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Welcome to Just a Minute! | 0:00:02 | 0:00:05 | |
APPLAUSE | 0:00:05 | 0:00:08 | |
Hello. My name is Sir Nicholas Parsons | 0:00:14 | 0:00:16 | |
and as the Minute Waltz fades away, it's my huge pleasure to welcome you | 0:00:16 | 0:00:21 | |
to this special edition of Just a Minute from BBC Television Centre. | 0:00:21 | 0:00:25 | |
After 45 years of entertaining by the radio, | 0:00:25 | 0:00:28 | |
we thought it was about time to perform this show for your viewing pleasure. | 0:00:28 | 0:00:33 | |
Without further ado, please welcome to the show | 0:00:33 | 0:00:36 | |
four talented performers, and they are, | 0:00:36 | 0:00:38 | |
seated on my right, Paul Merton and Marcus Brigstocke, | 0:00:38 | 0:00:41 | |
and seated on my left, Stephen Mangan and Sue Perkins. | 0:00:41 | 0:00:44 | |
Please welcome all four of them! | 0:00:44 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:49 | |
The players will try to speak for Just a Minute on the subject | 0:00:50 | 0:00:53 | |
that I give them, and they must try and do that | 0:00:53 | 0:00:56 | |
without hesitation, repetition or deviation. | 0:00:56 | 0:00:59 | |
The other three panellists can challenge at any time they wish, | 0:00:59 | 0:01:02 | |
and if I uphold the challenge, they gain a point. | 0:01:02 | 0:01:04 | |
If not, the person speaking gains a point and keeps the subject. | 0:01:04 | 0:01:08 | |
We continue like that until the whistle goes | 0:01:08 | 0:01:11 | |
and whoever is speaking at that moment gains an extra point. | 0:01:11 | 0:01:14 | |
And by the way, they can repeat the subject on the card in front of me. | 0:01:14 | 0:01:18 | |
And Sue, would you take the first subject? | 0:01:18 | 0:01:20 | |
There's an interesting subject. | 0:01:20 | 0:01:22 | |
It's Teacher's Pet. | 0:01:22 | 0:01:24 | |
You have 60 seconds as usual, Sue, starting now. | 0:01:24 | 0:01:27 | |
My teacher's pet was a chinchilla, a crepuscular rodent | 0:01:27 | 0:01:30 | |
that loitered on the aggression scale | 0:01:30 | 0:01:32 | |
somewhere between Mike Tyson and Ann Widdecombe. | 0:01:32 | 0:01:36 | |
It had the softest fur but the temper of Satan, | 0:01:36 | 0:01:40 | |
a little bit like myself when woken far too early in the morning. | 0:01:40 | 0:01:44 | |
It sat in a cage on bedding made of paper | 0:01:44 | 0:01:47 | |
and we were tempted to play with it. | 0:01:47 | 0:01:49 | |
However, my friend Alison stuck a finger through the bars | 0:01:49 | 0:01:53 | |
and immediately was stabbed by these incredible front teeth. | 0:01:53 | 0:01:57 | |
The screams echoed down the corridor. | 0:01:57 | 0:02:00 | |
There would have been a nurse called except I didn't go | 0:02:00 | 0:02:02 | |
to the sort of establishment where there were members of the healing profession available. | 0:02:02 | 0:02:07 | |
It's a terrifying creature, said pet, | 0:02:07 | 0:02:11 | |
and I would encourage people to stay away from them. | 0:02:11 | 0:02:14 | |
In their natural habitat, it might well be that they are pleasant. | 0:02:14 | 0:02:18 | |
However, when confined in an educational environment | 0:02:18 | 0:02:21 | |
they become incredibly upset, and I also suspect it was allergic. | 0:02:21 | 0:02:27 | |
We... | 0:02:27 | 0:02:28 | |
WHISTLE BLOWS | 0:02:28 | 0:02:29 | |
APPLAUSE | 0:02:29 | 0:02:34 | |
Well, that was amazing. | 0:02:38 | 0:02:39 | |
You really and truly deserve that astounding round of applause. | 0:02:44 | 0:02:48 | |
That doesn't often happen when we've been playing this game for 45 years | 0:02:48 | 0:02:51 | |
and it is yet to happen in this particular series of Just a Minute, | 0:02:51 | 0:02:55 | |
so congratulations, Sue. | 0:02:55 | 0:02:56 | |
You started with a subject, you finished with a subject - | 0:02:56 | 0:02:59 | |
you get a point for speaking when the whistle went | 0:02:59 | 0:03:01 | |
and also a bonus point for not being interrupted. | 0:03:01 | 0:03:04 | |
So at the end of that round, Sue Perkins is in the lead. | 0:03:04 | 0:03:07 | |
APPLAUSE | 0:03:07 | 0:03:10 | |
-And we move to Stephen Mangan. -No pressure then, after that. | 0:03:10 | 0:03:14 | |
-Wow, that's how you do it. Just speak for a minute. -That is it. | 0:03:14 | 0:03:17 | |
How hard can it be? | 0:03:17 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:21 | |
Don't be inhibited because it very rarely happens and she is exceptional at the game. | 0:03:21 | 0:03:25 | |
So, Stephen, oh, this is a good subject. Frankenstein. | 0:03:25 | 0:03:30 | |
You have 60 seconds as usual, Stephen, starting now. | 0:03:30 | 0:03:33 | |
Frankenstein, or Fronkenshteen, as it's very rarely pronounced, | 0:03:33 | 0:03:37 | |
is a novel by Mary Shelley, one of our finest authors. | 0:03:37 | 0:03:43 | |
Her brother, Percy Bysshe, | 0:03:43 | 0:03:45 | |
which is a name that sounds like a sound | 0:03:45 | 0:03:48 | |
that Ivor the Engine might make on arriving at the station, | 0:03:48 | 0:03:52 | |
was a well-known poet. | 0:03:52 | 0:03:53 | |
Her book is about a Dr Viktor Frankenstein, spelt with a 'K,' | 0:03:53 | 0:03:59 | |
and he created a monster from old body parts, tyres, ricotta cheese, | 0:03:59 | 0:04:06 | |
string, fungus and other items from the back of his refrigerator. | 0:04:06 | 0:04:12 | |
This creature roamed the corridors of... | 0:04:12 | 0:04:15 | |
BUZZER | 0:04:15 | 0:04:16 | |
Sue, you challenged. | 0:04:16 | 0:04:17 | |
-Repetition of creature. -Yes. -Very good though. | 0:04:17 | 0:04:20 | |
That was something. | 0:04:20 | 0:04:21 | |
APPLAUSE | 0:04:21 | 0:04:25 | |
Well done, Stephen. It's the first time he's played the game | 0:04:27 | 0:04:31 | |
and he went for the first time, therefore, with 42 seconds. | 0:04:31 | 0:04:34 | |
Wow. | 0:04:34 | 0:04:36 | |
APPLAUSE | 0:04:36 | 0:04:39 | |
Unfortunately, you've done all the hard work. | 0:04:39 | 0:04:42 | |
Sue gets the subject because it's a correct challenge, I agree with you, Sue. | 0:04:42 | 0:04:45 | |
You're still the only one to have got any points | 0:04:45 | 0:04:48 | |
and you have 18 seconds. | 0:04:48 | 0:04:49 | |
Tell us something about Frankenstein starting now. | 0:04:49 | 0:04:52 | |
She was visiting Lord Byron at Lake Geneva | 0:04:52 | 0:04:55 | |
and they were sat round the campfire when she conceived of Frankenstein. | 0:04:55 | 0:04:59 | |
It was incredibly powerful at the time to think of stories | 0:04:59 | 0:05:03 | |
associated with electricity. | 0:05:03 | 0:05:05 | |
Those Enlightenment issues that galvanised the nation. | 0:05:05 | 0:05:09 | |
It's a gothic horror and one of my favourites. | 0:05:09 | 0:05:11 | |
WHISTLE BLOWS | 0:05:11 | 0:05:13 | |
APPLAUSE | 0:05:13 | 0:05:15 | |
So once again, Sue Perkins was speaking as the whistle went | 0:05:17 | 0:05:20 | |
and gained that extra point. | 0:05:20 | 0:05:22 | |
She's still the only one to have got any points | 0:05:22 | 0:05:25 | |
in this game of Just a Minute. | 0:05:25 | 0:05:27 | |
We are moving on to you, Marcus, now. The subject is Your Mum. | 0:05:27 | 0:05:31 | |
That's the subject, not your mum. | 0:05:31 | 0:05:34 | |
Talk on the subject of Your Mum and there are 60 seconds as usual, starting now. | 0:05:34 | 0:05:38 | |
JAMAICAN PATOIS: I think like the basically best way | 0:05:38 | 0:05:40 | |
of discussing this particular topic is to do it in this particular voice because... | 0:05:40 | 0:05:45 | |
BUZZER | 0:05:45 | 0:05:46 | |
-Oh, yes. Sue challenged. -Repetition of particular. | 0:05:46 | 0:05:50 | |
Sue, you're still the only one who's got any points. | 0:05:50 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:54 | |
You've got another one now and you've got 53 seconds, | 0:05:54 | 0:05:57 | |
Your Mum, starting now. | 0:05:57 | 0:05:58 | |
My mum is fabulous. She looks a little like an owl. | 0:05:58 | 0:06:02 | |
Her glasses resembling a welder's goggles. | 0:06:02 | 0:06:05 | |
She's timid, smart and underestimates herself. | 0:06:05 | 0:06:08 | |
She makes a fabulous Victoria sponge but try telling her that | 0:06:08 | 0:06:11 | |
and her cheeks will flush an almost extraordinary red. | 0:06:11 | 0:06:16 | |
She's loud when needs be and can apply the back of a hairbrush | 0:06:16 | 0:06:19 | |
to your buttocks quicker than Jack Knife. | 0:06:19 | 0:06:21 | |
She is incredibly soulful. | 0:06:21 | 0:06:24 | |
BUZZER | 0:06:24 | 0:06:25 | |
-Marcus challenged. -Deviation. Jack was famous for his use | 0:06:25 | 0:06:28 | |
of a knife, not a hairbrush. | 0:06:28 | 0:06:30 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
You're talking about Jack the Ripper? | 0:06:34 | 0:06:37 | |
-No, absolutely not. -Jack the Knife? | 0:06:37 | 0:06:39 | |
Yeah, Jack Knife. So named for his speed with a knife, not a hairbrush. | 0:06:39 | 0:06:46 | |
It was pretty spurious, Nicholas, but to be honest, I had to press, | 0:06:47 | 0:06:50 | |
didn't I, at some stage? | 0:06:50 | 0:06:52 | |
Yes, somebody has to speak. I'll tell you what we do, | 0:06:52 | 0:06:55 | |
shall we give it to Stephen - he hasn't played the game very much? | 0:06:55 | 0:06:59 | |
Yeah, that works. | 0:06:59 | 0:07:00 | |
Stephen, for 28 seconds, you tell us something about Your Mum, | 0:07:02 | 0:07:05 | |
starting now. | 0:07:05 | 0:07:06 | |
Your mum smells of bacon. There, I've said it. | 0:07:06 | 0:07:09 | |
It's something I've always wanted to speak aloud | 0:07:09 | 0:07:11 | |
but only now have I had the courage to talk. | 0:07:11 | 0:07:14 | |
Perhaps she was bitten by a radioactive pig as a child, | 0:07:14 | 0:07:18 | |
but whenever I see her, | 0:07:18 | 0:07:20 | |
I have an urge to butter two slices of white bread and slap them | 0:07:20 | 0:07:23 | |
either side of her and slather red ketchup across her body. | 0:07:23 | 0:07:27 | |
Maybe some mustard, and then with my big teeth, | 0:07:27 | 0:07:29 | |
and they are enormous, | 0:07:29 | 0:07:32 | |
take a huge chunk out of her side because... | 0:07:32 | 0:07:34 | |
WHISTLE BLOWS | 0:07:34 | 0:07:35 | |
APPLAUSE | 0:07:35 | 0:07:39 | |
So, Stephen Mangan was then speaking as the whistle went, | 0:07:43 | 0:07:46 | |
gains that extra point | 0:07:46 | 0:07:48 | |
and he is now in second place behind Sue Perkins who's in the lead. | 0:07:48 | 0:07:52 | |
Paul Merton, we'd like you to begin the next round. | 0:07:52 | 0:07:54 | |
The Wild West - tell us something about that exciting subject in this game, starting now. | 0:07:54 | 0:07:59 | |
-OLD WESTERN MINER: -Well, I remember the days of Wild West | 0:07:59 | 0:08:01 | |
even as if it were yesterday. | 0:08:01 | 0:08:04 | |
The James gang rode into town and the sheriff, he didn't know what to do | 0:08:04 | 0:08:07 | |
but I stood there and said, "Listen, you've got to stand up to these boys | 0:08:07 | 0:08:10 | |
"otherwise the whole place is going to be taken over and go..." | 0:08:10 | 0:08:13 | |
BUZZER | 0:08:13 | 0:08:14 | |
He said, "Listen here, old-timer, you may have..." | 0:08:14 | 0:08:17 | |
Who buzzed in, who buzzed? | 0:08:17 | 0:08:19 | |
Stephen. | 0:08:19 | 0:08:20 | |
APPLAUSE | 0:08:20 | 0:08:22 | |
I happen to be using this programme as an audition | 0:08:22 | 0:08:25 | |
for the Royal Shakespeare Company. | 0:08:25 | 0:08:27 | |
I wondered if he'd had a stroke. | 0:08:27 | 0:08:30 | |
No, he hadn't. | 0:08:30 | 0:08:32 | |
-He was going in fine form in character. -I was just worried. | 0:08:32 | 0:08:34 | |
He was doing his audition piece. | 0:08:34 | 0:08:36 | |
He was doing a character study, so an incorrect challenge, Paul. | 0:08:36 | 0:08:39 | |
You keep the subject and you can keep the character too, if you want. | 0:08:39 | 0:08:43 | |
There are 45 seconds - the Wild West, starting now. | 0:08:43 | 0:08:46 | |
I remember the first day I saw Maybelline, prettiest girl I ever saw. | 0:08:46 | 0:08:49 | |
BUZZER | 0:08:49 | 0:08:51 | |
-Sue, you've challenged. -"I remember the first day" is a repetition. | 0:08:51 | 0:08:54 | |
Short-term memory. Lack of. | 0:08:54 | 0:08:56 | |
Sue, a correct challenge. | 0:08:56 | 0:08:58 | |
You have 43 seconds on the Wild West, starting now. | 0:08:58 | 0:09:00 | |
I wish I'd been alive in the Wild West. | 0:09:00 | 0:09:02 | |
To have stood there watching the gangsters mowing each other down, | 0:09:02 | 0:09:05 | |
a sheriff with a badge. | 0:09:05 | 0:09:07 | |
BUZZER | 0:09:07 | 0:09:08 | |
-Paul challenged. -I don't think there were gangsters in the Wild West. | 0:09:08 | 0:09:11 | |
It's been fairly well authenticated that they were cowboys. | 0:09:11 | 0:09:15 | |
-They were like gangster cowboys. -I see, gangster cowboys. | 0:09:15 | 0:09:18 | |
No, I think outlaws or cowboys, as you say. | 0:09:18 | 0:09:20 | |
No, gangsters, I think that's incorrect. | 0:09:20 | 0:09:22 | |
So Paul, you have a correct challenge. | 0:09:22 | 0:09:24 | |
You have the subject back with you - the Wild West. | 0:09:24 | 0:09:27 | |
Do the voice, do the voice! | 0:09:27 | 0:09:31 | |
-Come on! -Can you sustain the voice? 36 seconds, starting now. | 0:09:31 | 0:09:35 | |
Six years old I was when I first saw my gold mine. | 0:09:35 | 0:09:39 | |
I said to Pop, "You've got to find another way of making money." | 0:09:39 | 0:09:42 | |
He said, "I'm going to sell your teeth to the vet." | 0:09:42 | 0:09:47 | |
I said, "What's he going to need them for? He's just a horse doctor." | 0:09:47 | 0:09:50 | |
"No, his voice has got better," it was pointed out to me. | 0:09:50 | 0:09:52 | |
I said, "I wasn't referring to the quality of his vocal cords. | 0:09:52 | 0:09:56 | |
"I was meaning what he... | 0:09:56 | 0:09:57 | |
BUZZER | 0:09:57 | 0:09:59 | |
".. A four-legged animal with a halter on its neck." | 0:09:59 | 0:10:03 | |
-Did he buzz? -Marcus, you challenged. | 0:10:03 | 0:10:06 | |
A small deviation from the accent. | 0:10:06 | 0:10:09 | |
-I spent some time in Devon. -Up until "vocal coids." | 0:10:10 | 0:10:14 | |
-Coids. Vocal coids. -They'd been very improisive. | 0:10:14 | 0:10:18 | |
-I thought it was fairly solid. -I think it was fairly solid too. | 0:10:18 | 0:10:21 | |
I think the audience think it was fairly solid, don't you? Yes, right. | 0:10:21 | 0:10:24 | |
You always want to do something that's fairly solid in comedy. | 0:10:24 | 0:10:27 | |
Yes, so they're all with you, Paul. | 0:10:27 | 0:10:30 | |
You have 14 seconds, another point, Wild West, starting now. | 0:10:30 | 0:10:33 | |
-IRISH ACCENT: -I went to the Wild West in 1922 | 0:10:33 | 0:10:36 | |
and the thing had completely turned different. | 0:10:36 | 0:10:39 | |
I saw a toothless old man and he said, | 0:10:39 | 0:10:42 | |
"Hey, should have been here in the old days with a gold mine..." | 0:10:42 | 0:10:44 | |
BUZZER | 0:10:44 | 0:10:45 | |
-Sue challenged. -Repetition of gold mine. | 0:10:45 | 0:10:48 | |
I don't know many cliches, do I? | 0:10:48 | 0:10:50 | |
-Oh dear, we wanted him to keep it going till the end. -That's all right. | 0:10:52 | 0:10:55 | |
Sue, that was a correct challenge so we give it to you. | 0:10:55 | 0:10:58 | |
You've got three seconds, starting now. | 0:10:58 | 0:11:00 | |
BUZZER | 0:11:00 | 0:11:01 | |
-Paul challenged. -Extraordinary hesitation. | 0:11:01 | 0:11:04 | |
Extraordinary! | 0:11:04 | 0:11:05 | |
APPLAUSE | 0:11:05 | 0:11:10 | |
You could have made a ham sandwich in that, couldn't you? | 0:11:10 | 0:11:13 | |
I'll give you a bonus point because we enjoyed the interruption. | 0:11:13 | 0:11:17 | |
But Sue was interrupted, it's a point for that. | 0:11:17 | 0:11:19 | |
Two and a half seconds, starting now. | 0:11:19 | 0:11:21 | |
I was a gold prospector and I came out... | 0:11:21 | 0:11:23 | |
BUZZER | 0:11:23 | 0:11:24 | |
Paul challenged. | 0:11:24 | 0:11:26 | |
She's doing my material! | 0:11:26 | 0:11:27 | |
APPLAUSE | 0:11:27 | 0:11:31 | |
-I learned from the master. -A challenge under the rules? | 0:11:31 | 0:11:34 | |
Yes - ruining my income. On the back of the stage you'll see, | 0:11:34 | 0:11:38 | |
"White Old-timer, Wild West, Toothless, Me." | 0:11:38 | 0:11:40 | |
You said you were doing an audition? | 0:11:40 | 0:11:42 | |
Which plays are you going to be in, which film? | 0:11:42 | 0:11:44 | |
Well, it's a rather radical interpretation of The Importance of Being Earnest. | 0:11:44 | 0:11:48 | |
LAUGHTER | 0:11:48 | 0:11:50 | |
-"I can't bear to see..." -Which part was that, Ernest? | 0:11:50 | 0:11:54 | |
That was Lady Bracknell. I did say it was radical. | 0:11:54 | 0:11:58 | |
-That's going to be some show. -It's going to be some show. | 0:11:58 | 0:12:01 | |
So, no, Sue, an incorrect challenge. You have half a second on the Wild West starting now. | 0:12:01 | 0:12:06 | |
Ohh, Lawdy. | 0:12:06 | 0:12:08 | |
WHISTLE BLOWS | 0:12:08 | 0:12:10 | |
APPLAUSE | 0:12:10 | 0:12:13 | |
So, Sue Perkins speaking as the whistle went gained that... | 0:12:14 | 0:12:18 | |
not all-important but that extra point. She's now in a strong lead, | 0:12:18 | 0:12:21 | |
ahead of Paul Merton, Stephen Mangan and Marcus Brigstocke in that order. | 0:12:21 | 0:12:24 | |
Sue, it's your turn to begin. The subject is The Puppet Master. | 0:12:24 | 0:12:28 | |
Tell us something about that subject in this game, starting now. | 0:12:28 | 0:12:32 | |
We're aware of the puppet, but who pulls the strings? | 0:12:32 | 0:12:35 | |
In this game of Just A Minute, it's Nicholas Parsons, | 0:12:35 | 0:12:38 | |
who stands twitching our arms and legs, moving our mouths, | 0:12:38 | 0:12:41 | |
we are merely vessels for his diseased light entertainment... | 0:12:41 | 0:12:46 | |
BUZZER | 0:12:46 | 0:12:47 | |
Stephen, you challenged. | 0:12:47 | 0:12:49 | |
LAUGHTER AND APPLAUSE | 0:12:49 | 0:12:52 | |
Something made me press it, I don't know what it was. | 0:12:56 | 0:12:59 | |
Was it a loud silver fox bellowing, "Come on, do it!" | 0:12:59 | 0:13:03 | |
What's your challenge? | 0:13:03 | 0:13:04 | |
-My challenge is deviation, yeah. -Deviation, right! | 0:13:04 | 0:13:07 | |
LAUGHTER | 0:13:07 | 0:13:08 | |
-Definitely deviation. -I don't pull the puppet strings! | 0:13:08 | 0:13:11 | |
-You don't pull no strings. -Yes, he does. Yes he does! You don't see it! | 0:13:11 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:15 | |
I don't work them, they work themselves! | 0:13:15 | 0:13:18 | |
-Gosh, that was quick of you, Stephen. -Thank you very much. I'm very pleased. | 0:13:18 | 0:13:21 | |
-You were really on the ball there. -No, I know. -LAUGHTER | 0:13:21 | 0:13:24 | |
So a correct challenge, Stephen, you have The Puppet Master and 45 seconds, starting now. | 0:13:24 | 0:13:28 | |
I get taught tae kwon do at a rather unusual branch in Camden Town, | 0:13:28 | 0:13:33 | |
and I am about to be made a puppet master, | 0:13:33 | 0:13:35 | |
which is the level up from stairmaster, | 0:13:35 | 0:13:38 | |
which is where I currently reside. To achieve this notori-i-i-i... | 0:13:38 | 0:13:42 | |
BUZZER | 0:13:42 | 0:13:44 | |
It's a musical! | 0:13:44 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:47 | |
-Sue, your challenge. -It was hesitation, but it also was light opera at the same time. | 0:13:47 | 0:13:50 | |
LAUGHTER | 0:13:50 | 0:13:51 | |
-I think worthy of a bonus point, but yeah, so it is hesitation. -Hesitation, right. | 0:13:51 | 0:13:55 | |
31 seconds are still available, Sue, The Puppet Master, starting now. | 0:13:55 | 0:13:59 | |
Recently, I went to a marionette theatre in Salzburg, | 0:13:59 | 0:14:02 | |
and watched the puppet master do an extraordinary rendition of The Sound of Music, | 0:14:02 | 0:14:07 | |
where the Julie Andrews character was actually less wooden than the original. | 0:14:07 | 0:14:11 | |
It was marvellous to see this multi-limbed creature... | 0:14:11 | 0:14:14 | |
BUZZER | 0:14:14 | 0:14:15 | |
-Marcus challenged. -Yes, hesitation. | 0:14:15 | 0:14:17 | |
-Yeah, I think... -Extension on multi-limbed. | 0:14:17 | 0:14:22 | |
I think she was running out of steam, and so we got to the point where we call it hesitation, | 0:14:22 | 0:14:26 | |
and Marcus, you've got in with 15 seconds on The Puppet Master, starting now. | 0:14:26 | 0:14:30 | |
For me, the ultimate puppetmaster is Mr Jim Henson, | 0:14:30 | 0:14:33 | |
who of course created the Muppets, | 0:14:33 | 0:14:34 | |
which were my very favourite things when I was growing up as a lad, | 0:14:34 | 0:14:38 | |
I was a huge fan of Animal on his drum kit, | 0:14:38 | 0:14:41 | |
and in fact had a badge with his face on, which I absolutely loved, and I destroyed many... | 0:14:41 | 0:14:45 | |
WHISTLE | 0:14:45 | 0:14:47 | |
APPLAUSE | 0:14:47 | 0:14:49 | |
So Marcus Brigstocke was then speaking as the whistle went, | 0:14:53 | 0:14:56 | |
and gained an extra point for doing so, and he's moved forward. | 0:14:56 | 0:15:00 | |
He's still in fourth place, but he's moved forward. | 0:15:00 | 0:15:02 | |
LAUGHTER | 0:15:02 | 0:15:03 | |
Stephen, we'd like you to begin the next round. Oh, dear. | 0:15:03 | 0:15:06 | |
-Oh. -"What frightened me as a child". | 0:15:06 | 0:15:09 | |
60 seconds, starting now. | 0:15:09 | 0:15:11 | |
What frightened me as a child were Nana Mouskouri and Demis Roussos. | 0:15:11 | 0:15:16 | |
Their enormous Greek faces in my dreams would come surging out of vats of hummus and taramasalata, | 0:15:16 | 0:15:23 | |
singing, "Those were the days, my friend, I thought they'd never end," | 0:15:23 | 0:15:29 | |
as they lifted up high into the sky on pitta bread wings, | 0:15:29 | 0:15:33 | |
dripping their dips all over my Tottenham Hotspur duvet. | 0:15:33 | 0:15:37 | |
LAUGHTER | 0:15:37 | 0:15:38 | |
And I lay curled there, saying, "Please, no, not the Greek..." | 0:15:38 | 0:15:42 | |
BUZZER | 0:15:42 | 0:15:43 | |
"..faced people." Oh! | 0:15:43 | 0:15:46 | |
APPLAUSE | 0:15:46 | 0:15:48 | |
Sue, you challenged first. | 0:15:50 | 0:15:52 | |
-Repetition of "Greek." -Yes, I think they all saw that one. | 0:15:52 | 0:15:54 | |
And you've got the subject, you have 29 seconds, | 0:15:54 | 0:15:57 | |
and it is, "What frightened me as a child." | 0:15:57 | 0:16:01 | |
Doctor Who frightened me as a child, Davros in particular, | 0:16:01 | 0:16:04 | |
with his studded metal skirt and incredibly old face. | 0:16:04 | 0:16:09 | |
Stairs, of course, were the things that would totally put paid to his world domination plans, | 0:16:09 | 0:16:13 | |
but as a child, I had no idea that such a simple thing could prove to be so utterly disgraceful. | 0:16:13 | 0:16:19 | |
Why I've used that phrase, I have no idea. Didn't make any sense. | 0:16:19 | 0:16:22 | |
BUZZER | 0:16:22 | 0:16:23 | |
-Marcus challenged. -As Sue pointed out, it didn't make any sense. -Didn't make any sense. | 0:16:23 | 0:16:27 | |
So it was deviation from what she was saying. You have a correct challenge. | 0:16:27 | 0:16:30 | |
Marcus, you have "What frightened me as a child," seven seconds, starting now. | 0:16:30 | 0:16:34 | |
What always frightened me as a child was any sort of challenge involving speaking in front of other people, | 0:16:34 | 0:16:39 | |
particularly for a set amount of time, | 0:16:39 | 0:16:42 | |
-and it's a fear that I haven't ever... -WHISTLE | 0:16:42 | 0:16:44 | |
APPLAUSE | 0:16:44 | 0:16:46 | |
so, Marcus Brigstocke was speaking as the whistle went and gains an extra point. | 0:16:50 | 0:16:54 | |
He has moved forward, he is in third place equal with Paul Merton, | 0:16:54 | 0:16:57 | |
Stephen Mangan is one point behind, Sue is out in the lead. | 0:16:57 | 0:17:00 | |
Oh, and the next round is on a lovely subject, The Owl And The Pussycat. | 0:17:00 | 0:17:03 | |
Yes, Edward Lear, I've got a whole show about him. | 0:17:03 | 0:17:06 | |
I know these poems, they're so lovely. | 0:17:06 | 0:17:08 | |
"The owl and the pussycat went to see in a beautiful pea-green boat. | 0:17:08 | 0:17:13 | |
"They took some honey, | 0:17:13 | 0:17:14 | |
"and plenty of money wrapped up in a five-pound note. | 0:17:14 | 0:17:17 | |
"The owl looked up to the stars above..." LAUGHTER | 0:17:17 | 0:17:20 | |
"and he sang to a small guitar, "Oh pussy my love, oh, lovely pussy, | 0:17:20 | 0:17:25 | |
"what a beautiful pussy you are, you are, what a beautiful pussy you are." | 0:17:25 | 0:17:28 | |
BUZZER | 0:17:28 | 0:17:29 | |
"Pussy said to the owl.." LAUGHTER | 0:17:29 | 0:17:33 | |
"..you elegant fowl, how charmingly sweet you sing. | 0:17:33 | 0:17:36 | |
"Let us be married, too long we have tarried, | 0:17:36 | 0:17:40 | |
"but what shall we do for a ring?" | 0:17:40 | 0:17:42 | |
"They sailed away for a year and a day | 0:17:42 | 0:17:45 | |
"to the land where the Bong tree grows." LAUGHTER | 0:17:45 | 0:17:48 | |
"And there in the wood, a piggywig stood, | 0:17:48 | 0:17:52 | |
"with a ring at the end of his nose, his nose, | 0:17:52 | 0:17:54 | |
"with a ring through the end of his nose." | 0:17:54 | 0:17:56 | |
APPLAUSE | 0:17:56 | 0:17:58 | |
"Dear pig, are you willing to sell for one shilling your ring?" | 0:17:58 | 0:18:02 | |
"Said the piggy, "I will." | 0:18:02 | 0:18:03 | |
"So they took it away, and were married next day | 0:18:03 | 0:18:06 | |
"by the turkey who lives on the hill. | 0:18:06 | 0:18:09 | |
"And then hand-in-hand..." LAUGHTER | 0:18:09 | 0:18:12 | |
"..on the edge of the sand, they danced by the light of the moon. | 0:18:12 | 0:18:16 | |
"The moon. They danced by the light of the moon." | 0:18:16 | 0:18:20 | |
APPLAUSE | 0:18:20 | 0:18:23 | |
-Well, thank you for that endorsement of my show. -How did it go? | 0:18:33 | 0:18:37 | |
It went very well, the audience loved it. | 0:18:37 | 0:18:39 | |
They didn't disappear like you lot did. | 0:18:39 | 0:18:41 | |
I was just trying to get hold of some tickets for next week. | 0:18:41 | 0:18:44 | |
LAUGHTER | 0:18:44 | 0:18:45 | |
-I like your tribute to their boat in the form of a jacket. -LAUGHTER | 0:18:45 | 0:18:51 | |
Yeah, it could be pea-green, yes. It could be. | 0:18:53 | 0:18:56 | |
-They sailed away for a year and a day... -Oh, not again! | 0:18:56 | 0:18:59 | |
LAUGHTER | 0:18:59 | 0:19:01 | |
Paul, we'd like you to take the subject, | 0:19:02 | 0:19:04 | |
and there are 60 seconds, as usual, | 0:19:04 | 0:19:06 | |
The Owl And The Pussycat, starting now. | 0:19:06 | 0:19:09 | |
Well, I just thought the beautiful rendition that Nicholas Parsons gave | 0:19:09 | 0:19:12 | |
of that magnificent poem by Edward Lear, | 0:19:12 | 0:19:14 | |
The Owl And The Pussycat, was really an extraordinary example | 0:19:14 | 0:19:17 | |
-of the artistic qualities of our magnificent... I can't say it. -BUZZER | 0:19:17 | 0:19:21 | |
LAUGHTER | 0:19:21 | 0:19:23 | |
-I don't believe a word of it. -SUE LAUGHS | 0:19:23 | 0:19:26 | |
Oh, Paul, and I believed you to begin with. PAUL LAUGHS | 0:19:26 | 0:19:28 | |
-Sue, you challenged first. -Hesitation. -There was a hesitation. -Yes. | 0:19:28 | 0:19:32 | |
So you have 47 seconds, and you have the subject of The Owl And The Pussycat, starting now. | 0:19:32 | 0:19:36 | |
Edward Lear, a glorious, absurd, comic master of the poetic form. And that's all I know. | 0:19:36 | 0:19:42 | |
BUZZER | 0:19:42 | 0:19:44 | |
LAUGHTER | 0:19:44 | 0:19:45 | |
APPLAUSE | 0:19:45 | 0:19:46 | |
-Stephen Mangan. -Hesitation. -Hesitation. | 0:19:46 | 0:19:48 | |
So you have 40 seconds, | 0:19:48 | 0:19:50 | |
tell us something about The Owl And The Pussycat, starting now. | 0:19:50 | 0:19:53 | |
-The owl and the pussycat went to sea in a beautiful pea-green boat. -Oh, God! Not you as well! | 0:19:53 | 0:19:58 | |
They took some honey and plenty of money, wrapped up in a five-pound note. | 0:19:58 | 0:20:01 | |
But if you've ever taken the product of bees encased in Queen's coinage, | 0:20:01 | 0:20:06 | |
you'll find it gets very sticky after a while. | 0:20:06 | 0:20:08 | |
BUZZER | 0:20:08 | 0:20:09 | |
-Marcus challenged. -Yeah, deviation. | 0:20:09 | 0:20:11 | |
Well, it's a five-pound note, isn't it, | 0:20:11 | 0:20:14 | |
it's not the Queen's coinage. | 0:20:14 | 0:20:15 | |
Very difficult to wrap honey in coins. | 0:20:15 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:19 | |
So, Marcus, a correct challenge. The Owl And The Pussycat is with you. | 0:20:19 | 0:20:23 | |
24 seconds available, starting now. | 0:20:23 | 0:20:26 | |
I once had a pea-green boat, and I put an owl and the pussycat in it, | 0:20:26 | 0:20:30 | |
and unfortunately, the owl attacked the cat, | 0:20:30 | 0:20:32 | |
and the whole thing ended horribly. | 0:20:32 | 0:20:34 | |
-But it didn't stop me from... -BUZZER | 0:20:34 | 0:20:37 | |
-..enjoying them setting sail. -Stephen, you challenged. -Hesitation. He said... | 0:20:37 | 0:20:41 | |
-Well, there is now! -He said "err..." -LAUGHTER | 0:20:41 | 0:20:43 | |
APPLAUSE | 0:20:43 | 0:20:45 | |
-So what was your challenge? -Hesitation. | 0:20:46 | 0:20:48 | |
-He said "but, err..." -Oh, he did, yes, he did. -Yes. -Yes, indeed. | 0:20:48 | 0:20:51 | |
-I meant butter, the delicious... -LAUGHTER | 0:20:51 | 0:20:54 | |
Stephen, a correct challenge, you have 12 seconds, tell us more | 0:20:54 | 0:20:57 | |
about The Owl And The Pussycat, starting now. | 0:20:57 | 0:20:59 | |
I was known as both Owl and Pussycat at university, | 0:20:59 | 0:21:03 | |
Owl because I was nocturnal and wise and ate mice... | 0:21:03 | 0:21:07 | |
BUZZER Sue, you challenged. | 0:21:07 | 0:21:10 | |
I was at university with Stephen. | 0:21:10 | 0:21:12 | |
He was drunk, he was silly, he wasn't wise. | 0:21:12 | 0:21:15 | |
He... Simply, so deviation from fact. And I know that. | 0:21:15 | 0:21:18 | |
-I'm not having that. -We don't know that, do we? | 0:21:18 | 0:21:20 | |
I do, I was at college with him! | 0:21:20 | 0:21:22 | |
I think we have to give his impression of what he thought he was like at college. | 0:21:22 | 0:21:26 | |
He was an animal! | 0:21:26 | 0:21:28 | |
LAUGHTER | 0:21:28 | 0:21:29 | |
-Well, he was two animals. He was an owl and a pussycat. -LAUGHTER | 0:21:29 | 0:21:33 | |
Now, I am going to give Stephen the benefit of the doubt, and say, | 0:21:33 | 0:21:36 | |
you have four seconds, Stephen, The Owl And The Pussycat, starting now. | 0:21:36 | 0:21:39 | |
-..And pussycat because I used to wear a mo... -BUZZER | 0:21:39 | 0:21:42 | |
-Paul challenged. -Well, he's very good, but it was repetition of "because." | 0:21:42 | 0:21:45 | |
-Cos we had "an owl because," and "a pussycat because." -Because, because, because, because. | 0:21:45 | 0:21:49 | |
So, Paul, you got in with three seconds to go, on The Owl And The Pussycat, starting now. | 0:21:49 | 0:21:55 | |
-The owl and the pussycat looked at each other across the divide... -SUE LAUGHS | 0:21:55 | 0:21:58 | |
WHISTLE | 0:21:58 | 0:21:59 | |
APPLAUSE | 0:21:59 | 0:22:03 | |
The situation now is that Sue Perkins is still in the lead, | 0:22:07 | 0:22:11 | |
and she is way ahead of Paul Merton and Stephen Mangan in second place, | 0:22:11 | 0:22:15 | |
and Marcus trails them by just two points, that's all, and Sue... | 0:22:15 | 0:22:18 | |
I'm in third, though, out of four possible places. | 0:22:18 | 0:22:21 | |
-You're in third place, yes. -Yeah. Tremendous. -LAUGHTER | 0:22:21 | 0:22:23 | |
And Sue, will you begin the next round? | 0:22:23 | 0:22:25 | |
The subject is "Spreading rumours." 60 seconds, starting now. | 0:22:25 | 0:22:29 | |
Two years ago, I spread a vicious rumour that Greek was bust...Greece! | 0:22:29 | 0:22:33 | |
BUZZER Oh! | 0:22:33 | 0:22:35 | |
-I'm an idiot! -Stephen Mangan, you challenged. -Hesitation. | 0:22:35 | 0:22:37 | |
There was a hesitation. | 0:22:37 | 0:22:39 | |
Stephen, you have the subject of spreading rumours, 50 seconds, starting now. | 0:22:39 | 0:22:43 | |
Spreading rumours have plagued the margarine industry for years. | 0:22:43 | 0:22:47 | |
LAUGHTER | 0:22:47 | 0:22:48 | |
The rumours being that margarine is... | 0:22:48 | 0:22:50 | |
-BUZZER -Yes. | 0:22:50 | 0:22:51 | |
-Oh...Sue challenged. -Repetition of margarine. | 0:22:51 | 0:22:53 | |
-There was too much margarine there, yes. -Too much margarine. | 0:22:53 | 0:22:55 | |
And Sue Perkins, another point to you. | 0:22:55 | 0:22:59 | |
49 seconds on spreading rumours, starting... Oh, I've got hiccups. | 0:22:59 | 0:23:02 | |
LAUGHTER | 0:23:02 | 0:23:04 | |
Repetition! | 0:23:04 | 0:23:05 | |
LAUGHTER | 0:23:05 | 0:23:07 | |
Oh... | 0:23:08 | 0:23:09 | |
It's not a good idea to have hiccups in the middle of a live television show. | 0:23:09 | 0:23:13 | |
Are we live? | 0:23:13 | 0:23:14 | |
LAUGHTER | 0:23:14 | 0:23:16 | |
SUE APPLAUDS | 0:23:16 | 0:23:18 | |
My God! | 0:23:18 | 0:23:19 | |
So, and, Sue, spreading rumours, it's now 49 seconds, starting now. | 0:23:19 | 0:23:26 | |
After spending an entirely innocent evening in a Bunga room with Silvio Berlusconi, | 0:23:26 | 0:23:31 | |
a very unpleasant rumour about me was spread. | 0:23:31 | 0:23:34 | |
Namely that I could be purchased for Lire, or Euro in new money, | 0:23:34 | 0:23:39 | |
for any evenings with former... | 0:23:39 | 0:23:42 | |
BUZZER | 0:23:42 | 0:23:43 | |
-Oh, Marcus challenged. -Yes, hesitation. | 0:23:43 | 0:23:46 | |
There was a hesitation, yes. | 0:23:46 | 0:23:47 | |
Marcus, you have 33 seconds on spreading rumours, starting now. | 0:23:47 | 0:23:51 | |
Spreading rumours is an awful, terrible thing to do, | 0:23:51 | 0:23:54 | |
but my God, it's good fun. | 0:23:54 | 0:23:56 | |
For example, many people have told me stories about Simon Cowell | 0:23:56 | 0:24:00 | |
and just exactly what he prefers, but I can't say what those things are here. | 0:24:00 | 0:24:04 | |
-BUZZER -Those would be... | 0:24:04 | 0:24:05 | |
-Paul challenged. -Write it down! | 0:24:05 | 0:24:07 | |
LAUGHTER | 0:24:07 | 0:24:08 | |
So, Paul, what was your challenge within the rules of Just A Minute? | 0:24:09 | 0:24:12 | |
Oh, I haven't got one. | 0:24:12 | 0:24:14 | |
LAUGHTER | 0:24:14 | 0:24:15 | |
-Hesitation. -He did hesitate, yes. -Yeah. -Well done. | 0:24:15 | 0:24:17 | |
You were quick there, Paul. LAUGHTER | 0:24:17 | 0:24:20 | |
And you have the subject, spreading rumours, starting now. | 0:24:20 | 0:24:23 | |
When a major event occurs, something like the assassination of John F. Kennedy, | 0:24:23 | 0:24:27 | |
there are rumours that abound that it was some conspiracy involved. | 0:24:27 | 0:24:32 | |
The American public couldn't believe that their president could be taken out by a lone gunman, | 0:24:32 | 0:24:38 | |
Lee Harvey Oswald was the man who was actually accused of the crime, | 0:24:38 | 0:24:42 | |
-and it's fairly clear that it was him involved, because... -WHISTLE | 0:24:42 | 0:24:45 | |
APPLAUSE | 0:24:45 | 0:24:48 | |
So, Paul Merton was then speaking as the whistle went, gains that extra point, | 0:24:51 | 0:24:54 | |
he's moving forward, he is in second place behind Sue Perkins, who is in the lead. | 0:24:54 | 0:24:58 | |
Marcus Brigstocke... BELL | 0:24:58 | 0:25:01 | |
Oh, it's time for tea! LAUGHTER | 0:25:01 | 0:25:04 | |
That little tinkling bells tells us we have time for only one more round. AUDIENCE: Aaah... | 0:25:04 | 0:25:10 | |
Right, Marcus Brigstocke, it's your turn to begin. | 0:25:10 | 0:25:13 | |
HE CHUCKLES | 0:25:13 | 0:25:14 | |
"Training a crab to walk forwards." | 0:25:14 | 0:25:17 | |
LAUGHTER | 0:25:17 | 0:25:20 | |
-They're playing right into your hands, Marcus! -Yeah, I know. | 0:25:20 | 0:25:22 | |
Right. | 0:25:22 | 0:25:23 | |
Marcus, you begin, training a crab to walk forwards, 60 seconds, | 0:25:23 | 0:25:27 | |
starting now. | 0:25:27 | 0:25:28 | |
Training a crab to walk forwards is not an easy thing to do, | 0:25:28 | 0:25:31 | |
but it puts me pleasingly in mind of Sir Arthur Streeb-Greebling's attempts | 0:25:31 | 0:25:35 | |
to make ravens fly underwater. | 0:25:35 | 0:25:37 | |
That was created by Peter Cook, and it always makes me laugh. | 0:25:37 | 0:25:40 | |
However, I have trained many a crab to walk forwards. | 0:25:40 | 0:25:44 | |
The trick is to convince the crab that they are drunk, this is not an easy thing to do, | 0:25:44 | 0:25:48 | |
but one of the ways you can do it is by swaying about and offering them a kebab, | 0:25:48 | 0:25:52 | |
at which point, the crab will usually begin to veer in your direction, | 0:25:52 | 0:25:56 | |
and then you start waving your arms, jumping up and down and punching the side of a police van, | 0:25:56 | 0:26:00 | |
-that's usually a pretty good indication that you've had one or two too many. -Oh. | 0:26:00 | 0:26:05 | |
So the crab is then excited by what you are doing and thinks, well, I probably am (BLEEP), | 0:26:05 | 0:26:10 | |
and begins to teeter in the rough direction of what you are doing at that stage, | 0:26:10 | 0:26:15 | |
-which is pretending to be blind, blotto... -BUZZER | 0:26:15 | 0:26:19 | |
-Aah, shame. -APPLAUSE | 0:26:19 | 0:26:20 | |
-I had such a head of steam up! -Yeah, it was good. | 0:26:20 | 0:26:22 | |
APPLAUSE | 0:26:22 | 0:26:24 | |
You were in for 49 seconds. AUDIENCE: Aaaah. | 0:26:27 | 0:26:31 | |
You do all the hard work, and somebody comes in and takes it from you. | 0:26:31 | 0:26:34 | |
-Sue, what was your challenge? -Hesitation. -Unfortunately, there was, yes, but we enjoyed it. -Me too! | 0:26:34 | 0:26:39 | |
So I think, as it's the last round, you should have a bonus point for 49 seconds. | 0:26:39 | 0:26:43 | |
-Oh, how nice. -APPLAUSE | 0:26:43 | 0:26:46 | |
Sue, you get another point for a correct challenge, and there are 11 seconds left, starting now. | 0:26:49 | 0:26:53 | |
Surround its flanks by angry, hungry lions, | 0:26:53 | 0:26:56 | |
then you'll find it will move forwards with surprising speed and skill. | 0:26:56 | 0:27:00 | |
Or strips of bacon latticed over the top, as if you're about to move it into an oven... | 0:27:00 | 0:27:05 | |
WHISTLE | 0:27:05 | 0:27:06 | |
APPLAUSE | 0:27:06 | 0:27:09 | |
So, Sue Perkins, speaking as the whistle went, gained that extra point, | 0:27:12 | 0:27:16 | |
and the final situation, oh, an extraordinarily fair one. | 0:27:16 | 0:27:19 | |
Sue is out in the lead, but in second place, | 0:27:19 | 0:27:23 | |
equal with Stephen Mangan, Marcus Brigstocke and Paul Merton... | 0:27:23 | 0:27:26 | |
-Oh! -..all with the same number of points. | 0:27:26 | 0:27:29 | |
So a round of applause for the seconds. | 0:27:29 | 0:27:31 | |
APPLAUSE | 0:27:31 | 0:27:34 | |
And a round of applause for our winner today, | 0:27:34 | 0:27:37 | |
which is Sue Perkins. | 0:27:37 | 0:27:39 | |
CHEERING AND APPLAUSE | 0:27:39 | 0:27:43 | |
It only remains for me to say a final thank you | 0:27:44 | 0:27:47 | |
to these four fine players of this game. | 0:27:47 | 0:27:50 | |
And so, it's goodbye from this delightful audience | 0:27:50 | 0:27:53 | |
here at the Television Centre, it's goodbye from me, Nicholas Parsons, | 0:27:53 | 0:27:56 | |
and join us again the next time we take to your screens and play Just A Minute. | 0:27:56 | 0:28:01 | |
Yes! | 0:28:01 | 0:28:02 | |
CHEERING AND APPLAUSE | 0:28:02 | 0:28:05 | |
Subtitles by Red Bee Media Ltd | 0:28:29 | 0:28:32 |