Browse content similar to The Brothel. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:02 | 0:00:07 | |
This programme contains some scenes of a sexual nature | 0:00:07 | 0:00:13 | |
I'm glad you're dealing again, Moz. | 0:00:28 | 0:00:31 | |
The original and the best is back. | 0:00:31 | 0:00:33 | |
And I intend to surf the recession on a never-ending wave of weed. | 0:00:33 | 0:00:39 | |
And nobody is going to stop me. | 0:00:39 | 0:00:40 | |
Thank you, Nicki. | 0:00:40 | 0:00:42 | |
That is the most powerful smoke around. | 0:00:42 | 0:00:46 | |
And pretty soon, it'll be the only smoke around. | 0:00:46 | 0:00:50 | |
BUZZING | 0:00:50 | 0:00:51 | |
So how's your plans for world domination shaping up? | 0:01:19 | 0:01:22 | |
Jason's nearly massive, aren't you? | 0:01:22 | 0:01:25 | |
Yeah. I mean, y'know, when I say massive I don't mean totally massive. | 0:01:25 | 0:01:30 | |
I mean, y'know...modestly massive. | 0:01:30 | 0:01:33 | |
Only the English would dream of being humble about their massiveness. | 0:01:33 | 0:01:36 | |
I still think of myself as an everyman, though. | 0:01:36 | 0:01:39 | |
In that outfit? You're not even every other man. | 0:01:39 | 0:01:41 | |
Keeping in touch with me roots. | 0:01:41 | 0:01:44 | |
Get 'em done once a week, don't we? | 0:01:44 | 0:01:45 | |
We do. | 0:01:45 | 0:01:47 | |
I've got afghani or old-school white widow. | 0:01:47 | 0:01:51 | |
-You want a quarter of white widow, don't you? -Yeah. | 0:01:51 | 0:01:55 | |
A quarter of white widow, please. | 0:01:55 | 0:01:57 | |
Tell him that'll be 60 notes, ta. | 0:01:57 | 0:01:59 | |
Whoa! Nicki's doing it for 55. | 0:01:59 | 0:02:01 | |
-Is she? -He's right. She is. | 0:02:01 | 0:02:04 | |
Right. Well, this'll be... | 0:02:04 | 0:02:07 | |
£54.25, please. | 0:02:07 | 0:02:10 | |
That's a very competitive price. Do you need a manager? | 0:02:10 | 0:02:14 | |
-No. -You thinking about retiring? | 0:02:14 | 0:02:16 | |
No. I'll be dealing when I'm 50. | 0:02:16 | 0:02:19 | |
Might even still be dealing on my 100th birthday. | 0:02:19 | 0:02:22 | |
£195, please. | 0:02:22 | 0:02:25 | |
Unless you'd prefer the expensive one? | 0:02:25 | 0:02:28 | |
Think I'll skin one up now. | 0:02:28 | 0:02:32 | |
So you managed to sort out your funeral arrangements? | 0:02:32 | 0:02:35 | |
Yeah. | 0:02:35 | 0:02:36 | |
I'm on for a cremation. | 0:02:38 | 0:02:40 | |
Nicki's doing special offers. | 0:02:40 | 0:02:44 | |
So? I'm not going to be undercut | 0:02:44 | 0:02:46 | |
-by Torchwood next door. This is total war. -Cool. | 0:02:46 | 0:02:51 | |
I'm introducing loyalty cards. | 0:02:51 | 0:02:53 | |
A free 32nd with every 100th eighth. | 0:02:53 | 0:02:56 | |
I might have added that up wrong. | 0:02:59 | 0:03:02 | |
You do SO need a manager. | 0:03:02 | 0:03:04 | |
Back off, Deborah Meaden! | 0:03:04 | 0:03:07 | |
SHE MOANS | 0:03:14 | 0:03:15 | |
I'm Jake. | 0:03:24 | 0:03:27 | |
Nice to see you. | 0:03:40 | 0:03:41 | |
-And you. Bye. -Bye. | 0:03:41 | 0:03:44 | |
Somebody obviously likes you. | 0:03:55 | 0:03:57 | |
-Third visit this week? -Fourth. | 0:03:57 | 0:03:59 | |
Jake is sweet. | 0:03:59 | 0:04:01 | |
But he doesn't really know his way around the bedroom. | 0:04:01 | 0:04:03 | |
No imagination, no forward planning. | 0:04:03 | 0:04:06 | |
Hmm, in sex, forward planning is everything. | 0:04:06 | 0:04:09 | |
He who travels without Vaseline is crusin' for a bruisin'. | 0:04:09 | 0:04:12 | |
Don't forget to text me as soon as you're massive. | 0:04:18 | 0:04:22 | |
We're looking at months, not years. | 0:04:22 | 0:04:24 | |
All right? | 0:04:29 | 0:04:31 | |
-What you up to? -Doing a duet with Lily Allen, doing three gigs in Madrid. | 0:04:31 | 0:04:36 | |
You? | 0:04:36 | 0:04:38 | |
-Night shift at Londis. -That's nowt to be ashamed of. | 0:04:38 | 0:04:42 | |
Whereas doing a song with Lily Allen is borderline. | 0:04:42 | 0:04:46 | |
-This is Tania, me manager. -We spoke on the phone. | 0:04:46 | 0:04:49 | |
I threatened to sue you. | 0:04:49 | 0:04:52 | |
Oh, yeah. | 0:04:52 | 0:04:53 | |
How did that work out? | 0:04:53 | 0:04:55 | |
You agreed to my terms. | 0:04:55 | 0:04:59 | |
That's right. How are you, Moz? | 0:04:59 | 0:05:01 | |
Me? I'm smashin', ta, Lee. | 0:05:01 | 0:05:03 | |
-Good. -I'll drop a copy of the album round. | 0:05:03 | 0:05:07 | |
Should I pop one into Londis, too? | 0:05:07 | 0:05:11 | |
Yeah, that'd be great. Thanks. | 0:05:11 | 0:05:13 | |
See you, Moz. | 0:05:13 | 0:05:16 | |
See you, Lee. | 0:05:16 | 0:05:18 | |
Can you see what a knobhead you used to be now? | 0:05:22 | 0:05:26 | |
I'll take an eighth of the black. | 0:05:33 | 0:05:36 | |
30, ta. | 0:05:37 | 0:05:40 | |
Nicki's doing it for 28. | 0:05:40 | 0:05:42 | |
Give us 27 then. | 0:05:42 | 0:05:44 | |
Thank you. | 0:05:46 | 0:05:48 | |
It's really weird, seeing Jason like that. | 0:05:50 | 0:05:52 | |
Not seen him since Silicon Valets split up. | 0:05:52 | 0:05:55 | |
How come he got custody of the career? | 0:05:55 | 0:05:59 | |
Shouldn't you be the one cowering on the cover of Chat magazine? | 0:05:59 | 0:06:03 | |
His manager's a very shrewd businesswoman. | 0:06:03 | 0:06:06 | |
I got to keep the Silicone Valets name and... | 0:06:06 | 0:06:09 | |
he got everything else. | 0:06:09 | 0:06:11 | |
Listen, Lee, | 0:06:15 | 0:06:17 | |
Jason might have an album in the charts. | 0:06:17 | 0:06:20 | |
He might have fame and fortune | 0:06:20 | 0:06:22 | |
and be travelling the world with a glamorous girlfriend. | 0:06:22 | 0:06:27 | |
But you've got to ask yourself... | 0:06:27 | 0:06:30 | |
is he happier than you? | 0:06:30 | 0:06:32 | |
-He seemed happier. -Yeah. He did, didn't he? -I think he is happier. | 0:06:35 | 0:06:38 | |
Yeah. I'm not surprised. With all the fame and fortune and that. | 0:06:38 | 0:06:43 | |
Bound to make you happier, really. | 0:06:43 | 0:06:45 | |
I don't care. | 0:06:45 | 0:06:47 | |
I'm going to be a big star again one day. | 0:06:47 | 0:06:50 | |
-That's what me line manager says. -And if he doesn't know, who does? | 0:06:50 | 0:06:54 | |
-I'm still writing songs. -Good. | 0:06:54 | 0:06:57 | |
I suppose. | 0:06:57 | 0:06:59 | |
That's the great thing about shelf-stacking - | 0:06:59 | 0:07:01 | |
gives you plenty of head space to think about other stuff. So I wrote a song. | 0:07:01 | 0:07:05 | |
What's it called? | 0:07:05 | 0:07:07 | |
Shelf Stackin'. | 0:07:07 | 0:07:09 | |
It's about stacking shelves. | 0:07:09 | 0:07:11 | |
Interesting. | 0:07:11 | 0:07:13 | |
No, wait, what's the opposite? | 0:07:13 | 0:07:15 | |
Not interesting. | 0:07:15 | 0:07:17 | |
# I stack and I stack | 0:07:17 | 0:07:18 | |
# And I stack and I stack | 0:07:18 | 0:07:20 | |
# From shelf one to shelf two | 0:07:20 | 0:07:23 | |
# To shelf 50 and ba-a-a-ack | 0:07:23 | 0:07:28 | |
# I stack and I stack | 0:07:28 | 0:07:29 | |
# And he stacks and he stacks... # | 0:07:29 | 0:07:31 | |
It's the backing singers. | 0:07:31 | 0:07:32 | |
We do a call-and-response thing. | 0:07:32 | 0:07:35 | |
-You've not heard the bit with the harpsichord. -Don't need to! | 0:07:35 | 0:07:38 | |
Is it safe to come over? | 0:07:44 | 0:07:47 | |
OK. I'll see you in about 20 minutes. | 0:07:47 | 0:07:50 | |
I'll come through the back way. | 0:07:50 | 0:07:52 | |
Duh. Because I don't want anybody to know we're seeing each other. | 0:07:52 | 0:07:56 | |
OK. I'll see you soon. | 0:07:56 | 0:07:59 | |
-Ah, the Osbournes. -Hi, Moz. Sorry. -Cartoon Head, Judith. | 0:08:30 | 0:08:35 | |
MOBILE BEEPS | 0:08:35 | 0:08:36 | |
Do you have to go right now? | 0:08:40 | 0:08:42 | |
I'll see you at tea time. | 0:08:42 | 0:08:44 | |
How about honey-roast squid? | 0:08:44 | 0:08:47 | |
Bye, then. Enjoy your tentacles. | 0:08:47 | 0:08:49 | |
So, looks like me and me ex are goin' head-to-head in the marketplace. | 0:09:21 | 0:09:26 | |
Cartoon Head says Nicki's very business-minded. | 0:09:26 | 0:09:29 | |
The gang's never been more organised. | 0:09:29 | 0:09:31 | |
I keep expecting Psycho Paul and CH to turn up with laminated name tags. | 0:09:31 | 0:09:36 | |
Cartoon Head's frightened about something. He keeps talking in his sleep. | 0:09:36 | 0:09:40 | |
He's probably frightened of the Red Mist. | 0:09:40 | 0:09:42 | |
The Red Mist? That's a myth. | 0:09:44 | 0:09:47 | |
Carrot and cranberry breath-freshener that makes your tongue fall out? Of course it's a myth. | 0:09:48 | 0:09:54 | |
They're a deadly gang of gingers. | 0:09:54 | 0:09:55 | |
If you ask me, he does well to be frightened. | 0:09:55 | 0:09:59 | |
There were a big gang over Wythenshawe. | 0:09:59 | 0:10:02 | |
Called themselves The Kingsized Microbes. | 0:10:02 | 0:10:04 | |
In the last week, all five of 'em 'have died under Red Mist-erious circumstances. | 0:10:04 | 0:10:10 | |
One fell and broke his neck in the shower, | 0:10:10 | 0:10:13 | |
one drowned in the canal, | 0:10:13 | 0:10:16 | |
one died of a gas leak at his house, one was killed in a hit-and-run. | 0:10:16 | 0:10:21 | |
And one was found with his head cut off and 32 Kit Kats stuffed in his neck stump. | 0:10:21 | 0:10:28 | |
And we're talking about the Chunky Kit Kats. | 0:10:28 | 0:10:31 | |
Is that a Red Mist trademark? | 0:10:31 | 0:10:34 | |
The Kit Kat thing? | 0:10:34 | 0:10:35 | |
I don't know. | 0:10:35 | 0:10:37 | |
Might be. | 0:10:37 | 0:10:39 | |
But combine it with the four other deaths and to me it says Red Mist. | 0:10:39 | 0:10:46 | |
If was just a solo decapitation and Kit-Katting | 0:10:46 | 0:10:49 | |
it wouldn't be particularly suspicious, but, y'know... | 0:10:49 | 0:10:54 | |
What a world to bring a child into. | 0:10:54 | 0:10:56 | |
How is young master Plastic Face? | 0:10:58 | 0:11:01 | |
Breast feeding's been difficult. And he doesn't seem to need any sleep. | 0:11:01 | 0:11:05 | |
Sometimes it feels like he's in charge. | 0:11:05 | 0:11:07 | |
Whaaa. | 0:11:07 | 0:11:09 | |
Sorry. | 0:11:09 | 0:11:12 | |
MUFFLED MOANS | 0:11:28 | 0:11:31 | |
Do you want another coffee? | 0:11:39 | 0:11:41 | |
Oh, yes, thank you. Sorry. | 0:11:41 | 0:11:43 | |
I apologise about the noise. | 0:11:43 | 0:11:45 | |
I think we might have an infestation of sex mice. | 0:11:45 | 0:11:49 | |
It can be quite romantic. | 0:11:49 | 0:11:53 | |
Last night all three of us came at the same time. | 0:11:53 | 0:11:56 | |
-Is it, erm... Is it Nicki? -I wouldn't say so. | 0:11:56 | 0:12:00 | |
No, from memory, Nicki sounds more like a pigeon that's slightly out of breath. | 0:12:00 | 0:12:06 | |
-I'd guess it's Nicki's sister, Jess. -Oh. Right. | 0:12:07 | 0:12:13 | |
She's just moved to Manchester. | 0:12:13 | 0:12:16 | |
Sounds like she's happy here. | 0:12:16 | 0:12:19 | |
I used to be happy. | 0:12:19 | 0:12:20 | |
Cartoon Head used to make me very happy. | 0:12:20 | 0:12:24 | |
-THAT happy? -Yeah! Sorry. | 0:12:24 | 0:12:26 | |
Is everything not so good, then? | 0:12:28 | 0:12:30 | |
I don't know who she is, | 0:12:30 | 0:12:32 | |
but he's been having another affair. | 0:12:32 | 0:12:34 | |
How can you be sure? | 0:12:34 | 0:12:36 | |
He told me he was. | 0:12:36 | 0:12:37 | |
Then he gave me a schedule showing me the nights he was going to be sleeping with her. | 0:12:37 | 0:12:42 | |
Right. It's probably... | 0:12:42 | 0:12:44 | |
I mean, you're probably... I mean... | 0:12:44 | 0:12:47 | |
I'm trying to put a positive spin on that. | 0:12:49 | 0:12:51 | |
-But...y'know. -I know. | 0:12:51 | 0:12:53 | |
I'll get them coffees. | 0:12:55 | 0:12:57 | |
Thanks. | 0:12:57 | 0:12:58 | |
PLASTIC FACE GURGLES | 0:13:02 | 0:13:03 | |
What? | 0:13:03 | 0:13:05 | |
What? Do you mean... | 0:13:07 | 0:13:10 | |
No. No, no, Plastic Face, I won't. | 0:13:14 | 0:13:18 | |
Please... | 0:13:29 | 0:13:31 | |
Here you go. | 0:13:35 | 0:13:37 | |
-You don't take sugar, do you? -No, thank you. | 0:13:37 | 0:13:40 | |
What am I doing leaving scissors out when there's a baby present? | 0:13:40 | 0:13:44 | |
MUFFLED SCREAMS/SPRINGS SQUEAKING | 0:13:46 | 0:13:49 | |
SILENCE | 0:13:49 | 0:13:53 | |
MUFFLED MOANS/SQUEAKING | 0:13:54 | 0:13:58 | |
I've never met anybody like you before. You really know what a woman needs, don't you? | 0:14:03 | 0:14:08 | |
What about your girlfriend? Do you know what she needs? | 0:14:10 | 0:14:13 | |
Oh, well. I don't suppose she'll be around forever. | 0:14:16 | 0:14:19 | |
-We've come outside! -And we can talk! | 0:14:25 | 0:14:28 | |
# Inside my face You can't see me blinking | 0:14:28 | 0:14:32 | |
# Inside my face Inside my face | 0:14:32 | 0:14:36 | |
# Inside my face I do all of my thinking | 0:14:36 | 0:14:40 | |
# Inside my face Inside my, inside my face... # | 0:14:40 | 0:14:46 | |
'We've Come Outside And We Can Talk - The debut album from The Cosmonauts Three. | 0:14:46 | 0:14:50 | |
-KNOCK ON DOOR -'Includes the single Inside My F...' | 0:14:50 | 0:14:52 | |
-Hi, hi. -I'm looking for Carmel. -You've come to the right place. | 0:14:54 | 0:14:59 | |
It's 50 quid for half an hour, 100 for an hour. | 0:15:06 | 0:15:10 | |
You can negotiate if it's, er... | 0:15:10 | 0:15:13 | |
-longer. -Just let me see her. | 0:15:13 | 0:15:15 | |
Certainly. Carmel? | 0:15:15 | 0:15:18 | |
-Enrique. -Si. | 0:15:22 | 0:15:24 | |
It's OK, Brian, you can go out for five minutes. | 0:15:26 | 0:15:29 | |
As you wish, senorita. | 0:15:29 | 0:15:31 | |
Have a jolly finish. | 0:15:34 | 0:15:36 | |
I heard you were back in business. | 0:15:40 | 0:15:42 | |
-Business is good. -Is he your manager? | 0:15:42 | 0:15:44 | |
Or your fairy godmother? | 0:15:44 | 0:15:47 | |
He's a friend. I can manage myself. | 0:15:47 | 0:15:50 | |
Is that a fact? | 0:15:52 | 0:15:53 | |
What say, you let me take care of your business. Huh? | 0:15:58 | 0:16:03 | |
You and me? We were a great team. | 0:16:03 | 0:16:06 | |
-In seriously? -Sure. | 0:16:06 | 0:16:09 | |
It could be like the good old days. | 0:16:09 | 0:16:11 | |
The old days were not good. | 0:16:15 | 0:16:18 | |
They were shit. | 0:16:18 | 0:16:20 | |
The new days, without you, have been good. | 0:16:20 | 0:16:24 | |
HE COUGHS | 0:16:35 | 0:16:38 | |
So, you over Carmel yet? | 0:16:42 | 0:16:44 | |
No. I've no intention of getting over her. | 0:16:44 | 0:16:47 | |
Anyway, there's no need for me to get over her, cos we'll be back together soon. | 0:16:47 | 0:16:51 | |
-You've been saying that for months. Where's yer evidence? -I can see it in her eye. | 0:16:51 | 0:16:56 | |
-When she's telling you to fuck off? -We're destined to be together forever. | 0:16:56 | 0:17:00 | |
Like... | 0:17:00 | 0:17:02 | |
-Jordan and Peter Andre. -They're not together! | 0:17:02 | 0:17:06 | |
So why do they keep renewing their marriage vows, then? | 0:17:06 | 0:17:09 | |
Col, you've got to move on. | 0:17:09 | 0:17:10 | |
I've moved on. I've moved forward. | 0:17:10 | 0:17:13 | |
What? So you've moved forward by going back to being a dealer? | 0:17:13 | 0:17:16 | |
-Yeah. -I get it. Life is a ring. | 0:17:18 | 0:17:22 | |
You're a ring. | 0:17:22 | 0:17:24 | |
I just wish I didn't know that she was across your landing having sex with a parade of strangers. | 0:17:24 | 0:17:30 | |
You do tend to get that with a prostitute. | 0:17:30 | 0:17:33 | |
I just... | 0:17:33 | 0:17:35 | |
I just feel like I really need to... | 0:17:35 | 0:17:38 | |
protect her. | 0:17:38 | 0:17:39 | |
Didn't I take good care of you? | 0:17:39 | 0:17:42 | |
No. You didn't. | 0:17:43 | 0:17:46 | |
You stole money from me, you crashed my car | 0:17:46 | 0:17:50 | |
and you tried to drown me in a foot spa. | 0:17:50 | 0:17:54 | |
So goodbye. | 0:17:54 | 0:17:56 | |
Carmel, you'll regret this. | 0:17:59 | 0:18:01 | |
I don't think so. | 0:18:01 | 0:18:03 | |
Now, please go. | 0:18:03 | 0:18:05 | |
A Place In The Sun is about to commence. | 0:18:05 | 0:18:08 | |
You are going to die the worst possible gay death. | 0:19:18 | 0:19:21 | |
This is going to be a walk in the park. | 0:19:21 | 0:19:25 | |
Oh! Ain't he scary? | 0:19:30 | 0:19:32 | |
Bastardo! | 0:19:32 | 0:19:35 | |
-We've killed a man. I remember reading that's bad luck. -He's not dead. | 0:19:35 | 0:19:39 | |
Quick, we've got to tie him up! | 0:19:39 | 0:19:41 | |
Puta! | 0:19:55 | 0:19:56 | |
-Eat her shorts. Normally we'd charge for that. -We have to get rid of him. | 0:20:00 | 0:20:06 | |
-Don't worry. We will. -We can't have a man bound and gagged in here. | 0:20:06 | 0:20:10 | |
It will upset the customers. | 0:20:10 | 0:20:12 | |
Well, not all of them. But some of them. | 0:20:12 | 0:20:13 | |
BREATHLESSLY: Hi, hi. It's Brian. | 0:20:15 | 0:20:18 | |
No, I've not been wanking. | 0:20:18 | 0:20:20 | |
Listen, you've got to come round. | 0:20:20 | 0:20:22 | |
-I've got some very nice skunk at the moment. -No, ta, Moz, I'm sorted. | 0:20:22 | 0:20:26 | |
What do you mean, you're sorted? | 0:20:26 | 0:20:28 | |
I got an eighth of weed off Nicki. | 0:20:28 | 0:20:30 | |
What? | 0:20:30 | 0:20:32 | |
Why didn't you buy off me? | 0:20:32 | 0:20:33 | |
I'll buy off you next time. | 0:20:33 | 0:20:36 | |
-I'm your mate. -You're both me mates. | 0:20:36 | 0:20:38 | |
I'll buy off you next time. | 0:20:38 | 0:20:41 | |
But surely the man/man mate link is stronger than the man/woman mate link. | 0:20:41 | 0:20:46 | |
I will buy off you next time. | 0:20:46 | 0:20:49 | |
You're not going to make me feel guilty. | 0:20:56 | 0:20:58 | |
KNOCK ON DOOR | 0:20:58 | 0:20:59 | |
Do you want to get that? Or should I buttle? | 0:21:01 | 0:21:05 | |
You buttle. I think you owe me that much at least. | 0:21:05 | 0:21:09 | |
Unbelievable behaviour. | 0:21:13 | 0:21:15 | |
I'll buy off you next time! | 0:21:15 | 0:21:17 | |
A'right, feller. How's it going? | 0:21:18 | 0:21:20 | |
-I think I'm about to be thrown into the sarlacc pit. -Eh? | 0:21:20 | 0:21:23 | |
I've just made Jabba angry. "Ooh, ooh, ooh, ohh." | 0:21:23 | 0:21:26 | |
Ah. | 0:21:26 | 0:21:27 | |
The Red Mist is closing in. | 0:21:41 | 0:21:44 | |
What do you mean? | 0:21:44 | 0:21:46 | |
They're taking over the whole city, Nicki. | 0:21:46 | 0:21:49 | |
Absorbing everything. | 0:21:49 | 0:21:52 | |
All the big dealing set-ups, all the protection rackets, the NCP on Chorlton Street. | 0:21:52 | 0:21:58 | |
Everythi-i-i-ing. | 0:21:58 | 0:22:00 | |
Most of the big gangland bosses have been killed to death. | 0:22:00 | 0:22:04 | |
-It'll be you next. -But... | 0:22:04 | 0:22:07 | |
But I'm...a girl. | 0:22:07 | 0:22:10 | |
Cartoon Head has been banging on about how you've made yourself very visible, | 0:22:10 | 0:22:13 | |
having all these people working for you. | 0:22:13 | 0:22:15 | |
But I've only been dealing for eight months. | 0:22:15 | 0:22:18 | |
Moz has been at it so long he's eligible for a carriage clock! | 0:22:18 | 0:22:21 | |
But he's just a one-man operation. | 0:22:21 | 0:22:24 | |
Yeah, Morris probably doesn't show up on their radar. | 0:22:24 | 0:22:28 | |
They've got a radar? | 0:22:28 | 0:22:31 | |
Wow. | 0:22:31 | 0:22:33 | |
-They are so cool. -But what if we put Moz on their radar? | 0:22:33 | 0:22:39 | |
What if the Red Mist thought that Moz was the boss of our whole operation | 0:22:39 | 0:22:44 | |
and we were just minions? | 0:22:44 | 0:22:47 | |
-Then they'd take him out and leave us alone. -Exactly. | 0:22:47 | 0:22:53 | |
-But he's your ex. -The perfect crime. | 0:22:53 | 0:22:57 | |
Couple of weight of pollen. | 0:23:03 | 0:23:05 | |
Very nice stuff. Just smoked a Yul Brynner in me Panda. | 0:23:05 | 0:23:09 | |
We'll, I'll try and sell it, but business is definitely slacking off. | 0:23:09 | 0:23:15 | |
-Really? -When I started dealing again, I thought I'd be coining it in. | 0:23:15 | 0:23:19 | |
-But, turns out me profit margins are being nibbled to death by bleeding Walmart next door. -Nicki? | 0:23:19 | 0:23:25 | |
She's undercutting me. | 0:23:25 | 0:23:27 | |
She's stealing me customers. | 0:23:27 | 0:23:29 | |
I will buy off you next time. | 0:23:29 | 0:23:32 | |
You know she's got a hydroponics set up at this house in Broadbottom? | 0:23:32 | 0:23:36 | |
Proper ganja factory. About 300 plants. | 0:23:36 | 0:23:40 | |
What chance does a humble tradesman like myself have against a... a multinational!? | 0:23:40 | 0:23:47 | |
Hey. | 0:23:47 | 0:23:49 | |
I could always bust her. | 0:23:49 | 0:23:51 | |
Hey, you could, couldn't you? | 0:23:56 | 0:23:58 | |
Well, that'd be a bit...mean. | 0:24:00 | 0:24:04 | |
The police are supposed to be mean. | 0:24:04 | 0:24:06 | |
Listen, fella, there's no way you and me are ever going to make any | 0:24:06 | 0:24:09 | |
real money out of this as long as Nicki's still in business. | 0:24:09 | 0:24:12 | |
I couldn't bust her personally, like. | 0:24:12 | 0:24:15 | |
-But you could get some people with your fashion sense to bust her. -Oh, easily. Yeah. | 0:24:15 | 0:24:19 | |
-But she's your ex. -I know. | 0:24:19 | 0:24:23 | |
And she's your ex, an' all. | 0:24:23 | 0:24:25 | |
-I know. -Oh, I see. | 0:24:25 | 0:24:27 | |
You've both shagged her, so now you're going to shaft her? | 0:24:27 | 0:24:30 | |
Perfect crime. | 0:24:30 | 0:24:32 | |
How did you meet this charmer, then? | 0:24:35 | 0:24:37 | |
Mm. I can't remember. | 0:24:39 | 0:24:42 | |
-Did we meet through Carolina? -HE MUMBLES | 0:24:42 | 0:24:45 | |
-Ah! Was it through Leonor? -HE MUMBLES | 0:24:45 | 0:24:48 | |
Oh. | 0:24:48 | 0:24:50 | |
Ah! I remember, Marc introduced you to me at Suzy and Aldo's wedding reception. Remember? | 0:24:51 | 0:24:57 | |
HE MUMBLES | 0:24:57 | 0:24:59 | |
Must be lovely for you two to have a little catch-up. | 0:24:59 | 0:25:02 | |
KNOCK ON DOOR | 0:25:02 | 0:25:03 | |
Hi, hi. Thanks for comin'. | 0:25:04 | 0:25:07 | |
-What you been up to? -I ain't sayin'. | 0:25:07 | 0:25:11 | |
Carmel, this is Blackball. | 0:25:14 | 0:25:17 | |
Hi. | 0:25:17 | 0:25:19 | |
So, are you the kind of guy who can help us get rid of this bastard? | 0:25:19 | 0:25:22 | |
-And teach him a lesson? -Huh? | 0:25:22 | 0:25:26 | |
Hang on, what's this about lessons being taught? | 0:25:26 | 0:25:29 | |
I don't mind you driving him out to a roundabout near Chorley and abandoning him. | 0:25:29 | 0:25:34 | |
-Like you would an ugly kitten. -I don't want this bastard back in my life again. | 0:25:34 | 0:25:39 | |
Ever. | 0:25:39 | 0:25:41 | |
Can you make this happen? | 0:25:41 | 0:25:44 | |
What you going to do to him? | 0:25:48 | 0:25:50 | |
I ain't sayin'. | 0:25:50 | 0:25:51 | |
I owe you one. | 0:26:00 | 0:26:02 | |
Thanks. | 0:26:17 | 0:26:19 | |
A'right, Blackball? | 0:26:22 | 0:26:25 | |
How's it going, feller? I ain't seen you since you left the force. | 0:26:25 | 0:26:29 | |
Having a spot of bother? | 0:26:29 | 0:26:32 | |
He just tried to kill me. | 0:26:32 | 0:26:34 | |
Did he? Let me at him! | 0:26:34 | 0:26:36 | |
I handled it. | 0:26:38 | 0:26:40 | |
We both handled it. | 0:26:40 | 0:26:41 | |
I was actually very Bruce Willis about the whole thing. | 0:26:41 | 0:26:44 | |
All right, Die Soft. | 0:26:44 | 0:26:46 | |
Do you want me to give you a hand? | 0:26:46 | 0:26:49 | |
Come on, you, you little tinker. | 0:26:49 | 0:26:51 | |
You're coming with us. | 0:26:51 | 0:26:53 | |
-Where we going? -I ain't sayin'. | 0:26:53 | 0:26:55 | |
You can keep the boa! | 0:26:57 | 0:26:58 | |
Everything is fine. | 0:27:00 | 0:27:02 | |
We should probably get back to work. | 0:27:02 | 0:27:05 | |
Sure. Goodbye, Moz. | 0:27:05 | 0:27:08 | |
Goodbye, Colin. | 0:27:08 | 0:27:11 | |
Come on, mate. It could be worse. | 0:27:17 | 0:27:20 | |
-How? -Lets see who can come up with the worst possible thing | 0:27:20 | 0:27:23 | |
that could be happening, then we'll be glad it's not happening. | 0:27:23 | 0:27:26 | |
I'm upset. | 0:27:26 | 0:27:28 | |
-I know what'd cheer you up. -What? -Buying some weed. | 0:27:28 | 0:27:32 | |
Off ME. | 0:27:32 | 0:27:34 | |
These are the times of exile. | 0:27:36 | 0:27:37 | |
She's going to be engulfed by a Red Mist. | 0:27:37 | 0:27:40 | |
Are you saying murdered? | 0:27:40 | 0:27:41 | |
-Who says I'm going to die first? -I love hallucinating, I just don't like seeing stuff that isn't there. | 0:27:41 | 0:27:46 | |
She...is...gorgeous. | 0:27:46 | 0:27:48 | |
You are pretty fucking real, Moz. | 0:27:48 | 0:27:51 | |
-I am going to die on Friday. -No compromi-i-i-ise. | 0:27:51 | 0:27:54 |