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"Dear Murray, I'm going away for a bit." | 0:00:02 | 0:00:03 | |
-I've moved in with Abby. -What? | 0:00:03 | 0:00:04 | |
By the way, did you find that memory stick? | 0:00:04 | 0:00:05 | |
Er, yeah. | 0:00:05 | 0:00:07 | |
Don't want me getting all suspicious again, do we, sweetheart? | 0:00:07 | 0:00:10 | |
I'm worried about leaving Don on his own. | 0:00:10 | 0:00:12 | |
Murray? | 0:00:40 | 0:00:42 | |
Murray? | 0:00:43 | 0:00:44 | |
I know you're here, because your car's here. | 0:00:44 | 0:00:48 | |
GLASS CLINKS | 0:00:48 | 0:00:49 | |
Oh, Abby's been very cavalier | 0:00:49 | 0:00:52 | |
about mixing her recyclables with her non-recyclables. | 0:00:52 | 0:00:56 | |
-Not very green at all. -What are you doing? | 0:00:56 | 0:00:59 | |
I mean, the council colour-coded these bins for a reason, and... | 0:00:59 | 0:01:03 | |
OK, I was worried about you. | 0:01:03 | 0:01:05 | |
Yes, well, I'm beginning to worry about you. | 0:01:05 | 0:01:07 | |
That film finished an hour and 50 minutes ago. I mean, where have you been? | 0:01:07 | 0:01:11 | |
I went for a bite to eat with a friend. Do you want to see the bill? | 0:01:11 | 0:01:14 | |
No, no, I believe you. It's just... It's ten past midnight. I mean... | 0:01:14 | 0:01:18 | |
Do you have the bill, out of interest? | 0:01:18 | 0:01:20 | |
Murray, this really isn't what I had in mind when we talked about | 0:01:20 | 0:01:22 | |
me having space to do my own thing. | 0:01:22 | 0:01:24 | |
I know, but it's been a week now. We haven't seen each other. | 0:01:24 | 0:01:27 | |
Do you recall the discussion we had? | 0:01:27 | 0:01:28 | |
-About boundaries? -Yeah. Yeah, yeah. | 0:01:28 | 0:01:30 | |
-The boundaries thing. -Uh-huh. | 0:01:30 | 0:01:32 | |
So who were you with tonight? | 0:01:32 | 0:01:34 | |
Someone from work, if you must know. | 0:01:34 | 0:01:36 | |
-A paramedic. -Oh. | 0:01:36 | 0:01:38 | |
That's mainly a...male job, isn't it? | 0:01:38 | 0:01:41 | |
It was a woman. | 0:01:41 | 0:01:43 | |
But there are obviously women who do it, too, which is... | 0:01:43 | 0:01:46 | |
-as it should be. -Hang on. | 0:01:46 | 0:01:49 | |
How did you know the film finished an hour and 50 minutes ago? | 0:01:49 | 0:01:52 | |
I happened to be near the cinema, and... | 0:01:52 | 0:01:55 | |
I saw you go in. Look, I can't help it. I miss you. | 0:01:55 | 0:01:57 | |
I-I worry about you when you're not with me. | 0:01:57 | 0:01:59 | |
You know, there's all sorts of weirdos around at this time of night. | 0:01:59 | 0:02:02 | |
-Yes, hiding behind people's bins. -DOOR OPENS | 0:02:02 | 0:02:05 | |
Do you want me to call the police, Bex? | 0:02:05 | 0:02:07 | |
No, Abby, it's OK. | 0:02:07 | 0:02:09 | |
Whatever he's saying, don't listen to him. | 0:02:09 | 0:02:11 | |
You're looking well, Abby. | 0:02:11 | 0:02:12 | |
Look, I just think if we spent some time together and chatted things through... | 0:02:18 | 0:02:23 | |
Murray, I'm chairing a committee for the CT fundraiser at the moment | 0:02:23 | 0:02:25 | |
and I'm completely swamped. | 0:02:25 | 0:02:27 | |
So if it's all right with you, | 0:02:27 | 0:02:28 | |
it would be good if I could get some sleep now that I'm safely home. | 0:02:28 | 0:02:32 | |
Bex... | 0:02:32 | 0:02:33 | |
Don't call it home. | 0:02:33 | 0:02:35 | |
Good night, Murray. | 0:02:35 | 0:02:37 | |
HE SIGHS I knew we should have parked down the road. | 0:02:51 | 0:02:54 | |
-GLASS CLINKS -It's too far to walk. | 0:02:54 | 0:02:56 | |
-DON: -Murray? | 0:03:14 | 0:03:16 | |
Yeah, I'm in here, Don. Sorry. | 0:03:16 | 0:03:18 | |
DOOR OPENS | 0:03:18 | 0:03:20 | |
-Paula's on her way. -Oh, right. | 0:03:20 | 0:03:23 | |
Er... Come to pick you up? | 0:03:23 | 0:03:25 | |
I don't want to go. | 0:03:25 | 0:03:27 | |
I know, but, you know, we discussed this, Don. | 0:03:27 | 0:03:31 | |
You have to go back to your wife. | 0:03:31 | 0:03:33 | |
This was just an interim thing. | 0:03:33 | 0:03:35 | |
-I worry about you. -Oh, that's very touching, Don. | 0:03:35 | 0:03:38 | |
I don't like the idea of leaving you on your own. | 0:03:38 | 0:03:41 | |
Feel free to drop in. | 0:03:41 | 0:03:42 | |
When? | 0:03:42 | 0:03:44 | |
Soon? | 0:03:44 | 0:03:45 | |
Have you read Divorce Deterrent | 0:03:46 | 0:03:49 | |
-by Suranne Miles? -No. No, I haven't. | 0:03:49 | 0:03:52 | |
How about Let's Save Our Marriage by Dan Gernon? | 0:03:52 | 0:03:53 | |
-Been pretty busy, so... -I read them both last night. | 0:03:53 | 0:03:56 | |
How would you feel about me helping you and Bex | 0:03:57 | 0:04:00 | |
as a sort of marriage guidance counsellor? | 0:04:00 | 0:04:02 | |
That's... That's... That's very kind, Don. It's a great idea. | 0:04:02 | 0:04:06 | |
Um... Not sure that would...work, | 0:04:06 | 0:04:09 | |
you know, with you being Bex's dad. | 0:04:09 | 0:04:12 | |
-I'll be very discreet. -That's... That's...good to hear. | 0:04:12 | 0:04:15 | |
You know, I'd just be concerned, and... | 0:04:15 | 0:04:17 | |
do you not need professional qualifications for that? | 0:04:17 | 0:04:20 | |
Maybe you should be talking to | 0:04:20 | 0:04:22 | |
a professional marriage guidance counsellor, then. | 0:04:22 | 0:04:24 | |
That a terrific idea, Don, but... | 0:04:24 | 0:04:26 | |
Bex feels at the moment that she, um... | 0:04:26 | 0:04:29 | |
Well, she's just very keen on...boundaries. | 0:04:29 | 0:04:33 | |
Um... | 0:04:33 | 0:04:35 | |
Just while she concentrates on her...charity event. | 0:04:35 | 0:04:39 | |
Um... Tell you what. | 0:04:39 | 0:04:41 | |
You could...buy some tickets. That'd cheer her up. | 0:04:41 | 0:04:44 | |
DOORBELL RINGS | 0:04:44 | 0:04:45 | |
Ooh, I think that might be Paula. Er... | 0:04:45 | 0:04:47 | |
-Right. -Yeah... | 0:04:48 | 0:04:51 | |
Might be... Might be easier for you to get that, Don. | 0:04:52 | 0:04:56 | |
DOOR CLOSES | 0:05:02 | 0:05:04 | |
Oh... | 0:05:13 | 0:05:14 | |
Hi, Emma. Er, actually, I was, er, just wondering. | 0:05:14 | 0:05:18 | |
Late notice, so don't worry if you can't, | 0:05:18 | 0:05:20 | |
but what are you doing on Friday? | 0:05:20 | 0:05:23 | |
Nothing. | 0:05:23 | 0:05:24 | |
You don't want to check your diary, or...? | 0:05:25 | 0:05:26 | |
-I'm free. -OK. Um... | 0:05:26 | 0:05:28 | |
And if I've got anything, I can easily cancel it. | 0:05:28 | 0:05:29 | |
OK. It's a fundraiser for the hospital, it's at the Adelphi. | 0:05:29 | 0:05:33 | |
Quite a glamorous night, you know, blacktie... | 0:05:33 | 0:05:35 | |
Oh, my God. I would love to go with you. | 0:05:35 | 0:05:38 | |
It's the CT scanner appeal my wife's running, so... | 0:05:38 | 0:05:41 | |
-Oh. -LIFT DINGS | 0:05:41 | 0:05:43 | |
Good, well, er, glad you can come. | 0:05:43 | 0:05:45 | |
-I thought you were separated. -Well, temporarily. | 0:05:50 | 0:05:52 | |
But I really want the event to go well for her, | 0:05:52 | 0:05:54 | |
so, you know, I'm putting a table together. | 0:05:54 | 0:05:57 | |
-And will she be there, your wife? -Yeah. | 0:05:57 | 0:06:00 | |
-Yeah. On a different table. -Fantastic. | 0:06:00 | 0:06:03 | |
For her. To have her own table. | 0:06:03 | 0:06:06 | |
Yeah... Shall I put you down for two tickets, then? | 0:06:06 | 0:06:09 | |
No, just one. | 0:06:09 | 0:06:10 | |
Just the one ticket? No boyfriend, or...? | 0:06:10 | 0:06:12 | |
No, Murray. | 0:06:12 | 0:06:14 | |
Can I put you down for the charity event, Nereesha? | 0:06:23 | 0:06:25 | |
I don't think so, Murray. I'm not really feeling myself at the moment. | 0:06:25 | 0:06:28 | |
-Oh, I'm sorry to hear that. -Usually, | 0:06:28 | 0:06:30 | |
I'm the life and soul of a party, but these days... | 0:06:30 | 0:06:33 | |
Yes, er... | 0:06:33 | 0:06:34 | |
You know, maybe a night out will do you good. | 0:06:34 | 0:06:36 | |
There's a harpist, I think, from the London Philharmonic, | 0:06:36 | 0:06:40 | |
and a comedian, so... | 0:06:40 | 0:06:42 | |
I hate comedians. Always so much pressure to laugh. | 0:06:42 | 0:06:45 | |
OK, I'll put you down for two, then, shall I, you and Steve? | 0:06:45 | 0:06:49 | |
Yes, all right, then, but we're not really talking much at the moment, | 0:06:49 | 0:06:52 | |
what with our many unresolved problems. | 0:06:52 | 0:06:54 | |
-Ah, yes... -Our sexual problems. | 0:06:54 | 0:06:56 | |
-Right. -I think I mentioned them to you. | 0:06:56 | 0:06:57 | |
You did, yes. I'll put you down for a couple, shall I? | 0:06:57 | 0:07:00 | |
It's like lying next to a block of ice under that duvet. | 0:07:00 | 0:07:02 | |
Y-You're vegetarian, aren't you? | 0:07:04 | 0:07:06 | |
Yes, but he knew that when he married me. Why would that put him off? | 0:07:06 | 0:07:08 | |
Well, it-it's just we'd have to let the caterers know. | 0:07:08 | 0:07:11 | |
-Murray, can I have a word? -Oh, yes. Hi, Curtis. Er... | 0:07:13 | 0:07:16 | |
-Everything OK? -Could be better. | 0:07:17 | 0:07:20 | |
Pentratech have been on, something about a breach of their data protection. | 0:07:20 | 0:07:23 | |
You did find that memory stick, didn't you? | 0:07:23 | 0:07:24 | |
Yeah. Yeah. | 0:07:24 | 0:07:26 | |
-Well, where is it? -Um... | 0:07:26 | 0:07:27 | |
-I'll... I'll get it. -Good. | 0:07:27 | 0:07:30 | |
And, oh, I need you to help me with something. | 0:07:30 | 0:07:32 | |
I've got this appointment this afternoon. | 0:07:32 | 0:07:34 | |
You don't have three £2 coins, do you, for the machine in the hotel gents? | 0:07:34 | 0:07:37 | |
-No. No, no, I don't. -OK. | 0:07:37 | 0:07:39 | |
Anyway, I need you to stand in for me for something. It's nothing much. | 0:07:39 | 0:07:42 | |
Just a committee meeting for the CT scanner appeal people. | 0:07:42 | 0:07:45 | |
-What? -The bank's sponsoring the event. | 0:07:45 | 0:07:46 | |
I'd go myself, but this appointment came up, | 0:07:46 | 0:07:49 | |
and I'd really like to go to that. | 0:07:49 | 0:07:50 | |
-Do you have any change at all? -No, I don't. | 0:07:52 | 0:07:53 | |
Sorry, look, the problem is, Curtis, Bex is chairing that committee. | 0:07:53 | 0:07:58 | |
Yeah, no, I know. That's why I thought of you. | 0:07:58 | 0:07:59 | |
Well, it could be a bit awkward. | 0:07:59 | 0:08:01 | |
We're separated. | 0:08:01 | 0:08:03 | |
-Really? -Yeah. I have told you. | 0:08:03 | 0:08:06 | |
No, no, no, it'll be fine. Look, the committee's expecting us | 0:08:06 | 0:08:09 | |
to cough up for a bigger room for their big event. | 0:08:09 | 0:08:11 | |
You'll just have to tell them no. | 0:08:11 | 0:08:12 | |
Well, it's just, Bex has been talking about boundaries and, you know, | 0:08:12 | 0:08:16 | |
keeping a bit of distance from each other. | 0:08:16 | 0:08:18 | |
Thanks, mate. Really appreciate it. | 0:08:18 | 0:08:20 | |
Damian, have you got any £2 coins? | 0:08:20 | 0:08:22 | |
Murray! | 0:08:31 | 0:08:33 | |
-Are you on the committee now? -Oh, hi, Gina. | 0:08:33 | 0:08:36 | |
-Er, just for today, I think. Yes. -Oh. | 0:08:36 | 0:08:38 | |
You're looking well. | 0:08:38 | 0:08:40 | |
Oh, well, adopting is the best thing that's happened to me and Jeff. | 0:08:40 | 0:08:42 | |
-Oh, yes, yes, congratulations. Ohh... -Well, it was worth the wait. | 0:08:42 | 0:08:45 | |
Hey, when are you and Bex going to start thinking about having kids? | 0:08:45 | 0:08:48 | |
Neither of you are getting any younger, you know. | 0:08:48 | 0:08:50 | |
Well, it's a little bit difficult at the moment. | 0:08:50 | 0:08:51 | |
-Oh, are you having problems? -Yeah, something like that... | 0:08:51 | 0:08:54 | |
Oh, Jeff and I were the same. | 0:08:54 | 0:08:56 | |
Well, listen, I'll get you the number of the adoption agency, if you like. | 0:08:56 | 0:08:58 | |
-Oh, no... -Oh, Marian, can I just...? | 0:08:58 | 0:09:00 | |
I didn't think you were going to be here. Yes! | 0:09:00 | 0:09:03 | |
I haven't seen you since Judith's dinner. Hi. | 0:09:03 | 0:09:05 | |
INDISTINCT CHATTER | 0:09:05 | 0:09:08 | |
Look, I'm sorry. It wasn't my idea. Curtis couldn't make it. | 0:09:12 | 0:09:15 | |
-What happened to boundaries, Murray? -I know, but don't worry. | 0:09:15 | 0:09:18 | |
You won't even know I'm here. | 0:09:18 | 0:09:19 | |
Hello, Madam Chair. | 0:09:19 | 0:09:20 | |
Oh, hi, Julian. | 0:09:20 | 0:09:22 | |
Hi. Er... | 0:09:24 | 0:09:26 | |
Murray. Bex's husband. | 0:09:26 | 0:09:28 | |
-Oh, hi. -This is Julian. | 0:09:28 | 0:09:30 | |
He's a director of Wolverton Invests. | 0:09:30 | 0:09:32 | |
They've been huge supporters of the charity. | 0:09:32 | 0:09:34 | |
Well, we do what we can. | 0:09:34 | 0:09:35 | |
Terrific. Heh! I like that can-do attitude. | 0:09:35 | 0:09:38 | |
Not the can-don't. | 0:09:38 | 0:09:41 | |
Or is it can't-do? | 0:09:41 | 0:09:43 | |
Can't-don't...? | 0:09:43 | 0:09:44 | |
Can... Can-do... | 0:09:44 | 0:09:45 | |
Right, thank you for coming, everyone. I suppose we ought to get started. | 0:09:45 | 0:09:49 | |
Fantastic idea, Bex. CLAPS HANDS | 0:09:49 | 0:09:51 | |
Um... This is Murray, everyone. | 0:10:06 | 0:10:09 | |
Um... Curtis couldn't be here, so he sent Murray along. | 0:10:09 | 0:10:14 | |
Looking forward to helping in any way I can. | 0:10:14 | 0:10:16 | |
So, our first item is venue. | 0:10:18 | 0:10:20 | |
Now, you may remember that we're looking to get a commitment from the bank | 0:10:20 | 0:10:24 | |
to fund the larger room at the Adelphi. | 0:10:24 | 0:10:26 | |
Er... Murray. | 0:10:26 | 0:10:29 | |
Right, yes, er... | 0:10:29 | 0:10:30 | |
Yeah, thank you for raising that point, Bex. Um... | 0:10:30 | 0:10:34 | |
Great chairing, by the way. Er, I think our view... | 0:10:34 | 0:10:36 | |
well, Curtis's, really, is that while we're happy to help the appeal, | 0:10:36 | 0:10:40 | |
go the extra mile in any way, | 0:10:40 | 0:10:42 | |
this particular mile... | 0:10:42 | 0:10:44 | |
might be a bit too...extra. | 0:10:44 | 0:10:47 | |
-So what does that mean? -Well, with any sponsorship, | 0:10:47 | 0:10:49 | |
there is, of course, a ceiling, | 0:10:49 | 0:10:51 | |
-and, you know, I think our view... -You're not paying for it. | 0:10:51 | 0:10:54 | |
-No. -Well, we were led to believe | 0:10:55 | 0:10:57 | |
that the funding would be available. | 0:10:57 | 0:10:58 | |
Oh, look, honey... | 0:10:58 | 0:10:59 | |
I mean, Bex... I mean, Chairman. Er, Chairperson. Chair? | 0:11:00 | 0:11:04 | |
Forgotten what I was going to say. | 0:11:07 | 0:11:09 | |
-How much money are we talking about? -Um... | 0:11:09 | 0:11:11 | |
-It's £800. -I'll transfer the money this afternoon. | 0:11:11 | 0:11:14 | |
Thank you, Julian. Thank you, that's so kind. | 0:11:14 | 0:11:17 | |
-MURMURS OF APPRECIATION -Great! | 0:11:17 | 0:11:20 | |
So, moving on, um, | 0:11:20 | 0:11:21 | |
I'll be honest, the whole auction segment of the evening is... | 0:11:21 | 0:11:25 | |
it's not looking great. | 0:11:25 | 0:11:26 | |
We really could do with some bigger prizes, | 0:11:26 | 0:11:28 | |
anything to add a bit of glamour. | 0:11:28 | 0:11:29 | |
So any thoughts, anyone? | 0:11:29 | 0:11:31 | |
How about some... celebrity involvement, you know? | 0:11:34 | 0:11:37 | |
Well, we've thought of that, | 0:11:37 | 0:11:39 | |
but they're quite hard to pin down for this sort of thing. | 0:11:39 | 0:11:41 | |
It's just I know with my cycling club, | 0:11:41 | 0:11:42 | |
we launched this Get On Your Bike appeal, you know, for child obesity. | 0:11:42 | 0:11:46 | |
Oh, I heard about that. | 0:11:46 | 0:11:47 | |
Joanna Lumley came, made a little speech, cut the tape. | 0:11:47 | 0:11:49 | |
Yeah, we're really not going to get Joanna Lumley. | 0:11:49 | 0:11:51 | |
Oh, I love Joanna Lumley. | 0:11:51 | 0:11:53 | |
Sure, yeah, I love Joanna Lumley, too, but it sounds like a bit of a long shot. | 0:11:53 | 0:11:57 | |
Yeah, cos I was thinking, for the charity auction, | 0:11:57 | 0:11:59 | |
the prize could be dinner with Joanna Lumley. | 0:11:59 | 0:12:02 | |
Yeah, we're not going to get Joanna Lumley. | 0:12:02 | 0:12:04 | |
She's done wonderful work with the Gurkhas. | 0:12:04 | 0:12:05 | |
And, actually, I've heard | 0:12:05 | 0:12:07 | |
she's been very supportive of other projects in Brighton. | 0:12:07 | 0:12:09 | |
Like my cycling club. In fact, my friend Grant's got her agent's number, so... | 0:12:09 | 0:12:12 | |
That's a brilliant idea, Murray. Brilliant. | 0:12:12 | 0:12:13 | |
MURMURS OF AGREEMENT | 0:12:13 | 0:12:15 | |
So, you really think that you can get Joanna Lumley? | 0:12:16 | 0:12:19 | |
-Absolutely. -Right. | 0:12:19 | 0:12:21 | |
PHONE RINGS | 0:12:24 | 0:12:26 | |
Hello? | 0:12:34 | 0:12:36 | |
Yes, yes, er... Thanks for calling back. | 0:12:37 | 0:12:39 | |
I got your details from Grant Hutchins. | 0:12:39 | 0:12:41 | |
He was the one liaising with you on the Get On Your Bike campaign. | 0:12:41 | 0:12:44 | |
Yes, him. Yeah, yeah. | 0:12:46 | 0:12:48 | |
Oh, er, well, I'm...I'm sorry to hear that. | 0:12:50 | 0:12:53 | |
Well, Grant's an acquired taste, I suppose. | 0:12:55 | 0:12:58 | |
Anyway, this time, we were hoping Joanna might able to attend... | 0:12:58 | 0:13:01 | |
No, no, Grant's not coming. It's nothing to do with him. Yeah. | 0:13:04 | 0:13:07 | |
Yeah, no, no, understood. Sorry she felt that way. Um... | 0:13:09 | 0:13:13 | |
In principle, might it be something that she'd be interested in? | 0:13:14 | 0:13:18 | |
No, I promise you he won't be there. | 0:13:19 | 0:13:21 | |
Right, so...I'll wait to hear back, then, shall I, or...? | 0:13:23 | 0:13:26 | |
Booth. Murray Booth. Yeah. Thank you. | 0:13:28 | 0:13:31 | |
Bye. | 0:13:33 | 0:13:34 | |
Sorry I'm late. I couldn't find anything to wear. | 0:13:50 | 0:13:53 | |
Everything made me look like an abattoir. | 0:13:53 | 0:13:54 | |
Keeley, you look lovely. | 0:13:54 | 0:13:55 | |
I've had it for years. I can't carry it off. | 0:13:55 | 0:13:57 | |
Nonsense. Look, Belinda over there's wearing exactly the same, | 0:13:57 | 0:13:59 | |
she looks fantastic. | 0:13:59 | 0:14:01 | |
Oh, great, she's wearing the same dress! | 0:14:01 | 0:14:03 | |
No, it's not the same. It's similar. But look how good Belinda looks in it. | 0:14:03 | 0:14:06 | |
Belinda's 50. | 0:14:06 | 0:14:08 | |
-Are you saying I look 50? -Is that the cake for the raffle? | 0:14:08 | 0:14:10 | |
Oh... Er, yeah. No, sorry, I was going to do four tiers, | 0:14:10 | 0:14:13 | |
but then I got another order and I got distracted. | 0:14:13 | 0:14:15 | |
Basically, I hate myself. | 0:14:15 | 0:14:17 | |
Hello, Keeley. | 0:14:17 | 0:14:18 | |
-Oh, hi. -Love the dress. | 0:14:18 | 0:14:20 | |
Oh, thank you, Murray. Thank you. | 0:14:20 | 0:14:21 | |
Must be the latest thing. Belinda's got one just like it. | 0:14:21 | 0:14:24 | |
God! Wrong cake, wrong dress... | 0:14:24 | 0:14:26 | |
-What did I say? -Don't. So, Joanna Lumley! | 0:14:26 | 0:14:29 | |
-Still on schedule. -I still can't believe | 0:14:29 | 0:14:31 | |
-you managed to get her. -Yes, well, I think her agent | 0:14:31 | 0:14:33 | |
found me pretty persuasive. | 0:14:33 | 0:14:34 | |
-I've not lost my charm, you know. -Well, clearly not. | 0:14:34 | 0:14:38 | |
This is fantastic, by the way. | 0:14:38 | 0:14:39 | |
I mean, the room, the decorations, | 0:14:39 | 0:14:42 | |
the internationally acclaimed harpist. | 0:14:42 | 0:14:44 | |
You've done an amazing job. | 0:14:44 | 0:14:46 | |
Oh, thank you. And thank you for bringing a whole table full of people. | 0:14:46 | 0:14:49 | |
Well, you know, I just want the evening to go well for you, you know. | 0:14:49 | 0:14:52 | |
Um... | 0:14:52 | 0:14:54 | |
You look great, by the way. | 0:14:55 | 0:14:56 | |
-You don't look too bad yourself. -Yeah, well, | 0:14:58 | 0:15:00 | |
it's my speciality, isn't it? | 0:15:00 | 0:15:02 | |
Not too bad. BOTH CHUCKLE | 0:15:02 | 0:15:04 | |
CHUCKLES | 0:15:04 | 0:15:06 | |
Oh, hello, Abby. Uh, doesn't the room look great? | 0:15:06 | 0:15:09 | |
As do you. | 0:15:09 | 0:15:10 | |
Just like the room, only...smaller. Um... | 0:15:10 | 0:15:13 | |
-Bex, could I have a word? -Yeah, sure. | 0:15:15 | 0:15:17 | |
Uh, I should flog some of those raffle tickets for you, Bex. | 0:15:17 | 0:15:19 | |
OK, um, £1 a ticket, £4 a strip. | 0:15:19 | 0:15:22 | |
Yeah, I may not strip. Heh! | 0:15:22 | 0:15:24 | |
Do you remember what we said | 0:15:29 | 0:15:31 | |
about not letting the fox back into the henhouse, Bex? | 0:15:31 | 0:15:34 | |
Yes, but the fox has given us Joanna Lumley. | 0:15:34 | 0:15:36 | |
He's still a fox, Bex. Just like Clifford. | 0:15:36 | 0:15:39 | |
A bad fox. Bad, bad fox. | 0:15:39 | 0:15:41 | |
What are you doing here? | 0:15:52 | 0:15:54 | |
Oh, nice! First of all you say to come along, | 0:15:54 | 0:15:56 | |
and then you leave a message to say there's no tickets. | 0:15:56 | 0:15:58 | |
Who let you in? | 0:15:58 | 0:15:59 | |
Sanj invited me. The cycling club bought a table. | 0:15:59 | 0:16:01 | |
What time is Joanna getting here? I can't wait to catch up with her. | 0:16:01 | 0:16:04 | |
-Now, look, Grant... -Is it a free bar? | 0:16:04 | 0:16:06 | |
No, it's not a free bar! It's a charity event. | 0:16:06 | 0:16:09 | |
We're raising money for a CT scanner! | 0:16:09 | 0:16:11 | |
-PAULA: -Murray... | 0:16:11 | 0:16:13 | |
I've been watching you across the room. | 0:16:13 | 0:16:15 | |
It breaks my heart that you and Bex aren't together. | 0:16:15 | 0:16:18 | |
I know. | 0:16:18 | 0:16:19 | |
Um... | 0:16:19 | 0:16:21 | |
You won't put any revenge porn on the internet, will you? | 0:16:21 | 0:16:24 | |
What? No, no. | 0:16:24 | 0:16:26 | |
Oh, good. | 0:16:26 | 0:16:27 | |
-Murray... -Grant! | 0:16:27 | 0:16:29 | |
-..there's someone I want you to meet. -Oh. Oh, yeah... | 0:16:29 | 0:16:30 | |
This is Florence. She's a marriage guidance counsellor. | 0:16:30 | 0:16:34 | |
Right. Hello, Florence. | 0:16:34 | 0:16:36 | |
-Hello. -I was just telling Florence | 0:16:36 | 0:16:38 | |
-about your situation. -I'm happy to help. | 0:16:38 | 0:16:40 | |
Well, that's very kind, but I'm not sure we're at that point yet. | 0:16:40 | 0:16:43 | |
It's early days. | 0:16:43 | 0:16:44 | |
Personally, I think the sooner you two get talking, the better. | 0:16:44 | 0:16:47 | |
-Uh, Bex! Over here! -No, really, Don. | 0:16:47 | 0:16:49 | |
Let's not bother Bex with this tonight. | 0:16:49 | 0:16:52 | |
-Meet Florence. -Oh, hello, Florence. | 0:16:52 | 0:16:54 | |
-Hello. -She's a marriage guidance counsellor. | 0:16:54 | 0:16:57 | |
Now, I've agreed with Murray that we should | 0:16:57 | 0:16:58 | |
get on with some sessions for you two. | 0:16:58 | 0:17:00 | |
-What? -I'm not sure that was the plan, Don. | 0:17:00 | 0:17:02 | |
They need help, Florence. | 0:17:02 | 0:17:03 | |
I'll just get a pen so we can sort out some dates. | 0:17:03 | 0:17:05 | |
-Dad... -Yeah, I was hoping to bump into you two. | 0:17:05 | 0:17:08 | |
I've got that number of the adoption agency. | 0:17:08 | 0:17:10 | |
Murray said you'd been having problems. | 0:17:10 | 0:17:13 | |
Oh, no, no, when I said problems, I meant... | 0:17:13 | 0:17:15 | |
Sorry, I'm getting mixed signals here. | 0:17:15 | 0:17:16 | |
You're separated, but you're thinking of adopting? | 0:17:16 | 0:17:19 | |
You're separated? | 0:17:19 | 0:17:20 | |
-Yeah. -Oh, no. | 0:17:20 | 0:17:21 | |
Only temporarily. | 0:17:21 | 0:17:22 | |
But if you've separated, I really wouldn't recommend adoption. | 0:17:22 | 0:17:25 | |
Oh, no. It would be terribly confusing for the children. | 0:17:25 | 0:17:26 | |
Yes, children need stability. | 0:17:26 | 0:17:28 | |
-No, no. We're not thinking of adoption. -Oh, sorry, Bex. | 0:17:28 | 0:17:31 | |
It's just that Murray said you've been having problems conceiving, | 0:17:31 | 0:17:32 | |
which is why I suggested adoption. | 0:17:32 | 0:17:34 | |
-I haven't had any problems conceiving. -Oh, you're already pregnant! | 0:17:34 | 0:17:36 | |
You're pregnant, but you're separated? | 0:17:36 | 0:17:38 | |
Yeah, I think what's happened here is... | 0:17:38 | 0:17:40 | |
If you're pregnant, I'm not sure you should be drinking, Bex. | 0:17:40 | 0:17:43 | |
I'd have to agree with that. | 0:17:43 | 0:17:44 | |
No, no. I'm not pregnant. | 0:17:44 | 0:17:45 | |
But you're trying for a baby, even though you're separated? | 0:17:45 | 0:17:49 | |
No. Who said anything about trying to get pregnant or adoption? | 0:17:49 | 0:17:52 | |
Raffle ticket, anyone? Er... | 0:17:55 | 0:17:57 | |
Sorry, can you excuse me a moment? | 0:17:57 | 0:17:59 | |
Bex, you know, obviously, people have wanted to know what's happening with us, | 0:18:04 | 0:18:08 | |
but I've not told anyone we're trying for a baby, you know... | 0:18:08 | 0:18:12 | |
Not a great start to the evening, Murray. | 0:18:12 | 0:18:13 | |
Look, Bex, I'm here to help, so... | 0:18:13 | 0:18:15 | |
Yeah, well, it would be helpful if I could just concentrate on the event. | 0:18:15 | 0:18:18 | |
Absolutely, yeah. | 0:18:18 | 0:18:19 | |
Those two get on so well together, | 0:18:25 | 0:18:26 | |
-don't they? -Hi, Tamzin. | 0:18:26 | 0:18:28 | |
Yeah, well, they've been spending a lot of time on the committee together, so... | 0:18:28 | 0:18:31 | |
Yeah. Yeah, you're right. | 0:18:31 | 0:18:32 | |
-A lot of evenings together. -What? | 0:18:35 | 0:18:36 | |
You're absolutely right. | 0:18:36 | 0:18:40 | |
Bex has left you, and I'm pretty sure Curtis is having an affair. | 0:18:40 | 0:18:44 | |
-I am going to have it out with them. -Tamzin, no. | 0:18:44 | 0:18:46 | |
Uh, Tamzin, not now. It's Bex's big night. | 0:18:46 | 0:18:49 | |
Have you met the other people on our table? | 0:18:49 | 0:18:51 | |
Come and meet Nereesha. She's great fun. Come here. | 0:18:51 | 0:18:54 | |
Bex, I just want you to know that if there's anything I can do | 0:18:59 | 0:19:01 | |
to help you and Murray get back together, just say. | 0:19:01 | 0:19:03 | |
Oh, thank you, Grant. Thanks. | 0:19:03 | 0:19:05 | |
But if you are going to split, I would like my wedding present back. | 0:19:05 | 0:19:07 | |
What? | 0:19:07 | 0:19:08 | |
Well, no disrespect, but it was a present for you as a couple. | 0:19:08 | 0:19:11 | |
Well, we don't know if we are splitting up for good. | 0:19:11 | 0:19:13 | |
Well, if you do, I want it back. | 0:19:13 | 0:19:15 | |
-Oh, it's a wonderful event, Murray. -Good. | 0:19:18 | 0:19:20 | |
Glad you're enjoying it, yes. | 0:19:20 | 0:19:22 | |
-What's happening afterwards? -After? | 0:19:22 | 0:19:24 | |
-After it's finished. -Oh, I-I think people will... | 0:19:24 | 0:19:26 | |
will probably just go home. | 0:19:26 | 0:19:28 | |
Oh. I've booked a room here tonight. | 0:19:28 | 0:19:30 | |
Have you? That's... That's good. Er, saves the walk home. | 0:19:30 | 0:19:34 | |
Yes. They've given me room 488, which is funny, | 0:19:34 | 0:19:36 | |
because 4's one of my favourite numbers, and 1988's one of my favourite years. | 0:19:36 | 0:19:39 | |
The year I was born, actually. So 488 is an ideal number for me. | 0:19:39 | 0:19:44 | |
-488. -LAUGHS | 0:19:44 | 0:19:46 | |
-Yeah. Yeah, it's... -Look, Grant... | 0:19:46 | 0:19:48 | |
-Whatever. You can have it back. -Excuse me. | 0:19:48 | 0:19:49 | |
Um... | 0:19:49 | 0:19:51 | |
Can I help? | 0:19:52 | 0:19:53 | |
Yes, Grant wants his wedding present back. | 0:19:53 | 0:19:56 | |
Toasted sandwich maker. I thought a toaster was too obvious. | 0:19:56 | 0:19:59 | |
I'll deal with this. Don't worry. | 0:19:59 | 0:20:02 | |
-Toasted sandwich maker. -Grant... | 0:20:02 | 0:20:04 | |
-What time's Jo getting here? -Oh, yeah. | 0:20:04 | 0:20:06 | |
-About that, the Joanna Lumley thing. -Yeah. | 0:20:06 | 0:20:08 | |
Yeah, you've got to stay away from her. | 0:20:08 | 0:20:09 | |
-What? -She doesn't want you anywhere near her. | 0:20:09 | 0:20:12 | |
-Yeah, right. -No, I mean it. | 0:20:12 | 0:20:14 | |
Her agent couldn't have been more clear. | 0:20:14 | 0:20:15 | |
She lays eyes on you, she's in her car and back to London. | 0:20:15 | 0:20:18 | |
What are you talking about? | 0:20:18 | 0:20:19 | |
We got on like a house on fire at that cycling club thing. | 0:20:19 | 0:20:21 | |
That's not how she saw it. Sorry. | 0:20:21 | 0:20:22 | |
Thank you. | 0:20:32 | 0:20:34 | |
GAVEL TAPS | 0:20:40 | 0:20:41 | |
So, I, er... I hope you all enjoyed your meals, er, everyone. | 0:20:43 | 0:20:48 | |
Apologies, er, to those who were offended by the comedian. | 0:20:48 | 0:20:52 | |
We'd just like to say that the views expressed by him | 0:20:52 | 0:20:55 | |
were not those of the CT scanner appeal. | 0:20:55 | 0:20:59 | |
OK, er, coming up next, the raffle! | 0:21:02 | 0:21:06 | |
CHEERING | 0:21:06 | 0:21:08 | |
Thank you. | 0:21:08 | 0:21:10 | |
Everyone seems to be enjoying themselves except us, Murray. | 0:21:10 | 0:21:14 | |
No, no, I'm fine. I'm fine. | 0:21:14 | 0:21:17 | |
Murray, will you be honest with me? Do you find me a drag to be around? | 0:21:17 | 0:21:21 | |
Well, I wouldn't use those exact words. | 0:21:21 | 0:21:23 | |
Steve said I'm a drag. That's why he's not here. | 0:21:23 | 0:21:26 | |
-We had a bit of a ding-dong. -Right. | 0:21:26 | 0:21:29 | |
Things got heated. He said he couldn't bear being in my company. | 0:21:29 | 0:21:32 | |
BEX LAUGHS | 0:21:32 | 0:21:33 | |
-CURTIS: -OK, moving on... | 0:21:33 | 0:21:35 | |
-Murray? -A drag? | 0:21:35 | 0:21:37 | |
I think that's...that's going a bit far. | 0:21:37 | 0:21:39 | |
It's just, I do find sometimes, when I'm talking, | 0:21:39 | 0:21:42 | |
people come up with all manner of excuses to get away. | 0:21:42 | 0:21:45 | |
Sorry, Nereesha. I did promise I'd help pack up the tombola. Sorry. | 0:21:45 | 0:21:47 | |
-CHEERING JULIAN: -Oh, yeah, I'd love to. | 0:21:47 | 0:21:50 | |
And thank you so much, Julian. You know, you've been so helpful. | 0:21:50 | 0:21:53 | |
Oh, it's such a good cause. | 0:21:53 | 0:21:54 | |
-And you've worked so hard. -Yeah, she has. | 0:21:54 | 0:21:56 | |
SCOTTISH ACCENT: She's a bonnie wee worker. | 0:21:56 | 0:21:58 | |
What's with the Scottish thing? | 0:21:58 | 0:22:00 | |
I don't know. Don't know. | 0:22:00 | 0:22:02 | |
-You remember Murray. -Yes, your ex-husband. | 0:22:02 | 0:22:04 | |
-Still-husband. -I didn't mean to cause any offence. | 0:22:04 | 0:22:07 | |
-No, no. None taken. -CHUCKLES | 0:22:07 | 0:22:09 | |
Anyway, um, Bex, if you do fancy a night down the Admiral club, | 0:22:09 | 0:22:12 | |
there's plenty of fat wallets down there. | 0:22:12 | 0:22:13 | |
-Great, I'd really love that. -PHONE BUZZES | 0:22:13 | 0:22:14 | |
Sorry, better get that. Joanna Lumley. Her agent. Uh, for me. | 0:22:14 | 0:22:18 | |
-Sorry. One sec. CURTIS: -And our next number is... | 0:22:18 | 0:22:21 | |
-..373! -YELPING | 0:22:22 | 0:22:25 | |
Oh, we have a winner! | 0:22:25 | 0:22:27 | |
-Keeley Wilkie! -CHEERING | 0:22:27 | 0:22:28 | |
Ha-ha-ha! Well done. | 0:22:28 | 0:22:30 | |
The prize is... | 0:22:30 | 0:22:31 | |
a lovely cake, er, freshly baked and donated by, er... | 0:22:31 | 0:22:36 | |
Keeley Wilkie. | 0:22:36 | 0:22:37 | |
-CHEERING DIES -Well done, Keeley. | 0:22:37 | 0:22:39 | |
I-I don't understand. I mean, I spoke to you this morning. | 0:22:41 | 0:22:44 | |
What? | 0:22:44 | 0:22:46 | |
No, no. You don't understand. | 0:22:46 | 0:22:48 | |
The whole event has been built around her. | 0:22:48 | 0:22:50 | |
So, ladies and gentlemen, the auction is about to start, | 0:22:50 | 0:22:56 | |
so please get ready to spend, spend, spend. | 0:22:56 | 0:23:00 | |
CHEERING | 0:23:00 | 0:23:02 | |
Fantastic. | 0:23:02 | 0:23:04 | |
Thank you for... | 0:23:04 | 0:23:06 | |
Bex... | 0:23:06 | 0:23:08 | |
Can you sit down? I'd like you to sit down. | 0:23:08 | 0:23:11 | |
-CURTIS: -Do I hear £20? | 0:23:11 | 0:23:12 | |
-What's happening? -Joanna Lumley's not coming. | 0:23:12 | 0:23:15 | |
No. | 0:23:16 | 0:23:18 | |
-Can you sit down? -Please stop telling me to sit down. | 0:23:18 | 0:23:21 | |
-What's happened? -I don't know. Her agent wouldn't say. | 0:23:21 | 0:23:23 | |
-OK... -CURTIS: -So our first item is... | 0:23:23 | 0:23:26 | |
So, she's not coming, and she's not going to do the dinner date? | 0:23:26 | 0:23:30 | |
-No. -It was supposed to be the big finale. | 0:23:30 | 0:23:33 | |
We would have got £500 for Joanna Lumley. | 0:23:33 | 0:23:36 | |
-I know, I'm sorry. -It's no good being sorry. | 0:23:36 | 0:23:37 | |
What are we going to do? | 0:23:37 | 0:23:39 | |
Well, maybe someone else could be the date. How about you, Abby? | 0:23:39 | 0:23:41 | |
Me? Don't be ridiculous. | 0:23:41 | 0:23:43 | |
The people out there will be expecting Joanna Lumley. | 0:23:43 | 0:23:45 | |
You're just as attractive as Joanna Lumley. | 0:23:45 | 0:23:48 | |
Yes, but I'm not Joanna Lumley, am I? I wouldn't get £20. It's just absurd. | 0:23:48 | 0:23:52 | |
Well, someone'll give you more than £20, surely. | 0:23:52 | 0:23:54 | |
Are you trying to be rude? | 0:23:54 | 0:23:56 | |
No, no, no. I'm just saying. You know, I'll give you £20 now. | 0:23:56 | 0:23:59 | |
Murray... Murray, can you just go? | 0:23:59 | 0:24:01 | |
No, no, look... | 0:24:01 | 0:24:03 | |
Oh, my God, I don't believe it! | 0:24:03 | 0:24:05 | |
The memory stick! | 0:24:05 | 0:24:07 | |
The one that was missing. It's got all the Pentratech data on it. | 0:24:07 | 0:24:10 | |
Oh! | 0:24:10 | 0:24:12 | |
What a relief! | 0:24:12 | 0:24:14 | |
Obviously, it's not quite as important for you. Um... | 0:24:16 | 0:24:19 | |
Hey, I get that. | 0:24:19 | 0:24:22 | |
I'll go. | 0:24:22 | 0:24:23 | |
Thanks a lot, Murray. I've just spoken to Joanna Lumley's agent. | 0:24:29 | 0:24:31 | |
Told him I was looking forward to renewing our acquaintance tonight, | 0:24:31 | 0:24:35 | |
and he hung up on me. What did you tell him? | 0:24:35 | 0:24:36 | |
Whoa, whoa, whoa, whoa. | 0:24:36 | 0:24:37 | |
-When did you speak to him? -Just now. | 0:24:37 | 0:24:39 | |
And you told him you were going to be here? | 0:24:39 | 0:24:41 | |
-Yeah. -Grant! What have you done!? | 0:24:41 | 0:24:42 | |
-She's not coming! -CREAKING | 0:24:42 | 0:24:45 | |
HARPIST MOANS | 0:24:45 | 0:24:47 | |
-God, I'm so sorry. -What have you done? | 0:24:47 | 0:24:49 | |
-You OK? Here... -I'm fine. I'm fine. | 0:24:49 | 0:24:51 | |
-Here, come on. You all right? -I'm fine. | 0:24:51 | 0:24:53 | |
-Leave me alone. -OK. | 0:24:53 | 0:24:55 | |
No! | 0:24:55 | 0:24:57 | |
STRINGS TWANG | 0:24:57 | 0:25:00 | |
STRINGS TWANG, DULL ECHO Sorry. | 0:25:05 | 0:25:08 | |
GAVEL TAPS | 0:25:08 | 0:25:10 | |
As you were. | 0:25:12 | 0:25:14 | |
GAVEL TAPS OK. | 0:25:14 | 0:25:16 | |
-Murray, over here! -Ladies and gentlemen, | 0:25:16 | 0:25:18 | |
-the moment you've all been waiting for. -Psst. | 0:25:18 | 0:25:21 | |
-Everything all right? -Yeah, yeah. Yes. | 0:25:25 | 0:25:28 | |
Ladies and gentlemen, it is with great disappointment | 0:25:31 | 0:25:34 | |
that I have to reveal that our guest of honour, Joanna Lumley, | 0:25:34 | 0:25:38 | |
will not be joining us tonight. | 0:25:38 | 0:25:40 | |
-MURMURING -However, we feel | 0:25:40 | 0:25:42 | |
that we have an equally attractive option. | 0:25:42 | 0:25:46 | |
So because she's such a trooper stepping in at the last minute, | 0:25:46 | 0:25:49 | |
our next auction item will be a dinner date with our committee chair, Bex Wilkie. | 0:25:49 | 0:25:55 | |
-Thank you, Bex! -TEPID APPLAUSE | 0:25:58 | 0:26:00 | |
So, who's going to start the bidding for Bex? | 0:26:00 | 0:26:03 | |
MURMURING | 0:26:03 | 0:26:05 | |
£30? | 0:26:11 | 0:26:12 | |
£30. Thank you, sir. Any advance on 30? | 0:26:12 | 0:26:16 | |
£40! | 0:26:20 | 0:26:21 | |
40 here. Thank you again, sir. £40 is currently bid. | 0:26:21 | 0:26:26 | |
-JULIAN: -50. -CURTIS: -Thank you, sir. £50. | 0:26:26 | 0:26:28 | |
Er... £60! | 0:26:29 | 0:26:31 | |
-60 here. -70. | 0:26:31 | 0:26:32 | |
-80. -100. | 0:26:34 | 0:26:35 | |
-CURTIS: -£100! | 0:26:35 | 0:26:37 | |
-Oh, ho! the bidding's hotting up now. -PHONE RINGS | 0:26:37 | 0:26:40 | |
-£110. -Well, it looks like our winning bid... | 0:26:42 | 0:26:45 | |
-120. -Abby! | 0:26:45 | 0:26:47 | |
I am not having him seduce you over dinner. | 0:26:47 | 0:26:49 | |
-130. -140. | 0:26:49 | 0:26:51 | |
150. | 0:26:51 | 0:26:52 | |
160. We'll have to go halves. | 0:26:52 | 0:26:54 | |
170. | 0:26:54 | 0:26:55 | |
Abby, please. Really, it's embarrassing. | 0:26:55 | 0:26:58 | |
So, it's currently at 170. | 0:26:58 | 0:27:00 | |
I can't believe there's not a gentleman who won't improve on that | 0:27:00 | 0:27:02 | |
for a night out with the charming Bex Wilkie. | 0:27:02 | 0:27:05 | |
-How do you know how charming she is? -What? | 0:27:05 | 0:27:08 | |
I'm watching you, Curtis. | 0:27:08 | 0:27:09 | |
We're at 170. | 0:27:10 | 0:27:11 | |
180. | 0:27:11 | 0:27:13 | |
190. | 0:27:13 | 0:27:14 | |
-Don't worry, son. -It's for you. 200. | 0:27:14 | 0:27:17 | |
-210. -No, Don, it's fine, really. | 0:27:17 | 0:27:19 | |
220. | 0:27:19 | 0:27:20 | |
So, it's currently at 220 with Bex's husband. | 0:27:20 | 0:27:25 | |
Anyone want to save Murray from the most expensive dinner | 0:27:25 | 0:27:28 | |
-a man will ever have with his wife? -LAUGHTER | 0:27:28 | 0:27:30 | |
230! | 0:27:30 | 0:27:32 | |
Emma! | 0:27:32 | 0:27:33 | |
240. | 0:27:33 | 0:27:34 | |
Emma, please. 250. | 0:27:34 | 0:27:36 | |
-260. -Emma! | 0:27:36 | 0:27:37 | |
270. | 0:27:37 | 0:27:38 | |
-£3,000. -GASPS | 0:27:38 | 0:27:40 | |
-CURTIS: -Right. | 0:27:40 | 0:27:41 | |
Er, £3,000. | 0:27:42 | 0:27:45 | |
That's put the cat amongst the pigeons. | 0:27:45 | 0:27:47 | |
£3,000 going once. | 0:27:47 | 0:27:51 | |
Twice. | 0:27:51 | 0:27:52 | |
-Gone! Raising £3,000. -CHEERING | 0:27:52 | 0:27:56 | |
Come and join us on stage. | 0:27:56 | 0:27:58 | |
Never mind, son. You did your best. | 0:28:00 | 0:28:03 | |
-I'm having dinner...with Murray. -What?! | 0:28:31 | 0:28:33 | |
I am trying to re-propose to my wife. | 0:28:33 | 0:28:36 | |
Maybe I could come round and have a bath at your place. | 0:28:36 | 0:28:39 | |
Murray, help! Ow! | 0:28:39 | 0:28:41 |