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-MAN: Hello, Nicola. -I've a message for the Red King. | 0:00:03 | 0:00:05 | |
Go ahead. | 0:00:05 | 0:00:07 | |
The man in charge of Salford's big weed operation's called Moz. | 0:00:07 | 0:00:12 | |
You'll find him at Flat 2, 23 Saint Stephen's Road. | 0:00:12 | 0:00:16 | |
Thank you, Nicola. I'll make sure the Red King gets your message. | 0:00:16 | 0:00:21 | |
So...so, I'm safe now? | 0:00:21 | 0:00:23 | |
I'll make sure the Red King gets your message. | 0:00:24 | 0:00:27 | |
PHONE BEEPS | 0:00:30 | 0:00:31 | |
SHE SIGHS | 0:00:37 | 0:00:39 | |
Good morning, genius. | 0:00:39 | 0:00:41 | |
-HE SIGHS -Mm. Morning. | 0:00:41 | 0:00:43 | |
You know what I think when I see you in the morning? | 0:00:43 | 0:00:47 | |
Mm, actually, I don't want to know. | 0:00:47 | 0:00:49 | |
I think... | 0:00:49 | 0:00:51 | |
Oh, God! | 0:00:51 | 0:00:53 | |
No! No. | 0:00:53 | 0:00:55 | |
That's a bit strong. | 0:00:55 | 0:00:57 | |
I forgot to set the alarm. | 0:00:57 | 0:00:59 | |
We have so much to do before tonight. | 0:00:59 | 0:01:03 | |
How can I help? | 0:01:03 | 0:01:05 | |
No, probably not. | 0:01:05 | 0:01:07 | |
Very kind of you, Nicki. Thanks for the babygros, the bouncer, the bottles, | 0:01:21 | 0:01:25 | |
the bibs, the thermal blankets, the changing mat, the potty, the... | 0:01:25 | 0:01:30 | |
You're welcome. I'm not planning on having any more myself. | 0:01:30 | 0:01:34 | |
Your many, many gifts make the foetus happy. | 0:01:34 | 0:01:38 | |
-Goodbye, Nicki. -Bye, love. | 0:01:38 | 0:01:41 | |
See you. | 0:01:41 | 0:01:43 | |
Derrick, I regret to tell you our marriage is now over. | 0:01:48 | 0:01:52 | |
What? Oh, you're just tired, love. Go home and we'll eat some swede. | 0:01:52 | 0:01:56 | |
All right, Fist? How's it going, matey? | 0:01:57 | 0:02:00 | |
Fist. | 0:02:00 | 0:02:02 | |
What brings you over this way? | 0:02:02 | 0:02:04 | |
What? What do you mean? Yasuko doesn't wanna go with you. | 0:02:04 | 0:02:08 | |
Fist. | 0:02:08 | 0:02:10 | |
She's not going with you. She's staying with me. | 0:02:11 | 0:02:13 | |
The reasons are multifold. We're married, we... | 0:02:13 | 0:02:16 | |
Nice to see you again, Fist. | 0:02:16 | 0:02:18 | |
Fist. | 0:02:23 | 0:02:25 | |
Yasuko? | 0:02:27 | 0:02:29 | |
HE SOBS | 0:02:30 | 0:02:32 | |
She thinks you're an artist? | 0:02:34 | 0:02:35 | |
Yeah. | 0:02:37 | 0:02:39 | |
Not a piss artist. A proper artist? | 0:02:39 | 0:02:42 | |
She thinks I painted Sanjeev's paintings, and she loves them. | 0:02:42 | 0:02:46 | |
She's gonna put on an exhibition at her gallery. | 0:02:47 | 0:02:50 | |
I've so screwed this up. | 0:02:50 | 0:02:52 | |
Listen, I know I'm coming right out of left field here, | 0:02:53 | 0:02:56 | |
but why didn't you tell her the truth? | 0:02:56 | 0:02:59 | |
Because I know that being an artist was a deciding factor | 0:02:59 | 0:03:02 | |
-in whether or not she slept with me. -Oh. | 0:03:02 | 0:03:05 | |
I don't know much about art, but I know sex is good. | 0:03:05 | 0:03:09 | |
Fair enough. | 0:03:09 | 0:03:11 | |
If I let her go ahead with this exhibition, | 0:03:11 | 0:03:13 | |
Tilly's gonna be made to look a fool. | 0:03:13 | 0:03:15 | |
But if I tell her the truth, she's bound to dump me. | 0:03:15 | 0:03:18 | |
Whenever you tell a lie, it always comes back and bites you on the arse. | 0:03:20 | 0:03:24 | |
Like when I told that parking attendant I were a sumo wrestler. | 0:03:24 | 0:03:27 | |
He bit me on the arse. | 0:03:28 | 0:03:31 | |
Look, I've got a plan. | 0:03:31 | 0:03:33 | |
I think it'll work, but it's quite complicated | 0:03:33 | 0:03:35 | |
and there's loads to remember. | 0:03:35 | 0:03:37 | |
-Great. Just let me do this. -Er... | 0:03:37 | 0:03:41 | |
But if we find out where the Red King is, Cartoon Head can go in and take him out! | 0:03:41 | 0:03:44 | |
No! I've handed Moz's details to the Red King, and that's the end of it! | 0:03:44 | 0:03:48 | |
-You're just gonna let him kill Moz? -Well, it's Moz or me! | 0:03:48 | 0:03:52 | |
Killing the Red King is irrelevant. | 0:03:52 | 0:03:54 | |
Another one'll just replace him. You know what gingers are. | 0:03:54 | 0:03:57 | |
Why should you have the last say, anyway?! | 0:03:57 | 0:03:58 | |
Maybe someone else should be running this gang. Paul or CH or me. | 0:03:58 | 0:04:02 | |
You?! You shouldn't even be here! | 0:04:02 | 0:04:05 | |
It's getting far too dangerous. I think you should go back to Cardiff. | 0:04:05 | 0:04:08 | |
Oh, please(!) You are not my mum! | 0:04:08 | 0:04:10 | |
Yes, I am! | 0:04:10 | 0:04:13 | |
What? | 0:04:13 | 0:04:14 | |
I am your mum. | 0:04:20 | 0:04:22 | |
I got pregnant with you when I was 21. | 0:04:26 | 0:04:28 | |
It was too soon for me. | 0:04:31 | 0:04:34 | |
I couldn't handle the responsibility. | 0:04:34 | 0:04:37 | |
I made Mum promise she'd never tell you. | 0:04:38 | 0:04:41 | |
I didn't think I'd ever tell you. | 0:04:41 | 0:04:44 | |
It was so hard, | 0:04:46 | 0:04:48 | |
watching you growing up, not being able to tell you who I really was. | 0:04:48 | 0:04:52 | |
So, who's my Dad? | 0:04:53 | 0:04:56 | |
You don't want to know. He was a loud, leery drunk. | 0:04:57 | 0:05:01 | |
-He was my yoga teacher. -This is all getting a bit overwhelming. | 0:05:02 | 0:05:05 | |
I'm starting to wish you'd had an abortion. | 0:05:05 | 0:05:08 | |
I love you so much. | 0:05:16 | 0:05:18 | |
Everything's gonna be all right now. | 0:05:20 | 0:05:22 | |
KNOCKING | 0:05:25 | 0:05:27 | |
SHE SIGHS | 0:05:28 | 0:05:30 | |
Good afternoon. We have a warrant to search the premises. | 0:05:33 | 0:05:37 | |
And you're absolutely sure this plan of yours will work? | 0:05:40 | 0:05:44 | |
I think it's your best bet. | 0:05:44 | 0:05:45 | |
She saves face, you save face. Extra face all round. | 0:05:45 | 0:05:50 | |
I'm determined to make this relationship work, Bri. | 0:05:50 | 0:05:53 | |
Tilly has been like a breath of fresh air. | 0:05:53 | 0:05:56 | |
Fresh, air-conditioned American air. | 0:05:56 | 0:06:00 | |
And I'm not gonna let that air slip through my fingers. | 0:06:00 | 0:06:03 | |
Um, don't you think you should still be moping over Jenny? | 0:06:03 | 0:06:07 | |
No. | 0:06:07 | 0:06:09 | |
I've never seen anybody more obviously on the rebound. | 0:06:09 | 0:06:12 | |
I'm not on the rebound! I'm in love. | 0:06:12 | 0:06:15 | |
In love with the idea of love. | 0:06:15 | 0:06:17 | |
Yeah. | 0:06:17 | 0:06:19 | |
Well, you'll be in love with the idea of having a complete set of teeth | 0:06:19 | 0:06:23 | |
if you don't shut up. | 0:06:23 | 0:06:25 | |
You set this up, didn't you? | 0:06:33 | 0:06:35 | |
No. I swear. | 0:06:35 | 0:06:37 | |
I...I only just heard about it. | 0:06:37 | 0:06:39 | |
You always were a terrible liar. | 0:06:39 | 0:06:42 | |
Could you give us a sec? | 0:06:44 | 0:06:46 | |
Bye, Mum. | 0:06:51 | 0:06:53 | |
Nicki, this is for your own safe... | 0:06:53 | 0:06:57 | |
Mum?! | 0:06:57 | 0:06:59 | |
I can't talk about it now. | 0:06:59 | 0:07:02 | |
OK. | 0:07:02 | 0:07:05 | |
Look, at least if you're locked away, Red Mist can't kill you. | 0:07:05 | 0:07:09 | |
We've arranged this for your own good. | 0:07:09 | 0:07:11 | |
-We? -Me and Moz. | 0:07:11 | 0:07:13 | |
Oh. | 0:07:15 | 0:07:16 | |
He was very definite about not wanting you killed. He said it twice. | 0:07:16 | 0:07:21 | |
Listen, there's something I need to tell you. | 0:07:22 | 0:07:25 | |
MAN ON RADIO: K-23, there is a suffocation in progress in Sock Shop. | 0:07:25 | 0:07:29 | |
Come on, love, it's time to go. | 0:07:29 | 0:07:32 | |
Look, I'll see you soon, yeah? | 0:07:32 | 0:07:34 | |
K-23, immediate backup required at Sock Shop. | 0:07:35 | 0:07:39 | |
All right, all right. I've not sat down for half an hour. | 0:07:39 | 0:07:44 | |
Now, are you sure you can remember what you've got to say to Tilly? | 0:07:51 | 0:07:54 | |
No worries. Thanks, Bri. | 0:07:54 | 0:07:57 | |
I reckon this new lie should definitely convince her that I'm sincere. | 0:07:57 | 0:08:01 | |
TEXT ALERT | 0:08:01 | 0:08:03 | |
-MOBILE BEEPS -Oh, it's a text from Phil Collins. | 0:08:05 | 0:08:08 | |
Blimey. | 0:08:10 | 0:08:12 | |
Nicki's just been busted. | 0:08:12 | 0:08:14 | |
-Shit-a-roo. -KNOCKING | 0:08:15 | 0:08:18 | |
Ah, the Man From De Mented. | 0:08:26 | 0:08:28 | |
Moz. A pleasure to see you. | 0:08:28 | 0:08:30 | |
-Is it? -I assure you I mean you no harm. | 0:08:30 | 0:08:33 | |
Thing is, I find your assurance unnerving. | 0:08:33 | 0:08:37 | |
How is Jenny? | 0:08:37 | 0:08:39 | |
-Why? -Why what? | 0:08:39 | 0:08:41 | |
-Why "How is Jenny?" -I am asking how she is. | 0:08:41 | 0:08:45 | |
-Cos you've killed her? -I haven't killed her. | 0:08:45 | 0:08:48 | |
Sure? | 0:08:48 | 0:08:49 | |
I haven't killed her. I haven't seen her. That is why I ask how she is. | 0:08:49 | 0:08:54 | |
You're trying to scare me. | 0:08:54 | 0:08:56 | |
I'm not. How is Jenny? | 0:08:56 | 0:08:59 | |
She's in Glasgow. | 0:08:59 | 0:09:00 | |
Ah. Good. | 0:09:00 | 0:09:04 | |
You are trying to scare me. | 0:09:04 | 0:09:05 | |
I'm not trying to scare you. Stop saying that. You're making me angry. | 0:09:05 | 0:09:09 | |
-Hi, hi. -Ah, Brian. | 0:09:09 | 0:09:12 | |
-Are you ready? -Yes, indeedy. | 0:09:12 | 0:09:14 | |
Wow. | 0:09:19 | 0:09:21 | |
Are you two going on a date? | 0:09:21 | 0:09:24 | |
-Mm! In't he scrummy? -Fatally scrummy. | 0:09:24 | 0:09:28 | |
-See you sooner than soon. -Goodbye, Moz. | 0:09:28 | 0:09:31 | |
Don't think you scare me with all that "I'm not trying to scare you" stuff. | 0:09:31 | 0:09:35 | |
KNOCKING | 0:09:40 | 0:09:42 | |
Hi. You OK? | 0:09:47 | 0:09:50 | |
So-so. My probation's a bit up and down. | 0:09:50 | 0:09:54 | |
Can I come in? | 0:09:54 | 0:09:56 | |
OK. But for five minutes only. These are my work hours. | 0:09:58 | 0:10:03 | |
I can't get you out of my head. You're like the catchiest tune ever. | 0:10:07 | 0:10:10 | |
You're like Chitty Chitty Bang Bang crossed with Crazy Frog. | 0:10:10 | 0:10:13 | |
Colin, look! For a brief moment, I loved you passionately and deeply. | 0:10:13 | 0:10:18 | |
But now I don't. What's the big problem? | 0:10:18 | 0:10:21 | |
But look at me, I'm perfect. | 0:10:21 | 0:10:24 | |
We split up months ago. | 0:10:24 | 0:10:25 | |
If you're so amazing, how come no-one else picked you out yet? | 0:10:25 | 0:10:29 | |
I am keeping myself pure...for you. | 0:10:29 | 0:10:32 | |
Is that a copy of Busty Teens? | 0:10:32 | 0:10:35 | |
Um...probably. | 0:10:38 | 0:10:41 | |
KNOCKING | 0:10:41 | 0:10:43 | |
-That'll be a client. You have to go. -OK. | 0:10:43 | 0:10:47 | |
-I'm...I'm gonna go out this way. -There is no way out that way. Colin! | 0:10:47 | 0:10:52 | |
Colin! Come out! | 0:10:52 | 0:10:54 | |
KNOCKING | 0:10:54 | 0:10:56 | |
If you interfere, I will never talk to you again. | 0:10:57 | 0:11:01 | |
HE PANTS | 0:11:05 | 0:11:07 | |
Jake! I thought you were being sacrificed today. | 0:11:07 | 0:11:09 | |
-I legged it. -I didn't think I would see you again. | 0:11:09 | 0:11:14 | |
Oh. Ha-ha. | 0:11:15 | 0:11:17 | |
It's for tonight. I took your measurements whilst you were sleeping. | 0:11:22 | 0:11:26 | |
It's made almost entirely out of tampons and sanitary towels. | 0:11:27 | 0:11:31 | |
Good. Good, I'm...I'm liking it so far. | 0:11:31 | 0:11:36 | |
What happens if it rains? | 0:11:36 | 0:11:37 | |
You know, what...what kind of expansion are we talking about on this bad boy? | 0:11:37 | 0:11:41 | |
35%? | 0:11:41 | 0:11:42 | |
Oh. I think I'm gonna have to skip it, thanks. | 0:11:42 | 0:11:46 | |
But it's so convenient if you spill your drink. | 0:11:46 | 0:11:48 | |
But it's entirely up to you. After all, you're the artist. | 0:11:48 | 0:11:51 | |
Listen, Tilly. There's something you need to know before tonight. | 0:11:51 | 0:11:56 | |
-Before tonight? -About my...exhibition. | 0:11:56 | 0:12:00 | |
Uh-huh. | 0:12:00 | 0:12:01 | |
It... | 0:12:01 | 0:12:04 | |
Er...it's an art prank. | 0:12:04 | 0:12:07 | |
I am an art prankstrel. | 0:12:07 | 0:12:09 | |
What? | 0:12:09 | 0:12:10 | |
I didn't do those paintings. They were all done by Nicki's three-year-old. | 0:12:10 | 0:12:14 | |
I've duped the art world and it's all because of my art hoax. | 0:12:14 | 0:12:18 | |
You mediated your work through the agency of infancy. | 0:12:18 | 0:12:22 | |
Yeah...I definitely did. | 0:12:23 | 0:12:26 | |
And you couldn't tell me the truth, | 0:12:26 | 0:12:28 | |
because that would have rendered the performance inauthentic. | 0:12:28 | 0:12:30 | |
So inauthentic. | 0:12:30 | 0:12:33 | |
But now, you know, now that we're a...we're a couple, | 0:12:33 | 0:12:35 | |
I...I felt I had to tell you. | 0:12:35 | 0:12:37 | |
Because...because if I hadn't, you know, then I'd have been letting you down, | 0:12:37 | 0:12:41 | |
and I'd...I'd have been letting myself down. | 0:12:41 | 0:12:43 | |
And, worst of all, I'd have been letting down my feminine side. | 0:12:43 | 0:12:46 | |
And she'd have hated that, cos you know how women are. | 0:12:46 | 0:12:49 | |
-You astonish me. -Is that the good astonishment, or the bad kind? | 0:12:49 | 0:12:53 | |
The good kind. You're twice the genius I thought you were. | 0:12:53 | 0:12:57 | |
-Great. -You're amazing. | 0:12:57 | 0:13:00 | |
So are you. | 0:13:00 | 0:13:02 | |
JAKE: It's so good to see you again. | 0:13:04 | 0:13:06 | |
CARMEL: It's always nice to see you. | 0:13:06 | 0:13:09 | |
Have you got that necklace I bought you? | 0:13:09 | 0:13:12 | |
Yeah... SHE CLEARS HER THROAT | 0:13:13 | 0:13:15 | |
Why? Did... | 0:13:15 | 0:13:18 | |
did you...want it back? | 0:13:18 | 0:13:20 | |
Oh, no, no. | 0:13:20 | 0:13:23 | |
Can I see you wear it? | 0:13:23 | 0:13:25 | |
OK, sure. | 0:13:26 | 0:13:28 | |
I love you. | 0:13:49 | 0:13:51 | |
That's nice. | 0:13:55 | 0:13:57 | |
I...love this. | 0:13:59 | 0:14:02 | |
Oh. | 0:14:04 | 0:14:06 | |
Oh, Carmel. I love you so much. | 0:14:06 | 0:14:10 | |
-I can't die. -HE SOBS | 0:14:11 | 0:14:15 | |
Ah, Turner and Hooch. | 0:14:34 | 0:14:37 | |
-We're looking for Nicki. -I'm afraid you're too late. | 0:14:37 | 0:14:41 | |
Did the Red Mist get her? | 0:14:42 | 0:14:44 | |
Is her neck hole a selection box? | 0:14:44 | 0:14:47 | |
Nah. She's been busted. | 0:14:47 | 0:14:49 | |
The cops just can't go around arresting people. | 0:14:49 | 0:14:53 | |
We ought to go down the police station, blud. | 0:14:53 | 0:14:55 | |
Psycho Paul doesn't go down the police station. That much should be obvious. | 0:14:55 | 0:15:00 | |
Word is, they've also raided her ganja factory. | 0:15:00 | 0:15:05 | |
Exit Welsh Caesar. | 0:15:06 | 0:15:08 | |
She's really let us down getting busted like that, hasn't she? | 0:15:08 | 0:15:11 | |
Yeah, definitely, blud. | 0:15:11 | 0:15:13 | |
A very selfish woman. Wouldn't you agree? | 0:15:13 | 0:15:15 | |
Yeah, for real, for real. | 0:15:15 | 0:15:18 | |
Total bitch. | 0:15:18 | 0:15:20 | |
Total bitch! | 0:15:20 | 0:15:22 | |
Somebody's keeping secrets, though, aren't they? | 0:15:22 | 0:15:25 | |
Er...are they? | 0:15:25 | 0:15:28 | |
Well, somebody obviously set her up. | 0:15:28 | 0:15:32 | |
Someone on the inside. | 0:15:32 | 0:15:34 | |
You can't trust anybody, can you, lads? | 0:15:34 | 0:15:37 | |
PHONE RINGS | 0:15:37 | 0:15:38 | |
-MOZ SIGHS -I've got to get this. | 0:15:38 | 0:15:43 | |
PHONE RINGS | 0:15:43 | 0:15:45 | |
PHONE RINGS | 0:15:48 | 0:15:51 | |
-Hello? -PC. Listen, are you sitting down? | 0:15:51 | 0:15:55 | |
-No. Why? -Sit down. | 0:15:55 | 0:15:58 | |
-OK. I'm sitting down. -You're not. | 0:15:58 | 0:16:01 | |
-I am. -You're not sitting down. I can tell. | 0:16:01 | 0:16:04 | |
-Sit down. -OK, OK. Hang on. | 0:16:04 | 0:16:08 | |
Ah. | 0:16:08 | 0:16:10 | |
-OK, you sitting down now? -Oh, yeah. Much more comfy now. | 0:16:10 | 0:16:14 | |
You're still not sitting down. Sit down. | 0:16:14 | 0:16:17 | |
Oh, will you just fuckin' tell us what it is? | 0:16:17 | 0:16:19 | |
The Red Mist's coming for you. | 0:16:19 | 0:16:22 | |
I need to sit down. | 0:16:25 | 0:16:27 | |
You haven't got much time. They're already on their way. Nicki just tipped us off. | 0:16:29 | 0:16:33 | |
Tipped you off, or tipped them off? | 0:16:33 | 0:16:35 | |
Feller, she might've just saved your life. Get out of there. | 0:16:35 | 0:16:40 | |
Christ, what a day. | 0:16:51 | 0:16:54 | |
Thanks for your words of wisdom in the taxi. | 0:16:54 | 0:16:58 | |
I don't think I'll ever forget what you said. | 0:16:58 | 0:17:01 | |
If you ask me, Salford's lost its shine. | 0:17:02 | 0:17:06 | |
Why don't you come back to Cardiff with me? | 0:17:06 | 0:17:09 | |
What's the alternative? Stay here and get married? | 0:17:10 | 0:17:12 | |
You do realise that'll make Nicki your mother-in-law? | 0:17:12 | 0:17:16 | |
Come to Cardiff, please. | 0:17:16 | 0:17:19 | |
KNOCKING | 0:17:27 | 0:17:29 | |
Ah, you must be the Swan Vestas I ordered. | 0:17:33 | 0:17:36 | |
Good afternoon. | 0:17:39 | 0:17:41 | |
Would I be speaking to Moz? | 0:17:41 | 0:17:44 | |
Yeah, you would. And you are... | 0:17:44 | 0:17:47 | |
People call me the Red King. | 0:17:47 | 0:17:50 | |
-You may know of me, you may not. -I have heard talk. | 0:17:50 | 0:17:54 | |
CLICK This is Callum. | 0:17:54 | 0:17:57 | |
He does most of the beheading. | 0:17:57 | 0:18:00 | |
CLICK And this is Heather. | 0:18:00 | 0:18:04 | |
Heather likes stuffing people's neck holes with chocolate bars. | 0:18:04 | 0:18:10 | |
Hm. What is it today, Heather? | 0:18:10 | 0:18:13 | |
Dime bars. | 0:18:13 | 0:18:15 | |
Ooh. Do a serious damage with a Dime. | 0:18:15 | 0:18:21 | |
If...if I can stop you just there... | 0:18:21 | 0:18:23 | |
..I think there's been some misunderstanding, Your Majesty. | 0:18:24 | 0:18:29 | |
Surely neither of us wants to end up just another red-on-red crime statistic. | 0:18:30 | 0:18:36 | |
Hm. No-one told me you were one of the blessed. | 0:18:36 | 0:18:42 | |
Nah, I don't like to flaunt my freckles. | 0:18:42 | 0:18:46 | |
I'd rather just quietly get on with being a carrot-top. | 0:18:46 | 0:18:49 | |
And is the basement decorated in the same fashion? | 0:18:49 | 0:18:52 | |
Oh, yeah. | 0:18:55 | 0:18:57 | |
ZIP | 0:18:59 | 0:19:02 | |
Aah! | 0:19:02 | 0:19:04 | |
As I always say... | 0:19:09 | 0:19:11 | |
...if the minge ain't ginge, | 0:19:12 | 0:19:15 | |
I don't impinge. | 0:19:15 | 0:19:17 | |
Time to turn around, boys and girls. | 0:19:19 | 0:19:23 | |
I'll be back in ten minutes. | 0:19:24 | 0:19:27 | |
-Ah... -Well, well, well. | 0:19:27 | 0:19:31 | |
Look who it is. | 0:19:31 | 0:19:34 | |
OTHERS: The Perfect Ginger. | 0:19:34 | 0:19:36 | |
Perfect Ginger. | 0:19:36 | 0:19:38 | |
Let the Red Mist descend. | 0:19:38 | 0:19:42 | |
No. | 0:19:42 | 0:19:44 | |
-SHE LAUGHS -No! | 0:19:44 | 0:19:45 | |
SHE CACKLES | 0:19:45 | 0:19:49 | |
-Why didn't you tell me about Jake? -He's a client. What's to tell? | 0:19:49 | 0:19:53 | |
-A client who loves you. -So? Let him love me. | 0:19:53 | 0:19:57 | |
If it makes him happy, and it makes me rich, let him love me. | 0:19:57 | 0:20:02 | |
Oh, that's it! I...I... | 0:20:02 | 0:20:07 | |
Oh, OK. | 0:20:10 | 0:20:12 | |
-I've had enough. -Colin, please. This is crazy. | 0:20:12 | 0:20:15 | |
He wants to live because of me, and you want to kill yourself because of me. | 0:20:15 | 0:20:19 | |
-Well, surely I've trumped him. -Stop it. | 0:20:19 | 0:20:21 | |
-I don't want to hear any more trumping. -I'm gonna throw myself to death. | 0:20:21 | 0:20:25 | |
And, seriously, it's only the first floor. I don't think you're gonna kill yourself. | 0:20:25 | 0:20:30 | |
I could do. If I landed wrong. I'm gonna try and land wrong. | 0:20:30 | 0:20:34 | |
Come back in here now! | 0:20:34 | 0:20:36 | |
Nobody'll miss me. | 0:20:40 | 0:20:42 | |
Nobody needs me. | 0:20:44 | 0:20:46 | |
I'm bloody useless. | 0:20:48 | 0:20:50 | |
-Uh! Whoa! -HE GASPS | 0:20:52 | 0:20:55 | |
-Col, what are you doing? -Preparing to jump. | 0:21:02 | 0:21:04 | |
Really? Cos it looks like you're clinging on for dear life to me. | 0:21:04 | 0:21:08 | |
I've got nothing to live for now. | 0:21:08 | 0:21:11 | |
It's only one floor down. You're not gonna kill yourself, you berk. | 0:21:11 | 0:21:13 | |
I could do, if I landed wrong. And I probably am gonna land wrong. | 0:21:13 | 0:21:18 | |
No, you're not. Look, Col. For God's sake, get back inside. | 0:21:18 | 0:21:22 | |
You're makin' a nuisance of yourself. You're... | 0:21:22 | 0:21:24 | |
Like that time you wedged your head in a microwave. | 0:21:24 | 0:21:27 | |
Yeah, cos that's all I am, innit? A nuisance. | 0:21:27 | 0:21:30 | |
-And you never really loved me. -Yes, I did. | 0:21:30 | 0:21:33 | |
Did you? | 0:21:33 | 0:21:35 | |
More than anyone I've ever loved before, or since, or during. | 0:21:37 | 0:21:42 | |
-But you took me for granted. -Yeah. | 0:21:42 | 0:21:44 | |
Cos I'm stupid. And that's another reason why I should die. | 0:21:44 | 0:21:49 | |
Col, Col, Col! Whatever's happened between you two, it's nowt that can't be mended. | 0:21:49 | 0:21:56 | |
Carmel knows that. | 0:21:56 | 0:21:58 | |
MOUTHS WORDS | 0:21:59 | 0:22:01 | |
Moz is... HE MOUTHS | 0:22:04 | 0:22:07 | |
Moz is right. | 0:22:07 | 0:22:09 | |
What? | 0:22:11 | 0:22:13 | |
If you come inside, we can talk about the future of our relationship. | 0:22:13 | 0:22:20 | |
Brilliant. | 0:22:20 | 0:22:22 | |
-You and me together forever, hey? -Uh... | 0:22:28 | 0:22:32 | |
You...you've made me realise all that really matters is love and happiness. | 0:22:36 | 0:22:42 | |
God, that's shallow. | 0:22:42 | 0:22:45 | |
FOOTSTEPS | 0:22:47 | 0:22:50 | |
No! Jake! | 0:22:52 | 0:22:55 | |
Why does everybody want to be Peter Pan? | 0:22:55 | 0:22:57 | |
Bye, then. | 0:23:00 | 0:23:03 | |
CRASH Jake! | 0:23:03 | 0:23:05 | |
Jake, are you OK? | 0:23:05 | 0:23:07 | |
Oh... | 0:23:07 | 0:23:09 | |
Jake! | 0:23:09 | 0:23:11 | |
-I think he landed wrong. -CARMEL SOBS | 0:23:12 | 0:23:17 | |
The Perfect Ginger is dead. | 0:23:21 | 0:23:24 | |
All is well for another year. | 0:23:24 | 0:23:26 | |
It was a fully functioning abattoir that was made entirely of meat. | 0:23:34 | 0:23:38 | |
-Oh, I'm in love. -DOORBELL BUZZES | 0:23:38 | 0:23:42 | |
I wore one of your burning hats last night. Quite exciting. | 0:23:42 | 0:23:47 | |
Moz, hi. | 0:23:49 | 0:23:51 | |
You all psyched up for your private view? | 0:23:51 | 0:23:53 | |
Yeah, course. | 0:23:53 | 0:23:56 | |
Listen, I'm just gonna go snort two or three lines. Join me? | 0:23:56 | 0:23:59 | |
No, ta. | 0:23:59 | 0:24:01 | |
Listen, I've realised something. | 0:24:05 | 0:24:07 | |
I can't be with you if I'm not gonna be 100% honest. | 0:24:08 | 0:24:12 | |
And to be honest, I've not been 100% honest. | 0:24:12 | 0:24:15 | |
You know how I didn't paint those paintings? | 0:24:15 | 0:24:18 | |
Yeah? | 0:24:18 | 0:24:19 | |
Well, I didn't have the idea to turn it into an art prank either. | 0:24:19 | 0:24:22 | |
Cos I'm not an art prankstrel. | 0:24:22 | 0:24:25 | |
It were Brian's idea. | 0:24:25 | 0:24:27 | |
I let you believe I was an artist, because it seemed to make you like me more. | 0:24:27 | 0:24:32 | |
And I wanted you to like me. | 0:24:32 | 0:24:35 | |
I wanted you to love me, because I love you. | 0:24:35 | 0:24:38 | |
But it's wrong to trick someone into loving you. | 0:24:39 | 0:24:43 | |
Moz, I'm not an idiot. I figured it out. | 0:24:45 | 0:24:47 | |
How did I give myself away? | 0:24:49 | 0:24:51 | |
Well, you kept referring to your art as being contraceptual. | 0:24:51 | 0:24:54 | |
But this is my fault. | 0:24:54 | 0:24:56 | |
I got overenthusiastic about the idea of you being an unrecognised talent. | 0:24:56 | 0:25:02 | |
But ultimately I fell in love with the real you. | 0:25:02 | 0:25:05 | |
Come for the genius, stay for the idiot? | 0:25:05 | 0:25:09 | |
Yeah. | 0:25:09 | 0:25:11 | |
Whatever happens with the exhibition, that's up to Warren. | 0:25:13 | 0:25:17 | |
But I want you to know, anything you do is fine with me. | 0:25:17 | 0:25:20 | |
Really? | 0:25:20 | 0:25:22 | |
Why? | 0:25:24 | 0:25:25 | |
# Because you blow my mind | 0:25:25 | 0:25:29 | |
# Blow my mind | 0:25:29 | 0:25:31 | |
-# Because you blow my mind -# Blow my mind | 0:25:31 | 0:25:36 | |
# And the way you're talking Baby, you're so cool | 0:25:36 | 0:25:42 | |
# I'll do anything for you... | 0:25:42 | 0:25:47 | |
# Unbelievable | 0:26:10 | 0:26:12 | |
# Ooh, it's such a rush | 0:26:12 | 0:26:16 | |
# So incredible | 0:26:16 | 0:26:18 | |
# Boy, you make me blush | 0:26:18 | 0:26:21 | |
# Just keep doing it Throw me into space | 0:26:21 | 0:26:27 | |
# And I'll be floating there for days | 0:26:27 | 0:26:33 | |
# Because you blow my mind Blow my mind | 0:26:37 | 0:26:42 | |
# Because you blow my mind # Blow my mind | 0:26:42 | 0:26:48 | |
# Because you blow my mind # Blow my mind | 0:26:48 | 0:26:53 | |
# Because you blow my mind | 0:26:53 | 0:26:58 | |
# Blow my mind... # | 0:26:58 | 0:26:59 | |
Sorry. | 0:27:06 | 0:27:08 | |
I did it for you, Plastic Face. I did it for you. HE GURGLES | 0:27:13 | 0:27:18 | |
Cartoon Head? Cartoon Head, can you hear me? | 0:27:18 | 0:27:21 | |
Hello? We need an ambulance, please. 23 St Stephen's Road, Salford. | 0:27:21 | 0:27:24 | |
-There's been a shooting. -It's not looking good. | 0:27:24 | 0:27:26 | |
You're telling me. My God, | 0:27:26 | 0:27:30 | |
what did you do to your hair? It looks awful! | 0:27:30 | 0:27:32 | |
It was a matter of life and death. | 0:27:32 | 0:27:34 | |
But have you no aesthetic sense whatsoever? | 0:27:34 | 0:27:37 | |
You said anything I do was all right by you. | 0:27:37 | 0:27:40 | |
Oh, there are limits. | 0:27:40 | 0:27:43 | |
-Let me know if the ambulance doesn't show up. -Don't die, CH. | 0:27:46 | 0:27:50 | |
Please. | 0:27:50 | 0:27:51 | |
Have I just been dumped? | 0:27:53 | 0:27:55 | |
# Bad dream, bad dream Bad dream, bad dream | 0:27:55 | 0:27:59 | |
# Bad dream, bad dream Bad dream, bad dream | 0:27:59 | 0:28:04 | |
# Bad dream, bad dream Bad dream, bad dream... # | 0:28:04 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:26 | 0:28:30 | |
Email subtitling@bbc.co.uk | 0:28:30 | 0:28:33 |