Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
What's the problem? | 0:00:02 | 0:00:03 | |
When I signed up, my heroes were Laurence Olivier, Al Pacino... | 0:00:03 | 0:00:06 | |
At least you're working. | 0:00:06 | 0:00:09 | |
I know. It's not exactly what I dreamed of. | 0:00:09 | 0:00:11 | |
Oh, here we go! | 0:00:11 | 0:00:12 | |
CHEERING | 0:00:12 | 0:00:14 | |
This programme contains some strong language | 0:00:14 | 0:00:19 | |
Strike! | 0:00:19 | 0:00:21 | |
'My name is Warwick Davis.' Hello, Dwarves For Hire. | 0:00:23 | 0:00:25 | |
'I'm an entrepreneur.' | 0:00:25 | 0:00:27 | |
-You're stealing the best roles for yourself. -'I'm an actor.' | 0:00:27 | 0:00:30 | |
-What part of the character's this? -Just keep going. | 0:00:30 | 0:00:32 | |
-'Soon to be divorced.' -Got your special shampoo? -Yes. | 0:00:32 | 0:00:35 | |
'Oh, and I've got a massive tax bill.' | 0:00:35 | 0:00:37 | |
It's you that didn't know what he was doing. You're my accountant. | 0:00:37 | 0:00:41 | |
Hello, I'm Warwick Davis and welcome to my website, warwickdavis.org.uk. | 0:00:47 | 0:00:51 | |
Here's a showbiz anecdote for you. | 0:00:51 | 0:00:54 | |
I was trying on costumes once with actor Mark Hamill. | 0:00:54 | 0:00:58 | |
He was stripped down to his underwear, | 0:00:58 | 0:01:00 | |
and I was quite literally taken aback by the size of the bulge in his underpants. | 0:01:00 | 0:01:05 | |
For a slight man, there really was a monster down there. | 0:01:05 | 0:01:08 | |
I was mightily impressed, and he was flaccid. | 0:01:08 | 0:01:11 | |
So there you have it, finally Warwick Davis has gone cyber. | 0:01:11 | 0:01:15 | |
The site's been live for 48 hours now. How many hits, Cheryl? | 0:01:15 | 0:01:19 | |
12. | 0:01:19 | 0:01:21 | |
12. For God's sakes! See, that annoys me. | 0:01:21 | 0:01:24 | |
Porn stars on sites like, I don't know, hotdirtysluts.co.uk, millions of hits. | 0:01:24 | 0:01:29 | |
Me, proper film star making proper films, 12 hits. | 0:01:29 | 0:01:33 | |
"Do you want to visit my website?" "No, we'd rather have a wank, Warwick." "Oh, have a wank then." | 0:01:33 | 0:01:38 | |
I mean, part of the problem could be that my website address is warwickdavis.org.uk. | 0:01:38 | 0:01:42 | |
Um, I couldn't get warwickdavis.com cos that was already taken, | 0:01:42 | 0:01:46 | |
so if you're looking for me and you type in warwickdavis.com, | 0:01:46 | 0:01:51 | |
you're going to be sorely disappointed. | 0:01:51 | 0:01:54 | |
Probably get some clown who's a plumber in Chepstow. | 0:01:54 | 0:01:57 | |
There he is. And I don't think you want to go there. | 0:01:57 | 0:01:59 | |
Well, it turns out you do, actually, he's had more hits than me. | 0:01:59 | 0:02:03 | |
1,800 people need a plumber in Chepstow? Fuck off! | 0:02:03 | 0:02:07 | |
What do you need? | 0:02:07 | 0:02:08 | |
-Well, I won't keep you guys. -Go on. | 0:02:08 | 0:02:10 | |
Well, I was thinking, what'd be great for my website | 0:02:10 | 0:02:13 | |
-would be a quote from you, Ricky, endorsing me as an actor. -OK. | 0:02:13 | 0:02:16 | |
-Think that's a good idea? -Yeah, definitely. | 0:02:16 | 0:02:18 | |
The problem is, I'll start straightaway, | 0:02:18 | 0:02:20 | |
-um, I can't think of anything. -You could think of something. | 0:02:20 | 0:02:23 | |
Just a couple of sentences singing my praises, and directors and producers would see it up there | 0:02:23 | 0:02:28 | |
-and think, "Wow, this dude must be good if..." -Really good idea. | 0:02:28 | 0:02:31 | |
-Yeah, yeah? What, to me to put my name to, to his... -Yeah, yeah. -..career? | 0:02:31 | 0:02:35 | |
Um, well, we're a bit snowed under, to be honest, but I... | 0:02:35 | 0:02:38 | |
-Can you just e-mail me something later? -Oh... Yeah. | 0:02:38 | 0:02:41 | |
Great. Cheers. Thanks. | 0:02:41 | 0:02:43 | |
The Society Of People Of Short Stature was set up in 1985. | 0:02:52 | 0:02:56 | |
We're a group that really campaigns for the rights of little people. | 0:02:56 | 0:03:01 | |
Currently, the chairman is a man called Anthony Braden. | 0:03:01 | 0:03:05 | |
I am vice chairman. | 0:03:05 | 0:03:08 | |
I should probably be chairman, really, | 0:03:10 | 0:03:12 | |
but I suppose it means more to Anthony, so good luck to him. | 0:03:12 | 0:03:17 | |
Prejudice doesn't need to be hate-fuelled, it can just be ignorance. | 0:03:17 | 0:03:21 | |
It can be being patronised or it can just simply be... | 0:03:21 | 0:03:25 | |
'I feel it's important to use whatever charisma | 0:03:25 | 0:03:29 | |
'and star power that I've been blessed with to help others.' | 0:03:29 | 0:03:33 | |
It's an honour. | 0:03:33 | 0:03:35 | |
It's also a duty. | 0:03:35 | 0:03:37 | |
If you can send in your bits of news and any interesting articles | 0:03:37 | 0:03:41 | |
we'll try and get them published. | 0:03:41 | 0:03:43 | |
So I look forward to seeing you at the next meeting. Thanks. | 0:03:43 | 0:03:47 | |
What's... What's all that? What's... | 0:03:47 | 0:03:49 | |
Oh, I've just got to do a quick interview for BBC News about the society, | 0:03:49 | 0:03:54 | |
-What, they're interviewing you? -Yeah. | 0:03:54 | 0:03:56 | |
Hiya. | 0:04:04 | 0:04:05 | |
So you're from the BBC. | 0:04:05 | 0:04:08 | |
Er, yeah. | 0:04:08 | 0:04:09 | |
British Broadcasting Corporation. | 0:04:09 | 0:04:11 | |
And, er, and you're interviewing Anthony? | 0:04:11 | 0:04:14 | |
That's right. | 0:04:14 | 0:04:16 | |
Seems a bit odd. You know, you've got a film star in your midst and you wouldn't use him. | 0:04:16 | 0:04:21 | |
What film star? | 0:04:21 | 0:04:22 | |
Me, Warwick Davis. Return Of The Jedi, etc. | 0:04:22 | 0:04:26 | |
Ah, OK. It's just a quick interview. | 0:04:26 | 0:04:29 | |
-We were told Anthony's the chairman of the society. -Yeah, I'm sure, yeah, well, he is. | 0:04:29 | 0:04:33 | |
Bit worried, actually. Anthony might freeze up in front of the cameras, you know. | 0:04:33 | 0:04:37 | |
It's just one camera. | 0:04:37 | 0:04:39 | |
-Can I have a word? -Yeah, of course. | 0:04:43 | 0:04:45 | |
Bloody film crew just clocked me, right, | 0:04:45 | 0:04:48 | |
and they want me to do the interview. | 0:04:48 | 0:04:50 | |
You all right if we do it together? | 0:04:50 | 0:04:52 | |
Yeah, fine. I'm not bothered. | 0:04:52 | 0:04:54 | |
Hiya. Just spoke to Anthony over there. | 0:04:57 | 0:05:01 | |
Our worst fears have come true. He's nervous. | 0:05:01 | 0:05:03 | |
He wants me to do the interview with him. | 0:05:03 | 0:05:06 | |
-Er, fine, whatever. -Cool. | 0:05:06 | 0:05:09 | |
You got a dressing room I can chill out in? | 0:05:11 | 0:05:13 | |
Just need to get my head together, you know. | 0:05:13 | 0:05:15 | |
-No, we're ready to go now. -Cool, mm. | 0:05:15 | 0:05:17 | |
Got any slap? | 0:05:18 | 0:05:20 | |
-Slap? -Make-up. | 0:05:20 | 0:05:22 | |
No. | 0:05:22 | 0:05:23 | |
It's all right, got me own. | 0:05:23 | 0:05:25 | |
Pop another chair out. | 0:05:26 | 0:05:28 | |
You all right? | 0:05:33 | 0:05:35 | |
Bit shiny... Do you want some powder? | 0:05:35 | 0:05:37 | |
No, I'm fine. | 0:05:37 | 0:05:38 | |
Sweaty. | 0:05:39 | 0:05:40 | |
Happy? | 0:05:40 | 0:05:41 | |
-Yeah, I'm happy. You happy? -Yeah. | 0:05:41 | 0:05:44 | |
-Great, let's rock 'n' roll. -OK, then. | 0:05:44 | 0:05:46 | |
Take one. | 0:05:46 | 0:05:47 | |
So, what are you campaigning for? | 0:05:48 | 0:05:50 | |
Well, um, homophobic or racial slurs are considered totally unacceptable nowadays, | 0:05:50 | 0:05:56 | |
and yet words like midget are still being commonly used. | 0:05:56 | 0:06:00 | |
Anthony's mentioned racism, and I see our struggle as being like the civil rights movement in America. | 0:06:00 | 0:06:05 | |
Of the two of us, I suppose I'm more like Martin Luther King, | 0:06:05 | 0:06:09 | |
just cos I've got the profile and the charisma and a way with words, | 0:06:09 | 0:06:12 | |
but, you know, that's not to say Anthony's not got an important role to play. | 0:06:12 | 0:06:16 | |
He's more your run of the mill coloured chap in the '50s, you know. | 0:06:16 | 0:06:20 | |
Yes, I'm taking all the glory and going down in history, | 0:06:20 | 0:06:23 | |
but then he's not getting shot in the head. | 0:06:23 | 0:06:25 | |
So, swings and roundabouts. | 0:06:25 | 0:06:27 | |
So, what is to be done? | 0:06:29 | 0:06:30 | |
It's about awareness. | 0:06:30 | 0:06:32 | |
A lot of people don't even realise that the word midget is considered offensive. | 0:06:32 | 0:06:35 | |
Oh, yeah, can I take this? Um, what we're talking about is equality, right? | 0:06:35 | 0:06:39 | |
Martin Luther King once said, | 0:06:39 | 0:06:41 | |
"I have a dream that one day a little black boy will walk hand in hand with a little white girl," OK? | 0:06:41 | 0:06:47 | |
Swap the word black for dwarf, and you've got my situation. | 0:06:47 | 0:06:50 | |
Not literally. I don't mean I want to walk down the street holding hands with a little white girl, | 0:06:50 | 0:06:56 | |
you know, or any little girl. | 0:06:56 | 0:06:58 | |
And if I did, um, totally above board, got the parents' permission and everything, | 0:06:58 | 0:07:02 | |
and it's not like I'm going to a supermarket and dragging the little girl out by the hand | 0:07:02 | 0:07:07 | |
and off down the woods, you know, Mum screaming, "Oh, where's my child?" | 0:07:07 | 0:07:11 | |
"Went off down the woods with a creepy little dwarf." | 0:07:11 | 0:07:14 | |
What I'm saying is that dwarves and regular people should be able to walk hand in hand as equals. | 0:07:14 | 0:07:21 | |
The Society Of People Of Short Stature wanted to... | 0:07:23 | 0:07:26 | |
Yeah, no, this is really good, this sort of exposure for the society, | 0:07:26 | 0:07:30 | |
and that's kind of what I can bring it, you know, with my profile, you know. | 0:07:30 | 0:07:35 | |
Programmes like this'll be interested to see what it's like. | 0:07:35 | 0:07:38 | |
Oh, here we are, here's Anthony, the shiny sod! | 0:07:38 | 0:07:42 | |
Go on, get on with it! | 0:07:42 | 0:07:44 | |
Homophobic or racial slurs are considered totally unacceptable nowadays, | 0:07:44 | 0:07:48 | |
and yet words like midget are still being commonly used. | 0:07:48 | 0:07:52 | |
So, what is to be done? | 0:07:52 | 0:07:53 | |
Basically, like other minority groups, | 0:07:53 | 0:07:56 | |
we feel we should be able to expect equality and dignity in public and in the workplace. | 0:07:56 | 0:08:01 | |
Most of the jobs in the entertainment industry for little people are not dignified. | 0:08:01 | 0:08:06 | |
Why can't a little person be playing Othello or Hamlet or any of the great roles? | 0:08:06 | 0:08:11 | |
Height should simply not be an issue. | 0:08:11 | 0:08:14 | |
It should simply come down to, "Can they act?" | 0:08:14 | 0:08:17 | |
Anthony Braden from the Society Of People Of Short Stature... | 0:08:17 | 0:08:21 | |
That's...that's ridiculous. | 0:08:21 | 0:08:23 | |
They've just cut me out. That's...that's embarrassing. | 0:08:23 | 0:08:30 | |
For them. | 0:08:30 | 0:08:33 | |
I feel like phoning up the head of the BBC and going, "All right? | 0:08:33 | 0:08:36 | |
"It's Warwick Davis here." "All right, how are you doing? Thought you'd be in Hollywood." | 0:08:36 | 0:08:41 | |
"No, no, took the day off." "What have you been doing, chilling out? | 0:08:41 | 0:08:44 | |
"No, spent the day helping one of your producers do a news report." | 0:08:44 | 0:08:47 | |
"That'll get the ratings in." "No, it won't, cos they cut me out." "Did they?" | 0:08:47 | 0:08:51 | |
"Yeah, they just left in some totally boring un-famous dwarf that no-one cares about. | 0:08:51 | 0:08:55 | |
"Tell that producer I'll never work for him again." | 0:08:55 | 0:08:58 | |
"Oh, don't worry, Warwick, he'll never work again." | 0:08:58 | 0:09:01 | |
Yeah, I'm not going to do that, though. | 0:09:01 | 0:09:03 | |
I don't want to get the little prat fired. | 0:09:03 | 0:09:05 | |
-Hello. What's all this? -We want to talk to you. | 0:09:20 | 0:09:25 | |
Ah, have you made an appointment cos, er, I've got a lot of meetings this afternoon, haven't I? | 0:09:25 | 0:09:30 | |
Mm, no, you haven't. | 0:09:30 | 0:09:32 | |
Are you sure? Just check again. | 0:09:32 | 0:09:35 | |
No, definitely not. You've got nothing. Nothing's going on. | 0:09:35 | 0:09:39 | |
Phone hasn't rung for weeks. | 0:09:39 | 0:09:41 | |
Thanks for your help. | 0:09:42 | 0:09:44 | |
Seems like I can squeeze you in. | 0:09:44 | 0:09:46 | |
We saw Anthony on the news last night. He made some interesting points. | 0:09:46 | 0:09:50 | |
-I made some as well, but they cut me out. -We're worried there's a conflict of interest. | 0:09:50 | 0:09:55 | |
-When the phone rings, we don't know if you're representing us or taking the best roles. -He's not. | 0:09:55 | 0:10:01 | |
-The phone never rings. -Yes, it does. | 0:10:01 | 0:10:04 | |
And I always talk you guys up, but if a producer calls up and says, "I want to book Warwick Davis," | 0:10:04 | 0:10:10 | |
I can't go, "Oh, no you don't want him, you want some nobody you've never heard of," can I? | 0:10:10 | 0:10:14 | |
-I assume you're not putting that on a press release. -Definitely not. Not putting out press releases. | 0:10:14 | 0:10:20 | |
-Well, shouldn't you be, to publicise us? -I've got the website. | 0:10:20 | 0:10:23 | |
Yeah, but that's a website for you. There should be a Dwarves For Hire website, | 0:10:23 | 0:10:27 | |
-with our CVs on there and our show reels. -Who's paying for this? | 0:10:27 | 0:10:30 | |
You! We want to show people we can play Othello or Hamlet or any other role a regular size person can play. | 0:10:30 | 0:10:35 | |
Like Anthony said on the news, height shouldn't be an issue, it should come down to, "Can they act?" | 0:10:35 | 0:10:41 | |
'The truth is they can't act.' | 0:10:43 | 0:10:45 | |
There's a reason they're bowling balls or being fired from cannons, | 0:10:45 | 0:10:49 | |
it's cos that's all they're good at. | 0:10:49 | 0:10:50 | |
'Look at Bernard, he's useless. | 0:10:50 | 0:10:53 | |
'I don't know what else he could do in life. | 0:10:53 | 0:10:55 | |
'He certainly can't act. | 0:10:55 | 0:10:57 | |
'I told him, "You want to volunteer for medical experiments, you'll make more money that way."' | 0:10:57 | 0:11:02 | |
They pump you full of drugs and prod you around. What's the worst that could happen? | 0:11:02 | 0:11:06 | |
Even if he ends up deformed or deaf and dumb or loses the use of his legs, | 0:11:06 | 0:11:09 | |
he'd be no worse off than he is now, and he'd have money! | 0:11:09 | 0:11:12 | |
'They come to me because I'm sort of their guardian angel. | 0:11:14 | 0:11:18 | |
'I care for them, I protect them, I nurture them. | 0:11:18 | 0:11:21 | |
'If they want to be taken seriously, then it's my duty to help.' | 0:11:21 | 0:11:25 | |
I'll make them a show reel. | 0:11:25 | 0:11:27 | |
I just hope they can keep the costs down, cos it is a total waste of money, | 0:11:30 | 0:11:33 | |
and I don't mind giving them false hope, but not at my expense. | 0:11:33 | 0:11:37 | |
Action. | 0:11:38 | 0:11:40 | |
My name is Maximus Decidimus Sorus, | 0:11:40 | 0:11:42 | |
Emperor of the armies and legions, servants of the, er... | 0:11:42 | 0:11:45 | |
Don't look at me. Just keep... | 0:11:45 | 0:11:47 | |
Servants of the Emperor, Marcus Aurelius. | 0:11:47 | 0:11:50 | |
Yeah. Blink. | 0:11:50 | 0:11:51 | |
I will have my vengeance, in this life or the next. | 0:11:51 | 0:11:54 | |
Er, er, oh! | 0:11:56 | 0:12:00 | |
This isn't showing you acting, you're hanging there moaning. Think of something to say. | 0:12:00 | 0:12:05 | |
This is bloody horrible. | 0:12:05 | 0:12:07 | |
This is not a good Friday. | 0:12:09 | 0:12:12 | |
Yeah, brilliant. Costing me five grand, this is. | 0:12:12 | 0:12:15 | |
OK, Brokeback Mountain, take one. | 0:12:15 | 0:12:18 | |
Oh, yeah, I love you. | 0:12:19 | 0:12:21 | |
Oh! Don't tell me wife. | 0:12:21 | 0:12:24 | |
Don't disturb the horses. | 0:12:24 | 0:12:26 | |
-Yeah. Hey, where did you get this tent from? -Millets. | 0:12:26 | 0:12:30 | |
No-one wants to see that. | 0:12:30 | 0:12:32 | |
I didn't even like seeing the real two do it in the film, and they were lookers. | 0:12:32 | 0:12:36 | |
Look at that. | 0:12:36 | 0:12:37 | |
I'm gay. | 0:12:37 | 0:12:39 | |
Oh! Me, too. | 0:12:39 | 0:12:40 | |
Aye, definitely gay. | 0:12:40 | 0:12:43 | |
Ricky Gervais and Stephen Merchant have sent a quote through for me. | 0:12:43 | 0:12:46 | |
They've made sure I get the wording exactly right. Um...I understand why. | 0:12:46 | 0:12:50 | |
Their reputation is everything, um, which is why when they endorse you, it means something. | 0:12:50 | 0:12:55 | |
Here it is. | 0:12:55 | 0:12:57 | |
"We've worked with some of the greatest actors on the planet and Warwick Davis." | 0:12:57 | 0:13:02 | |
Not bad, is it? Thank you, gentleman, for that. | 0:13:02 | 0:13:05 | |
Some more good news. | 0:13:05 | 0:13:06 | |
Finally, the fans have begun to find my website | 0:13:06 | 0:13:09 | |
and some of them have been leaving lovely comments, haven't they? | 0:13:09 | 0:13:12 | |
Cheryl, do you want to read some out? | 0:13:12 | 0:13:14 | |
No, not really. | 0:13:14 | 0:13:16 | |
No, I'm saying, "Read some out." | 0:13:16 | 0:13:18 | |
Oh, OK. | 0:13:18 | 0:13:19 | |
This one's from the Prince of Darkness. | 0:13:19 | 0:13:22 | |
All right, what does the Prince say? | 0:13:22 | 0:13:25 | |
-"Yay, Warwick's website." -Great, thank you, Prince of Darkness. Any more? | 0:13:25 | 0:13:29 | |
-This one's from Nigel Perkins. -Where do they get these names from? | 0:13:29 | 0:13:32 | |
Nutty, some of my fans, so... Hello, Nigel. What does he say? | 0:13:32 | 0:13:36 | |
"Well done." | 0:13:36 | 0:13:38 | |
Great, Nigel likes it. That's good. Um, cool. Any...anything else? | 0:13:38 | 0:13:43 | |
-Cyber Slayer. -Cyber Slayer! It's a cool name. | 0:13:43 | 0:13:45 | |
-Great. -He says, "Awful, you are rubbish, you are not an actor, you just dress up. | 0:13:45 | 0:13:50 | |
"We didn't even see your face in those films. | 0:13:50 | 0:13:53 | |
"That is not acting. You're not even a proper dwarf. | 0:13:53 | 0:13:57 | |
"Your arms are wrong." | 0:13:57 | 0:13:59 | |
Don't even know what that means. | 0:14:00 | 0:14:02 | |
"You're a disgusting little creature and I want to squash you." | 0:14:02 | 0:14:07 | |
Is that it? | 0:14:08 | 0:14:09 | |
No. | 0:14:09 | 0:14:11 | |
All right, what else? | 0:14:11 | 0:14:13 | |
"Fuck off." | 0:14:13 | 0:14:14 | |
Cyber Slayer. Ah, yeah, and that's not your real name. | 0:14:14 | 0:14:18 | |
Um, you're a coward, hiding behind a crappy little stupid name. | 0:14:18 | 0:14:24 | |
You're a waste of time, really, um, a moron. | 0:14:24 | 0:14:28 | |
Yeah, I, I don't know who you are. Nobody knows who you are. | 0:14:28 | 0:14:31 | |
You know, you've never been in any films or on the TV. | 0:14:31 | 0:14:33 | |
You...you're...you're nobody. You're not famous. | 0:14:33 | 0:14:36 | |
-How do you know he isn't famous? -He isn't famous! | 0:14:36 | 0:14:39 | |
-Which famous person would go online and slag me off? -Simon Cowell. | 0:14:39 | 0:14:43 | |
-Well, why? -He says what he thinks. | 0:14:43 | 0:14:45 | |
-Well, why would he think that? -Maybe he doesn't like looking at weird stuff. | 0:14:45 | 0:14:49 | |
He worked with Susan Boyle and Jedward, and Louis Walsh. | 0:14:49 | 0:14:55 | |
Excuse me. I'm here to pick up a dwarf. | 0:15:03 | 0:15:07 | |
Oh, yeah, er, drunk and disorderly, | 0:15:07 | 0:15:10 | |
and riding a children's tricycle down a dual carriageway. | 0:15:10 | 0:15:14 | |
Right, um, are you going to press charges? | 0:15:14 | 0:15:17 | |
Not if you're happy to take him into your custody. | 0:15:17 | 0:15:20 | |
Yeah, OK, whatever. | 0:15:20 | 0:15:22 | |
Let's have him. | 0:15:22 | 0:15:25 | |
As soon as they even think they're in a film they go and get wasted. | 0:15:25 | 0:15:29 | |
My name is Maximum Minimus, | 0:15:30 | 0:15:33 | |
and I'll have my end away with your wife, or the next... | 0:15:33 | 0:15:38 | |
We had to confiscate his sword. | 0:15:38 | 0:15:40 | |
I've got my own sword. My pork sword. | 0:15:40 | 0:15:43 | |
Ha! | 0:15:46 | 0:15:47 | |
Oh! | 0:15:47 | 0:15:49 | |
He's thrown up over his own penis. | 0:15:52 | 0:15:54 | |
You're not getting in my car smelling like that. | 0:15:56 | 0:15:59 | |
Don't need to. I've got my bike. | 0:15:59 | 0:16:02 | |
No, Pete, you can't go on the bike, not again. | 0:16:02 | 0:16:05 | |
No, whoa, stop! | 0:16:05 | 0:16:07 | |
Pete, stop! | 0:16:07 | 0:16:09 | |
Oh! Don't go on the dual carriageway, take the back roads. What is he..? | 0:16:09 | 0:16:14 | |
Oh! How long is that going to take him to get home? | 0:16:14 | 0:16:19 | |
CRASHING | 0:16:19 | 0:16:21 | |
Oh, now he's off. | 0:16:21 | 0:16:22 | |
Look, he's just flailing like a dung beetle. | 0:16:26 | 0:16:28 | |
Oh, it's pathetic. | 0:16:31 | 0:16:34 | |
Thought of the day, um, let's stay out of the Middle East, | 0:16:34 | 0:16:39 | |
let them blow themselves up and then just walk in and take the oil. | 0:16:39 | 0:16:44 | |
Next, women I'd like to meet. | 0:16:44 | 0:16:47 | |
Dame Judi Dench and Shakira for completely different reasons. | 0:16:47 | 0:16:52 | |
So, I posted that up and our friend Cyber Slayer has been back on | 0:16:52 | 0:16:57 | |
and he posted this comment. | 0:16:57 | 0:17:00 | |
"You'd never get off with a bird like Shakira, | 0:17:00 | 0:17:02 | |
"she'd take one look at you, gob in your ugly face and run a mile. | 0:17:02 | 0:17:05 | |
"I could get off with her because I do get off with birds as good as her all the time, anyway." | 0:17:05 | 0:17:09 | |
Pathetic. And he's a coward, cos he wouldn't say that to my face. | 0:17:09 | 0:17:14 | |
I'm going to prove that because I've tracked him down. | 0:17:14 | 0:17:17 | |
Cheryl here has been doing a bit of detective work, haven't you? | 0:17:17 | 0:17:21 | |
From his user name, I found his YouTube channel | 0:17:21 | 0:17:25 | |
and from his YouTube channel, it was linked to his MySpace page. | 0:17:25 | 0:17:30 | |
Yeah, yeah, OK. It's taking longer than an episode of Columbo. | 0:17:30 | 0:17:34 | |
Um, point is we found out he's 16 years old, | 0:17:34 | 0:17:36 | |
so there's no way he's getting off with better-looking birds than Shakira. | 0:17:36 | 0:17:40 | |
I've got his real name, I've got the name of his posh school, | 0:17:40 | 0:17:43 | |
so I'm going to pay the Cyber Slayer a little visit. | 0:17:43 | 0:17:47 | |
And I'm going to destroy him. | 0:17:47 | 0:17:48 | |
-Sorry, can I help you? -Yes, I want to read you something, if that's OK. | 0:18:13 | 0:18:17 | |
This was posted on my YouTube channel by a pupil in your class. | 0:18:17 | 0:18:22 | |
"You ugly little troll. I want to tie you up and beat you." | 0:18:22 | 0:18:27 | |
-Quiet! -Now, I don't know why he's got such a fascination with me. | 0:18:27 | 0:18:31 | |
Clearly has a fetish for dwarves. | 0:18:31 | 0:18:33 | |
Wants to tie me up, does he? Mm, sounds a bit gay! | 0:18:37 | 0:18:40 | |
Maybe he's in love with me. A gay dwarf fetish! | 0:18:40 | 0:18:43 | |
His name is Justin Palmer. | 0:18:45 | 0:18:47 | |
Justin Palmer, come up here. | 0:18:48 | 0:18:51 | |
WHIRRING | 0:18:51 | 0:18:53 | |
Justin, did you write these? | 0:19:05 | 0:19:07 | |
And tell me the truth. Did you bully this man online? | 0:19:07 | 0:19:11 | |
Yes. | 0:19:11 | 0:19:12 | |
What do you have to say for yourself? | 0:19:12 | 0:19:16 | |
-Sorry. -Don't say sorry to me, say sorry to him. | 0:19:16 | 0:19:18 | |
-It's fine, really, it doesn't matter. -No, it's not fine. | 0:19:18 | 0:19:21 | |
Apologise, please, to the gentleman that you've bullied. | 0:19:21 | 0:19:24 | |
-Wasn't actually bullying, as such. -Sorry. | 0:19:24 | 0:19:27 | |
Thanks. | 0:19:27 | 0:19:28 | |
Good. Now go back to your desk. | 0:19:28 | 0:19:31 | |
You haven't heard the last of this. See me afterwards. | 0:19:32 | 0:19:34 | |
-Gay! -OK, sssh! | 0:19:36 | 0:19:39 | |
Bum chum! | 0:19:39 | 0:19:41 | |
CHILDREN LAUGH | 0:19:41 | 0:19:42 | |
Bender! | 0:19:44 | 0:19:45 | |
'It's water under the bridge. Um, it's all sorted now.' | 0:19:47 | 0:19:50 | |
Um, I hadn't realised that he was... He'll be fine though, so... | 0:19:50 | 0:19:56 | |
CHILDREN LAUGH | 0:19:56 | 0:19:58 | |
Did you destroy him? | 0:20:10 | 0:20:12 | |
Destroy is such an awful term. | 0:20:13 | 0:20:15 | |
Any messages? | 0:20:15 | 0:20:17 | |
Yes, a woman called, she'd seen the Dwarves For Hire website. | 0:20:17 | 0:20:21 | |
Oh, yeah? | 0:20:21 | 0:20:22 | |
She said they need a dwarf actor urgently for a week's filming | 0:20:22 | 0:20:26 | |
on a movie with Helena Bonham Carter. | 0:20:26 | 0:20:29 | |
Really? What's... Where is it? | 0:20:29 | 0:20:33 | |
Great! | 0:20:33 | 0:20:34 | |
Shall I use one of those dwarves that complains | 0:20:34 | 0:20:37 | |
that you always take the best action jobs for yourself? | 0:20:37 | 0:20:40 | |
No. No, I'll...I'll do this job. They said they needed Warwick Davis, so... | 0:20:40 | 0:20:44 | |
They didn't specify, we can give it to who we want. | 0:20:44 | 0:20:46 | |
I know, but if a director says he needs a dwarf to act opposite Helena Bonham Carter, | 0:20:46 | 0:20:51 | |
then I have a responsibility to all my clients to take that role, you know, cos, you know, | 0:20:51 | 0:20:55 | |
if I give them any old dwarf, you know, it'll be like, | 0:20:55 | 0:20:58 | |
"Oh, this dwarf can't act, I'll never use a dwarf again," | 0:20:58 | 0:21:01 | |
whereas if I do it, he'll be like, "Wow, Warwick Davis is brilliant. | 0:21:01 | 0:21:04 | |
"If this is what all dwarf actors are like, I'm going to sprinkle this place with dwarves." | 0:21:04 | 0:21:09 | |
So, yeah, call 'em back, tell 'em they've got their dwarf. | 0:21:09 | 0:21:13 | |
Good. | 0:21:13 | 0:21:14 | |
Huge honour for me to be in a scene with Helena Bonham Carter. | 0:21:14 | 0:21:19 | |
Um, you know, a big thrill. | 0:21:19 | 0:21:21 | |
And she's a wonderful actress, you know, very talented, | 0:21:21 | 0:21:24 | |
is Oscar-nominated, and with her in a film, | 0:21:24 | 0:21:28 | |
it's going to get a lot of attention, which will put me back on the map. | 0:21:28 | 0:21:31 | |
So... So, yeah, it's a big opportunity for me. I'm very excited. | 0:21:31 | 0:21:35 | |
Stand by. | 0:21:41 | 0:21:42 | |
Action. | 0:21:42 | 0:21:44 | |
Now, I want you to be a brave young man for your father. | 0:21:45 | 0:21:49 | |
While he's away fighting for Her Majesty, you're to be the man of the house. | 0:21:49 | 0:21:53 | |
Miss Fairfax, I'm scared. | 0:21:53 | 0:21:56 | |
-One more time. -Shall I give you the line, then you just do it? | 0:21:56 | 0:21:59 | |
Miss Fairfax, I'm scared. | 0:21:59 | 0:22:01 | |
Fear is what makes you a man. | 0:22:01 | 0:22:04 | |
You cannot have courage without fear. | 0:22:04 | 0:22:06 | |
Brilliant, Danny. One more time, even more scared. | 0:22:06 | 0:22:09 | |
Miss Fairfax, I'm scared. | 0:22:09 | 0:22:12 | |
Yes, but fear's what makes you a man. | 0:22:12 | 0:22:14 | |
You cannot have courage without fear. | 0:22:14 | 0:22:16 | |
And cut. Check the gate. | 0:22:16 | 0:22:18 | |
That was lovely. You worked so... | 0:22:18 | 0:22:20 | |
Beautiful. Cut there. | 0:22:20 | 0:22:22 | |
OK, we'll see you tomorrow. | 0:22:22 | 0:22:24 | |
Really good. | 0:22:24 | 0:22:27 | |
-Can we turn round on Helena and find me Danny's stand-in. -Yes, OK. | 0:22:27 | 0:22:31 | |
I'm a stand-in for a child. | 0:22:31 | 0:22:33 | |
Yeah, kids can only work a certain number of hours on a film, | 0:22:35 | 0:22:39 | |
so if they're going to shoot from behind the kid's head, they'll often use dwarves. | 0:22:39 | 0:22:44 | |
So that means I'm not even going to be in the film. | 0:22:44 | 0:22:47 | |
I'm just here so Helen Bonham Carter's got someone to look at. | 0:22:47 | 0:22:52 | |
Could have used any old dwarf. | 0:22:52 | 0:22:54 | |
And action. | 0:22:54 | 0:22:56 | |
Now, I want you to be a brave young man for your father. | 0:22:56 | 0:23:01 | |
While he's away, fighting for Her Majesty, | 0:23:01 | 0:23:03 | |
you're to be the man of the house. | 0:23:03 | 0:23:05 | |
-Miss Fairfax, I'm scared. -Yes, but fear's what makes you a man. | 0:23:05 | 0:23:10 | |
You cannot have courage without fear. I want you to remember that. | 0:23:10 | 0:23:13 | |
Then I must be a brave man, for all I feel is fear... | 0:23:13 | 0:23:16 | |
I'm sorry, I'm sorry, I can't... | 0:23:16 | 0:23:18 | |
-Cut, cut. What's the problem? -Yeah, I'm... | 0:23:18 | 0:23:21 | |
-What? -No, it's just like, it's just really hard to act opposite this, given the way it looks. | 0:23:21 | 0:23:26 | |
I mean, it's a bit weird, I mean, the...the legs don't move the same as Danny's. | 0:23:26 | 0:23:30 | |
-Yeah, OK, yeah. -Yeah, and I can't have its face staring at me. | 0:23:30 | 0:23:34 | |
-It? -Can we lose the face? | 0:23:34 | 0:23:36 | |
-What d'you mean, lose the face? -Can we cover up the face? -Does he even need to be there at all? | 0:23:36 | 0:23:40 | |
I mean, anything else would do. | 0:23:40 | 0:23:42 | |
-How about a block of wood? -Block of wood would be great. | 0:23:42 | 0:23:45 | |
-Block of wood, please. -What about a bin? -Yeah, a bin would be fine. -Oh, yeah(!) | 0:23:45 | 0:23:49 | |
-Paint a face on it so I've got something to focus on. -Face, please, face on the bin. | 0:23:49 | 0:23:53 | |
-OK. Thanks. Come on, come on. -All right. | 0:23:53 | 0:23:57 | |
OK. Great, yeah, that's perfect. | 0:23:57 | 0:23:59 | |
-Do you still need the lines? -Yeah, yeah, get him to do the lines. | 0:23:59 | 0:24:02 | |
-OK. Thanks, Nobs. -Yeah. | 0:24:02 | 0:24:04 | |
-OK, thank you, just the lines. -OK. | 0:24:04 | 0:24:06 | |
Right, let's go. | 0:24:06 | 0:24:08 | |
And action. | 0:24:08 | 0:24:09 | |
Now, I want you to be a brave young man for your father. | 0:24:09 | 0:24:13 | |
While he's away fighting for Her Majesty, | 0:24:13 | 0:24:16 | |
-you're to be the man of the house. -Miss Fairfax, I'm scared. | 0:24:16 | 0:24:19 | |
-I'm sorry. -Cut, cut. | 0:24:19 | 0:24:20 | |
What's the problem? | 0:24:20 | 0:24:22 | |
He's sneaking around back there, I don't know what he's doing. He could be weeing or anything. | 0:24:22 | 0:24:26 | |
-What? -What are you doing? | 0:24:26 | 0:24:28 | |
Tell you what, why don't we put him in the bin? | 0:24:28 | 0:24:30 | |
-Yeah, might be better. -OK, let's put the midget in the bin. | 0:24:30 | 0:24:34 | |
Hang on! No, I'm not going in the bin. | 0:24:34 | 0:24:36 | |
-Have you got a problem? -It's ridiculous. -Really? | 0:24:36 | 0:24:38 | |
Well... | 0:24:38 | 0:24:40 | |
You want to get paid? | 0:24:40 | 0:24:41 | |
OK, let's go again. Stand by. | 0:24:43 | 0:24:45 | |
And we're rolling. Action. | 0:24:47 | 0:24:49 | |
Now, I want you to be a brave young man. | 0:24:49 | 0:24:51 | |
While your father's away fighting for Her Majesty, | 0:24:51 | 0:24:53 | |
you are going to be the man of the house. | 0:24:53 | 0:24:55 | |
-Miss Fairfax, I'm scared. -Yes, but fear... | 0:24:55 | 0:24:58 | |
-I'm sorry! -Cut. What? | 0:24:58 | 0:25:02 | |
-Helena? -No, I can't do it like that. | 0:25:02 | 0:25:04 | |
That's really bad, bad acting. It's horrible. | 0:25:04 | 0:25:07 | |
Look, I'm not even looking at him and it's still really... I can't. | 0:25:07 | 0:25:12 | |
All right, no, I've got an idea, I've got an idea, I've got an idea. | 0:25:12 | 0:25:15 | |
-Nobby, thought you might help. -He'll be fine. -You do the line. -Yeah, thanks. -Why Nobby now? | 0:25:15 | 0:25:20 | |
Nobs, thanks. | 0:25:20 | 0:25:21 | |
OK, why don't you just read Miss Fairfax, that's all I need, just read it, OK? | 0:25:21 | 0:25:25 | |
-Stand by. -Do I need to stay? | 0:25:25 | 0:25:28 | |
Rolling. | 0:25:28 | 0:25:29 | |
OK, ready, and action. | 0:25:29 | 0:25:32 | |
I want you to be a brave young man for your father. | 0:25:32 | 0:25:34 | |
While he's away, fighting for Her Majesty, you're the man of the house. | 0:25:34 | 0:25:38 | |
Miss, Miss Fairfax, I'm scared. | 0:25:38 | 0:25:40 | |
I'm sorry. | 0:25:40 | 0:25:41 | |
-Ah, cut, cut, cut! -No... I... He's peering... | 0:25:41 | 0:25:44 | |
-He's staring at me while I'm doing the scene. -Oh! | 0:25:44 | 0:25:46 | |
-He must be putting Nobby off. -It is a bit, yeah. -Yeah, and I'm... | 0:25:46 | 0:25:49 | |
-Don't worry, Nobs, we'll get another go. Don't worry. He's just, um... -Yeah. I know. | 0:25:49 | 0:25:54 | |
-And he smells. -They all smell. -I think you'll find it's the bin! | 0:25:54 | 0:25:57 | |
-No, no, it's... -Excuse me. -I'll do it. I think I've had enough. -OK. | 0:25:57 | 0:26:00 | |
-And I know what I can take. -We'll get rid of him, we'll get rid of him. | 0:26:00 | 0:26:04 | |
-And I'm just on the brink. -We'll do a separate shoot. | 0:26:04 | 0:26:07 | |
-Yeah. -Without the, er... I'm sorry, I'm sorry. | 0:26:07 | 0:26:10 | |
-OK. -Oh, shit, I'm sorry. It's OK. | 0:26:10 | 0:26:13 | |
OK, that's lunch, folks. Back at two. | 0:26:13 | 0:26:15 | |
Excuse me. Sorry? | 0:26:24 | 0:26:26 | |
Excuse me. | 0:26:26 | 0:26:28 | |
Right. | 0:26:30 | 0:26:31 | |
"Do you want to do a day's filming with Helena Bonham Carter | 0:26:34 | 0:26:37 | |
"for shit money while a fat bloke with a beard does your lines for you, cos you're so crap at acting?!" | 0:26:37 | 0:26:41 | |
'Crap? | 0:26:41 | 0:26:42 | |
'Like you're going to get my best acting from inside a bin!' | 0:26:42 | 0:26:47 | |
If you want me in a bin, you're not getting my best acting as well. It's one or the other. | 0:26:47 | 0:26:51 | |
Do you want best acting, or do you want me in a bin? You decide. | 0:26:51 | 0:26:55 | |
Fine. So it's, er, lunch. | 0:26:55 | 0:26:58 | |
Thanks for your help. | 0:26:58 | 0:27:02 | |
-We're in LA Thursday, if you want to do dinner. -Sounds great. | 0:27:05 | 0:27:08 | |
Maybe I should be in the chairman's chair. | 0:27:08 | 0:27:10 | |
Maybe there are testicles down there. | 0:27:10 | 0:27:12 | |
I haven't got testicles. | 0:27:12 | 0:27:13 | |
This is the amount we've arrived at. | 0:27:13 | 0:27:15 | |
Oh, the fucking solicitor! | 0:27:15 | 0:27:18 | |
It was the wrong time for comedy, I know that now. | 0:27:18 | 0:27:21 | |
THEY LAUGH | 0:27:21 | 0:27:23 | |
Oh, that is so going on YouTube! | 0:27:23 | 0:27:25 | |
-You still want to do dinner? -Er, no. | 0:27:25 | 0:27:27 | |
Be awkward, wouldn't it? | 0:27:27 | 0:27:29 | |
This is bloody horrible. You're making a big mistake. | 0:27:32 | 0:27:35 | |
You should not have crucified me. | 0:27:35 | 0:27:37 | |
I ask you, would you use him? | 0:27:37 | 0:27:40 | |
If I ever wrote The Passion Of The Dwarf, maybe. | 0:27:40 | 0:27:43 | |
You think that's inappropriate, look at this. | 0:27:43 | 0:27:46 | |
I like men who give me pleasure, and he gave me a lot of pleasure. | 0:27:46 | 0:27:50 | |
You ever fucked on cocaine? | 0:27:50 | 0:27:52 | |
Whoa! Oh, that's going to do her no good at all. | 0:27:52 | 0:27:57 | |
-Yeah, I wanted to cut it. -Or at least give it a quick trim! | 0:27:57 | 0:27:59 |