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This programme contains some strong language. | 0:00:04 | 0:00:09 | |
Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
Dara O Briain. | 0:00:22 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:26 | |
Thank you very much! Good evening, ladies and gentlemen! | 0:00:36 | 0:00:39 | |
Welcome to Live At The Apollo. | 0:00:39 | 0:00:40 | |
Are you in good form? CHEERING | 0:00:40 | 0:00:43 | |
Fantastic. Huge crowd here. | 0:00:43 | 0:00:44 | |
It's a particular pleasure to be back on the stage here at the Apollo. | 0:00:44 | 0:00:47 | |
A few years since I've been doing this, | 0:00:47 | 0:00:49 | |
and since I've been touring. | 0:00:49 | 0:00:50 | |
Well, not long, three years. But you do, as a performer go, | 0:00:50 | 0:00:53 | |
"Will it have changed as I travel around, around the UK, just touring | 0:00:53 | 0:00:56 | |
"the place, will people have changed, will the country...? | 0:00:56 | 0:00:59 | |
One thing has changed since I last the last tour... | 0:00:59 | 0:01:02 | |
There's a lot more pulled pork then there was three years ago. | 0:01:02 | 0:01:06 | |
Where did the pulled pork appear from and how did we survive | 0:01:06 | 0:01:10 | |
until now without it? | 0:01:10 | 0:01:12 | |
Every menu, in every restaurant... | 0:01:12 | 0:01:15 | |
"Do you want a bit of pulled pork with that? Have a bit of pulled pork. We'll slide a bit | 0:01:15 | 0:01:18 | |
"of pulled pork into that, go on. You want a bit of pulled pork, | 0:01:18 | 0:01:21 | |
"have a bit of pulled pork. Have a bit..." | 0:01:21 | 0:01:22 | |
"It is a cheesecake. | 0:01:22 | 0:01:24 | |
"It will not benefit in any way from the addition of pulled pork." | 0:01:24 | 0:01:28 | |
One thing that happened... You're touring now, | 0:01:29 | 0:01:31 | |
a bit older, kind of going, | 0:01:31 | 0:01:32 | |
"What are we going to pass on to the next generation?" | 0:01:32 | 0:01:34 | |
Particularly what do we teach our kids? | 0:01:34 | 0:01:36 | |
I'm kind of in the middle of all that at the moment. | 0:01:36 | 0:01:38 | |
I'm not going to give out... | 0:01:38 | 0:01:39 | |
Anyone who's a teacher or in schools or any of that, | 0:01:39 | 0:01:41 | |
good stuff, fantastic, good for you. LONE CHEER | 0:01:41 | 0:01:44 | |
One of you out tonight. | 0:01:44 | 0:01:45 | |
The rest off marking. So... | 0:01:45 | 0:01:48 | |
It's not the stuff you teach. The stuff that we teach, right, | 0:01:49 | 0:01:52 | |
I just find it bizarre. The preschool syllabus. | 0:01:52 | 0:01:55 | |
The stuff that as parents you're supposed to drum into a kid's head. | 0:01:55 | 0:01:58 | |
The stuff from nought to three. | 0:01:58 | 0:01:59 | |
The stuff that presumably we as a society have decided | 0:01:59 | 0:02:02 | |
is the fundamental, the bedrock information | 0:02:02 | 0:02:05 | |
that we've got to drum into these... | 0:02:05 | 0:02:07 | |
That syllabus is un-evolved. | 0:02:07 | 0:02:10 | |
The amount of effort I put into teaching animal noises... | 0:02:10 | 0:02:14 | |
..and pairing the same farm animal to the same farm animal noise to | 0:02:15 | 0:02:20 | |
two children who live in the middle of London... | 0:02:20 | 0:02:23 | |
At no stage is a cow going to wander randomly into the house, | 0:02:25 | 0:02:28 | |
and them go, "Oh, my God, a cow. Baaah!" | 0:02:28 | 0:02:31 | |
And me to go, "You fucking eejit. | 0:02:31 | 0:02:34 | |
"It's a cow! We've been training for this situation for years now." | 0:02:34 | 0:02:38 | |
Animal noises and ABCs. | 0:02:40 | 0:02:42 | |
For those of you either before this or beyond this, ABCs are those | 0:02:42 | 0:02:45 | |
big, thick-page books with one word per page in alphabetical order, | 0:02:45 | 0:02:49 | |
and they make perfect sense at the start of the book. | 0:02:49 | 0:02:51 | |
Oh, they're magical at the beginning of the book. | 0:02:51 | 0:02:54 | |
But when you get to the back of the book, | 0:02:54 | 0:02:56 | |
when you start doing the freak letters, | 0:02:56 | 0:02:59 | |
you're putting the same amount of effort into teaching words | 0:02:59 | 0:03:02 | |
to your children that you as an adult know well | 0:03:02 | 0:03:05 | |
they will never get to use as an adult. | 0:03:05 | 0:03:08 | |
Xylophone. | 0:03:08 | 0:03:09 | |
The hours you spend... Look at the xylophone. Look at the xylophone. | 0:03:09 | 0:03:13 | |
Hardly a day goes by as an adult where somebody doesn't come up going, | 0:03:13 | 0:03:16 | |
"Dara, have you got your xylophone on you? | 0:03:16 | 0:03:18 | |
"I left my xylophone behind on a bus | 0:03:18 | 0:03:20 | |
"and I've got a major xylophone-based event coming up this evening." | 0:03:20 | 0:03:23 | |
Some day I would like to meet a professional xylophone player | 0:03:25 | 0:03:28 | |
just to go, "How did you get into the xylophone?" | 0:03:28 | 0:03:32 | |
In the off chance that they'll go, "Well, in my house, when I was | 0:03:32 | 0:03:35 | |
"growing up, the xylophone was just as important as apple, ball or cat." | 0:03:35 | 0:03:42 | |
And I'll go, "And is your sister a xylophone player?" | 0:03:43 | 0:03:46 | |
"No, she's an X-ray technician." | 0:03:46 | 0:03:48 | |
Cos they're only two words you can use. | 0:03:50 | 0:03:52 | |
You can only use xylophone and X-ray. | 0:03:52 | 0:03:54 | |
You can not use a third word beginning with X. | 0:03:54 | 0:03:56 | |
What is the third word beginning with X? | 0:03:56 | 0:03:58 | |
-MAN: -Xenophobe! -Xenophobia, well done, chap. Very good. | 0:03:58 | 0:04:02 | |
Xenophobia is the third word beginning with X. | 0:04:02 | 0:04:05 | |
Xenophobia, the irrational fear of foreigners. | 0:04:05 | 0:04:08 | |
I would give anything | 0:04:08 | 0:04:11 | |
to have an ABC in which the word for X was xenophobia. | 0:04:11 | 0:04:17 | |
Just to turn that page and go, "Look at those faces. | 0:04:18 | 0:04:22 | |
"They're different, aren't they, those faces? | 0:04:25 | 0:04:27 | |
"How does that make you feel inside? | 0:04:29 | 0:04:31 | |
"You're not sure how it makes you feel inside? | 0:04:32 | 0:04:35 | |
"You don't know what they want? | 0:04:35 | 0:04:37 | |
"They want your job." | 0:04:37 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:40 | |
APPLAUSE | 0:04:40 | 0:04:42 | |
I haven't ABC at home in which Y is for yacht. | 0:04:46 | 0:04:50 | |
What lifestyle are they preparing this child for? | 0:04:50 | 0:04:53 | |
Sitting on the yacht playing me xylophone. | 0:04:53 | 0:04:56 | |
He'll be standing on the edge of the boat, looking at the dark | 0:04:58 | 0:05:01 | |
faces in the harbour. | 0:05:01 | 0:05:02 | |
Then there are the things we do teach them in school | 0:05:09 | 0:05:11 | |
and we only teach them once. This wrecks my head. | 0:05:11 | 0:05:13 | |
There are entire tracts of history, for example, that we | 0:05:13 | 0:05:16 | |
only teach kids once. | 0:05:16 | 0:05:17 | |
And we don't teach them again later when they are older, | 0:05:17 | 0:05:20 | |
like a more nuanced, more political, more sophisticated version of it. | 0:05:20 | 0:05:24 | |
The Vikings are a very good example of this. | 0:05:24 | 0:05:26 | |
One of the great colonial powers of the last 1,000 years. | 0:05:26 | 0:05:29 | |
Swept across northern Europe, through Britain, | 0:05:29 | 0:05:31 | |
through Ireland, Iceland, Greenland, possibly as far as North America. | 0:05:31 | 0:05:35 | |
Held huge banquets in their own honour. | 0:05:35 | 0:05:38 | |
"Oh, we shall feast tonight, Ragnor, for we have one a great battle." | 0:05:38 | 0:05:41 | |
"Indeed we have, Erik. | 0:05:41 | 0:05:43 | |
"And they shall speak of our exploits for thousands of years." | 0:05:43 | 0:05:48 | |
"Who, Ragnor? Who shall speak of our exploits?" | 0:05:48 | 0:05:52 | |
"Mainly six- to eight-year-olds." | 0:05:52 | 0:05:55 | |
"Six- to eight-year-olds will love us, you know that? | 0:05:58 | 0:06:01 | |
"Oh, they'll do projects about our boats, | 0:06:01 | 0:06:05 | |
"they'll draw pictures of our sails they'll get our hats wrong." | 0:06:05 | 0:06:10 | |
Then there are the things that we teach kids | 0:06:13 | 0:06:15 | |
and the only reason we teach them to kids is because our parents | 0:06:15 | 0:06:18 | |
taught them to us, and I am calling bullshit on one of those tonight. | 0:06:18 | 0:06:24 | |
Oh, yeah. | 0:06:24 | 0:06:25 | |
Specifically, elbows off the table. | 0:06:25 | 0:06:28 | |
Excuse me, but what is the problem with an elbow on a table? | 0:06:30 | 0:06:34 | |
A table is elbow height. It is the ideal place to stick an elbow. | 0:06:34 | 0:06:39 | |
You can rest them, you can swivel them, | 0:06:39 | 0:06:41 | |
you can use them as base camp for the rest of the meal. | 0:06:41 | 0:06:44 | |
It is a fantastic thing to place an elbow. And yet... | 0:06:44 | 0:06:47 | |
The reason we say, "Elbows off the table," to our kids is | 0:06:47 | 0:06:51 | |
because our parents said, "Elbows off the table," to us. | 0:06:51 | 0:06:53 | |
And the reason they said, "Elbows off the table," to us | 0:06:53 | 0:06:56 | |
is cos their parents said, "Elbows off the table," to them | 0:06:56 | 0:06:58 | |
and frankly that's how religions get started. | 0:06:58 | 0:07:01 | |
LAUGHTER AND APPLAUSE | 0:07:01 | 0:07:04 | |
CHEERING | 0:07:04 | 0:07:06 | |
No more. | 0:07:08 | 0:07:10 | |
Stick your elbows on the table, knock yourself out, enjoy yourself, right? | 0:07:10 | 0:07:14 | |
Besides which, I'd imagine, | 0:07:14 | 0:07:16 | |
if you went through the social history of it, | 0:07:16 | 0:07:18 | |
you'd probably find out the whole elbows on the table, | 0:07:18 | 0:07:20 | |
with respect to yourselves, is an English Victorian or Edwardian thing, | 0:07:20 | 0:07:24 | |
that it was regarded as poor etiquette to | 0:07:24 | 0:07:27 | |
show your elbows off in a kind of a... | 0:07:27 | 0:07:30 | |
"Oh, Mr Darcy, thank you for joining us at Cavendish Hall | 0:07:30 | 0:07:34 | |
"for our annual Christmas celebration. | 0:07:34 | 0:07:36 | |
"Please come with me into the drawing-room. | 0:07:36 | 0:07:39 | |
"Elizabeth!" | 0:07:39 | 0:07:40 | |
"How are you, Mr Darcy? | 0:07:40 | 0:07:43 | |
"Have a look at that, Mr Darcy. Do you like what you see?" | 0:07:43 | 0:07:47 | |
"Elizabeth, don't bring shame upon this family." | 0:07:48 | 0:07:52 | |
"Fuck you, Mammy. I haven't got a husband. | 0:07:52 | 0:07:54 | |
"Plenty more where that came from, Mr Darcy." | 0:07:59 | 0:08:02 | |
Elizabeth, why do you have a Dublin accent? | 0:08:04 | 0:08:07 | |
And we learn things all the time. We're always learning, | 0:08:11 | 0:08:13 | |
always pushing back the levels of what we know. | 0:08:13 | 0:08:15 | |
You know me as a nerd, right? | 0:08:15 | 0:08:17 | |
I'm always across all these things, whether it's space, | 0:08:17 | 0:08:20 | |
technology, maths or whatever, or the brain - really excited about | 0:08:20 | 0:08:23 | |
the brain at the moment. There's a very big debate... | 0:08:23 | 0:08:25 | |
Sorry, getting nerdy for a second. | 0:08:25 | 0:08:27 | |
..in the brain about a thing called the gendered brain, which is | 0:08:27 | 0:08:30 | |
basically the scientific discussion of whether, | 0:08:30 | 0:08:32 | |
on that continuum of male and female brains, | 0:08:32 | 0:08:35 | |
whether there's genuinely a structural or chemical | 0:08:35 | 0:08:37 | |
difference between the two, or whether it's just a societal thing. | 0:08:37 | 0:08:40 | |
It's the eternal question, right? And I'm not an academic. | 0:08:40 | 0:08:43 | |
I can't offer something academic to that but nonetheless I can offer | 0:08:43 | 0:08:46 | |
one little observation about the male brain versus the female brain. | 0:08:46 | 0:08:50 | |
One thing that the male brain does that the female brain does not, | 0:08:50 | 0:08:53 | |
and this is not meant in any way to say it's a better thing or | 0:08:53 | 0:08:56 | |
a worse thing - it just is. | 0:08:56 | 0:08:58 | |
The male brain can enter a special state, | 0:08:58 | 0:09:01 | |
a special altered mode where the chemicals of | 0:09:01 | 0:09:04 | |
the male brain change dramatically. | 0:09:04 | 0:09:06 | |
It's not for long, it's just after an event, | 0:09:06 | 0:09:08 | |
an event occurs and, for five minutes after the event, the male brain | 0:09:08 | 0:09:12 | |
is a very different brain than it was just before the event. | 0:09:12 | 0:09:15 | |
Basically, there's a build-up to the event, | 0:09:15 | 0:09:17 | |
the event and then after the event, | 0:09:17 | 0:09:19 | |
and, after the event, it's a completely different universe | 0:09:19 | 0:09:22 | |
that the male brain is inhabiting for five... | 0:09:22 | 0:09:25 | |
Most men have now gathered what I mean by the event, right? | 0:09:25 | 0:09:28 | |
The event is a very happy event. It's the event, it's a good event. | 0:09:28 | 0:09:32 | |
Let me put it on a medical term. | 0:09:32 | 0:09:34 | |
In Ireland, the medical term is getting the ride. | 0:09:34 | 0:09:36 | |
That is the term used. | 0:09:36 | 0:09:38 | |
The male brain is awash with hormones cos they're constantly going, | 0:09:39 | 0:09:42 | |
"Will this lead to the ride? Find the ride. | 0:09:42 | 0:09:44 | |
"There must be a ride somewhere. Any ride here? No ride here. | 0:09:44 | 0:09:47 | |
"Go over there. Maybe there's a ride there." | 0:09:47 | 0:09:49 | |
Constantly telling you to get the ride. Then you get the ride | 0:09:49 | 0:09:51 | |
and these chemicals fuck off somewhere, right? | 0:09:51 | 0:09:54 | |
They leave you wandering around like you've been | 0:09:54 | 0:09:57 | |
released from a hostage situation going, "What has happened here?" | 0:09:57 | 0:10:01 | |
It's like the Matrix being switched off. | 0:10:01 | 0:10:04 | |
Suddenly, you see the universe as it truly is, | 0:10:04 | 0:10:08 | |
including all the hideous decisions you've made, | 0:10:08 | 0:10:10 | |
particularly in the build-up to the ride you've just had. | 0:10:10 | 0:10:14 | |
Who are you? What are we doing in this skip? | 0:10:14 | 0:10:18 | |
Jesus, what was I thinking for the last half-hour? | 0:10:18 | 0:10:21 | |
It is so profoundly different a chemical state in the male | 0:10:23 | 0:10:26 | |
brain that I think it should be legislated for. | 0:10:26 | 0:10:29 | |
Companies that trade in luxury goods were impulse purchases | 0:10:29 | 0:10:32 | |
should be required by law to take this into account. | 0:10:32 | 0:10:36 | |
So if a man walks into a fancy garage full of sports cars | 0:10:36 | 0:10:38 | |
and goes, "I want to buy a sports car. Oh, I want a sports car. | 0:10:38 | 0:10:41 | |
"Vroom-vroom-vroom. I wonder sports car." | 0:10:41 | 0:10:43 | |
That guy should be obliged by law to go, | 0:10:43 | 0:10:44 | |
"Well, I'd love to sell you a sports car. | 0:10:44 | 0:10:46 | |
"We have one of the greatest range of sports cars in the city here, | 0:10:46 | 0:10:49 | |
"I'd be delighted to sell you one. | 0:10:49 | 0:10:50 | |
"But unfortunately, under new legislation, | 0:10:50 | 0:10:54 | |
"I must first ask you to step into that little cubicle over there. | 0:10:54 | 0:10:57 | |
"Have a little wank for yourself, all right?" | 0:10:59 | 0:11:01 | |
Guaranteed three to five minutes later, the man will walk out | 0:11:04 | 0:11:08 | |
and go, "I don't want a sports car. | 0:11:08 | 0:11:10 | |
"What was I thinking? I have no need for a sports car. | 0:11:10 | 0:11:13 | |
"How can I bring the kids to school in a sports car? Jesus! | 0:11:13 | 0:11:15 | |
"What was I doing? Who am I? Where are you? How did I get here? | 0:11:15 | 0:11:18 | |
"Somebody take me home." Right? | 0:11:18 | 0:11:19 | |
Ladies, if you want truth from a man, you have a five-minute window | 0:11:21 | 0:11:25 | |
post-orgasm in which to ask him any question you want, right? | 0:11:25 | 0:11:29 | |
And you've literally five minutes before the chemicals rush back in | 0:11:29 | 0:11:33 | |
and the game begins again. | 0:11:33 | 0:11:35 | |
It is so profound and we should take this into account. | 0:11:37 | 0:11:40 | |
The worst thing it does, it offers clarity, | 0:11:40 | 0:11:43 | |
and clarity is a terrible thing to have when it comes to sex. | 0:11:43 | 0:11:47 | |
Not just sex but to all the stuff around sex. | 0:11:47 | 0:11:51 | |
Can I apologise to every woman in this room for the ludicrous shite | 0:11:51 | 0:11:57 | |
that you've had foisted upon you in the name of what we find horny? | 0:11:57 | 0:12:02 | |
Some of which I know you only do in a kind of a... | 0:12:04 | 0:12:07 | |
cos you think it's an ironic little joke. | 0:12:07 | 0:12:09 | |
You know all that kind of boop-boopy-doo shit, right, | 0:12:09 | 0:12:12 | |
that we'd occasionally get you to do cos you think it's a joke? | 0:12:12 | 0:12:15 | |
You're going "Ha-ha-ha, this is kind of a funny joke, isn't it?" | 0:12:15 | 0:12:18 | |
And we're going, "Yeah, yeah, just keep doing it." | 0:12:18 | 0:12:21 | |
"No, but you're enjoying this on an ironic level." | 0:12:24 | 0:12:26 | |
"Sure, whatever. Just sing Santa Baby, one more time." | 0:12:26 | 0:12:30 | |
I mean, lingerie is a perfect example of an entire global industry | 0:12:33 | 0:12:37 | |
based around this. Ludicrous clothing, right? | 0:12:37 | 0:12:41 | |
If you're ever with a woman and she comes out dressed in lingerie | 0:12:41 | 0:12:44 | |
and goes, "Is this what you like, is it? | 0:12:44 | 0:12:47 | |
"This is what you like, is it?" | 0:12:47 | 0:12:50 | |
You never feel more like an ape in a simian research laboratory | 0:12:50 | 0:12:55 | |
as a kindly scientist from a superior species tries to | 0:12:55 | 0:13:00 | |
fathom how your lower brain works. | 0:13:00 | 0:13:03 | |
"Is this what you like, is it? | 0:13:04 | 0:13:06 | |
"Show me on the flash cards if this is what you like." | 0:13:06 | 0:13:09 | |
"Banana. Banana. | 0:13:10 | 0:13:13 | |
"Tyre on a rope, tyre on a rope, banana, banana, tyre on a rope." | 0:13:13 | 0:13:17 | |
I mean, stockings are a great example of this. | 0:13:17 | 0:13:20 | |
A ridiculous item of clothing, but incredibly specific. | 0:13:20 | 0:13:24 | |
This is where the sexy is. | 0:13:24 | 0:13:26 | |
This exact height is where the sexy is. | 0:13:26 | 0:13:30 | |
Don't be going lower than this, though. You've gone below the knee. | 0:13:30 | 0:13:33 | |
Pop socks, fuck off, no. | 0:13:33 | 0:13:36 | |
APPLAUSE | 0:13:36 | 0:13:37 | |
What? | 0:13:39 | 0:13:40 | |
How do we go from, "This is the best thing you could possibly..." | 0:13:42 | 0:13:44 | |
to, "This is the worst thing you could ever wear"? | 0:13:44 | 0:13:48 | |
That is an eight-inch journey from one part of the leg to another. | 0:13:48 | 0:13:51 | |
"Yes, yes, yes. No! No! No! | 0:13:51 | 0:13:55 | |
"Oh, I love it, love it. | 0:13:55 | 0:13:56 | |
"Ah, Jesus, put on some slippers and a housecoat | 0:13:56 | 0:13:59 | |
"and let's knock the whole thing on the head. | 0:13:59 | 0:14:01 | |
"Bring it up, bring it up, over the knee. | 0:14:01 | 0:14:03 | |
"Oh, lovely. Japanese schoolgirl, loving it. | 0:14:03 | 0:14:07 | |
"French maid, saucy. | 0:14:07 | 0:14:09 | |
"No, you've gone too far. You've gone too far now. Right." | 0:14:09 | 0:14:13 | |
"You said lift it up, is this too far?" | 0:14:13 | 0:14:15 | |
"Yes, yes, back down again. | 0:14:15 | 0:14:17 | |
"This is where the sexy lives. This exact specific height is where..." | 0:14:17 | 0:14:22 | |
What? | 0:14:22 | 0:14:24 | |
What is it in men communally, at some primal level, | 0:14:24 | 0:14:28 | |
that makes us go, "Do you know what I like? | 0:14:28 | 0:14:30 | |
"I like a woman who looks like she's been partially dipped in ink"? | 0:14:30 | 0:14:34 | |
Oh, we love it in nylon, not so much in waders, it turns out. | 0:14:39 | 0:14:43 | |
Otherwise men would be gathered by river banks constantly | 0:14:44 | 0:14:47 | |
during angling tournaments going, "Look at 'em in the water. | 0:14:47 | 0:14:50 | |
"Look at the dirty, dirty fisherman in the water." | 0:14:50 | 0:14:53 | |
"Do you like me waders, boys? Do you like me waders? | 0:14:54 | 0:14:56 | |
"My feet are dry." | 0:14:57 | 0:14:58 | |
Entire industries based around being sexually attractive to men | 0:15:00 | 0:15:03 | |
that missed the point entirely. | 0:15:03 | 0:15:05 | |
It must be a decade in the half that I've been a pole dancing club, | 0:15:05 | 0:15:09 | |
but I've never looking at the lady hanging off the pole, | 0:15:09 | 0:15:12 | |
or spinning on the pole or hanging upside down off the pole. | 0:15:12 | 0:15:15 | |
And you were there going, "Well done, pet. | 0:15:15 | 0:15:17 | |
"That's fantastic. Who are you doing that for exactly? | 0:15:20 | 0:15:23 | |
"I just want to look at you." | 0:15:23 | 0:15:25 | |
I could revolutionise the pole dancing industry with one move. | 0:15:25 | 0:15:29 | |
Just then next to the pole, take out one boob, bang it against the pole. | 0:15:29 | 0:15:33 | |
That is all we need to see. | 0:15:37 | 0:15:38 | |
We'd be there for hours, you couldn't tear us away from that. | 0:15:40 | 0:15:43 | |
The super clubs with three stages where Aurora is on one stage | 0:15:45 | 0:15:50 | |
and Athena is on another stage | 0:15:50 | 0:15:52 | |
and Mary is in the middle going, "Why are you wasting your energy? | 0:15:52 | 0:15:56 | |
"I just take out one tit, bang it against the pole. | 0:15:56 | 0:16:00 | |
"Look at them, they are hypnotised. They can't get enough of it. | 0:16:00 | 0:16:04 | |
"I do that for one song, for the second song, put that one in, | 0:16:05 | 0:16:07 | |
"take the other one out, go for the other side." | 0:16:07 | 0:16:10 | |
Ladies, you need to get your revenge, right? | 0:16:11 | 0:16:14 | |
You need to find something which is as ludicrous, as nonsensical | 0:16:14 | 0:16:19 | |
as the stuff that we have made you wear and do and act like | 0:16:19 | 0:16:24 | |
in the name of sexiness. | 0:16:24 | 0:16:25 | |
And I know it won't be something you find genuinely erotic. | 0:16:25 | 0:16:28 | |
Just pick a thing. | 0:16:28 | 0:16:29 | |
Pick a thing, just decide among yourselves and declare this to | 0:16:29 | 0:16:33 | |
be the most erotic thing you could possibly see on a man. Just decide. | 0:16:33 | 0:16:36 | |
Like a glove that goes up to mid arm, right? | 0:16:36 | 0:16:40 | |
Suddenly announce this is the most sexy thing | 0:16:40 | 0:16:42 | |
and, every birthday and Christmas, buy us another pair of these | 0:16:42 | 0:16:46 | |
and we'll get the box and shake it and go, "Hang on, what's in here?" | 0:16:46 | 0:16:50 | |
And we'll open up and go, "Is this another pair of these, is it?" | 0:16:50 | 0:16:53 | |
And you go, "Put them on! | 0:16:53 | 0:16:55 | |
"Put on your gun shows and let's have a look at you." | 0:16:56 | 0:16:59 | |
And make us walk around the bedroom going, "Is this what you like, is it? | 0:16:59 | 0:17:03 | |
"Are you sure? Are you sure you find this sexy? | 0:17:03 | 0:17:07 | |
"I'm not sure you find this sexy at all." | 0:17:07 | 0:17:09 | |
"I love it. Now take something off the shelf over there." | 0:17:09 | 0:17:12 | |
"Feck off, you're taking the piss now, right. Are you sure?" | 0:17:12 | 0:17:15 | |
"I love it. It's the sexiest thing ever. Keep walking around the room." | 0:17:15 | 0:17:18 | |
"Oh, come on now. Can I at least wear the black ones? | 0:17:18 | 0:17:21 | |
"The red ones make me feel slutty." | 0:17:21 | 0:17:22 | |
"Put them on. Now do the dirty thing." | 0:17:25 | 0:17:26 | |
"I will not do the dirty thing. | 0:17:26 | 0:17:28 | |
"This should be enough for you now what you're seeing here." | 0:17:28 | 0:17:30 | |
"Do the dirty thing. It's Mammy's night. Do the dirty thing, right?" | 0:17:30 | 0:17:34 | |
"OK, I'll do the dirty thing but don't tell anyone I did it. | 0:17:34 | 0:17:38 | |
"Look at my elbows!" | 0:17:38 | 0:17:40 | |
APPLAUSE | 0:17:40 | 0:17:42 | |
CHEERING | 0:17:43 | 0:17:45 | |
We have a fabulous show. | 0:17:51 | 0:17:52 | |
The laughs will hopefully just keep going and going as this goes on, | 0:17:52 | 0:17:55 | |
ladies and gentlemen. I'm going to bring out a lady who we've had | 0:17:55 | 0:17:58 | |
on Mock The Week a number of times | 0:17:58 | 0:17:59 | |
and she's always aced it every single time. It's a joy to have her here. | 0:17:59 | 0:18:02 | |
Please, take the roof off the place for Zoe Lyons, ladies and gentlemen! | 0:18:02 | 0:18:06 | |
CHEERING AND APPLAUSE | 0:18:06 | 0:18:08 | |
Hello, Apollo. | 0:18:18 | 0:18:19 | |
CHEERING | 0:18:19 | 0:18:21 | |
I've made an effort this evening. I'm wearing a bit of make-up. | 0:18:21 | 0:18:24 | |
I don't wear make-up every day. I don't think you should, as a woman. | 0:18:24 | 0:18:27 | |
-Do you agree with that, girls? -CHEERING | 0:18:27 | 0:18:28 | |
Yes. I think it's dangerous if you wear it every day, | 0:18:28 | 0:18:31 | |
cos that's the face you become used to seeing, isn't it? | 0:18:31 | 0:18:33 | |
I've got a mate who wears a lot of make-up every day | 0:18:33 | 0:18:36 | |
and then there's that one day when you see them without any | 0:18:36 | 0:18:39 | |
make-up at all and then you have to hide the horror on your face... | 0:18:39 | 0:18:44 | |
..when they open the door sans make-up and you're like, | 0:18:45 | 0:18:48 | |
"Oh, my God, where are your eyes?! | 0:18:48 | 0:18:51 | |
"Where are your eyes? | 0:18:51 | 0:18:52 | |
"You've got tiny, little eyes. | 0:18:53 | 0:18:56 | |
"They're usually so big and purpley. | 0:18:56 | 0:18:59 | |
"They're like two little peas floating in a pasta bowl." | 0:19:00 | 0:19:03 | |
Don't spend money on beauty products, girls. It's not worth it. | 0:19:06 | 0:19:09 | |
You know, cos you can spend a fortune on these things. | 0:19:09 | 0:19:12 | |
I picked one up the other day, I looked at the label, | 0:19:12 | 0:19:14 | |
it said in the fine print, "Can reduce the visible signs of ageing." | 0:19:14 | 0:19:17 | |
I thought, "Well, I don't need that." I don't need that. | 0:19:17 | 0:19:19 | |
I'll tell you why I don't need that. | 0:19:19 | 0:19:21 | |
Because if anybody is offended by my visible signs of ageing, | 0:19:21 | 0:19:25 | |
I simply get them to back up. | 0:19:25 | 0:19:27 | |
That's what I do. | 0:19:27 | 0:19:29 | |
I use a little thing called distance. | 0:19:29 | 0:19:31 | |
It's clinically proven to massively reduce... | 0:19:31 | 0:19:35 | |
LAUGHTER | 0:19:35 | 0:19:36 | |
APPLAUSE | 0:19:36 | 0:19:38 | |
..those visible signs of ageing. | 0:19:38 | 0:19:41 | |
Distance, by L'Oreal. Cos I'm worth it. | 0:19:44 | 0:19:47 | |
We expect too much from products these days. We really do. | 0:19:50 | 0:19:52 | |
We expect ridiculous things from products. | 0:19:52 | 0:19:54 | |
I picked up a thing the other day. | 0:19:54 | 0:19:56 | |
I found in a pharmacy the other day, stress-relieving shampoo. | 0:19:56 | 0:20:00 | |
Think about that combination of words. | 0:20:00 | 0:20:02 | |
Stress-relieving shampoo. | 0:20:02 | 0:20:04 | |
I mean, I understand the words individually. | 0:20:04 | 0:20:06 | |
You put them together, that doesn't make any sense whatsoever, does it? | 0:20:06 | 0:20:09 | |
At what point does a hair cleanser become the answer | 0:20:09 | 0:20:13 | |
to your stresses as a human being, | 0:20:13 | 0:20:16 | |
tossed about in a daily sea of shit? | 0:20:16 | 0:20:19 | |
When do you suggest to a mate that they use stress-relieving shampoo? | 0:20:20 | 0:20:24 | |
At what point? Do you wait for them to come up to you and go, | 0:20:24 | 0:20:27 | |
"Oh, Zo, Zo, it's all gone tits up, mate. | 0:20:27 | 0:20:31 | |
"Wife's left me, the kids hate me, business has gone under, | 0:20:31 | 0:20:35 | |
"I'm going to lose the house, I'm drinking too much. | 0:20:35 | 0:20:39 | |
"I can't see myself carrying on"? | 0:20:39 | 0:20:40 | |
Is it at that point... | 0:20:42 | 0:20:43 | |
..as a responsible mate, you interject with, | 0:20:45 | 0:20:49 | |
"Mate... | 0:20:49 | 0:20:50 | |
"Can't be that bad. | 0:20:53 | 0:20:55 | |
"Have you thought about using... | 0:20:57 | 0:20:59 | |
"..some eucalyptus and spearmint stress-relieving shampoo? | 0:21:01 | 0:21:06 | |
"I mean, I don't know whether it can help you with the divorce. | 0:21:07 | 0:21:09 | |
"You might need a conditioner for that but... | 0:21:09 | 0:21:11 | |
"..it's worth a try, isn't it?" | 0:21:14 | 0:21:16 | |
When you start looking at the wording in adverts | 0:21:17 | 0:21:19 | |
then you start to realise what nonsense they are. | 0:21:19 | 0:21:22 | |
Even second-hand adverts, things for second-hand products. | 0:21:22 | 0:21:25 | |
I was online the other night looking for a second-hand car, right? | 0:21:25 | 0:21:28 | |
I was using a well-known internet website | 0:21:28 | 0:21:31 | |
looking for a second-hand car. I found a car I was interested in, | 0:21:31 | 0:21:33 | |
had a little picture of the car, all the stats you'd need, | 0:21:33 | 0:21:36 | |
all the information about the car, all the figures you'd need, right? | 0:21:36 | 0:21:39 | |
But in addition to that, it had along the side, | 0:21:39 | 0:21:41 | |
just a little tag line, it just said, "One lady owner." | 0:21:41 | 0:21:44 | |
I thought, "What? What does that actually mean? | 0:21:44 | 0:21:47 | |
"What are they trying to say?" One lady owner. | 0:21:47 | 0:21:49 | |
What they're trying to say is that you're going to be buying | 0:21:49 | 0:21:52 | |
a slightly better car because it's been owned by a lady. | 0:21:52 | 0:21:55 | |
It doesn't actually make any sense, that, does it? | 0:21:55 | 0:21:58 | |
You just think, "Surely it depends on who the lady was." Just a lady. | 0:21:58 | 0:22:01 | |
It was just a lady. | 0:22:01 | 0:22:03 | |
I'm just suggesting if it was Boadicea, | 0:22:03 | 0:22:05 | |
the alloys might be slightly knackered, that's all. | 0:22:05 | 0:22:08 | |
It's the word "lady" as well in there that really grates with me. | 0:22:09 | 0:22:12 | |
Lady. It makes it sound like we all just drive around in bonnets, | 0:22:12 | 0:22:15 | |
doesn't it, girls? White gloves with a freshly baked Battenberg | 0:22:15 | 0:22:18 | |
steaming away on the passenger seat beside us, | 0:22:18 | 0:22:20 | |
as an overly friendly Yorkshire terrier bounces up and down | 0:22:20 | 0:22:23 | |
playfully in the window. | 0:22:23 | 0:22:25 | |
We listen to opera on a cassette, driving like a lady. | 0:22:25 | 0:22:28 | |
It's bullshit and I can tell you that for a fact because when | 0:22:29 | 0:22:31 | |
I sell the car that I own at the moment | 0:22:31 | 0:22:33 | |
I can legitimately use the strap line "one lady owner" | 0:22:33 | 0:22:36 | |
and I'll tell you exactly what that means. | 0:22:36 | 0:22:38 | |
It means last month I drove it for half an hour | 0:22:38 | 0:22:41 | |
with the handbrake on. That's what that means. | 0:22:41 | 0:22:43 | |
LAUGHTER | 0:22:43 | 0:22:44 | |
APPLAUSE | 0:22:44 | 0:22:46 | |
Half an hour. | 0:22:49 | 0:22:51 | |
We've all done five minutes. | 0:22:51 | 0:22:54 | |
Half an hour is resisting any information the car is trying | 0:22:55 | 0:22:57 | |
to give you, isn't it? | 0:22:57 | 0:22:59 | |
I managed to convince myself I was driving behind a mobile barbecue. | 0:23:01 | 0:23:04 | |
I was like, "Smokey, smokey." | 0:23:04 | 0:23:06 | |
So something else happened recently that I'd never thought | 0:23:09 | 0:23:12 | |
would happen for me. I got married very recently. | 0:23:12 | 0:23:15 | |
AUDIENCE: Ooh! | 0:23:15 | 0:23:16 | |
APPLAUSE | 0:23:16 | 0:23:18 | |
They changed the law - we now have equal marriage in this country. | 0:23:18 | 0:23:21 | |
Meant I could marry my girlfriend of 17 years. | 0:23:21 | 0:23:24 | |
CHEERING AND APPLAUSE | 0:23:24 | 0:23:27 | |
Thank you. | 0:23:27 | 0:23:28 | |
I'm very happy. She's very, very... | 0:23:30 | 0:23:32 | |
lucky and... | 0:23:32 | 0:23:34 | |
It's great, though! I'm very proud to live in a country that now has | 0:23:35 | 0:23:38 | |
equal marriage. I think it is a wonderful thing. | 0:23:38 | 0:23:40 | |
People went out and campaigned for my right to have an equal | 0:23:40 | 0:23:43 | |
marriage and for that I am terribly proud and delighted. | 0:23:43 | 0:23:46 | |
Equality within marriage. | 0:23:52 | 0:23:54 | |
That's a whole different parade, isn't it? | 0:23:58 | 0:24:01 | |
Come on, don't tell me I'm the only person in this room that's ever | 0:24:01 | 0:24:04 | |
looked at their other half and thought to themselves, | 0:24:04 | 0:24:07 | |
"I'm probably the better one in this relationship." | 0:24:07 | 0:24:10 | |
I mean, you wouldn't say it, would you? | 0:24:13 | 0:24:15 | |
But you've thought it, haven't you? | 0:24:15 | 0:24:17 | |
Probably the team leader | 0:24:17 | 0:24:18 | |
of this little outfit we've got going on here. | 0:24:18 | 0:24:21 | |
She's Dutch, my wife. She speaks brilliant, brilliant English. | 0:24:23 | 0:24:26 | |
They're fabulous, the Dutch, when it comes to languages, | 0:24:26 | 0:24:29 | |
so it makes it doubly funny when she gets something wrong. | 0:24:29 | 0:24:31 | |
We were at home a few weeks ago, watching a programme | 0:24:31 | 0:24:34 | |
about people in persistent vegetative comas and... | 0:24:34 | 0:24:37 | |
-AUDIENCE MURMUR -I know. | 0:24:37 | 0:24:39 | |
We don't have Netflix. You've got to watch what's on. | 0:24:40 | 0:24:43 | |
Literally a slave to the schedule. | 0:24:46 | 0:24:49 | |
It was quite upsetting, obviously, given the subject matter, | 0:24:49 | 0:24:53 | |
and at one point I turned to the wife, | 0:24:53 | 0:24:55 | |
she's having a little cry, I was like, "Oh, God, awkward." | 0:24:55 | 0:24:58 | |
I said, "Are you all right? Are you all right?" | 0:25:00 | 0:25:03 | |
She turned to me and she went, "I'm not, Zoe, I'm not. | 0:25:03 | 0:25:05 | |
"I'm finding this very upsetting, and I need you to promise me | 0:25:05 | 0:25:10 | |
"something after watching this documentary." | 0:25:10 | 0:25:12 | |
I said, "I will promise you anything, my darling. | 0:25:12 | 0:25:13 | |
"What is it you need me to promise you?" | 0:25:13 | 0:25:15 | |
"I need you to promise me... | 0:25:15 | 0:25:17 | |
"that if you truly love me... | 0:25:17 | 0:25:19 | |
"..you will switch me off... | 0:25:20 | 0:25:21 | |
"..if I ever become a vegetarian." | 0:25:23 | 0:25:25 | |
LAUGHTER | 0:25:25 | 0:25:28 | |
APPLAUSE | 0:25:28 | 0:25:30 | |
CHEERING | 0:25:30 | 0:25:32 | |
Obviously I made that promise. I... | 0:25:37 | 0:25:40 | |
Can't have the poor cow suffering, can we? | 0:25:41 | 0:25:43 | |
First mention of nut roast, she is out of here! | 0:25:44 | 0:25:46 | |
It's nice to see a lot of young people down the front here. | 0:25:49 | 0:25:52 | |
Hello, young people. Oh, it's lovely! Hello! | 0:25:52 | 0:25:55 | |
Oh, youth is a wonderful thing. | 0:25:55 | 0:25:57 | |
I'm here from your future to tell you, don't worry about getting older. Getting older is great. | 0:25:57 | 0:26:01 | |
We are youth-obsessed society | 0:26:01 | 0:26:03 | |
and we don't enjoy this effects of getting older as much as we should. | 0:26:03 | 0:26:08 | |
There are some brilliant advantages of getting older, you know? | 0:26:08 | 0:26:10 | |
You care... | 0:26:10 | 0:26:12 | |
..less and less... | 0:26:12 | 0:26:13 | |
..about more and more on a daily basis. | 0:26:14 | 0:26:17 | |
Everyday I wake up, and I think, "That's another thing I will no longer be giving a shit about." | 0:26:18 | 0:26:22 | |
It's just a slow unburdening of life. It's wonderful. | 0:26:24 | 0:26:27 | |
You've got to do less to give yourself a thrill, I'm finding, as well as you get older. | 0:26:28 | 0:26:32 | |
You know, when you're young, you are constantly doing stuff, aren't you? | 0:26:32 | 0:26:35 | |
Constantly out, constantly doing stuff. I was like that. | 0:26:35 | 0:26:37 | |
I was a real adrenaline seeker when I was younger. | 0:26:37 | 0:26:39 | |
I went backpacking round Australia, which is a beautiful country | 0:26:39 | 0:26:43 | |
if you like your racism in wide-open spaces. | 0:26:43 | 0:26:45 | |
LAUGHTER | 0:26:45 | 0:26:49 | |
I did all of those things that you do when you're young, you know, to give yourself a buzz. | 0:26:49 | 0:26:52 | |
Bungee jumping and white water rafting and all those things you do because momentarily, | 0:26:52 | 0:26:56 | |
you feel slightly closer to death because adrenaline is releasing, | 0:26:56 | 0:26:59 | |
don't you, therefore it makes you feel more alive. | 0:26:59 | 0:27:01 | |
And you don't have to do any of that, I've discovered, | 0:27:01 | 0:27:03 | |
when you get into your '40s. | 0:27:03 | 0:27:04 | |
To feel alive, you don't have to do any of that, just do what | 0:27:04 | 0:27:07 | |
I did this morning, getting out of the shower and have a little... | 0:27:07 | 0:27:09 | |
Oh, God! | 0:27:09 | 0:27:11 | |
Oh, my God. | 0:27:19 | 0:27:20 | |
Totally nearly died, then. | 0:27:25 | 0:27:27 | |
Phew! | 0:27:30 | 0:27:32 | |
I can hear the blood in my own ears. | 0:27:34 | 0:27:35 | |
It's time for handles, isn't it? | 0:27:39 | 0:27:41 | |
We always wondered when this day would come. | 0:27:46 | 0:27:49 | |
Handle day. | 0:27:49 | 0:27:50 | |
What constitutes an adrenaline rush just changes when you get older. | 0:27:52 | 0:27:55 | |
That's all I'm saying. | 0:27:55 | 0:27:56 | |
And you can't help but think about it these days, can you? | 0:27:56 | 0:27:59 | |
Cos we are awash with these insurance adverts on the television. | 0:27:59 | 0:28:01 | |
You've all seen them. You know the ones I mean? | 0:28:01 | 0:28:03 | |
"Have you thought about your own death? Get a free pen. | 0:28:03 | 0:28:06 | |
"Consider your own mortality, we will send you a pen. | 0:28:08 | 0:28:11 | |
"You could write your own will with the free pen we are going to send you. | 0:28:11 | 0:28:15 | |
"It might last longer than you, have you thought about that?" | 0:28:15 | 0:28:18 | |
One came on the other day, it was horribly morbid. Horribly morbid. | 0:28:20 | 0:28:23 | |
It just came on and went, "Have you thought about who will pay for your funeral... | 0:28:23 | 0:28:26 | |
"..the unfortunate event of your death?" | 0:28:27 | 0:28:29 | |
I've got to be honest, I sat there in my onesie... | 0:28:29 | 0:28:33 | |
..and I thought, "I have thought about that. | 0:28:35 | 0:28:38 | |
"It won't be me." | 0:28:38 | 0:28:39 | |
Surely that is the only advantage of being dead, isn't it? | 0:28:45 | 0:28:48 | |
That is absolutely not your round, is it? | 0:28:48 | 0:28:50 | |
"Zip me in a bin bag, I won't care. I's dead!" | 0:28:51 | 0:28:54 | |
Ladies and gentlemen, thank you so, so very much. | 0:28:56 | 0:28:58 | |
It's been an absolute pleasure. So much fun. I've enjoyed it. | 0:28:58 | 0:29:01 | |
-Thank you. -CHEERING AND APPLAUSE | 0:29:01 | 0:29:03 | |
Ladies and gentlemen, Zoe Lyons! | 0:29:07 | 0:29:10 | |
CHEERING | 0:29:10 | 0:29:12 | |
Let's keep that going as I bring on a man here who has filled | 0:29:12 | 0:29:15 | |
this very room on his national tour this year. | 0:29:15 | 0:29:18 | |
He's actually riding a wave at the moment. | 0:29:18 | 0:29:20 | |
Please give it up for the very funny Paul Chowdhry, ladies and gentlemen. | 0:29:20 | 0:29:23 | |
CHEERING AND APPLAUSE | 0:29:23 | 0:29:26 | |
Yeah. What's happening? | 0:29:39 | 0:29:41 | |
-CHEERING -You good? | 0:29:41 | 0:29:44 | |
Yeah. Just grew a bit of a beard, innit? | 0:29:44 | 0:29:47 | |
Just while I was waiting to go on. | 0:29:47 | 0:29:49 | |
You've got a massive beard there, Dave. A bit of a hipster, yeah? | 0:29:51 | 0:29:54 | |
See, you grow a beard, bit of a hipster. | 0:29:54 | 0:29:55 | |
I grew a beard, people think I have a one-way ticket to Syria. | 0:29:55 | 0:29:59 | |
Some guy called me Jaffar the other day. | 0:30:02 | 0:30:05 | |
I can't even make cakes. | 0:30:05 | 0:30:07 | |
LAUGHTER | 0:30:07 | 0:30:09 | |
APPLAUSE | 0:30:09 | 0:30:12 | |
My tour is called PC's World. That's my initials, PC, PC's World. | 0:30:14 | 0:30:19 | |
I remembered the first time I told an audience I'm going to call | 0:30:19 | 0:30:21 | |
my new show PC's World, this guy shouted out, | 0:30:21 | 0:30:23 | |
"Don't call it PC's World, college Curries." | 0:30:23 | 0:30:26 | |
Thanks out there, you racist bastards. | 0:30:30 | 0:30:32 | |
I love London. I was born in London. | 0:30:37 | 0:30:39 | |
The thing I don't like about London are proper geezers, | 0:30:39 | 0:30:42 | |
those close talkers. | 0:30:42 | 0:30:43 | |
"What's happening, mate? Are you all right? | 0:30:43 | 0:30:46 | |
"What's happening, mate?" | 0:30:46 | 0:30:48 | |
"You are too close, that's what's happening. | 0:30:48 | 0:30:51 | |
"Let's keep this conversation at arm's length. | 0:30:51 | 0:30:54 | |
"You know you are too close to me | 0:30:54 | 0:30:55 | |
"if I've got to be cross-eyed while I talk to you. | 0:30:55 | 0:30:59 | |
"If I've got to breathe in while you breathe out... | 0:30:59 | 0:31:01 | |
"I'm like his girl for this geezer." | 0:31:03 | 0:31:06 | |
I like it. I haven't got much patience. I am the kind of geezer | 0:31:06 | 0:31:09 | |
that'll go to a restaurant... "Would you like a table?" | 0:31:09 | 0:31:11 | |
"No, I've come here to watch people eat. | 0:31:11 | 0:31:14 | |
"Forget the table, I'll do this shit on the floor." | 0:31:14 | 0:31:18 | |
I'm in a supermarket, I'm in a queue, people come up to me, | 0:31:18 | 0:31:22 | |
"Are you in the queue, mate?" | 0:31:22 | 0:31:23 | |
"No, I'm just standing behind 28 people with a basket full of food. | 0:31:23 | 0:31:26 | |
"Maybe I didn't leave a big enough gap between his arse and my groin. | 0:31:28 | 0:31:30 | |
"Next time I'll get in his basket. | 0:31:32 | 0:31:35 | |
"So you know I'm in the queue." | 0:31:35 | 0:31:37 | |
I get to the front of the till, "Would you like a bag?" | 0:31:41 | 0:31:44 | |
"I've got £45-worth of shopping here. | 0:31:44 | 0:31:46 | |
"No, forget the bag, I'll eat this shit right now. | 0:31:48 | 0:31:51 | |
"Get me some cutlery. We're going to be here for a long time." | 0:31:53 | 0:31:56 | |
LAUGHTER AND APPLAUSE | 0:31:56 | 0:31:59 | |
Just pour that milk into my pockets and stick that pineapple on my head. | 0:32:03 | 0:32:08 | |
I mean, I grew up in the '80s, man, | 0:32:11 | 0:32:13 | |
with proper homophobia around, you know? | 0:32:13 | 0:32:16 | |
Guys couldn't come out in the '80s. | 0:32:16 | 0:32:18 | |
You couldn't come out, could you, in the '80s? | 0:32:18 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:22 | |
Very different time. | 0:32:22 | 0:32:24 | |
America is even worse. America's got a scheme called Pray Away The Gay. | 0:32:24 | 0:32:29 | |
They think if you're gay they can take you to a church | 0:32:29 | 0:32:32 | |
and pray the gay out of you. | 0:32:32 | 0:32:34 | |
Surely if you're that confused about your sexuality, | 0:32:37 | 0:32:40 | |
the last thing you want to do is kneel in front of a priest. | 0:32:40 | 0:32:43 | |
LAUGHTER | 0:32:43 | 0:32:45 | |
APPLAUSE | 0:32:45 | 0:32:48 | |
It's going to make matters worse. | 0:32:50 | 0:32:53 | |
I get death threats on a daily basis on Facebook. | 0:32:53 | 0:32:56 | |
LAUGHTER | 0:32:56 | 0:32:58 | |
That's pretty funny, innit? | 0:32:58 | 0:33:00 | |
"I'm going to mash you up, bruv, innit? | 0:33:00 | 0:33:02 | |
"I'm going to cut you up, fam. You don't know me, innit?" | 0:33:02 | 0:33:06 | |
"Yeah, make your mum pick you up from school first... | 0:33:06 | 0:33:08 | |
"..then think about killing me afterwards." | 0:33:10 | 0:33:13 | |
You know, you do status updates, do a tweet now and again. | 0:33:13 | 0:33:15 | |
There was a show on Channel 4 a few weeks ago called Muslim Drag Queens. | 0:33:15 | 0:33:19 | |
-Anyone see it? -CHEERING | 0:33:19 | 0:33:21 | |
There is a lot of homophobia online, | 0:33:21 | 0:33:22 | |
so I thought, I'll do a joke about it. | 0:33:22 | 0:33:24 | |
I said, "The reason why it homophobic Asians are angry | 0:33:24 | 0:33:27 | |
"at the show Muslim Drag Queens is because when they go home | 0:33:27 | 0:33:30 | |
"they realise the drag queens are better looking than their wives." | 0:33:30 | 0:33:33 | |
LAUGHTER | 0:33:33 | 0:33:38 | |
People went nuts. | 0:33:38 | 0:33:40 | |
"I'm going to shank you up, fam!" | 0:33:40 | 0:33:42 | |
Who agrees with gay marriage? | 0:33:43 | 0:33:46 | |
CHEERING | 0:33:46 | 0:33:48 | |
-Who disagrees with gay marriage? -SILENCE | 0:33:48 | 0:33:51 | |
LAUGHTER | 0:33:51 | 0:33:52 | |
They're not going to say it now, are they? | 0:33:52 | 0:33:54 | |
I think gay marriage is wrong. | 0:33:54 | 0:33:57 | |
BOOING | 0:33:57 | 0:33:59 | |
Cos if gay marriage catches on, | 0:33:59 | 0:34:01 | |
soon we're going to have gay arranged marriages... | 0:34:01 | 0:34:03 | |
..and I don't need that crap in my life. | 0:34:08 | 0:34:10 | |
LAUGHTER | 0:34:10 | 0:34:12 | |
APPLAUSE | 0:34:12 | 0:34:13 | |
Your dad's going to be like, | 0:34:16 | 0:34:18 | |
"I introduced you to 50 girls. | 0:34:18 | 0:34:19 | |
"You said no. Now bring the boys." | 0:34:19 | 0:34:21 | |
I went to South Africa. | 0:34:27 | 0:34:29 | |
I don't want to use a generalisation, | 0:34:29 | 0:34:31 | |
but in South Africa, white people have got the most dangerous animals. | 0:34:31 | 0:34:35 | |
Pet tigers, pet alligators. | 0:34:35 | 0:34:37 | |
One guy had a pet hippo! | 0:34:37 | 0:34:39 | |
In his garden! Pet hippo. | 0:34:40 | 0:34:42 | |
Even black people in Africa don't go anywhere near hippos. | 0:34:42 | 0:34:46 | |
"Have you seen a hippo?" "Yeah." "What did you do?" "I ran away." | 0:34:46 | 0:34:48 | |
"I just run..." | 0:34:51 | 0:34:52 | |
"..away." | 0:34:55 | 0:34:56 | |
And then they when a marathon. | 0:34:59 | 0:35:00 | |
It's called evolution, Dave. | 0:35:06 | 0:35:07 | |
This guy Marius Els had a pet hippo in his garden. | 0:35:09 | 0:35:12 | |
He made a YouTube video about the situation. | 0:35:12 | 0:35:14 | |
He goes, "I've got a hippo. I love hippos. | 0:35:14 | 0:35:18 | |
"I love to ride my hippo, I love to play with the hippo. | 0:35:18 | 0:35:23 | |
"I take the hippo shopping. | 0:35:23 | 0:35:25 | |
"I take it Nandos. | 0:35:25 | 0:35:27 | |
"He's like a son to me." | 0:35:28 | 0:35:30 | |
Know what happened? | 0:35:30 | 0:35:32 | |
Hippo ate the bastard! | 0:35:32 | 0:35:33 | |
And it was reported on the news - "Surprise hippo attack." | 0:35:35 | 0:35:39 | |
How can it be a surprise if you've got a hippo in your garden? | 0:35:39 | 0:35:42 | |
It's a surprise if you're walking outside the Hammersmith Apollo | 0:35:43 | 0:35:46 | |
and there is a tap on your shoulder... | 0:35:46 | 0:35:48 | |
..and there's a massive hippo behind you. | 0:35:50 | 0:35:53 | |
"I'm going to mash you up now, bruv, now, innit." | 0:35:53 | 0:35:55 | |
"What a surprise." | 0:35:56 | 0:35:57 | |
"Dave got bitten by a dog." "Where?" "Deep-sea diving." | 0:36:01 | 0:36:04 | |
"Well, that's a surprise dog attack." | 0:36:05 | 0:36:07 | |
Cos apparently we were all going to get wiped out by Ebola | 0:36:09 | 0:36:12 | |
earlier this year, remember that? | 0:36:12 | 0:36:14 | |
We were supposed to all get killed by Ebola. | 0:36:14 | 0:36:15 | |
What happened to Ebola? | 0:36:15 | 0:36:17 | |
As soon as a white guy caught it, they found a cure. | 0:36:17 | 0:36:19 | |
"Thank God for David. | 0:36:23 | 0:36:24 | |
"Billions of us dead. | 0:36:26 | 0:36:27 | |
"David catch it, we are saved now. | 0:36:27 | 0:36:29 | |
"He is our saviour." | 0:36:31 | 0:36:34 | |
Cos more black people get killed by hippos, | 0:36:34 | 0:36:36 | |
but CNN never even picked up the story. Like, "Hello, is that CNN? | 0:36:36 | 0:36:40 | |
"Yeah, my friend has been eaten by a hippo. | 0:36:40 | 0:36:43 | |
"Yeah, eat him. Yeah, he finished. | 0:36:43 | 0:36:45 | |
"Yeah, finished. Yeah, he dead. | 0:36:46 | 0:36:50 | |
"Yeah, finished. | 0:36:50 | 0:36:51 | |
"Yeah, finished. | 0:36:52 | 0:36:54 | |
"Yeah, dead. Yeah, finished! | 0:36:54 | 0:36:57 | |
"Finished. No, he was black. | 0:36:57 | 0:37:01 | |
"Hello? | 0:37:01 | 0:37:02 | |
"Bastard!" | 0:37:03 | 0:37:05 | |
It's like with CNN, this whole situation... | 0:37:08 | 0:37:10 | |
I heard about this other girl, Malala Yousaf. You hear about her? | 0:37:10 | 0:37:13 | |
-She won a Nobel Peace Prize. -CHEERING | 0:37:13 | 0:37:16 | |
This girl got shot in the head by the Taliban | 0:37:18 | 0:37:21 | |
and still got ten GCSEs. | 0:37:21 | 0:37:24 | |
I always used to get compared to other people as children. | 0:37:24 | 0:37:26 | |
When you get compared to Malala Yousaf, | 0:37:26 | 0:37:28 | |
there's no coming back from that, is there? | 0:37:28 | 0:37:31 | |
"Malala Yousaf got ten GCSEs | 0:37:31 | 0:37:33 | |
"and she was dead! | 0:37:33 | 0:37:34 | |
"Even dead people are more clever than you!" | 0:37:36 | 0:37:39 | |
"I got a C." | 0:37:39 | 0:37:40 | |
"Yeah, you can "C" yourself out of this family. | 0:37:40 | 0:37:44 | |
"What about the B?" "Yeah, B for bastard." | 0:37:44 | 0:37:46 | |
She's got 15,000 likes on Facebook, you know that, Malala Yousaf? | 0:37:50 | 0:37:55 | |
But Kim Kardashian has got 25 million likes on Facebook | 0:37:55 | 0:38:00 | |
and no-one even knows what she does for a living. | 0:38:00 | 0:38:03 | |
What is she famous for? Having a massive arse. | 0:38:04 | 0:38:07 | |
His name's Kanye West. | 0:38:08 | 0:38:10 | |
LAUGHTER | 0:38:10 | 0:38:12 | |
APPLAUSE AND CHEERING | 0:38:12 | 0:38:14 | |
I don't like it when people blame things on racism, though. | 0:38:19 | 0:38:21 | |
It's like I was watching this programme on BBC One | 0:38:21 | 0:38:23 | |
about parking tickets. A guy goes, "You gave me a ticket, bruv, innit? | 0:38:23 | 0:38:26 | |
"You gave me a ticket cos I'm not white, bruv. | 0:38:26 | 0:38:28 | |
"It's cos I'm not white I got a ticket." | 0:38:28 | 0:38:30 | |
I'm like, "Mate, you parked in a bus lane. | 0:38:30 | 0:38:34 | |
"It's cos you're not red." | 0:38:34 | 0:38:36 | |
LAUGHTER | 0:38:36 | 0:38:38 | |
APPLAUSE | 0:38:39 | 0:38:41 | |
You've been a great crowd. Thanks a lot. | 0:38:41 | 0:38:43 | |
CHEERING AND APPLAUSE | 0:38:43 | 0:38:45 | |
Ladies and gentlemen, Paul Chowdhry. | 0:38:52 | 0:38:55 | |
CHEERING | 0:38:55 | 0:38:57 | |
What a night we've had here at the Hammersmith Apollo, | 0:38:59 | 0:39:02 | |
legendary location for top-quality stand-up comedy. | 0:39:02 | 0:39:04 | |
Have you had a good night? CHEERING | 0:39:04 | 0:39:06 | |
Give it up for Zoe Lyons. CHEERING | 0:39:06 | 0:39:09 | |
For Paul Chowdhry. CHEERING | 0:39:09 | 0:39:12 | |
I'm Dara O Briain. Goodnight. Thank you very much. | 0:39:12 | 0:39:14 | |
That's all from Live At The Apollo. Goodnight. | 0:39:14 | 0:39:17 |