Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Just a Minute! | 0:00:02 | 0:00:04 | |
MUSIC: "Waltz in D flat major, Op. 64, No. 1" by Chopin | 0:00:04 | 0:00:07 | |
Oh! Thank you! Thank you! Oh, thank you! | 0:00:07 | 0:00:11 | |
Thank you, thank you! | 0:00:11 | 0:00:13 | |
Hello, my name is Nicholas Parsons. | 0:00:15 | 0:00:18 | |
And as the Minute Waltz fades away, it is my great pleasure | 0:00:18 | 0:00:22 | |
to welcome you to this special edition of Just A Minute | 0:00:22 | 0:00:24 | |
from BBC Television Centre. | 0:00:24 | 0:00:27 | |
After 45 years of entertaining via the radio | 0:00:27 | 0:00:30 | |
we thought it was about time to perform for your viewing pleasure. | 0:00:30 | 0:00:36 | |
Without further ado, please welcome to the show four talented | 0:00:36 | 0:00:39 | |
and delightful performers and they are, seated on my right, | 0:00:39 | 0:00:41 | |
Paul Merton and Sue Perkins and seated on my left, | 0:00:41 | 0:00:45 | |
Ruth Jones and Marcus Brigstocke. Please welcome all four of them! | 0:00:45 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:52 | |
The players will try to speak for just a minute on a subject I give. | 0:00:54 | 0:00:58 | |
They must try and do that without hesitation, repetition or deviation. | 0:00:58 | 0:01:02 | |
The other three panellists can challenge at any time, | 0:01:02 | 0:01:05 | |
and if I uphold the challenge they gain a point and take the subject. | 0:01:05 | 0:01:08 | |
If not, the person speaking gains a point and keeps the subject. | 0:01:08 | 0:01:11 | |
We go on like that until the whistle goes. | 0:01:11 | 0:01:13 | |
And, by the way, they can repeat the subject on the card. | 0:01:13 | 0:01:16 | |
Paul, the subject here is Common Misconceptions. | 0:01:16 | 0:01:21 | |
60 seconds as usual, starting now. | 0:01:21 | 0:01:24 | |
Humphrey Bogart in Play it Again Sam, which wasn't the name of the film, it was Casablanca. | 0:01:24 | 0:01:28 | |
He never said those words, in fact. That's a Common Misconception. | 0:01:28 | 0:01:31 | |
"School days are the happiest of your life", | 0:01:31 | 0:01:34 | |
is something people often say as well, | 0:01:34 | 0:01:37 | |
as if somehow the misery of being in some educational establishment | 0:01:37 | 0:01:40 | |
where your name may be construed by other students | 0:01:40 | 0:01:43 | |
who turn it into some... BUZZER | 0:01:43 | 0:01:45 | |
-Ruth challenged. -How does one construe or misconstrue a name? | 0:01:45 | 0:01:49 | |
I dunno. AUDIENCE: Ooh! | 0:01:49 | 0:01:50 | |
-This has got very metaphysical very quickly! -I know. | 0:01:50 | 0:01:53 | |
-What's your challenge? -What's your challenge, darling? | 0:01:53 | 0:01:56 | |
That what you propose is actually impossible. | 0:01:56 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
I'd better shut up for the rest of the show then, hadn't I? | 0:02:03 | 0:02:06 | |
Ruth, as you've never played the game before, | 0:02:06 | 0:02:09 | |
I'm going to be generous and give you the benefit of the doubt | 0:02:09 | 0:02:12 | |
and give a correct challenge. | 0:02:12 | 0:02:13 | |
You have a point for that and it's Common Misconceptions. | 0:02:13 | 0:02:17 | |
40 seconds still available, starting now. | 0:02:17 | 0:02:19 | |
There's a very Common Misconception in my household | 0:02:19 | 0:02:22 | |
and that is that I can do housework. | 0:02:22 | 0:02:25 | |
It's not something that I'm particularly allergic to, | 0:02:25 | 0:02:28 | |
it's just that I don't ever want to do it, | 0:02:28 | 0:02:30 | |
so what I tend to do is try and get | 0:02:30 | 0:02:33 | |
other people in my household to do it. | 0:02:33 | 0:02:35 | |
-BUZZER -Repetition of "household". -Yes. | 0:02:35 | 0:02:38 | |
-Like a second home owner. -And also, "do". Yes, right. | 0:02:38 | 0:02:41 | |
So, Marcus, a correct challenge. You take over the subject. You get a point for that. | 0:02:41 | 0:02:45 | |
Common Misconceptions, starting now. | 0:02:45 | 0:02:48 | |
John McCririck, the racing commentator, is both common | 0:02:48 | 0:02:51 | |
and was misconceived. | 0:02:51 | 0:02:53 | |
LAUGHTER I don't like him. | 0:02:53 | 0:02:55 | |
This is a misconception that people have. | 0:02:55 | 0:02:57 | |
WHISTLE BLOWS | 0:02:57 | 0:02:59 | |
CHEERING AND APPLAUSE | 0:02:59 | 0:03:02 | |
As I said earlier, that whistle tells us 60 seconds have elapsed | 0:03:03 | 0:03:07 | |
and whoever is speaking then gets an extra point | 0:03:07 | 0:03:09 | |
and it was Marcus Brigstocke, | 0:03:09 | 0:03:11 | |
who's naturally in the lead. | 0:03:11 | 0:03:12 | |
-Marcus, we'd like you to begin the next round. -OK. | 0:03:12 | 0:03:15 | |
And the subject is Night School. | 0:03:15 | 0:03:17 | |
Can anyone tell us about Night School in this game, starting now. | 0:03:17 | 0:03:21 | |
I am very glad to have this subject | 0:03:21 | 0:03:24 | |
because I actually went to Knight School with Sir Galahad. | 0:03:24 | 0:03:28 | |
And it was there that I was first shown how to put on armour | 0:03:28 | 0:03:31 | |
and charge around the country on behalf of King Arthur | 0:03:31 | 0:03:35 | |
in a search for the Holy Grail. | 0:03:35 | 0:03:37 | |
Knight School is an enjoyable place if you have a lance and a pony. | 0:03:37 | 0:03:42 | |
And other than that, I would say that it's mainly | 0:03:42 | 0:03:45 | |
filled up with very lonely people, trying to meet other... | 0:03:45 | 0:03:49 | |
-BUZZER -Sue, you've challenged. -Repetition of "very". -Yes. -Yes. | 0:03:49 | 0:03:52 | |
Very, very. | 0:03:52 | 0:03:53 | |
-AUDIENCE: Ooh! -So, correct challenge. | 0:03:53 | 0:03:55 | |
33 seconds. Tell us about Night School in this game, starting now. | 0:03:55 | 0:03:59 | |
Marcus's Knight School isn't so interesting if you're a lady. | 0:03:59 | 0:04:02 | |
You have to hang around like Guinevere and grow your hair, | 0:04:02 | 0:04:05 | |
sometimes wear a pointy hat and wait on a turret | 0:04:05 | 0:04:07 | |
for a man to come and rescue you, preferably with a white charger. | 0:04:07 | 0:04:12 | |
Now, when I see said beautiful albino pony coming towards me, | 0:04:12 | 0:04:16 | |
-I know that safety is at hand. I will once again be able to... -BUZZER | 0:04:16 | 0:04:19 | |
-Paul, challenge. -Have we strayed a little way from Night School? | 0:04:19 | 0:04:22 | |
LAUGHTER | 0:04:22 | 0:04:24 | |
-A major stray from it. -Yes. Yes. -Nowhere near Night School as far as I was concerned. | 0:04:24 | 0:04:29 | |
I was on a turret, overlooking Night School! | 0:04:29 | 0:04:32 | |
-LAUGHTER -You didn't establish that night was the night beginning with a "k". | 0:04:32 | 0:04:36 | |
LAUGHTER | 0:04:36 | 0:04:38 | |
-Don't be strict with me, Nicholas. -I'm not strict, darling. | 0:04:38 | 0:04:41 | |
-Keep the love alive! -LAUGHTER | 0:04:41 | 0:04:44 | |
-Not another one, Nicholas. -Yes, yes. -LAUGHTER | 0:04:45 | 0:04:48 | |
-Over 45 years, no-one's been safe. -Girl in every port. | 0:04:48 | 0:04:52 | |
On every show. | 0:04:53 | 0:04:55 | |
-Right. -LAUGHTER | 0:04:55 | 0:04:57 | |
Oh. Paul, correct challenge. | 0:04:59 | 0:05:01 | |
You have Night School, 14 seconds, starting now. | 0:05:01 | 0:05:04 | |
I never attended Night School. | 0:05:04 | 0:05:06 | |
I suppose I went to some evening classes round about 1980. | 0:05:06 | 0:05:10 | |
There were acting lessons taught at Sutton Library | 0:05:10 | 0:05:13 | |
by this gentleman who sold fridges during the day. | 0:05:13 | 0:05:16 | |
And I went along and I didn't really pick up a great deal. | 0:05:16 | 0:05:19 | |
WHISTLE BLOWS | 0:05:19 | 0:05:23 | |
APPLAUSE | 0:05:23 | 0:05:26 | |
So Paul Merton, speaking while the whistle went, gained an extra point. | 0:05:27 | 0:05:31 | |
He's moved forward and he's in second place but it's early days, isn't it? | 0:05:31 | 0:05:35 | |
-Sue Perkins. -Yes. -Will you begin the next round? The subject, Whodunnit? | 0:05:35 | 0:05:41 | |
Tell us something about Whodunnit in this game, starting now. | 0:05:41 | 0:05:44 | |
The word "whodunnit" | 0:05:44 | 0:05:45 | |
refers to a plot-heavy crime thriller | 0:05:45 | 0:05:48 | |
that reached its peak in the 1920s. | 0:05:48 | 0:05:51 | |
It's quintessentially a British genre | 0:05:51 | 0:05:53 | |
and I would say its greatest exponent is Agatha Christie, | 0:05:53 | 0:05:56 | |
who pioneered the use of the locked room. | 0:05:56 | 0:05:59 | |
There is essentially a space that no-one can get in or out of, | 0:05:59 | 0:06:05 | |
in which she piled it high with stock characters | 0:06:05 | 0:06:08 | |
such as the American industrial magnate, the young floozy, | 0:06:08 | 0:06:13 | |
-the ingenue, the virginal young boy who was yet... -BUZZER | 0:06:13 | 0:06:16 | |
Oh, yes, Marcus. | 0:06:16 | 0:06:18 | |
-Repetition of "young". -There was two "young", yes. | 0:06:18 | 0:06:22 | |
-AUDIENCE GROANS Very good, though. -Thank you. | 0:06:22 | 0:06:24 | |
-Very enjoyable. -Very good! | 0:06:24 | 0:06:26 | |
Sorry! LAUGHTER | 0:06:26 | 0:06:29 | |
-You've spoilt it for everyone. -I know. -We were enjoying that. | 0:06:29 | 0:06:32 | |
It's a game. LAUGHTER | 0:06:32 | 0:06:35 | |
And, Marcus, you had a correct challenge and you've got 26 seconds. | 0:06:35 | 0:06:40 | |
Tell us about Whodunnit, starting now. | 0:06:40 | 0:06:42 | |
When I was growing up, the question of Whodunnit | 0:06:42 | 0:06:44 | |
was normally answered by my father, who'd say, "It was the dog." | 0:06:44 | 0:06:48 | |
Everybody would move away from the dog and towards... | 0:06:48 | 0:06:50 | |
-BUZZER -Oh yes, of course. -The "dog", twice. -Double dog. | 0:06:50 | 0:06:54 | |
-Sue, you challenged first. -Repetition of "dog". | 0:06:54 | 0:06:57 | |
Yes, the dog came in twice. Sue, you have the dog. No, you don't. | 0:06:57 | 0:07:00 | |
-You have Whodunnit. -LAUGHTER | 0:07:00 | 0:07:03 | |
I'll have whatever you give me, Nicholas. | 0:07:03 | 0:07:06 | |
18 seconds, Sue, starting now. | 0:07:06 | 0:07:09 | |
There are great Whodunnit writers, Dorothy L Sayers, Ruth Rendell. | 0:07:09 | 0:07:12 | |
I've mentioned, obviously, the most famous, | 0:07:12 | 0:07:14 | |
whose creation, Hercule Poirot, the moustached Belgian, | 0:07:14 | 0:07:18 | |
remains foremost in our minds when we think of a person | 0:07:18 | 0:07:23 | |
-most likely to detect a crime. -BUZZER | 0:07:23 | 0:07:25 | |
-Paul, you want in. -I disagree. I'd say Sherlock Holmes. | 0:07:25 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
He comes to mind before Hercule Poirot. | 0:07:32 | 0:07:36 | |
Matter of opinion, of course. | 0:07:36 | 0:07:38 | |
-Or Brian Paddick, as well. -Yes. -Poirot, Paddick, Holmes. | 0:07:38 | 0:07:42 | |
-They're all very much of a type. -I know. | 0:07:42 | 0:07:45 | |
And Paul, you've got in with one second to go. | 0:07:45 | 0:07:48 | |
AUDIENCE GROANS | 0:07:48 | 0:07:50 | |
I'm sorry, I withdraw my challenge. LAUGHTER | 0:07:50 | 0:07:52 | |
-It's a matter of opinion, who you think is the best. -It is. | 0:07:52 | 0:07:55 | |
And she has an incorrect challenge and as I said before, | 0:07:55 | 0:07:59 | |
one second to go, starting now. | 0:07:59 | 0:08:01 | |
-Miss Marple would be furious because she thinks she's the best detective. -WHISTLE BLOWS | 0:08:01 | 0:08:06 | |
APPLAUSE | 0:08:06 | 0:08:08 | |
Sue Perkins was speaking as the whistle went, gaining the extra point. | 0:08:11 | 0:08:14 | |
And at the end of that round, she's taken the lead, one ahead of Paul. | 0:08:14 | 0:08:17 | |
Paul, I'm sure this has been chosen for you cos you did a programme about it. | 0:08:17 | 0:08:20 | |
Ibiza. Tell us something about that place in this game, starting now. | 0:08:20 | 0:08:25 | |
You're quite right. | 0:08:25 | 0:08:26 | |
It was the subject of a travelogue I did this year. Ibiza's where I went. | 0:08:26 | 0:08:30 | |
The great island paradise that people sometimes see as the ultimate party destination, | 0:08:30 | 0:08:34 | |
but when you see beyond the clubs that are there, | 0:08:34 | 0:08:37 | |
you realise it's a beautiful island full of history... BUZZER | 0:08:37 | 0:08:40 | |
-Sue, challenge. -Repetition of "island". -Yes. -Oh yes, of course. | 0:08:40 | 0:08:45 | |
Sue, you were listening well. | 0:08:45 | 0:08:46 | |
You got in with 45 seconds to go on Ibiza, starting now. | 0:08:46 | 0:08:50 | |
Last time I went to Ibiza, Paul Merton was there making a documentary. | 0:08:50 | 0:08:53 | |
He was dressed scantily in Lycra, | 0:08:53 | 0:08:56 | |
doing a seemingly sexual dance which involved... | 0:08:56 | 0:08:58 | |
-BUZZER -Ruth challenged. | 0:08:58 | 0:09:00 | |
I think that is quite disturbing for the audience. | 0:09:00 | 0:09:04 | |
-LAUGHTER AND APPLAUSE -That actual image. | 0:09:04 | 0:09:06 | |
It was actually nothing disturbing about seeing Paul | 0:09:06 | 0:09:10 | |
-at full tilt on the dance floor. -Really? -Yeah. | 0:09:10 | 0:09:13 | |
I saw the programme, I don't think he ever wore Lycra. | 0:09:13 | 0:09:16 | |
No. It was worse than that! LAUGHTER | 0:09:16 | 0:09:21 | |
-This was in his spare time. -Ruth, we give you the benefit of the doubt. | 0:09:21 | 0:09:25 | |
You have 37 seconds on Ibiza, starting now. | 0:09:25 | 0:09:29 | |
I went to Ibiza when I was four years of age. | 0:09:29 | 0:09:31 | |
It was the first holiday that I ever was taken on by my parents, | 0:09:31 | 0:09:36 | |
who also had two boys that they took with them, | 0:09:36 | 0:09:39 | |
who were my brothers, and also a sister, | 0:09:39 | 0:09:42 | |
who was not yet born, but she was inside my mother's belly... | 0:09:42 | 0:09:45 | |
-BUZZER -Sue's challenged. | 0:09:45 | 0:09:47 | |
I thought repetition of "mother" but I'm wrong. | 0:09:47 | 0:09:50 | |
Um, I think yes, it might have been a repetition of "mother". | 0:09:50 | 0:09:53 | |
-Yes. She said she went with her mother. -A crisis of confidence. | 0:09:53 | 0:09:56 | |
I've overcome it now. Repetition of "mother"! | 0:09:56 | 0:10:00 | |
She mentioned "mother" twice. Sue, you were listening well. | 0:10:00 | 0:10:03 | |
You've got in with 21 seconds on Ibiza, starting now. | 0:10:03 | 0:10:05 | |
I've actually never been to Ibiza, truth be told. | 0:10:05 | 0:10:08 | |
It...strikes fear into my heart because... | 0:10:08 | 0:10:10 | |
-BUZZER -Ruth challenged. -Hesitation. -A little bit of hesitation. -Yeah. | 0:10:10 | 0:10:15 | |
Ruth, you had a correct challenge so you have the subject of Ibiza. | 0:10:15 | 0:10:18 | |
17 seconds, still, starting now. | 0:10:18 | 0:10:21 | |
Ibiza is surrounded by water, as is the case with many islands. | 0:10:21 | 0:10:25 | |
And in fact, you can jump off all sorts of sides of the island, | 0:10:25 | 0:10:28 | |
especially in Ibiza. | 0:10:28 | 0:10:29 | |
-BUZZER -Marcus challenge. -Repetition of island. -Yes, again! | 0:10:29 | 0:10:33 | |
I thought wasn't it islands and island? Plural and single. | 0:10:33 | 0:10:36 | |
-AUDIENCE: Ooh! -Yes, you're right. -LAUGHTER | 0:10:36 | 0:10:40 | |
-It was intentional. -LAUGHTER | 0:10:40 | 0:10:43 | |
-So, Marcus, an incorrect challenge. -Yes. | 0:10:43 | 0:10:46 | |
So Ruth Jones has another point and she's still got the subject | 0:10:46 | 0:10:50 | |
and she's eight seconds still to go on Ibiza, starting now. | 0:10:50 | 0:10:53 | |
In Ibiza you can buy the most delicious chocolate ice-cream. | 0:10:53 | 0:10:56 | |
-I don't know why it is so different from other glasses or types of... -BUZZER | 0:10:56 | 0:11:00 | |
-Marcus challenged. -Even in French, that's glace! | 0:11:00 | 0:11:03 | |
LAUGHTER | 0:11:03 | 0:11:05 | |
APPLAUSE | 0:11:08 | 0:11:10 | |
So deviation from any recognised language. | 0:11:10 | 0:11:13 | |
LAUGHTER | 0:11:13 | 0:11:15 | |
Searching for a way to say ice-cream, wanting to say glace | 0:11:15 | 0:11:18 | |
but Marcus, you've cleverly got in with one second to go. | 0:11:18 | 0:11:20 | |
AUDIENCE GROANS | 0:11:20 | 0:11:22 | |
-You've won no friends in this audience. -LAUGHTER | 0:11:22 | 0:11:25 | |
But you've got the subject and another point, of course, | 0:11:25 | 0:11:27 | |
and you have one second. | 0:11:27 | 0:11:29 | |
-Ibiza, starting now. -I've been to Pacha, I was much too old for it. | 0:11:29 | 0:11:32 | |
WHISTLE BLOWS | 0:11:32 | 0:11:36 | |
APPLAUSE | 0:11:36 | 0:11:37 | |
Marcus Brigstocke was speaking when the whistle went. | 0:11:41 | 0:11:44 | |
He's moved forward, he's equal with Paul Merton in second place. | 0:11:44 | 0:11:48 | |
They're behind Sue Perkins, who's in the lead. | 0:11:48 | 0:11:51 | |
Marcus will begin the next round. | 0:11:51 | 0:11:53 | |
-The subject is Chat Up Lines. -Oh, 'ello. | 0:11:53 | 0:11:54 | |
I'm sure you have many for us. 60 seconds, as usual, starting now. | 0:11:54 | 0:12:00 | |
I've never really been smooth enough to pull off the chat up line, | 0:12:00 | 0:12:03 | |
but I have been studying one of the great masters | 0:12:03 | 0:12:06 | |
and that is, of course, Mr Nicholas Parsons, | 0:12:06 | 0:12:09 | |
who just before we began playing this evening | 0:12:09 | 0:12:11 | |
turned to the panellist sitting immediately to my right and said, "Was your father a thief?" | 0:12:11 | 0:12:15 | |
At which point, Ruth punched him immediately in the face | 0:12:15 | 0:12:19 | |
-and Nicholas lay on the floor... -BUZZER | 0:12:19 | 0:12:21 | |
-Paul. -Sadly, repetition of Nicholas. -Hmm. | 0:12:21 | 0:12:24 | |
Nothing sad about that. The world needs more of them. | 0:12:24 | 0:12:27 | |
LAUGHTER | 0:12:27 | 0:12:28 | |
Yes, I'm quite enjoying it. Yes. But it wasn't true, of course. | 0:12:28 | 0:12:32 | |
She didn't punch me! She wouldn't punch somebody. | 0:12:32 | 0:12:35 | |
I was telling her how glorious she looked! | 0:12:35 | 0:12:38 | |
I wasn't chancing my arm, don't misunderstand me. | 0:12:38 | 0:12:41 | |
You're a silver fox! | 0:12:41 | 0:12:43 | |
I've reached the age where you can do a provocative chat up line and they know you're no threat! | 0:12:43 | 0:12:48 | |
LAUGHTER AND APPLAUSE | 0:12:48 | 0:12:52 | |
-Right, Paul, you had a correct challenge. -Oh, do I? Right. | 0:12:54 | 0:12:57 | |
Chat Up Lines. 39 seconds, starting now. | 0:12:57 | 0:13:02 | |
"Is that a demob suit you're wearing?" | 0:13:02 | 0:13:04 | |
would be the ultimate anti- chat up line, because it wouldn't impress anybody. | 0:13:04 | 0:13:08 | |
Ise wasn't mm-...a bit like Marcus... BUZZER | 0:13:08 | 0:13:10 | |
-You said, "Ise wasn't." -Sorry, yes. -You hesitated. -Sorry, yes. | 0:13:10 | 0:13:15 | |
I'm working class. I do apologise. LAUGHTER AND APPLAUSE | 0:13:15 | 0:13:18 | |
I'm awfully sorry. | 0:13:19 | 0:13:22 | |
I don't think it matters what class you are, I think it's bad grammar. | 0:13:23 | 0:13:27 | |
It is, isn't it? | 0:13:27 | 0:13:28 | |
Ruth has a correct challenge and she has 32 seconds on Chat Up Lines, Ruth, starting now. | 0:13:28 | 0:13:33 | |
The worst chat up line I ever heard was when somebody said to me, | 0:13:33 | 0:13:37 | |
"Do you want to get out of those wet clothes?" | 0:13:37 | 0:13:40 | |
BUZZER | 0:13:40 | 0:13:42 | |
-Sue challenged. -Hesitation! -SHE LAUGHS | 0:13:42 | 0:13:46 | |
LAUGHTER AND APPLAUSE | 0:13:46 | 0:13:48 | |
-Darling, will you explain to me, what was that about? -Well, it's... | 0:13:48 | 0:13:53 | |
That's hot stuff, Nicholas. Like, tsss. Ooh! | 0:13:53 | 0:13:56 | |
-I thought that was them wetting the clothes! -It was! It was! | 0:13:56 | 0:13:59 | |
I think it was a ghastly chat up line. | 0:13:59 | 0:14:02 | |
Sue, you challenged and correctly so 25 seconds, Chat Up Lines, | 0:14:02 | 0:14:06 | |
starting now. | 0:14:06 | 0:14:08 | |
The worst chat up line was given to me by a ten-year-old boy in Paisley after a show. | 0:14:08 | 0:14:14 | |
-It is so disgusting I can't possibly allow it for broadcast. -BUZZER | 0:14:14 | 0:14:18 | |
-Ruth challenged. -Paisley is a lovely pattern | 0:14:18 | 0:14:21 | |
and I think you're incorrect for saying that it's disgusting. | 0:14:21 | 0:14:24 | |
But Paisley, Glasgow, which is also a lovely place, | 0:14:26 | 0:14:29 | |
-they have ten-year-old boys with potty mouths. -Write it down! | 0:14:29 | 0:14:32 | |
I do think she was referring to the area up on the west coast, | 0:14:32 | 0:14:35 | |
-near Glasgow of Paisley. -I stand corrected. | 0:14:35 | 0:14:38 | |
And so an incorrect challenge. Sue, you have the subject, still. | 0:14:38 | 0:14:42 | |
-What are you writing down? -PAUL LAUGHS | 0:14:42 | 0:14:45 | |
-He was ten years old? -Ten years old! -HE LAUGHS HEARTILY | 0:14:47 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:52 | |
-You're keeping that for future use? -BOTH: Yes! | 0:14:57 | 0:14:59 | |
LAUGHTER | 0:14:59 | 0:15:01 | |
-Ruth, it was an incorrect challenge. -I apologise. | 0:15:01 | 0:15:03 | |
Sue, you still have the subject and you have 17 seconds on Chat Up Lines, starting now. | 0:15:03 | 0:15:07 | |
Are there still men around who go to young women | 0:15:07 | 0:15:10 | |
saying things like, "Do you like your eggs fertilized or unfertilized in the morning?" | 0:15:10 | 0:15:14 | |
-BUZZER -Who's challenged? Ruth. -Repetition of the word "like". | 0:15:14 | 0:15:18 | |
-Do you like your eggs fertilized... -Saying things like... Do you like? | 0:15:18 | 0:15:22 | |
-Two likes. -AUDIENCE: Ooh! -Couple of likes. | 0:15:22 | 0:15:26 | |
She's never played the game before. Another point to you, Ruth. | 0:15:26 | 0:15:29 | |
You have the subject and there are ten seconds, still. Chat Up Lines, starting now. | 0:15:29 | 0:15:33 | |
Chatting someone up is a very difficult thing to do because... | 0:15:33 | 0:15:36 | |
-BUZZER -Marcus, challenge. -No, it's not. -LAUGHTER | 0:15:36 | 0:15:40 | |
APPLAUSE | 0:15:40 | 0:15:43 | |
Tsssst. | 0:15:45 | 0:15:47 | |
But Marcus, we enjoyed your interruption so much we give you a bonus point for that. | 0:15:49 | 0:15:54 | |
-But Ruth was interrupted. -And the disrespect of womankind for ever! | 0:15:54 | 0:15:58 | |
LAUGHTER | 0:15:58 | 0:15:59 | |
-It's worth it for the bonus point. -Yes, of course. | 0:15:59 | 0:16:03 | |
That's what it's all about, isn't it? The fun we have. Right. | 0:16:03 | 0:16:06 | |
Ruth, it was an incorrect challenge. You have another point | 0:16:06 | 0:16:09 | |
and you still have seven seconds on Chat Up Lines, starting now. | 0:16:09 | 0:16:12 | |
Meeting someone for the first time can be daunting | 0:16:12 | 0:16:14 | |
and one has to think of something suitable to say that will... | 0:16:14 | 0:16:18 | |
WHISTLE BLOWS | 0:16:18 | 0:16:20 | |
APPLAUSE | 0:16:20 | 0:16:22 | |
So Ruth Jones was speaking as the whistle went, gained an extra point. | 0:16:26 | 0:16:31 | |
And you'll be pleased and surprised to hear she's moved forward. | 0:16:31 | 0:16:35 | |
-She's in the lead with Sue Perkins. -CHEERING AND APPLAUSE | 0:16:35 | 0:16:39 | |
Marcus Brigstocke and Paul Merton are equal in second place. | 0:16:42 | 0:16:45 | |
Ruth, it's your turn to begin. The subject is the art of fencing. | 0:16:45 | 0:16:50 | |
60 seconds, as usual, starting now. | 0:16:50 | 0:16:52 | |
Putting up a fence in one's garden can be very difficult | 0:16:52 | 0:16:55 | |
because if you don't get the height correct, | 0:16:55 | 0:16:58 | |
then your fence will look rather strange. | 0:16:58 | 0:17:01 | |
-It will fall down, it will look uneven. -Sue, challenge. -BUZZER | 0:17:01 | 0:17:04 | |
Repetition of "it will" fall down, "it will" look uneven. | 0:17:04 | 0:17:07 | |
Sue, you got in with 49 seconds to go on the Art of Fencing, | 0:17:07 | 0:17:10 | |
starting now. | 0:17:10 | 0:17:13 | |
The trick with the Art of Fencing is to not make your opponent laugh, | 0:17:13 | 0:17:16 | |
seeing as you are dressed as a cross between a beekeeper and a mummy. | 0:17:16 | 0:17:20 | |
Parrying and lunging may look incredibly debonair | 0:17:20 | 0:17:24 | |
but ultimately, you've got a knitting needle in one hand | 0:17:24 | 0:17:28 | |
and a teapot arm on the other. | 0:17:28 | 0:17:30 | |
It doesn't strike fear into the heart of someone who may wish | 0:17:30 | 0:17:34 | |
to enter into a bout with you. | 0:17:34 | 0:17:36 | |
Instead, they're more than likely to be reduced to a flood of tears | 0:17:36 | 0:17:40 | |
and hysterical laughter. | 0:17:40 | 0:17:42 | |
Instead, I suggest, try a cannon. | 0:17:42 | 0:17:44 | |
Much more powerful at close range, plus you don't need the precision. | 0:17:44 | 0:17:50 | |
However, fencing we're discussing and so we must focus on specifics | 0:17:50 | 0:17:53 | |
which, luckily, I am very well versed in, | 0:17:53 | 0:17:55 | |
because I am Croydon's premier fencer. | 0:17:55 | 0:17:57 | |
How I love to grab that foil, as I believe it's called... | 0:17:57 | 0:18:01 | |
WHISTLE BLOWS | 0:18:01 | 0:18:03 | |
CHEERING AND APPLAUSE | 0:18:03 | 0:18:05 | |
Sue Perkins took the subject after only a few seconds and went | 0:18:14 | 0:18:18 | |
-magnificently to the whistle and gained only one point for doing so. -LAUGHTER | 0:18:18 | 0:18:23 | |
But Sue, you have gone into the lead now, two ahead of Ruth Jones | 0:18:23 | 0:18:27 | |
and you're three or four ahead of Marcus Brigstocke and Paul Merton. | 0:18:27 | 0:18:30 | |
And we've now got a subject... | 0:18:30 | 0:18:33 | |
I'm really embarrassed about this subject they've given me. | 0:18:33 | 0:18:36 | |
-The subject is Nicholas Parsons. -LAUGHTER AND APPLAUSE | 0:18:36 | 0:18:39 | |
Sue Perkins, it's your turn to begin. | 0:18:44 | 0:18:47 | |
Off you go on Nicholas Parsons... Oh, I don't mean that! | 0:18:47 | 0:18:50 | |
LAUGHTER | 0:18:50 | 0:18:52 | |
-It's like Christmas. -On the subject of Nicholas Parsons. | 0:18:52 | 0:18:55 | |
60 seconds starting now. | 0:18:55 | 0:18:57 | |
Nicholas Parsons was born before records began, | 0:18:57 | 0:19:01 | |
but we do know he was friends with Methuselah. | 0:19:01 | 0:19:04 | |
Aged 24, he struck a deal with Mephistopheles | 0:19:04 | 0:19:07 | |
-so that he would never age. -BUZZER | 0:19:07 | 0:19:10 | |
Did you say Methistopheles or Mephistopheles? | 0:19:10 | 0:19:14 | |
Mephistopheles, Mephistopheles. | 0:19:14 | 0:19:16 | |
I think you said meth. | 0:19:16 | 0:19:18 | |
I don't think we get quite as pernickety as that, darling. | 0:19:18 | 0:19:22 | |
-One is desperate sometimes. -Yes, I know. | 0:19:22 | 0:19:24 | |
You could've had her for deviation. I wasn't around when Mephistopheles was, I assure you. | 0:19:24 | 0:19:28 | |
Nobody's doubting that, it's the pronunciation they're worried about. LAUGHTER | 0:19:28 | 0:19:33 | |
Your challenge was incorrect. Sue has another point. | 0:19:33 | 0:19:36 | |
47 seconds to speak about Nicholas Parsons, starting now. | 0:19:36 | 0:19:42 | |
Nicholas Parsons invented show business in 1847 | 0:19:42 | 0:19:45 | |
and pioneered the use of the cravat, which he still sports, | 0:19:45 | 0:19:50 | |
although he pairs it sometimes with a lovely polka dot tie. | 0:19:50 | 0:19:53 | |
There is nothing so erotic as the sight of Nicholas Parsons... | 0:19:53 | 0:19:55 | |
CONTINUOUS BUZZER | 0:19:55 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:19:59 | |
Intervention! Intervention! | 0:19:59 | 0:20:02 | |
-I've done it again. -Oh, Paul. -There are limits, aren't there? | 0:20:09 | 0:20:13 | |
Yes, I'm afraid... I have to admit, I don't think I'm erotic. | 0:20:13 | 0:20:19 | |
-You'll never know. -I'm neurotic, yes. Paul, I have to agree. | 0:20:19 | 0:20:22 | |
You have a correct challenge and you have 31 seconds. | 0:20:22 | 0:20:25 | |
Tell us something about Nicholas Parsons starting now. | 0:20:25 | 0:20:29 | |
His career began back in the 1940s in radio on a show called | 0:20:29 | 0:20:33 | |
Much Bind In The Marsh, and I heard one of those particular | 0:20:33 | 0:20:36 | |
episodes on Radio 4 Extra only the other Sunday. | 0:20:36 | 0:20:39 | |
-BUZZER -Repetition of "radio". -Of course. | 0:20:39 | 0:20:42 | |
I was trying to avoid BBC, repetition of B. | 0:20:42 | 0:20:46 | |
Marcus, a correct challenge. You got in on the subject of Nicholas Parsons. | 0:20:46 | 0:20:51 | |
There's 22 seconds available, starting now. | 0:20:51 | 0:20:54 | |
I'm at something of a disadvantage on this subject, | 0:20:54 | 0:20:56 | |
because I've never heard of this Nicholas Parsons character. | 0:20:56 | 0:21:00 | |
-BUZZER -Sue. -Deviation from sense! | 0:21:00 | 0:21:02 | |
Everybody's heard of Nicholas Parsons! | 0:21:02 | 0:21:06 | |
-LAUGHTER AND APPLAUSE -That's worthy of a bonus point. | 0:21:06 | 0:21:09 | |
I'm not going to give it to you out of conceit | 0:21:11 | 0:21:13 | |
and say that you deserve that but of the fact that I'm on the show. | 0:21:13 | 0:21:17 | |
You say you haven't heard of Nicholas Parsons and you're on a show with him. | 0:21:17 | 0:21:21 | |
-Do you know him? -LAUGHTER | 0:21:21 | 0:21:24 | |
I thought... You're Nicholas Parsons?! | 0:21:24 | 0:21:27 | |
-THE Nicholas Parsons? -I thought you were a mythical creature! | 0:21:27 | 0:21:31 | |
What do I say now, eh? Marcus, we enjoyed your interruption. | 0:21:32 | 0:21:36 | |
-You get a bonus point. -No, I was speaking. | 0:21:36 | 0:21:38 | |
LAUGHTER | 0:21:38 | 0:21:40 | |
It was Sue interrupting me. But I enjoyed her interruption. | 0:21:41 | 0:21:47 | |
So, I... | 0:21:47 | 0:21:49 | |
No, Sue gets a point because she was interrupted, takes over the subject. | 0:21:49 | 0:21:53 | |
-You get a bonus point for humour. -Splendid, good. Yes. | 0:21:53 | 0:21:58 | |
-Who gets the subject? -LAUGHTER | 0:21:58 | 0:22:00 | |
You do! 15 seconds to go, starting now. | 0:22:02 | 0:22:05 | |
There is nothing greater than Nicholas Parsons. He is the show... | 0:22:05 | 0:22:09 | |
-..leader... -BUZZER | 0:22:09 | 0:22:11 | |
Didn't we have show business before? Show business is one word, though. | 0:22:11 | 0:22:15 | |
Is it one word? | 0:22:15 | 0:22:16 | |
-Is show business one word? -I'm going to assume it's two words. -Yes, do. | 0:22:16 | 0:22:20 | |
And say Paul has the benefit of the doubt. | 0:22:20 | 0:22:23 | |
And if I get lots of letters, | 0:22:23 | 0:22:25 | |
-I don't think I'll bother to reply to them! -LAUGHTER | 0:22:25 | 0:22:29 | |
There's ten seconds to go, Paul. Nicholas Parsons, starting now. | 0:22:30 | 0:22:34 | |
Nicholas Parsons is someone I've known since roughly 1987 | 0:22:34 | 0:22:38 | |
and what a magnificent creature he is. | 0:22:38 | 0:22:40 | |
We first met on a TV programme being made in Liverpool called Scruples. | 0:22:40 | 0:22:44 | |
WHISTLE BLOWS | 0:22:44 | 0:22:45 | |
APPLAUSE | 0:22:45 | 0:22:48 | |
Paul Merton speaking as the whistle went, gained that extra point, | 0:22:51 | 0:22:55 | |
but he's still in third place. | 0:22:55 | 0:22:57 | |
It's very close, actually. One point separates them all. | 0:22:57 | 0:22:59 | |
In ascending order, it's Marcus Brigstocke, Paul Merton, Ruth Jones and Sue Perkins. | 0:22:59 | 0:23:05 | |
-BELL RINGS Come in. -Isn't that charming? | 0:23:05 | 0:23:08 | |
That bell tells us not that they're bringing ice-cream round | 0:23:08 | 0:23:11 | |
but it tells us we only have time for one more round. | 0:23:11 | 0:23:16 | |
-ALL: Aah. -I expected more reaction than that! | 0:23:16 | 0:23:19 | |
LAUGHTER | 0:23:19 | 0:23:21 | |
Anyway, we have one more round to go and Marcus, it's your turn to begin. | 0:23:21 | 0:23:24 | |
The subject now, that's an interesting one, | 0:23:24 | 0:23:28 | |
My Bucket List. | 0:23:28 | 0:23:29 | |
60 seconds, starting now. | 0:23:29 | 0:23:31 | |
I have a bucket list | 0:23:31 | 0:23:32 | |
and it includes a red bucket, a blue one, | 0:23:32 | 0:23:35 | |
two green and one that I call Daisy that has... BUZZER | 0:23:35 | 0:23:39 | |
-Ruth has challenged. -Repetition of "one". -Yes, true. | 0:23:39 | 0:23:42 | |
That's true. | 0:23:42 | 0:23:44 | |
Ruth, you've gone in cleverly with 52 seconds to go | 0:23:44 | 0:23:46 | |
on My Bucket List, starting now. | 0:23:46 | 0:23:49 | |
My Bucket List is a film | 0:23:49 | 0:23:51 | |
about two men who decide what they would like to do before they die. | 0:23:51 | 0:23:56 | |
An item on the list of one of the men who appears on the film... | 0:23:56 | 0:23:58 | |
-BUZZER -Sue. | 0:23:58 | 0:24:01 | |
-Two "men". -Ah. -Yes. Too many men in your life, darling. | 0:24:01 | 0:24:04 | |
-Too many men. -Sue, correct challenge. | 0:24:04 | 0:24:07 | |
You have the subject, My Bucket List. 40 seconds, starting now. | 0:24:07 | 0:24:11 | |
Were I to be presented with the possibility of death, | 0:24:11 | 0:24:13 | |
which I'm still hoping to elude thanks to my magical elixir, | 0:24:13 | 0:24:16 | |
yours for only £15.99... | 0:24:16 | 0:24:18 | |
-BUZZER -Marcus, challenge. | 0:24:18 | 0:24:20 | |
What? LAUGHTER | 0:24:20 | 0:24:23 | |
APPLAUSE | 0:24:23 | 0:24:25 | |
Deviation! This is the BBC! You can't advertise! | 0:24:25 | 0:24:29 | |
-Not even an elixir of youth? -Not even an elixir of youth. | 0:24:29 | 0:24:34 | |
The closest the BBC gets to advertising is wasting £8 million teaching hippos to dance. | 0:24:34 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:40 | |
I don't believe there's any elixir which will give you | 0:24:40 | 0:24:43 | |
-everlasting life. -I said I'm working on it. | 0:24:43 | 0:24:45 | |
I'm not there yet. | 0:24:45 | 0:24:47 | |
To be fair, if anyone knows whether there's an elixir to give | 0:24:47 | 0:24:50 | |
everlasting life, it is Nicholas Parsons! | 0:24:50 | 0:24:52 | |
LAUGHTER AND APPLAUSE | 0:24:52 | 0:24:56 | |
The benefit of the doubt to you again, | 0:24:56 | 0:25:01 | |
and you have My Bucket List, 32 seconds, starting now. | 0:25:01 | 0:25:04 | |
On My Bucket List is a strong desire to go down the Cresta Run | 0:25:04 | 0:25:08 | |
on one of those trays that they use for bobsledding | 0:25:08 | 0:25:11 | |
and leaning into every turn and corner. | 0:25:11 | 0:25:13 | |
It would be tremendously exciting and probably kill me, | 0:25:13 | 0:25:16 | |
-so it would necessitate the... -Sue, challenge. -Hesitation? | 0:25:16 | 0:25:20 | |
-There was a slight one, yes. -Slight one. So, you have the subject back again, Sue. | 0:25:20 | 0:25:24 | |
19 seconds, My Bucket List, starting now. | 0:25:24 | 0:25:26 | |
I would bungee jump off a bridge in Sydney, | 0:25:26 | 0:25:30 | |
attempt the world 100 metres record. | 0:25:30 | 0:25:32 | |
-I would breed llamas... -BUZZER | 0:25:32 | 0:25:35 | |
-Marcus, challenge. -I wouldn't normally, | 0:25:35 | 0:25:37 | |
but it's the last round and I know I'm last and you repeated I would. | 0:25:37 | 0:25:41 | |
-I did. -Yes, you did, indeed. So, Marcus, 11 seconds, | 0:25:41 | 0:25:44 | |
My Bucket List, starting now. | 0:25:44 | 0:25:47 | |
On My Bucket List would be the chance | 0:25:47 | 0:25:49 | |
to improve my position on the programme Just A Minute. | 0:25:49 | 0:25:51 | |
That is pretty much all I wish for between now | 0:25:51 | 0:25:55 | |
and death which will probably come when the pinger goes... | 0:25:55 | 0:25:57 | |
BUZZER | 0:25:57 | 0:25:58 | |
-Paul, challenge. -I don't think it's a pinger! | 0:25:58 | 0:26:01 | |
No, it is a whistle, and it has been for 45 years! | 0:26:01 | 0:26:04 | |
LAUGHTER AND APPLAUSE | 0:26:04 | 0:26:07 | |
They're not pingers, either, they're buzzers. | 0:26:10 | 0:26:13 | |
These are buzzers. What is a pinger? | 0:26:13 | 0:26:15 | |
It's the opposite of a ponger! | 0:26:15 | 0:26:17 | |
No, I think a pinger is the thing that tells you | 0:26:17 | 0:26:20 | |
when the oven is finished cooking. | 0:26:20 | 0:26:22 | |
-Or your flight's been called. -Anybody else got any suggestions? | 0:26:22 | 0:26:26 | |
LAUGHTER | 0:26:26 | 0:26:27 | |
Paul, it was a correct challenge and you've got in with half a second to go. | 0:26:27 | 0:26:31 | |
It won't make a lot of difference to the final situation, | 0:26:31 | 0:26:35 | |
but it would be lovely to hear from you on My Bucket List, starting now. | 0:26:35 | 0:26:39 | |
BUZZER | 0:26:39 | 0:26:40 | |
-Marcus, challenge. -Given the time available, only half a second, | 0:26:40 | 0:26:45 | |
I reckon hesitation. | 0:26:45 | 0:26:47 | |
RUTH: You both went in the same time. | 0:26:47 | 0:26:48 | |
I think he should have gone really quickly. | 0:26:48 | 0:26:51 | |
-I think he couldn't go any quicker! -Really? | 0:26:51 | 0:26:53 | |
-The benefit of the doubt to you on this occasion, Paul. -Another point? | 0:26:53 | 0:26:57 | |
Another point. And there is a quarter of a second, starting now! | 0:26:57 | 0:27:01 | |
HE SPEAKS RAPIDLY | 0:27:01 | 0:27:02 | |
WHISTLE BLOWS | 0:27:02 | 0:27:05 | |
APPLAUSE | 0:27:05 | 0:27:06 | |
Marcus Brigstocke and Paul Merton are equal in third place. | 0:27:08 | 0:27:13 | |
Out in the lead was Ruth Jones who's never played the game before, | 0:27:13 | 0:27:17 | |
-in second place. Congratulations. Very well done. -Thank you. | 0:27:17 | 0:27:21 | |
APPLAUSE | 0:27:21 | 0:27:25 | |
The one with the most points, she's the winner, that is Sue Perkins! | 0:27:25 | 0:27:29 | |
CHEERING AND APPLAUSE | 0:27:29 | 0:27:33 | |
It only remains for me | 0:27:35 | 0:27:36 | |
to say thank you to these four fine players of the game. | 0:27:36 | 0:27:41 | |
So it's goodbye from the delightful audience at Television Centre, | 0:27:41 | 0:27:44 | |
goodbye from me, Nicholas Parsons, goodbye from the panel up here. | 0:27:44 | 0:27:47 | |
Do join us again the next time we take to your screens | 0:27:47 | 0:27:50 | |
and we play Just A Minute! | 0:27:50 | 0:27:53 | |
Subtitles by Red Bee Media Ltd | 0:27:58 | 0:28:02 |