0:26:57 | |
I, er...spoke to Curtis, by the way. | 0:26:57 | 0:27:00 | |
About going part-time. | 0:27:00 | 0:27:01 | |
Oh, yeah? How did that go? | 0:27:01 | 0:27:03 | |
-They offered me a promotion. -I see. | 0:27:03 | 0:27:05 | |
More money. A company car. | 0:27:05 | 0:27:07 | |
Good. Congratulations. I'm sure... | 0:27:09 | 0:27:10 | |
I turned it down. | 0:27:10 | 0:27:12 | |
Oh. | 0:27:12 | 0:27:14 | |
OK. | 0:27:14 | 0:27:15 | |
Right. | 0:27:15 | 0:27:16 | |
Good, right... | 0:27:18 | 0:27:20 | |
Well, one more heave... | 0:27:20 | 0:27:21 | |
I reckon we can get him onto the sofa. | 0:27:21 | 0:27:24 | |
Come on, Don. Come on, Don. Standing up. | 0:27:24 | 0:27:26 | |
There we go. | 0:27:26 | 0:27:28 | |
-Walking now. Walking. -Help. | 0:27:28 | 0:27:30 | |
-Let's all go to the wedding. -No, we're not going to the wedding, Don. | 0:27:30 | 0:27:33 | |
We're going to the sofa. Come on. | 0:27:33 | 0:27:37 | |
One, two, three. Oh! | 0:27:37 | 0:27:39 | |
SOFA CRUNCHES LOUDLY | 0:27:39 | 0:27:41 | |
Grant! | 0:27:41 | 0:27:44 | |
PHONE RINGS OK... | 0:27:44 | 0:27:45 | |
Hi, Mum. | 0:27:48 | 0:27:49 | |
Yeah, yeah, I'm still up. | 0:27:49 | 0:27:51 | |
Oh, well, I've had better. | 0:27:51 | 0:27:54 | |
Oh, you're on the line, too, Dad. | 0:27:54 | 0:27:55 | |
Hi. Er... | 0:27:55 | 0:27:57 | |
Sorry, Mum, could you just hold a second? | 0:27:57 | 0:27:59 | |
Yes. | 0:27:59 | 0:28:01 | |
It's my parents. | 0:28:01 | 0:28:02 | |
Could you tell them? | 0:28:05 | 0:28:06 | |
I'm chairing a committee for the CT fundraiser at the moment, | 0:28:07 | 0:28:10 | |
and I'm completely swamped. | 0:28:10 | 0:28:12 | |
-You did find that memory stick, didn't you? -Yeah. | 0:28:12 | 0:28:15 | |
What are you doing here? | 0:28:15 | 0:28:17 | |
No. | 0:28:17 | 0:28:18 |