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This programme contains some strong language. | 0:00:04 | 0:00:11 | |
Ladies and gentlemen, | 0:00:17 | 0:00:19 | |
please welcome your host for tonight... | 0:00:19 | 0:00:22 | |
-Noel Fielding. -CHEERING AND APPLAUSE | 0:00:22 | 0:00:26 | |
Hey! | 0:00:35 | 0:00:37 | |
Woo! | 0:00:37 | 0:00:39 | |
Ah, Live At The Apollo! | 0:00:39 | 0:00:42 | |
CHEERING | 0:00:42 | 0:00:43 | |
How are you doing? CHEERING | 0:00:44 | 0:00:47 | |
Hammersmith, massive. | 0:00:47 | 0:00:49 | |
You all right in the top shelf? | 0:00:51 | 0:00:53 | |
CHEERING | 0:00:53 | 0:00:55 | |
Top shelf, feeling pretty good. | 0:00:55 | 0:00:57 | |
Bottom shelf, troglodytes. Are you good? | 0:00:57 | 0:00:59 | |
CHEERING | 0:00:59 | 0:01:01 | |
Oh, yeah! | 0:01:01 | 0:01:03 | |
Just you, sir. | 0:01:04 | 0:01:06 | |
Woo! | 0:01:06 | 0:01:07 | |
That's right, he didn't shit it. | 0:01:09 | 0:01:11 | |
Woo! LAUGHTER | 0:01:11 | 0:01:13 | |
Solo Mexican wave. | 0:01:13 | 0:01:15 | |
Mexican splash. LAUGHTER | 0:01:16 | 0:01:19 | |
-What's your name, sir? -Mike. | 0:01:19 | 0:01:20 | |
You'll always be Mexican Splash to me. | 0:01:20 | 0:01:23 | |
LAUGHTER | 0:01:23 | 0:01:25 | |
Oh, look at the state of me. | 0:01:25 | 0:01:27 | |
It's like Ronnie Wood and Max Wall had a child. | 0:01:27 | 0:01:29 | |
LAUGHTER | 0:01:29 | 0:01:30 | |
OK. So, I'm 40... I'm over 40 now. | 0:01:32 | 0:01:36 | |
I mean, how did that happen? | 0:01:36 | 0:01:37 | |
WHOOPING | 0:01:37 | 0:01:38 | |
Don't whoop that. It's embarrassing. | 0:01:38 | 0:01:41 | |
How many...? WOLF WHISTLE | 0:01:41 | 0:01:43 | |
Are you wolf-whistling an over-40? | 0:01:43 | 0:01:45 | |
How many people in the room we got over 40? | 0:01:47 | 0:01:49 | |
CHEERING | 0:01:49 | 0:01:51 | |
That's a weak response. LAUGHTER | 0:01:52 | 0:01:54 | |
There are more of you. It's just that you're saving energy. | 0:01:54 | 0:01:57 | |
I know that. LAUGHTER | 0:01:57 | 0:01:59 | |
When you're 40 or over, you cannot be putting your hand up. | 0:01:59 | 0:02:03 | |
You'll waste your energy. | 0:02:03 | 0:02:05 | |
To be fair, you shouldn't even be out. You've got work tomorrow. | 0:02:05 | 0:02:08 | |
It must have been a struggle to get you here. | 0:02:09 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:13 | |
"Do I have to come? There's a really good episode of Poirot on." | 0:02:13 | 0:02:17 | |
"Come on, we're going to see some comedy." | 0:02:18 | 0:02:20 | |
"Oh, God. Can I come in my slippers?" | 0:02:20 | 0:02:23 | |
That sounded wrong. | 0:02:23 | 0:02:24 | |
LAUGHTER | 0:02:24 | 0:02:27 | |
No. | 0:02:27 | 0:02:29 | |
I'm not implying that 40-year-olds just stay in | 0:02:29 | 0:02:32 | |
and jizz in their moccasin. | 0:02:32 | 0:02:34 | |
LAUGHTER | 0:02:34 | 0:02:35 | |
I'll come on again. | 0:02:36 | 0:02:38 | |
HE LAUGHS | 0:02:40 | 0:02:42 | |
How many people have we got under 40? | 0:02:42 | 0:02:45 | |
LOUD CHEERING | 0:02:45 | 0:02:48 | |
That's what I'm talking about, you show-offs. | 0:02:48 | 0:02:51 | |
Like a sea of John Travoltas. Woo! | 0:02:51 | 0:02:55 | |
If you put your hand up when you're under 40, it's like that. | 0:02:55 | 0:02:57 | |
Woo! | 0:02:57 | 0:02:58 | |
When you're over 40, it's like a cat cleaning its ear. | 0:02:58 | 0:03:01 | |
HE IMITATES CAT MEOWING | 0:03:01 | 0:03:02 | |
LAUGHTER | 0:03:02 | 0:03:04 | |
Do you know what it's like being over 40? | 0:03:04 | 0:03:06 | |
It's like being a day-old helium balloon. | 0:03:06 | 0:03:09 | |
You're not in the sky any more. | 0:03:11 | 0:03:13 | |
And you're not quite on the floor. | 0:03:13 | 0:03:16 | |
You're sort of hanging about here. | 0:03:16 | 0:03:20 | |
A, sort of, mid-range fiasco. | 0:03:20 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:24 | |
"I used to be up there. | 0:03:24 | 0:03:26 | |
"I'm not down there any more." | 0:03:26 | 0:03:29 | |
"Ricocheting gently off the surfaces." | 0:03:29 | 0:03:32 | |
Occasionally threatening to land. | 0:03:32 | 0:03:34 | |
"Whoa... No." | 0:03:34 | 0:03:36 | |
Oh, helium balloons. | 0:03:41 | 0:03:42 | |
We got any helium balloons on the front? | 0:03:42 | 0:03:44 | |
Anyone over 40 on the front? | 0:03:44 | 0:03:46 | |
Come on, sir, what about you? Are you over 40? | 0:03:46 | 0:03:48 | |
-I'm over 60, mate. -You're over 60? Are you? Really? | 0:03:48 | 0:03:52 | |
Have you got the secret of the fountain of youth? | 0:03:52 | 0:03:55 | |
-You're a helium balloon, though, right? -Yeah, that's it. | 0:03:56 | 0:03:59 | |
Me and you, yeah? That's right, me and you. | 0:03:59 | 0:04:01 | |
When you're 40, you have to align yourself with someone else who's 40. | 0:04:01 | 0:04:05 | |
And that way, safety in numbers. LAUGHTER | 0:04:05 | 0:04:09 | |
The worst thing about being 40 is the hangovers. | 0:04:09 | 0:04:11 | |
I can't deal with it any more. | 0:04:11 | 0:04:13 | |
Like, I used to be able to drink and drink and... | 0:04:13 | 0:04:15 | |
I still try but I'm rubbish at it, yeah. | 0:04:15 | 0:04:17 | |
I used to be able to drink so much and at the most, | 0:04:17 | 0:04:19 | |
my liver would give me a little cheeky warning the next day. | 0:04:19 | 0:04:23 | |
Like a mogwai. Quite cute. | 0:04:23 | 0:04:25 | |
It'd go... HE IMITATES MOGWAI | 0:04:25 | 0:04:27 | |
LAUGHTER | 0:04:27 | 0:04:28 | |
AS MOGWAI: Brah, brah, brah-brahhhh. | 0:04:28 | 0:04:30 | |
Now, I'm over 40, my liver comes in like Chewbacca. Kicks the door down. | 0:04:32 | 0:04:36 | |
HE IMITATES CHEWBACCA: Grrrrrrr! | 0:04:36 | 0:04:40 | |
Gets me in a headlock. | 0:04:40 | 0:04:42 | |
AS CHEWBACCA: Grrrrrrrrr! | 0:04:42 | 0:04:43 | |
All right! I won't do it again! | 0:04:43 | 0:04:45 | |
LAUGHTER | 0:04:45 | 0:04:47 | |
It's a nightmare...over 40. | 0:04:47 | 0:04:50 | |
What's it all about? | 0:04:50 | 0:04:52 | |
It's so weird. | 0:04:52 | 0:04:53 | |
The weirdest thing that started happening to me... | 0:04:53 | 0:04:55 | |
I got to 40 and this just happened the day after I turned 40. | 0:04:55 | 0:04:59 | |
I started walking with my hands behind my back. | 0:04:59 | 0:05:02 | |
LAUGHTER | 0:05:02 | 0:05:04 | |
For no reason other than it's more comfortable. | 0:05:07 | 0:05:12 | |
Who am I? Prince Charles? | 0:05:14 | 0:05:16 | |
Last time I was in that position, I was 14. | 0:05:17 | 0:05:20 | |
I'd been caught smoking weed. I was on my way to the cell for a night. | 0:05:20 | 0:05:23 | |
"Oh, flipping hell. My mum's going to kill me. | 0:05:23 | 0:05:26 | |
"Caught by the fuzz." | 0:05:26 | 0:05:28 | |
Now, I'm admiring St Pauls. | 0:05:28 | 0:05:30 | |
IN PLUMMY VOICE: "What a wonderful structure." | 0:05:30 | 0:05:32 | |
LAUGHTER | 0:05:32 | 0:05:35 | |
Look at the state of me. I used to be cool. | 0:05:37 | 0:05:38 | |
I look like a trendy art teacher now. | 0:05:40 | 0:05:42 | |
When does that happen? | 0:05:46 | 0:05:48 | |
When you go from being quite cool to... | 0:05:48 | 0:05:50 | |
"Is that guy a trendy art teacher?" LAUGHTER | 0:05:50 | 0:05:52 | |
"Hey, kids, don't call me Mr Fielding, yeah? | 0:05:52 | 0:05:54 | |
"Just call me Noel." | 0:05:54 | 0:05:55 | |
Trendy art teacher, yeah. | 0:05:59 | 0:06:00 | |
"See these paintbrushes? | 0:06:00 | 0:06:02 | |
"Ha! That's right, we won't be needing them. | 0:06:02 | 0:06:04 | |
"We're doing conceptual art." | 0:06:04 | 0:06:06 | |
I'm embarrassing. | 0:06:07 | 0:06:08 | |
# I'm made of milk | 0:06:13 | 0:06:14 | |
# You're made of milk | 0:06:14 | 0:06:17 | |
# We're both made of milk | 0:06:17 | 0:06:18 | |
# But we're living in separate glasses. # | 0:06:18 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:22 | |
Too early for the milk song? LAUGHTER | 0:06:27 | 0:06:29 | |
It was a bit out of the blue, wasn't it? | 0:06:31 | 0:06:33 | |
It was a slightly sexual milk song. | 0:06:35 | 0:06:38 | |
Actually, how old are you? | 0:06:39 | 0:06:41 | |
25? That's fine. I don't want a Rolf Harris situation. | 0:06:42 | 0:06:44 | |
LAUGHTER | 0:06:44 | 0:06:45 | |
That broke my heart, I'll tell you that much. | 0:06:47 | 0:06:49 | |
I mean, Savile, we knew he was a paedophile | 0:06:49 | 0:06:51 | |
even before we knew what the word meant. | 0:06:51 | 0:06:53 | |
Yeah, he's one. | 0:06:53 | 0:06:54 | |
But Rolf, that killed me. | 0:06:54 | 0:06:55 | |
Anyway, 25, we're in. Are you ready? | 0:06:55 | 0:06:57 | |
Sexual milk song. | 0:06:57 | 0:06:58 | |
Oh, shit. I've gone all shy now. | 0:07:01 | 0:07:03 | |
Are you with Mexican Splash? | 0:07:04 | 0:07:06 | |
He's all man. | 0:07:08 | 0:07:10 | |
Just concentrate on the legs, eh? | 0:07:10 | 0:07:12 | |
# I'm made of milk. # | 0:07:13 | 0:07:15 | |
HE LAUGHS | 0:07:15 | 0:07:17 | |
You've done me. You've beaten me just with your glare. | 0:07:17 | 0:07:20 | |
Come on then, let's see what you've got. | 0:07:20 | 0:07:22 | |
I'm like the worst lap dancer in history. | 0:07:22 | 0:07:26 | |
OK. | 0:07:26 | 0:07:27 | |
Trendy art teacher. Trendy art teacher. | 0:07:28 | 0:07:29 | |
# I'm made of milk | 0:07:29 | 0:07:31 | |
LAUGHTER Tstt! | 0:07:31 | 0:07:32 | |
# You're made of milk | 0:07:32 | 0:07:34 | |
# We're both made of milk | 0:07:34 | 0:07:35 | |
# But we're living in separate glasses | 0:07:35 | 0:07:37 | |
# Oh, baby, push yourself against the clear surface. # | 0:07:37 | 0:07:41 | |
LAUGHTER | 0:07:41 | 0:07:42 | |
That just came off weird, didn't it? | 0:07:45 | 0:07:47 | |
I built that up too much. | 0:07:49 | 0:07:51 | |
OK, lighten it. I've got a cheeky milk song. | 0:07:52 | 0:07:54 | |
# I'm made of milk I'm coconut | 0:07:54 | 0:07:56 | |
# You're made of milk You're rice milk | 0:07:56 | 0:07:58 | |
# He's made of milk He's almond | 0:07:58 | 0:08:02 | |
# We're all middle-class milk | 0:08:02 | 0:08:04 | |
LAUGHTER | 0:08:04 | 0:08:05 | |
# Do you remember when milk came from cows? | 0:08:07 | 0:08:11 | |
# That was fricking ages ago | 0:08:11 | 0:08:12 | |
# I'm made of milk I'm almond | 0:08:14 | 0:08:16 | |
# You're made of milk You're breast milk | 0:08:16 | 0:08:18 | |
# He's made of milk He's Coffee-Mate. | 0:08:19 | 0:08:23 | |
# We don't really talk to him | 0:08:23 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:27 | |
# He's a kind of chav milk. # | 0:08:27 | 0:08:29 | |
IN PLUMMY VOICE: Hi, yeah, Almond. Yeah, it's Soya. | 0:08:30 | 0:08:32 | |
Having a little soiree on Saturday actually. Yeah, yeah. | 0:08:32 | 0:08:35 | |
No, bring a few peeps along. | 0:08:35 | 0:08:37 | |
Yeah... No, don't invite Coffee-Mate. Jesus! | 0:08:37 | 0:08:40 | |
LAUGHTER He's a right chav. | 0:08:40 | 0:08:42 | |
Coffee-Mate will win, though. | 0:08:44 | 0:08:46 | |
I is Coffee-Mate, mate. | 0:08:46 | 0:08:47 | |
He will win, yeah. | 0:08:47 | 0:08:49 | |
Because in the future, if there's an apocalypse, yeah, | 0:08:49 | 0:08:52 | |
the mutants will want a nice cup of tea. | 0:08:52 | 0:08:54 | |
All the milk will be off, yeah, | 0:08:54 | 0:08:56 | |
except for Coffee-Mate. LAUGHTER | 0:08:56 | 0:08:59 | |
It's powdered milk. You can snort it, you can put it up your anus. | 0:08:59 | 0:09:03 | |
It lasts forever. LAUGHTER | 0:09:03 | 0:09:05 | |
I love it. | 0:09:06 | 0:09:07 | |
I love it cos it's a bit of a chavvy milk | 0:09:07 | 0:09:09 | |
and I was a bit of a chav. | 0:09:09 | 0:09:11 | |
I represent the Croydon massive. | 0:09:11 | 0:09:13 | |
CHEERING | 0:09:13 | 0:09:15 | |
I was a chav when I was a teenager | 0:09:15 | 0:09:17 | |
and then I went to art school and I had to hand in my chav notice. | 0:09:17 | 0:09:20 | |
LAUGHTER | 0:09:20 | 0:09:21 | |
I was heartbroken. | 0:09:21 | 0:09:22 | |
HE IMITATES CHAV: Oh, my gosh. What? Like, I can't be a chav any more? | 0:09:22 | 0:09:26 | |
No. You're going to be doing collages and shit. | 0:09:26 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:31 | |
I had a chav badge. I had to hand it in. | 0:09:31 | 0:09:34 | |
I'm going to miss you guys. | 0:09:35 | 0:09:37 | |
But then I came out of art college and I used to get beaten up by chavs. | 0:09:38 | 0:09:42 | |
That's the irony. LAUGHTER | 0:09:42 | 0:09:45 | |
I used to wear, sort of, silver catsuits. | 0:09:45 | 0:09:47 | |
Chavs did not like that. LAUGHTER | 0:09:47 | 0:09:49 | |
And I found there was no time to explain that I was a former chav. | 0:09:49 | 0:09:53 | |
But wait... No, no, no, no. | 0:09:54 | 0:09:56 | |
LAUGHTER | 0:09:56 | 0:09:58 | |
The best thing a chav ever said to me. | 0:10:00 | 0:10:02 | |
He saw me in a pink outfit and he went, | 0:10:02 | 0:10:04 | |
"Oh, my gosh. What is you?" | 0:10:04 | 0:10:07 | |
LAUGHTER | 0:10:07 | 0:10:10 | |
So brilliant, that. It's like poetry. Street poetry. | 0:10:10 | 0:10:13 | |
It's so economical. | 0:10:13 | 0:10:15 | |
What. Is. You. | 0:10:15 | 0:10:17 | |
And I went, | 0:10:19 | 0:10:20 | |
"Yes." | 0:10:20 | 0:10:21 | |
And he went, "No." LAUGHTER | 0:10:22 | 0:10:25 | |
My favourite chav story ever, though. | 0:10:29 | 0:10:31 | |
There were some chavs outside Costcutter, yeah. | 0:10:31 | 0:10:33 | |
And basically, this woman went past and fell over. | 0:10:33 | 0:10:36 | |
And they didn't do anything to help. They just went...and laughed. | 0:10:36 | 0:10:39 | |
And the woman was about 45. I thought, "This is a nightmare." | 0:10:39 | 0:10:41 | |
So, I ran over and helped her. She was like a mum. | 0:10:41 | 0:10:43 | |
And I picked her up and said, "Are you OK?" | 0:10:43 | 0:10:45 | |
And she wasn't drunk or anything, she said, "I had a knee operation. | 0:10:45 | 0:10:48 | |
"My knee just gave way." So, I sent her on her way. | 0:10:48 | 0:10:50 | |
And I couldn't leave it. | 0:10:50 | 0:10:51 | |
Cos I used to be a chav, I'm quite South London, yeah. | 0:10:51 | 0:10:55 | |
I thought, "I'm going to have to have a go at them." | 0:10:55 | 0:10:57 | |
I was pushing my luck - there was about ten of them. | 0:10:57 | 0:10:59 | |
So, I sent the lady on her way and I went, | 0:10:59 | 0:11:01 | |
"What's wrong with you? A lady falls over, you just laugh. | 0:11:01 | 0:11:04 | |
"That's unbelievable." | 0:11:04 | 0:11:05 | |
And they didn't say anything and I got really cocky. | 0:11:05 | 0:11:07 | |
And I thought, "Oh, I'm in so much trouble here." | 0:11:07 | 0:11:10 | |
I went, "Imagine if that was your mum. | 0:11:10 | 0:11:12 | |
"You'd just leave her on the floor?" | 0:11:12 | 0:11:14 | |
And this chav came out and said the best thing | 0:11:14 | 0:11:16 | |
anyone's ever said...ever. | 0:11:16 | 0:11:18 | |
He came out and went, | 0:11:18 | 0:11:20 | |
"Yeah, the thing is, my mum don't fall over." | 0:11:20 | 0:11:22 | |
LAUGHTER | 0:11:22 | 0:11:24 | |
You cannot argue with that kind of chav logic. | 0:11:31 | 0:11:35 | |
Totally won me over. | 0:11:35 | 0:11:36 | |
I got her back and threw her back down. | 0:11:36 | 0:11:38 | |
LAUGHTER AND APPLAUSE | 0:11:38 | 0:11:41 | |
Are you ready for your first act? CHEERING | 0:11:44 | 0:11:48 | |
Top shelf, are you ready for your first act? | 0:11:48 | 0:11:51 | |
CHEERING Bottom shelf, are you ready? | 0:11:51 | 0:11:54 | |
CHEERING | 0:11:54 | 0:11:56 | |
Mexican Splash. | 0:11:56 | 0:11:58 | |
-Woo! -LAUGHTER | 0:11:58 | 0:12:01 | |
Ladies and gentlemen, welcome onto the stage | 0:12:01 | 0:12:03 | |
the amazing Dane Baptiste. | 0:12:03 | 0:12:06 | |
CHEERING AND APPLAUSE | 0:12:06 | 0:12:10 | |
Thank you. Thank you, ladies and gentlemen. | 0:12:19 | 0:12:21 | |
-Are you guys well? Are you good? -CHEERING | 0:12:21 | 0:12:24 | |
So, I'm happy to be here as a part of, you know, | 0:12:24 | 0:12:26 | |
helping BBC with their diversity quota. | 0:12:26 | 0:12:28 | |
LAUGHTER AND APPLAUSE | 0:12:28 | 0:12:31 | |
It's good. Yeah. | 0:12:34 | 0:12:35 | |
And I'm sure some of you can tell, I am descended from immigrants. | 0:12:35 | 0:12:38 | |
LAUGHTER | 0:12:38 | 0:12:41 | |
Which is always a contentious thing to say | 0:12:41 | 0:12:42 | |
because especially in current society, | 0:12:42 | 0:12:44 | |
whenever you hear the word 'immigrant' people start going | 0:12:44 | 0:12:47 | |
into the rhetoric. "These immigrants are coming here | 0:12:47 | 0:12:49 | |
"and they are stealing our jobs. What's happened to my country? | 0:12:49 | 0:12:53 | |
"These immigrants are coming here and they are stealing our jobs." | 0:12:53 | 0:12:57 | |
Let me ask you guys a question. | 0:12:57 | 0:12:59 | |
You ever seen a job getting stolen before? | 0:12:59 | 0:13:01 | |
I've never seen a job getting stolen before. | 0:13:03 | 0:13:06 | |
I've never seen terrorists go into an open-plan office and be like, | 0:13:06 | 0:13:09 | |
"Are you here for secretary interview?" | 0:13:09 | 0:13:13 | |
"Erm, yes. Yes, I am." | 0:13:13 | 0:13:14 | |
"Well, this is a hijack, and you play it cool, we get this job together." | 0:13:14 | 0:13:19 | |
"Now, you tell 'em you can work well as an individual." | 0:13:19 | 0:13:22 | |
"I can work well as an individual." | 0:13:22 | 0:13:23 | |
"And as part of a team." | 0:13:23 | 0:13:25 | |
"I'm very good with teamwork as well as my own initiative. I'm..." | 0:13:25 | 0:13:28 | |
"Now, you tell 'em you can use all the Microsoft Office applications... | 0:13:28 | 0:13:32 | |
"..including Microsoft Access." | 0:13:32 | 0:13:34 | |
"Nobody can use Microsoft Access. | 0:13:35 | 0:13:37 | |
-LAUGHTER -"I don't want to die." | 0:13:37 | 0:13:39 | |
That's never happened before. | 0:13:41 | 0:13:42 | |
You know, I grew up in South London. I've never been walking down | 0:13:44 | 0:13:47 | |
the street with my friends and a police van pulls up and says, | 0:13:47 | 0:13:49 | |
"Can we speak to you boys for a second, please?" | 0:13:49 | 0:13:51 | |
"I'm sorry, what's this about, Officer?" | 0:13:51 | 0:13:53 | |
"Been a few job thefts in the area and er... | 0:13:53 | 0:13:55 | |
LAUGHTER | 0:13:55 | 0:13:57 | |
"..just wanted to make some enquiries." | 0:13:57 | 0:13:58 | |
"Well, excuse me. I'm an unemployed drug dealer. | 0:13:58 | 0:14:01 | |
"I don't know what the fuck you're talking about, Officer." | 0:14:01 | 0:14:03 | |
"No, no, don't try it. You seem well-dressed. | 0:14:05 | 0:14:07 | |
"You appear educated and I can see in your eyes distinct signs | 0:14:07 | 0:14:09 | |
"of career aspirations. | 0:14:09 | 0:14:11 | |
"I don't know about you boys, looks a bit ambitious. | 0:14:12 | 0:14:14 | |
"Let's do a quick check. | 0:14:14 | 0:14:16 | |
"Hold on a minute, there's a USB key here. | 0:14:17 | 0:14:21 | |
"Just give that a quick check, Sarge. | 0:14:21 | 0:14:23 | |
-"There's a CV on this USB key! -LAUGHTER | 0:14:23 | 0:14:24 | |
"How are you in possession of a curriculum vitae?" | 0:14:24 | 0:14:27 | |
"Don't know what you're talking about. Must have been planted on me." | 0:14:27 | 0:14:30 | |
"You're under arrest for stealing jobs. Get in the van. | 0:14:30 | 0:14:33 | |
"Imagine looking for recruitment in broad daylight." | 0:14:33 | 0:14:36 | |
-LAUGHTER -That never happens. | 0:14:36 | 0:14:37 | |
I don't imagine any of you guys have ever been out with your friends | 0:14:37 | 0:14:40 | |
having after-work drinks, having a good time, like, | 0:14:40 | 0:14:42 | |
"Hey, guys, we're having a great time. What a great week. Oh... | 0:14:42 | 0:14:45 | |
"Oh. | 0:14:45 | 0:14:46 | |
-"Sorry, has anyone seen my job? I... -LAUGHTER | 0:14:47 | 0:14:50 | |
"Look, guys, stop. Seriously, I can't find my job anywhere. | 0:14:50 | 0:14:53 | |
"Guys, I think someone's taken my job. No, I... | 0:14:55 | 0:14:58 | |
"No. I went into the toilet, I was a paralegal secretary. | 0:14:58 | 0:15:00 | |
"I've come out. I can't find my job anywhere and... | 0:15:00 | 0:15:04 | |
"Well, they've taken my maternity leave. | 0:15:04 | 0:15:06 | |
"I was going to have a baby with that." | 0:15:06 | 0:15:08 | |
And then someone comes up to me and they're like, | 0:15:08 | 0:15:10 | |
"Hey, sorry to disturb you. I saw the whole thing. | 0:15:10 | 0:15:12 | |
"There were some Romanians in here earlier and they... | 0:15:12 | 0:15:15 | |
LAUGHTER | 0:15:15 | 0:15:16 | |
"..appeared to be interested in the legal profession. So, you know." | 0:15:16 | 0:15:19 | |
That never happens. Never happens. | 0:15:20 | 0:15:23 | |
But I want to confess something to you guys | 0:15:23 | 0:15:25 | |
cos I feel like we're all family now. | 0:15:25 | 0:15:27 | |
I just want to say to the ladies in the room that, | 0:15:30 | 0:15:33 | |
it's not easy having a penis. | 0:15:33 | 0:15:35 | |
No, no. I know we make it look like a lot of fun | 0:15:36 | 0:15:39 | |
but with great power comes great responsibility. | 0:15:39 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:43 | |
So, it's not always easy being a man cos, you know, | 0:15:47 | 0:15:49 | |
I'll do a quick check now. | 0:15:49 | 0:15:50 | |
How many men in here are proud to still be virgins? | 0:15:50 | 0:15:52 | |
-Any male virgins in the room? -SPORADIC SHOUTING | 0:15:52 | 0:15:55 | |
OK. One guy. | 0:15:56 | 0:15:58 | |
One guy. That's the thing. | 0:15:59 | 0:16:01 | |
As much as men talk about sex, we hardly ever acknowledge the fact | 0:16:01 | 0:16:04 | |
that we were virgins at some point. We never acknowledge our virginity. | 0:16:04 | 0:16:07 | |
I grew up in South London where I never had the best sex education. | 0:16:07 | 0:16:10 | |
Where I grew up you got sex tips like, | 0:16:10 | 0:16:12 | |
"Well, you know what, yeah. "If you drink Coke and she drinks | 0:16:12 | 0:16:14 | |
Pepsi, she can't get pregnant, so..." | 0:16:14 | 0:16:16 | |
That's not helpful. Not helpful. | 0:16:22 | 0:16:24 | |
For me, I remember what it was like to be, like, a virgin. | 0:16:25 | 0:16:28 | |
I remember when I first became sexually aware, | 0:16:28 | 0:16:31 | |
I woke up with two new friends - my virginity and my libido. | 0:16:31 | 0:16:34 | |
But my libido was too weak and small and inexperienced to talk. | 0:16:34 | 0:16:37 | |
So, my virginity did all the introductions. | 0:16:37 | 0:16:39 | |
He was like, "Hey, Dane, I'm your virginity. | 0:16:39 | 0:16:41 | |
"I'm going to make sure that you remain pure and innocent | 0:16:41 | 0:16:44 | |
"and you can't have sex for a very long time. Yay!" | 0:16:44 | 0:16:46 | |
"How are you going to do that, Virginity?" | 0:16:46 | 0:16:48 | |
"Well, basically, I'm going to make sure your voice never breaks and | 0:16:48 | 0:16:51 | |
"takes a long time and you don't grow any pubic hair, | 0:16:51 | 0:16:53 | |
"so you think you have a medical condition. Yay!" | 0:16:53 | 0:16:56 | |
Which made it very difficult for me to speak to girls. Cos I'd be with a | 0:16:56 | 0:16:59 | |
girl and be like, "Hey, Simone. I really like you." She'd be like, | 0:16:59 | 0:17:02 | |
"Oh, I like you too, Dane. Maybe we should take this to the next level." | 0:17:02 | 0:17:05 | |
Then my virginity would be like, "He does like you, Simone, but he | 0:17:05 | 0:17:07 | |
"likes PlayStation and Fifa and comic books and milkshakes and purity. Yay!" | 0:17:07 | 0:17:11 | |
It was tough. And then my parents would get involved. | 0:17:12 | 0:17:14 | |
My mum would say, "Dane, your virginity keeps destroying your | 0:17:14 | 0:17:17 | |
"socks. I'm not going to buy you any more till you get that under control." | 0:17:17 | 0:17:21 | |
And then my virginity would chime in again and be like, | 0:17:23 | 0:17:26 | |
"He's just exploring himself and sex by himself | 0:17:26 | 0:17:28 | |
-"is the safest way to have it. Yay!" -LAUGHTER | 0:17:28 | 0:17:31 | |
And that was the early part of my teenage years until finally | 0:17:31 | 0:17:33 | |
my libido got big enough and strong enough to approach me too. | 0:17:33 | 0:17:36 | |
He came up to me one day too and was like, | 0:17:36 | 0:17:38 | |
IN LOW VOICE: "Hey, Dane, can I speak to you for a second, please?" | 0:17:38 | 0:17:40 | |
LAUGHTER | 0:17:40 | 0:17:43 | |
"What's this about, Libido?" | 0:17:43 | 0:17:44 | |
"Well, it's about your virginity. | 0:17:44 | 0:17:46 | |
"I was thinking it's about time that we got rid of him." | 0:17:46 | 0:17:49 | |
"What are you saying?" | 0:17:50 | 0:17:52 | |
"I'm saying that we take him out... | 0:17:52 | 0:17:54 | |
"..permanently." | 0:17:55 | 0:17:57 | |
VIRGINITY: "What are you guys talking about? | 0:17:58 | 0:18:00 | |
"Is it purity and innocence? Yay!" | 0:18:00 | 0:18:02 | |
LIBIDO: "Oh, Virginity, I didn't realise you were here. | 0:18:03 | 0:18:06 | |
"Why don't you come along for a ride to Simone's house?" | 0:18:06 | 0:18:08 | |
LAUGHTER | 0:18:08 | 0:18:11 | |
And just like that, after having that companion for 18 years, | 0:18:11 | 0:18:14 | |
my virginity was gone in seven minutes and 23 seconds. | 0:18:14 | 0:18:18 | |
LAUGHTER | 0:18:18 | 0:18:19 | |
Er, that's two R&B songs, thank you very much. | 0:18:19 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:22 | |
And the thing is, I didn't really think I would miss my virginity | 0:18:23 | 0:18:26 | |
but my life was a lot less complicated before sex came along. | 0:18:26 | 0:18:29 | |
Cos all I have left now is my libido | 0:18:29 | 0:18:31 | |
and we have very different conversations compared to what I had | 0:18:31 | 0:18:34 | |
with my virginity. | 0:18:34 | 0:18:35 | |
Cos I'd be out with my libido on a weekend and he'd be like, | 0:18:35 | 0:18:37 | |
"Hey, Dane, you see that girl in the dress over there?" | 0:18:37 | 0:18:41 | |
And I'd be like, "Yeah, she must be cold, it is November." | 0:18:41 | 0:18:43 | |
"What the fuck did you just say?" | 0:18:43 | 0:18:45 | |
"Oh... No. No, I see her. | 0:18:45 | 0:18:48 | |
-"Oh, boobies. Blah, blah, blah." -LAUGHTER | 0:18:48 | 0:18:51 | |
Cos that's the thing, once your libido awakens | 0:18:53 | 0:18:56 | |
then it takes over your body as a man | 0:18:56 | 0:18:58 | |
and becomes the CEO of your manhood. | 0:18:58 | 0:18:59 | |
And it's backed by the major shareholders The Balls Brothers. | 0:19:00 | 0:19:03 | |
LAUGHTER | 0:19:03 | 0:19:06 | |
Some very heartless capitalists down there. | 0:19:06 | 0:19:09 | |
It's tough because despite having the best moral intentions, | 0:19:09 | 0:19:12 | |
you've always got stakeholders with their own agenda. | 0:19:12 | 0:19:15 | |
Cos I've come to them with very noble proposals like, | 0:19:15 | 0:19:17 | |
"Hey, guys. I'm thinking about maybe giving part of myself to somebody. | 0:19:17 | 0:19:21 | |
"Getting out of the game, settling down and raising a family." | 0:19:21 | 0:19:23 | |
And they'll say, "Well, Dane, thank you for coming to the meeting. | 0:19:23 | 0:19:26 | |
"While we understand your need for paternity leave, | 0:19:26 | 0:19:28 | |
"there are still markets in Asia you have yet to exploit." | 0:19:28 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:33 | |
"Well, what does that mean?" | 0:19:35 | 0:19:36 | |
"It means, until you've been with a blonde Eskimo, | 0:19:36 | 0:19:38 | |
"you're never getting out of the game." | 0:19:38 | 0:19:40 | |
LAUGHTER | 0:19:40 | 0:19:41 | |
"Cos we down here are all about diversity, Dane." | 0:19:41 | 0:19:44 | |
LAUGHTER | 0:19:44 | 0:19:45 | |
Ladies and gentlemen, thank you very much for listening. | 0:19:45 | 0:19:47 | |
I've been Dane Baptiste. I'll see you guys soon. Thank you. | 0:19:47 | 0:19:50 | |
CHEERING AND APPLAUSE | 0:19:50 | 0:19:52 | |
Dane Baptiste, ladies and gentlemen. | 0:19:54 | 0:19:57 | |
CHEERING AND APPLAUSE | 0:19:57 | 0:19:59 | |
Oh, Mexican Splash. Are you having a good time? | 0:20:01 | 0:20:04 | |
Helium Balloon. | 0:20:05 | 0:20:08 | |
OK, are you ready for your next act? | 0:20:08 | 0:20:10 | |
CHEERING | 0:20:10 | 0:20:12 | |
Put your hands together, go wild. | 0:20:12 | 0:20:14 | |
Welcome onto the stage Al Porter. | 0:20:14 | 0:20:17 | |
CHEERING AND APPLAUSE | 0:20:17 | 0:20:19 | |
Hello. Are you all having a goodnight? | 0:20:25 | 0:20:28 | |
CHEERING | 0:20:28 | 0:20:29 | |
Wow, what an amazing theatre. | 0:20:29 | 0:20:31 | |
It's great to be here. My name is Al. | 0:20:31 | 0:20:33 | |
I'm 22. | 0:20:33 | 0:20:35 | |
If any of you are wondering looking at me, | 0:20:35 | 0:20:38 | |
and I know some of you do wonder, you know | 0:20:38 | 0:20:39 | |
"Oh... Is he, isn't he?" | 0:20:39 | 0:20:43 | |
LAUGHTER | 0:20:43 | 0:20:44 | |
Obviously, I am. | 0:20:44 | 0:20:46 | |
I'm from Dublin. | 0:20:46 | 0:20:47 | |
LAUGHTER | 0:20:47 | 0:20:49 | |
I'm actually from quite a rough part of Dublin. | 0:20:49 | 0:20:51 | |
I know I'm overdressed but look at my face. | 0:20:51 | 0:20:53 | |
I think if you can't hide it, decorate it. | 0:20:53 | 0:20:55 | |
And I'm from a council estate. | 0:20:55 | 0:20:58 | |
Where I'm from it's the kind of place where Father's Day | 0:20:58 | 0:21:01 | |
is a very mysterious day. | 0:21:01 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:05 | |
Father's Day on my estate is like Halloween. | 0:21:05 | 0:21:07 | |
Kids go door-to-door. | 0:21:08 | 0:21:10 | |
"How are you, Da? How are you, Da? How are you, Da? | 0:21:10 | 0:21:14 | |
-"Ma, who else is on your list?" -LAUGHTER | 0:21:14 | 0:21:17 | |
We have newsagents for Father's Day that just have cards that read, | 0:21:17 | 0:21:20 | |
"To whom it concerns." | 0:21:20 | 0:21:21 | |
Nice place, though. I mean, my da is a working-class man's man. | 0:21:23 | 0:21:27 | |
You know, he's from the inner-city. His name is Mick. | 0:21:27 | 0:21:29 | |
You know, he's a real man's man from the inner-city. | 0:21:29 | 0:21:33 | |
When he had his son, he wasn't expecting me. | 0:21:33 | 0:21:35 | |
LAUGHTER | 0:21:35 | 0:21:36 | |
He always says to me, | 0:21:36 | 0:21:37 | |
"I thought growing up with the lads around here would have hardened ya." | 0:21:37 | 0:21:41 | |
-And I said, "It did." -LAUGHTER | 0:21:41 | 0:21:44 | |
APPLAUSE | 0:21:44 | 0:21:47 | |
We were very happy this year. Great year for the gays in Ireland. | 0:21:48 | 0:21:51 | |
You know, first country in the world to introduce same-sex marriage | 0:21:51 | 0:21:54 | |
-by popular vote. -CHEERING | 0:21:54 | 0:21:56 | |
I think my dad was very happy about it. | 0:21:58 | 0:22:00 | |
You know, for years he was saying he wanted to give me away. | 0:22:00 | 0:22:04 | |
And my favourite thing about gay marriage now is that finally | 0:22:05 | 0:22:08 | |
Don't Tell The Bride is going to be a decent programme. | 0:22:08 | 0:22:10 | |
-LAUGHTER -I love it. I think it's great. | 0:22:10 | 0:22:13 | |
Especially if it's two women and we tell neither of them. | 0:22:13 | 0:22:16 | |
LAUGHTER | 0:22:16 | 0:22:18 | |
I watch that all the time with my mam and you would love my mother. | 0:22:18 | 0:22:21 | |
My mother is like a jigsaw puzzle, where all the pieces do fit together | 0:22:21 | 0:22:26 | |
but when you stand back you go, "Oh... | 0:22:26 | 0:22:29 | |
"..they're not for the same picture." | 0:22:31 | 0:22:32 | |
LAUGHTER | 0:22:32 | 0:22:34 | |
She is brilliant. | 0:22:34 | 0:22:35 | |
We were talking about boob jobs. You know, getting the titties done. | 0:22:35 | 0:22:38 | |
And I told her I knew someone who had their fifth one done. | 0:22:38 | 0:22:41 | |
And her reaction was, "Jesus! | 0:22:41 | 0:22:43 | |
"Where would you get a bra with five tits on ya?" | 0:22:43 | 0:22:45 | |
LAUGHTER | 0:22:45 | 0:22:48 | |
But some people would look down on that. I think that's great. | 0:22:48 | 0:22:50 | |
Can you imagine how enjoyable your life would be, | 0:22:50 | 0:22:53 | |
if you woke up every morning and had no idea what was going on? | 0:22:53 | 0:22:58 | |
LAUGHTER | 0:22:58 | 0:22:59 | |
Like, it's so enjoyable. | 0:22:59 | 0:23:01 | |
I wake up, I worry about tax and insurance and all that. | 0:23:01 | 0:23:03 | |
She wakes up and goes, "Ha, I'm alive again. That's great." | 0:23:03 | 0:23:06 | |
And just goes about her day. | 0:23:06 | 0:23:08 | |
So we'll watch Don't Tell The Bride, right. | 0:23:09 | 0:23:11 | |
Now, if you don't know it, | 0:23:11 | 0:23:12 | |
Don't Tell The Bride is where a woman forgoes her dignity... | 0:23:12 | 0:23:15 | |
LAUGHTER | 0:23:15 | 0:23:17 | |
..so that the telly will pay for her wedding. | 0:23:17 | 0:23:19 | |
And she always sits right... | 0:23:20 | 0:23:21 | |
So, she sits looking at the camera, doesn't she, girls? | 0:23:21 | 0:23:24 | |
And she's going, "Oh, I'm very nervous. Yeah. | 0:23:24 | 0:23:28 | |
"He can be a bit of an 'ejeet', really. | 0:23:28 | 0:23:31 | |
"I hope he doesn't ruin it. | 0:23:31 | 0:23:33 | |
"Like, I love him but he's a bit of an arse hole. | 0:23:33 | 0:23:36 | |
-"Do you know what I mean?" -LAUGHTER | 0:23:36 | 0:23:38 | |
And I hate to generalise | 0:23:38 | 0:23:40 | |
but this is where the woman you are watching it with loses her shit. | 0:23:40 | 0:23:44 | |
I don't watch it, I watch my mam. | 0:23:46 | 0:23:49 | |
Cos the woman on the telly is going, "I'm very nervous. | 0:23:49 | 0:23:52 | |
"Like, will he get me the right venue? The right flowers? | 0:23:52 | 0:23:54 | |
"The right dress?" | 0:23:54 | 0:23:56 | |
And my mother is going, "Just tell him what you want." | 0:23:56 | 0:23:58 | |
"Just tell him what you want. | 0:23:59 | 0:24:01 | |
"Why would you leave it to chance? Just tell him what you want." | 0:24:01 | 0:24:03 | |
"Will he get me the right kind of band? I always wanted a swing band. | 0:24:03 | 0:24:06 | |
"You know what I mean?" | 0:24:06 | 0:24:07 | |
"Did you tell him you wanted a swing band? | 0:24:07 | 0:24:09 | |
"Why don't you tell him you want a swing band, he'll get you a swing | 0:24:09 | 0:24:12 | |
"band. Why would you leave it to chance?" | 0:24:12 | 0:24:14 | |
"Will he get me the right honeymoon? I always wanted to Barbados." | 0:24:14 | 0:24:16 | |
"Tell him you want to go to Barbados. | 0:24:16 | 0:24:18 | |
"Tell him what you want. | 0:24:18 | 0:24:20 | |
"Three months, you're getting e-mails - | 0:24:20 | 0:24:22 | |
"'You will be on Don't Tell The Bride.' | 0:24:22 | 0:24:24 | |
"Tell him what you want, you mad bitch." | 0:24:24 | 0:24:26 | |
LAUGHTER | 0:24:26 | 0:24:28 | |
One time it was so bad she left the room. | 0:24:32 | 0:24:36 | |
She actually got up and goes, | 0:24:36 | 0:24:37 | |
"I can't be in the same room as that 'ejeet'." | 0:24:37 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:41 | |
But the thing is the woman did tell him what she wanted | 0:24:41 | 0:24:43 | |
but he's always a manly, manly man. | 0:24:43 | 0:24:47 | |
He's Tadhg from the country. | 0:24:47 | 0:24:50 | |
There's cutaways of him grazing in fields. | 0:24:50 | 0:24:52 | |
"How ya getting on?" | 0:24:52 | 0:24:54 | |
"Just organising the wedding. How are you? Are you well?" | 0:24:54 | 0:24:58 | |
He's so butch, he's the kind of man who could shop in Jack & Jones. | 0:24:58 | 0:25:01 | |
Oh, Jack & Jones is the straightest clothing in the world. | 0:25:02 | 0:25:05 | |
Oh, no, it is. | 0:25:05 | 0:25:06 | |
They could do tokens for the men who shop there to save them time. | 0:25:06 | 0:25:10 | |
Just walk in and the woman goes, "What can I get you?" | 0:25:11 | 0:25:14 | |
-And they go, "Two clothes, please." -LAUGHTER | 0:25:14 | 0:25:17 | |
"What are you looking for?" | 0:25:17 | 0:25:18 | |
"The top half and the bottom half. | 0:25:18 | 0:25:20 | |
"Thank you very much." | 0:25:22 | 0:25:24 | |
Yet invariably, every episode - | 0:25:24 | 0:25:26 | |
and this really pisses me off - ends the same way. | 0:25:26 | 0:25:30 | |
She just sits there going, "Oh, he did a great job really. | 0:25:30 | 0:25:34 | |
"Yeah, it was amazing." | 0:25:34 | 0:25:36 | |
And then she's done up as a Star Trek character. | 0:25:36 | 0:25:38 | |
LAUGHTER | 0:25:38 | 0:25:39 | |
She's had to get married on the back of a chip van. | 0:25:40 | 0:25:43 | |
"Oh, yeah. I always wanted to honeymoon in Glasgow." | 0:25:44 | 0:25:47 | |
And I'm going, | 0:25:49 | 0:25:50 | |
"Ya lying bitch." | 0:25:50 | 0:25:52 | |
Cos she's lying. | 0:25:52 | 0:25:54 | |
She didn't love it. | 0:25:54 | 0:25:56 | |
She loved that she didn't pay for it. | 0:25:56 | 0:25:58 | |
I want an honest episode. Do you know what I mean? | 0:25:59 | 0:26:02 | |
Like, one where the girl walks into the venue and she goes, | 0:26:02 | 0:26:05 | |
HUMS WEDDING MARCH BY FELIX MENDELSSOHN | 0:26:05 | 0:26:09 | |
"Oh... | 0:26:09 | 0:26:11 | |
HE SHRIEKS | 0:26:11 | 0:26:13 | |
HE SHRIEKS LOUDER | 0:26:13 | 0:26:15 | |
HE SHRIEKS HYSTERICALLY | 0:26:15 | 0:26:18 | |
You ruined it!! | 0:26:18 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:21 | |
HE SOBS | 0:26:22 | 0:26:24 | |
I. Fucked. Your. Brother. Anyway. | 0:26:24 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:29 | |
That I would watch. | 0:26:32 | 0:26:34 | |
I tell you one thing, I overheard my da describing me recently. | 0:26:36 | 0:26:40 | |
I was in the football club. | 0:26:40 | 0:26:41 | |
I was getting him a pint and I was over here, let's say. | 0:26:41 | 0:26:44 | |
He's talking to men who haven't seen me since I was, like, ten years old. | 0:26:44 | 0:26:49 | |
And I heard him go, "That's Al, me youngest. | 0:26:49 | 0:26:52 | |
"I'm very proud of him. | 0:26:52 | 0:26:54 | |
"Very proud of him. | 0:26:54 | 0:26:55 | |
"Being an entertainer, following his dream. | 0:26:55 | 0:26:57 | |
"Rings his mother every day. Very proud of him." | 0:26:57 | 0:27:00 | |
And I thought, "That's lovely." | 0:27:00 | 0:27:01 | |
Cos he would never say anything like that to my face. | 0:27:01 | 0:27:04 | |
And then I heard him say... | 0:27:04 | 0:27:05 | |
"Fucking goes around giving blow jobs." | 0:27:06 | 0:27:08 | |
LAUGHTER | 0:27:08 | 0:27:10 | |
He says, "I tell you, lads, he doesn't get that from me. | 0:27:12 | 0:27:15 | |
"And he certainly doesn't get it from his mother." | 0:27:16 | 0:27:18 | |
LAUGHTER | 0:27:18 | 0:27:20 | |
Apollo, you've been lovely. I love you very much. | 0:27:20 | 0:27:23 | |
-Thank you and goodnight. -CHEERING AND APPLAUSE | 0:27:23 | 0:27:26 | |
Al Porter, ladies and gentlemen. CHEERING AND APPLAUSE | 0:27:29 | 0:27:34 | |
Woo! Ah, what a brilliant night. | 0:27:36 | 0:27:39 | |
-You had a goodnight, Mexican Splash? -Yeah. | 0:27:39 | 0:27:42 | |
Brilliant. What about you, Helium Balloon? | 0:27:42 | 0:27:46 | |
Show's over but me and you could go backstage. | 0:27:46 | 0:27:49 | |
I've got some fresh moccasins. LAUGHTER | 0:27:49 | 0:27:53 | |
Ladies and gentlemen, it's been amazing. You've been beautiful. | 0:27:53 | 0:27:57 | |
Let's have...a round of applause for Dane Baptiste, ladies and gentlemen! | 0:27:57 | 0:28:02 | |
Al Porter, ladies and gentlemen! | 0:28:04 | 0:28:07 | |
You've been absolutely amazing. | 0:28:09 | 0:28:11 | |
Thank you. I've been Noel Fielding. Cheers! Goodnight! | 0:28:11 | 0:28:14 |