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This programme contains very strong language. | 0:00:02 | 0:00:04 | |
Carmel. | 0:00:40 | 0:00:42 | |
Carmel? | 0:00:42 | 0:00:44 | |
Colin? | 0:00:44 | 0:00:46 | |
How did you get in here? | 0:00:48 | 0:00:50 | |
I've... I've had an accident. | 0:00:50 | 0:00:54 | |
(GASPS) | 0:00:55 | 0:00:57 | |
(SCREAMS) | 0:00:57 | 0:00:59 | |
So you do still care for me. | 0:00:59 | 0:01:02 | |
What?! | 0:01:02 | 0:01:03 | |
Oh, for goodness me! | 0:01:04 | 0:01:07 | |
Is that what it takes, is it? Eh? Three knives through the heart? | 0:01:07 | 0:01:12 | |
(GROANS) | 0:01:12 | 0:01:13 | |
Hi-hi! Oi, you! She don't want you hanging round bothering her. Get out! | 0:01:13 | 0:01:19 | |
Ooh! I were going to get one of those. They're good, aren't they? | 0:01:19 | 0:01:22 | |
I got us some more coffee | 0:01:25 | 0:01:26 | |
and I went to that new gay bakery, The Hasty Pastry. | 0:01:26 | 0:01:29 | |
Got you some glittery flapjacks! | 0:01:31 | 0:01:34 | |
I hope you like a big breakfast. That's star fruit and goat yoghurt. | 0:01:47 | 0:01:51 | |
Got any Frosties? | 0:01:51 | 0:01:53 | |
I have quinoa flakes with crystallised alfalfa and cranberries. | 0:01:53 | 0:01:57 | |
What about bacon? Even vegetarians like bacon. | 0:01:57 | 0:02:00 | |
Did you know that "alfalfa" means "the father of all foods"? | 0:02:00 | 0:02:04 | |
Did you know bacon's the motherfucker of all foods? | 0:02:04 | 0:02:06 | |
And it's what I really fancy. | 0:02:06 | 0:02:07 | |
This is really good for you. | 0:02:07 | 0:02:09 | |
Yeah, but is there an upside? | 0:02:09 | 0:02:11 | |
There is, actually, cos it goes great | 0:02:11 | 0:02:13 | |
with either unsweetened parsnip milk or soya milk. | 0:02:13 | 0:02:15 | |
You can't rush a decision like that(!) | 0:02:15 | 0:02:18 | |
Thanks for dealing with Colin. | 0:02:18 | 0:02:21 | |
No problem. | 0:02:21 | 0:02:22 | |
I want you to know I will always be here for you. | 0:02:22 | 0:02:27 | |
- Oh, I should go. - (KNOCK AT DOOR) | 0:02:27 | 0:02:31 | |
Hi-hi! | 0:02:32 | 0:02:34 | |
Hugh, this is Carmel. Carmel, Hugh. | 0:02:34 | 0:02:37 | |
In't he scrummy! | 0:02:37 | 0:02:38 | |
Hi! Nice to meet you. | 0:02:38 | 0:02:40 | |
And you, yeah. Brian's told me a lot about you. | 0:02:40 | 0:02:42 | |
Your...rates sound very reasonable. | 0:02:42 | 0:02:45 | |
Not that he's interested in that kind of thing. | 0:02:45 | 0:02:47 | |
Not that I'm interested in that kind of thing. | 0:02:47 | 0:02:49 | |
He don't cycle both ways. | 0:02:49 | 0:02:51 | |
So, where are you going? | 0:02:51 | 0:02:54 | |
Hugh's advising me on what sort of bicycle I should get. | 0:02:54 | 0:02:56 | |
- I'm thinking top of the range. - I'm thinking top of the range. | 0:02:56 | 0:03:00 | |
Hugh runs that gay bike shop on Canal Street. | 0:03:00 | 0:03:03 | |
Homo Cycle Maniacs. | 0:03:03 | 0:03:04 | |
I thought you hated cycling. | 0:03:04 | 0:03:06 | |
Y-yeah, but the outfits are good, aren't they? | 0:03:06 | 0:03:09 | |
I don't really feel I can carry off the outfit | 0:03:09 | 0:03:11 | |
unless I'm wheeling along a top-of-the-range bike. | 0:03:11 | 0:03:14 | |
We do lesbian bikes too. Lots of baskets. | 0:03:14 | 0:03:17 | |
Some other time. | 0:03:17 | 0:03:19 | |
Come on! Let's meddle with some pedals. | 0:03:19 | 0:03:21 | |
Well, thanks for breakfast. It were a real... | 0:03:25 | 0:03:28 | |
taste implosion. | 0:03:28 | 0:03:30 | |
My pleasure. | 0:03:30 | 0:03:31 | |
- Will I see you tonight? - Uh-huh! | 0:03:31 | 0:03:33 | |
I have to start setting up for your exhibition, | 0:03:33 | 0:03:36 | |
but first we have to dismantle The Pottery Of The Perverse. | 0:03:36 | 0:03:39 | |
The removal men have to come in | 0:03:39 | 0:03:40 | |
and shift an eight-foot clay clitoris, if they can find it. | 0:03:40 | 0:03:43 | |
Listen... | 0:03:47 | 0:03:49 | |
..would you still like me if I wasn't an artist? | 0:03:50 | 0:03:53 | |
I've always liked you. You know that. | 0:03:53 | 0:03:55 | |
But now that I know that you're an artist, I feel so much closer to you. | 0:03:55 | 0:03:59 | |
Why do you want to bother putting on an exhibition of my paintings? | 0:04:06 | 0:04:10 | |
They look like a kid could have done them. | 0:04:10 | 0:04:12 | |
Hardly! | 0:04:12 | 0:04:14 | |
Hello, Derrick. Yoko. | 0:04:24 | 0:04:26 | |
Today you are walking down the stairs, Moz. | 0:04:26 | 0:04:29 | |
Ten out of ten for observation. | 0:04:29 | 0:04:31 | |
Coming in, then? | 0:04:31 | 0:04:32 | |
No, we're just going to score some weed off Nicki. | 0:04:32 | 0:04:34 | |
Nicki? | 0:04:34 | 0:04:35 | |
Well, I bought off you last time, so it seems only fair. | 0:04:35 | 0:04:39 | |
Yeah, but... | 0:04:39 | 0:04:40 | |
..Nicki's sold out. | 0:04:41 | 0:04:43 | |
On telephone, Nicki say she has £3,000 worth of cannabis. | 0:04:44 | 0:04:48 | |
Yeah...but there's been a rush on. | 0:04:48 | 0:04:51 | |
Whereas I, on the other hand, can offer you a wide range of smokables | 0:04:51 | 0:04:55 | |
in a boutique-style environment. | 0:04:55 | 0:04:57 | |
Your pregnancy's looking very, er... | 0:05:05 | 0:05:08 | |
..pregnant. | 0:05:09 | 0:05:10 | |
- Thank you. - We're very excited. | 0:05:10 | 0:05:12 | |
We are not excited. | 0:05:12 | 0:05:14 | |
Excitement is bad for baby. | 0:05:14 | 0:05:16 | |
Baby like to chill out. | 0:05:17 | 0:05:20 | |
Well, he's in right place for that. | 0:05:21 | 0:05:22 | |
It's like he's in his own isolation tank. | 0:05:22 | 0:05:25 | |
Just so long as he doesn't suffer from claustrophobia. | 0:05:25 | 0:05:28 | |
My family has no history with claustrophobic babies. | 0:05:28 | 0:05:32 | |
Good. | 0:05:33 | 0:05:35 | |
Good. | 0:05:35 | 0:05:36 | |
Can I offer you a cup of tea or coffee? | 0:05:36 | 0:05:38 | |
I know Nicki don't do extras but I like to treat my customers as friends. | 0:05:38 | 0:05:43 | |
Even the ones who actually are friends. | 0:05:43 | 0:05:46 | |
Green tea, please. | 0:05:46 | 0:05:47 | |
We only do brown tea. | 0:05:47 | 0:05:49 | |
Also I would like a glass of milk, three pieces of toast with honey, | 0:05:49 | 0:05:53 | |
a ginger-based biscuit and any cake you possess. | 0:05:53 | 0:05:57 | |
I see Yoko's still a bit mentally mentally. | 0:06:00 | 0:06:02 | |
- Yeah, can't do anything right for her. - In what way? | 0:06:02 | 0:06:05 | |
Everything I do just seems to irritate her. | 0:06:05 | 0:06:08 | |
I mean you know me, Moz. | 0:06:08 | 0:06:09 | |
I'm about as far away from irritating as you can get. | 0:06:09 | 0:06:13 | |
- Mm... - She doesn't like my tone of voice, | 0:06:13 | 0:06:15 | |
she doesn't like my clothes, | 0:06:15 | 0:06:16 | |
she doesn't like the way I come into a room, she doesn't like the way I eat, | 0:06:16 | 0:06:19 | |
she doesn't like the way I leave a room. | 0:06:19 | 0:06:21 | |
But... | 0:06:21 | 0:06:23 | |
I love it when you leave a room. | 0:06:23 | 0:06:25 | |
Cheers, mate, yeah. Wish I was married to you. | 0:06:25 | 0:06:28 | |
Do ya? | 0:06:28 | 0:06:29 | |
Oh, well, might be a bit late for that one. | 0:06:29 | 0:06:32 | |
I've met someone. | 0:06:32 | 0:06:34 | |
I'm so excited, Derrick. I've got to tell you. | 0:06:34 | 0:06:37 | |
I think I'm in love. | 0:06:37 | 0:06:39 | |
Bit soon, isn't it? | 0:06:39 | 0:06:41 | |
Don't you think you should spend a bit more time moping over Jenny? | 0:06:41 | 0:06:43 | |
No, I've got to move on. | 0:06:43 | 0:06:46 | |
You know, find the inner me, wave him about a bit. | 0:06:46 | 0:06:49 | |
Hey, think the lady in question might like me too. | 0:06:49 | 0:06:52 | |
Wait. So you love her but you think she might like you. That's a bit weird. | 0:06:52 | 0:06:59 | |
No, you wouldn't understand. | 0:06:59 | 0:07:01 | |
- Have you slept with her? - No. | 0:07:01 | 0:07:03 | |
- Are you stalking her? - No! God, I wish I'd never mentioned it. | 0:07:03 | 0:07:06 | |
Sounds like it's all in your head, matey. | 0:07:06 | 0:07:08 | |
It's not in my head. | 0:07:08 | 0:07:10 | |
Are you not even going to ask me who it is? | 0:07:10 | 0:07:12 | |
No, it's wrong to pry. | 0:07:12 | 0:07:14 | |
It's Tilly upstairs. | 0:07:14 | 0:07:15 | |
You are making it up. | 0:07:15 | 0:07:17 | |
(SILENT SCREAM) | 0:07:49 | 0:07:53 | |
Derrick, why do you come into the room like that? | 0:07:54 | 0:07:57 | |
(KNOCKS) | 0:08:12 | 0:08:13 | |
Well, I've got it all sorted. | 0:08:22 | 0:08:25 | |
All what? | 0:08:25 | 0:08:27 | |
This Friday, | 0:08:27 | 0:08:29 | |
I've arranged for a bunch of bobbies to bob round Nicki's and bust her. | 0:08:29 | 0:08:33 | |
Nicely nicely! | 0:08:33 | 0:08:34 | |
Hey, just out of interest, | 0:08:34 | 0:08:38 | |
what's going to happen to Nicki's house | 0:08:38 | 0:08:40 | |
full of skunk plants in Broadbottom? | 0:08:40 | 0:08:42 | |
Will it be cropping up on Grand Designs? | 0:08:42 | 0:08:45 | |
While the boys are busy doing the bust, | 0:08:45 | 0:08:47 | |
I'll be there having a quick harvest. | 0:08:47 | 0:08:49 | |
Ah! | 0:08:49 | 0:08:50 | |
Then I sell it, then soon we're both knee deep in quids. | 0:08:50 | 0:08:55 | |
Not straightaway, though. | 0:08:55 | 0:08:57 | |
If Red Mist get wind that you're big time... | 0:08:57 | 0:09:01 | |
They have me head off and my neck stump stuffed full of Caramacs. | 0:09:01 | 0:09:04 | |
Precisely. | 0:09:04 | 0:09:05 | |
Where are you gonna store it? Under your hat? | 0:09:05 | 0:09:08 | |
I reckon must be about half a tonne of skunk. | 0:09:08 | 0:09:13 | |
We're gonna need a bigger hat. | 0:09:14 | 0:09:16 | |
We'll hire a skip... | 0:09:16 | 0:09:18 | |
..put it in police station car park with a tarp over it, should be safe enough. | 0:09:19 | 0:09:24 | |
I love this country. | 0:09:24 | 0:09:26 | |
Here! Here, little man! Little ear mouse! | 0:09:27 | 0:09:33 | |
- Come here. - (KNOCK AT DOOR) | 0:09:33 | 0:09:35 | |
It's Jake. | 0:09:38 | 0:09:40 | |
I was worried about you. | 0:09:40 | 0:09:42 | |
You said you were in danger. | 0:09:42 | 0:09:44 | |
I've been in danger ever since I joined the Red Mist. | 0:09:46 | 0:09:49 | |
The Red Mist? That's a myth. | 0:09:49 | 0:09:52 | |
A scarlet fog that devours human flesh? Of course it's a myth. | 0:09:52 | 0:09:56 | |
It's a secret society just for gingers. | 0:09:56 | 0:09:59 | |
They've got their own laws, their own rituals. | 0:09:59 | 0:10:02 | |
Rituals? | 0:10:02 | 0:10:03 | |
You mean... | 0:10:03 | 0:10:05 | |
like morris dancing? | 0:10:05 | 0:10:07 | |
Worse than that. | 0:10:08 | 0:10:09 | |
They're evil. | 0:10:09 | 0:10:11 | |
So why did you join them? | 0:10:11 | 0:10:12 | |
Psycho Paul's gang nearly beat me to death. | 0:10:15 | 0:10:18 | |
And the Red Mist took me in. | 0:10:19 | 0:10:21 | |
Got me private medical attention, gave me money, | 0:10:23 | 0:10:26 | |
flash apartment, a Porsche, really big iPod. | 0:10:26 | 0:10:31 | |
I can have anything I want. All I've got to do is ask. | 0:10:32 | 0:10:35 | |
In, seriously? Why? | 0:10:35 | 0:10:38 | |
Cos I'm the perfect ginger. | 0:10:41 | 0:10:43 | |
Really? | 0:10:44 | 0:10:46 | |
Because I've met a few other ginger guys who are a little more... | 0:10:47 | 0:10:51 | |
They treat me like a celebrity. | 0:10:51 | 0:10:53 | |
One that people actually like. | 0:10:53 | 0:10:56 | |
Why? What's in it for them? | 0:10:56 | 0:10:58 | |
After six months, I give it all up, hand myself over to the Red King... | 0:11:00 | 0:11:06 | |
..as a human sacrifice. | 0:11:07 | 0:11:09 | |
Oh... | 0:11:09 | 0:11:11 | |
And that six months is up? | 0:11:12 | 0:11:14 | |
Tomorrow. | 0:11:14 | 0:11:16 | |
Bummer. | 0:11:19 | 0:11:20 | |
How's, er, Tilly upstairs? | 0:11:22 | 0:11:25 | |
Hey! | 0:11:25 | 0:11:27 | |
I told you - hands off. | 0:11:27 | 0:11:29 | |
I only asked you how she is. | 0:11:29 | 0:11:32 | |
She's wonderful, as it goes. | 0:11:32 | 0:11:34 | |
In fact, our relationship's going to the next stage. | 0:11:34 | 0:11:38 | |
What? You going out together? | 0:11:38 | 0:11:41 | |
Just about to start. | 0:11:41 | 0:11:43 | |
Does she know that? | 0:11:43 | 0:11:44 | |
Yeah. | 0:11:44 | 0:11:46 | |
Are you stalking her? | 0:11:46 | 0:11:47 | |
No! | 0:11:47 | 0:11:49 | |
You are, aren't you? | 0:11:49 | 0:11:51 | |
- No! - I should hope not. | 0:11:51 | 0:11:53 | |
Cos I reckon if I have a bit of a Google, there's laws against that. | 0:11:53 | 0:11:56 | |
I'm not stalking her. | 0:11:56 | 0:11:58 | |
It's actually...beautiful and romantic. | 0:11:58 | 0:12:02 | |
I nearly shagged her last night. | 0:12:02 | 0:12:05 | |
I were willing. | 0:12:07 | 0:12:08 | |
If I had a pound for every woman that I were willing to sleep with, | 0:12:08 | 0:12:13 | |
I'd be a multimillionaire. | 0:12:13 | 0:12:16 | |
All right, cockerfeller! | 0:12:16 | 0:12:17 | |
POLICE RADIO: Gunfight in progress at the Arndale Centre. | 0:12:17 | 0:12:21 | |
Eh! I reckon I might pop along to that. | 0:12:21 | 0:12:25 | |
Sometimes you can pick up a nice little bargain in the chaos. | 0:12:25 | 0:12:30 | |
I have to go. | 0:12:31 | 0:12:32 | |
Lots to sort out before my sacrifice. | 0:12:32 | 0:12:35 | |
So you're just going to let them kill you? | 0:12:35 | 0:12:37 | |
I owe them my life. | 0:12:37 | 0:12:39 | |
Jake, promise me you'll run away. | 0:12:39 | 0:12:42 | |
Promise me you'll come with me. | 0:12:42 | 0:12:43 | |
- (KNOCK ON DOOR) - Bye, then. | 0:12:43 | 0:12:46 | |
You mucky beggar! | 0:12:49 | 0:12:51 | |
I'm Jake. | 0:12:53 | 0:12:54 | |
Yeah, I know who you are and I know what you've been up to. | 0:12:54 | 0:12:56 | |
That is my wife. | 0:12:58 | 0:13:00 | |
I really don't think it's a good idea for you to keep calling here. | 0:13:01 | 0:13:04 | |
The clients don't come to be insulted. | 0:13:04 | 0:13:07 | |
Some of them do, but by me. | 0:13:07 | 0:13:09 | |
I want to... | 0:13:09 | 0:13:11 | |
..employ you. | 0:13:12 | 0:13:13 | |
What? | 0:13:13 | 0:13:14 | |
Three hundred quid. | 0:13:17 | 0:13:18 | |
That's good for three hours of my wife's time, innit? | 0:13:18 | 0:13:21 | |
It won't make you happy. | 0:13:21 | 0:13:22 | |
It will. | 0:13:22 | 0:13:24 | |
I want three hours' worth of happy, please. | 0:13:24 | 0:13:26 | |
OK. | 0:13:29 | 0:13:30 | |
But you have to promise not to critify me. | 0:13:33 | 0:13:36 | |
I promise not to critify. | 0:13:36 | 0:13:38 | |
So, how's life in your warden-assisted flat? | 0:13:44 | 0:13:47 | |
Oh, ever so good, Moz. | 0:13:47 | 0:13:49 | |
If you need anything sorting out, all you have to do is tell the warden | 0:13:49 | 0:13:55 | |
and you go straight on that waiting list - no mucking about. | 0:13:55 | 0:14:00 | |
It's smashing, kiddo. It's like living in a tiny, tiny palace. | 0:14:00 | 0:14:03 | |
Eh, I had a warden when I were in prison. | 0:14:03 | 0:14:06 | |
For four days. | 0:14:06 | 0:14:08 | |
Prison's still prison, no matter how long you're in there for. | 0:14:08 | 0:14:10 | |
Hark at birdbrain of Alcatraz! | 0:14:10 | 0:14:13 | |
Dad's spent half his life in prison and he never mentions it. | 0:14:13 | 0:14:16 | |
Keith... | 0:14:16 | 0:14:18 | |
..what's he mean, you spent half your life in prison? | 0:14:19 | 0:14:21 | |
You told me you'd done two weeks for accidental arson. | 0:14:21 | 0:14:25 | |
I know, kitten, I did. | 0:14:25 | 0:14:27 | |
But Moz means for me charity work, you know, with me... | 0:14:27 | 0:14:30 | |
..broth. | 0:14:31 | 0:14:32 | |
Broth? | 0:14:33 | 0:14:35 | |
You hand out broth to prisoners? | 0:14:36 | 0:14:39 | |
Yeah, that, and I teach 'em how to make... | 0:14:39 | 0:14:43 | |
..broth. | 0:14:44 | 0:14:45 | |
- CAROL: Oh! You're such a good man. - (HE MOUTHS) | 0:14:45 | 0:14:49 | |
You'll have to cook me one of your broths. | 0:14:49 | 0:14:52 | |
Course I will, kitten. | 0:14:52 | 0:14:54 | |
(HE MOUTHS) | 0:14:54 | 0:14:55 | |
- (MOZ MOUTHS) - TROY: Hey! | 0:14:55 | 0:14:57 | |
Donna said she might pop round. | 0:14:57 | 0:15:00 | |
Donna? | 0:15:00 | 0:15:01 | |
Coming round here? | 0:15:02 | 0:15:03 | |
Not sure we're properly insured for that. | 0:15:05 | 0:15:07 | |
Who's Donna? | 0:15:07 | 0:15:08 | |
Me wife. | 0:15:09 | 0:15:10 | |
I didn't know you were married, son. | 0:15:10 | 0:15:13 | |
Hey, congratulations! | 0:15:13 | 0:15:15 | |
When was the happy day? | 0:15:15 | 0:15:17 | |
Eight years ago. | 0:15:17 | 0:15:19 | |
Not been many happy days since then, mind. | 0:15:19 | 0:15:20 | |
Eh? Me and Donna are enjoying a good patch at the moment. | 0:15:20 | 0:15:23 | |
- Really? - Yeah. | 0:15:23 | 0:15:25 | |
It's been weeks since she stabbed me. | 0:15:25 | 0:15:27 | |
Aw! She sounds sweet. | 0:15:27 | 0:15:31 | |
(KNOCKING) | 0:15:31 | 0:15:32 | |
What's kept you? I've been stood here for pissing ages. | 0:15:32 | 0:15:36 | |
- You've only just knocked. - I shouldn't have to knock. | 0:15:36 | 0:15:38 | |
You should be looking out for us. | 0:15:38 | 0:15:39 | |
Soz. | 0:15:41 | 0:15:42 | |
All right, Donna? | 0:15:44 | 0:15:45 | |
How're you doing? | 0:15:45 | 0:15:47 | |
I haven't seen you since that night you... | 0:15:47 | 0:15:49 | |
headbutted your cat. | 0:15:49 | 0:15:51 | |
You've lost weight, Moz. | 0:15:51 | 0:15:52 | |
Thanks. | 0:15:52 | 0:15:53 | |
Still fat, mind. | 0:15:53 | 0:15:54 | |
I'm Keith. | 0:15:54 | 0:15:56 | |
- I'm Troy's dad. - Troy says you used to be a twat | 0:15:56 | 0:15:59 | |
- but now you're not so bad. - Did he? Thanks, son. | 0:15:59 | 0:16:02 | |
Hi, Donna. I'm Carol. I'm Keith's girlfriend. | 0:16:02 | 0:16:07 | |
Troy says you're blind as a bat. | 0:16:07 | 0:16:08 | |
That's right. Can't see a thing. | 0:16:08 | 0:16:10 | |
You're not missing much. Telly's shite these days. | 0:16:10 | 0:16:12 | |
Hey! We went blind once, remember? | 0:16:12 | 0:16:14 | |
When we got them E's off that scouser with one finger. | 0:16:14 | 0:16:17 | |
Now that were a proper night out. | 0:16:17 | 0:16:20 | |
Can I get you a drink, Donna? | 0:16:22 | 0:16:24 | |
I know they say it brings out the worst in people but... | 0:16:24 | 0:16:28 | |
what've we got to lose? | 0:16:28 | 0:16:29 | |
Red Bull with Baileys and cider, ta. | 0:16:29 | 0:16:31 | |
Wine or beer? | 0:16:31 | 0:16:33 | |
It's a good job someone were thinking ahead, weren't it? | 0:16:34 | 0:16:37 | |
Cider. | 0:16:39 | 0:16:40 | |
Baileys. | 0:16:43 | 0:16:44 | |
Red Bull. | 0:16:44 | 0:16:46 | |
And, for them what needs a chaser... | 0:16:47 | 0:16:50 | |
..meths. | 0:16:51 | 0:16:52 | |
Why, ambassador, you are despoiling us. | 0:16:52 | 0:16:55 | |
All right? | 0:16:59 | 0:17:00 | |
(SHOUTS) Jess, it's Cartoon Head. | 0:17:00 | 0:17:03 | |
JESS: Coming! | 0:17:03 | 0:17:04 | |
What do you want? | 0:17:06 | 0:17:07 | |
Can I use your toilet? | 0:17:07 | 0:17:09 | |
This isn't a service station. | 0:17:09 | 0:17:12 | |
Go on, then, but be quick. | 0:17:12 | 0:17:14 | |
Thanks. | 0:17:15 | 0:17:16 | |
- Where're you two off to, then? - Not sure. | 0:17:24 | 0:17:26 | |
It's not about where you go. It's about how drunk you get when you're there. | 0:17:26 | 0:17:29 | |
- Yeah, well, you be careful. - Yeah, whatevs. | 0:17:32 | 0:17:36 | |
Hello. | 0:17:53 | 0:17:54 | |
You all right, blud? | 0:17:54 | 0:17:56 | |
Thought you'd never get here. | 0:17:57 | 0:17:59 | |
So where d'you wanna go? | 0:18:12 | 0:18:14 | |
Zyklon B's is doing non-stop Future Skool and half-price vodka yoghurts. | 0:18:14 | 0:18:18 | |
Mm-hm... | 0:18:19 | 0:18:21 | |
- So... Sorry. - What do you want? | 0:18:21 | 0:18:24 | |
I want you home. Plastic Face wants you home. | 0:18:25 | 0:18:28 | |
I don't know how you can live with yourself. | 0:18:33 | 0:18:36 | |
I don't know how he could live with you. | 0:18:38 | 0:18:40 | |
(GASPS) | 0:18:40 | 0:18:42 | |
What are we gonna do? | 0:18:44 | 0:18:47 | |
(GURGLES) | 0:18:47 | 0:18:49 | |
No, Plastic Face! | 0:18:52 | 0:18:53 | |
Disembowelling's too good for him. | 0:18:53 | 0:18:56 | |
- Sorry. - (GURGLES) | 0:18:56 | 0:18:58 | |
Troy says since Jenny dumped you, you've just been moping around. | 0:18:59 | 0:19:03 | |
Haven't been moping around. | 0:19:03 | 0:19:05 | |
In fact... | 0:19:05 | 0:19:06 | |
..I've met someone else. | 0:19:08 | 0:19:10 | |
Oh, yeah. | 0:19:10 | 0:19:11 | |
Who've you tricked into liking you now? | 0:19:11 | 0:19:14 | |
No tricks involved. This is genuine magic. | 0:19:14 | 0:19:17 | |
Who is she, son? | 0:19:17 | 0:19:19 | |
Tilly. | 0:19:20 | 0:19:21 | |
The American lass upstairs. | 0:19:21 | 0:19:23 | |
Oh, she's lovely. | 0:19:23 | 0:19:26 | |
I really like the feel of her chin. | 0:19:26 | 0:19:29 | |
Hang on. Didn't you tell me she was a lesbian? | 0:19:29 | 0:19:33 | |
Yeah, but... | 0:19:33 | 0:19:34 | |
..the lock ain't been made that I can't unpick. | 0:19:35 | 0:19:38 | |
So how long you been seeing this lucky lesbian? | 0:19:38 | 0:19:41 | |
- It's... It's early days. - So how long? | 0:19:41 | 0:19:45 | |
Well, even now it's just... | 0:19:45 | 0:19:48 | |
..starting. | 0:19:49 | 0:19:51 | |
Even as we're speaking it's...starting. | 0:19:51 | 0:19:54 | |
- You stalking her? - No. | 0:19:54 | 0:19:56 | |
Sounds like stalking talk to me. | 0:19:56 | 0:19:58 | |
I'm not stalking her. | 0:19:58 | 0:19:59 | |
We've been friends for months | 0:19:59 | 0:20:01 | |
and now that friendship has blossomed into something... | 0:20:01 | 0:20:06 | |
else. | 0:20:06 | 0:20:07 | |
- Obsession. - Yeah! | 0:20:07 | 0:20:09 | |
- Love. - Calm down, son. Don't get het up. | 0:20:09 | 0:20:12 | |
I'm just pleased you've found someone you love. | 0:20:12 | 0:20:14 | |
Thank you. | 0:20:14 | 0:20:16 | |
Does she love you? | 0:20:16 | 0:20:18 | |
I don't know. | 0:20:20 | 0:20:21 | |
Oh! This is sounding a bit stalky now. | 0:20:21 | 0:20:25 | |
But on the other hand, maybe it's too soon to start a new relationship. | 0:20:34 | 0:20:37 | |
Well, those outsider artists are quite fascinating, though, | 0:20:37 | 0:20:41 | |
- specially the overweight ones. - I know. | 0:20:41 | 0:20:45 | |
He's not like anyone else I've ever met. He's part innocent, part criminal. | 0:20:45 | 0:20:48 | |
A crimocent? | 0:20:48 | 0:20:49 | |
I've been choreographing a dance piece about crimocents. | 0:20:49 | 0:20:53 | |
(INTERCOM BUZZES) | 0:20:54 | 0:20:55 | |
- Hello. - Hiya, Tilly. It's Moz. | 0:20:57 | 0:21:00 | |
Hey, Moz, come on up. | 0:21:00 | 0:21:02 | |
I'll leave you two to it. | 0:21:04 | 0:21:05 | |
Thanks. I'll see you at the private view. | 0:21:05 | 0:21:07 | |
OK. | 0:21:07 | 0:21:08 | |
Hi! | 0:21:08 | 0:21:09 | |
You remember Astrid? | 0:21:09 | 0:21:10 | |
Yeah! Course! You're, er... | 0:21:10 | 0:21:13 | |
..clever. | 0:21:15 | 0:21:16 | |
Yes. | 0:21:16 | 0:21:18 | |
I've been helping Tilly hang your paintings. | 0:21:18 | 0:21:20 | |
Hanging's all they're fit for. | 0:21:20 | 0:21:23 | |
Oh, no, Moz. I'm not prone to exaggeration | 0:21:23 | 0:21:25 | |
but I think you are a far greater artist than Picasso. | 0:21:25 | 0:21:27 | |
Cheers, petal! | 0:21:30 | 0:21:32 | |
Goodbye. Bye, Tilly. | 0:21:32 | 0:21:34 | |
Come on. Sit down. | 0:21:35 | 0:21:36 | |
- So how are you? - I'm sound. | 0:21:40 | 0:21:43 | |
It's just... It's good to see you. | 0:21:43 | 0:21:47 | |
I know. | 0:21:47 | 0:21:48 | |
Thrilling times. | 0:21:48 | 0:21:50 | |
Thrilling times. Definitely. | 0:21:50 | 0:21:52 | |
If I was you, I'd be getting very excited about my opening. | 0:21:52 | 0:21:56 | |
Your...opening. | 0:22:00 | 0:22:02 | |
Your opening. | 0:22:02 | 0:22:04 | |
I don't really have a... | 0:22:04 | 0:22:06 | |
- Your exhibition opening. - Oh, yeah! | 0:22:06 | 0:22:09 | |
- Yeah! - Course! | 0:22:09 | 0:22:10 | |
It's very exciting. I'm thrilled to bits and pieces. | 0:22:10 | 0:22:13 | |
This is going to change your life for ever. | 0:22:13 | 0:22:15 | |
Is it? | 0:22:15 | 0:22:17 | |
Think about it. You've been selling weed for most of your life. | 0:22:17 | 0:22:20 | |
Now, finally, you're going to be doing something honest, | 0:22:20 | 0:22:23 | |
selling paintings like that for thousands of pounds. | 0:22:23 | 0:22:26 | |
# All right, happy now | 0:22:30 | 0:22:32 | |
# All right, happy now All right... # | 0:22:32 | 0:22:35 | |
You make me very happy. | 0:22:35 | 0:22:37 | |
Yeah? | 0:22:37 | 0:22:38 | |
And you me. | 0:22:38 | 0:22:40 | |
What about people who say you're too old to have a boyfriend my age? | 0:22:42 | 0:22:47 | |
To those people, I say... | 0:22:53 | 0:22:56 | |
fuck off! | 0:22:56 | 0:22:58 | |
And I tell you another thing. | 0:22:58 | 0:23:00 | |
Your velvety clasp is proper comfy. | 0:23:02 | 0:23:07 | |
Is it? | 0:23:09 | 0:23:10 | |
Good! | 0:23:12 | 0:23:14 | |
# ...Happy now All right | 0:23:14 | 0:23:15 | |
# Happy now... # | 0:23:15 | 0:23:17 | |
Thanks. | 0:23:18 | 0:23:20 | |
That really took me back. | 0:23:21 | 0:23:23 | |
Did you, um... | 0:23:26 | 0:23:27 | |
Did you enjoy yourself? | 0:23:27 | 0:23:29 | |
Sure. | 0:23:31 | 0:23:32 | |
Honestly? | 0:23:34 | 0:23:35 | |
I always enjoy myself. | 0:23:37 | 0:23:39 | |
Because I do most of the work and I know what I like. | 0:23:41 | 0:23:44 | |
Did I not contribute anything, then? | 0:23:46 | 0:23:49 | |
Was I just...ballast? | 0:23:49 | 0:23:52 | |
What is ballast? | 0:23:53 | 0:23:54 | |
It's... It's... | 0:23:54 | 0:23:56 | |
It's something that holds another thing down. | 0:23:56 | 0:24:00 | |
Ah, OK. | 0:24:00 | 0:24:02 | |
Then yes. | 0:24:02 | 0:24:04 | |
Oh. | 0:24:04 | 0:24:05 | |
Well, I suppose there's good ballast and there's bad ballast, ain't there? | 0:24:07 | 0:24:11 | |
Of course. There's big ballast | 0:24:11 | 0:24:14 | |
- and small ballast. - Shall we just leave it there? | 0:24:14 | 0:24:16 | |
Why did we split up? | 0:24:22 | 0:24:23 | |
Because you took me for granted. | 0:24:26 | 0:24:28 | |
I would have expected that from my first two husbands but not from you. | 0:24:29 | 0:24:33 | |
Your first two husbands? | 0:24:34 | 0:24:37 | |
You know what, Tilly? I've been thinking about you all day. | 0:24:44 | 0:24:48 | |
I've been thinking about you every single second. | 0:24:48 | 0:24:51 | |
You know, not in an obsessive way. | 0:24:51 | 0:24:54 | |
Oh, I'm flattered. | 0:24:54 | 0:24:57 | |
I mean, you know... | 0:24:57 | 0:24:58 | |
most people have been saying to me, "You're obsessed!" | 0:24:58 | 0:25:01 | |
What people? | 0:25:01 | 0:25:02 | |
- Idiots. - Which idiots? | 0:25:02 | 0:25:04 | |
Well, I told a few family members and then I told a few...idiots | 0:25:04 | 0:25:08 | |
that me and you were... | 0:25:08 | 0:25:10 | |
- getting it on. - You've been telling people? | 0:25:10 | 0:25:12 | |
Well, I'm sorry. I shouldn't have done it. I realise that now. | 0:25:13 | 0:25:18 | |
I'm a moron. Look... | 0:25:18 | 0:25:19 | |
It's fine. I've been telling people too. Most of them tried to talk me out of it. | 0:25:19 | 0:25:24 | |
- Really? - Mm-hm. | 0:25:24 | 0:25:25 | |
That's great news. | 0:25:25 | 0:25:27 | |
CARMEL: My first husband was a doctor. | 0:25:32 | 0:25:35 | |
Very rich, very respected. | 0:25:35 | 0:25:38 | |
He was 40. I was 19. | 0:25:38 | 0:25:42 | |
The mucky beggar! | 0:25:42 | 0:25:44 | |
My family was very poor. | 0:25:44 | 0:25:46 | |
When I married him, they didn't have to worry any more. | 0:25:46 | 0:25:49 | |
But then he died in a car accident. | 0:25:49 | 0:25:52 | |
- And you inherited his fortune? - No. | 0:25:52 | 0:25:55 | |
He left all his money to a lobster sanctuary. | 0:25:55 | 0:25:58 | |
Oh! | 0:25:59 | 0:26:00 | |
My second husband was an architect. | 0:26:00 | 0:26:03 | |
Rich, handsome, famous. | 0:26:03 | 0:26:07 | |
He was 50, I was 21. | 0:26:07 | 0:26:10 | |
The filthy bastard! | 0:26:10 | 0:26:12 | |
No! | 0:26:12 | 0:26:13 | |
He was kind and gentle. | 0:26:13 | 0:26:16 | |
Treated me like a princess. | 0:26:16 | 0:26:18 | |
But then he went bankrupt, | 0:26:18 | 0:26:20 | |
committed suicide. | 0:26:20 | 0:26:22 | |
I lost everything, had to start working as a prostitute. | 0:26:22 | 0:26:25 | |
Probably better off without him. | 0:26:26 | 0:26:28 | |
Then I came to England, got kidnapped, | 0:26:32 | 0:26:34 | |
lost my memory, met you. | 0:26:34 | 0:26:37 | |
You tricked me into thinking we were already a couple. | 0:26:38 | 0:26:41 | |
Then I fell in love with you. Ah, the rest you know. | 0:26:41 | 0:26:47 | |
Yeah. | 0:26:47 | 0:26:48 | |
- (ALARM BEEPS) - OK, time's up. | 0:26:53 | 0:26:55 | |
(WHISPERS) Tilly. | 0:27:04 | 0:27:05 | |
You're my muesli. | 0:27:05 | 0:27:08 | |
Muesli? | 0:27:08 | 0:27:09 | |
Not muesli. Muse! | 0:27:09 | 0:27:12 | |
Oh, wow! I've never been anyone's muse before, or muesli. | 0:27:13 | 0:27:16 | |
- Mm, you're my first. - Mm! | 0:27:16 | 0:27:19 | |
Before we go any further, | 0:27:25 | 0:27:27 | |
I have to ask again... are we sure we want to do this? | 0:27:27 | 0:27:31 | |
Abso-posi-lutely! | 0:27:31 | 0:27:33 | |
Tilly... | 0:27:33 | 0:27:35 | |
what are you worried about? | 0:27:35 | 0:27:36 | |
I'm worried about our professional relationship. | 0:27:36 | 0:27:39 | |
Huh? | 0:27:39 | 0:27:41 | |
Our professional relationship. You're an artist. I'm your patron. | 0:27:41 | 0:27:44 | |
I don't know if I can sleep with you and patronise you. | 0:27:44 | 0:27:47 | |
Don't worry. | 0:27:47 | 0:27:49 | |
It's worked before. | 0:27:49 | 0:27:52 | |
We have a warrant to search the premises. | 0:27:59 | 0:28:01 | |
When the Red Mist descends, it always claims its victim. | 0:28:01 | 0:28:05 | |
- So I'm safe now. - (GUNSHOT) | 0:28:05 | 0:28:07 | |
Ambulance, please. | 0:28:07 | 0:28:07 | |
- You need to sit down. - Quite exciting! | 0:28:07 | 0:28:10 |