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Welcome to Just a Minute. | 0:00:00 | 0:00:02 | |
APPLAUSE | 0:00:02 | 0:00:05 | |
Hello, my name's Nicholas Parsons and as the Minute Waltz fades away, | 0:00:12 | 0:00:17 | |
it's my great pleasure to welcome you to this special edition of Just a Minute from BBC Television Centre. | 0:00:17 | 0:00:23 | |
Every day I'll be joined by four fantastic guests to play this | 0:00:23 | 0:00:27 | |
amazing game, the rules of which take just a minute to learn, | 0:00:27 | 0:00:31 | |
but years to master. The players will try to speak for just a minute on a subject | 0:00:31 | 0:00:35 | |
that I give them and they must try and do that without hesitation, | 0:00:35 | 0:00:38 | |
repetition or deviation. | 0:00:38 | 0:00:40 | |
And by the way, they can repeat the subject on the card. | 0:00:40 | 0:00:44 | |
So, without further ado, please welcome the four wonderful, | 0:00:44 | 0:00:48 | |
talented performers who this week are going to play Just a Minute. | 0:00:48 | 0:00:51 | |
And they are, seated on my right, Paul Merton and Julian Clary, | 0:00:51 | 0:00:54 | |
and seated on my left, Russell Tovey and Stephen Fry. | 0:00:54 | 0:00:58 | |
Please welcome all four of them. | 0:00:58 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
And to begin the show, Stephen, we'd like you to start off this time, | 0:01:05 | 0:01:09 | |
and the subject is, ooh, tongue twisters. | 0:01:09 | 0:01:13 | |
Tell us something about that in this game starting now. | 0:01:13 | 0:01:16 | |
One of my favourite tongue twisters is actually French. | 0:01:16 | 0:01:18 | |
In the Gallic language, if you say 'Dido', as in Queen of Carthage, | 0:01:18 | 0:01:23 | |
dined, they say, off the back of an enormous turkey, | 0:01:23 | 0:01:27 | |
it's rendered as "Dido dit-on dinait d'os du dos du dodu dindon", which is not bad. | 0:01:27 | 0:01:32 | |
"The seething sea ceaseth and thus sufficeth us." | 0:01:32 | 0:01:35 | |
It's quite a tough one to say. BUZZER RINGS | 0:01:35 | 0:01:38 | |
-Julian's challenge. -Was it? Was it repetition of 'one'? | 0:01:38 | 0:01:45 | |
-Yes, you did say 'one' before. -Did I? | 0:01:45 | 0:01:46 | |
Yes, but I don't know why you didn't challenge him for that "D-d-d-d-d-d-d..." | 0:01:46 | 0:01:50 | |
-And that as well. -That wasn't repetition. They were all different words. | 0:01:50 | 0:01:54 | |
"Dido dit-on dinait d'os du dos du dodu dindon." | 0:01:54 | 0:01:57 | |
APPLAUSE They're all different words. | 0:01:57 | 0:02:01 | |
And that's also the theme tune to The Archers. | 0:02:01 | 0:02:05 | |
Julian, a correct challenge, so you get a point for that. | 0:02:08 | 0:02:12 | |
You have 39 seconds still available. Tongue twisters, starting now. | 0:02:12 | 0:02:15 | |
I won't be doing any French tongue twisters. How about this one? | 0:02:15 | 0:02:19 | |
-Peter Piper picked a pack of peanuts. -BUZZER RINGS | 0:02:19 | 0:02:22 | |
-Oh, sorry. -Stephen? -I thought he was going to say the proper one. | 0:02:22 | 0:02:25 | |
I thought he had mis-said 'peck'. | 0:02:25 | 0:02:28 | |
-He wrongfooted me rather brilliantly there. -No, no. | 0:02:28 | 0:02:31 | |
Incorrect challenge. So Julian, you have another point. | 0:02:31 | 0:02:34 | |
You have 32 seconds starting now. | 0:02:34 | 0:02:37 | |
Tongue twisters are very useful. I believe if you go to drama school, | 0:02:37 | 0:02:40 | |
it teaches you how to enunciate properly which will be a boon when you take to the stage | 0:02:40 | 0:02:45 | |
as part of your professional career, or in films. | 0:02:45 | 0:02:48 | |
You don't want to be tripping over your words and not being able | 0:02:48 | 0:02:52 | |
to talk like a proper, professional member of your profession would. | 0:02:52 | 0:02:57 | |
You wouldn't get any work and your agent would phone you up and say "I'm sorry..." | 0:02:57 | 0:03:01 | |
-BUZZER RINGS -Stephen's challenge. | 0:03:01 | 0:03:05 | |
-There were five woulds there. Too many, I think. -All right, we'd let one go, | 0:03:05 | 0:03:08 | |
but there were four or five there. | 0:03:08 | 0:03:10 | |
Well, one's all right. | 0:03:10 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:14 | |
-Two is repetition. -Stephen, correct challenge. | 0:03:14 | 0:03:18 | |
And you've got in cleverly with only seven seconds to go | 0:03:18 | 0:03:22 | |
on tongue twisters, starting now. | 0:03:22 | 0:03:24 | |
As a child, I spoke far too quickly and had to have elocution lessons | 0:03:24 | 0:03:28 | |
in order to slow me down because nobody understood a word I said. | 0:03:28 | 0:03:31 | |
Thus, tongue twisters were something... WHISTLE BLOWS | 0:03:31 | 0:03:34 | |
APPLAUSE | 0:03:34 | 0:03:36 | |
In this game, whoever is speaking when the whistle goes gains an extra point. | 0:03:37 | 0:03:42 | |
On this occasion, it was Stephen Fry, so at the end | 0:03:42 | 0:03:45 | |
of the first round, he is in the lead alongside Julian Clary. | 0:03:45 | 0:03:48 | |
And let's move on. Julian, we'd like you to begin this next round, oh, | 0:03:48 | 0:03:52 | |
a delightful subject, my first day at school. | 0:03:52 | 0:03:55 | |
-60 seconds as usual, starting now. -I remember my first day at school. | 0:03:55 | 0:04:00 | |
I wandered down the corridor and I couldn't find my classroom. | 0:04:00 | 0:04:04 | |
Eventually, a woman who turned out to be the headmistress, | 0:04:04 | 0:04:07 | |
called Miss Kennefick, said "Boy, what's your problem?" | 0:04:07 | 0:04:11 | |
Don't look at me like that. And I said, | 0:04:11 | 0:04:14 | |
"Well, I'm afraid I'm lost." | 0:04:14 | 0:04:17 | |
And I was then put on a trolley and taken by wheel... | 0:04:17 | 0:04:22 | |
BUZZER RINGS | 0:04:22 | 0:04:24 | |
Paul, you've challenged. What's your challenge? | 0:04:24 | 0:04:28 | |
-Hesitation. -Yes, it was. He deserves to hesitate after that. On a wheel? You were taken by wheel? | 0:04:28 | 0:04:33 | |
I was on a trolley and I made that up. It just came from nowhere. | 0:04:33 | 0:04:36 | |
Right. It's correct, Paul. So you have a point. And 36 seconds. | 0:04:39 | 0:04:43 | |
-My first day of school, starting now. -Always the first day at school seems to be a day of paranoia, | 0:04:43 | 0:04:49 | |
a strange building, unusual faces, people you don't know. | 0:04:49 | 0:04:53 | |
And you suddenly think, "I must pull myself together. | 0:04:53 | 0:04:56 | |
"I'm the deputy headmaster." | 0:04:56 | 0:04:57 | |
And so you wander across the playground and you say to the pupils arraigned in front of you, | 0:04:57 | 0:05:02 | |
"You are a beautiful boy. | 0:05:02 | 0:05:04 | |
"What are you doing on that trolley? Take that wheel." And they do. | 0:05:04 | 0:05:07 | |
And I noticed that all the other pupils around me look up to me | 0:05:07 | 0:05:10 | |
and they say, "You are the backbone of this educational institution. You..." | 0:05:10 | 0:05:14 | |
-BUZZER RINGS -..are repeating yourself. | 0:05:14 | 0:05:17 | |
-Julian, yes. -Repetition of "you". | 0:05:17 | 0:05:21 | |
-Yeah, yeah, you. -Very much emphasised there. So, Julian. | 0:05:21 | 0:05:24 | |
You can't keep your eyes off me, can you? | 0:05:24 | 0:05:26 | |
Do you know, you're the only heterosexual on this panel? | 0:05:26 | 0:05:30 | |
-Is that right, Nicholas? -No. | 0:05:31 | 0:05:32 | |
APPLAUSE | 0:05:32 | 0:05:36 | |
-That was a moment, wasn't it? -It was. -I was thrown for a minute. | 0:05:43 | 0:05:47 | |
I didn't know whether to say yes or no. | 0:05:47 | 0:05:50 | |
You've cleverly got in with three seconds to go. | 0:05:52 | 0:05:55 | |
On my first day at school, starting now. | 0:05:55 | 0:05:57 | |
No-one explains where the lavatory is on these occasions and yes, | 0:05:57 | 0:06:00 | |
-it's true, there was an accident. -WHISTLE BLOWS | 0:06:00 | 0:06:03 | |
APPLAUSE | 0:06:03 | 0:06:06 | |
So Julian Clary was then speaking as the whistle went | 0:06:08 | 0:06:12 | |
and gains that extra point. At the end of the round, he's in the lead | 0:06:12 | 0:06:15 | |
but only just, ahead of Stephen Fry, Paul Merton | 0:06:15 | 0:06:18 | |
and Russell in that order. Russell, I want you to start the next round. | 0:06:18 | 0:06:21 | |
The subject is 'Things that go bump in the night.' | 0:06:21 | 0:06:24 | |
60 seconds as usual and your time starts now. | 0:06:24 | 0:06:28 | |
Crash, bang, kapow, zing, wallop. These are all noises, | 0:06:28 | 0:06:34 | |
but we're here to talk about things that go bang - bump! BUZZER RINGS | 0:06:34 | 0:06:38 | |
Oh! I was on a roll. That's me mute for the rest of the show now. | 0:06:38 | 0:06:43 | |
Julian, you challenged first. | 0:06:43 | 0:06:45 | |
Well, it was repetition of bang, but let him keep the subject. | 0:06:45 | 0:06:48 | |
-I'd rather you did. -I think they're all going to be generous and let you continue. | 0:06:48 | 0:06:52 | |
-Oh, really. Oh, thanks. -First time you've ever played the game. | 0:06:52 | 0:06:54 | |
-So lean forward, so it looks as if you're more involved. -LAUGHTER AND APPLAUSE | 0:06:54 | 0:06:59 | |
And you've got 50 seconds, things that go bump in the night. | 0:07:01 | 0:07:04 | |
Starting now. | 0:07:04 | 0:07:06 | |
So we're here to talk about things that go bump in the night. | 0:07:06 | 0:07:09 | |
Have you ever woken in your bed, sweating, twitching, | 0:07:09 | 0:07:13 | |
crying for your mum? This is me every night. I roll over. | 0:07:13 | 0:07:18 | |
BUZZER RINGS | 0:07:18 | 0:07:19 | |
Um, Julian challenged. | 0:07:19 | 0:07:20 | |
I just want to point out pausing is also not to be encouraged. | 0:07:20 | 0:07:24 | |
LAUGHTER | 0:07:24 | 0:07:25 | |
You speak quite... I don't want the subject, but... | 0:07:25 | 0:07:29 | |
They're being very generous and they want you to continue in order to get some practice, | 0:07:29 | 0:07:32 | |
so lean forward, lean forward... | 0:07:32 | 0:07:35 | |
-And there are 38 seconds still, if you want them. -Yes, I'd love them. | 0:07:38 | 0:07:41 | |
Things that go bump in the night, starting now. | 0:07:41 | 0:07:44 | |
I find it terrifying to know what's underneath my bed. | 0:07:44 | 0:07:47 | |
When I was a child, I really enjoyed the movie Gremlins, | 0:07:47 | 0:07:49 | |
but I believed that they lived behind my parents' door and in their wardrobes. | 0:07:49 | 0:07:55 | |
So I rarely went in there. BUZZER RINGS | 0:07:55 | 0:07:58 | |
-Yes, Paul. -A natural conclusion. | 0:08:00 | 0:08:03 | |
-Yes, I think that pause was so long I'll have to give it. -I'm sorry. | 0:08:03 | 0:08:07 | |
Also, could you lean forward? | 0:08:07 | 0:08:09 | |
I'll be hanging off the edge. | 0:08:11 | 0:08:13 | |
It does look as if you're more involved, Russell, that's the reason. | 0:08:13 | 0:08:16 | |
I couldn't be any more further forward! | 0:08:16 | 0:08:19 | |
-No, no, that was a joke on Julian's part. -Oh, sorry. | 0:08:19 | 0:08:22 | |
-That was his strange sense of humour. -It's one of my catchphrases. | 0:08:22 | 0:08:25 | |
-Oh, I see. -Another point to Julian. | 0:08:25 | 0:08:27 | |
-Paul... -What? | 0:08:33 | 0:08:34 | |
-It's all right. -Hello. You can't keep your eyes off me, can you? | 0:08:35 | 0:08:39 | |
-Hello. -Hello. -One at a time, please, do you mind forming a queue? | 0:08:39 | 0:08:42 | |
It's that jacket, Paul, I've never seen you in such a smart... | 0:08:42 | 0:08:46 | |
It's not the jacket. I think I've seen THAT jacket before. | 0:08:46 | 0:08:49 | |
-Yes, I have. -It was a deckchair in Littlehampton, wasn't it? | 0:08:49 | 0:08:52 | |
I don't mind if you make jokes at my expense, if they get laughs. | 0:08:52 | 0:08:56 | |
I've been the straight man to many comedians. | 0:08:56 | 0:08:58 | |
I know how to take it and come back. I don't know where we were, but... | 0:08:58 | 0:09:01 | |
-Paul, I think you had the correct challenge. -Yes, I think so. -Yeah. | 0:09:01 | 0:09:07 | |
And there are 25 seconds still available. Things that go bump in the night, starting now. | 0:09:07 | 0:09:11 | |
Things that go bump in the night, | 0:09:11 | 0:09:13 | |
often essential ingredients in ghost stories. | 0:09:13 | 0:09:15 | |
One thinks of those Victorian classics, | 0:09:15 | 0:09:19 | |
-women out on the moors, in sc... Oh! -BUZZER RINGS | 0:09:19 | 0:09:21 | |
What was I trying to say? Ensconced, I think. | 0:09:21 | 0:09:24 | |
-It didn't come out. -It didn't come out. -Julian, challenge. | 0:09:24 | 0:09:27 | |
-Oh, hesitation. -So you've got the subject of things that go bump in the night. | 0:09:27 | 0:09:31 | |
15 seconds, starting now. | 0:09:31 | 0:09:33 | |
I live in a very old house in the country, a farmhouse, | 0:09:33 | 0:09:36 | |
-and there are all kinds of things. -Stephen, challenge. | 0:09:36 | 0:09:39 | |
It's sort of a moot point, isn't it, whether a house and a farmhouse | 0:09:39 | 0:09:42 | |
-is house repeated or not. -Anybody in the audience know? | 0:09:42 | 0:09:45 | |
LAUGHS AND SHOUTS | 0:09:45 | 0:09:48 | |
-I think... -It is one word. Farmhouse is one word. | 0:09:48 | 0:09:51 | |
-It's an incorrect challenge. -I think it was. -Julian has another point. | 0:09:51 | 0:09:54 | |
You have 11 seconds, things that go bump in the night, starting now. | 0:09:54 | 0:09:58 | |
I heard this scratching under my bed. Turns out it was a badger going bump. | 0:09:58 | 0:10:02 | |
I said "What's your business here under my boudoir?" | 0:10:02 | 0:10:05 | |
And it happened to be... | 0:10:05 | 0:10:09 | |
BUZZER RINGS | 0:10:09 | 0:10:11 | |
-Well, it's very distracting. -What? | 0:10:11 | 0:10:13 | |
You doing all this, while I'm trying to speak. | 0:10:13 | 0:10:17 | |
Would you prefer me to wait in the van? | 0:10:17 | 0:10:20 | |
So what's the challenge, Paul? | 0:10:20 | 0:10:23 | |
Hesitation. Gross hesitation, in fact. Gross hesitation. | 0:10:26 | 0:10:31 | |
The thing is, Paul, I'm rather reluctant to give it to you | 0:10:31 | 0:10:34 | |
because there's only half a second ago. | 0:10:34 | 0:10:36 | |
So, to be fair to Julian, as you were putting him off slightly, I'll give him the benefit of the doubt. | 0:10:36 | 0:10:41 | |
-By putting my hand on my hip? And that put you off? -I know your game. | 0:10:41 | 0:10:46 | |
I didn't come here to be insulted. | 0:10:48 | 0:10:50 | |
-Shall we carry on? -You've got half a second, starting now. | 0:10:50 | 0:10:54 | |
-Things that go bump. -BUZZER RINGS | 0:10:54 | 0:10:56 | |
-Paul, challenge. -Hesitation. | 0:10:56 | 0:10:58 | |
LAUGHTER AND APPLAUSE | 0:10:58 | 0:11:00 | |
So it's only fair that you both get a point. | 0:11:00 | 0:11:03 | |
Julian, you got one just then. Paul, I'm going to give him one just now. So that evens it out. | 0:11:03 | 0:11:07 | |
You've both got benefits of the doubt. You've got a quarter of a second to go. | 0:11:07 | 0:11:10 | |
-Things that go bump in the night, starting now. -Bump. | 0:11:10 | 0:11:13 | |
WHISTLE BLOWS | 0:11:13 | 0:11:14 | |
APPLAUSE | 0:11:14 | 0:11:18 | |
-Right. -Was I really putting you off? | 0:11:19 | 0:11:22 | |
So at the end of the round, the situation is that Julian Clary is now out in the lead. | 0:11:23 | 0:11:27 | |
He's three points ahead of Paul Merton. | 0:11:27 | 0:11:29 | |
Then it's Stephen Fry and then Russell Tovey in that order. | 0:11:29 | 0:11:32 | |
And Paul, we'd like you to begin the next round. A bad hair day. | 0:11:32 | 0:11:37 | |
Will you tell us something about that subject, in this game, | 0:11:37 | 0:11:40 | |
-starting now. -At Wimbledon greyhound track the other week, they said, | 0:11:40 | 0:11:44 | |
"Unfortunately, the meeting has been cancelled." | 0:11:44 | 0:11:46 | |
-I said "Why?" "Well, we have a bad hare day. The automatic hare." -GROANS | 0:11:46 | 0:11:50 | |
What are you groaning at, you weren't there. | 0:11:50 | 0:11:53 | |
The automatic hare won't come out." | 0:11:53 | 0:11:54 | |
-BUZZER RINGS -Stephen, challenge. -Repetition of automatic. -Right, correct challenge. | 0:11:54 | 0:11:59 | |
49 seconds to tell us something about a bad hair day, starting now. | 0:11:59 | 0:12:03 | |
Almost every day's a bad hair day for me. | 0:12:03 | 0:12:05 | |
I have hair that just sort of spreads out and can't lie down properly. | 0:12:05 | 0:12:08 | |
It needs a great deal of attention, | 0:12:08 | 0:12:10 | |
and no matter how I have it cut it seems peculiar in the way it behaves. | 0:12:10 | 0:12:14 | |
If I'd do a documentary series, for example, you travel around the world, | 0:12:14 | 0:12:18 | |
and it's sort of edited together in different ways, | 0:12:18 | 0:12:21 | |
so I go from a crew cut to a great, | 0:12:21 | 0:12:23 | |
massive James May look to some other hideous appearance. | 0:12:23 | 0:12:26 | |
I really do dislike the way my hair behaves. | 0:12:26 | 0:12:29 | |
There's nothing I can do about it. I suppose I could shave it off. That used to be a fashion. | 0:12:29 | 0:12:33 | |
I call that a bad baldness day. That's just not acceptable. | 0:12:33 | 0:12:37 | |
So I have to live with it. It's some of the...worst... BUZZER SOUNDS | 0:12:37 | 0:12:40 | |
GROANS | 0:12:40 | 0:12:41 | |
-Julian challenged. -Oh, hesitation. -yes, I think it was a hesitation. | 0:12:41 | 0:12:45 | |
Julian, you've got in on a bad hair day. Nine seconds, starting now. | 0:12:45 | 0:12:49 | |
I had a bad hair day in 1989. It just wouldn't sit right. | 0:12:49 | 0:12:52 | |
Well, I cried for a week. | 0:12:52 | 0:12:54 | |
But since then, bad hair days have been a stranger to me, | 0:12:54 | 0:12:58 | |
unlike some people that I could mention | 0:12:58 | 0:13:01 | |
-of the heterosexual persuasion. -WHISTLE BLOWS | 0:13:01 | 0:13:04 | |
APPLAUSE | 0:13:04 | 0:13:06 | |
Do you mean him, over there? | 0:13:06 | 0:13:08 | |
Julian Clary was speaking as the whistle went and gets an extra point. | 0:13:11 | 0:13:15 | |
And you have increased your lead at the end of that round, Julian. | 0:13:15 | 0:13:19 | |
Stephen, I'd like you to begin the next round. Great inventions. | 0:13:19 | 0:13:22 | |
Tell us something about that subject. | 0:13:22 | 0:13:24 | |
-60 seconds, starting now. -Perhaps the greatest invention of my lifetime | 0:13:24 | 0:13:28 | |
took place in the late '80s and early '90s | 0:13:28 | 0:13:30 | |
at the Centre Europeenne de Recherche Nucleaire, | 0:13:30 | 0:13:33 | |
or CERN, in Switzerland, where a young British computer scientist called Tim Berners-Lee | 0:13:33 | 0:13:38 | |
invented the World Wide Web. | 0:13:38 | 0:13:40 | |
His original name for it was The Information Mine, but being | 0:13:40 | 0:13:43 | |
a modest fellow, he realised those initials spelt out his actual name. | 0:13:43 | 0:13:47 | |
That has been hugely, hugely influential. | 0:13:47 | 0:13:49 | |
BUZZER RINGS Twice. Damn. | 0:13:49 | 0:13:53 | |
-Paul, you challenged first. -It was hugely, hugely. -Hugely, hugely. | 0:13:53 | 0:13:57 | |
Paul, tell us something about great inventions. 36 seconds available. | 0:13:57 | 0:14:01 | |
So many great inventions seem to have occurred in the last 100 years or so. | 0:14:01 | 0:14:05 | |
If we look at the invention of cinema, which itself | 0:14:05 | 0:14:07 | |
-sprang from the techniques of the magic linetern shows, we can see... -BUZZER RINGS | 0:14:07 | 0:14:11 | |
-Stephen Fry. -There really is no such word as linetern. | 0:14:11 | 0:14:14 | |
Oh, I'm sorry, was the 19th-century pronunciation putting you off? | 0:14:14 | 0:14:18 | |
LAUGHTER AND APPLAUSE | 0:14:18 | 0:14:21 | |
I was being too erudite. | 0:14:21 | 0:14:24 | |
Wonderful attempt to get out of it, but it was. | 0:14:24 | 0:14:28 | |
Magical lantern, it should have been. Yes, Stephen, you got in with another correct challenge. | 0:14:28 | 0:14:32 | |
And there are 27 seconds, great inventions, starting now. | 0:14:32 | 0:14:35 | |
Without wishing to seem sycophantic, to be perfectly honest, | 0:14:35 | 0:14:38 | |
Ian Messiter, 45 years ago, | 0:14:38 | 0:14:39 | |
invented a game called Just a Minute, which has entertained the nation | 0:14:39 | 0:14:43 | |
for all that time. | 0:14:43 | 0:14:44 | |
And not one episode has not been presented by this man here. | 0:14:44 | 0:14:48 | |
BUZZER RINGS | 0:14:48 | 0:14:49 | |
-Julian, you challenge. -Repetition of 'not'. | 0:14:49 | 0:14:52 | |
I know, but I'd like him to finish. | 0:14:52 | 0:14:54 | |
APPLAUSE Yes, I mean, it's pretty amazing, isn't it? | 0:14:54 | 0:14:57 | |
Yes, every single show. I did the pilot and I'm still doing it. | 0:15:00 | 0:15:05 | |
-How many episodes is it? -850. -Good Lord. Round of applause. | 0:15:05 | 0:15:08 | |
APPLAUSE | 0:15:08 | 0:15:11 | |
-And do you think you're getting the hang of it? -Slowly, Paul. -I think you are. | 0:15:17 | 0:15:20 | |
-I really think you're improving. -You think so? -Yes. | 0:15:20 | 0:15:23 | |
I think you've got it now. | 0:15:23 | 0:15:25 | |
So, Julian, your challenge, just remind me? | 0:15:25 | 0:15:27 | |
-Repetition of 'not'. -Yes. Unfortunately, not. | 0:15:27 | 0:15:30 | |
-A double negative. -A tough challenge, but correct. -He's a tough man, a tough man. | 0:15:30 | 0:15:33 | |
Julian, you have... | 0:15:33 | 0:15:35 | |
-Talk about me as if I'm not in the room. -Julian, great inventions. | 0:15:35 | 0:15:40 | |
-Seven seconds starting now. -The telephone is a fantastic invention. | 0:15:40 | 0:15:45 | |
-I speak to my mother every day at least once and she informs me. -WHISTLE BLOWS | 0:15:45 | 0:15:50 | |
APPLAUSE | 0:15:50 | 0:15:53 | |
So Julian Clary was speaking as the whistle went | 0:15:55 | 0:15:58 | |
and gains an extra point. | 0:15:58 | 0:16:00 | |
And Julian, it's your turn to begin. Around the campfire. | 0:16:00 | 0:16:04 | |
LAUGHTER | 0:16:04 | 0:16:07 | |
60 seconds as usual, starting now. | 0:16:10 | 0:16:13 | |
I sit around the campfire generally waiting for my Billy to boil. | 0:16:13 | 0:16:16 | |
And you would be surprised how quickly this occurs. | 0:16:16 | 0:16:19 | |
There is this hissing sound and I think, "Here comes Daddy." | 0:16:19 | 0:16:24 | |
And while I'm around the campfire. | 0:16:24 | 0:16:26 | |
BUZZER RINGS | 0:16:26 | 0:16:28 | |
Paul challenged. | 0:16:28 | 0:16:30 | |
Well, it's just nonsense, isn't it? "Here comes Daddy"? Hesitation. | 0:16:30 | 0:16:36 | |
There was a hesitation. | 0:16:36 | 0:16:38 | |
You have around the campfire, 45 seconds, starting now. | 0:16:38 | 0:16:41 | |
I remember going camping, I was about nine years old, | 0:16:41 | 0:16:44 | |
with the Catholic Church. They'd organised it, | 0:16:44 | 0:16:46 | |
and so I went along with some fellow pupils roughly my age. | 0:16:46 | 0:16:50 | |
And there was a campfire and the tents were placed all around this | 0:16:50 | 0:16:53 | |
magnificent, burning, fiery furnace, and we would soak up the heat | 0:16:53 | 0:16:59 | |
and also look to our fellow candidates. | 0:16:59 | 0:17:02 | |
-BUZZER RINGS -Stephen challenged. -You had said fellow before, haven't you? -Did I? | 0:17:02 | 0:17:06 | |
-Yes, I think I did. -And Stephen, you listened well, you got in there. | 0:17:06 | 0:17:10 | |
24 seconds are still available around the campfire, starting now. | 0:17:10 | 0:17:15 | |
I was never a Cub or a Scout, that didn't ever appeal to me. BUZZER RINGS | 0:17:15 | 0:17:19 | |
-Julian challenged. -It was an involuntary spasm. | 0:17:19 | 0:17:22 | |
But, can you lean forward? | 0:17:22 | 0:17:25 | |
APPLAUSE | 0:17:25 | 0:17:28 | |
-I didn't want to block the view. -No, I was thinking 'ever' and 'never', | 0:17:31 | 0:17:35 | |
-and I was wrong. -No, it was a mistake. Stephen has another point. | 0:17:35 | 0:17:39 | |
You have 20 seconds, the subject, around the campfire, starting now. | 0:17:39 | 0:17:43 | |
There's a great comic scene in Mel Brooks' film Blazing Saddles | 0:17:43 | 0:17:47 | |
where the cowboys are all around the campfire eating beans | 0:17:47 | 0:17:50 | |
and then slowly one after the other they lift their thighs. | 0:17:50 | 0:17:54 | |
An explosion of wind occurs which lasts about 20 seconds, it seems. | 0:17:54 | 0:17:58 | |
At the time, it was amazing. | 0:17:58 | 0:18:00 | |
-BUZZER RINGS -Julian challenged. | 0:18:00 | 0:18:03 | |
-"De time." He said "at de time." -Did I? | 0:18:03 | 0:18:05 | |
At de time? At de time? | 0:18:05 | 0:18:09 | |
I understand, no, no. Julian, I think that's a little bit pedantic. | 0:18:09 | 0:18:14 | |
You've got three seconds. Time starts now. | 0:18:14 | 0:18:16 | |
It's where humanity began to tell stories and explain the way the universe works. | 0:18:16 | 0:18:20 | |
WHISTLE BLOWS | 0:18:20 | 0:18:21 | |
APPLAUSE | 0:18:21 | 0:18:24 | |
So, Stephen Fry was then speaking, and gains that extra point. | 0:18:26 | 0:18:31 | |
And he's moved forward. He is now in second place. | 0:18:31 | 0:18:33 | |
Julian Clary, still in the lead, two or three points ahead of Stephen, | 0:18:33 | 0:18:36 | |
then Paul Merton, one behind. Russell's trailing just a little. | 0:18:36 | 0:18:40 | |
Stephen's turn to begin. The subject is 'The portrait in my attic'. | 0:18:40 | 0:18:44 | |
60 seconds starting now. | 0:18:44 | 0:18:47 | |
I think it's a reference to A Picture Of Dorian Gray by Oscar Wilde, | 0:18:47 | 0:18:50 | |
though in fact, in that novel, the picture is... BUZZER RINGS | 0:18:50 | 0:18:54 | |
-Russell's challenge. -Yeah, hesitation. | 0:18:54 | 0:18:57 | |
APPLAUSE | 0:18:57 | 0:18:59 | |
It was, it was. | 0:18:59 | 0:19:01 | |
Whether it's correct or not, I think this audience thinks it's correct. | 0:19:05 | 0:19:08 | |
They're with me. Thank you very much. | 0:19:08 | 0:19:11 | |
Russell, you have the subject of 'The portrait in my attic', | 0:19:11 | 0:19:13 | |
52 seconds starting now. | 0:19:13 | 0:19:16 | |
There are various portraits in my attic, | 0:19:16 | 0:19:18 | |
lots of my dead relatives have been painted over the years | 0:19:18 | 0:19:21 | |
-and put in gilt frames and hung on walls. -BUZZER RINGS | 0:19:21 | 0:19:23 | |
Your dead relatives have been painted, | 0:19:23 | 0:19:27 | |
and hung in frames? | 0:19:27 | 0:19:30 | |
What sort of bizarre Satanic ritual is this? | 0:19:30 | 0:19:33 | |
A portrait is one thing, but hanging your dead...? | 0:19:37 | 0:19:42 | |
Well, we loved your interruption, | 0:19:42 | 0:19:44 | |
and you get a bonus point for that, but Russell was interrupted. | 0:19:44 | 0:19:48 | |
-And you're keeping going on the subject quite well. -Thanks. | 0:19:48 | 0:19:52 | |
So the subject is still 'The portrait in my attic', | 0:19:52 | 0:19:56 | |
45 seconds starting now. | 0:19:56 | 0:19:58 | |
So looking at the timeline of members past, | 0:19:58 | 0:20:01 | |
they were immortalised by artists, famous or not, of the day. | 0:20:01 | 0:20:06 | |
They were great...works. | 0:20:06 | 0:20:08 | |
BUZZER | 0:20:08 | 0:20:09 | |
Who did that? | 0:20:09 | 0:20:10 | |
-Well, there was a bit of a gap. -So, Paul, correct challenge. | 0:20:10 | 0:20:15 | |
The portrait in my attic, 35 seconds, starting now. | 0:20:15 | 0:20:18 | |
The portrait in my attic, as Stephen remarks, is referring to The Picture of Dorian Gray... | 0:20:18 | 0:20:23 | |
BUZZER | 0:20:23 | 0:20:24 | |
-Stephen. -No, I was referring to the opposite. It is a mistake to believe there was a picture in the attic. | 0:20:24 | 0:20:28 | |
-It was in the schoolroom... -Was it? -..not in the attic. | 0:20:28 | 0:20:31 | |
-Oh. -You have to read the book to discover that. | 0:20:31 | 0:20:34 | |
-It's kept in the schoolroom. -So why has the attic come about? | 0:20:34 | 0:20:37 | |
It's just one of those things. People didn't read the book clearly. | 0:20:37 | 0:20:40 | |
They know it's in an upper room. | 0:20:40 | 0:20:42 | |
These days, some people don't have schoolrooms | 0:20:42 | 0:20:45 | |
-upstairs in their house... -Yes(!) | 0:20:45 | 0:20:48 | |
-..because... -Some of them got turned into comprehensives. | 0:20:48 | 0:20:52 | |
-Exactly. We live in a different time. Autre temps, autre moeurs. -I see. | 0:20:52 | 0:20:56 | |
-It's the schoolroom, not the attic. -Interesting. | 0:20:56 | 0:20:58 | |
But we refer to it as the portrait in the attic. | 0:20:58 | 0:21:00 | |
-You do but you're wrong to. That's the point. It's deviating. -I think we should move on now. | 0:21:00 | 0:21:04 | |
LAUGHTER | 0:21:04 | 0:21:06 | |
-It's getting a little bogged down. -It's for the best. | 0:21:06 | 0:21:09 | |
-No, I love it when we have these little frissons. -Absolutely. | 0:21:09 | 0:21:12 | |
But, Stephen, you can definitely have it. There are 31 seconds, | 0:21:12 | 0:21:17 | |
the portrait in my attic, starting now. | 0:21:17 | 0:21:19 | |
So it is cum-ingly meant to be... | 0:21:19 | 0:21:21 | |
BUZZER | 0:21:21 | 0:21:22 | |
Cum-ingly? | 0:21:22 | 0:21:23 | |
Cum-ingly, Cuv-entry, Mont-gum-ery. That's just the way we talk. | 0:21:23 | 0:21:26 | |
-You're wriggling very well but it's not right. What's your challenge? -Deviation. He said cum-ingly. | 0:21:26 | 0:21:31 | |
Unless that some word from Oxbridge we don't know about. | 0:21:31 | 0:21:35 | |
-Correct challenge, Julian. -Uxbridge?! | 0:21:35 | 0:21:38 | |
Did you say Uxbridge?! | 0:21:38 | 0:21:40 | |
That's where I went. | 0:21:40 | 0:21:43 | |
29 seconds, the portrait in my attic, Julian, starting now. | 0:21:43 | 0:21:46 | |
The portrait in MY attic is by Damien Hirst. | 0:21:46 | 0:21:48 | |
I wasn't best pleased when I looked at it the other day and it was covered in spots. | 0:21:48 | 0:21:52 | |
So I phoned up the artist and said, "What's all this about?" | 0:21:52 | 0:21:55 | |
Apparently, it's his technique it's his... | 0:21:55 | 0:21:58 | |
BUZZER | 0:21:58 | 0:21:59 | |
-Paul, challenge. -Repetition of "it's his." -Followed by a pause. | 0:21:59 | 0:22:02 | |
The funny thing is, if anyone knows about Damien Hirst's technique, | 0:22:02 | 0:22:06 | |
it's Russell Tovey. You're quite a big collector? | 0:22:06 | 0:22:08 | |
Not of Damien Hirst but I collect art. I wish I did have a Damien Hirst. | 0:22:08 | 0:22:11 | |
-You don't? -No, I wish I'd got in there. Do you? | 0:22:11 | 0:22:13 | |
-Would you two mind if we got on with the show? -Sorry, sorry. | 0:22:13 | 0:22:16 | |
I've got a Damien Hirst which I've hung above the mantelpiece. | 0:22:16 | 0:22:19 | |
It's actually him. | 0:22:19 | 0:22:21 | |
Painted him up and everything. | 0:22:21 | 0:22:23 | |
-Paul... -One-person's clapping. | 0:22:23 | 0:22:25 | |
Don't do that on your own, somebody will throw you a fish. | 0:22:26 | 0:22:30 | |
All coming out tonight, aren't they? You still here? | 0:22:30 | 0:22:34 | |
-Paul? -Yes, go on then. | 0:22:34 | 0:22:36 | |
You've got a correct challenge and you have 18 seconds. | 0:22:36 | 0:22:38 | |
The portrait in my attic, starting now. | 0:22:38 | 0:22:41 | |
The portrait in my attic is a chalk drawing of myself when I was eight-years-old, | 0:22:41 | 0:22:44 | |
as I looked when I attended Butlins holiday camp in Clacton. | 0:22:44 | 0:22:47 | |
I remember the artist now. | 0:22:47 | 0:22:49 | |
He sat me down on the chair, he looked me in the eyes, | 0:22:49 | 0:22:53 | |
"This would be a challenge, to capture such intense beauty, | 0:22:53 | 0:22:57 | |
"it's almost beyond my skills but I've..." | 0:22:57 | 0:22:59 | |
WHISTLE | 0:22:59 | 0:23:01 | |
APPLAUSE | 0:23:01 | 0:23:05 | |
So, Paul Merton was speaking as the whistle went | 0:23:05 | 0:23:08 | |
and gained that extra point for doing so. | 0:23:08 | 0:23:11 | |
The situation is... | 0:23:11 | 0:23:12 | |
BELL TINKLES | 0:23:12 | 0:23:14 | |
Ooh, are we having a seance? | 0:23:14 | 0:23:16 | |
I always think a little ice-cream van is going to come by then. | 0:23:16 | 0:23:21 | |
The same bell we used to have when we were young with the ice cream van. | 0:23:21 | 0:23:24 | |
-Did you ever have that? -When the all clear sounded? | 0:23:24 | 0:23:27 | |
LAUGHTER | 0:23:27 | 0:23:29 | |
Ding ding ding. | 0:23:29 | 0:23:31 | |
It means that we've only time for one more round. | 0:23:34 | 0:23:37 | |
-Are we not having a seance? -No, no seance. -Oh. | 0:23:37 | 0:23:39 | |
And whose turn is it to begin? Oh, it's Julian. You're in the lead. | 0:23:39 | 0:23:43 | |
Here's the subject, keep going and you'll stay there. | 0:23:43 | 0:23:47 | |
As we go into the final round, Julian is one point ahead of Paul Merton | 0:23:47 | 0:23:50 | |
and three points ahead of Stephen. | 0:23:50 | 0:23:52 | |
Russell has a job to catch up in this last round. | 0:23:52 | 0:23:55 | |
But not to worry, Russell, your contribution is what matters. | 0:23:55 | 0:23:58 | |
-Yes. -Not the points. Right. | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:04 | |
And, Julian, the subject is... | 0:24:04 | 0:24:06 | |
Marie Antoinette. | 0:24:06 | 0:24:09 | |
What a glorious, historical subject. 60 seconds, starting now. | 0:24:09 | 0:24:13 | |
Marie Antoinette, of course, had a very fortunate life, | 0:24:13 | 0:24:16 | |
up to a point, and that was when she was beheaded | 0:24:16 | 0:24:19 | |
for offering people cake. Well, I can quite understand... | 0:24:19 | 0:24:22 | |
BUZZER | 0:24:22 | 0:24:23 | |
-Russell, challenge. -Hesitation, kind of. -Kind of? | 0:24:23 | 0:24:27 | |
-I'm just desperate to get in as well so... -I understand. | 0:24:28 | 0:24:31 | |
We're desperate to hear from you! | 0:24:31 | 0:24:33 | |
-So you've got 50 seconds, if you want it... -Oh, God. | 0:24:33 | 0:24:37 | |
..on Marie Antoinette, starting now. | 0:24:37 | 0:24:39 | |
Marie Antoinette was one of the most famous people | 0:24:39 | 0:24:43 | |
to have her head cut off, alongside Anne Boleyn | 0:24:43 | 0:24:46 | |
and Charles I. This happened because up to a point, | 0:24:46 | 0:24:50 | |
as my right honourable gentleman was saying earlier, | 0:24:50 | 0:24:52 | |
she was liked and then disliked by the French people, | 0:24:52 | 0:24:56 | |
because she was Austrian and they didn't like them. | 0:24:56 | 0:25:00 | |
They were an enemy. | 0:25:00 | 0:25:01 | |
-Stephen. -Too many likes, really. There were quite a lot of likes. | 0:25:01 | 0:25:04 | |
I didn't mean to... | 0:25:04 | 0:25:06 | |
-I feel... I feel like a bully now. -It's all right. | 0:25:06 | 0:25:10 | |
-I'll sit back and just... -Lean forwards. | 0:25:10 | 0:25:12 | |
I'll make a deliberate mistake. | 0:25:12 | 0:25:14 | |
Even if you don't say much, you might as well be in the programme. | 0:25:16 | 0:25:19 | |
LAUGHTER | 0:25:19 | 0:25:21 | |
Stephen gives a correct challenge so we give you the point | 0:25:21 | 0:25:25 | |
and Marie Antoinette is the subject, 29 seconds, starting now. | 0:25:25 | 0:25:28 | |
Indeed, she was Austrian. The French called her when they started to dislike her as you said, | 0:25:28 | 0:25:33 | |
L'autre-chienne, which meant "Austrian bitch" in French which is a very nasty insult | 0:25:33 | 0:25:38 | |
because she was not popular. | 0:25:38 | 0:25:39 | |
BUZZER | 0:25:39 | 0:25:41 | |
-Paul, challenge. -Repetition of French? -There was, French twice. | 0:25:41 | 0:25:45 | |
-And a swear word. -And a swear word, right. | 0:25:45 | 0:25:48 | |
But a French one so there'll be letters from French people. | 0:25:48 | 0:25:52 | |
LAUGHTER | 0:25:52 | 0:25:54 | |
You could have said French letters but you didn't so that was good. | 0:25:54 | 0:25:57 | |
That joke was not explored. Well done. | 0:25:57 | 0:25:59 | |
Paul, you have 18 seconds. | 0:25:59 | 0:26:03 | |
Tell us something about Marie Antoinette, starting now. | 0:26:03 | 0:26:06 | |
Marie Antoinette is the name of my cat. She's a beautiful creature. | 0:26:06 | 0:26:10 | |
-Half-Persian and 50%... -Julian challenged. -No...no. | 0:26:10 | 0:26:14 | |
LAUGHTER | 0:26:14 | 0:26:15 | |
Oh, that's good enough for me(!) What do you mean, no? | 0:26:15 | 0:26:19 | |
Obviously, I thought you were going to say half again as you nearly did. | 0:26:19 | 0:26:23 | |
You were anticipating... | 0:26:23 | 0:26:24 | |
-Exactly. -Half Persian and half... -And I hate myself for it. | 0:26:24 | 0:26:27 | |
-Why? -Because he didn't say half. -Only hate yourself because you've given Paul another point. | 0:26:27 | 0:26:32 | |
-That's why he hates himself. -Ah. | 0:26:32 | 0:26:35 | |
-Now you're going to win. -No, I'm not. | 0:26:35 | 0:26:38 | |
That's the last thing that should happen. | 0:26:38 | 0:26:40 | |
Julian, it was an incorrect challenge. | 0:26:40 | 0:26:42 | |
So, Paul, you have another point. | 0:26:42 | 0:26:44 | |
You have 13 seconds, Marie Antoinette, starting now. | 0:26:44 | 0:26:47 | |
The litter tray is placed by the back door. | 0:26:47 | 0:26:49 | |
Her expectant eyes look up at me and I say, "Yes, it's time to play." | 0:26:49 | 0:26:53 | |
And so we pull back the curtains, she looks down the end of the garden | 0:26:53 | 0:26:58 | |
and her rather haughty nose and says to me... | 0:26:58 | 0:27:00 | |
WHISTLE | 0:27:00 | 0:27:02 | |
APPLAUSE | 0:27:02 | 0:27:06 | |
So, Paul Merton speaking as the whistle went... | 0:27:06 | 0:27:11 | |
gained that extra point. | 0:27:11 | 0:27:14 | |
A little while ago when that tinkle occurred, it was the last round. | 0:27:14 | 0:27:17 | |
So let me give you the final score. Russell Tovey | 0:27:17 | 0:27:20 | |
-who's never played the game before came... -Last. | 0:27:20 | 0:27:23 | |
..last. | 0:27:23 | 0:27:24 | |
He actually didn't come last, he came in fourth place. | 0:27:24 | 0:27:27 | |
If there were five people, he would have come fifth. | 0:27:27 | 0:27:31 | |
Stephen, who does so well usually, came in third place. | 0:27:31 | 0:27:37 | |
Out in the lead, two points ahead of Julian Clary was Paul Merton. | 0:27:37 | 0:27:41 | |
So we say, Paul, you are the winner today. | 0:27:41 | 0:27:44 | |
CHEERING AND APPLAUSE | 0:27:44 | 0:27:46 | |
You were right. I did win. | 0:27:46 | 0:27:49 | |
Then it remains for me to say a final thank you | 0:27:49 | 0:27:52 | |
to these four fine players of the game. | 0:27:52 | 0:27:55 | |
So from this delightful audience here in Television Centre | 0:27:55 | 0:27:58 | |
and from me, Nicholas Parsons, and this wonderful team, | 0:27:58 | 0:28:01 | |
goodbye, thank you and do join us again the next day we play | 0:28:01 | 0:28:05 | |
Just A Minute. | 0:28:05 | 0:28:07 | |
APPLAUSE | 0:28:07 | 0:28:10 | |
Subtitles by Red Bee Media Ltd | 0:28:32 | 0:28:35 |