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Welcome to Just a Minute! | 0:00:02 | 0:00:04 | |
APPLAUSE | 0:00:04 | 0:00:07 | |
Hello. My name is Nicholas Parsons. | 0:00:12 | 0:00:16 | |
As the Minute Waltz fades away, it's my great pleasure to welcome you | 0:00:16 | 0:00:20 | |
to this special edition of Just a Minute from BBC Television Centre. | 0:00:20 | 0:00:25 | |
We've found our way at last on to your television screens | 0:00:25 | 0:00:29 | |
after celebrating 45 years of radio triumph! | 0:00:29 | 0:00:33 | |
APPLAUSE | 0:00:33 | 0:00:37 | |
So without further ado, please welcome to the show | 0:00:37 | 0:00:40 | |
four fabulous, talented performers, and they are | 0:00:40 | 0:00:42 | |
seated on my right, Paul Merton and Tony Hawks, | 0:00:42 | 0:00:45 | |
and seated on my left, Liza Tarbuck and Gyles Brandreth. | 0:00:45 | 0:00:48 | |
Please welcome all four of them! | 0:00:48 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:55 | |
The players will try to speak for Just a Minute | 0:00:55 | 0:00:57 | |
on a subject that I give them, and they must try and do that | 0:00:57 | 0:01:00 | |
without hesitation, repetition or deviation. | 0:01:00 | 0:01:02 | |
The other three panellists can challenge at any time and if | 0:01:02 | 0:01:05 | |
I uphold that challenge, they gain a point and takeover the subject. | 0:01:05 | 0:01:08 | |
If not, the person speaking gains a point and continues with the subject. | 0:01:08 | 0:01:12 | |
By the way, they can repeat the subject on the card. | 0:01:12 | 0:01:15 | |
Gyles, would you take the first subject? | 0:01:15 | 0:01:17 | |
Pardon my French. | 0:01:17 | 0:01:19 | |
Tell us something about that subject in this game, starting now. | 0:01:19 | 0:01:22 | |
BUZZER | 0:01:42 | 0:01:44 | |
-Tony, you've challenged. -Repetition of 'vais.' | 0:01:44 | 0:01:47 | |
APPLAUSE | 0:01:48 | 0:01:52 | |
-You did repeat 'vais.' -Oy vey! Got it in one. | 0:01:56 | 0:02:01 | |
THEY SPEAK IN FRENCH-SOUNDING GIBBERISH | 0:02:01 | 0:02:07 | |
I hope you understood that. | 0:02:07 | 0:02:08 | |
Now, Pardon My French. | 0:02:08 | 0:02:10 | |
Tony, you had a correct challenge there and take over the subject. | 0:02:10 | 0:02:14 | |
There are 39 seconds still available. | 0:02:14 | 0:02:16 | |
Pardon My French, starting now. | 0:02:16 | 0:02:19 | |
But people tend to say pardon my French | 0:02:24 | 0:02:27 | |
when they're swearing or don't want to be seen to be rude. | 0:02:27 | 0:02:32 | |
It doesn't bother our host. People would be interested to know... | 0:02:32 | 0:02:36 | |
BUZZER | 0:02:36 | 0:02:37 | |
-Gyles has challenged. -Repetition of 'people.' | 0:02:37 | 0:02:40 | |
Correct challenge, repetition of 'people.' | 0:02:40 | 0:02:43 | |
You take over the subject, you take it back. | 0:02:43 | 0:02:45 | |
Pardon my French with you, Gyles. 22 seconds, starting now. | 0:02:45 | 0:02:48 | |
The person who most needs to pardon my French is an old teacher | 0:02:48 | 0:02:52 | |
because I was a pupil of the Lycee Francais de Londres. | 0:02:52 | 0:02:55 | |
The masters and mistresses, | 0:02:55 | 0:02:57 | |
I use the word advisedly, were all of a Francophile disposition. | 0:02:57 | 0:03:00 | |
Many of them were in fact nationals of that particular country. | 0:03:00 | 0:03:03 | |
BUZZER | 0:03:03 | 0:03:04 | |
-Paul challenged. -Francophile individuals and nationals of that country - | 0:03:04 | 0:03:07 | |
Francophile isn't a country. | 0:03:07 | 0:03:10 | |
Do you see? He was referring to the country. | 0:03:11 | 0:03:14 | |
They were Francophiles or of that country. Either enthusiasts for France, | 0:03:14 | 0:03:17 | |
the Francophiles, or they were natives of that country. | 0:03:17 | 0:03:20 | |
No, Paul is actually right. You get a point for that, of course. | 0:03:20 | 0:03:23 | |
Seven seconds still available and your time starts now. | 0:03:23 | 0:03:26 | |
I did metalwork. | 0:03:26 | 0:03:28 | |
BUZZER | 0:03:28 | 0:03:29 | |
LAUGHTER | 0:03:29 | 0:03:33 | |
Pardon my trowel isn't quite the same sort of thing really. | 0:03:33 | 0:03:37 | |
I've not an idea what this round's been about at all. | 0:03:37 | 0:03:40 | |
-I think you deserve a bonus point for that. -Thank you very much. | 0:03:40 | 0:03:42 | |
APPLAUSE | 0:03:42 | 0:03:45 | |
That's the first time I've had my ignorance clapped. | 0:03:48 | 0:03:51 | |
-It wasn't ignorance, it was your wit. -Oh, yes, indeed. Absolutely. | 0:03:51 | 0:03:55 | |
-Tony, you challenged first. -We count that as a hesitation. | 0:03:55 | 0:03:58 | |
We do indeed, or "una momenta." | 0:03:58 | 0:04:02 | |
-Is that French? -A bit Spanish. -A bit Spanish, oh well. | 0:04:02 | 0:04:05 | |
A correct challenge so you have another point, | 0:04:05 | 0:04:08 | |
and you have six seconds still available. Pardon my French, starting now. | 0:04:08 | 0:04:13 | |
I have never had to pardon my French kissing. | 0:04:13 | 0:04:15 | |
It is of an extraordinarily high calibre. | 0:04:15 | 0:04:18 | |
BUZZER | 0:04:18 | 0:04:19 | |
I disagree, it's rubbish. | 0:04:19 | 0:04:21 | |
APPLAUSE | 0:04:21 | 0:04:26 | |
It was hardly worth getting drunk for. | 0:04:28 | 0:04:30 | |
Tony, I've never heard anybody after a bit of osculation saying, | 0:04:31 | 0:04:35 | |
"Pardon my French kiss." It's ridiculous. | 0:04:35 | 0:04:39 | |
Well, I've done it to such a high calibre | 0:04:39 | 0:04:42 | |
-I've never had to pardon my French kissing, you see. -Exactly, exactly. | 0:04:42 | 0:04:46 | |
Why did you challenge then? | 0:04:46 | 0:04:47 | |
Well, why get bogged down with details? I don't have a challenge. | 0:04:47 | 0:04:53 | |
-I don't, really. -Oh, right, well. | 0:04:53 | 0:04:56 | |
I have to be so careful here because there is only half a second to go. | 0:04:56 | 0:04:59 | |
So, Tony, you have half a second, Pardon my French, starting now. | 0:05:01 | 0:05:06 | |
Sur le pont d'Avignon... | 0:05:06 | 0:05:08 | |
WHISTLE BLOWS | 0:05:08 | 0:05:10 | |
APPLAUSE | 0:05:10 | 0:05:13 | |
In this game, whoever is speaking when the whistle goes | 0:05:13 | 0:05:17 | |
gains an extra point, and it was Tony Hawks. | 0:05:17 | 0:05:20 | |
You won't be surprised to know that he's in the lead at the end of the first round. | 0:05:20 | 0:05:23 | |
-Liza, we'd like you to begin the next round. -Lovely. | 0:05:23 | 0:05:26 | |
The subject is Man's Best Friend. 60 seconds as usual, starting now. | 0:05:26 | 0:05:31 | |
My friend Roger Man's best friend is a woman called Sarah Hughes | 0:05:31 | 0:05:35 | |
who works in a bookshop in Liverpool. | 0:05:35 | 0:05:37 | |
The thing with Sarah is she's very, very... oh! | 0:05:37 | 0:05:41 | |
BUZZER | 0:05:41 | 0:05:42 | |
-Classic! -The classic problem in Just a Minute. | 0:05:42 | 0:05:45 | |
Paul, you picked it up first. | 0:05:45 | 0:05:47 | |
-Repetition of 'Sarah.' -Oh! -You said that as well. | 0:05:47 | 0:05:52 | |
I ignored 'very' but you did say 'Sarah' twice. | 0:05:52 | 0:05:54 | |
That's very clever of you, yes. You've got 50 seconds. | 0:05:54 | 0:05:57 | |
You tell us something about Man's Best Friend, starting now. | 0:05:57 | 0:06:00 | |
Man's best friend is undoubtedly Colin Watson. | 0:06:00 | 0:06:03 | |
He lives in Rotherham and any time a man is in trouble, | 0:06:03 | 0:06:06 | |
they go to him and they say, "My dear friend, | 0:06:06 | 0:06:08 | |
"get me out of this particular hole I find myself in now." | 0:06:08 | 0:06:12 | |
They often say that dogs are man's best friend | 0:06:12 | 0:06:14 | |
but I don't really know if that's the case. | 0:06:14 | 0:06:16 | |
My best friend wouldn't get up to some of the things that those | 0:06:16 | 0:06:19 | |
creatures do. Have you seen canines walking through the park? | 0:06:19 | 0:06:22 | |
They have the most extraordinary lifestyle. | 0:06:22 | 0:06:24 | |
People clean up after them which is lovely, | 0:06:24 | 0:06:27 | |
but whether that qualifies them as man's best friend, I don't know. | 0:06:27 | 0:06:30 | |
How about man's best friend being the giraffe? | 0:06:30 | 0:06:33 | |
A majestic animal with its long neck and its nibbling of acacia trees. | 0:06:33 | 0:06:38 | |
It shows to humanity that we and other species can be joined together | 0:06:38 | 0:06:43 | |
as we search towards truth, light and the American way! | 0:06:43 | 0:06:49 | |
Yes, we must go to the safari parks and unleash them! | 0:06:49 | 0:06:52 | |
WHISTLE BLOWS | 0:06:52 | 0:06:54 | |
CHEERING AND APPLAUSE | 0:06:54 | 0:07:00 | |
Sorry, it's just something I feel passionate about. | 0:07:06 | 0:07:09 | |
Well, that impassioned speech of absolute rubbish was delightful. | 0:07:09 | 0:07:13 | |
You kept going until the whistle went, gained that extra point on man's best friend. | 0:07:13 | 0:07:18 | |
You're still in second place but it doesn't matter. | 0:07:18 | 0:07:21 | |
You're only one point behind our leader, Tony Hawks. | 0:07:21 | 0:07:23 | |
Paul, we'd like you to begin the next round. | 0:07:23 | 0:07:26 | |
I don't know what you're going to do with this. | 0:07:26 | 0:07:28 | |
When I Worked as a Meteorologist. | 0:07:28 | 0:07:30 | |
After Man's Best Friend, | 0:07:33 | 0:07:35 | |
tell us something about that one in this game, starting now. | 0:07:35 | 0:07:37 | |
When I worked as a meteorologist, my workmates didn't like me. | 0:07:37 | 0:07:40 | |
They were a bit of a shower. In fact, I used to... What are you groaning at? | 0:07:40 | 0:07:44 | |
I've been given the subject. They used to rain on my parade. | 0:07:44 | 0:07:47 | |
I'd say, "No." | 0:07:47 | 0:07:49 | |
Sometimes there were scattered spells of interest | 0:07:49 | 0:07:51 | |
but they didn't last very long. | 0:07:51 | 0:07:53 | |
I could never work out the difference between the various clouds. | 0:07:53 | 0:07:56 | |
There's nimbus, and the other ones. | 0:07:56 | 0:07:58 | |
That's where I got confused. | 0:07:58 | 0:07:59 | |
Delivering the weather forecast after the Six o'clock News, | 0:07:59 | 0:08:02 | |
a nation I could see... | 0:08:02 | 0:08:03 | |
BUZZER | 0:08:03 | 0:08:05 | |
-Gyles challenged. -Always delivered just before the Six o'clock News. | 0:08:05 | 0:08:08 | |
Deviation in terms of the Radio Times. I checked. | 0:08:12 | 0:08:15 | |
But also, it is delivered later at night after the 10 o'clock News. | 0:08:15 | 0:08:19 | |
After the Six o'clock News implies immediately after. | 0:08:19 | 0:08:22 | |
Surely the really relevant point is it's never presented by Paul Merton. | 0:08:22 | 0:08:25 | |
Well, because I didn't get on with them | 0:08:25 | 0:08:28 | |
because I had these rain-based puns that nobody likes. | 0:08:28 | 0:08:31 | |
I'm going to give you the benefit of the doubt | 0:08:32 | 0:08:35 | |
and if I can redress the balance sometime later, Paul, I will give you the benefit. | 0:08:35 | 0:08:39 | |
Right now, Gyles has got it. | 0:08:39 | 0:08:41 | |
He has the subject, When I Worked as a Meteorologist | 0:08:41 | 0:08:44 | |
and there are 33 seconds available starting now. | 0:08:44 | 0:08:46 | |
When I worked as a meteorologist, | 0:08:46 | 0:08:47 | |
it was always the first day of spring because... | 0:08:47 | 0:08:50 | |
BUZZER | 0:08:50 | 0:08:52 | |
Get yourself a new calendar! | 0:08:52 | 0:08:55 | |
Every day was the first day of spring? | 0:08:55 | 0:08:58 | |
APPLAUSE | 0:08:58 | 0:09:01 | |
You'd have been thrown out, coming up with that rubbish. | 0:09:01 | 0:09:04 | |
-"It's the first day of spring again." -I tell you what. | 0:09:04 | 0:09:07 | |
-This will redress the balance. -Absolutely! | 0:09:07 | 0:09:11 | |
He's taken the very words out of my mouth. | 0:09:11 | 0:09:15 | |
-He was using it metaphorically speaking. -It was, absolutely. | 0:09:15 | 0:09:18 | |
It was like saying after the Six o'clock News, isn't it? | 0:09:18 | 0:09:21 | |
You have the benefit of the doubt and you have | 0:09:21 | 0:09:24 | |
When I Worked as a Meteorologist, and you now have another point. | 0:09:24 | 0:09:27 | |
Oh, they're all equal in the lead. | 0:09:27 | 0:09:29 | |
Gyles Brandreth, Tony Hawks and Paul Merton. | 0:09:29 | 0:09:31 | |
28 seconds available still, Paul, starting now. | 0:09:31 | 0:09:34 | |
I was aware of a persistent cold front | 0:09:34 | 0:09:37 | |
that led all the way up to Christmas. | 0:09:37 | 0:09:39 | |
My work colleagues were... | 0:09:39 | 0:09:41 | |
BUZZER | 0:09:41 | 0:09:42 | |
-Liza. -He said 'work' before in the first batch. | 0:09:42 | 0:09:44 | |
Right, so Liza, you've got in on the subject now. | 0:09:44 | 0:09:47 | |
When I Worked as a Meteorologist. | 0:09:47 | 0:09:49 | |
You have 21 seconds if you want them, starting now. | 0:09:49 | 0:09:52 | |
I was in charge of the shipping forecast and my favourite area | 0:09:52 | 0:09:55 | |
was German Bight, which is adjacent to Dogger, you'll understand. | 0:09:55 | 0:09:59 | |
The news there was we joined the Meteorology Office | 0:09:59 | 0:10:03 | |
in 1920 or thereabouts, after the First World War. | 0:10:03 | 0:10:07 | |
I had to go down and check the mines. | 0:10:07 | 0:10:09 | |
BUZZER | 0:10:09 | 0:10:10 | |
-Tony, you've challenged. -Mines? -She's not that old, surely! | 0:10:10 | 0:10:15 | |
-Really? -Nipped and tucked. | 0:10:15 | 0:10:17 | |
One way of saying it. | 0:10:18 | 0:10:19 | |
No, no, Liza, looking at you, I cannot believe that you were there | 0:10:19 | 0:10:24 | |
right back at the beginning. Tony, correct challenge, | 0:10:24 | 0:10:28 | |
-and you've got in with four seconds to go. -Four seconds! | 0:10:28 | 0:10:31 | |
And you start now. | 0:10:31 | 0:10:32 | |
When I worked as a meteorologist, I did a lot of French kissing | 0:10:32 | 0:10:35 | |
and very popular I was too... | 0:10:35 | 0:10:37 | |
WHISTLE BLOWS | 0:10:37 | 0:10:39 | |
APPLAUSE | 0:10:39 | 0:10:42 | |
So, Tony Hawks was speaking as the whistle went, gained that extra point. | 0:10:46 | 0:10:49 | |
And he's moved forward and he's just taken the lead, two points ahead of the others. | 0:10:49 | 0:10:53 | |
Gyles, We'd like you to begin the next round and the subject is, | 0:10:53 | 0:10:57 | |
oh, Drinking Games. | 0:10:57 | 0:10:59 | |
Tell us something about that in this game, starting now. | 0:10:59 | 0:11:03 | |
Recently, I happened to be staying for the weekend at Highgrove. | 0:11:03 | 0:11:06 | |
This is where Prince Charles lives with his second wife. | 0:11:06 | 0:11:10 | |
BUZZER | 0:11:10 | 0:11:11 | |
-Tony's challenged. -He did an 'er,' which we count as a hesitation. | 0:11:11 | 0:11:15 | |
He went, "And, er." | 0:11:15 | 0:11:16 | |
Did I? | 0:11:16 | 0:11:19 | |
I imagine I was overawed by the glory of my story. | 0:11:21 | 0:11:25 | |
-I do apologise. -I thought the audience went, "Er." -I think so. | 0:11:25 | 0:11:29 | |
I think they were going, "Oh, oh, Ohh!" | 0:11:29 | 0:11:31 | |
Some of them were getting down on their knees, I noticed, | 0:11:31 | 0:11:34 | |
it was rather charming. | 0:11:34 | 0:11:35 | |
They were trying to crawl out without being spotted. | 0:11:35 | 0:11:39 | |
Tony, another point. 52 seconds, Drinking Games, starting now. | 0:11:39 | 0:11:43 | |
Every four years there are Olympic Games, but London... | 0:11:43 | 0:11:48 | |
BUZZER | 0:11:48 | 0:11:49 | |
-Hesitation. -Hesitation, definite hesitation. A complete full stop. | 0:11:51 | 0:11:55 | |
Yes, I was going to say 'every' again and what do you do | 0:11:55 | 0:11:57 | |
when you start to say 'every?' | 0:11:57 | 0:11:59 | |
-Well, that's what happens. -Yes. -That's what happens. | 0:11:59 | 0:12:03 | |
Liza, You have the subject. | 0:12:03 | 0:12:04 | |
You have 47 seconds, Drinking Games, starting now. | 0:12:04 | 0:12:08 | |
I like nothing more than enticing a whole shipload of sailors | 0:12:08 | 0:12:11 | |
off of their boat in Plymouth... | 0:12:11 | 0:12:12 | |
BUZZER | 0:12:12 | 0:12:14 | |
-Who buzzed in, who buzzed in? -Tony did. -Repetition of 'off.' | 0:12:15 | 0:12:19 | |
She went, "Off of." I suppose that's not two offs, is it? | 0:12:19 | 0:12:23 | |
-It's an 'off' and then an 'of.' -Yes, 'of' and 'off.' | 0:12:23 | 0:12:26 | |
The story was just hotting up. | 0:12:26 | 0:12:29 | |
I'm not sure we can pick up the thread now, | 0:12:31 | 0:12:33 | |
if I may use that euphemism. | 0:12:33 | 0:12:36 | |
Here we are, so, Liza, an incorrect challenge, | 0:12:36 | 0:12:40 | |
a point to you. Drinking Games, 42 seconds, starting now. | 0:12:40 | 0:12:43 | |
Our favourite tipple, of course, is a Nelson's Blood | 0:12:43 | 0:12:45 | |
reminiscent of that old fruity matelot from years gone by. | 0:12:45 | 0:12:50 | |
BUZZER | 0:12:50 | 0:12:51 | |
-A bit of hesitation. -You looked at Gyles. | 0:12:51 | 0:12:55 | |
He resented you calling Nelson, the great admiral, a fruity nut. | 0:12:55 | 0:13:00 | |
-A fruity matelot. -He was a fruity matelot, though, wasn't he. | 0:13:00 | 0:13:03 | |
You've got one or two fruity sayings of his. | 0:13:03 | 0:13:07 | |
I have. That was Napoleon. | 0:13:07 | 0:13:09 | |
-Was it? -Yeah, Napoleon. | 0:13:09 | 0:13:12 | |
Right, so, Gyles, a correct challenge. 36 seconds are available. | 0:13:15 | 0:13:18 | |
Drinking Games, starting now. | 0:13:18 | 0:13:21 | |
BUZZER | 0:13:21 | 0:13:23 | |
Hesitation. | 0:13:25 | 0:13:27 | |
Clearest case of hesitation I think we've ever had. | 0:13:28 | 0:13:30 | |
Very clear hesitation. You could have made a ham sandwich in that. | 0:13:30 | 0:13:34 | |
I think to be fair to Gyles, | 0:13:34 | 0:13:36 | |
he didn't realise we were about to start. | 0:13:36 | 0:13:39 | |
Thank you, thank you. I'm now poised. | 0:13:39 | 0:13:42 | |
I say I'm poised, that's for you to judge. I mean I'm ready. | 0:13:42 | 0:13:45 | |
It's Drinking Games, 35 seconds, starting now. | 0:13:47 | 0:13:50 | |
In Shakespeare's play Twelfth Night, Sir Toby Belch, Andrew Aguecheek | 0:13:50 | 0:13:53 | |
and Feste, with Maria, indulge in drinking games | 0:13:53 | 0:13:56 | |
and sing the most extraordinary catch round. | 0:13:56 | 0:14:00 | |
Productions of this enjoy the drinking games hugely. | 0:14:00 | 0:14:03 | |
There is a lot of acting that involves leaning forward like this | 0:14:03 | 0:14:07 | |
and then going backwards. | 0:14:07 | 0:14:09 | |
"Ho, Ha, He," is not the sound that is normally made, | 0:14:09 | 0:14:11 | |
but repetition is not permitted in this particular | 0:14:11 | 0:14:13 | |
drinking game that I'm indulging in now. | 0:14:13 | 0:14:15 | |
A glass of schnapps then vodka, | 0:14:15 | 0:14:18 | |
wine from Germany, France, Italy - all those extraordinary places. | 0:14:18 | 0:14:23 | |
Then, of course, Algeria, where it tastes... | 0:14:23 | 0:14:26 | |
WHISTLE BLOWS | 0:14:26 | 0:14:27 | |
CHEERING AND APPLAUSE | 0:14:27 | 0:14:30 | |
So, Gyles Brandreth was speaking then as the whistle went, | 0:14:34 | 0:14:37 | |
gained that extra point. He's moved forward. | 0:14:37 | 0:14:39 | |
He's now in second place, one point behind Tony Hawks. | 0:14:39 | 0:14:43 | |
Tony, it's your turn to begin. Ah, a lovely subject. Peter Pan. | 0:14:43 | 0:14:46 | |
Tell us something about Peter Pan in this game, starting now. | 0:14:46 | 0:14:49 | |
I've always wondered what Captain Hook was called | 0:14:49 | 0:14:53 | |
before he had his hand bitten off. | 0:14:53 | 0:14:55 | |
J M Barrie never really told us that in Peter Pan. | 0:14:55 | 0:14:59 | |
However, it's a delightful story about a little boy... | 0:14:59 | 0:15:02 | |
BUZZER | 0:15:02 | 0:15:04 | |
Gyles challenged. | 0:15:04 | 0:15:05 | |
Well, just to be a bit nit-picking, | 0:15:05 | 0:15:07 | |
in fact J M Barrie does tell us in the storybook version of Peter Pan. | 0:15:07 | 0:15:12 | |
He explains in fact that he went to Eton and that at Eton, | 0:15:12 | 0:15:15 | |
he was indeed already called Hook. | 0:15:15 | 0:15:18 | |
There is a whole sequence, this is in the novelisation | 0:15:18 | 0:15:20 | |
published in 1906, two years after the original play. | 0:15:20 | 0:15:23 | |
-How do we...? -I'm just throwing this in because this is BBC Two. | 0:15:25 | 0:15:29 | |
I just feel... | 0:15:29 | 0:15:30 | |
APPLAUSE | 0:15:30 | 0:15:32 | |
What you don't know, Gyles, is I've got a computer under here. | 0:15:35 | 0:15:39 | |
I've googled it and you're talking absolute rubbish. | 0:15:39 | 0:15:42 | |
-He made the whole thing up! -Can you get the weather on that? | 0:15:42 | 0:15:46 | |
On this one I am right. James Hook. | 0:15:48 | 0:15:51 | |
There's a sequence, there's a paragraph. He wrote a novelisation. | 0:15:51 | 0:15:54 | |
You're saying he was called James Hook and it's just a coincidence | 0:15:54 | 0:15:58 | |
that he had his hand bitten off and then was called Hook? | 0:15:58 | 0:16:01 | |
-Yes. -That's extraordinary. -That what J M Barrie... | 0:16:01 | 0:16:06 | |
People all over the country on BBC Two are turning off now. | 0:16:06 | 0:16:08 | |
I'll give you the benefit of the doubt, Gyles, | 0:16:08 | 0:16:11 | |
and say that you have an incorrect challenge. | 0:16:11 | 0:16:13 | |
Another point to you. Peter Pan is still with you, | 0:16:13 | 0:16:16 | |
-46 seconds, starting now. -I think... | 0:16:16 | 0:16:17 | |
-No... -He doesn't really know who was talking before. | 0:16:17 | 0:16:21 | |
You said, "Incorrect challenge, continue talking." | 0:16:22 | 0:16:26 | |
So we both began at the same time. I challenged. | 0:16:26 | 0:16:30 | |
OK, let's start from the War. We won the War in 1945. | 0:16:32 | 0:16:36 | |
1946, we went in the Repertory... | 0:16:36 | 0:16:39 | |
APPLAUSE | 0:16:39 | 0:16:40 | |
Then we had the Beatles, man on the moon... | 0:16:40 | 0:16:44 | |
Can I also point out, I've been doing this show for 45 years. | 0:16:44 | 0:16:47 | |
Never missed a performance, I've never had a moment like this before. | 0:16:47 | 0:16:52 | |
Apart from 1972 through to 1978. | 0:16:52 | 0:16:55 | |
-You are wicked, you really are. Where are we? -About 46 seconds. | 0:16:55 | 0:17:02 | |
Quite a long time to go. | 0:17:02 | 0:17:04 | |
I know, you've got it, Gyles. I said you had 46 seconds. | 0:17:04 | 0:17:07 | |
-Peter Pan with you, Gyles, so I was correct. -Yes. -Starting now. | 0:17:07 | 0:17:11 | |
The part to play, of course, is the role of Tinkerbell, | 0:17:11 | 0:17:13 | |
which I have assayed myself on more than one occasion. | 0:17:13 | 0:17:16 | |
Wendy is a delightful role also, | 0:17:16 | 0:17:18 | |
and of course, the name is one originated by... | 0:17:18 | 0:17:20 | |
BUZZER | 0:17:20 | 0:17:21 | |
-Tony challenged. -I think he did say 'role' twice. | 0:17:21 | 0:17:25 | |
Oh, oh, oh, ohh. | 0:17:25 | 0:17:27 | |
Well listened. You have a correct challenge now which I agree with. | 0:17:27 | 0:17:32 | |
41 seconds, Tony. Peter Pan, starting now. | 0:17:34 | 0:17:36 | |
A young man who will not... | 0:17:36 | 0:17:39 | |
BUZZER | 0:17:39 | 0:17:40 | |
-Paul challenged. -Did we have 'young' before? | 0:17:40 | 0:17:42 | |
-Yes, we did. -We didn't. | 0:17:42 | 0:17:44 | |
Didn't we? Who thinks we had 'young' before? | 0:17:44 | 0:17:48 | |
-We had a young boy before. -There was a repetition of 'young.' | 0:17:49 | 0:17:53 | |
-Did I say young boy? -You changed lad to boy but you said 'young.' | 0:17:53 | 0:17:56 | |
-Probably did. -Paul, correct challenge. You have 39 seconds. | 0:17:56 | 0:18:00 | |
Tell us something about Peter Pan in this game, starting now. | 0:18:00 | 0:18:03 | |
Peter Pan - young boy, lad, adolescent. | 0:18:03 | 0:18:05 | |
BUZZER | 0:18:05 | 0:18:06 | |
Liza challenged. | 0:18:06 | 0:18:08 | |
I just thought there was a bit of that gap between lad and adolescent. | 0:18:08 | 0:18:12 | |
-There was, but not enough to give him hesitation, really. -Just saying. | 0:18:12 | 0:18:16 | |
So, Paul, an incorrect challenge. You have another point. | 0:18:16 | 0:18:19 | |
You have 36 seconds, Peter Pan, starting now. | 0:18:19 | 0:18:22 | |
J M Barrie, as Gyles said, created this timeless immortal creature | 0:18:22 | 0:18:25 | |
back at the turn of the last century. | 0:18:25 | 0:18:28 | |
What a magnificent story. It's been... | 0:18:28 | 0:18:30 | |
BUZZER | 0:18:30 | 0:18:31 | |
Tony challenged. | 0:18:31 | 0:18:33 | |
I don't think it was the turn of the last century, | 0:18:33 | 0:18:36 | |
it was the century before. | 0:18:36 | 0:18:37 | |
Has anyone got a calendar? OK, let's go back to the War. | 0:18:37 | 0:18:40 | |
1945, we beat the Germans then there's the Beatles then there was space, Margaret Thatcher. | 0:18:40 | 0:18:45 | |
Wasn't the turn of the last century when we turned from the 20th to the 21st century? | 0:18:45 | 0:18:49 | |
He did it at the turn of the 19th and 20th century. | 0:18:49 | 0:18:51 | |
-Maybe that's right. -That is right. | 0:18:51 | 0:18:53 | |
So it was the turn of the 19th century so you're incorrect. | 0:18:53 | 0:18:55 | |
-Yes, I am. -Yes, that's right. | 0:18:55 | 0:18:58 | |
I'm glad we're in total agreement on that. | 0:18:58 | 0:19:00 | |
Right, so, Tony, another point. 27 seconds, Peter Pan, starting now. | 0:19:02 | 0:19:06 | |
Like Peter Pan, our esteemed host refuses to grow old. | 0:19:06 | 0:19:10 | |
Look at him, he's wearing shorts under there like a little lad | 0:19:10 | 0:19:13 | |
and he was parading... | 0:19:13 | 0:19:14 | |
BUZZER | 0:19:14 | 0:19:15 | |
-Paul challenged. -Repetition of lad. | 0:19:15 | 0:19:18 | |
APPLAUSE | 0:19:18 | 0:19:23 | |
We did have a lad before, so, Paul, correct challenge. | 0:19:24 | 0:19:27 | |
You have 19 seconds on Peter Pan, starting now. | 0:19:27 | 0:19:30 | |
I remember the cartoon version very well. | 0:19:30 | 0:19:32 | |
Made by Walt Disney sometime around 1960-something, I think. | 0:19:32 | 0:19:36 | |
BUZZER | 0:19:36 | 0:19:37 | |
-Gyles challenged. -1954. | 0:19:37 | 0:19:39 | |
Yes. It is '54, I think he's absolutely right. | 0:19:40 | 0:19:44 | |
-Sometime around 1960 given the course of time. -I think so. | 0:19:44 | 0:19:47 | |
I gave the benefit of the doubt against you last time. | 0:19:47 | 0:19:50 | |
The wrong decade - '55 maybe, '53, '51. | 0:19:50 | 0:19:53 | |
1960-something or other, surely? | 0:19:53 | 0:19:55 | |
It was the same century! | 0:19:57 | 0:19:59 | |
But you wouldn't know which century that was! | 0:19:59 | 0:20:01 | |
That's true, I don't, actually. | 0:20:01 | 0:20:03 | |
You see how passionate they get about this game! | 0:20:03 | 0:20:05 | |
They will fight for their points like this! | 0:20:05 | 0:20:07 | |
You've all gone very quiet. | 0:20:07 | 0:20:10 | |
Anyway, no, I'm giving you the benefit of the doubt. | 0:20:10 | 0:20:13 | |
Right, 13 seconds available, Paul. Peter Pan, starting now. | 0:20:13 | 0:20:17 | |
Wendy was a name that was invented specifically for the play. | 0:20:17 | 0:20:21 | |
Nobody had been... Oh. | 0:20:21 | 0:20:23 | |
BUZZER | 0:20:23 | 0:20:24 | |
Gyles, you got in this time correctly. | 0:20:24 | 0:20:26 | |
-Yes, hesitation. -Absolutely. | 0:20:26 | 0:20:28 | |
You didn't get through before but you've got the subject anyway. | 0:20:28 | 0:20:30 | |
Eight seconds, Peter Pan, starting now. | 0:20:30 | 0:20:33 | |
In any production of Peter Pan in which I intend to appear, | 0:20:33 | 0:20:36 | |
I hope the role of Hook... | 0:20:36 | 0:20:37 | |
BUZZER | 0:20:37 | 0:20:38 | |
-Tony challenged. -Third time he said 'role.' | 0:20:38 | 0:20:41 | |
No. This was... I suppose, yes. | 0:20:41 | 0:20:44 | |
APPLAUSE | 0:20:44 | 0:20:47 | |
You listened well, Tony. | 0:20:51 | 0:20:53 | |
I loved the way his machinations were going there. | 0:20:53 | 0:20:56 | |
"I can get out of this, I can get out..." | 0:20:56 | 0:20:59 | |
But he couldn't. | 0:20:59 | 0:21:01 | |
This round has gone on for an awful long time, hasn't it? | 0:21:01 | 0:21:05 | |
Three seconds still available. Tony, Peter Pan, starting now. | 0:21:05 | 0:21:10 | |
What an amazing part for any actor to play. To tread the boards... | 0:21:10 | 0:21:13 | |
WHISTLE BLOWS | 0:21:13 | 0:21:14 | |
APPLAUSE | 0:21:14 | 0:21:17 | |
So, Tony Hawks speaking as the whistle went gains that extra point. | 0:21:22 | 0:21:26 | |
He's in a strong lead ahead of Paul Merton and Gyles Brandreth, equally second place. | 0:21:26 | 0:21:31 | |
Liza bringing up a magnificent third place. | 0:21:31 | 0:21:35 | |
Paul, we'd like you to begin the next round. | 0:21:35 | 0:21:37 | |
Oh, a very pompous subject. | 0:21:37 | 0:21:39 | |
Sir Isaac Newton. | 0:21:39 | 0:21:41 | |
Tell us about Sir Isaac Newton in this game, starting now. | 0:21:41 | 0:21:44 | |
Sir Isaac Newton had a pet tortoise called Fluffy. | 0:21:44 | 0:21:47 | |
This creature was a magnificent visionary. | 0:21:47 | 0:21:50 | |
It said to Isaac Newton one day, "You know, I've been thinking about the law of gravity." | 0:21:50 | 0:21:54 | |
"What particular aspect of that subject you've just mentioned | 0:21:54 | 0:21:58 | |
"do you wish to talk to me about?" said Isaac Newton. | 0:21:58 | 0:22:00 | |
His round, hard-shelled companion said, "If we look to the skies, | 0:22:00 | 0:22:06 | |
"we can see meteorites and various planetary bodies heading towards us, | 0:22:06 | 0:22:11 | |
"but how come they do not break the Earth's atmosphere?" | 0:22:11 | 0:22:15 | |
Some do. Others penetrate. They come down... | 0:22:15 | 0:22:17 | |
BUZZER | 0:22:17 | 0:22:18 | |
-Tony challenged. -Was there repetition of 'penetrate?' | 0:22:18 | 0:22:22 | |
-No. -"How come they don't..?" | 0:22:22 | 0:22:24 | |
What an odd word to imagine I said twice! | 0:22:27 | 0:22:30 | |
Reverie! | 0:22:30 | 0:22:33 | |
I thought he said "They penetrate the atmosphere" and again. | 0:22:33 | 0:22:35 | |
I wasn't really listening. I'm not the one to speak to. | 0:22:35 | 0:22:40 | |
To be honest, with a tortoise, you're never sure what they're saying. | 0:22:40 | 0:22:43 | |
You don't know, they're very slow. | 0:22:43 | 0:22:45 | |
I don't believe a tortoise spoke to Isaac Newton! | 0:22:45 | 0:22:48 | |
It wasn't called Fluffy anyway. | 0:22:48 | 0:22:50 | |
You didn't challenge for that, so an incorrect challenge, Paul. | 0:22:51 | 0:22:54 | |
You have Sir Isaac Newton still and 26 seconds starting now. | 0:22:54 | 0:22:59 | |
Isaac Newton became a member of the House of Lords, I believe, | 0:22:59 | 0:23:02 | |
and the only utterance he ever made | 0:23:02 | 0:23:04 | |
in his entire attendance in that venerable building was to ask | 0:23:04 | 0:23:07 | |
if somebody would mind if he opened the window. This is a true fact. | 0:23:07 | 0:23:10 | |
BUZZER | 0:23:10 | 0:23:12 | |
Liza challenged. | 0:23:12 | 0:23:13 | |
Actually, I think it's, "Would you mind if you shut the window?" | 0:23:13 | 0:23:16 | |
It is, you're right. | 0:23:16 | 0:23:17 | |
APPLAUSE | 0:23:17 | 0:23:20 | |
That's why we have you, Liza, for your erudition and knowledge. | 0:23:26 | 0:23:29 | |
Right, you got in with a correct challenge and 13 seconds to go. | 0:23:29 | 0:23:32 | |
Sir Isaac Newton, starting now. | 0:23:32 | 0:23:35 | |
Sir Isaac Newton was a premature baby, | 0:23:35 | 0:23:38 | |
born ridiculously enough on Christmas Day, | 0:23:38 | 0:23:41 | |
three months after his father passed on. | 0:23:41 | 0:23:44 | |
His interesting life began with his mother taking care of him | 0:23:44 | 0:23:48 | |
because she was very worried... | 0:23:48 | 0:23:49 | |
WHISTLE BLOWS | 0:23:49 | 0:23:51 | |
APPLAUSE | 0:23:51 | 0:23:55 | |
So, Liza Tarbuck was speaking as the whistle went | 0:23:55 | 0:23:58 | |
and gained that extra point. | 0:23:58 | 0:24:00 | |
She's moved forward. She's still in fourth place but she's moved forward. | 0:24:00 | 0:24:04 | |
She's in a very strong fourth place. Points are secondary. | 0:24:04 | 0:24:08 | |
BELL RINGS | 0:24:08 | 0:24:10 | |
Oh. Means we've only got time for one more round. | 0:24:10 | 0:24:13 | |
I was going to check because I thought my mother was calling me in for afternoon tea. | 0:24:13 | 0:24:17 | |
Either way, you might be amused to know that Sir Isaac Newton | 0:24:17 | 0:24:21 | |
was also born in Grantham, the town where I was also born. | 0:24:21 | 0:24:26 | |
You couldn't care less, really. | 0:24:27 | 0:24:30 | |
What was it that fell on your head then? | 0:24:31 | 0:24:33 | |
-The reaction from that audience there! -The tree. | 0:24:36 | 0:24:41 | |
We've got time for one more round. Gyles, it's your turn to begin. | 0:24:41 | 0:24:44 | |
-Oh, Speed Dating. -He's an expert. | 0:24:44 | 0:24:47 | |
60 seconds starting now. | 0:24:47 | 0:24:50 | |
You live and learn, then you die and forget it all, | 0:24:50 | 0:24:53 | |
and speed dating is an experience that I have had and it was brief. | 0:24:53 | 0:24:57 | |
I'm sorry to tell you, I arrived at the speed dating parlour. | 0:24:57 | 0:25:01 | |
It was a public house, girls all lined up. | 0:25:01 | 0:25:02 | |
I sat down and none of them sat down with me. | 0:25:02 | 0:25:04 | |
BUZZER | 0:25:04 | 0:25:05 | |
-Tony. -Yes, you're right. -Two sat downs. -Two sat downs. | 0:25:05 | 0:25:09 | |
I'm glad I didn't because this was a very bitter story. | 0:25:09 | 0:25:13 | |
Tony, you challenged. You have speed dating. | 0:25:15 | 0:25:18 | |
You don't have it but that's the subject. | 0:25:18 | 0:25:21 | |
45 seconds starting now. | 0:25:21 | 0:25:22 | |
Many years ago, I played the piano in a wine bar | 0:25:22 | 0:25:25 | |
where they decided to hold some speed dating. | 0:25:25 | 0:25:28 | |
It was extraordinary. | 0:25:28 | 0:25:30 | |
People sat down, then another person would be rolled in opposite. | 0:25:30 | 0:25:34 | |
A clock would start and they'd chat. The minute, | 0:25:34 | 0:25:36 | |
a bit like this game, would be up and they'd move on to somebody else. | 0:25:36 | 0:25:39 | |
It was extraordinary. | 0:25:39 | 0:25:40 | |
BUZZER | 0:25:40 | 0:25:42 | |
-Liza, you challenged. -Two extraordinarys. | 0:25:42 | 0:25:45 | |
Yes. Well spotted. | 0:25:45 | 0:25:46 | |
Liza, You've got in on this last subject. | 0:25:46 | 0:25:48 | |
There are 27 seconds, speed dating, starting now. | 0:25:48 | 0:25:52 | |
I can't really see the point of speed dating | 0:25:52 | 0:25:53 | |
because I think it's all about giving the other person the eye, | 0:25:53 | 0:25:56 | |
not really getting to know them. | 0:25:56 | 0:25:58 | |
Don't... | 0:25:58 | 0:25:59 | |
BUZZER | 0:25:59 | 0:26:01 | |
-Paul, you challenged first. -Hesitation. | 0:26:01 | 0:26:04 | |
-I was just stopped with him doing that. -How can you..? | 0:26:04 | 0:26:09 | |
-Were you being interfered with? -I was, I was being messed about. | 0:26:09 | 0:26:12 | |
I was going to say, how can you say speed dating..? | 0:26:12 | 0:26:14 | |
Chauffeur's window, can't hear you. | 0:26:14 | 0:26:18 | |
APPLAUSE | 0:26:18 | 0:26:22 | |
You get a bonus point for your reaction there, | 0:26:24 | 0:26:27 | |
for your comment and your wit which got a wonderful reaction from the audience. | 0:26:27 | 0:26:30 | |
Liza has another point. Give her two, she needs them. | 0:26:30 | 0:26:33 | |
Give her three because it's the last round. That's better, yes. | 0:26:36 | 0:26:40 | |
Paul, you had a correct challenge. | 0:26:40 | 0:26:42 | |
Speed dating, 19 seconds, starting now. | 0:26:42 | 0:26:44 | |
There I was going round with Lewis Hamilton. | 0:26:44 | 0:26:47 | |
He was doing about 120 mph | 0:26:47 | 0:26:48 | |
and I was trying to catch up with him at Brands Hatch | 0:26:48 | 0:26:51 | |
and I suddenly shouted through the cockpit window, "I love you. | 0:26:51 | 0:26:54 | |
"You are the world's most exciting racing driver as far as I'm concerned." | 0:26:54 | 0:26:58 | |
Then he was gone. Then I saw somebody else right behind him. | 0:26:58 | 0:27:00 | |
I thought, "I shall adjust my eye towards this man here. | 0:27:00 | 0:27:03 | |
"This Formula One driver..." | 0:27:03 | 0:27:05 | |
WHISTLE BLOWS | 0:27:05 | 0:27:06 | |
APPLAUSE | 0:27:06 | 0:27:09 | |
So, Paul Merton was then speaking as the whistle went | 0:27:15 | 0:27:18 | |
and gained that extra point. | 0:27:18 | 0:27:19 | |
It remains to me to give you the final situation. | 0:27:19 | 0:27:22 | |
Well, with a little bit of help from me just then, Liza Tarbuck | 0:27:22 | 0:27:25 | |
and Gyles Brandreth and Paul Merton are all equal in second place. | 0:27:25 | 0:27:30 | |
APPLAUSE | 0:27:30 | 0:27:35 | |
But Tony Hawks got a few more points, shall we say, | 0:27:38 | 0:27:42 | |
Tony, you're the winner today. | 0:27:42 | 0:27:43 | |
APPLAUSE | 0:27:43 | 0:27:48 | |
And it only remains for me to say a final thank you | 0:27:51 | 0:27:53 | |
to these four fine players of this amazing, impossible game. | 0:27:53 | 0:27:57 | |
It's goodbye from this delightful audience here at the Television Centre, | 0:27:57 | 0:28:00 | |
it's goodbye from me, Nicholas Parsons, | 0:28:00 | 0:28:03 | |
and goodbye from these four lovely players of the game. | 0:28:03 | 0:28:05 | |
Do join us again the next time we play Just a Minute! | 0:28:05 | 0:28:09 | |
APPLAUSE | 0:28:09 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:18 | 0:28:21 |