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-Welcome to Just A Minute. -APPLAUSE, THEME MUSIC PLAYS | 0:00:02 | 0:00:05 | |
Hello, my name is Nicholas Parsons and, as the Minute Waltz fades away, | 0:00:11 | 0:00:17 | |
it's my great pleasure to welcome you to this special edition | 0:00:17 | 0:00:20 | |
of Just A Minute from BBC Television Centre. | 0:00:20 | 0:00:24 | |
This year, Just A Minute turns 45 and, as a special birthday treat, | 0:00:24 | 0:00:28 | |
we've taken over your television screens. | 0:00:28 | 0:00:31 | |
Without further ado, please welcome to the show | 0:00:31 | 0:00:34 | |
four highly-talented and charismatic performers. | 0:00:34 | 0:00:37 | |
They are, seated on my right, Paul Merton and Shappi Khorsandi. | 0:00:37 | 0:00:41 | |
And seated on my left, Hugh Bonneville and Jason Manford. | 0:00:41 | 0:00:44 | |
-Please welcome all four of them. -CHEERING | 0:00:44 | 0:00:47 | |
The players will try to speak for just a minute | 0:00:51 | 0:00:54 | |
on a subject I give them, and they must try and do that | 0:00:54 | 0:00:57 | |
without hesitation, repetition or deviation. | 0:00:57 | 0:00:59 | |
The other three panellists can challenge at any time. | 0:00:59 | 0:01:02 | |
If I uphold the challenge, they gain a point and take over the subject. | 0:01:02 | 0:01:05 | |
If not, the person speaking gains a point and keeps the subject. | 0:01:05 | 0:01:08 | |
The person speaking when the whistle goes, | 0:01:08 | 0:01:11 | |
which tells us 60 seconds have elapsed, | 0:01:11 | 0:01:13 | |
gains an extra point. And, by the way, | 0:01:13 | 0:01:16 | |
they can repeat the subject which is on the card in front of me. | 0:01:16 | 0:01:19 | |
Right, Shappi, can you talk on 60 seconds on this subject? | 0:01:19 | 0:01:23 | |
When I Met My Hero. 60 seconds as usual, starting now. | 0:01:23 | 0:01:28 | |
When I met my hero, Nicholas Parsons, | 0:01:28 | 0:01:32 | |
it was on this very programme. | 0:01:32 | 0:01:34 | |
I stammered a little, stuttered a lot | 0:01:34 | 0:01:37 | |
and, like all good heroes, he was kind to me, he held my hand and said, | 0:01:37 | 0:01:43 | |
"Don't worry, you'll be OK at this game, Shappi, | 0:01:43 | 0:01:46 | |
"just try to talk for 60 seconds without hesitating, deviating | 0:01:46 | 0:01:51 | |
"or repeating stuff that you have said already." | 0:01:51 | 0:01:54 | |
Also, like all heroes, he let me down a little bit. | 0:01:54 | 0:01:58 | |
I soon found out he's not | 0:01:58 | 0:02:00 | |
as tall as he appears to be. LAUGHTER | 0:02:00 | 0:02:03 | |
His name is not really Nicholas... BUZZ! | 0:02:03 | 0:02:05 | |
-..but Balthazar... -Paul challenged. -Repetition of Nicholas. | 0:02:05 | 0:02:08 | |
Yeah, repetition of Nicholas. What height do you think I am? | 0:02:08 | 0:02:11 | |
Well, I've never seen you stand up. | 0:02:11 | 0:02:14 | |
Do you want me to stand up? | 0:02:14 | 0:02:15 | |
I'd heard you on the radio, where you sound much taller than you are. | 0:02:15 | 0:02:19 | |
-He sounds taller on the radio. -He does sound taller. | 0:02:19 | 0:02:22 | |
So, according to you, you have to be about 5'11" to be on the radio? | 0:02:22 | 0:02:25 | |
-No, 5'2½" - my height. -Oh, right. | 0:02:25 | 0:02:28 | |
-Paul, you challenged. What was it, a repetition? -Of Nicholas. -Yes. | 0:02:28 | 0:02:32 | |
Well, we can't have too much repetition of that, can we, really? | 0:02:32 | 0:02:35 | |
There's probably an upper limit. | 0:02:35 | 0:02:38 | |
I said that and I wish I hadn't really, | 0:02:38 | 0:02:40 | |
cos it didn't get much of a reaction. | 0:02:40 | 0:02:42 | |
LAUGHTER | 0:02:42 | 0:02:44 | |
Paul, it is a correct challenge, and you have When I Met My Hero. | 0:02:44 | 0:02:47 | |
That's the subject. 22 seconds, starting now. | 0:02:47 | 0:02:50 | |
I interviewed Spike Milligan on a show I used to do | 0:02:50 | 0:02:52 | |
called Room 10- ditto first figure... | 0:02:52 | 0:02:55 | |
-LAUGHTER AND APPLAUSE -..and it was extraordinary for me, | 0:02:55 | 0:02:58 | |
because he was a hero of mine from childhood. | 0:02:58 | 0:03:01 | |
I well remember the Goon Show, the Q series that he did | 0:03:01 | 0:03:05 | |
and actually to be sitting talking to him, | 0:03:05 | 0:03:07 | |
listening to the various things he'd like to consign to oblivion | 0:03:07 | 0:03:11 | |
was a tremendously proud moment for me in my broadcasting career. | 0:03:11 | 0:03:14 | |
WHISTLE BLOWS | 0:03:14 | 0:03:17 | |
So, as I said before, whoever is speaking when the whistle goes | 0:03:20 | 0:03:24 | |
gains an extra point. On this occasion, it was Paul Merton. | 0:03:24 | 0:03:27 | |
So, at the end of that round, he's not only in the lead, | 0:03:27 | 0:03:30 | |
he's the only one who scored any points. | 0:03:30 | 0:03:33 | |
Hugh Bonneville, will you begin the next round? | 0:03:33 | 0:03:36 | |
-Welcome to the show. -Thank you. | 0:03:36 | 0:03:38 | |
And here's something which is up your street - Costume Drama. | 0:03:38 | 0:03:41 | |
I can't imagine why they've chosen it for you. | 0:03:41 | 0:03:45 | |
Talk, if you can, for 60 seconds on Costume Drama, starting now. | 0:03:45 | 0:03:49 | |
Picture if you will, the scene of me starting out as a young spear bearer | 0:03:49 | 0:03:55 | |
at one of our more prominent theatres. One night, | 0:03:55 | 0:03:58 | |
I was performing in not a single play, but in fact two. | 0:03:58 | 0:04:02 | |
So there I was in the dressing room | 0:04:02 | 0:04:06 | |
preparing to go... BUZZ! | 0:04:06 | 0:04:08 | |
-Jason challenged. -Hesitation. -Well, no. Was it? | 0:04:08 | 0:04:11 | |
-It was a hesitation. -LAUGHTER | 0:04:11 | 0:04:14 | |
-There were one or two others they let go. -They were very kind! | 0:04:14 | 0:04:17 | |
-I'm a jam... -It was beautiful when we all let that first hesitation go. | 0:04:17 | 0:04:20 | |
-He's a jam virgin, isn't he, Nicholas? -Yes, I'm a jam virgin! | 0:04:20 | 0:04:23 | |
-A jam virgin! -Yes, he's a jam virgin. -He's a jam virgin. | 0:04:23 | 0:04:26 | |
-Yeah. -I think after the fourth... -LAUGHTER | 0:04:26 | 0:04:30 | |
I don't know what it means, though. | 0:04:30 | 0:04:31 | |
Jason, we'll give it to you. Definitely hesitation. | 0:04:31 | 0:04:34 | |
A point for that, of course. There are 42 seconds available. | 0:04:34 | 0:04:37 | |
-Costume Drama. -You'd better be good, sir. | 0:04:37 | 0:04:41 | |
LAUGHTER | 0:04:41 | 0:04:44 | |
Oh, threats. Costume Drama, starting now. | 0:04:44 | 0:04:48 | |
So I was performing in these two plays at this theatre | 0:04:48 | 0:04:51 | |
when, after the show, somebody said to me, "You, my friend, should be | 0:04:51 | 0:04:55 | |
-"performing stand-up comedy." -BUZZ! | 0:04:55 | 0:04:57 | |
-Repetition of performing? -Well listened, yes. -Very good. | 0:04:57 | 0:05:00 | |
CHEERING | 0:05:00 | 0:05:02 | |
-Good work! -So, Hugh, you have | 0:05:02 | 0:05:05 | |
your first correct challenge and your first point, | 0:05:05 | 0:05:07 | |
and you have 34 seconds | 0:05:07 | 0:05:09 | |
and you still have Costume Drama, starting now. | 0:05:09 | 0:05:12 | |
Yerma is a play by Lorca. | 0:05:12 | 0:05:14 | |
In this rather unlikely casting, I was a flamenco dancer. | 0:05:14 | 0:05:19 | |
LAUGHTER In the other auditorium, | 0:05:19 | 0:05:21 | |
the Olivier, I was appearing as a Roman soldier. | 0:05:21 | 0:05:25 | |
But both on the same evening. | 0:05:25 | 0:05:27 | |
So, as a result, I had to finish my dance in one space, | 0:05:27 | 0:05:31 | |
leg it up the stairs, flinging off my clothes | 0:05:31 | 0:05:34 | |
and donning a Roman uniform. BUZZ! | 0:05:34 | 0:05:36 | |
-Shappi challenged. -Was that repetition of Roman? -Yes. | 0:05:36 | 0:05:39 | |
-AUDIENCE: Aw! -Aw! I wasn't even entirely sure. | 0:05:39 | 0:05:44 | |
Shappi, a correct challenge. You have the subject, Costume Drama. | 0:05:44 | 0:05:48 | |
Nine seconds starting now. | 0:05:48 | 0:05:50 | |
Costume dramas are soap operas | 0:05:50 | 0:05:53 | |
that are made palatable for middle-class people. | 0:05:53 | 0:05:55 | |
If you take the plotline of Downton Abbey | 0:05:55 | 0:05:57 | |
and compare it to, perhaps, EastEnders or... | 0:05:57 | 0:06:01 | |
WHISTLE BLOWS, APPLAUSE | 0:06:01 | 0:06:04 | |
So, Shappi Khorsandi was speaking then when the whistle went | 0:06:06 | 0:06:09 | |
and gained that extra point. At the end of that round, | 0:06:09 | 0:06:12 | |
she's equal with Paul Merton in the lead, | 0:06:12 | 0:06:14 | |
and Hugh Bonneville and Jason Manford are equal in second place. | 0:06:14 | 0:06:17 | |
Jason, we'd like you to begin the next round. | 0:06:17 | 0:06:20 | |
A lovely subject Bath Time. | 0:06:20 | 0:06:23 | |
Tell us something about Bath Time in this game, starting now. | 0:06:23 | 0:06:27 | |
Bath Time in our house happens in the bathroom. | 0:06:27 | 0:06:30 | |
It's a room dedicated for women. BUZZ! | 0:06:30 | 0:06:33 | |
-Hugh challenged. -Repetition of room? | 0:06:33 | 0:06:36 | |
-PAUL: -Bathroom's one word? -Bathroom's one word. | 0:06:36 | 0:06:38 | |
It is, yeah, it is in our house. LAUGHTER | 0:06:38 | 0:06:42 | |
You're like me, we couldn't afford hyphens when we were growing up. | 0:06:42 | 0:06:46 | |
-We didn't know what a hyphen was. -No, unfortunately, Hugh, | 0:06:46 | 0:06:50 | |
-it is one word. -OK. -So it was an incorrect challenge. | 0:06:50 | 0:06:53 | |
Jason, you have another point. You have Bath Time. | 0:06:53 | 0:06:56 | |
You have 54 seconds starting now. | 0:06:56 | 0:06:57 | |
It's a female orientated place with thousands of bottles. | 0:06:57 | 0:07:01 | |
Men don't even know what they're for. | 0:07:01 | 0:07:03 | |
My wife could be a terrorist for all I know, | 0:07:03 | 0:07:05 | |
concocting whatever going on. | 0:07:05 | 0:07:07 | |
I might find myself in court in a few years, thinking, | 0:07:07 | 0:07:10 | |
"I thought it was Timotei, Your Honour." | 0:07:10 | 0:07:12 | |
I use the bathroom on a regular basis, | 0:07:12 | 0:07:14 | |
usually once a day to brush my teeth and actually have a shower. | 0:07:14 | 0:07:17 | |
I bath the children, three of them. It's very difficult | 0:07:17 | 0:07:20 | |
to get three kids out... BUZZ! | 0:07:20 | 0:07:22 | |
-Shappi challenged. -Sorry, three, sorry. | 0:07:22 | 0:07:24 | |
-No, don't apologise. -Don't be sorry. -It's a correct challenge. -Three! | 0:07:24 | 0:07:27 | |
You can only get three in the bath. Shappi, you were listening well, you came in first. | 0:07:27 | 0:07:31 | |
And it's Bath Time with you now... Oh, how lovely! ..and, um... | 0:07:31 | 0:07:35 | |
LAUGHTER AND APPLAUSE | 0:07:35 | 0:07:38 | |
He normally has a nurse assist him. | 0:07:40 | 0:07:44 | |
Oh, you wicked...! | 0:07:44 | 0:07:47 | |
LAUGHTER | 0:07:47 | 0:07:48 | |
I love your innocent remarks. | 0:07:48 | 0:07:50 | |
They get more and more innocent every time I come on the show. | 0:07:50 | 0:07:54 | |
-LAUGHTER -Shappi, you have a correct challenge. | 0:07:54 | 0:07:57 | |
You have 30 seconds | 0:07:57 | 0:07:58 | |
to tell us something about Bath Time, starting now. | 0:07:58 | 0:08:01 | |
Bath times are a glorious time in my household. I love them. | 0:08:01 | 0:08:06 | |
My son, however, I can't say he enjoys them as much as me, | 0:08:06 | 0:08:11 | |
because, at four, he has no defence against my singing. | 0:08:11 | 0:08:14 | |
I subject him to all sorts of vocal atrocities | 0:08:14 | 0:08:18 | |
while he lies helpless in the water. | 0:08:18 | 0:08:21 | |
Safely! | 0:08:21 | 0:08:23 | |
I like to croon to my son! # Rubber ducky... # | 0:08:23 | 0:08:26 | |
-BUZZER -Jason challenged. | 0:08:26 | 0:08:28 | |
-Repetition of the word "son". -Yes. | 0:08:28 | 0:08:31 | |
Earlier, you talked about your son. | 0:08:31 | 0:08:33 | |
You know, he's got such an amazing personality, | 0:08:33 | 0:08:36 | |
I always think there's more than one of him. | 0:08:36 | 0:08:39 | |
It's a correct challenge, you have a point for that, and you have... | 0:08:39 | 0:08:42 | |
-Ooh, you got in with only four seconds to go. -Oh! | 0:08:42 | 0:08:47 | |
"And tonight's big prize..." "Ooh!" | 0:08:47 | 0:08:50 | |
-"..it's a caravan!" -Four seconds, Jason. | 0:08:50 | 0:08:52 | |
Tell us something about Bath Time, starting now. | 0:08:52 | 0:08:55 | |
Blokes will use whatever product is nearest to them. My dad... | 0:08:55 | 0:08:58 | |
-Paul? -Didn't we have "products" before? -Yes, you did. | 0:08:58 | 0:09:01 | |
-Did I? I said "bottles" earlier on. -You did, you're right. | 0:09:01 | 0:09:05 | |
-Oh, yes. -You said "bottles". Well done, I'm glad you remembered. | 0:09:05 | 0:09:08 | |
LAUGHTER | 0:09:08 | 0:09:10 | |
I always presumed there was somebody in another room checking on this, | 0:09:10 | 0:09:13 | |
but it's genuinely just you two, isn't it? | 0:09:13 | 0:09:17 | |
Not me. | 0:09:17 | 0:09:18 | |
APPLAUSE | 0:09:18 | 0:09:20 | |
It was "bottles", well done. | 0:09:22 | 0:09:25 | |
So you have an incorrect challenge, Jason, another point to you. | 0:09:25 | 0:09:28 | |
And you've still got two seconds. Bath Time, starting now. | 0:09:28 | 0:09:31 | |
Conditioner is one of those things that I've... | 0:09:31 | 0:09:35 | |
WHISTLE BLOWS | 0:09:35 | 0:09:36 | |
So Jason Manford was speaking as the whistle went | 0:09:38 | 0:09:42 | |
and gained an extra point for doing so. | 0:09:42 | 0:09:44 | |
Paul, the subject here is... | 0:09:44 | 0:09:46 | |
60 seconds as usual, starting now. | 0:09:49 | 0:09:50 | |
It was about 15 years ago, | 0:09:50 | 0:09:53 | |
I came back home after a recording of Have I Got News For You | 0:09:53 | 0:09:56 | |
and my then wife said, "Somebody's phoned, and there's going to be | 0:09:56 | 0:09:59 | |
"eight pages in the Daily Mirror tomorrow about your habit." | 0:09:59 | 0:10:03 | |
I said, "Well, what are you referring to?" | 0:10:03 | 0:10:06 | |
And the account on Have I Got News For You... | 0:10:06 | 0:10:09 | |
-BUZZER -I should've said Just A Minute! | 0:10:09 | 0:10:11 | |
Oh! I deviated into boring stuff instead of carrying on. | 0:10:11 | 0:10:16 | |
I know, I know. | 0:10:16 | 0:10:17 | |
They're always repeating Have I Got News For You. | 0:10:17 | 0:10:20 | |
LAUGHTER | 0:10:20 | 0:10:22 | |
-And many of the shows it spawned. -Yes! | 0:10:22 | 0:10:26 | |
LAUGHTER | 0:10:26 | 0:10:28 | |
Jason, you have a correct challenge, | 0:10:28 | 0:10:30 | |
and you have A Case Of Mistaken Identity. | 0:10:30 | 0:10:33 | |
35 seconds available, starting now. | 0:10:33 | 0:10:35 | |
I very rarely get recognised, I get half-recognised. | 0:10:35 | 0:10:38 | |
BUZZER BLEEP! Sorry. | 0:10:38 | 0:10:41 | |
LAUGHTER | 0:10:41 | 0:10:43 | |
I think it's fully recognised. | 0:10:43 | 0:10:47 | |
-Sorry. -It shows you what a difficult game this is. -It is. | 0:10:47 | 0:10:50 | |
-But half-recognised with a hyphen? Does that not count as...? -No. | 0:10:50 | 0:10:54 | |
Paul, a correct challenge. | 0:10:54 | 0:10:56 | |
A Case Of Mistaken Identity, 32 seconds starting now. | 0:10:56 | 0:10:59 | |
The following morning, I bought the newspaper in question | 0:10:59 | 0:11:02 | |
and Paul Merson, the Arsenal footballer, | 0:11:02 | 0:11:05 | |
had a large number of issues devoted to him, | 0:11:05 | 0:11:07 | |
so it was A Case Of Mistaken Identity, | 0:11:07 | 0:11:10 | |
in case you were wondering why I suddenly confessed to some terrible incident. | 0:11:10 | 0:11:14 | |
BUZZER | 0:11:14 | 0:11:15 | |
-Hugh challenged. -Repetition of "case". | 0:11:15 | 0:11:17 | |
-It's on the card. -I'll get my coat. | 0:11:17 | 0:11:19 | |
Yes, you can repeat the subject. | 0:11:20 | 0:11:22 | |
Yes, yes, I'm learning, Nicholas, I'm learning. | 0:11:22 | 0:11:25 | |
I know, but it's such a quick learning process, isn't it? | 0:11:25 | 0:11:29 | |
Harsh! | 0:11:29 | 0:11:30 | |
I'm afraid it was an incorrect challenge, | 0:11:30 | 0:11:32 | |
so Paul has another point. | 0:11:32 | 0:11:33 | |
He has 17 seconds, A Case Of Mistaken Identity, starting now. | 0:11:33 | 0:11:36 | |
When Rudolf Hess arrived in Scotland | 0:11:36 | 0:11:39 | |
in around about 1941, during the course of the Second World War, | 0:11:39 | 0:11:43 | |
people believed at first it may not be him. | 0:11:43 | 0:11:46 | |
They said, "How can we be sure | 0:11:46 | 0:11:48 | |
"this is one of Hitler's deputies landing on our isles? | 0:11:48 | 0:11:51 | |
"What would be his reason for parachuting into us?" | 0:11:51 | 0:11:53 | |
-BUZZER -Shappi challenged. | 0:11:53 | 0:11:55 | |
You breathed. That doesn't count as hesitation, does it? | 0:11:55 | 0:11:59 | |
Yeah, I did breathe, I did breathe. | 0:11:59 | 0:12:02 | |
I think my heart beat a couple of times as well. It put me off a bit. | 0:12:02 | 0:12:06 | |
An incorrect challenge, and you have quarter of a second to go, Paul. | 0:12:06 | 0:12:10 | |
A Case Of Mistaken Identity, starting now. | 0:12:10 | 0:12:12 | |
-You're Winston Churchill! -WHISTLE BLOWS | 0:12:12 | 0:12:15 | |
So, at the end of that round, | 0:12:20 | 0:12:22 | |
Paul Merton was speaking at the whistle. He gained an extra point. | 0:12:22 | 0:12:25 | |
He's now in the lead, just two ahead of Jason | 0:12:25 | 0:12:27 | |
and four or five ahead of Shappi and a few more ahead of Hugh Bonneville. | 0:12:27 | 0:12:32 | |
God! | 0:12:32 | 0:12:33 | |
And, Shappi, we are back with you to begin. | 0:12:33 | 0:12:36 | |
The subject now is... | 0:12:36 | 0:12:39 | |
Tell us something about that phrase in this game, starting now. | 0:12:39 | 0:12:43 | |
Unless you're a pathological liar, | 0:12:43 | 0:12:44 | |
I don't see any reason to not keep it real. | 0:12:44 | 0:12:48 | |
But Keeping It Real has become common parlance, | 0:12:48 | 0:12:51 | |
meaning being down-to-earth. | 0:12:51 | 0:12:54 | |
It's a term celebrities often use | 0:12:54 | 0:12:57 | |
to pretend that becoming a millionaire | 0:12:57 | 0:12:59 | |
and living far away from where they grew up doesn't matter, | 0:12:59 | 0:13:02 | |
and they're still happy to get on the bus if they really had to. | 0:13:02 | 0:13:05 | |
Jennifer Lopez, for example, wrote a song, Jenny From The Block, | 0:13:05 | 0:13:09 | |
where she explained to the people that lived on her estate | 0:13:09 | 0:13:14 | |
that, although she might have more money than she used to have, | 0:13:14 | 0:13:17 | |
she's exactly the same personage as she was before. She keeps it real. | 0:13:17 | 0:13:24 | |
Often, young people keep it real where they have no reason to. | 0:13:24 | 0:13:29 | |
Oh, Hugh. | 0:13:29 | 0:13:31 | |
LAUGHTER AND APPLAUSE | 0:13:31 | 0:13:33 | |
Hugh, you challenged. Why? | 0:13:35 | 0:13:37 | |
-HE CLEARS HIS THROAT -Because you told me to. | 0:13:37 | 0:13:40 | |
LAUGHTER | 0:13:40 | 0:13:42 | |
-It was repetition of. -No, she deviated. -She deviated. | 0:13:42 | 0:13:46 | |
I made a paper plane, that's deviation. | 0:13:46 | 0:13:50 | |
-Personage. -Personage. Are you not allowed to use foreign emphasis? | 0:13:50 | 0:13:54 | |
-I'm not sure if that's foreign. -Not even foreign. | 0:13:54 | 0:13:56 | |
It's an adulteration of English as we understand it. | 0:13:56 | 0:14:00 | |
-So that is deviation. -OK, I couldn't agree more. | 0:14:00 | 0:14:03 | |
-That's exactly what I thought. -LAUGHTER | 0:14:03 | 0:14:05 | |
I'm glad you picked it up so quickly. | 0:14:05 | 0:14:07 | |
-You're very good. -I was hot on that one. | 0:14:07 | 0:14:10 | |
-It's my second language, so... -What, personage? -No. | 0:14:10 | 0:14:14 | |
I'm trying to get out of it. | 0:14:14 | 0:14:15 | |
Hugh, you have another point. You have 13 seconds. | 0:14:15 | 0:14:18 | |
Tell us about Keeping It Real, starting now. | 0:14:18 | 0:14:21 | |
The last time I was fishing, | 0:14:21 | 0:14:23 | |
I had a particular reel in my bag that I thought was a fake one. | 0:14:23 | 0:14:28 | |
BUZZER | 0:14:28 | 0:14:29 | |
Shappi challenged. | 0:14:29 | 0:14:30 | |
It's clearly not that kind of reel. That's a deviation. | 0:14:30 | 0:14:33 | |
It can be whatever reel you like. | 0:14:33 | 0:14:35 | |
If you had to say it according to how things were spelt, | 0:14:35 | 0:14:38 | |
we'd be here all night. | 0:14:38 | 0:14:40 | |
So it's that reel in this case. I apologise. | 0:14:40 | 0:14:42 | |
Well, if I'd got to the end of the sentence, | 0:14:42 | 0:14:45 | |
you might have discovered what I was going to say. You see? | 0:14:45 | 0:14:48 | |
AUDIENCE: Ooh! You're not in character now, Hugh. | 0:14:48 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:54 | |
So, Hugh, you have six more seconds | 0:14:54 | 0:14:57 | |
to tell us something about Keeping It Real, starting now. | 0:14:57 | 0:15:00 | |
And my companion said, "No, I think that is a real reel." | 0:15:00 | 0:15:04 | |
He was full of puns. | 0:15:04 | 0:15:05 | |
WHISTLE BLOWS | 0:15:05 | 0:15:07 | |
Hugh, you were speaking as the whistle went | 0:15:07 | 0:15:12 | |
and you gained an extra point. | 0:15:12 | 0:15:14 | |
And the situation now is... | 0:15:14 | 0:15:16 | |
-you're still in fourth place. -LAUGHTER | 0:15:16 | 0:15:19 | |
But you're moving forward. No, you're not, you're in third place. | 0:15:19 | 0:15:22 | |
Shappi's one behind you. Hugh to begin the next round. | 0:15:22 | 0:15:26 | |
Oh, a lovely subject. I don't know if it's up your street or not. | 0:15:26 | 0:15:30 | |
Do you know much about him? | 0:15:31 | 0:15:33 | |
If not, try in this game, starting now. | 0:15:33 | 0:15:37 | |
I've always been impressed by Surrealists. | 0:15:37 | 0:15:39 | |
And Salvador Dali, with his extraordinary moustache, | 0:15:39 | 0:15:43 | |
is one of the foremost of this particular, er... | 0:15:43 | 0:15:47 | |
-BUZZER -Ahh. -Shappi challenged. | 0:15:47 | 0:15:49 | |
-Hesitation. -There was a definite hesitation. | 0:15:49 | 0:15:52 | |
Shappi, you have 49 seconds | 0:15:52 | 0:15:54 | |
to tell us something about Salvador Dali, starting now. | 0:15:54 | 0:15:57 | |
I know a fascinating fact about Salvador Dali. | 0:15:57 | 0:16:00 | |
He had a brother, also called Salvador, | 0:16:00 | 0:16:03 | |
who died before he was born. | 0:16:03 | 0:16:05 | |
So they called their second child Salvador. | 0:16:05 | 0:16:08 | |
And when the Salvador that we know, the artist, was five, | 0:16:08 | 0:16:12 | |
they took him to the first sibling's grave and said, | 0:16:12 | 0:16:15 | |
"You're a reincarnation of this child." | 0:16:15 | 0:16:18 | |
No wonder he went bonkers. | 0:16:18 | 0:16:20 | |
BUZZER | 0:16:20 | 0:16:22 | |
-Jason, you challenged. -Repetition of the "child". -The word "child", yes. | 0:16:22 | 0:16:26 | |
So, Jason, well listened. You're getting the hang of this game. | 0:16:26 | 0:16:29 | |
You have another correct challenge. 27 seconds are available. | 0:16:29 | 0:16:33 | |
Salvador Dali, starting now. | 0:16:33 | 0:16:34 | |
I've never been a big fan of Salvador Dali, | 0:16:34 | 0:16:38 | |
I much prefer the work of Rolf Harris and maybe even Neil Buchanan | 0:16:38 | 0:16:41 | |
off of ITV's Art Attack from when I was a child. | 0:16:41 | 0:16:44 | |
I don't really like art in general. | 0:16:44 | 0:16:47 | |
I think most of it is a tiny bit pretentious. | 0:16:47 | 0:16:49 | |
I occasionally put something on the wall, | 0:16:49 | 0:16:52 | |
a picture, maybe, that a child... | 0:16:52 | 0:16:53 | |
-BUZZER -Paul challenged. | 0:16:53 | 0:16:55 | |
We're not really on the subject of Salvador Dali. | 0:16:55 | 0:16:57 | |
We moved off, we haven't mentioned Salvador for some time. | 0:16:57 | 0:17:00 | |
We've had Rolf Harris. | 0:17:00 | 0:17:01 | |
I think you're right, that's a correct challenge. | 0:17:01 | 0:17:04 | |
You've gone off into general art and not Dali in particular. | 0:17:04 | 0:17:07 | |
I was going to come back to Salvador Dali, | 0:17:07 | 0:17:09 | |
because I've got a few facts about him, but, er... | 0:17:09 | 0:17:12 | |
It's a shame this show isn't called Just An Hour, isn't it? | 0:17:12 | 0:17:16 | |
-LAUGHTER -It is a shame. It's a shame. | 0:17:16 | 0:17:19 | |
We give the benefit of the doubt to Paul. If I can redress the balance, | 0:17:19 | 0:17:22 | |
-I'll give you the benefit of the doubt some time. -Thank you. | 0:17:22 | 0:17:25 | |
-There are eight seconds still, Paul. -How many? -Eight. -Oh, right. | 0:17:25 | 0:17:28 | |
Salvador Dali, starting now. | 0:17:28 | 0:17:31 | |
Salvador Dali was hired by Alfred Hitchcock | 0:17:31 | 0:17:33 | |
to do the dream sequences for Spellbound, | 0:17:33 | 0:17:36 | |
and what a fantastic movie it was. | 0:17:36 | 0:17:37 | |
Salvador got hold of the huge concept... | 0:17:37 | 0:17:39 | |
WHISTLE BLOWS | 0:17:39 | 0:17:42 | |
So Paul Merton was speaking at the whistle and gained an extra point. | 0:17:44 | 0:17:48 | |
And he has increased his lead at the end of the round. | 0:17:48 | 0:17:51 | |
Jason Manford's following just a few points behind. | 0:17:51 | 0:17:54 | |
Equal in third place are Hugh Bonneville and Shappi Khorsandi. | 0:17:54 | 0:17:57 | |
And, Jason, we're back with you to begin. The subject now is... | 0:17:57 | 0:18:01 | |
60 seconds as usual, starting now. | 0:18:02 | 0:18:04 | |
I'm not a massive fan of the cinema. I don't like sharing the experience. | 0:18:04 | 0:18:07 | |
BUZZER | 0:18:07 | 0:18:08 | |
-Paul? -You wouldn't like Spellbound - | 0:18:08 | 0:18:10 | |
it's got Salvador Dali in it and it's also a film, | 0:18:10 | 0:18:13 | |
so don't go and see that whatever you do. | 0:18:13 | 0:18:15 | |
Handing out tips. | 0:18:15 | 0:18:17 | |
-It was quite good. -It wasn't that good, was it? | 0:18:17 | 0:18:21 | |
-It wasn't worth a bonus point. -I said it as if it was good. | 0:18:21 | 0:18:25 | |
Jason. An incorrect challenge. You still have the subject. | 0:18:25 | 0:18:28 | |
56 seconds available, starting now. | 0:18:28 | 0:18:31 | |
The thing with the cinema is it's a lot of people, | 0:18:31 | 0:18:34 | |
and I don't really enjoy the whole experience | 0:18:34 | 0:18:37 | |
of sharing this thing on the screen. What I find... | 0:18:37 | 0:18:40 | |
BUZZER | 0:18:40 | 0:18:41 | |
Sorry, but you said "sharing". You didn't like sharing earlier. | 0:18:41 | 0:18:45 | |
-Yes, you didn't like sharing before. -I still don't. | 0:18:45 | 0:18:47 | |
-LAUGHTER -If you don't like going to cinema | 0:18:47 | 0:18:50 | |
and sharing the experience with those people there, | 0:18:50 | 0:18:52 | |
how do you feel about this lot here? | 0:18:52 | 0:18:54 | |
I don't like it. You're right. LAUGHTER | 0:18:54 | 0:18:57 | |
Shappi, you had a correct challenge. | 0:19:01 | 0:19:03 | |
You have the subject of Going To The Cinema. 46 seconds, starting now. | 0:19:03 | 0:19:07 | |
I don't like going to the cinema, | 0:19:07 | 0:19:09 | |
because it makes me into the type of person that I don't wish to be. | 0:19:09 | 0:19:13 | |
-I become the person that hates tall people... -(Person, person.) | 0:19:13 | 0:19:17 | |
BUZZER | 0:19:17 | 0:19:18 | |
-Hugh, you challenged. -Repetition of "person". -Well listened. | 0:19:18 | 0:19:22 | |
Oh, really? Yeah! APPLAUSE | 0:19:22 | 0:19:25 | |
I'm really into persons this evening. | 0:19:25 | 0:19:27 | |
Yes, a repetition of "person". Well listened, Hugh. You have 36 seconds. | 0:19:27 | 0:19:31 | |
Tell us something about Going To The Cinema, starting now. | 0:19:31 | 0:19:34 | |
One of my earliest memories of going to the cinema | 0:19:34 | 0:19:37 | |
was the ABC in Lewisham on the high road there. | 0:19:37 | 0:19:39 | |
And, this particular occasion, there was a James Bond film. | 0:19:39 | 0:19:43 | |
I was always fascinated by this particular brand of movie. | 0:19:43 | 0:19:47 | |
It was an A, as far as I was concerned, | 0:19:47 | 0:19:50 | |
which meant that my elder brothers and sisters | 0:19:50 | 0:19:53 | |
could in fact take me with them. | 0:19:53 | 0:19:54 | |
I was about eight at the time, you see, | 0:19:54 | 0:19:57 | |
and they said that they couldn't take me, | 0:19:57 | 0:19:59 | |
because it was in fact a double version of that letter that I mentioned. | 0:19:59 | 0:20:02 | |
And in the old system, of course, it meant you had to be 14 and over. | 0:20:02 | 0:20:07 | |
And my siblings were not prepared to... | 0:20:07 | 0:20:09 | |
WHISTLE BLOWS | 0:20:09 | 0:20:11 | |
APPLAUSE | 0:20:11 | 0:20:15 | |
So Hugh Bonneville kept going until the whistle went, | 0:20:19 | 0:20:21 | |
and gained an extra point, and he's moved forward. | 0:20:21 | 0:20:23 | |
He's still in third place, but he's moved. | 0:20:23 | 0:20:25 | |
There was only one point between them all. | 0:20:25 | 0:20:28 | |
Paul, the subject: | 0:20:28 | 0:20:31 | |
Tell us something about that fascinating subject, | 0:20:31 | 0:20:34 | |
starting now. | 0:20:34 | 0:20:35 | |
Candidates for the Fifth Beatle over the years have included Brian Epstein, the manager, | 0:20:35 | 0:20:39 | |
and George Martin, the producer. | 0:20:39 | 0:20:41 | |
There was a gentleman call Stephen - no, Stuart Sutcliffe, | 0:20:41 | 0:20:44 | |
who was also in the Beatles when they played Hamburg, so he has a claim to that title. | 0:20:44 | 0:20:49 | |
The fifth Beatle. | 0:20:49 | 0:20:51 | |
If we look at the people that were instrumental in the success, | 0:20:51 | 0:20:55 | |
and no pun intended, of the aforementioned pop beat combo, | 0:20:55 | 0:20:58 | |
they were indeed lucky with the people they were surrounded by. | 0:20:58 | 0:21:02 | |
Of course there was an innate talent within the quartet themselves, | 0:21:02 | 0:21:06 | |
but, without the right handling and management, that alone isn't enough. | 0:21:06 | 0:21:10 | |
When we look at the magnificent recorded legacy of those four guys from Liverpool, | 0:21:10 | 0:21:15 | |
we realise that we were listening to great musical genius. | 0:21:15 | 0:21:20 | |
-BUZZER -Shappi, you challenged. | 0:21:20 | 0:21:22 | |
-I wouldn't say genius. I'm not a massive fan. -Of the Beatles?! | 0:21:22 | 0:21:25 | |
LAUGHTER | 0:21:25 | 0:21:28 | |
Oh! | 0:21:28 | 0:21:30 | |
You're not touring Liverpool any time soon, are you? | 0:21:30 | 0:21:32 | |
I didn't realise it was a controversial stance to take, | 0:21:36 | 0:21:39 | |
that the Beatles were quite good at pop songs(!) | 0:21:39 | 0:21:41 | |
No, I think everybody would accept the Beatles... I mean, they are... | 0:21:41 | 0:21:45 | |
I'm not saying I don't accept them, | 0:21:45 | 0:21:46 | |
I'm not saying that they should be struck off history, | 0:21:46 | 0:21:49 | |
but it's just the way Paul was saying "their genius", | 0:21:49 | 0:21:53 | |
I felt like he was speaking for everyone in the room, | 0:21:53 | 0:21:57 | |
and I just wanted to say that I enjoy bopping to them in my kitchen, | 0:21:57 | 0:22:01 | |
but I don't think they were genii. LAUGHTER | 0:22:01 | 0:22:06 | |
I think that was a long, involved, and rather ridiculous explanation of why you challenged. | 0:22:06 | 0:22:14 | |
So, Shappi, Paul had an incorrect challenge. | 0:22:14 | 0:22:16 | |
He keeps the subject, The Fifth Beatle. | 0:22:16 | 0:22:19 | |
15 seconds, Paul, starting now. | 0:22:19 | 0:22:21 | |
If we look at the legacy of that group... | 0:22:21 | 0:22:23 | |
-BUZZER -Yes, Jason? -Repetition of legacy. | 0:22:23 | 0:22:26 | |
-You had the legacy before. -It was a long time ago, I couldn't remember. | 0:22:26 | 0:22:30 | |
So, Jason, a correct challenge. 13 seconds still available. | 0:22:30 | 0:22:32 | |
The Fifth Beatle, starting now. | 0:22:32 | 0:22:35 | |
John, Paul, Ringo, George, they were the four. | 0:22:35 | 0:22:39 | |
Who is the Fifth Beatle? | 0:22:39 | 0:22:41 | |
Pete? Michael? Johnny? Phil? BUZZER | 0:22:41 | 0:22:44 | |
-Who was Michael? -Michael...erm... | 0:22:44 | 0:22:47 | |
He was like a... He was a neighbour of John Lennon's. | 0:22:47 | 0:22:52 | |
-He was a roadie. Wasn't he a roadie? -It wasn't Michael, anyway. | 0:22:52 | 0:22:55 | |
-I know it wasn't. -So, Paul, you have another point | 0:22:55 | 0:22:57 | |
and you have three seconds to go on The Fifth Beatle, starting now. | 0:22:57 | 0:23:01 | |
What a load of rubbish, they couldn't write a decent hit between them! | 0:23:01 | 0:23:04 | |
I don't know why people listened to the Beatles, they were nonsense! | 0:23:04 | 0:23:07 | |
WHISTLE | 0:23:07 | 0:23:09 | |
APPLAUSE | 0:23:09 | 0:23:12 | |
So Paul Merton was speaking to the whistle and gained an extra point. | 0:23:12 | 0:23:16 | |
He's increased his lead at the end of that round, ahead of Jason Manford | 0:23:16 | 0:23:20 | |
and then it's Hugh Bonneville and Shappi Khorsandi in that order. | 0:23:20 | 0:23:23 | |
Shappi, we'd like you to begin the next round. | 0:23:23 | 0:23:25 | |
The subject here is: | 0:23:25 | 0:23:28 | |
Tell us something about that subject in this game, starting now. | 0:23:28 | 0:23:31 | |
Cats or dogs? I have both. | 0:23:31 | 0:23:34 | |
My cat keeps it real, my dog is a drama queen. | 0:23:34 | 0:23:38 | |
People say to me, "Which one do you prefer?" | 0:23:38 | 0:23:42 | |
I say, "I love both of them equally as I cuddle my cat and kick the dog." | 0:23:42 | 0:23:46 | |
I do enjoy the dog. | 0:23:46 | 0:23:48 | |
He's a mixed breed, although he prefers "dual heritage". | 0:23:48 | 0:23:52 | |
What I enjoy about cats is that they're independent. | 0:23:52 | 0:23:56 | |
My cat will go roaming for days on end, | 0:23:56 | 0:23:59 | |
stagger through the cat flap at all hours, eyes all kaleidoscopey | 0:23:59 | 0:24:05 | |
and I will dare to ask where madam has been. | 0:24:05 | 0:24:09 | |
And, like a recalcitrant teenager, she'll go, "What? I was out. What of it?" | 0:24:09 | 0:24:14 | |
And march off to her room and listen to her music. BUZZER | 0:24:14 | 0:24:17 | |
-Paul's challenge. -Repetition of "what". | 0:24:17 | 0:24:19 | |
-Yes. -I'm surprised no-one came in quicker. -No. | 0:24:19 | 0:24:23 | |
Paul, you got in with 14 seconds... | 0:24:23 | 0:24:25 | |
Are we letting the fact that she kicks her dog go? | 0:24:25 | 0:24:27 | |
The dog's a Beatles fan and you've never really forgiven him, have you? | 0:24:27 | 0:24:31 | |
Eleanor Rigby, go on, get out of there. | 0:24:31 | 0:24:35 | |
I'd have given it to you on that because I think it's deviation. | 0:24:35 | 0:24:38 | |
-OK. -Paul, correct challenge. 14 seconds. Cats or dogs, starting now. | 0:24:38 | 0:24:43 | |
Well, if we look at the various characters | 0:24:43 | 0:24:46 | |
of two species of animals, we see that cats are independent | 0:24:46 | 0:24:49 | |
and dogs help the police, so I think it's very obvious | 0:24:49 | 0:24:52 | |
out of these two particular kinds of creature which one I prefer. | 0:24:52 | 0:24:57 | |
-It is... -WHISTLE | 0:24:57 | 0:25:00 | |
APPLAUSE | 0:25:00 | 0:25:06 | |
-We enjoy it when you slip into one of your character voices. -Yes, it worried me. | 0:25:06 | 0:25:09 | |
I don't know who that sounded like. | 0:25:09 | 0:25:11 | |
It sounded a little bit like Alec Guinness. | 0:25:11 | 0:25:14 | |
-Yes. -Hmm. | 0:25:14 | 0:25:15 | |
LAUGHTER | 0:25:15 | 0:25:18 | |
Speaking till the whistle went gained you that extra point, | 0:25:18 | 0:25:21 | |
you have increased your lead, | 0:25:21 | 0:25:23 | |
and, Hugh Bonneville, you to begin. The subject matter... | 0:25:23 | 0:25:25 | |
BELL TINKLES | 0:25:25 | 0:25:27 | |
AUDIENCE GROANS | 0:25:27 | 0:25:28 | |
It's a little bell which tells me we have time for only one more round. | 0:25:28 | 0:25:33 | |
-AUDIENCE GROANS -Oh, you're lovely! | 0:25:33 | 0:25:37 | |
Right, one more round. Let me give you the situation as we go into the final round. | 0:25:37 | 0:25:42 | |
Paul Merton is still in the lead, about four or five points ahead of Jason Manford, | 0:25:42 | 0:25:45 | |
who's in a very strong second place. | 0:25:45 | 0:25:47 | |
Then it's Hugh Bonneville and Shappi Khorsandi in that order, | 0:25:47 | 0:25:50 | |
and, Hugh Bonneville, we're back with you to begin. | 0:25:50 | 0:25:54 | |
And the subject is the local pub. | 0:25:54 | 0:25:55 | |
Tell us something about that in this game, starting now. | 0:25:55 | 0:25:59 | |
The local pub, I think, | 0:25:59 | 0:26:01 | |
is a state of mind as much as it is a physical entity. | 0:26:01 | 0:26:05 | |
The first time I entered my local pub, I was short-changed. | 0:26:05 | 0:26:08 | |
This happened not once, | 0:26:08 | 0:26:10 | |
but three times in the period that the landlord owned the property. | 0:26:10 | 0:26:14 | |
I'm happy to say that he's moved on, hopefully to a pub in the sky. | 0:26:14 | 0:26:19 | |
But, in fact, now the pub is a beautiful environment to visit, where I live. | 0:26:19 | 0:26:24 | |
-It is run by... -BUZZER... | 0:26:24 | 0:26:27 | |
-Jason, you challenged first. -Hesitation. | 0:26:27 | 0:26:31 | |
-Yes, we call that hesitation. You went for 32 seconds, though. -Good. | 0:26:31 | 0:26:35 | |
-You'll get a point for that. -Thank you! | 0:26:35 | 0:26:37 | |
APPLAUSE | 0:26:37 | 0:26:40 | |
So, Jason, direct challenge, hesitation, | 0:26:40 | 0:26:43 | |
and you have 28 seconds still available. | 0:26:43 | 0:26:46 | |
The local pub, starting now. | 0:26:46 | 0:26:48 | |
My local pub is the roughest place you've ever been to in your life. | 0:26:48 | 0:26:53 | |
It's on the corner of an estate. A lawless place with, er... | 0:26:53 | 0:26:57 | |
BUZZER | 0:26:57 | 0:26:58 | |
-Yes, Shappi? -"With, er..." | 0:26:58 | 0:27:00 | |
With a hesitation, yes. | 0:27:00 | 0:27:02 | |
So, Shappi, we're going to hear from you as well on "the local pub", | 0:27:02 | 0:27:05 | |
and 23 seconds are still available, starting now. | 0:27:05 | 0:27:07 | |
The local pub is a cosy place where everyone knows your name | 0:27:07 | 0:27:11 | |
and no-one minds that you've been in there all night as long as you get the drinks in. | 0:27:11 | 0:27:15 | |
And hardly anyone bats an eyelash that your wife and children are at home, | 0:27:15 | 0:27:19 | |
waiting for you, and you're drinking the money | 0:27:19 | 0:27:22 | |
that probably should have been used for food for the said family members. | 0:27:22 | 0:27:27 | |
But that's OK because you're holding court in the local pub and you're... | 0:27:27 | 0:27:30 | |
WHISTLE BLOWS | 0:27:30 | 0:27:33 | |
APPLAUSE | 0:27:33 | 0:27:36 | |
So, Shappi Khorsandi, speaking as the whistle went, | 0:27:39 | 0:27:42 | |
and brought this show to a wonderful climax in great style and panache. | 0:27:42 | 0:27:47 | |
And she's now equal in third place with Hugh Bonneville, | 0:27:47 | 0:27:51 | |
-and did very, very well. Congratulations to you. -Thank you. | 0:27:51 | 0:27:56 | |
But you were three points behind Jason Manford, and Jason was five points behind Paul Merton. | 0:27:56 | 0:28:00 | |
So we say, Paul, you are our winner today! | 0:28:00 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:08 | |
So, it only remains for me to say thank you. | 0:28:08 | 0:28:12 | |
A final thank you to these four fine players of the game, | 0:28:12 | 0:28:16 | |
and it's goodbye from this delightful audience here at the Television Centre. | 0:28:16 | 0:28:19 | |
It's goodbye from me, Nicholas Parsons. | 0:28:19 | 0:28:21 | |
Do join us the next time we play Just A Minute. | 0:28:21 | 0:28:25 | |
APPLAUSE | 0:28:25 | 0:28:28 | |
Subtitles by Red Bee Media | 0:28:28 | 0:28:31 |