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Welcome to Just A Minute! | 0:00:02 | 0:00:03 | |
CHEERING AND APPLAUSE | 0:00:03 | 0:00:05 | |
MUSIC: "Minute Waltz" by Frederic Chopin | 0:00:05 | 0:00:07 | |
Hello, my name is Nicholas Parsons. | 0:00:11 | 0:00:14 | |
And, as the Minute Waltz fades away, | 0:00:14 | 0:00:16 | |
it's my great pleasure to welcome you to this special edition | 0:00:16 | 0:00:20 | |
of Just A Minute from BBC Television Centre. | 0:00:20 | 0:00:23 | |
We found our way onto your television screens to celebrate | 0:00:23 | 0:00:27 | |
the 45th year of radio triumph. So, without further ado, | 0:00:27 | 0:00:32 | |
please welcome the four talented, exceptional performers who, | 0:00:32 | 0:00:35 | |
this day, are going to play Just A Minute. They are, on my right, | 0:00:35 | 0:00:38 | |
Paul Merton and Liza Tarbuck. | 0:00:38 | 0:00:41 | |
And on my left, Miles Jupp and Gyles Brandreth. | 0:00:41 | 0:00:44 | |
Please welcome all four of them! | 0:00:44 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
The players will try to speak for just a minute | 0:00:54 | 0:00:56 | |
on a subject I give them and they will try do that without hesitation, repetition or deviation. | 0:00:56 | 0:01:01 | |
The other three can challenge at any time. If I uphold the challenge, | 0:01:01 | 0:01:05 | |
they gain a point and take over the subject. | 0:01:05 | 0:01:07 | |
If not, the person speaking gains a point | 0:01:07 | 0:01:09 | |
and continues with the subject. By the way, | 0:01:09 | 0:01:12 | |
they can repeat the subject which is on the card in front of me. | 0:01:12 | 0:01:15 | |
Paul, the subject here is | 0:01:15 | 0:01:17 | |
Double Acts. I know you love music hall and everything about that, | 0:01:17 | 0:01:20 | |
but can you tell us something about that subject in this game, | 0:01:20 | 0:01:24 | |
-60 seconds as usual, starting now. -I think one of my proudest nights | 0:01:24 | 0:01:28 | |
in show business occurred here at Television Centre, | 0:01:28 | 0:01:31 | |
perhaps two years ago, when I was very lucky to present | 0:01:31 | 0:01:34 | |
a programme about Morecambe And Wise, | 0:01:34 | 0:01:36 | |
who are, undoubtedly for many of us, the greatest double act that ever lived. | 0:01:36 | 0:01:40 | |
And the audience's appreciation of Eric and Ernie that night | 0:01:40 | 0:01:43 | |
was phenomenal. As I said the goodbyes at the end of the show, | 0:01:43 | 0:01:46 | |
they rose as one and clapped and applauded, and the warmth | 0:01:46 | 0:01:51 | |
of that particular noise they were making was clearly not for me | 0:01:51 | 0:01:54 | |
but it was for the two M and W people I mentioned earlier. | 0:01:54 | 0:01:58 | |
-BUZZER -Gyles has challenged. | 0:01:58 | 0:01:59 | |
-Repetition of "two". -Yes, there's two there! | 0:01:59 | 0:02:02 | |
AUDIENCE GROANS | 0:02:04 | 0:02:06 | |
Are we haunted? | 0:02:06 | 0:02:07 | |
LAUGHTER | 0:02:07 | 0:02:08 | |
You struggled so well to change and find different words | 0:02:08 | 0:02:11 | |
to express the same thing. Gyles, it was 32 seconds, 28 seconds left. | 0:02:11 | 0:02:16 | |
You have a correct challenge, you gain a point for that. | 0:02:16 | 0:02:19 | |
Double Acts, starting now. | 0:02:19 | 0:02:21 | |
I'm turning my mind to romantic double acts, | 0:02:21 | 0:02:23 | |
thinking of Abelard and Heloise, Romeo, Juliet, Antony, Cleopatra, | 0:02:23 | 0:02:27 | |
Andy Pandy, Looby Lou, | 0:02:27 | 0:02:29 | |
and more recently, Kermit The Frog and Miss Piggy, | 0:02:29 | 0:02:32 | |
the erotic charge when characters like this come together | 0:02:32 | 0:02:35 | |
and consummate their union... | 0:02:35 | 0:02:37 | |
-BUZZER -Paul challenged. | 0:02:37 | 0:02:40 | |
Are you saying Andy Pandy...and Looby Lou consummated their union? | 0:02:40 | 0:02:45 | |
Oh, yes! | 0:02:45 | 0:02:48 | |
-What's Teddy doing round the back, making a cup of tea? -Teddy took the photographs! | 0:02:48 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:54 | |
-That's how I know. -It's a scandal. | 0:02:54 | 0:02:57 | |
I think, in the literal interpretation of the words he used, | 0:02:57 | 0:03:01 | |
-you are perfectly correct, Paul. -Yes. -A correct challenge, | 0:03:01 | 0:03:04 | |
and you have 12 seconds on Double Acts, starting now. | 0:03:04 | 0:03:08 | |
David Cameron and the leader of the Liberal Party's name nobody can remember, | 0:03:08 | 0:03:12 | |
are currently forming a double act which is known as the coalition | 0:03:12 | 0:03:15 | |
which is running this country, even as I speak. | 0:03:15 | 0:03:18 | |
Would it be possible for us to look at a past... | 0:03:18 | 0:03:20 | |
WHISTLE BLOWS | 0:03:20 | 0:03:22 | |
CHEERING AND APPLAUSE | 0:03:22 | 0:03:23 | |
I didn't know what I was going to say after that! | 0:03:23 | 0:03:26 | |
60 seconds have elapsed and whoever was speaking then | 0:03:27 | 0:03:32 | |
gains that extra point and it was Paul Merton. | 0:03:32 | 0:03:34 | |
You won't be surprised to know he is in the lead at the end of that round. | 0:03:34 | 0:03:38 | |
Miles Jupp, will you begin the next round and the subject is | 0:03:38 | 0:03:41 | |
Bowling A Maiden Over. 60 seconds as usual, starting now. | 0:03:41 | 0:03:47 | |
Bowling a maiden over is a specific cricket term | 0:03:47 | 0:03:51 | |
which does not apply to the act of throwing a ball | 0:03:51 | 0:03:53 | |
so that it actually fells a lady, nor does it refer to the idea of actually delivering... | 0:03:53 | 0:03:58 | |
-BUZZER -Gyles challenged. | 0:03:58 | 0:03:59 | |
-Repetition of "actually". -Actually, yes. | 0:03:59 | 0:04:01 | |
Harsh challenge. | 0:04:01 | 0:04:03 | |
Little ungentlemanly, I thought, Gyles. | 0:04:03 | 0:04:05 | |
LAUGHTER | 0:04:05 | 0:04:06 | |
I agree, not quite cricket! | 0:04:06 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:09 | |
-Gyles, a correct challenge. -How many seconds did I manage? | 0:04:09 | 0:04:12 | |
-11 seconds. -11, that's a cricketing number, I'm happy with that. | 0:04:12 | 0:04:17 | |
Gyles, you've got 49 seconds | 0:04:18 | 0:04:19 | |
on Bowling A Maiden Over, starting now. | 0:04:19 | 0:04:23 | |
When I was a member of the House Of Commons cricket team, | 0:04:23 | 0:04:26 | |
Ann Widdecombe, that interesting cross between Danny DeVito and Margaret Rutherford, | 0:04:26 | 0:04:30 | |
was a wicketkeeper. | 0:04:30 | 0:04:32 | |
I'm proud to say that I actually successfully bowled this maiden over, | 0:04:32 | 0:04:36 | |
she fell splat, and that wonderful, amusing, slightly lopsided bosom | 0:04:36 | 0:04:41 | |
of hers lay upon the ground. | 0:04:41 | 0:04:42 | |
And my ball landed right between the crevice. | 0:04:42 | 0:04:46 | |
It was an exciting moment for both of us. | 0:04:46 | 0:04:49 | |
Not since Anton had swept her off her feet, | 0:04:49 | 0:04:51 | |
taken her over his shoulder, up to the green room, | 0:04:51 | 0:04:55 | |
had I had such an exciting moment with a beautiful lady, as it was... | 0:04:55 | 0:04:59 | |
-BUZZER -Miles challenged. | 0:04:59 | 0:05:01 | |
Er, deviation, I think... | 0:05:01 | 0:05:03 | |
No, I didn't get that far. | 0:05:03 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:06 | |
It crossed my mind but I held back. | 0:05:06 | 0:05:08 | |
I imagine it was very high on your to-do list, Gyles. | 0:05:08 | 0:05:12 | |
When you say "since Anton", that is more recent | 0:05:12 | 0:05:15 | |
that Anton was sweeping her around | 0:05:15 | 0:05:18 | |
than you, I believe, held a place in the House Of Commons, which is when I was a teenager or younger. | 0:05:18 | 0:05:23 | |
AUDIENCE: Ohhh... | 0:05:23 | 0:05:24 | |
APPLAUSE | 0:05:24 | 0:05:26 | |
Can I say, that's my kind of challenge and I rather admire it! | 0:05:30 | 0:05:34 | |
I've been looking at you, thinking, "Could you be my love child?" | 0:05:34 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:41 | |
I mean, you sound like me, you look like me | 0:05:41 | 0:05:44 | |
and now you think like me. Give him the point! | 0:05:44 | 0:05:47 | |
APPLAUSE | 0:05:47 | 0:05:48 | |
Get yourself a good lawyer! | 0:05:48 | 0:05:50 | |
Gyles, I was going to give him a point anyway, | 0:05:52 | 0:05:56 | |
I don't think you should now run the show as well as take part in it. | 0:05:56 | 0:05:59 | |
I won't say another word, I'll sit back and watch my boy having a good time! | 0:05:59 | 0:06:03 | |
LAUGHTER | 0:06:03 | 0:06:04 | |
-So, Miles... -I don't think it's fair to expect me to speak, | 0:06:04 | 0:06:08 | |
I'm very flustered. | 0:06:08 | 0:06:09 | |
Miles, you only have 14 seconds available. | 0:06:10 | 0:06:12 | |
You've got a point, of course. | 0:06:12 | 0:06:14 | |
Bowling A Maiden Over, starting now. | 0:06:14 | 0:06:17 | |
It used to be the case that bowling a maiden over required skill alone. | 0:06:17 | 0:06:21 | |
Now, of course, you can ring someone you know in the team and demand | 0:06:21 | 0:06:24 | |
that they bowl a bowden...a maiden over. | 0:06:24 | 0:06:27 | |
BUZZER, AUDIENCE GROANS | 0:06:27 | 0:06:28 | |
A bit of a slip over the words, sadly. | 0:06:28 | 0:06:31 | |
-There was hesitation. -I didn't think there was, it was fluent, eloquent, | 0:06:31 | 0:06:35 | |
extraordinary panache he's speaking with. | 0:06:35 | 0:06:39 | |
-Fabulous. -Who will you adopt in the next round? | 0:06:39 | 0:06:43 | |
A correct challenge, Paul, you have a point for that, | 0:06:43 | 0:06:46 | |
you have five seconds still available. Bowling A Maiden Over, starting now. | 0:06:46 | 0:06:50 | |
Although I never played cricket at school, I soon became a fan. | 0:06:50 | 0:06:53 | |
I remember seeing the Oval for the first time... | 0:06:53 | 0:06:55 | |
WHISTLE BLOWS Ooh, that was close. | 0:06:55 | 0:06:57 | |
APPLAUSE DROWNS SPEECH | 0:06:57 | 0:07:00 | |
Paul Merton was speaking as the whistle went and gained that extra point. | 0:07:01 | 0:07:05 | |
-And Liza, we'd like you to begin the next round. -OK! | 0:07:05 | 0:07:08 | |
This subject can be taken more than one way, | 0:07:08 | 0:07:11 | |
I'm a bit nervous about it. Cobblers. | 0:07:11 | 0:07:13 | |
So will you talk on the subject of Cobblers, 60 seconds, starting now. | 0:07:15 | 0:07:19 | |
There's nothing I like better than a man with a couple of skills. | 0:07:19 | 0:07:23 | |
One of them I'm a fan of is, of course, cobbling. | 0:07:23 | 0:07:26 | |
Up by me, in the Arsenal area of London, | 0:07:26 | 0:07:30 | |
and I did move there for the gag, | 0:07:30 | 0:07:31 | |
there's a cobbler's who provides me with such glorious services | 0:07:31 | 0:07:36 | |
that he has my undying love forever. | 0:07:36 | 0:07:40 | |
Last year, he lengthened the strap on my handbag | 0:07:40 | 0:07:42 | |
and has made what was quite an unusual form of carrying stuff in, a papoose-type thing, | 0:07:42 | 0:07:50 | |
which, incidentally, I bought in Lisbon, just to be flash. | 0:07:50 | 0:07:53 | |
He made... | 0:07:53 | 0:07:54 | |
-Oh, I said "he made, made..." -BUZZER | 0:07:54 | 0:07:57 | |
-Gyles has challenged. -Hesitation. -Yes, but only cos she repeated something. | 0:07:57 | 0:08:02 | |
-Darling, you shouldn't have let them know. -I know, | 0:08:02 | 0:08:05 | |
but my mind went into some sort of '60s dream sequence. | 0:08:05 | 0:08:09 | |
You carried us with you! Gyles, a correct challenge | 0:08:09 | 0:08:13 | |
so you have the subject of Cobblers, 23 seconds, starting now. | 0:08:13 | 0:08:17 | |
As Miles could probably tell you, our family comes from | 0:08:17 | 0:08:20 | |
Accrington in Lancashire, where in that part of the world... | 0:08:20 | 0:08:23 | |
-BUZZER -Miles challenged. | 0:08:23 | 0:08:24 | |
I have no connections to the North of England. | 0:08:24 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:28 | |
APPLAUSE | 0:08:28 | 0:08:30 | |
Proved my point, I was talking cobblers! | 0:08:33 | 0:08:35 | |
LAUGHTER | 0:08:35 | 0:08:36 | |
Oh, you'd wriggle on anything! | 0:08:36 | 0:08:39 | |
LIZA LAUGHS LOUDLY | 0:08:41 | 0:08:42 | |
Miles, a correct challenge, well listened and a lovely interruption too. | 0:08:43 | 0:08:48 | |
And you have the subject of Cobblers, | 0:08:48 | 0:08:50 | |
18 seconds are still available, starting now. | 0:08:50 | 0:08:53 | |
Cobblers is the nickname of the football team in Northampton | 0:08:53 | 0:08:57 | |
because that is a town that is associated with the art of shoemaking. | 0:08:57 | 0:09:01 | |
I was there doing a play once, and bought myself a spectacular pair | 0:09:01 | 0:09:04 | |
of Henry Boots, which as you know, are a kind of elasticated Henry, Gyles... | 0:09:04 | 0:09:08 | |
-BUZZER -Paul challenged. | 0:09:08 | 0:09:09 | |
Repetition of "Henry". | 0:09:09 | 0:09:11 | |
You shouldn't play to your father-in-law there! | 0:09:11 | 0:09:14 | |
LAUGHTER | 0:09:14 | 0:09:16 | |
Er, correct challenge, Henry. | 0:09:16 | 0:09:18 | |
Three seconds on Cobblers, Paul, starting now. | 0:09:18 | 0:09:21 | |
I watched a programme the other day about shoemaking, it was called Ultimate Cobblers | 0:09:21 | 0:09:24 | |
and it was the first person... WHISTLE BLOWS | 0:09:24 | 0:09:27 | |
APPLAUSE | 0:09:27 | 0:09:29 | |
Paul Merton was speaking as the whistle went and gained that extra point. He's now in the lead, | 0:09:30 | 0:09:36 | |
just ahead of Gyles Brandreth, | 0:09:36 | 0:09:38 | |
Miles Jupp and Liza Tarbuck, in that order. | 0:09:38 | 0:09:41 | |
Gyles, we're back with you to begin. A nice historical question here. | 0:09:41 | 0:09:45 | |
The Wives Of Henry VIII. Tell us something about them, | 0:09:45 | 0:09:49 | |
-starting now. -This really is quite a challenge, | 0:09:49 | 0:09:51 | |
because I recall that King Henry VIII had six wives | 0:09:51 | 0:09:55 | |
but repetition was certainly involved | 0:09:55 | 0:09:58 | |
because at least two of them had the same name. | 0:09:58 | 0:10:00 | |
Catherine cannot now be repeated, unless I call her Kate, ha ha! | 0:10:00 | 0:10:05 | |
BUZZER | 0:10:05 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:08 | |
APPLAUSE | 0:10:08 | 0:10:09 | |
You needn't look like that, Gyles, we all know the challenge. | 0:10:11 | 0:10:15 | |
Repetition of "ha, ha!" | 0:10:15 | 0:10:16 | |
Ha...ha! | 0:10:16 | 0:10:18 | |
LAUGHTER AND APPLAUSE | 0:10:18 | 0:10:20 | |
One was spelt H-U-H and the other, U-H. | 0:10:22 | 0:10:24 | |
-Will I agree, no... -But it sounded exactly the same. | 0:10:24 | 0:10:28 | |
If it was my boy who interrupted, then well done him! | 0:10:28 | 0:10:30 | |
-It was Paul Merton. -Oh... | 0:10:30 | 0:10:33 | |
I'm afraid I've never been formally recognised by Gyles. | 0:10:33 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:39 | |
He'll claim parentage to anybody to get a point! | 0:10:40 | 0:10:43 | |
So, "ha ha"... So, Paul, a correct challenge | 0:10:43 | 0:10:48 | |
and you have The Wives Of Henry VIII. | 0:10:48 | 0:10:50 | |
-There are 45 seconds, starting now. -The wives of Henry VIII, | 0:10:50 | 0:10:53 | |
let's go through them one by individual. | 0:10:53 | 0:10:56 | |
There was, of course, Catherine Of Aragon. | 0:10:56 | 0:10:59 | |
I think, as the name suggests, she was probably from somewhere in Spain. | 0:10:59 | 0:11:03 | |
And then, who should come next along the line, it was none other than Anne Boleyn. | 0:11:03 | 0:11:08 | |
Famously, she didn't have a complete set of fingers and thumbs or was it one too many... | 0:11:08 | 0:11:12 | |
-BUZZER I've said "one" three times. -Liza challenged. | 0:11:12 | 0:11:14 | |
-You're thinking of Queen Elizabeth, with the extra finger? -Didn't Anne Boleyn have an extra one? | 0:11:14 | 0:11:18 | |
-Anne Boleyn had an extra one. -An extra finger. -Extra little finger. | 0:11:18 | 0:11:22 | |
Like Jake The Peg. | 0:11:22 | 0:11:23 | |
-LAUGHTER -Did she? -Yeah, we wouldn't be talking about it otherwise. | 0:11:23 | 0:11:27 | |
LAUGHTER | 0:11:27 | 0:11:28 | |
So have you got a challenge within the rules of Just A Minute? | 0:11:28 | 0:11:31 | |
I thought it was deviation, which it is, strictly speaking... | 0:11:31 | 0:11:34 | |
-I'll have to pass, won't I? -You'll have to pass, | 0:11:35 | 0:11:39 | |
Paul has another point and 25 seconds to continue | 0:11:39 | 0:11:41 | |
on The Wives Of Henry VIII, starting now. | 0:11:41 | 0:11:43 | |
I remember very well the television programme that was made | 0:11:43 | 0:11:47 | |
in the early 1970s, perhaps with Keith Michell as King Henry VIII. | 0:11:47 | 0:11:52 | |
And what a magnificent performance it was. Each one of his wives, | 0:11:52 | 0:11:57 | |
throughout the entire six episodes, had a programme devoted to themselves. | 0:11:57 | 0:12:01 | |
I think we've already talked about the first two which gives me | 0:12:01 | 0:12:04 | |
the opportunity to mention three, four, five and six. | 0:12:04 | 0:12:08 | |
BUZZER | 0:12:08 | 0:12:09 | |
-Liza, you challenged. -Repetition of "six". | 0:12:09 | 0:12:12 | |
-Yes, you're right. Absolutely, absolutely. -Well done. | 0:12:12 | 0:12:17 | |
APPLAUSE | 0:12:17 | 0:12:19 | |
Well listened, Liza, and you've cleverly got in | 0:12:19 | 0:12:23 | |
with one second to go! | 0:12:23 | 0:12:25 | |
Lord! | 0:12:25 | 0:12:26 | |
APPLAUSE | 0:12:26 | 0:12:27 | |
After I went through all that rubbish for no reason at all! | 0:12:27 | 0:12:30 | |
You worked hard all the way through and Liza's got in, | 0:12:30 | 0:12:34 | |
one second, The Wives Of Henry VIII, Liza, starting now. | 0:12:34 | 0:12:38 | |
-At Hampton Court... -WHISTLE BLOWS | 0:12:38 | 0:12:41 | |
CHEERING AND APPLAUSE | 0:12:41 | 0:12:42 | |
So Liza Tarbuck was speaking when the whistle went, gained an extra point. | 0:12:44 | 0:12:48 | |
She's moved forward, she's equal in points with Miles Jupp, | 0:12:48 | 0:12:51 | |
in third place, but only one point behind Gyles Brandreth, | 0:12:51 | 0:12:55 | |
two or three behind Paul Merton but the points are only secondary. | 0:12:55 | 0:12:59 | |
It's the fun they give, isn't it? | 0:12:59 | 0:13:01 | |
-LAUGHTER -Oh, what a weak laugh that was, I wish I hadn't said it! | 0:13:01 | 0:13:04 | |
Paul, we'd like you to begin the next round. | 0:13:04 | 0:13:07 | |
The subject is...what a strange one! | 0:13:07 | 0:13:09 | |
Having A Good Time In The Desert. | 0:13:09 | 0:13:12 | |
Think of something to say, if you can, 60 seconds, starting now. | 0:13:14 | 0:13:18 | |
Many years ago, | 0:13:18 | 0:13:19 | |
I was at the Edinburgh Festival. A gentleman came up to me and said, "I heard you on Just A Minute | 0:13:19 | 0:13:23 | |
"during the summer." I didn't think that was remarkable. Then he said, | 0:13:23 | 0:13:26 | |
"I was crossing the Gobi Desert in a jeep." He'd listened via the World Service. | 0:13:26 | 0:13:29 | |
Now, of course, we are not on that august institution | 0:13:29 | 0:13:32 | |
but you can, still, in the desert, make a great deal of fun. | 0:13:32 | 0:13:35 | |
Befriend a vulture, that's what they're there for. They may | 0:13:35 | 0:13:39 | |
look up on you as potential carrion but I say, "Carry on regardless!" | 0:13:39 | 0:13:44 | |
AUDIENCE GROANS What are you groaning at? I'm making it off the top of my head! | 0:13:44 | 0:13:49 | |
BUZZER I shouldn't have said that. | 0:13:49 | 0:13:50 | |
-They put me off! -Liza, you challenged. | 0:13:50 | 0:13:54 | |
I was just helping out while the audience were putting Mr Merton off. | 0:13:54 | 0:13:57 | |
-Yeah! -So, hesitation, correct challenge. | 0:13:57 | 0:14:01 | |
You have 29 seconds. Having A Good Time In The Desert, starting now. | 0:14:01 | 0:14:04 | |
I was enjoying a programme with Mr Bear Grylls on it the other day, | 0:14:04 | 0:14:08 | |
who was having a wonderful time in the desert. | 0:14:08 | 0:14:10 | |
He started his search, or in fact, journey, | 0:14:10 | 0:14:13 | |
looking for some water, and as he went, | 0:14:13 | 0:14:16 | |
he distilled all sorts of skills to the viewer, | 0:14:16 | 0:14:20 | |
one of which was sucking the moisture out of a lizard | 0:14:20 | 0:14:24 | |
which he'd bitten the head off. Now, I'm not a great advocate | 0:14:24 | 0:14:29 | |
of this sort of behaviour, least of all going back to the hamster with Freddie Starr, that... | 0:14:29 | 0:14:33 | |
WHISTLE BLOWS | 0:14:33 | 0:14:34 | |
CHEERING AND APPLAUSE | 0:14:34 | 0:14:36 | |
So, Liza Tarbuck was speaking then, as the whistle went, | 0:14:42 | 0:14:45 | |
and gained that all-important extra point. She has moved forwards, she's in second place behind Paul Merton. | 0:14:45 | 0:14:51 | |
Who's going to begin the next round? Miles Jupp, it's your turn. | 0:14:51 | 0:14:54 | |
Right, good luck! | 0:14:54 | 0:14:56 | |
Strangers On A Train. | 0:14:56 | 0:14:58 | |
Tell us something about that subject, or film if you like. | 0:14:58 | 0:15:01 | |
60 seconds, starting now. | 0:15:01 | 0:15:03 | |
I consider anybody else | 0:15:03 | 0:15:04 | |
who is travelling on the same train as me to be a stranger, | 0:15:04 | 0:15:07 | |
even if they are a close friend or relative. | 0:15:07 | 0:15:09 | |
I think everybody should be completely silent when travelling on trains, | 0:15:09 | 0:15:13 | |
especially if they're in the quiet coach. You shouldn't be allowed | 0:15:13 | 0:15:16 | |
to use computers or carry children or eat apples or crisps noisily, | 0:15:16 | 0:15:20 | |
nor should the people who run the...rail... | 0:15:20 | 0:15:22 | |
BUZZER, AUDIENCE GROANS | 0:15:22 | 0:15:25 | |
-Gyles, you've challenged your love child. -I know. | 0:15:25 | 0:15:28 | |
-Because there was that hesitation. -There was a hesitation. | 0:15:28 | 0:15:31 | |
Gyles, there's 40 seconds still available. Tell us something about Strangers On A Train, starting now. | 0:15:31 | 0:15:37 | |
This story is going to astound Miles, | 0:15:37 | 0:15:39 | |
because it is going to lead to his conception. | 0:15:39 | 0:15:42 | |
BUZZER | 0:15:42 | 0:15:43 | |
You've been challenged, you've been challenged! Paul, what is it? | 0:15:43 | 0:15:47 | |
-Repetition of "going". -"Going", yes, well listened, Paul. | 0:15:47 | 0:15:50 | |
You've got 35 seconds, you tell us something about Strangers On A Train, starting now. | 0:15:50 | 0:15:55 | |
One of Alfred Hitchcock's greatest films, made in the early 1950s | 0:15:55 | 0:15:59 | |
for the Warner Brothers Studios, it was based on the first novel by Patricia Highsmith, | 0:15:59 | 0:16:03 | |
who went on to become a magnificent crime writer | 0:16:03 | 0:16:06 | |
throughout the rest of her career. Strangers On A Train, | 0:16:06 | 0:16:09 | |
black and white, monochrome, call it how you will, | 0:16:09 | 0:16:12 | |
its lack of colour did not... Ah nah, jow..niaow... | 0:16:12 | 0:16:15 | |
BUZZER, LAUGHTER | 0:16:15 | 0:16:17 | |
For those Hungarian viewers. | 0:16:17 | 0:16:18 | |
LAUGHTER | 0:16:18 | 0:16:20 | |
-Gyles, you challenged. -Hesitation. -Hesitation. 17 seconds available. | 0:16:20 | 0:16:25 | |
It's Strangers On A Train, starting now. | 0:16:25 | 0:16:27 | |
She sat down in front of me. | 0:16:27 | 0:16:29 | |
She was indeed a stranger on this train, | 0:16:29 | 0:16:32 | |
looking remarkably like the young Ingrid Bergman. | 0:16:32 | 0:16:34 | |
That was not her name though, Jupp turned out to be the surname | 0:16:34 | 0:16:38 | |
that this woman had. | 0:16:38 | 0:16:39 | |
Her hair flame-red, her eyes the colour of beautiful azure pearls, and then I kissed her. | 0:16:39 | 0:16:45 | |
WHISTLE BLOWS | 0:16:45 | 0:16:46 | |
APPLAUSE | 0:16:46 | 0:16:48 | |
He got away with that! | 0:16:49 | 0:16:51 | |
I'm sorry... I dipped the pearls in an azure colour I've got at home. | 0:16:52 | 0:16:57 | |
You needn't wriggle out of it! | 0:16:57 | 0:16:59 | |
No, I worry about it, even when I've won, I worry! | 0:16:59 | 0:17:02 | |
I wish to wriggle out of it because she was already called Jupp, which isn't my mother's maiden name, | 0:17:02 | 0:17:06 | |
-so you're suggesting... -This is the terrible thing! | 0:17:06 | 0:17:09 | |
-This is awful news. -Oh, God, but your dad... | 0:17:09 | 0:17:13 | |
If I had to choose anyone to hear this news from, Gyles, it simply wouldn't be you! | 0:17:13 | 0:17:17 | |
Can I say he's been a... | 0:17:17 | 0:17:18 | |
-It would be Nicholas Parsons! -I want you to know, | 0:17:18 | 0:17:21 | |
he's been a good dad in his own way. Mr Jupp, you've done your best... | 0:17:21 | 0:17:25 | |
-Reverend Dr... -Really? | 0:17:25 | 0:17:28 | |
-Yes, you disgrace. -Reverend Dr. -Oh, right, so, | 0:17:28 | 0:17:32 | |
what's the situation at the end of that round? | 0:17:32 | 0:17:34 | |
Paul Merton is still in the lead. He's two points ahead of Gyles Brandreth. Oh no... | 0:17:34 | 0:17:38 | |
it's Liza Tarbuck who's in second place, one point behind Paul. | 0:17:38 | 0:17:42 | |
CHEERING AND APPLAUSE | 0:17:42 | 0:17:44 | |
Thank you! | 0:17:44 | 0:17:45 | |
And Gyles is one point behind Liza. | 0:17:45 | 0:17:47 | |
And Miles Jupp's bringing up a magnificent rear! | 0:17:47 | 0:17:50 | |
LAUGHTER | 0:17:50 | 0:17:52 | |
I'm sorry, I could have said that better, couldn't I? | 0:17:52 | 0:17:56 | |
Let's get on with the show. Gyles Brandreth, your turn to begin. And the subject is... | 0:17:56 | 0:18:01 | |
Oh, we're going to get something here. | 0:18:01 | 0:18:05 | |
My Holiday Romance. | 0:18:05 | 0:18:06 | |
AUDIENCE: Oooh! | 0:18:06 | 0:18:08 | |
60 seconds, starting now. | 0:18:08 | 0:18:10 | |
Her name was Doris, | 0:18:10 | 0:18:11 | |
the beach was sandy. It was Broadstairs in August. | 0:18:11 | 0:18:16 | |
And the fun we had as I rode her... | 0:18:16 | 0:18:19 | |
She was, of course, a donkey. | 0:18:19 | 0:18:20 | |
And the year was 1956, my first holiday romance. | 0:18:20 | 0:18:25 | |
Oh, those glorious golden days of one's youth, | 0:18:25 | 0:18:28 | |
when you could fall in love with an animal and nobody thought there was anything perverse about it. | 0:18:28 | 0:18:32 | |
Now when it happens to me and I fancy the beagle next door, | 0:18:32 | 0:18:36 | |
they're on the phone to the RSPCA. What can you do? | 0:18:36 | 0:18:39 | |
Holiday romances are incredibly... | 0:18:39 | 0:18:40 | |
-BUZZER -Paul challenged. | 0:18:40 | 0:18:42 | |
In answer to your question "What can you do?" Leave animals alone... | 0:18:42 | 0:18:45 | |
..is what you can do! Outrageous. | 0:18:46 | 0:18:49 | |
APPLAUSE | 0:18:49 | 0:18:51 | |
People's pets watch this show, aren't there, Nicholas? | 0:18:51 | 0:18:54 | |
-Yes, but they don't get the jokes, the pets, they just sit there. They're fascinated by you. -Are they? | 0:18:54 | 0:19:00 | |
They dribble at the mouth when you come on! | 0:19:00 | 0:19:02 | |
That's... Thank you! | 0:19:02 | 0:19:05 | |
LAUGHTER | 0:19:05 | 0:19:07 | |
Something about making a domestic pet drool | 0:19:07 | 0:19:09 | |
that has been top of my list of achievements. | 0:19:09 | 0:19:12 | |
Paul, we did enjoy the interruption, we got a lovely laugh, | 0:19:12 | 0:19:15 | |
so we give you a bonus point for that. Gyles was interrupted | 0:19:15 | 0:19:19 | |
so he gets a point for an incorrect challenge. | 0:19:19 | 0:19:22 | |
-And Miles gets the subject! -Oh, yes! | 0:19:22 | 0:19:25 | |
Miles turns out to be the subject! | 0:19:25 | 0:19:29 | |
Gyles, 30 seconds, My Holiday Romance, starting now. | 0:19:29 | 0:19:33 | |
My holiday romance truly started at Victoria Station, | 0:19:33 | 0:19:37 | |
when I climbed onto this train and saw this extraordinary young woman. | 0:19:37 | 0:19:40 | |
You probably know her name, I won't repeat it. | 0:19:40 | 0:19:42 | |
She was very beautiful, I must say, | 0:19:42 | 0:19:44 | |
and would look like somebody in this room if you could see her now, page by page...Oh no! | 0:19:44 | 0:19:48 | |
LONG BUZZER | 0:19:48 | 0:19:52 | |
CHEERING AND APPLAUSE | 0:19:52 | 0:19:54 | |
You see how easy it is to trip up in this game? | 0:19:56 | 0:19:58 | |
-Paul, you challenged first. -Repetition of "page". | 0:19:58 | 0:20:02 | |
Paul, 15 seconds, something about My Holiday Romance, starting now. | 0:20:02 | 0:20:06 | |
Holiday romance, there I was, on one of the Greek islands. I looked up | 0:20:06 | 0:20:10 | |
and across the horizon I saw a figure coming towards me. | 0:20:10 | 0:20:14 | |
She was beautiful. Long, golden hair, magnificent arms, | 0:20:14 | 0:20:18 | |
a great, big...how long have we got? BUZZER | 0:20:18 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:24 | |
I think he's going out with the orang-utan I had the dalliance with. | 0:20:24 | 0:20:28 | |
With his long golden arms, what's going on here? | 0:20:28 | 0:20:32 | |
Miles, I think it was your buzzer that went first. | 0:20:32 | 0:20:35 | |
-Was it? -Yes, I pressed it for you, boy. -Oh, did you... | 0:20:35 | 0:20:40 | |
-OK, I'll take that. -You've got in with half a second to go. | 0:20:40 | 0:20:43 | |
It's My Holiday Romance, starting now. | 0:20:43 | 0:20:46 | |
I too was on a Greek island cos I was on Kos! WHISTLE BLOWS | 0:20:46 | 0:20:49 | |
APPLAUSE | 0:20:49 | 0:20:51 | |
Paul, it's your turn to begin. | 0:20:55 | 0:20:57 | |
The subject is...oh! Toasts. | 0:20:57 | 0:20:59 | |
Tell us something about Toasts in this game, starting now. | 0:20:59 | 0:21:02 | |
Ladies and gentlemen, I want you to imagine | 0:21:02 | 0:21:05 | |
you all have an imaginary glass as we toast Mr Nicholas Parsons' chairmanship of Just A Minute | 0:21:05 | 0:21:09 | |
for the last 45 years, never missed a programme over 800 recordings. | 0:21:09 | 0:21:14 | |
I say, Nicholas, well done and here's to the next 800! | 0:21:14 | 0:21:18 | |
CHEERING AND APPLAUSE | 0:21:18 | 0:21:20 | |
Oh, thank you! | 0:21:20 | 0:21:22 | |
-BUZZER -Thank you! | 0:21:23 | 0:21:25 | |
-It's also a clever way of extending the time of the minute. -Gyles challenged you. | 0:21:25 | 0:21:29 | |
-Repetition of "Nicholas". But I kept until after the applause. -True. | 0:21:29 | 0:21:33 | |
Repetition of "Nicholas". | 0:21:33 | 0:21:35 | |
But can you have too much repetition of "Nicholas"? | 0:21:35 | 0:21:38 | |
LAUGHTER | 0:21:38 | 0:21:39 | |
-800 programmes. -Well done, thank you. A bonus point | 0:21:39 | 0:21:42 | |
-for your flattery, thank you very much. -No, no, no... | 0:21:42 | 0:21:46 | |
APPLAUSE | 0:21:46 | 0:21:48 | |
Gyles, a correct challenge and you have 39 seconds. | 0:21:48 | 0:21:51 | |
Tell us something about Toasts in this game, starting now. | 0:21:51 | 0:21:54 | |
Your Majesty, Royal Highness, my lords, ladies, gentlemen. | 0:21:54 | 0:21:59 | |
This evening, I am honoured to propose the toast | 0:21:59 | 0:22:01 | |
of fatherhood. What an extraordinary, proud thing it is | 0:22:01 | 0:22:04 | |
-to be a papa and to be confronted... -BUZZER | 0:22:04 | 0:22:08 | |
-Paul challenged. -Repetition of "pa", is it? -No, it's all one word. | 0:22:08 | 0:22:11 | |
-Papa is one word. -Oh, it's one word? -Yes. | 0:22:11 | 0:22:14 | |
-Still, nice to hear from me, wasn't it? -So, Gyles, | 0:22:14 | 0:22:17 | |
an incorrect challenge, another point to you, | 0:22:17 | 0:22:19 | |
26 seconds still available, Toasts, starting now. | 0:22:19 | 0:22:22 | |
Of all the toasts I like the most, it's the wonderful one that's slightly burnt, | 0:22:22 | 0:22:26 | |
with the baked beans on top and then a fish finger and then a fried egg... | 0:22:26 | 0:22:30 | |
-BUZZER -Paul challenged. | 0:22:30 | 0:22:31 | |
A few "thens" one after the other, quite quickly. | 0:22:31 | 0:22:33 | |
-Then, then, then. -Yes. Can't argue with it, wouldn't argue with it. | 0:22:33 | 0:22:37 | |
Don't argue with it. | 0:22:37 | 0:22:39 | |
So keep quiet for a moment! | 0:22:39 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:43 | |
Sorry, I didn't mean to be rude, I'm very fond of you. Paul... | 0:22:43 | 0:22:47 | |
But not in that way! | 0:22:47 | 0:22:49 | |
-LAUGHTER -Paul, correct challenge, you have 18 seconds. | 0:22:49 | 0:22:53 | |
-Toasts, starting now. -When I think of all the great toasts | 0:22:53 | 0:22:56 | |
that have been passed through the remarkable century | 0:22:56 | 0:22:59 | |
that we have just endured and are still surviving through now, | 0:22:59 | 0:23:03 | |
if we look at the great Winston Churchill on the eve of the Second World War, | 0:23:03 | 0:23:07 | |
he was no longer, at that point, in power but he knew... | 0:23:07 | 0:23:11 | |
This has got nothing to do with Toasts! | 0:23:11 | 0:23:13 | |
-BUZZER -Liza, you've ch... | 0:23:13 | 0:23:15 | |
I'm coming in there, there was deviation. | 0:23:15 | 0:23:17 | |
-I was trying to keep hold of you! -I didn't know where I was going with that. | 0:23:17 | 0:23:21 | |
-Complete deviation. -Slippy subject. -So, Liza, | 0:23:21 | 0:23:23 | |
you got in with one second to go! | 0:23:23 | 0:23:26 | |
AUDIENCE: Ooh! | 0:23:26 | 0:23:28 | |
You're getting sharp at this game. One second on Toasts, starting now. | 0:23:28 | 0:23:33 | |
Before I left for this job... | 0:23:33 | 0:23:34 | |
WHISTLE BLOWS | 0:23:34 | 0:23:35 | |
APPLAUSE DROWNS SPEECH | 0:23:35 | 0:23:38 | |
Liza Tarbuck was speaking as the whistle went | 0:23:40 | 0:23:42 | |
and gained that extra point. She's moved forward, | 0:23:42 | 0:23:45 | |
she's equal with Gyles in second place. | 0:23:45 | 0:23:47 | |
They're trailing Paul by three points and Miles Jupp is... | 0:23:47 | 0:23:50 | |
-BELL RINGS -Oh, who's for tea? | 0:23:50 | 0:23:53 | |
LAUGHTER | 0:23:53 | 0:23:55 | |
That little tinkle tells us that we're into the last round. | 0:23:55 | 0:23:58 | |
-AUDIENCE: Ahh... -You couldn't care less, could you? | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:02 | |
But, Miles, it's your turn to begin. Ooh... | 0:24:02 | 0:24:05 | |
What I Keep In My Pocket. | 0:24:05 | 0:24:07 | |
60 seconds, starting now. | 0:24:07 | 0:24:09 | |
What I keep in my pocket | 0:24:09 | 0:24:10 | |
on which day of the week it is. On Mondays, I have things | 0:24:10 | 0:24:14 | |
that are to do with food, such as eggs, ham, cheese, | 0:24:14 | 0:24:19 | |
pizza, game, pate...beef... | 0:24:19 | 0:24:24 | |
BUZZER | 0:24:24 | 0:24:25 | |
AUDIENCE: Oh! | 0:24:25 | 0:24:27 | |
-Gyles, you've challenged. -These pockets are just so huge | 0:24:27 | 0:24:30 | |
that we've now got to the stage of deviation. | 0:24:30 | 0:24:33 | |
When he got to the game, I really thought... | 0:24:33 | 0:24:35 | |
I've met him on a Monday and he's not wearing that so it's deviation. | 0:24:35 | 0:24:41 | |
How do we know that he hasn't got these huge pockets that he puts lots and lots of food into? | 0:24:41 | 0:24:45 | |
Yeah, a gamekeeper's pockets! | 0:24:45 | 0:24:47 | |
LAUGHTER | 0:24:47 | 0:24:49 | |
-Very good! -What do you think they wear? | 0:24:49 | 0:24:51 | |
APPLAUSE | 0:24:51 | 0:24:53 | |
I'm going to give you the benefit of the doubt | 0:24:53 | 0:24:57 | |
and you still have the subject, 45 seconds available. | 0:24:57 | 0:25:00 | |
What I Keep In My Pocket, starting now. | 0:25:00 | 0:25:03 | |
Tuesday is DIY day, pocket-wise. | 0:25:03 | 0:25:05 | |
Hammers, tongs, tape measures...nails... | 0:25:05 | 0:25:09 | |
-BUZZER -Paul challenged. | 0:25:09 | 0:25:10 | |
-Slight hesitation. -Slight hesitation, you couldn't keep it up, could you? | 0:25:10 | 0:25:14 | |
-No, bless you for saying! -Listing sounds so easy in this game | 0:25:14 | 0:25:18 | |
but I assure you, it's very difficult. | 0:25:18 | 0:25:20 | |
Go home and try it. Don't do it now cos it's a waste of time, we want you to concentrate. | 0:25:20 | 0:25:25 | |
It was a correct challenge, Paul. What I Keep In My Pocket, | 0:25:25 | 0:25:28 | |
-39 seconds, starting now. -What I keep in my pocket, | 0:25:28 | 0:25:30 | |
I have apricots, bananas, carthorses, dirty, evil...oh, I can't say that. | 0:25:30 | 0:25:37 | |
BUZZER I have other... | 0:25:37 | 0:25:40 | |
-Yes, Miles. -That was a hesitation, as a result of good manners, | 0:25:40 | 0:25:43 | |
-I have to say. -A carthorse in your pocket? | 0:25:43 | 0:25:46 | |
-It could have been a key-ring carthorse. -No, it couldn't. | 0:25:46 | 0:25:49 | |
I've got very big pockets, and very small carthorses! | 0:25:49 | 0:25:52 | |
LAUGHTER | 0:25:52 | 0:25:53 | |
Miles, a correct challenge, you have 31 seconds still | 0:25:53 | 0:25:56 | |
about What I Keep In My Pocket, starting now. | 0:25:56 | 0:25:59 | |
Wednesday in my pockets... | 0:25:59 | 0:26:00 | |
LAUGHTER | 0:26:00 | 0:26:01 | |
I keep flags of all nations. English, Scottish, Welsh, | 0:26:01 | 0:26:07 | |
Portuguese, Irish, Dutch, French, German | 0:26:07 | 0:26:11 | |
Czech Repulic-ian, Slovakian...Cornish... | 0:26:11 | 0:26:16 | |
BUZZER | 0:26:16 | 0:26:17 | |
-Paul challenged. -There was a bit of a hesitation. | 0:26:17 | 0:26:20 | |
-There was. -Indeed. -Listing is great fun. -They're ganging up on you. | 0:26:20 | 0:26:24 | |
No, I appreciate it, I'm simply having a go. | 0:26:24 | 0:26:27 | |
You did very well, you kept going for a good 15 seconds on that list. | 0:26:27 | 0:26:31 | |
You should have changed from the list to something else, but Paul, | 0:26:31 | 0:26:34 | |
you've got in with 14 seconds to go on What I Keep In My Pocket, starting now. | 0:26:34 | 0:26:39 | |
What I keep in my pocket is a souvenir from my days as a child. | 0:26:39 | 0:26:43 | |
It's a simple toy, a yo-ditto, | 0:26:43 | 0:26:46 | |
and what it is, is one of those things that goes up and down like that on a piece of string. | 0:26:46 | 0:26:51 | |
It was given to me on the occasion of my seventh birthday. | 0:26:51 | 0:26:54 | |
WHISTLE BLOWS | 0:26:54 | 0:26:55 | |
CHEERING AND APPLAUSE | 0:26:55 | 0:26:58 | |
-Yo-ditto. -Yo-ditto. | 0:26:58 | 0:27:00 | |
APPLAUSE | 0:27:00 | 0:27:02 | |
Only an experienced player of the game could come up with "yo-ditto". | 0:27:05 | 0:27:10 | |
I thought of "yo-yo" and realised I had to... | 0:27:10 | 0:27:13 | |
Well done. You were speaking as the whistle went | 0:27:13 | 0:27:15 | |
and gained that extra point, let me give you the final score! | 0:27:15 | 0:27:18 | |
Miles Jupp, who's not played the game as much as the others, | 0:27:18 | 0:27:21 | |
did extraordinarily well. | 0:27:21 | 0:27:22 | |
He did finish in fourth place but it was a very good fourth place. | 0:27:22 | 0:27:25 | |
Your contribution is the important thing, not the points. | 0:27:25 | 0:27:29 | |
And equal in second place were Gyles Brandreth and Liza Tarbuck. | 0:27:29 | 0:27:33 | |
Out in the lead was Paul Merton. | 0:27:33 | 0:27:35 | |
So we say, he is the winner today! | 0:27:35 | 0:27:38 | |
CHEERING AND APPLAUSE | 0:27:38 | 0:27:39 | |
So...it only remains for me to say thank you | 0:27:42 | 0:27:45 | |
to these four fine players of the game. So it's goodbye | 0:27:45 | 0:27:50 | |
from this delightful audience here at the Television Centre. | 0:27:50 | 0:27:53 | |
It's goodbye from me, Nicholas Parsons. | 0:27:53 | 0:27:55 | |
Do join us again the next time we take to your screens | 0:27:55 | 0:27:58 | |
and we play Just A Minute! | 0:27:58 | 0:28:01 | |
MUSIC: "Minute Waltz" by Frederic Chopin | 0:28:03 | 0:28:06 | |
Subtitles by Red Bee Media Ltd | 0:28:10 | 0:28:13 |