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Hey, Michael. Guess where they asked Rick to do his comedy class. | 0:00:02 | 0:00:05 | |
-Go on. -Belford Prison. | 0:00:05 | 0:00:06 | |
Oh, that is hilarious! In prison? | 0:00:06 | 0:00:08 | |
I thought that was a really encouraging start. | 0:00:08 | 0:00:11 | |
Right, back off, or I'll cut him. ALARM RINGS | 0:00:11 | 0:00:13 | |
Anybody so much as touches this door without my say-so, laughing boy gets it! | 0:00:13 | 0:00:18 | |
-You gonna take me on? -Oh, no. No, no, not at all. | 0:00:18 | 0:00:20 | |
They won't let me have a chess set in my cell. | 0:00:20 | 0:00:24 | |
That's what this is about? | 0:00:24 | 0:00:26 | |
-Where's the harm in telling the truth? -Just tell the truth. | 0:00:26 | 0:00:29 | |
Not fancy a pizza? | 0:00:29 | 0:00:30 | |
Why do you tell so many lies? Why do you lie the whole time? | 0:00:30 | 0:00:33 | |
I prefer life... | 0:00:33 | 0:00:35 | |
..when it's my version. | 0:00:36 | 0:00:38 | |
I remember at school, when I was six, | 0:00:38 | 0:00:41 | |
the Nativity play, I...I was cast as the sheep. | 0:00:41 | 0:00:43 | |
Basically it was a...a matter of calming him down | 0:00:46 | 0:00:50 | |
and then I seized my moment, overpowered him and escaped. | 0:00:50 | 0:00:54 | |
So, was there an actual fight, Rick? | 0:00:54 | 0:00:56 | |
Obviously I...I can't go into too much detail, but, um... | 0:00:56 | 0:01:01 | |
Now, with me in the studio is comedian Rick Spleen, | 0:01:02 | 0:01:05 | |
who, of course, himself earlier this week | 0:01:05 | 0:01:07 | |
was held hostage in the Belford Prison siege. First of all, Rick, | 0:01:07 | 0:01:09 | |
glad to see you're safe and well. | 0:01:09 | 0:01:11 | |
Yeah, thanks very much, Simon. I'm very glad to be here. | 0:01:11 | 0:01:13 | |
It was quite an ordeal, as you can imagine. Basically, what happened... | 0:01:13 | 0:01:17 | |
So, tell me, exactly what will the hostages be going through right now? | 0:01:17 | 0:01:20 | |
Oh, them. | 0:01:20 | 0:01:22 | |
Um...well, they'll be going through a whole different range of emotions. | 0:01:22 | 0:01:26 | |
I mean, I know exactly how they will be feeling. | 0:01:26 | 0:01:28 | |
Um...confused, disorientated, frightened. | 0:01:28 | 0:01:31 | |
-Were you frightened? -I... I wasn't personally frightened, no. | 0:01:31 | 0:01:34 | |
But the important thing is... is to remain calm | 0:01:34 | 0:01:37 | |
and, er...keep looking out for that one moment, | 0:01:37 | 0:01:40 | |
er...when you can overpower your captor, like I did. | 0:01:40 | 0:01:45 | |
Yes, but, from what you've seen, | 0:01:45 | 0:01:46 | |
aren't these hostages in a far more dangerous situation? | 0:01:46 | 0:01:48 | |
Not really, no. | 0:01:48 | 0:01:49 | |
As unpleasant as your experience must have been... | 0:01:49 | 0:01:51 | |
More than unpleasant. | 0:01:51 | 0:01:52 | |
I mean, don't forget I was held at knifepoint in...in the prison library. | 0:01:52 | 0:01:56 | |
Yes, but with respect, these people are being held | 0:01:56 | 0:01:59 | |
by a heavily armed group of radical extremists somewhere in the Somali desert. | 0:01:59 | 0:02:02 | |
Yep, yep, they are. | 0:02:02 | 0:02:04 | |
But this... this bloke was from Glasgow. | 0:02:04 | 0:02:08 | |
Right. | 0:02:08 | 0:02:10 | |
So, er...what would you think the chances are that we'll see a resolution? | 0:02:10 | 0:02:14 | |
# I wanna get high | 0:02:28 | 0:02:30 | |
# But I really can't take the pain... # | 0:02:30 | 0:02:34 | |
"Prison Siege Comic." Is that what I have to call you now? | 0:02:34 | 0:02:38 | |
I know. It's embarrassing. | 0:02:38 | 0:02:39 | |
They're just milking it, trying to keep the story going. | 0:02:39 | 0:02:42 | |
"Rick Spleen's top ten prison pizza toppings." | 0:02:42 | 0:02:45 | |
Ten? I gave them 20. | 0:02:45 | 0:02:47 | |
Did I tell you they asked me to host The Brave Britain Awards? | 0:02:47 | 0:02:49 | |
Yes, you have mentioned that. | 0:02:49 | 0:02:51 | |
You don't seem that pleased about it? | 0:02:51 | 0:02:53 | |
I am. It's just that one of my clients was going to be presenting it | 0:02:53 | 0:02:56 | |
before you were parachuted in. | 0:02:56 | 0:02:58 | |
Oh, was he? Who was it? Was it Dan Arrow-Smith? | 0:02:58 | 0:03:01 | |
-I can't say. -Oh, right. | 0:03:01 | 0:03:03 | |
He wouldn't have been right for it. No life experience. | 0:03:03 | 0:03:05 | |
What's the worst thing that's happened to him? "Someone bumped into my punt." | 0:03:05 | 0:03:09 | |
-He was brought up in a children's home. -Oh, so it was Dan, yeah. | 0:03:09 | 0:03:12 | |
No, they made the right choice. These are brave people. | 0:03:12 | 0:03:15 | |
-They need someone they can relate to. -Right. | 0:03:15 | 0:03:18 | |
Channel 4 called. They want me to be in this celebrity survival thing - | 0:03:18 | 0:03:20 | |
live in the wild, find your own water, eat plants, that kind of stuff. | 0:03:20 | 0:03:24 | |
Wow, where's that? | 0:03:24 | 0:03:25 | |
I don't know. Some wood in Surrey. But it's for a whole week. | 0:03:25 | 0:03:28 | |
I guess they think, after what I've been through, I can survive anything. | 0:03:28 | 0:03:31 | |
And you know what? They're probably right. | 0:03:31 | 0:03:33 | |
Well, you'd better not let them film you sleeping. | 0:03:33 | 0:03:35 | |
-What? Why... Why not? -You've been talking a lot in your sleep. | 0:03:35 | 0:03:39 | |
Have I? | 0:03:39 | 0:03:41 | |
-What sort of things have I been saying? -"Help. Don't hurt me." | 0:03:42 | 0:03:46 | |
That kind of thing. | 0:03:46 | 0:03:47 | |
It's probably post-traumatic stress syndrome. It's very common, I expect. | 0:03:49 | 0:03:52 | |
Have you seen this one? Huh! | 0:03:52 | 0:03:55 | |
They call me Houdini in this one, look. | 0:03:55 | 0:03:58 | |
Houdini. | 0:03:58 | 0:03:59 | |
Me. | 0:03:59 | 0:04:02 | |
Anyway, so you walk out on stage and... | 0:04:02 | 0:04:04 | |
Ah, I don't know. Good evening, everybody. Welcome to the Brave Britain Awards. | 0:04:04 | 0:04:10 | |
Wait, let me get this down. This is comedy gold. | 0:04:10 | 0:04:13 | |
-If only we'd known. -Known what? | 0:04:13 | 0:04:15 | |
All the years you spent doing gigs, | 0:04:15 | 0:04:17 | |
and all it took was some guy to hold a knife to your throat | 0:04:17 | 0:04:19 | |
and threaten to kill you, which, by the way, is not an original thought, | 0:04:19 | 0:04:22 | |
and next thing you know, you're in all the papers. | 0:04:22 | 0:04:25 | |
It was a very serious incident. | 0:04:28 | 0:04:30 | |
That's why they asked me on the news as a consultant yesterday, | 0:04:30 | 0:04:33 | |
because I've been there, I've been through it. | 0:04:33 | 0:04:35 | |
You were on the news again? I missed that. | 0:04:35 | 0:04:37 | |
There you are, you see. | 0:04:37 | 0:04:39 | |
Those two guys kidnapped in Malaysia. | 0:04:39 | 0:04:41 | |
Naturally, the BBC called on me for my knowledge. | 0:04:41 | 0:04:43 | |
-Thought it was Somalia. -That's what I meant. | 0:04:43 | 0:04:45 | |
I keep getting mixed up like that. | 0:04:45 | 0:04:47 | |
Mel says it's classic post-traumatic stress syndrome. | 0:04:47 | 0:04:49 | |
Oh, that'll explain it. | 0:04:49 | 0:04:51 | |
The thing is, when it mattered, I stayed calm, | 0:04:51 | 0:04:53 | |
dealt with the situation... instead of cacking myself like you would have. | 0:04:53 | 0:04:58 | |
Mm, right. | 0:04:58 | 0:04:59 | |
-What? -No, it's just... | 0:04:59 | 0:05:01 | |
one of the newspapers said that the guy fell asleep | 0:05:01 | 0:05:04 | |
and you crept out on your tippy-toes. | 0:05:04 | 0:05:07 | |
Course I did. | 0:05:07 | 0:05:09 | |
-You know why, don't you? -Cos that's what happened. | 0:05:09 | 0:05:11 | |
No, because that's what he's been saying - Donald. | 0:05:11 | 0:05:15 | |
He can't have the whole prison knowing I overpowered him. He'd be dead meat. | 0:05:15 | 0:05:18 | |
-You haven't been in there. I have. -So how did you overpower him? | 0:05:18 | 0:05:21 | |
I mean, he's a big guy. Why don't you get up and show me how you did it? | 0:05:21 | 0:05:25 | |
I wish I could. Only thing is - Official Secrets Act, which they made me sign. | 0:05:25 | 0:05:31 | |
Sorry. Home Office insisted. | 0:05:31 | 0:05:35 | |
HE SIGHS | 0:05:35 | 0:05:37 | |
Well, if the Home Office insists... | 0:05:37 | 0:05:40 | |
Ah. Lot of pictures and things people have said about you. | 0:05:42 | 0:05:46 | |
-You could put it that way, yeah. -So he's tried to kill you, this man? | 0:05:46 | 0:05:50 | |
Several times, yes, but I defeated him eventually. | 0:05:50 | 0:05:52 | |
But how, if he's madman with knife and you are clown? | 0:05:52 | 0:05:56 | |
Comedian. Well, you'll just have to read about it in my book when it comes out. | 0:05:56 | 0:06:00 | |
-You are writing book about this? -Very probably, yes. | 0:06:00 | 0:06:02 | |
Oh, what is... | 0:06:02 | 0:06:04 | |
-..How-dini? -Houdini. He was a very famous, | 0:06:05 | 0:06:08 | |
very clever escape artist. | 0:06:08 | 0:06:10 | |
-Please? -Escape artist. | 0:06:10 | 0:06:13 | |
He was a stage act and people would come and tie him up in chains and padlocks | 0:06:13 | 0:06:17 | |
and put him in a trunk and throw him in rivers | 0:06:17 | 0:06:20 | |
and all sorts, and he'd always escape. | 0:06:20 | 0:06:22 | |
Where can I see How-dini? | 0:06:22 | 0:06:24 | |
Houdini. You can't now, cos he's dead. | 0:06:24 | 0:06:25 | |
-Oh. -Sorry about that. | 0:06:25 | 0:06:28 | |
So, how did How-dini... | 0:06:28 | 0:06:30 | |
Um, who...who did Hou... | 0:06:30 | 0:06:33 | |
How did...How...Houdini... | 0:06:33 | 0:06:36 | |
-How did Houdini die? -Yes. | 0:06:36 | 0:06:39 | |
I have no idea. | 0:06:39 | 0:06:42 | |
BIRDSONG | 0:06:50 | 0:06:52 | |
Oh, I can't tell you how good this feels. | 0:06:52 | 0:06:54 | |
Fresh air, sound of the birds. It is the little things you get to appreciate. | 0:06:56 | 0:07:00 | |
HORN BLARES MAN: Rick! | 0:07:00 | 0:07:03 | |
Get that a lot these days. | 0:07:03 | 0:07:05 | |
It is Rick they're shouting... | 0:07:05 | 0:07:08 | |
Yes, yes, Rick. My name. | 0:07:08 | 0:07:11 | |
-One mushroom risotto. And for you, sir? -I'll have... | 0:07:12 | 0:07:14 | |
-A-ha! The hero returneth. -I don't know about that, but...yeah. | 0:07:14 | 0:07:19 | |
Your usual table, Rick. Well done. The prison siege thing! | 0:07:19 | 0:07:23 | |
Oh, yeah, cheers. | 0:07:23 | 0:07:25 | |
In fact, I wasn't gonna tell you this, it was gonna be a surprise, but... | 0:07:25 | 0:07:28 | |
I'm going to name a sandwich after you. | 0:07:28 | 0:07:30 | |
Oh. Oh, well... No, it's a good idea. | 0:07:30 | 0:07:34 | |
-The Egg & Spleen Bap. -Oh, would you mind? | 0:07:34 | 0:07:37 | |
Um...thought a photo would be good, | 0:07:37 | 0:07:40 | |
of the two of us together. I'll put it in the window. | 0:07:40 | 0:07:42 | |
-Yeah, yeah, OK. -Would you do the honours, Marty? | 0:07:42 | 0:07:44 | |
My pleasure. | 0:07:44 | 0:07:47 | |
Oh, that's nice. Now, how does this thing work? | 0:07:49 | 0:07:51 | |
Just press that button on the top, I expect. | 0:07:51 | 0:07:54 | |
-Which button? -The one on the top. | 0:07:54 | 0:07:56 | |
-Which one? -That one there, just... | 0:07:56 | 0:07:59 | |
Oh, this one. This is a nice camera. | 0:07:59 | 0:08:01 | |
-Yeah, just take the photo, Marty. -OK. | 0:08:01 | 0:08:04 | |
And...smile. | 0:08:04 | 0:08:08 | |
There we go. Is that OK? You look a bit tense. | 0:08:08 | 0:08:10 | |
That's fine. That's how I meant to look. | 0:08:10 | 0:08:12 | |
-Excuse me! -Yes, in a minute! | 0:08:12 | 0:08:15 | |
-So, come on, tell me all about it. -Oh, there's not much to tell. | 0:08:15 | 0:08:20 | |
Like it says in the papers, I overpowered him, and that's pretty much it. | 0:08:20 | 0:08:23 | |
Yeah, but how? I mean, he's a big bloke. | 0:08:23 | 0:08:25 | |
-How did you do it? -Can't really go into detail. | 0:08:25 | 0:08:27 | |
It's, er...it's still quite raw. | 0:08:27 | 0:08:29 | |
-I mean, say this is him. -Er...yeah, Michael.... | 0:08:29 | 0:08:32 | |
-So, he's got you like this. -Michael, I wouldn't actually do that. | 0:08:32 | 0:08:34 | |
-Gimme my chess set noo! He was Scottish? -Yeah, he was. | 0:08:34 | 0:08:37 | |
-Give me my chess set! -Michael! Michael! | 0:08:37 | 0:08:39 | |
-Get off me. Get off. -Michael! | 0:08:39 | 0:08:42 | |
-Oh, sorry, I didn't mean to scare you. -No, you...you didn't scare me. | 0:08:45 | 0:08:47 | |
I was just worried that I'd go into a flashback and actually really hurt you. | 0:08:47 | 0:08:50 | |
You know, just spontaneous. I could have done that, like that, right in your eye. | 0:08:50 | 0:08:54 | |
So that's why I'm not supposed to talk about it. | 0:08:54 | 0:08:56 | |
Fair enough, I was just curious. | 0:08:56 | 0:08:58 | |
I could have really hurt you. You be careful around me. | 0:08:58 | 0:09:00 | |
I'll get your coffees. | 0:09:00 | 0:09:02 | |
That was impressive, seeing you in action. | 0:09:05 | 0:09:07 | |
What is that? Was that, er... fork-jitsu or something? | 0:09:07 | 0:09:10 | |
Just shut up, would you? | 0:09:11 | 0:09:14 | |
-Busy? -Yeah. Yeah. | 0:09:22 | 0:09:26 | |
-Ben's looking for a flat. -Oh, yeah? Good for you, Ben. Any luck? | 0:09:26 | 0:09:30 | |
Er...no, not really. | 0:09:30 | 0:09:32 | |
He phoned them up and they asked all these questions. | 0:09:32 | 0:09:34 | |
-Have you got a job? -Have you got any references? | 0:09:34 | 0:09:36 | |
-Can you afford to pay the deposit? -Ben's like, "What's it to you?" | 0:09:36 | 0:09:40 | |
I keep telling them I'm just looking for a place to doss, not a load of hassle. | 0:09:40 | 0:09:43 | |
-Yeah, and what did they say to that? -They just hang up. | 0:09:43 | 0:09:46 | |
Oh, that's rude. So what are you gonna do? Keep looking? | 0:09:46 | 0:09:49 | |
No, I'll probably just, um...just give up. | 0:09:49 | 0:09:51 | |
-Oh. And just hang around here? -Yeah, might do, yeah. | 0:09:51 | 0:09:54 | |
No, but the thing is, Dad, Ben likes to have his own space. | 0:09:54 | 0:09:57 | |
Does he? | 0:09:57 | 0:10:00 | |
Yeah, well, I... I know all about that. | 0:10:00 | 0:10:02 | |
You know, when I was held hostage. | 0:10:02 | 0:10:04 | |
-Oh, yeah. -What's this? | 0:10:04 | 0:10:06 | |
-When I was held hostage. -I haven't heard about this. | 0:10:06 | 0:10:09 | |
Yeah, I texted you. | 0:10:09 | 0:10:11 | |
-I thought that was a wind-up. -No, I was taken hostage. | 0:10:11 | 0:10:13 | |
Bloody hell. They kept that quiet, didn't they? | 0:10:13 | 0:10:15 | |
Well, no, not really, they didn't. It's all over the papers. | 0:10:15 | 0:10:19 | |
-Mm. -Oh, yeah, look at that. | 0:10:19 | 0:10:23 | |
So what happened, then? Did you, er... Did you get out? | 0:10:23 | 0:10:27 | |
No, I mean, did...you know, did they pay a ransom or whatever? | 0:10:32 | 0:10:36 | |
-They didn't have to. I overpowered him. -Cool. | 0:10:36 | 0:10:39 | |
-Basically what happened is... -DOORBELL RINGS | 0:10:39 | 0:10:42 | |
..I waited and, you know, he turned his back, he had a knife... | 0:10:42 | 0:10:44 | |
-That's the doorbell. -..and not very nice one either. | 0:10:44 | 0:10:46 | |
-You should probably get that. -I took my moment | 0:10:46 | 0:10:48 | |
-and got him in a headlock. -Doorbell. | 0:10:48 | 0:10:50 | |
-DOORBELL RINGS -Yes, yes. All right. | 0:10:50 | 0:10:53 | |
Oh, hello, Rick. Sorry to bother you. Have you got a minute? | 0:10:53 | 0:10:57 | |
Not really, no. I'm in a meeting. It's quite important. | 0:10:57 | 0:10:58 | |
Well done, by the way. The old prison siege. | 0:10:58 | 0:11:02 | |
Oh, yeah. | 0:11:02 | 0:11:03 | |
I did what I had to in a situation like that. | 0:11:03 | 0:11:06 | |
-And the rest, I hope. -What? | 0:11:06 | 0:11:08 | |
You know, when he was down and the wardens piled in. | 0:11:08 | 0:11:09 | |
Hope you got in there with a nice... Oof! | 0:11:09 | 0:11:12 | |
It wasn't quite like that, but... | 0:11:12 | 0:11:14 | |
More's the pity, eh? | 0:11:14 | 0:11:16 | |
Huh! Scumbag! | 0:11:16 | 0:11:18 | |
No, what it is, it's just a courtesy thing, really. | 0:11:18 | 0:11:21 | |
-Right. -Yeah, I've decided my mother needs | 0:11:21 | 0:11:23 | |
a ramp up to the front door | 0:11:23 | 0:11:25 | |
-for accessibility purposes. -Oh, yeah? | 0:11:25 | 0:11:27 | |
So, strictly speaking, you need planning permission for this sort of thing, | 0:11:27 | 0:11:31 | |
so, naturally, I've applied. | 0:11:31 | 0:11:32 | |
So I'm just going round letting everybody know, | 0:11:32 | 0:11:35 | |
just so there aren't any objections or that kind of thing. | 0:11:35 | 0:11:38 | |
I see. | 0:11:38 | 0:11:39 | |
Just thought I'd keep you in the picture. | 0:11:39 | 0:11:41 | |
And, as I say, well done. | 0:11:41 | 0:11:44 | |
Yeah, this...this ramp. | 0:11:44 | 0:11:47 | |
What...what sort of ramp? | 0:11:47 | 0:11:49 | |
Well, it's just a standard disability ramp and handrail for access to the front door. | 0:11:49 | 0:11:52 | |
Yeah. What...what's it gonna be made of? | 0:11:52 | 0:11:55 | |
Well, they're normally made of, er...concrete | 0:11:55 | 0:11:58 | |
with a galvanised iron handrail to one side. | 0:11:58 | 0:12:01 | |
Why? Is it...is it a problem? | 0:12:01 | 0:12:03 | |
Oh, I'm not sure it sounds all that nice, you know, to look at. | 0:12:03 | 0:12:06 | |
Well, it's not supposed to look particularly nice, Rick. | 0:12:06 | 0:12:09 | |
It's a much-needed mobility aid for my mother. | 0:12:09 | 0:12:12 | |
Mm, so you say. | 0:12:12 | 0:12:15 | |
But if you go and put one in, someone else might want one, | 0:12:15 | 0:12:17 | |
then someone else will put one of those chairlifts in. | 0:12:17 | 0:12:20 | |
Before you know it, the whole street will look like a theme park. | 0:12:20 | 0:12:22 | |
Eh? Are you actually saying you object? | 0:12:22 | 0:12:25 | |
-Well, you'll get skateboarders. -I can't believe I'm hearing this. | 0:12:25 | 0:12:29 | |
Why on earth would you object to a ramp for my mother? | 0:12:29 | 0:12:31 | |
Why on earth would you object to our top-floor window when we applied? | 0:12:31 | 0:12:34 | |
Oh! I see. | 0:12:34 | 0:12:38 | |
I see what this is about. Yes. Petty revenge. | 0:12:38 | 0:12:42 | |
-No, it's not petty. -That was an entirely different matter. | 0:12:42 | 0:12:45 | |
Your proposed window was totally out of keeping with the street. | 0:12:45 | 0:12:49 | |
This is a conservation area, Rick. | 0:12:49 | 0:12:51 | |
Exactly, which is why you can't go putting concrete ramps all over the place. | 0:12:51 | 0:12:54 | |
One. One single ramp. | 0:12:54 | 0:12:58 | |
There will be one ramp up to the front door | 0:12:58 | 0:13:00 | |
so she can get in and out of the house. | 0:13:00 | 0:13:02 | |
Can't she use a couple of planks or something? | 0:13:02 | 0:13:04 | |
She's 85, Rick. | 0:13:04 | 0:13:06 | |
You haven't heard the last of this. | 0:13:10 | 0:13:12 | |
# Most kind of stories | 0:13:18 | 0:13:21 | |
# Save the best part for last | 0:13:22 | 0:13:26 | |
# Most stories have a hero who finds | 0:13:28 | 0:13:33 | |
# You make your past your past | 0:13:33 | 0:13:37 | |
# Yeah, you make your past your past | 0:13:39 | 0:13:42 | |
# It's a brand-new day | 0:13:44 | 0:13:47 | |
# The sun is shining, it's a brand-new day | 0:13:48 | 0:13:53 | |
# For the first time in such a long, long time | 0:13:54 | 0:14:01 | |
# I know | 0:14:01 | 0:14:03 | |
# I'll be OK | 0:14:05 | 0:14:07 | |
# It's a brand-new day | 0:14:11 | 0:14:14 | |
# It's a brand-new day... # | 0:14:17 | 0:14:20 | |
Did you tell Clive you're going to object to his mother's wheelchair ramp? | 0:14:33 | 0:14:36 | |
Too bloody right. He wants to turn the whole street into Alton Towers. | 0:14:36 | 0:14:40 | |
-But she needs a wheelchair ramp! -Yeah, and I needed a top-floor window. | 0:14:40 | 0:14:44 | |
I knew there'd be a reason. | 0:14:44 | 0:14:47 | |
Why shouldn't I be allowed to alter the roof of my own house? | 0:14:47 | 0:14:50 | |
I'm glad they stopped you. It's not as if your passion for astronomy lasted. | 0:14:50 | 0:14:53 | |
-Yeah, thanks to Clive. -And the planning department. | 0:14:53 | 0:14:56 | |
Yeah, well, they're no better. Bastards. | 0:14:56 | 0:14:58 | |
You can't deny an old lady access to her own home. | 0:14:58 | 0:15:01 | |
Well, we'll just have to agree to differ on that. | 0:15:01 | 0:15:03 | |
Maybe don't mention that at the Brave Britain Awards. | 0:15:03 | 0:15:07 | |
-Oh, and Ben and Sam want to come. -To the awards? | 0:15:07 | 0:15:10 | |
-Mm. -Great. The more, the merrier. | 0:15:10 | 0:15:13 | |
I'm glad you said that. | 0:15:13 | 0:15:16 | |
Oh, God. | 0:15:16 | 0:15:18 | |
I'm very excited. | 0:15:26 | 0:15:29 | |
Mel has invited me to Brave Britain Awards. | 0:15:29 | 0:15:31 | |
Yeah, I know. She told me. | 0:15:31 | 0:15:33 | |
I'm...I'm looking forward to coming to Brave Britain Awards. | 0:15:38 | 0:15:43 | |
Good. | 0:15:43 | 0:15:45 | |
What is Brave Britain Awards? | 0:15:49 | 0:15:52 | |
Well, it's awards for people who've been brave... | 0:15:53 | 0:15:57 | |
in Britain. | 0:15:57 | 0:15:58 | |
How have they been brave? | 0:15:58 | 0:16:00 | |
All sorts of ways. I mean, these are really heroic people. | 0:16:00 | 0:16:02 | |
That's why they've asked me to host it. | 0:16:02 | 0:16:04 | |
-What have they done? -I don't know. | 0:16:04 | 0:16:07 | |
It could be they've survived an accident or recovered from some terrible illness. | 0:16:07 | 0:16:10 | |
But this is not brave. This is just lucky. | 0:16:10 | 0:16:13 | |
-DOOR CLOSES -I'll point that out, shall I? | 0:16:13 | 0:16:14 | |
-Yes, I think... -Dad, is there an A-Z in here? | 0:16:14 | 0:16:19 | |
Er...no, I don't think so. | 0:16:19 | 0:16:20 | |
Do you know where Eastleigh Road is, then? | 0:16:20 | 0:16:23 | |
-Why? Have you found a flat? -Yeah, might have done. | 0:16:23 | 0:16:25 | |
-Yeah, Ben's been invited to a party. -And then I thought I might stay on. | 0:16:25 | 0:16:29 | |
-What, and live there? -Yeah, just until the owner gets back. | 0:16:29 | 0:16:31 | |
Yeah, he's gone on a business trip or something. | 0:16:31 | 0:16:34 | |
Sounds perfect. | 0:16:34 | 0:16:35 | |
-So, are you looking forward to tonight? -Tonight? | 0:16:35 | 0:16:38 | |
-The awards. -It's Brave Britain Awards. | 0:16:38 | 0:16:40 | |
All right, thank you, Magda. | 0:16:40 | 0:16:41 | |
It's for people who have been brave in Britain. | 0:16:41 | 0:16:43 | |
-I can tell her. -Who have had accident. | 0:16:43 | 0:16:45 | |
-Not just accidents. -They are given prize for having illness. | 0:16:45 | 0:16:48 | |
They're awards. Anyway, it could be anything. | 0:16:48 | 0:16:50 | |
-Is that tonight, then? -Yeah, Mum said you were coming. | 0:16:50 | 0:16:52 | |
-Yeah, no, we are. -So, you're getting an award? | 0:16:52 | 0:16:55 | |
No, Ben, I'm giving them out. I'm hosting the whole evening. | 0:16:55 | 0:16:58 | |
-Are you telling jokes and that? -Yes. | 0:16:58 | 0:17:01 | |
You are going to be telling jokes about people with illness? | 0:17:01 | 0:17:03 | |
-Not about people with... -That could be well dodgy. | 0:17:03 | 0:17:05 | |
-I'm not... -Could go down like a cup of cold sick. | 0:17:05 | 0:17:07 | |
-It won't. -And then you might never work again. | 0:17:07 | 0:17:09 | |
It will be like back to before. | 0:17:09 | 0:17:11 | |
Good. Well, thanks for the pep talk. | 0:17:14 | 0:17:18 | |
You are gonna kill with these. | 0:17:21 | 0:17:23 | |
You know it got over seven million viewers last year? | 0:17:23 | 0:17:25 | |
I know. Makes a change from the usual roomful | 0:17:25 | 0:17:28 | |
-of drunken air-con salesmen, doesn't it? -Those days are over for me, Marty. | 0:17:28 | 0:17:32 | |
-This is good stuff. -It's comedy gold, man. | 0:17:32 | 0:17:33 | |
-I might even improvise. -Please don't. | 0:17:33 | 0:17:36 | |
There you go. | 0:17:36 | 0:17:38 | |
-What's this? -Your sandwich. | 0:17:38 | 0:17:41 | |
I didn't order a sandwich. | 0:17:41 | 0:17:43 | |
-The one in your honour. -Oh! Oh, I see. Oh, thanks, Michael. | 0:17:43 | 0:17:46 | |
Yes, the Rick Spleen Baguette. | 0:17:46 | 0:17:49 | |
-Hope you enjoy it. -I will. What's in it? | 0:17:49 | 0:17:51 | |
Well, it's an artisan baguette with chicken, | 0:17:51 | 0:17:53 | |
-lettuce, mustard, mayo... -Chicken. Did you say chicken? | 0:17:53 | 0:17:57 | |
-Yes, is there a problem with that? -Chicken. | 0:17:57 | 0:18:00 | |
-Cluck, cluck! -Oh, chicken. | 0:18:00 | 0:18:02 | |
Doesn't exactly say "brave", does it? | 0:18:02 | 0:18:04 | |
What was I thinking? Oh, well, I suppose I could change it. | 0:18:04 | 0:18:07 | |
-If you would. -How inappropriate. | 0:18:07 | 0:18:09 | |
Mind you, one of the papers did say the prisoner fell asleep | 0:18:10 | 0:18:12 | |
-and then you sneaked out. -Yep, well, that's not what happened. | 0:18:12 | 0:18:16 | |
I thought, "Rick's not been doing his act for him, has he?" | 0:18:16 | 0:18:19 | |
You were doing your act and he fell asleep. "Have you ever noticed..." | 0:18:19 | 0:18:21 | |
HE SNORES Can we get two coffees, Michael? | 0:18:21 | 0:18:24 | |
Sure, coming right up. | 0:18:24 | 0:18:27 | |
Just think. If it all goes well tonight, we can afford to eat somewhere else. | 0:18:27 | 0:18:33 | |
We? | 0:18:33 | 0:18:34 | |
# Do not stumble through tonight | 0:18:40 | 0:18:44 | |
# Have no fear of falling | 0:18:44 | 0:18:46 | |
# And if nobody got lost | 0:18:49 | 0:18:53 | |
# And if no-one paid the cost | 0:18:53 | 0:18:57 | |
# The price of this, you may surmise is forever after | 0:18:57 | 0:19:05 | |
# We won't stumble through tonight | 0:19:05 | 0:19:08 | |
# Drowning in their laughter... # | 0:19:08 | 0:19:12 | |
Welcome to the Brave Britain Awards. | 0:19:12 | 0:19:15 | |
Great catering tonight, by the way. So much better than prison food. | 0:19:15 | 0:19:17 | |
HE MIMICS APPLAUSE | 0:19:17 | 0:19:19 | |
Yeah, I know, I know. It's the last time I visit my dad in jail. | 0:19:19 | 0:19:22 | |
HE MIMICS APPLAUSE | 0:19:22 | 0:19:23 | |
Please, please sit down. | 0:19:23 | 0:19:25 | |
HE MIMICS APPLAUSE | 0:19:25 | 0:19:26 | |
Ha-ha. Er... | 0:19:26 | 0:19:27 | |
HE MIMICS APPLAUSE | 0:19:27 | 0:19:28 | |
-That looks nice. -Oh, cheers, it's yours. | 0:19:36 | 0:19:40 | |
I know. | 0:19:40 | 0:19:42 | |
Hey, Magda, you ever wear your mother's clothes? | 0:19:42 | 0:19:45 | |
No, she's huge, my mother. | 0:19:45 | 0:19:47 | |
-How huge is...? -Ben. | 0:19:50 | 0:19:51 | |
-You think we should give Dad a call? -He'll probably be rehearsing. | 0:19:53 | 0:19:57 | |
Oh, he's a pro. He doesn't need to rehearse. | 0:19:57 | 0:19:59 | |
But one sad piece of news, ladies and gentlemen, | 0:19:59 | 0:20:02 | |
is that Donald Innis, my captor, can't be with us tonight because he's a pyscho! | 0:20:02 | 0:20:06 | |
HE MIMICS APPLAUSE | 0:20:06 | 0:20:07 | |
Yeah, he's locked up like he ought to be. | 0:20:07 | 0:20:09 | |
About ten minutes, Rick. | 0:20:09 | 0:20:10 | |
Yeah, thank you. | 0:20:10 | 0:20:12 | |
He's bound to be nervous. It's the biggest gig he's ever done. | 0:20:17 | 0:20:20 | |
-Biggest gig he's ever been to. -So, is, like, all the beer free? | 0:20:20 | 0:20:23 | |
Yeah, and food, and Dad said there's, like, goody bags. | 0:20:23 | 0:20:27 | |
What have happened to you? | 0:20:28 | 0:20:30 | |
-Wow, nice place. -Yes. Difficult to clean, I think. | 0:20:46 | 0:20:50 | |
Hello, Rick. | 0:20:54 | 0:20:56 | |
Oh, bloody hell. Clive! | 0:20:57 | 0:21:00 | |
What are you doing here? | 0:21:00 | 0:21:01 | |
Got a couple of tickets for me and my mother. | 0:21:01 | 0:21:04 | |
Thought we'd come and cheer you along. | 0:21:04 | 0:21:07 | |
Oh, yeah, look, if... if this is about the ramp, | 0:21:07 | 0:21:10 | |
-I was only joking, I... -Oh, good. | 0:21:10 | 0:21:13 | |
Well, in that case, you won't mind, er... | 0:21:13 | 0:21:17 | |
signing this statement to say you have no objections. | 0:21:17 | 0:21:20 | |
Yeah, I haven't got time for that now. | 0:21:20 | 0:21:21 | |
Or would you rather I got up in front of the TV cameras | 0:21:21 | 0:21:24 | |
and said a few words about our hero Rick | 0:21:24 | 0:21:28 | |
and how he's making an 85-year-old woman's life a misery? | 0:21:28 | 0:21:31 | |
A couple of friends for you at stage door. | 0:21:31 | 0:21:34 | |
Great. Thanks. Be right there. | 0:21:34 | 0:21:37 | |
I'd better go. | 0:21:37 | 0:21:39 | |
Ah, but we haven't finished our little chat, have we? | 0:21:39 | 0:21:42 | |
Maybe we could discuss it in private. | 0:21:42 | 0:21:45 | |
We can discuss it whenever you like. | 0:21:45 | 0:21:48 | |
-But I won't back down. -No. | 0:21:48 | 0:21:50 | |
DOOR CREAKS | 0:21:56 | 0:21:58 | |
Oh, very nice. | 0:21:58 | 0:22:01 | |
Grapes. | 0:22:01 | 0:22:03 | |
Wine. Huh. | 0:22:03 | 0:22:04 | |
Got a couple of friends for you at stage door, Rick? | 0:22:04 | 0:22:08 | |
-Pretty well looked after, aren't we? -Yeah, I know. | 0:22:08 | 0:22:12 | |
Anyway, what I need from you is this signed. | 0:22:12 | 0:22:16 | |
Oh! | 0:22:16 | 0:22:18 | |
What do you think you're playing at? | 0:22:18 | 0:22:20 | |
BANGING Rick! Rick! Rick! Let me out of here! | 0:22:20 | 0:22:24 | |
BANGING Let me out! Rick! | 0:22:24 | 0:22:26 | |
Help yourself to tea and coffee. | 0:22:26 | 0:22:28 | |
Rick! | 0:22:28 | 0:22:30 | |
But he is not brave. He did not decide to have helicopter crash. | 0:22:34 | 0:22:39 | |
Yeah, well, I think it's more about how he got over it than... | 0:22:39 | 0:22:42 | |
But he did not get over it, because when I say this to him, he's get very angry. | 0:22:42 | 0:22:47 | |
Still, I think it's probably best if you don't ask him any more questions. | 0:22:47 | 0:22:51 | |
-And then he's crying. -Yeah. | 0:22:51 | 0:22:53 | |
-Is there any more beer? -Ladies and gentlemen... | 0:22:53 | 0:22:55 | |
-Shall we go look for him? -Might be nice to wish him good luck. | 0:22:55 | 0:22:58 | |
-Yeah. -Sweetheart, we're gonna go and see Dad. | 0:22:58 | 0:23:02 | |
-So, is everything OK? -Yeah, brilliant. | 0:23:02 | 0:23:05 | |
I've put your friends in the green room. Hope that's all right. | 0:23:05 | 0:23:07 | |
Thanks, as long as they don't drink all the beer. | 0:23:07 | 0:23:09 | |
Ha-ha. Well, if I can call on you in two minutes to get miked up... | 0:23:09 | 0:23:12 | |
Yeah, no worries. | 0:23:12 | 0:23:14 | |
So you got here all right, then? | 0:23:15 | 0:23:18 | |
GLASGOW ACCENT: Hello, Rick. DOOR SLAMS | 0:23:18 | 0:23:20 | |
We've got a message. | 0:23:23 | 0:23:25 | |
From Donald. | 0:23:25 | 0:23:27 | |
Ah, here he is. | 0:23:33 | 0:23:36 | |
-More friends. You are popular. -Hi. | 0:23:36 | 0:23:39 | |
Are you OK? | 0:23:41 | 0:23:42 | |
What's up? Don't be nervous, man, it's a great script. | 0:23:43 | 0:23:46 | |
I can't use it. | 0:23:46 | 0:23:48 | |
What's happened? | 0:23:50 | 0:23:51 | |
Donald sent someone to see me. | 0:23:51 | 0:23:54 | |
-When was this? -Just now. | 0:23:54 | 0:23:55 | |
Two of them waiting for me in the green room. | 0:23:55 | 0:23:57 | |
Well, what does he want? | 0:23:57 | 0:24:00 | |
He wants me to tell the truth on stage. | 0:24:02 | 0:24:04 | |
How do you mean, the truth? | 0:24:05 | 0:24:08 | |
About what happened in prison. | 0:24:08 | 0:24:11 | |
About how I overpowered him, or rather how I didn't overpower him. | 0:24:11 | 0:24:16 | |
He fell asleep. I knew it. | 0:24:16 | 0:24:19 | |
I've got to go out there and humiliate myself in front of everyone. | 0:24:19 | 0:24:22 | |
-Again. -Marty. | 0:24:22 | 0:24:24 | |
Sorry, I'm just trying to lighten the mood. Sorry. | 0:24:24 | 0:24:27 | |
-What are you going to do? -I don't know. | 0:24:28 | 0:24:31 | |
Look, just drop all the stuff about Donald and the siege. | 0:24:32 | 0:24:35 | |
It's all about Donald and the siege. You know it is. | 0:24:35 | 0:24:37 | |
-Well... -I've had it. | 0:24:37 | 0:24:40 | |
Either I go up on stage and die, | 0:24:40 | 0:24:42 | |
..or... | 0:24:43 | 0:24:45 | |
Ladies and gentlemen, 30 seconds to air. | 0:24:50 | 0:24:53 | |
Where is television camera so I can wave to my sister Agatha? | 0:24:54 | 0:24:58 | |
-I wouldn't do that. -But she will be watching on television. | 0:24:58 | 0:25:01 | |
Yeah, still, might be a bit wrong, I think. | 0:25:01 | 0:25:04 | |
-I'm not sure I can watch. -Me neither. | 0:25:04 | 0:25:07 | |
What's he gonna do? | 0:25:07 | 0:25:09 | |
-DRUM ROLL AND TRUMPETS -Oh, man. | 0:25:09 | 0:25:12 | |
Will you please welcome this year's Brave Britain Awards host, | 0:25:12 | 0:25:16 | |
Mr Rick Spleen! | 0:25:16 | 0:25:18 | |
CHEERING AND APPLAUSE | 0:25:18 | 0:25:20 | |
MUSIC: "Hero" by Enrique Iglesias | 0:25:20 | 0:25:23 | |
Thank you. Thank you so much. Thank you for that. | 0:25:33 | 0:25:35 | |
Oh, thank you very much. Great catering tonight. So much better than... | 0:25:35 | 0:25:41 | |
Er... | 0:25:43 | 0:25:45 | |
Um... | 0:25:45 | 0:25:47 | |
Er... | 0:25:48 | 0:25:50 | |
Er...ladies...ladies and gentlemen. | 0:25:54 | 0:25:56 | |
Before we...before we get under way, I...I've got something rather serious to say | 0:25:56 | 0:26:02 | |
about my recent experience in the Belford Prison siege. | 0:26:02 | 0:26:09 | |
Um... | 0:26:09 | 0:26:11 | |
many of you will have read in the papers that I was a hero and... | 0:26:11 | 0:26:16 | |
I overpowered my captor, Donald Innis. | 0:26:16 | 0:26:19 | |
But, er... | 0:26:19 | 0:26:22 | |
HE SNORTS | 0:26:22 | 0:26:24 | |
..the truth is... | 0:26:24 | 0:26:26 | |
I just told him my life story and he was so bored he fell asleep. | 0:26:26 | 0:26:31 | |
-LAUGHTER -No, it's not funny. | 0:26:31 | 0:26:33 | |
Do you really think I could win a fight with a murderer from Glasgow? | 0:26:33 | 0:26:37 | |
-LAUGHTER -No. | 0:26:37 | 0:26:39 | |
I'm serious. Don't laugh. He'll have me killed. | 0:26:39 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:45 | |
And by the way, it was me who ordered that disgusting pizza. | 0:26:46 | 0:26:50 | |
I couldn't help it. I just kept ordering different things. | 0:26:50 | 0:26:54 | |
-That was so funny. -Yeah, nice one. | 0:26:55 | 0:26:58 | |
-Yeah, awesome, Dad. -Yeah, cheers. | 0:26:58 | 0:27:00 | |
-Now I know you are funny clown. -Comedian. But thanks anyway, Magda. | 0:27:00 | 0:27:04 | |
You knocked it out of the park, man. I should not write for you more often. | 0:27:04 | 0:27:08 | |
Well, the truth is funny. | 0:27:08 | 0:27:09 | |
Rick, can we have a few questions? | 0:27:09 | 0:27:11 | |
Yeah, sure. Maybe one at a time and I'll try and... | 0:27:11 | 0:27:14 | |
-Sorry to gatecrash the party! -Oh, no. | 0:27:14 | 0:27:16 | |
-This is my mother. -Oh, Clive, not now. | 0:27:16 | 0:27:19 | |
-She's 85 years old. -Clive, they don't want to know. | 0:27:19 | 0:27:22 | |
Sorry about this. He's just...stalker. | 0:27:22 | 0:27:24 | |
And I've spent the last two hours locked in his dressing room. | 0:27:24 | 0:27:27 | |
Just ignore him. | 0:27:27 | 0:27:29 | |
-I made an application to the Council. -No-one likes him. Clive... | 0:27:29 | 0:27:32 | |
They don't want to know. Let's talk about it later, can we? | 0:27:32 | 0:27:35 | |
-Do you want to know the truth? -Listen, can we just talk about this... | 0:27:35 | 0:27:39 | |
This man is trying to stop my mother from having a ramp... | 0:27:39 | 0:27:42 | |
# I wanna get high but I really can't take the pain | 0:28:15 | 0:28:20 | |
# Cos it will blow away my soul like a hurricane... # | 0:28:21 | 0:28:27 |