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"I know there have been brief moments of happiness, | 0:00:02 | 0:00:04 | |
"but they've been overshadowed by my feelings of despair. | 0:00:04 | 0:00:08 | |
"My career is finished. | 0:00:08 | 0:00:11 | |
"I can see no way out but to end it all. | 0:00:12 | 0:00:15 | |
"By the time you read this, my darling wife, my lovely daughter, | 0:00:16 | 0:00:22 | |
"I will be gone forever. | 0:00:22 | 0:00:24 | |
"Goodbye." | 0:00:25 | 0:00:27 | |
Said Colin. And then he shoots himself. | 0:00:28 | 0:00:30 | |
-What do you think? Any good? -It's quite a gloomy start for a novel. | 0:00:30 | 0:00:33 | |
Maybe you're right. Maybe he doesn't kill himself right at the beginning. | 0:00:33 | 0:00:35 | |
You might get more mileage out of him if he doesn't. | 0:00:35 | 0:00:38 | |
I'm not sure about the name Colin either. | 0:00:38 | 0:00:41 | |
# I wanna get high but I really can't take the pain... # | 0:01:00 | 0:01:04 | |
Can you tell them I'll get back to them? | 0:01:04 | 0:01:07 | |
Darren, Dean, Dexter. Dexter. | 0:01:07 | 0:01:10 | |
It's just not the sort of thing I'd normally do. | 0:01:10 | 0:01:13 | |
Let me think about it, can I? | 0:01:13 | 0:01:15 | |
All right, Izzy. | 0:01:15 | 0:01:17 | |
Bye. | 0:01:17 | 0:01:19 | |
Hm. Bit late. | 0:01:19 | 0:01:22 | |
-Problem? -It's a bit of a funny one. | 0:01:22 | 0:01:25 | |
The Sunday Times want to do one of those "at home with" articles. | 0:01:25 | 0:01:29 | |
-What, about us? -Well, they didn't actually mention... | 0:01:29 | 0:01:31 | |
Er...yeah, I suppose it would be. | 0:01:31 | 0:01:33 | |
-Well, what did you say? -I said I'll think about it. | 0:01:33 | 0:01:35 | |
-Don't think about it. Say we'll do it. -It'll be the usual thing. | 0:01:35 | 0:01:39 | |
Woman runs a successful business. Yippee, let's look in her kitchen. | 0:01:39 | 0:01:43 | |
-It might all be a bit cheesy. -It won't. It's the Sunday Times. | 0:01:43 | 0:01:46 | |
It's not like they've asked you to do a spread for Nuts magazine. | 0:01:46 | 0:01:48 | |
We're precisely the kind of couple that they want. | 0:01:48 | 0:01:51 | |
We're arty, successful, make our own bread. | 0:01:51 | 0:01:54 | |
Since when? | 0:01:54 | 0:01:55 | |
We would if that bloody machine had worked. | 0:01:55 | 0:01:56 | |
-Or if you put yeast in. -Come on, think about the publicity. | 0:01:56 | 0:01:59 | |
For you and the agency. | 0:01:59 | 0:02:02 | |
And if the fact that I'm writing a book comes up, then that won't do any harm. | 0:02:02 | 0:02:07 | |
Mm. "Come in, do sit down. This is my husband's novel." | 0:02:07 | 0:02:10 | |
-I'll have written loads of it by then. -You don't even know what it's about yet. | 0:02:10 | 0:02:14 | |
It's coming along. | 0:02:14 | 0:02:16 | |
What do you think of Drayton as a name? | 0:02:16 | 0:02:18 | |
I think he'd have shot himself sooner. | 0:02:18 | 0:02:20 | |
Apart from anything, we do actually have quite a nice kitchen, | 0:02:25 | 0:02:28 | |
so if he did want to take some photos of me and you, then what harm... | 0:02:28 | 0:02:31 | |
Rick, look, I just need to sleep on it. | 0:02:31 | 0:02:34 | |
Yeah, sure. Sure, good idea. | 0:02:34 | 0:02:38 | |
BIRDSONG OUTSIDE | 0:02:43 | 0:02:45 | |
CLUNK | 0:02:51 | 0:02:53 | |
SIGHS | 0:02:53 | 0:02:56 | |
-So, have you decided? -What? | 0:02:56 | 0:03:00 | |
About the article. Yes or no? | 0:03:00 | 0:03:02 | |
SIGHS | 0:03:02 | 0:03:05 | |
-The Sunday Times? -Yeah, in the magazine section. | 0:03:05 | 0:03:07 | |
Congratulations. | 0:03:07 | 0:03:09 | |
I didn't really want to do it, but Mel was keen, so in the end I agreed. | 0:03:09 | 0:03:12 | |
-That's nice of you. -In a way, | 0:03:12 | 0:03:14 | |
it's probably not a bad time for me to put myself back in the public eye. | 0:03:14 | 0:03:17 | |
Any year now would be handy. | 0:03:17 | 0:03:19 | |
So, Rick, do you have any gigs coming up? | 0:03:19 | 0:03:22 | |
I haven't got time for gigs. I'm working on something else. | 0:03:22 | 0:03:24 | |
-So, what is it? -It's... | 0:03:24 | 0:03:26 | |
It's something quite big that doesn't actually involve you, so... | 0:03:26 | 0:03:30 | |
So is, er...is that it there? | 0:03:32 | 0:03:35 | |
All right, you might as well know I'm writing a novel. | 0:03:37 | 0:03:40 | |
OK. You got a publisher? | 0:03:40 | 0:03:43 | |
Not yet, no. | 0:03:43 | 0:03:45 | |
-So what's it about? -It's an idea that came to me. | 0:03:45 | 0:03:47 | |
-What is it? -It's...it's complex. | 0:03:47 | 0:03:50 | |
You'll just have to wait until it comes out. | 0:03:50 | 0:03:53 | |
-And get someone to read it to you. -Well, I'll let you get back to it. | 0:03:53 | 0:03:56 | |
Thanks for the instant coffee. Disgusting as usual. | 0:03:56 | 0:03:58 | |
-Pleasure. -Oh - I've got this book I'm gonna lend you. | 0:03:58 | 0:04:01 | |
The guy's name's Isaac Menzen. It's all about plot, structure, characterisation. | 0:04:01 | 0:04:04 | |
You know what? I'm...I'm fine. | 0:04:04 | 0:04:06 | |
You can't really learn that stuff. You've either got it in you or you haven't. | 0:04:06 | 0:04:09 | |
Eduardo. | 0:04:12 | 0:04:14 | |
Ed... | 0:04:14 | 0:04:15 | |
Eduardo. Eduardo... | 0:04:15 | 0:04:17 | |
tilted his hat | 0:04:17 | 0:04:20 | |
towards the rain. | 0:04:20 | 0:04:22 | |
He felt the... | 0:04:22 | 0:04:25 | |
..cold steel... | 0:04:26 | 0:04:29 | |
of the... | 0:04:29 | 0:04:31 | |
knife... | 0:04:31 | 0:04:33 | |
against... | 0:04:33 | 0:04:36 | |
No, gun. The gun. | 0:04:36 | 0:04:38 | |
He was... | 0:04:38 | 0:04:40 | |
SIGHS | 0:04:42 | 0:04:44 | |
What are my guilty pleasures? | 0:04:52 | 0:04:55 | |
Malt whisky. | 0:04:55 | 0:04:56 | |
Um...I play a lot of...I play a lot of poker. Too much poker. | 0:04:56 | 0:05:01 | |
Strictly off the record. Don't quote me on that. | 0:05:01 | 0:05:03 | |
I do most of the cooking. I, um... | 0:05:03 | 0:05:07 | |
Yeah. Mel... | 0:05:07 | 0:05:08 | |
-SIGHS -..prefers not to cook. | 0:05:08 | 0:05:10 | |
Er...Moroccan mostly. Yeah, that's my...my big thing. | 0:05:10 | 0:05:14 | |
I'm thinking of putting that into a...a character in my novel. | 0:05:14 | 0:05:18 | |
What? Yeah, yeah. No, I'm writing a novel at the moment. What's it about? | 0:05:18 | 0:05:22 | |
Er...it's about, er... | 0:05:22 | 0:05:25 | |
this guy called Eduardo and, um... | 0:05:25 | 0:05:29 | |
..yeah, he...he's a sleuth. | 0:05:30 | 0:05:32 | |
He's a...a kind of... | 0:05:32 | 0:05:35 | |
He's a... | 0:05:35 | 0:05:37 | |
He's a kind of a... | 0:05:37 | 0:05:40 | |
He's a... | 0:05:40 | 0:05:41 | |
CHUCKLING | 0:05:41 | 0:05:44 | |
-TUTS -Sam. | 0:05:45 | 0:05:48 | |
Yeah, Sam, can you keep the noise down? I'm trying to write. | 0:05:50 | 0:05:52 | |
-What? -I'm trying to write! | 0:05:52 | 0:05:55 | |
Oh, sorry. VOLUME OFF | 0:05:55 | 0:05:57 | |
-Er...I thought Marty had gone. -Yeah, he has. I'm writing on my own. | 0:05:57 | 0:06:01 | |
My novel. | 0:06:01 | 0:06:03 | |
-Is that like a book? -Yeah, Ben, like a book, only better. | 0:06:03 | 0:06:07 | |
So, that'll be, like, in bookshops? | 0:06:07 | 0:06:08 | |
That's generally where they sell books, so yeah. | 0:06:08 | 0:06:10 | |
-They sell them in Sainsbury's. Tesco's. -Yeah. | 0:06:10 | 0:06:13 | |
-Oh, I think they have them in Asda. -Morrisons as well. | 0:06:13 | 0:06:16 | |
-Lidl. -Yeah, all right, I get the... | 0:06:16 | 0:06:19 | |
-They sell books in Lidl? -Don't know, really. | 0:06:19 | 0:06:21 | |
We're boycotting it because of the way they treated Spikey. | 0:06:21 | 0:06:24 | |
Really? | 0:06:24 | 0:06:25 | |
Yeah, they got a bit mad because he wrote off one of their forklifts. | 0:06:25 | 0:06:27 | |
-Oh, I didn't know he worked there, so... -Er...he doesn't. He just borrowed it. | 0:06:27 | 0:06:32 | |
He just borrowed it? And they didn't like that? | 0:06:32 | 0:06:33 | |
-No. -The security guard was yelling at him, | 0:06:33 | 0:06:36 | |
going like, "Get off, it's dangerous." | 0:06:36 | 0:06:38 | |
-Over-reacting. -Exactly. | 0:06:38 | 0:06:41 | |
-SNIFFS -Has someone been smoking something in here? | 0:06:41 | 0:06:44 | |
Um... | 0:06:44 | 0:06:46 | |
Oh, yeah, I think that might have been me. | 0:06:46 | 0:06:48 | |
Look, if you must do that, do you mind doing it in the garden? | 0:06:48 | 0:06:51 | |
Yeah, that's fair enough. | 0:06:51 | 0:06:53 | |
Yeah, sorry, Dad, it's just because we were watching television, so... | 0:06:53 | 0:06:56 | |
Life is full of hard choices like that. If you could... | 0:06:56 | 0:07:00 | |
-Yeah, no problem, no problem. -Good luck with the novel. | 0:07:00 | 0:07:03 | |
Oh, thanks, yeah. I'll... I'll let you know when it's on sale in Iceland. | 0:07:03 | 0:07:06 | |
Yeah, I don't think they sell books in Iceland. | 0:07:06 | 0:07:09 | |
Yeah. | 0:07:09 | 0:07:11 | |
Anyway, you're early today. What's the matter? Wet the bed again? | 0:07:18 | 0:07:20 | |
CHUCKLES One of Marty's. Where is he? Off doing his own thing? | 0:07:20 | 0:07:24 | |
No, no, it's more the other way around, really. | 0:07:24 | 0:07:26 | |
Anyway, no, I just wanted to get out of the house. A bit hectic at the moment. | 0:07:26 | 0:07:29 | |
-Oh, yeah? What's up? -Oh, it's...it's a bit of a funny one. | 0:07:29 | 0:07:33 | |
The Sunday Times are doing this piece about me and my lifestyle. | 0:07:33 | 0:07:36 | |
Oh, how awful. So, anything else on work-wise apart from the interview thing? | 0:07:36 | 0:07:41 | |
Yeah, yeah. No, I've got loads on, actually. | 0:07:41 | 0:07:43 | |
I'm, er...I'm writing a novel. | 0:07:44 | 0:07:47 | |
Oh, really? So, you've got a publisher and everything? | 0:07:47 | 0:07:50 | |
No, no. No, it's not the way they do it these days. | 0:07:50 | 0:07:52 | |
It's better to write it first then send it in, start a bidding war. | 0:07:52 | 0:07:55 | |
-Oh, I had no idea that's how it works. -Mm-hm. | 0:07:55 | 0:07:58 | |
Only, I've been working on a novel. Well, I say "working". | 0:07:58 | 0:08:01 | |
I can't seem to settle on an idea. I've got so many of them. | 0:08:01 | 0:08:04 | |
-Oh, tell me about it. -Ha. | 0:08:04 | 0:08:06 | |
So, er...these...these ideas you've been having for your novel, | 0:08:07 | 0:08:13 | |
what...what sort of things? | 0:08:13 | 0:08:14 | |
Oh, all sorts of things, probably no good. | 0:08:14 | 0:08:16 | |
-You don't want to hear those. -Yeah, I do. | 0:08:16 | 0:08:18 | |
Well, there is one that I keep coming back to, but, er... | 0:08:18 | 0:08:21 | |
-No, go on. -Well, what it is... | 0:08:21 | 0:08:24 | |
There's this bloke and he's got psychic powers. | 0:08:24 | 0:08:28 | |
Psychic? | 0:08:28 | 0:08:29 | |
Mm, and he has a vision that his entire town's going to be destroyed. | 0:08:29 | 0:08:32 | |
-Oh, yeah, I see, and he... -He tries to persuade everyone to leave. | 0:08:32 | 0:08:36 | |
Right, and...and then they... | 0:08:36 | 0:08:38 | |
-They go off on a journey. -Yeah, yeah, yeah. I thought so. | 0:08:38 | 0:08:41 | |
Di-dah, di-dah, di-dah. Dah-dah-dah. So, er...what happens in the end? | 0:08:41 | 0:08:45 | |
Oh, that's where I'm stuck. | 0:08:45 | 0:08:47 | |
Can I interest you in the tagine? | 0:08:49 | 0:08:50 | |
-What? -Today's special, the tagine. | 0:08:50 | 0:08:53 | |
-What's... -It's Moroccan. | 0:08:53 | 0:08:55 | |
Oh, no, I'll have a baked potato. | 0:08:55 | 0:08:57 | |
One baked potato. | 0:08:59 | 0:09:01 | |
RAPID FOOTSTEPS | 0:09:13 | 0:09:16 | |
-Hi, Magda. -Hello. | 0:09:18 | 0:09:19 | |
So, er, about tomorrow. | 0:09:19 | 0:09:21 | |
-Yes, I know. Mel has interview. -Yeah, well, it's both of us, actually. | 0:09:21 | 0:09:26 | |
So, I will do special tidy so house is nice for newspaper person. | 0:09:26 | 0:09:30 | |
Yeah. So, what time will you be leaving? | 0:09:30 | 0:09:32 | |
I don't know. I could stay if you want. | 0:09:32 | 0:09:34 | |
Ah, no, that won't be necessary so if you can make sure you, | 0:09:34 | 0:09:38 | |
-you know, by one o'clock. -Yes. | 0:09:38 | 0:09:41 | |
It'll only cause confusion, won't it? You know, "Who's she? | 0:09:41 | 0:09:43 | |
-"Where's she from?" -They will ask this? | 0:09:43 | 0:09:45 | |
No, cos you won't be here, cos you're gonna leave at one o'clock, aren't you? | 0:09:45 | 0:09:48 | |
-I found these. You know whose they are? -Ah, yeah, they're mine, I'm afraid. | 0:09:48 | 0:09:53 | |
I have to wear them these days for writing the novel. | 0:09:53 | 0:09:55 | |
-They don't do anything. -They do, actually. | 0:09:55 | 0:09:57 | |
-They're quite strong. That's why I... -No, look. It's same. | 0:09:57 | 0:10:00 | |
That's not really the point. It's when you wear them it makes the difference. | 0:10:00 | 0:10:03 | |
-You do not need these. -With respect, Magda, | 0:10:03 | 0:10:04 | |
you're not a qualified optician, are you? Or chemist. | 0:10:04 | 0:10:08 | |
You going to wear these for interview? | 0:10:08 | 0:10:10 | |
Don't know. Might do. Hadn't really thought about it. | 0:10:10 | 0:10:13 | |
Now, if you don't mind, I've got some things to get on with. | 0:10:13 | 0:10:16 | |
MUSIC: Slight Figure Of Speech by the Avett Brothers | 0:10:17 | 0:10:21 | |
# They say you've got to lose a couple of fights to win | 0:10:23 | 0:10:26 | |
# It's hard to tell from where I'm sitting | 0:10:26 | 0:10:29 | |
# They say that this is where the fun begins | 0:10:29 | 0:10:31 | |
# I guess it's time that I was quitting | 0:10:31 | 0:10:35 | |
# A slight figure of speech | 0:10:38 | 0:10:40 | |
# I cut my chest wide open | 0:10:40 | 0:10:43 | |
# They come and watch us bleed | 0:10:43 | 0:10:46 | |
# Is it art like I was hoping now? | 0:10:46 | 0:10:51 | |
# They said "I hope that you will never change" | 0:10:51 | 0:10:54 | |
# I went and cut my hair | 0:10:54 | 0:10:57 | |
# They said, "Don't take your business to the big time" | 0:10:57 | 0:11:01 | |
# I bought us tickets there | 0:11:01 | 0:11:03 | |
# A slight figure of speech | 0:11:07 | 0:11:09 | |
# I cut my chest wide open | 0:11:09 | 0:11:11 | |
# They come and watch us bleed | 0:11:11 | 0:11:14 | |
# Is it art like I was hoping now? # | 0:11:15 | 0:11:20 | |
KEYS JINGLE | 0:11:37 | 0:11:39 | |
-Good day? -Yes. Why? | 0:11:42 | 0:11:45 | |
Oh, nothing, just asking. | 0:11:45 | 0:11:46 | |
-Something wrong? -Just wondering what sort of day you had. | 0:11:47 | 0:11:51 | |
-It was all right. -Good. | 0:11:51 | 0:11:52 | |
-Why are you being like this? -Like what? | 0:11:52 | 0:11:55 | |
Oh, that's what I was gonna say. Before you go into the kitchen... | 0:11:55 | 0:11:58 | |
Go on. What have you done? | 0:11:58 | 0:12:01 | |
You're making out it's a bad thing before you even know what it is. | 0:12:01 | 0:12:03 | |
Oh, no. | 0:12:03 | 0:12:05 | |
Oh, well done. You've bought a pig. | 0:12:12 | 0:12:15 | |
No, I...I haven't brought it. I'm borrowing it for a couple of days. | 0:12:15 | 0:12:19 | |
-Oh, that's all right, then. -PIG GRUNTS | 0:12:19 | 0:12:21 | |
I just thought when we do this interview, it would look good if we had a pet. | 0:12:21 | 0:12:25 | |
A pet pig. | 0:12:25 | 0:12:27 | |
I honestly think it's the sort of thing a couple like us would have. | 0:12:27 | 0:12:30 | |
Well, it's not, because if it was, then we'd have one. | 0:12:30 | 0:12:33 | |
It's quirky. It makes us look interesting. | 0:12:33 | 0:12:35 | |
No, it makes us look like we've got a pig in our house. | 0:12:35 | 0:12:37 | |
They're very clean animals and incredibly intelligent. | 0:12:37 | 0:12:39 | |
Good. Well, then, no doubt he'll understand why he's got to go. | 0:12:39 | 0:12:43 | |
It's just set dressing, you know, jazzing it up a bit. | 0:12:43 | 0:12:46 | |
Instead of any old celebrity couple, we'll be the cool couple with a pet pig. | 0:12:46 | 0:12:50 | |
We're not a celebrity couple, and it's not cool to have a pet pig. | 0:12:50 | 0:12:52 | |
-I'll say it's mine. -Fine, if you want to look like an idiot. | 0:12:52 | 0:12:55 | |
Rick. | 0:12:55 | 0:12:57 | |
-It's naff. -You think so? | 0:12:57 | 0:13:01 | |
Yeah, you might as well have one of those gold bathrooms | 0:13:01 | 0:13:04 | |
with a heart-shaped Jacuzzi. | 0:13:04 | 0:13:05 | |
-Well, you haven't been upstairs yet. -Ha-ha-ha(!) Get rid of it. | 0:13:05 | 0:13:10 | |
PIG GRUNTS | 0:13:10 | 0:13:12 | |
Shame, really. He's...he's settled in quite nicely. | 0:13:19 | 0:13:23 | |
He slept well, in the end. | 0:13:25 | 0:13:27 | |
-I'm glad someone did. -I mean, all of this is not his fault. | 0:13:27 | 0:13:30 | |
If he sees food, he's bound to want to eat it. It's no worse than having Ben to stay. | 0:13:30 | 0:13:34 | |
OK, I'll be back by one and... | 0:13:34 | 0:13:38 | |
-Yeah, yeah, he'll be gone. -PIG GRUNTS | 0:13:38 | 0:13:41 | |
-Oh, I have... -You remembered. Thanks. | 0:13:43 | 0:13:46 | |
Can you put them in the big glass vase? Don't worry about the ironing today. | 0:13:46 | 0:13:49 | |
Oh, and there's a pig in the kitchen. | 0:13:49 | 0:13:51 | |
Yes. | 0:13:51 | 0:13:53 | |
Pig? | 0:13:53 | 0:13:54 | |
Rick will explain while he's helping you with the cleaning. | 0:13:54 | 0:13:58 | |
Mel has said there is... | 0:14:01 | 0:14:04 | |
Oh, there is pig in kitchen. | 0:14:04 | 0:14:06 | |
Yeah, well spotted. | 0:14:06 | 0:14:08 | |
Why do you have this pig? | 0:14:08 | 0:14:10 | |
It's a long story. Mel and I thought it would make a nice pet, | 0:14:10 | 0:14:13 | |
but Mel's changed her mind, so we have to get rid of it. | 0:14:13 | 0:14:16 | |
-You want me to kill pig for sausage? -No. Not really. | 0:14:16 | 0:14:19 | |
I'm going to take it back to the pet shop. | 0:14:19 | 0:14:20 | |
If you wanted pet, why did you not get cat? | 0:14:20 | 0:14:22 | |
They're hardly very interesting, are they? Besides, you'd probably kill that as well. | 0:14:22 | 0:14:26 | |
In my country we used to hunt for pigs. | 0:14:26 | 0:14:28 | |
-Yeah, that's wild pigs. This is... -No, was not wild, was neighbour's pigs. | 0:14:28 | 0:14:32 | |
-You used to hunt your neighbour's pigs? -Yes, very easy. | 0:14:32 | 0:14:35 | |
You wait until neighbour is sleeping | 0:14:35 | 0:14:38 | |
and then you make noise like pig | 0:14:38 | 0:14:41 | |
and they come to you and you can catch and, "Kkrkk!" | 0:14:41 | 0:14:45 | |
and take with you. | 0:14:45 | 0:14:47 | |
Clever. | 0:14:47 | 0:14:49 | |
Anyway, I must get on with Hoover. | 0:14:49 | 0:14:52 | |
SNORTS | 0:14:55 | 0:14:57 | |
HE SIGHS | 0:15:07 | 0:15:09 | |
Oh, hello, Rick, sorry to bother you. | 0:15:09 | 0:15:12 | |
-Have you got a minute? -Er...not really. | 0:15:12 | 0:15:14 | |
Only I was hoping you might help me clear something up. | 0:15:14 | 0:15:16 | |
Yeah, like I said, I'm a bit busy, so maybe ask someone else. | 0:15:16 | 0:15:19 | |
I would normally, but it's a bit of a puzzle, really, | 0:15:19 | 0:15:22 | |
-concerning yourself. -Puzzle? | 0:15:22 | 0:15:24 | |
I've just dropped in on my mother and found her in a bit of an excitable state. | 0:15:24 | 0:15:28 | |
She's convinced you've got a pig in the house. | 0:15:28 | 0:15:30 | |
What? A pig? | 0:15:30 | 0:15:34 | |
She said she saw you getting out of your car with a pig. | 0:15:34 | 0:15:36 | |
-When was this? -Yesterday about, er...2.30. | 0:15:36 | 0:15:39 | |
Well, I'm sorry, I don't know what to say. What would I be doing with a pig? | 0:15:39 | 0:15:42 | |
Well, I know it sounds unlikely, | 0:15:42 | 0:15:44 | |
but you do realise that if you did have a pig... | 0:15:44 | 0:15:47 | |
But I don't, so... | 0:15:47 | 0:15:48 | |
..then it would need to be registered with the appropriate authorities. | 0:15:48 | 0:15:50 | |
I'm sure it would, but I don't have a pig, so I won't need to register it, will I? | 0:15:50 | 0:15:54 | |
Oh, right, good. Well, sorry to have troubled you. | 0:15:54 | 0:15:57 | |
Yeah. Clive, it's none of my business | 0:15:57 | 0:15:59 | |
but have you ever considered that maybe your mother is starting to get confused? | 0:15:59 | 0:16:06 | |
-How do you mean? -She's 85, Clive. | 0:16:06 | 0:16:10 | |
I know how old she is. | 0:16:10 | 0:16:11 | |
Well, you know, dementia, seeing things. That's how they go sometimes. | 0:16:11 | 0:16:16 | |
Sorry. | 0:16:16 | 0:16:18 | |
No, no, no. No, I...I don't think she's, um... | 0:16:18 | 0:16:22 | |
-I'll maybe have a word with her doctor. -I would. I really would. | 0:16:22 | 0:16:27 | |
They can do a lot nowadays, medication-wise. | 0:16:27 | 0:16:30 | |
I mean, there's nothing to be ashamed of. | 0:16:30 | 0:16:32 | |
I was watching this documentary the other day, and they were... | 0:16:32 | 0:16:35 | |
Oh, hang on. Maybe...maybe she saw this pig. | 0:16:37 | 0:16:41 | |
Oh, come to think of it, that's probably what it was. | 0:16:42 | 0:16:45 | |
Yes. Come to think of it. | 0:16:45 | 0:16:49 | |
Oh, well, puzzle solved! | 0:16:49 | 0:16:50 | |
And at least we know your mother hasn't gone all...you know. Yet. | 0:16:50 | 0:16:55 | |
GRUNTS | 0:17:11 | 0:17:12 | |
I just thought you'd be the perfect person to look after it. | 0:17:14 | 0:17:17 | |
A pig? Yeah, sure. You got any cattle you want me to look after as well? | 0:17:17 | 0:17:20 | |
Cos there's room in my apartment, and I'm real easy about that kind of thing. | 0:17:20 | 0:17:23 | |
Look, he wants to meet you. Listen, he wants to talk to you. Listen to this. | 0:17:23 | 0:17:27 | |
-Talk to Marty. -GRUNTS | 0:17:27 | 0:17:29 | |
Yeah, hear that? That's your language, isn't it? | 0:17:29 | 0:17:31 | |
Yeah, and he's saying, "I want to stay with Rick." | 0:17:31 | 0:17:34 | |
Oh, come on, it'll only be for one day. | 0:17:34 | 0:17:36 | |
Oh, while you're at it, why don't you throw in a herd of zebra? | 0:17:36 | 0:17:38 | |
Yeah, very funny. I can tell you don't really want to help. | 0:17:38 | 0:17:41 | |
-Gee, I'm sorry. Is that how it sounds? -Yeah, you know what? Thanks for nothing. | 0:17:41 | 0:17:45 | |
-You are joking. -Not really. | 0:17:45 | 0:17:47 | |
What, here in my restaurant, a live pig? | 0:17:47 | 0:17:49 | |
Yeah, well, it doesn't have to be in the restaurant. | 0:17:49 | 0:17:51 | |
-Oh. So, what, in the kitchen? -Why not? | 0:17:51 | 0:17:53 | |
-Why not? -I mean in the back yard. | 0:17:53 | 0:17:56 | |
Rick, I'd like to help, honestly, | 0:17:56 | 0:17:58 | |
but I draw the line at having to pay a sizable fine. | 0:17:58 | 0:18:00 | |
Oh, if that's more important than our friendship. | 0:18:00 | 0:18:04 | |
I'm afraid it is. | 0:18:04 | 0:18:06 | |
MUSIC: "I Took It Out On You" by Newton Faulkner | 0:18:07 | 0:18:09 | |
# Of all the people in the world I took it out on you | 0:18:09 | 0:18:13 | |
# Even after all the things you've done for me, what a thing to do | 0:18:17 | 0:18:22 | |
# You won't let me down, don't let me down | 0:18:25 | 0:18:27 | |
# But I let you down, it's true... # | 0:18:27 | 0:18:30 | |
Do you mind if Alan just snaps away while we chat? | 0:18:30 | 0:18:33 | |
Oh, no problem. Yeah, feel free. | 0:18:33 | 0:18:36 | |
OK, well, thank you for agreeing to do this. It's basically... | 0:18:36 | 0:18:39 | |
You're welcome. Always happy to take time out from my, er...things. | 0:18:39 | 0:18:43 | |
So, tell me about the house. How long have you lived here? | 0:18:43 | 0:18:47 | |
-We moved in about three years ago and... -RICK SIGHS | 0:18:47 | 0:18:50 | |
Was it three years? God, it doesn't seem that long, does it? | 0:18:50 | 0:18:53 | |
Blimey, I suppose it was. Yeah, it was three years ago. | 0:18:53 | 0:18:57 | |
And did you do a lot to it when you moved in? | 0:18:57 | 0:19:00 | |
-All the usual things. -Usual stuff. | 0:19:00 | 0:19:01 | |
-We took out the swirly carpet. -Oh, yuck. | 0:19:01 | 0:19:04 | |
-There was that wood-chip wallpaper. -It had to go. God. | 0:19:04 | 0:19:07 | |
And the kitchen was in a bit of a state. | 0:19:07 | 0:19:10 | |
We basically brought the house from this old couple. | 0:19:10 | 0:19:12 | |
So you can imagine, it was just... | 0:19:12 | 0:19:15 | |
What? | 0:19:15 | 0:19:17 | |
Well, it really stank and it just wasn't very nice, no. | 0:19:17 | 0:19:22 | |
Is the coffee all right? | 0:19:22 | 0:19:24 | |
Yes, it's fine, thank you. Did you choose the colour scheme? | 0:19:24 | 0:19:27 | |
It's fair trade, the coffee. Always been big on that. | 0:19:27 | 0:19:31 | |
Always been anti-poverty and pro...fairness. Yeah. | 0:19:31 | 0:19:37 | |
So, I have to ask, what's it like living with someone so successful? | 0:19:38 | 0:19:42 | |
Yeah, it's just normal, really. | 0:19:50 | 0:19:52 | |
I don't...don't think of us as being... | 0:19:52 | 0:19:55 | |
Because some men might find it difficult, the woman being the main breadwinner. | 0:19:55 | 0:19:59 | |
-Well, that hasn't always been the case. -No, no, it hasn't. No, I've been... | 0:19:59 | 0:20:02 | |
Your friends don't tease you for being a house-husband? | 0:20:02 | 0:20:04 | |
No, cos that's not what I am. You're barking up the wrong tree there. | 0:20:04 | 0:20:08 | |
I'm...I'm going to get some biscuits to go with the coffee. | 0:20:08 | 0:20:11 | |
CLEARS THROAT | 0:20:11 | 0:20:13 | |
Where are the biscuits? The nice shortbread ones? | 0:20:17 | 0:20:21 | |
-Er, gone. -Well, I'll have to take those. | 0:20:21 | 0:20:23 | |
Yeah, sure. Er...by the way. Do you know there's a pig in your shed? | 0:20:23 | 0:20:25 | |
-Yeah, I do. Don't go mentioning it to... -Well, WAS. | 0:20:25 | 0:20:28 | |
-What do you mean, "was"? -Er...he's not in there any more. | 0:20:29 | 0:20:32 | |
-You haven't let him out, have you? -No. | 0:20:32 | 0:20:34 | |
-Well, might have done, to be honest. -What do you mean, "might have done"? | 0:20:34 | 0:20:37 | |
-Well, he sort of, like, pushed past. -Then he started eating the compost heap! | 0:20:37 | 0:20:40 | |
-Ssh! Where is he now? -Don't know. He's probably in the house. | 0:20:40 | 0:20:44 | |
In the house?! Why did you let him in the house? | 0:20:44 | 0:20:46 | |
- I didn't. - He just sort of followed us in. | 0:20:46 | 0:20:48 | |
Yeah, and then went off. | 0:20:48 | 0:20:49 | |
You're gonna have to get that pig back in the shed now. | 0:20:49 | 0:20:52 | |
Ben, Sam, this is serious. I want that pig back in the bloody shed. | 0:20:52 | 0:20:56 | |
-Yeah, no worries. -Ssh! | 0:20:56 | 0:20:58 | |
Yep, just biscuits. | 0:21:01 | 0:21:03 | |
Here we are. Just...just help yourself. | 0:21:03 | 0:21:06 | |
I think we're all right. So, do you want to see the rest of the house now, then? | 0:21:07 | 0:21:12 | |
-Mm, yeah, that'll be great. -Oh, I wouldn't do that, not now. | 0:21:12 | 0:21:15 | |
I was just going to make some more coffee to go with the biscuits. | 0:21:15 | 0:21:18 | |
-Um...well, I'm all right, thank you. -You'd like more coffee, Alan? | 0:21:18 | 0:21:20 | |
-No, thanks. -So, shall we start upstairs, then? | 0:21:20 | 0:21:23 | |
Well, do we have to look round the rest of the house? | 0:21:23 | 0:21:26 | |
I mean, this is really the nicest room. Why don't we stay here? | 0:21:26 | 0:21:29 | |
-Let's start with the bedroom. -Hang on, hang on. | 0:21:29 | 0:21:32 | |
She hasn't even asked me about my writing yet. We've got all that to talk about. | 0:21:32 | 0:21:36 | |
I...I didn't realise you wrote. | 0:21:36 | 0:21:38 | |
Me? God, yeah. No, I write like a... | 0:21:38 | 0:21:41 | |
Yeah, I'm...I'm writing a novel now. | 0:21:41 | 0:21:44 | |
OK. Um...what's it about? | 0:21:44 | 0:21:48 | |
Er...what's that about? That's... Ha-ha. | 0:21:51 | 0:21:54 | |
That's a big question. | 0:21:54 | 0:21:56 | |
That...that's the big one. Yeah, it's... | 0:21:56 | 0:21:59 | |
What it is, it's... | 0:21:59 | 0:22:01 | |
What it's about is, | 0:22:01 | 0:22:04 | |
this bloke who has a vision that his whole town is gonna be destroyed | 0:22:04 | 0:22:08 | |
and he has to persuade everybody who lives there, | 0:22:08 | 0:22:12 | |
um...to follow him on a journey. | 0:22:12 | 0:22:15 | |
And it just goes on from there. | 0:22:15 | 0:22:18 | |
Isn't that just Watership Down with people? | 0:22:18 | 0:22:20 | |
HE CHUCKLES | 0:22:22 | 0:22:25 | |
Nah. No, no, you don't want to worry about that. That's... that's a kids' book. | 0:22:26 | 0:22:30 | |
This isn't. This isn't. This is deeper than that. | 0:22:30 | 0:22:33 | |
-It's got...works on lots of levels. -Right. | 0:22:33 | 0:22:36 | |
Alan, could you get a few more shots of Mel in here? | 0:22:36 | 0:22:39 | |
-And is it all right if I use your loo? -Of course. | 0:22:39 | 0:22:42 | |
-You want to use the loo? What, now? -Yes. | 0:22:42 | 0:22:44 | |
-Fair enough. I'll show you where it is. -It's, er...just in the hall. | 0:22:44 | 0:22:48 | |
Yeah, but still, er... | 0:22:48 | 0:22:51 | |
If you want to... | 0:22:52 | 0:22:53 | |
It's just here. | 0:22:59 | 0:23:01 | |
Yeah, that's fine, if you want to... | 0:23:03 | 0:23:06 | |
-GRUNTING -What was that? | 0:23:06 | 0:23:07 | |
-What was what? -That. It sounded like a pig. | 0:23:07 | 0:23:12 | |
Oh, that. Yes. | 0:23:12 | 0:23:14 | |
Yes, that. | 0:23:14 | 0:23:16 | |
That, um...that's Ben. | 0:23:16 | 0:23:18 | |
He's our daughter's boyfriend and he's a nice boy. He's more like a son to me, | 0:23:18 | 0:23:23 | |
but he makes these noises and he doesn't know he's doing it. | 0:23:23 | 0:23:26 | |
It's a Tourette's thing. He sort of... | 0:23:26 | 0:23:28 | |
-SNORTS -You know. | 0:23:28 | 0:23:30 | |
-And he doesn't realise. -Well, that must be very difficult. | 0:23:30 | 0:23:33 | |
Well, it is, but I've learnt to live with it. | 0:23:33 | 0:23:36 | |
-Has he always had it? -Yes, I think since he was born. | 0:23:36 | 0:23:39 | |
-Right. Goodness. -He just came out all... | 0:23:39 | 0:23:42 | |
-..right from the word go. -PIG SNORTING | 0:23:42 | 0:23:44 | |
I'm just coming, Ben. | 0:23:44 | 0:23:46 | |
I'd better go and see if he's OK, actually, so if you wouldn't mind... | 0:23:46 | 0:23:49 | |
-Oh, right. -Just... Yeah. | 0:23:49 | 0:23:51 | |
-So, everything OK, er...generally? -Yes, thank you. | 0:24:22 | 0:24:26 | |
-OK. -Um...Rick. | 0:24:26 | 0:24:28 | |
Ah, Jenny, this is Ben, our daughter's boyfriend, the one with the... | 0:24:28 | 0:24:33 | |
-Hello, Ben. How are you? -Er...I'm all right, cheers. Rick... | 0:24:33 | 0:24:37 | |
-Yeah, in a minute. -It's really nice to meet you. | 0:24:37 | 0:24:38 | |
Likewise. | 0:24:38 | 0:24:40 | |
Good, well, we've got quite a lot to get on with, so... | 0:24:40 | 0:24:42 | |
-So, what are you up to at the moment? -Um...nothing much. | 0:24:42 | 0:24:46 | |
Just...just had a yogurt. | 0:24:46 | 0:24:48 | |
Well, good for you. | 0:24:48 | 0:24:50 | |
Cheers. Um... Rick, the, er... | 0:24:50 | 0:24:53 | |
HE SNORTS | 0:24:53 | 0:24:55 | |
Yeah, it's OK, Ben. I'm just coming. All right? | 0:24:56 | 0:25:00 | |
Well, I'll, um... Nice to meet you, Ben. | 0:25:00 | 0:25:02 | |
Yeah, nice...nice to meet you too. Um... | 0:25:02 | 0:25:05 | |
-PIG GRUNTS -Come on, come on. Out you come. | 0:25:07 | 0:25:10 | |
-Are you sure this is gonna work? -Oh, God. | 0:25:10 | 0:25:13 | |
-That's all the compost he's been eating. -You could at least help, Sam. | 0:25:13 | 0:25:17 | |
-I'll see if he likes chocolate. -Come on, back in the shed. | 0:25:17 | 0:25:20 | |
Why don't we have a look at the kitchen? | 0:25:20 | 0:25:22 | |
-PIG GRUNTS -Come on! | 0:25:22 | 0:25:26 | |
Come on! | 0:25:27 | 0:25:29 | |
-What's the matter with you? -PIG SQUEALS AND GRUNTS | 0:25:31 | 0:25:34 | |
-I thought you were gonna start upstairs. -We're looking after a pig for a friend. | 0:25:38 | 0:25:42 | |
-Oh, right. -Yeah, he's a bit shy. | 0:25:42 | 0:25:46 | |
-Come...come on. -PIG GRUNTS | 0:25:46 | 0:25:49 | |
Come on. Come on and meet Jenny. Don't be scared. Come on. | 0:25:49 | 0:25:52 | |
-PIG SQUEALS -Come on! | 0:25:52 | 0:25:56 | |
Oh, God! | 0:25:56 | 0:25:59 | |
-PIG GRUNTING -Oh... | 0:26:00 | 0:26:03 | |
Yeah. He does that sometimes. It's a bit... | 0:26:04 | 0:26:08 | |
MAGDA SIGHS AND TUTS | 0:26:20 | 0:26:23 | |
I think this dirty will not come out. | 0:26:23 | 0:26:25 | |
-Maybe try hand-washing it. -Oh, I don't want to do this. | 0:26:25 | 0:26:29 | |
I've got a better idea. Take it out into the garden and burn it. | 0:26:29 | 0:26:32 | |
-I have still got the receipt, so... -Well, good luck with that. | 0:26:32 | 0:26:35 | |
So, have you heard from Jenny about the article? | 0:26:42 | 0:26:45 | |
Yeah, they're still gonna run it. | 0:26:45 | 0:26:47 | |
Oh, good. | 0:26:47 | 0:26:48 | |
And photo-wise? | 0:26:50 | 0:26:51 | |
No, they won't be using the one of you covered in pig shit. | 0:26:51 | 0:26:55 | |
It is actually manure. | 0:26:55 | 0:26:56 | |
In fact, she thought it was best just not to mention you at all. | 0:26:56 | 0:27:01 | |
-CLICKS TONGUE -Right. Mm. | 0:27:03 | 0:27:05 | |
DOORBELL RINGS | 0:27:05 | 0:27:07 | |
I'll get that. | 0:27:11 | 0:27:13 | |
Hey, dude. I brought the book round for you. | 0:27:16 | 0:27:19 | |
Oh, cheers, yeah, thanks, Marty. | 0:27:19 | 0:27:21 | |
Seriously, Magda, I'd just throw it away. | 0:27:21 | 0:27:24 | |
And, um... | 0:27:26 | 0:27:28 | |
Yeah. | 0:27:29 | 0:27:30 | |
I think so. | 0:27:30 | 0:27:32 | |
It outlines the three golden rules that every successful novelist follows. | 0:27:32 | 0:27:36 | |
Yeah, I probably know them already, but, er...what are they? | 0:27:36 | 0:27:39 | |
-Structure, characterisation... -Yeah. | 0:27:39 | 0:27:42 | |
..and, most important of all, never stick your head up a pig's ass. | 0:27:42 | 0:27:46 | |
Oh, come on, Rick! | 0:27:50 | 0:27:52 | |
It's funny! Rick! | 0:27:52 | 0:27:55 | |
SNORTS | 0:27:55 | 0:27:57 | |
# I wanna get high but I really can't take the pain | 0:28:07 | 0:28:13 | |
# Cos it will blow away my soul like a hurricane | 0:28:14 | 0:28:19 | |
# Oh, I'm like a one-man band clapping in the pouring rain... # | 0:28:19 | 0:28:24 | |
Yeah, Michael. | 0:28:24 | 0:28:26 | |
What's this? Another favour? Want me to look after a family of rats for you? | 0:28:26 | 0:28:30 | |
No. You know that story idea of yours? | 0:28:30 | 0:28:32 | |
-Oh, about the bloke who has the vision? -That's the one, yeah. | 0:28:32 | 0:28:34 | |
-He has to save the town and... -Go on a journey. | 0:28:34 | 0:28:37 | |
-I've been thinking about that. -Oh, thanks. | 0:28:37 | 0:28:39 | |
-Do you think I should write it up? -No. No, I don't, Michael. | 0:28:39 | 0:28:42 | |
And do you know why not? Cos your story is just Watership Down but with people. | 0:28:42 | 0:28:47 | |
So it is. Huh! Thanks for pointing that out. | 0:28:49 | 0:28:52 | |
Imagine if I'd pitched that to someone. I'd have looked like a right prat. | 0:28:52 | 0:28:56 | |
-Anyway, how's your novel going? -Fine. | 0:28:56 | 0:28:58 |