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This programme contains some strong language. | 0:00:02 | 0:00:10 | |
Ladies and gentlemen, | 0:00:18 | 0:00:20 | |
please welcome your host for tonight, | 0:00:20 | 0:00:24 | |
Joe Lycett! | 0:00:24 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:34 | |
Hammersmith Apollo, again, everyone! | 0:00:35 | 0:00:38 | |
Give me an "Ooh!" | 0:00:38 | 0:00:40 | |
-ALL: -Ooh! | 0:00:40 | 0:00:41 | |
Give me an "A-ha-ha-ha". | 0:00:41 | 0:00:43 | |
-ALL: -A-ha-ha-ha. | 0:00:43 | 0:00:44 | |
Very nice. Let me hear you say, "Hell, yeah!" | 0:00:44 | 0:00:47 | |
-ALL: -Hell, yeah! | 0:00:47 | 0:00:49 | |
And then, as camp as you can, give me an, "Oh, no". | 0:00:49 | 0:00:52 | |
-ALL: -Oh, no. | 0:00:52 | 0:00:53 | |
You shook your head. "I'm not going to do a camp thing". | 0:00:53 | 0:00:55 | |
Give yourselves a round of applause! | 0:00:57 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:01 | |
That's good. Hello. | 0:01:01 | 0:01:02 | |
So, right, I broke my elbow. | 0:01:05 | 0:01:07 | |
-Did you? -I did. | 0:01:07 | 0:01:08 | |
I got into a fight. | 0:01:08 | 0:01:10 | |
You should see the other guy. | 0:01:10 | 0:01:12 | |
She's fine. She's back at school. | 0:01:12 | 0:01:15 | |
I don't want to talk about it. | 0:01:17 | 0:01:19 | |
Cos, you know, I just want to keep it low key. | 0:01:19 | 0:01:21 | |
That's why I wore this sling(!) | 0:01:21 | 0:01:23 | |
I made a sling out of silver! | 0:01:23 | 0:01:24 | |
What I've realised is, I'm not going to be able to get up now. | 0:01:25 | 0:01:28 | |
I've really shat myself up here, haven't I? | 0:01:30 | 0:01:33 | |
Right... | 0:01:34 | 0:01:35 | |
CHEERING | 0:01:36 | 0:01:37 | |
CHEERING AND APPLAUSE | 0:01:39 | 0:01:42 | |
So, do you know, I want to talk about Birmingham. | 0:01:45 | 0:01:48 | |
I am from Birmingham. Anyone from Birmingham in? | 0:01:48 | 0:01:50 | |
CHEERING | 0:01:50 | 0:01:51 | |
Oh, loads of you. Hello, welcome. I know I don't have the accent. | 0:01:51 | 0:01:54 | |
I know. I just never had it. | 0:01:54 | 0:01:56 | |
I am... | 0:01:56 | 0:01:57 | |
I, er, was watching Fox News the other week. | 0:01:57 | 0:01:59 | |
The reputable news source that is Fox News(!) | 0:01:59 | 0:02:02 | |
And they described Birmingham as "100% Muslim". | 0:02:02 | 0:02:06 | |
Salaam-Alaikum. | 0:02:08 | 0:02:09 | |
Alaikum-Salaam is what you say back, but don't worry, | 0:02:10 | 0:02:12 | |
we will work it out. I was interested in that, | 0:02:12 | 0:02:15 | |
because "100% Muslim", they said. It is a sort of truth. | 0:02:15 | 0:02:17 | |
There is a lot of Muslims in Birmingham. | 0:02:17 | 0:02:19 | |
There is a lot of all cultures there. | 0:02:19 | 0:02:20 | |
We are known for being multicultural. | 0:02:20 | 0:02:22 | |
One of the most famous Muslims in Birmingham is Malala Yousafzai. | 0:02:22 | 0:02:26 | |
I don't know if people are familiar with her? | 0:02:26 | 0:02:28 | |
CHEERING | 0:02:28 | 0:02:29 | |
Yes, she's brilliant. She's an 18-year-old schoolgirl | 0:02:29 | 0:02:32 | |
who was shot at by the Taliban for wanting to be educated. | 0:02:32 | 0:02:34 | |
She now goes to Edgbaston High School for Girls. | 0:02:34 | 0:02:37 | |
It is a private school. I don't think she pays the fees. | 0:02:37 | 0:02:40 | |
I, personally, would hate to go to school with Malala Yousafzai. | 0:02:43 | 0:02:47 | |
Can you imagine Show and Tell Day, with Malala? | 0:02:47 | 0:02:50 | |
"OK, class, what have you brought in?" | 0:02:50 | 0:02:52 | |
"Sally, let's start with you." | 0:02:52 | 0:02:54 | |
And Sally goes, "I've brought in a papier mache cat | 0:02:54 | 0:02:58 | |
"that I made". | 0:02:58 | 0:02:59 | |
"OK, um, anyone else bring anything in? | 0:03:00 | 0:03:02 | |
"Malala, did you bring anything in?" | 0:03:02 | 0:03:04 | |
"This Nobel Peace Prize." | 0:03:04 | 0:03:07 | |
"Sally! You're a piece of shit." | 0:03:09 | 0:03:12 | |
I'd hate to be a teacher, as well. | 0:03:14 | 0:03:15 | |
You're not going to tell Malala off for anything. | 0:03:15 | 0:03:17 | |
"What are you doing with that phone?" | 0:03:17 | 0:03:19 | |
"Texting Barack Obama, actually, so..." | 0:03:19 | 0:03:21 | |
"Oh, sorry. | 0:03:21 | 0:03:23 | |
"Um, Sally... you're a piece of shit." | 0:03:23 | 0:03:26 | |
Poor Sally. No, I made her up. No, I was annoyed about that. | 0:03:28 | 0:03:30 | |
I was annoyed when they said we were 100% Muslim, cos when they say | 0:03:30 | 0:03:33 | |
things like that, there is a subtext to that. | 0:03:33 | 0:03:35 | |
What they are saying is that we should be worried about that, | 0:03:35 | 0:03:38 | |
that there is something terrifying, frightening about Muslims. | 0:03:38 | 0:03:41 | |
I think we have got a problem. I think we are using the word "Muslim" | 0:03:41 | 0:03:44 | |
far too quickly to describe people doing atrocities, | 0:03:44 | 0:03:47 | |
when they do not represent Muslims any more than I do. | 0:03:47 | 0:03:49 | |
I think we should be using a more accurate word for those people, | 0:03:49 | 0:03:52 | |
which I am going to argue is "knobhead". | 0:03:52 | 0:03:55 | |
CHEERING AND APPLAUSE | 0:03:56 | 0:03:59 | |
It's a political rally now. | 0:03:59 | 0:04:01 | |
There would be levels of knobhead. You would have a moderate knobhead, | 0:04:01 | 0:04:05 | |
all the way up to fundamental knobhead. | 0:04:05 | 0:04:08 | |
And if we all did it, the news would have to catch up. | 0:04:08 | 0:04:10 | |
They would have to go, "Today, two knobheads bombed a car." | 0:04:10 | 0:04:13 | |
They would have to do it. And it wouldn't necessarily be to do with | 0:04:13 | 0:04:16 | |
terrorist activity. Not just that. Any knobheady activity would get | 0:04:16 | 0:04:20 | |
the knobhead word. I have thought of some. | 0:04:20 | 0:04:22 | |
People that wear a festival wristband after a festival. | 0:04:24 | 0:04:28 | |
Ugh! The worst! | 0:04:30 | 0:04:32 | |
"I went to Reading." | 0:04:32 | 0:04:33 | |
It's November, you're in a Costa! You're a knobhead! | 0:04:33 | 0:04:36 | |
Couples that put a lock on a bridge. You are both knobheads, sorry! | 0:04:40 | 0:04:44 | |
Hate that! Hate it! | 0:04:44 | 0:04:45 | |
Sanctimonious mothers. I have to be careful here. | 0:04:48 | 0:04:50 | |
I don't mean all mothers, by any means. Just a lot of my friends | 0:04:50 | 0:04:53 | |
are having kids at the minute. It's the sort of mothers that go, | 0:04:53 | 0:04:56 | |
"Don't tell me how to raise my kids." And you're like, | 0:04:56 | 0:04:58 | |
"OK, but she IS trying to eat a petits filous | 0:04:58 | 0:05:01 | |
"with an electric razor, so... | 0:05:01 | 0:05:03 | |
"You're a bit of a knobhead, aren't you?! Just ever so slightly." | 0:05:06 | 0:05:09 | |
Amanda Holden - fundamental knobhead. I just don't like her. | 0:05:09 | 0:05:13 | |
I don't like her. | 0:05:13 | 0:05:14 | |
CHEERING | 0:05:14 | 0:05:15 | |
Don't encourage me, because I am sure she is lovely. | 0:05:15 | 0:05:18 | |
But I think she's despicable. | 0:05:18 | 0:05:20 | |
No, I don't have a problem with Muslims in Birmingham, at all. | 0:05:22 | 0:05:24 | |
Happy to have them. I think they add to our city and to our culture. | 0:05:24 | 0:05:27 | |
I think the big problem we have in Birmingham is happening around | 0:05:27 | 0:05:30 | |
the country, actually. We have a lot of artisan coffee shops. | 0:05:30 | 0:05:35 | |
You know the sort of places I am on about. | 0:05:35 | 0:05:37 | |
Shoreditch is full of them. Kind of, like, distressed wood. | 0:05:37 | 0:05:41 | |
That kind of thing. | 0:05:41 | 0:05:42 | |
And they serve flat whites and they will say things like, | 0:05:42 | 0:05:46 | |
"We support local artists." | 0:05:46 | 0:05:47 | |
And you know that, cos the art on the wall | 0:05:47 | 0:05:50 | |
is shit. | 0:05:50 | 0:05:52 | |
Dozens. Dozens in Birmingham. They are all shit. | 0:05:55 | 0:05:58 | |
No, there is one I quite like. | 0:05:58 | 0:06:00 | |
I cannot say the name, for legal reasons. | 0:06:00 | 0:06:03 | |
They do an avocado and feta smash. | 0:06:03 | 0:06:06 | |
It's a very aggressive word, I feel, | 0:06:08 | 0:06:10 | |
for what is, essentially, pressing with a fork. | 0:06:10 | 0:06:13 | |
Avocado and feta smash! And for £1-1.50 extra, | 0:06:13 | 0:06:17 | |
you can get a poached egg on top. It is a lovely way to start the day. | 0:06:17 | 0:06:19 | |
I went in recently and I said to the girl, | 0:06:19 | 0:06:21 | |
"I'd like the avocado and feta smash, please, | 0:06:21 | 0:06:23 | |
"with the poached egg." And she went, "Oh. | 0:06:23 | 0:06:26 | |
"We don't do the egg any more." | 0:06:26 | 0:06:28 | |
I said, "Why's that?" And she went, | 0:06:29 | 0:06:31 | |
"The kitchen was struggling to cope." | 0:06:31 | 0:06:33 | |
When I hear the phrase "struggling to cope", | 0:06:36 | 0:06:40 | |
I think of, I don't know, a single mother, | 0:06:40 | 0:06:42 | |
trying to juggle a career, childcare, heartbreak. | 0:06:42 | 0:06:45 | |
I don't think of someone cooking a fucking egg. | 0:06:45 | 0:06:48 | |
I am boycotting them now. I am boycotting them. | 0:06:51 | 0:06:54 | |
We have got a 24-hour Starbucks, as well. | 0:06:54 | 0:06:57 | |
Nobody asked for one. We've got one. | 0:06:57 | 0:06:59 | |
The staff, at 4am, genetically closer to a moth. | 0:06:59 | 0:07:03 | |
I have only been in once. It was about 4am. | 0:07:05 | 0:07:06 | |
I got back late from a show. I thought I would treat myself, | 0:07:06 | 0:07:09 | |
have a hot chocolate. The guy behind the counter obviously | 0:07:09 | 0:07:11 | |
could not cope with daylight. "Can I take a name?" | 0:07:11 | 0:07:15 | |
"Yeah, it's Joe. Can I ask why?" | 0:07:15 | 0:07:17 | |
He's like, "Just in case the order gets confused." | 0:07:17 | 0:07:20 | |
I looked around an empty Starbucks! | 0:07:20 | 0:07:23 | |
He shuffled along to the service counter, took him ages to make it, | 0:07:23 | 0:07:26 | |
and then he went, "Hot chocolate for John". | 0:07:26 | 0:07:29 | |
So, to prove a point, I just waited. | 0:07:31 | 0:07:34 | |
"John will be here in a minute, won't he? | 0:07:34 | 0:07:36 | |
"He loves a hot chocolate, our John." | 0:07:36 | 0:07:39 | |
Now, I am going to tell you a final thing and then I am going to | 0:07:41 | 0:07:45 | |
bring on your first act. Are you up for this? | 0:07:45 | 0:07:47 | |
CHEERING | 0:07:47 | 0:07:49 | |
Right. What I want to tell you about is a thing I have been doing | 0:07:49 | 0:07:51 | |
in my office. I have got this office in Birmingham. It's a little space | 0:07:51 | 0:07:54 | |
that I write stuff in and whatever. I have got this, like, snap frame | 0:07:54 | 0:07:57 | |
on the door, which is where, like... The other businesses have their | 0:07:57 | 0:08:01 | |
business name, but I am not a business, so I just leave it blank, | 0:08:01 | 0:08:04 | |
most of the time. But sometimes, I get drunk in the office | 0:08:04 | 0:08:06 | |
and put silly things in the snap frame. | 0:08:06 | 0:08:09 | |
I just did a thing where I put in the snap frame, | 0:08:09 | 0:08:11 | |
I put a sign up. I put a sign up which said, | 0:08:11 | 0:08:13 | |
"Have you seen this cat?", with a picture underneath it | 0:08:13 | 0:08:18 | |
which is clearly a fox. | 0:08:18 | 0:08:19 | |
And then put, "Missing from the area. | 0:08:21 | 0:08:22 | |
"Answers to the name of Samantha Peterson. | 0:08:22 | 0:08:24 | |
"Any information to Peter, at [email protected]." | 0:08:24 | 0:08:27 | |
I just made up these things. Made myself laugh. | 0:08:27 | 0:08:29 | |
Didn't think of it again. Until, a couple of days later, | 0:08:29 | 0:08:32 | |
I got an e-mail from Carol. Carol wrote, "Mr Lycett, | 0:08:32 | 0:08:35 | |
"it has come to our attention that you have a sign for a lost cat | 0:08:35 | 0:08:38 | |
"on your office door snap frame. May I remind you that it states | 0:08:38 | 0:08:41 | |
"in your contract that we have a strict policy on animals | 0:08:41 | 0:08:44 | |
"in the building, as this is a workplace. | 0:08:44 | 0:08:46 | |
"Animals are not permitted and anyone found with animals | 0:08:46 | 0:08:48 | |
"in their units could have their contract terminated. | 0:08:48 | 0:08:50 | |
"Regards, Carol. Management assistant." | 0:08:50 | 0:08:52 | |
I checked the contract. Nothing in there about animals, | 0:08:52 | 0:08:55 | |
so she's got nothing on me. Second, it's a picture of a fox, Carol. | 0:08:55 | 0:08:59 | |
I replied. "Hello, Carol. My apologies. | 0:09:03 | 0:09:06 | |
"There has been a simple misunderstanding. | 0:09:06 | 0:09:08 | |
"There is, indeed, a sign for a lost cat in the snap frame, | 0:09:08 | 0:09:11 | |
"but Samantha Peterson is not my cat. | 0:09:11 | 0:09:14 | |
"I am attempting to find her, | 0:09:14 | 0:09:15 | |
"as I believe she has been stealing from me." | 0:09:15 | 0:09:19 | |
"I popped into the office late one night last week | 0:09:24 | 0:09:26 | |
"and discovered that my collection of antique biscuits | 0:09:26 | 0:09:29 | |
"had been disturbed. | 0:09:29 | 0:09:30 | |
"Outside the building, I spotted a cat and instinctively shouted, | 0:09:32 | 0:09:36 | |
"Samantha Peterson!" | 0:09:36 | 0:09:37 | |
"The cat turned, so I deduced that is her name. | 0:09:40 | 0:09:43 | |
"I know she has my biscuits. | 0:09:46 | 0:09:47 | |
"Any help you can provide would be most appreciated. | 0:09:47 | 0:09:50 | |
"Many thanks, Joe Lycett." | 0:09:50 | 0:09:52 | |
Carol sent me a reply. | 0:09:52 | 0:09:54 | |
"Mr Lycett, I am sorry to hear about the disruption at your office, | 0:09:55 | 0:09:58 | |
"but I would like to politely ask you to take the sign down. | 0:09:58 | 0:10:01 | |
"The surrounding businesses have made complaints that their clients | 0:10:01 | 0:10:04 | |
"are being disturbed by your sign." How you can be disturbed | 0:10:04 | 0:10:07 | |
by a sign, I don't know. She sent me another e-mail straight after. | 0:10:07 | 0:10:09 | |
"Also, can I ask what the Peter Peterson e-mail address | 0:10:09 | 0:10:12 | |
"is on the sign? Are you sharing the office space?" | 0:10:12 | 0:10:15 | |
It's a sole occupancy. I replied, "Hello, Carol, | 0:10:15 | 0:10:18 | |
"No, Peter is my private investigator. | 0:10:18 | 0:10:20 | |
"He has agreed to live in the office and work on this case for as long | 0:10:23 | 0:10:25 | |
"as is necessary. I replaced the sign. With my compliments, | 0:10:25 | 0:10:29 | |
"many thanks, Joe." I replaced the sign with the same picture of a fox, | 0:10:29 | 0:10:33 | |
just with, "Wanted - dead or alive" over it. | 0:10:33 | 0:10:35 | |
A day later, another e-mail from Carol. | 0:10:40 | 0:10:42 | |
"Mr Lycett, we have had more complaints | 0:10:42 | 0:10:45 | |
"that you have replaced the sign with a very similar sign. | 0:10:45 | 0:10:47 | |
"Also, you cannot have anyone living in your office. | 0:10:47 | 0:10:49 | |
"Is there a time we can speak on the phone today? | 0:10:49 | 0:10:52 | |
"It would be easier to discuss this, rather than over e-mail." | 0:10:52 | 0:10:54 | |
I didn't want to speak to her over the phone, so I replied, | 0:10:54 | 0:10:57 | |
"Carol, I am afraid that will not be possible. | 0:10:57 | 0:10:59 | |
"I have been advised by Peter Peterson that I should not use | 0:10:59 | 0:11:02 | |
"the phone, as it could be bugged." | 0:11:02 | 0:11:04 | |
She replied, "OK, Mr Lycett, I just had one of our security guys | 0:11:10 | 0:11:13 | |
"go round and there is no-one answering the door | 0:11:13 | 0:11:15 | |
"and the lights appear to be off. I am fairly confident | 0:11:15 | 0:11:17 | |
"your investigator is not living in the office. | 0:11:17 | 0:11:19 | |
"As long as you do not have pets in the office, I am happy to forget | 0:11:19 | 0:11:22 | |
"the whole thing. Regards, Carol." Very diplomatic. Very considerate, | 0:11:22 | 0:11:25 | |
on Carol's part. I replied... | 0:11:25 | 0:11:28 | |
"Carol, Carol, Carol... | 0:11:30 | 0:11:31 | |
"Of course your security man did not spot Peter Peterson. | 0:11:34 | 0:11:37 | |
"He is a private investigator | 0:11:37 | 0:11:39 | |
"and shape-shifter. He lives in the cracks. | 0:11:39 | 0:11:41 | |
"He is watching you when you least expect it. | 0:11:41 | 0:11:43 | |
"He lives in the shadows of your darkest fears and, | 0:11:43 | 0:11:46 | |
"in your weakest moments, when you're naked and vulnerable, | 0:11:46 | 0:11:48 | |
"he is there - watching, waiting. He lives through all of us. | 0:11:48 | 0:11:52 | |
"He is their breath on the back of the neck, the breeze in your hair. | 0:11:52 | 0:11:55 | |
"Cheers, Joe." | 0:11:55 | 0:11:56 | |
CHEERING AND APPLAUSE | 0:11:57 | 0:12:02 | |
I also put, "PS Also, FYI, I found Samantha Peterson last night. | 0:12:05 | 0:12:09 | |
"I slaughtered her as a sacrifice to our beloved gods | 0:12:09 | 0:12:12 | |
"and burned the body in a tribal ceremony. | 0:12:12 | 0:12:14 | |
"I took the sign down this morning." | 0:12:14 | 0:12:16 | |
Carol replied, "Thank you". | 0:12:16 | 0:12:18 | |
CHEERING AND APPLAUSE | 0:12:20 | 0:12:23 | |
OK. | 0:12:26 | 0:12:27 | |
So, yeah, I am going to introduce the first act now. | 0:12:28 | 0:12:31 | |
I love this guy. I have worked with him for years, | 0:12:31 | 0:12:33 | |
since we both started stand-up. I just think he's wonderful. | 0:12:33 | 0:12:36 | |
So, please, give all your love and warmth | 0:12:36 | 0:12:38 | |
for the amazing Ivo Graham! | 0:12:38 | 0:12:40 | |
CHEERING AND APPLAUSE | 0:12:40 | 0:12:44 | |
Good evening, Live at the Apollo. | 0:12:56 | 0:12:58 | |
CHEERING | 0:12:58 | 0:13:01 | |
My name is Ivo. I am going to tell you a few things about myself. | 0:13:01 | 0:13:04 | |
Let's start off with the big news. I have got Amazon Prime! | 0:13:04 | 0:13:06 | |
CHEERING | 0:13:06 | 0:13:08 | |
Not sure how many of you | 0:13:08 | 0:13:09 | |
are currently riding the Amazon Prime wagon. | 0:13:09 | 0:13:13 | |
It's a hell of a wagon to ride - living the next day delivery dream. | 0:13:13 | 0:13:16 | |
What a thrill. | 0:13:17 | 0:13:18 | |
Or at least, it was for the first month. | 0:13:18 | 0:13:21 | |
You know how it is. | 0:13:21 | 0:13:22 | |
Just meant to be a bit of fun before Christmas, really, | 0:13:22 | 0:13:26 | |
but I forgot to cancel the trial in time. | 0:13:26 | 0:13:29 | |
Now, I am trapped. | 0:13:29 | 0:13:30 | |
Walking around every day with an Amazon Prime subscription | 0:13:30 | 0:13:34 | |
I neither want nor need. | 0:13:34 | 0:13:35 | |
The world's shittest superpower. | 0:13:35 | 0:13:39 | |
Going up to strangers in the street, | 0:13:39 | 0:13:40 | |
"Do you need anything tomorrow? It can be arranged." | 0:13:40 | 0:13:43 | |
But people are jealous. My flatmate, who tried to muscle in | 0:13:45 | 0:13:48 | |
on my Amazon Prime action. | 0:13:48 | 0:13:50 | |
He said, "I need a book quite urgently. Would you mind ordering it | 0:13:50 | 0:13:52 | |
"for me, off your account?" I said, "Yeah, sure. Why not? | 0:13:52 | 0:13:55 | |
"Spread the love." But then, overnight, I had a bit | 0:13:55 | 0:13:58 | |
of a change of heart. Thought to myself, | 0:13:58 | 0:14:00 | |
"You know what? No! My Prime privileges are not something to be | 0:14:00 | 0:14:04 | |
"bandied around willy-nilly. | 0:14:04 | 0:14:05 | |
"I have paid my money. I didn't mean to, but I have. | 0:14:05 | 0:14:08 | |
"I have joined an exclusive club | 0:14:08 | 0:14:10 | |
"and it is not for me to bail out the Muggles." | 0:14:10 | 0:14:13 | |
That book arrived the following morning | 0:14:13 | 0:14:15 | |
and I kept it in my possession for another 2-4 working days. | 0:14:15 | 0:14:18 | |
I am an extremely petty man. | 0:14:21 | 0:14:23 | |
What else can I tell you about myself? | 0:14:23 | 0:14:25 | |
I have got a girlfriend. That's very exciting. | 0:14:25 | 0:14:27 | |
-ALL: -Whoo! | 0:14:27 | 0:14:29 | |
Or at least, it was, for the first month. | 0:14:29 | 0:14:31 | |
You know how it is. | 0:14:31 | 0:14:34 | |
Just meant to be a bit of fun before Christmas, really, but... | 0:14:34 | 0:14:37 | |
..I forgot to cancel the trial in time. | 0:14:38 | 0:14:40 | |
Now, I'm trapped. | 0:14:40 | 0:14:42 | |
I am joking. I am extremely grateful. | 0:14:43 | 0:14:46 | |
I was a very late starter | 0:14:46 | 0:14:48 | |
to the whole world of sex and relationships. | 0:14:48 | 0:14:50 | |
I remember there was a bet amongst my group of friends at school | 0:14:50 | 0:14:53 | |
that I would be the guy in the group who would not have sex until after | 0:14:53 | 0:14:55 | |
they left school. To most people, that is an insult. | 0:14:55 | 0:14:58 | |
To me, very much challenge accepted. I surpassed expectations, | 0:14:58 | 0:15:03 | |
by the length of an additional educational establishment. | 0:15:03 | 0:15:08 | |
I'm not ashamed of that. Tried to turn it into something | 0:15:08 | 0:15:10 | |
I am sort of proud of, like a modesty Top Trump. | 0:15:10 | 0:15:13 | |
Obviously, I am well aware that "age of virginity lost" | 0:15:13 | 0:15:16 | |
is not an official category in most Top Trump sets. | 0:15:16 | 0:15:18 | |
I like to imagine that it is, cos if you had this guy, | 0:15:18 | 0:15:22 | |
your opponent would need to be packing | 0:15:22 | 0:15:24 | |
some pretty strong Christians or he'd be going home. | 0:15:24 | 0:15:27 | |
The most exciting times for me as a teenager - going to parties | 0:15:29 | 0:15:32 | |
on my holidays. Usually about one party a year, | 0:15:32 | 0:15:34 | |
just to keep my hand in. I wasn't invited by girls my own age. | 0:15:34 | 0:15:37 | |
No, I was invited by their mums, who, in turn, were asked to do so | 0:15:37 | 0:15:40 | |
by my mum. My mum was like my agent, back in the day. | 0:15:40 | 0:15:44 | |
A very popular mum on the East Wiltshire social scene. | 0:15:44 | 0:15:47 | |
And some of that popularity trickled down. I would go to these parties | 0:15:47 | 0:15:51 | |
And I would be a hit, not with the girls my own age, | 0:15:51 | 0:15:53 | |
but with their mums. Cos their mums trusted me. | 0:15:53 | 0:15:56 | |
They knew what they were getting from the other boys, | 0:15:56 | 0:15:58 | |
at their daughters' parties - red wine stains in the carpet | 0:15:58 | 0:16:01 | |
and sexually-transmitted infections. Not from this guy. | 0:16:01 | 0:16:04 | |
They knew what they were getting from me. A box of Quality Street | 0:16:04 | 0:16:07 | |
at the start of the night, a hand with the washing-up after dinner | 0:16:07 | 0:16:10 | |
and a thank-you letter in first-class post the following day. | 0:16:10 | 0:16:13 | |
I don't like to boast too much on stage, but I am not ashamed to say | 0:16:13 | 0:16:16 | |
that I write a fucking good thank-you letter. | 0:16:16 | 0:16:19 | |
All the trimmings. Ink fountain pen, vellum parchment paper. | 0:16:19 | 0:16:22 | |
One crazy summer, even experimented with a wax seal. | 0:16:22 | 0:16:27 | |
The overheads were too crippling in the end, but it was a hell | 0:16:27 | 0:16:29 | |
of a summer, I can tell you. It's a disappearing art | 0:16:29 | 0:16:33 | |
in the digital age - the old-fashioned thank-you letter. | 0:16:33 | 0:16:35 | |
I loved it, the formality of it. | 0:16:35 | 0:16:37 | |
Writing my address in the top right-hand corner, | 0:16:37 | 0:16:40 | |
just in case any of the mums wanted to write back. They never did, | 0:16:40 | 0:16:43 | |
but I gave them the option. The date underneath - the classic | 0:16:43 | 0:16:46 | |
six-figure date formation - day, month, year. | 0:16:46 | 0:16:48 | |
Unless it was an American family, obviously, in which case, | 0:16:48 | 0:16:51 | |
still day, month, year, cos they must learn. | 0:16:51 | 0:16:54 | |
Changing the world, one letter at a time. | 0:16:55 | 0:16:59 | |
APPLAUSE | 0:16:59 | 0:17:01 | |
Sometimes, I was so keen to get started on my thank-you letter, | 0:17:03 | 0:17:06 | |
I'd start it while still at the party itself. | 0:17:06 | 0:17:09 | |
Usually in the late hours of the night, a schism would occur. | 0:17:09 | 0:17:13 | |
Everyone else would be next door, playing Spin The Bottle | 0:17:13 | 0:17:15 | |
or strip poker. I'd be on my own, at the desk, | 0:17:15 | 0:17:18 | |
bashing out the first draft, deciding whether or not to dedicate | 0:17:18 | 0:17:22 | |
an entire paragraph to the Viennetta. | 0:17:22 | 0:17:24 | |
I went to university and things got more exciting. | 0:17:28 | 0:17:31 | |
At university, there were girls there. | 0:17:31 | 0:17:32 | |
I became friends with them. Sometimes, good friends. | 0:17:32 | 0:17:34 | |
I was often told by my female friends that | 0:17:34 | 0:17:36 | |
"I would make a great boyfriend". Those females and their addiction | 0:17:36 | 0:17:40 | |
to the hypothetical tense. | 0:17:40 | 0:17:43 | |
When will they have the courage to turn these theories into reality? | 0:17:43 | 0:17:46 | |
I am sure a few of us here have been told we would make great boyfriends | 0:17:48 | 0:17:51 | |
or great girlfriends. One of these compliments which loses its appeal | 0:17:51 | 0:17:54 | |
quite quickly. Like being told by your computer you have | 0:17:54 | 0:17:57 | |
"excellent password strength". | 0:17:57 | 0:17:59 | |
Eventually, the compliment wears off. | 0:17:59 | 0:18:03 | |
I know I have got a good password. | 0:18:03 | 0:18:06 | |
How about a bit more attention to my banging secret question? | 0:18:06 | 0:18:09 | |
The real jewel in the crown. An entire childhood spent | 0:18:09 | 0:18:13 | |
misleading people about who my best friend was, | 0:18:13 | 0:18:15 | |
specifically with this in mind. | 0:18:15 | 0:18:17 | |
At university, it stopped being about going to parties. | 0:18:21 | 0:18:23 | |
It started being about going to clubs. I'm not having a go at clubs. | 0:18:23 | 0:18:27 | |
As an adult now, I quite enjoy going to clubs. | 0:18:27 | 0:18:29 | |
I go quite often. I am an absolute slave to the rhythm. | 0:18:29 | 0:18:32 | |
But back in the day, very nervous. | 0:18:33 | 0:18:36 | |
And never more nervous than the first time it was proposed | 0:18:36 | 0:18:38 | |
that we travel to London especially for a club night. | 0:18:38 | 0:18:40 | |
I remember consulting the itinerary that afternoon, saying, | 0:18:40 | 0:18:43 | |
"Guys, I have seen when our train gets in | 0:18:43 | 0:18:45 | |
"and when the last train home departs. | 0:18:45 | 0:18:47 | |
"That's going to afford us about 45 mins max of boogie time. | 0:18:47 | 0:18:50 | |
"What's going on?" I received a truly chilling response. | 0:18:50 | 0:18:53 | |
"You have got it wrong. Not the last train home tonight - | 0:18:53 | 0:18:57 | |
"first train home in the morning." Does anything send more of a shiver | 0:18:57 | 0:19:00 | |
down the spine of a nervous debut clubber than that? | 0:19:00 | 0:19:03 | |
You guys know how UK train tickets work. That is going to exceed | 0:19:03 | 0:19:06 | |
the remit of our same-day return. There is no next-day return. | 0:19:06 | 0:19:11 | |
I was being asked to stump up for an open return. | 0:19:11 | 0:19:14 | |
Commit to a potential month of clubbing. | 0:19:14 | 0:19:18 | |
A month spent at the O2 Academy, Brixton. | 0:19:20 | 0:19:22 | |
Me and 3,000 of South London's rudest boys. | 0:19:22 | 0:19:25 | |
CHEERING | 0:19:25 | 0:19:26 | |
As I found out, as I entered my second hour of holding the door open | 0:19:26 | 0:19:29 | |
for them, listening to drum and bass - | 0:19:29 | 0:19:33 | |
a genre I thought I would enjoy. | 0:19:33 | 0:19:35 | |
I quite enjoy bands without a guitar player. | 0:19:35 | 0:19:39 | |
Thought we'd be listening to something like Keane(!) | 0:19:39 | 0:19:42 | |
But there were no other Keane fans in the O2 Academy, Brixton | 0:19:42 | 0:19:44 | |
that night. Or at least none others | 0:19:44 | 0:19:47 | |
wearing the official band T-shirt. | 0:19:47 | 0:19:49 | |
It was a night of crime. People were breaking into the venue | 0:19:49 | 0:19:52 | |
without tickets, people were smoking indoors, people were doing drugs | 0:19:52 | 0:19:55 | |
in the loos. Not having a go at any of these things. | 0:19:55 | 0:19:57 | |
We have all broken the rules at some point in our lives. | 0:19:57 | 0:19:59 | |
I once sold multipack cans of Coke individually at a church fete. | 0:19:59 | 0:20:04 | |
Made a sweet, sweet £4 profit off my mum's friend, Yvonne. | 0:20:05 | 0:20:08 | |
We are all going to hell. | 0:20:08 | 0:20:10 | |
Got no objection to it. I was often told by my friends at university | 0:20:12 | 0:20:14 | |
that "I would make a great drug taker". | 0:20:14 | 0:20:18 | |
But I was not partaking in any illegal activities that night. | 0:20:18 | 0:20:21 | |
However, despite this, I was mistaken on the dancefloor, | 0:20:21 | 0:20:24 | |
not just for a drug taker, but for a drug dealer. | 0:20:24 | 0:20:27 | |
The man caught me rubbing my gums, misunderstood the situation. | 0:20:27 | 0:20:30 | |
Approached me, attempted to make a purchase. | 0:20:30 | 0:20:32 | |
There is no lower moment in this life than having to explain | 0:20:32 | 0:20:35 | |
to a potential client that what you applied was not MDMA, but Bonjela. | 0:20:35 | 0:20:39 | |
Ladies and gents, this has been an absolute privilege. | 0:20:39 | 0:20:42 | |
Thank you for having me. I've been Ivo Graham. Goodbye! | 0:20:42 | 0:20:44 | |
CHEERING | 0:20:44 | 0:20:48 | |
Ivo Graham! | 0:20:50 | 0:20:53 | |
CHEERING AND APPLAUSE | 0:20:53 | 0:20:54 | |
Amazing! Right, it's time for your next act. | 0:20:54 | 0:20:58 | |
CHEERING AND APPLAUSE | 0:20:58 | 0:21:00 | |
Right! I love this act so much. You are going to have | 0:21:00 | 0:21:03 | |
such a brilliant time. So, please, give all your love and warmth | 0:21:03 | 0:21:06 | |
for the amazing, the wonderful Phil Wang! | 0:21:06 | 0:21:10 | |
CHEERING AND APPLAUSE | 0:21:10 | 0:21:15 | |
Hey! Hey, guys. Hey, how's it going? | 0:21:20 | 0:21:23 | |
Good to be here. All right. Yeah. | 0:21:23 | 0:21:27 | |
It's me, Phil Wang! | 0:21:27 | 0:21:29 | |
-ALL: -Whoo! | 0:21:29 | 0:21:31 | |
Phil Wang. That's right, real name. | 0:21:31 | 0:21:32 | |
Phil Wang. Phil and then Wang. | 0:21:32 | 0:21:36 | |
Phil Wang. | 0:21:36 | 0:21:37 | |
First you hear Phil, then you think, "Oh, everything is normal". | 0:21:37 | 0:21:40 | |
Then, bang! Wang! | 0:21:40 | 0:21:42 | |
Out of nowhere, like a bat out of hell. | 0:21:44 | 0:21:46 | |
Phil Wang. I love introducing myself. | 0:21:46 | 0:21:48 | |
I love introducing myself. My favourite thing to do. | 0:21:48 | 0:21:51 | |
Every time I meet a new person, every time I meet a new person, | 0:21:51 | 0:21:54 | |
a new person, as in a stranger, not a baby. | 0:21:54 | 0:21:57 | |
LAUGHTER | 0:21:57 | 0:21:59 | |
I don't tell babies my name. | 0:22:01 | 0:22:03 | |
Babies don't care. | 0:22:03 | 0:22:06 | |
Babies are rude. | 0:22:07 | 0:22:10 | |
But every time I meet a stranger, I like to say, "Hi, I'm Phil. | 0:22:10 | 0:22:13 | |
"Phil Wang." | 0:22:13 | 0:22:15 | |
"Phil by name... | 0:22:15 | 0:22:17 | |
"..Wang... | 0:22:17 | 0:22:20 | |
"..by second name. Phil Wang." | 0:22:20 | 0:22:21 | |
That's how names work. | 0:22:24 | 0:22:26 | |
That's how names work for me. Phil Wang. | 0:22:26 | 0:22:28 | |
Lovely to be here. Got to come clean with you, folks. | 0:22:31 | 0:22:33 | |
I'm not very good at starting performances. | 0:22:33 | 0:22:36 | |
I tend to just say my name a bunch of times. | 0:22:38 | 0:22:40 | |
And hope for the best. | 0:22:42 | 0:22:44 | |
Starting's the hardest part. | 0:22:44 | 0:22:45 | |
Starting's the hardest part of comedy, | 0:22:45 | 0:22:47 | |
the most difficult part of the job. | 0:22:47 | 0:22:48 | |
Comedians employ a whole host of tricks to start. | 0:22:48 | 0:22:51 | |
What a lot of comedians like to do is they like to start by | 0:22:51 | 0:22:53 | |
pointing out a celebrity they look like. | 0:22:53 | 0:22:55 | |
You know, like a weird thing they bear resemblance to. | 0:22:55 | 0:22:59 | |
And it's funny. Apparently if you look at me, right? | 0:22:59 | 0:23:01 | |
And, like, squint really hard, | 0:23:01 | 0:23:05 | |
that's racist. | 0:23:05 | 0:23:07 | |
Don't do that. | 0:23:17 | 0:23:18 | |
You'll get kicked out of the Apollo. | 0:23:18 | 0:23:20 | |
What else about me? I'm 26. I'm twenty-goddamn-six. | 0:23:23 | 0:23:28 | |
People often think I'm older, | 0:23:28 | 0:23:29 | |
because although I am 26, | 0:23:29 | 0:23:31 | |
I look terrible. | 0:23:31 | 0:23:33 | |
I look gross and old, I guess. | 0:23:35 | 0:23:38 | |
Mothers, lock up your selves. | 0:23:38 | 0:23:42 | |
Old Wang's on the prowl. | 0:23:43 | 0:23:45 | |
He gon' get ya. | 0:23:46 | 0:23:48 | |
I'm a... I'm a bit fat, I suppose. I don't look great. I'm a bit fat. | 0:23:50 | 0:23:53 | |
I don't struggle with my weight. | 0:23:53 | 0:23:54 | |
People my shape and size often say they struggle with their weight. | 0:23:54 | 0:23:57 | |
They're always very sad. "Oh, I struggle | 0:23:57 | 0:24:00 | |
"with my weight..." | 0:24:00 | 0:24:02 | |
I don't... I don't struggle with my weight. | 0:24:02 | 0:24:04 | |
Struggle implies that I fought back at some point. | 0:24:04 | 0:24:07 | |
I didn't. | 0:24:10 | 0:24:12 | |
I helped. | 0:24:12 | 0:24:14 | |
I was very much an accomplice to my weight. | 0:24:14 | 0:24:17 | |
I was no barrier of entry to my weight. | 0:24:17 | 0:24:19 | |
My weight knocked at the door and said, "Can I come in?" | 0:24:19 | 0:24:22 | |
And I said, "Can I keep playing video games and touching myself?" | 0:24:22 | 0:24:24 | |
And my weight said, "Yeah." "Oh, come in!" | 0:24:24 | 0:24:27 | |
"Take off your shoes, though. Chinese house." | 0:24:28 | 0:24:31 | |
I have been trying to work on my look, though. | 0:24:34 | 0:24:36 | |
I've been trying to look better. I'm trying to work on my look. | 0:24:36 | 0:24:39 | |
I think it's important for all of us to have a distinct look that we like | 0:24:39 | 0:24:42 | |
and to accomplish it as best we can, | 0:24:42 | 0:24:43 | |
and so I have settled on the look | 0:24:43 | 0:24:45 | |
of Cambodian dictator. | 0:24:45 | 0:24:47 | |
It's a pretty strong look. | 0:24:53 | 0:24:55 | |
It's been getting me a lot of respect recently. | 0:24:55 | 0:24:59 | |
Mainly from Cambodian people. | 0:24:59 | 0:25:00 | |
But then I've got fun shoes at the end. | 0:25:02 | 0:25:06 | |
Racist people think that I'm barefoot, but there you go. | 0:25:06 | 0:25:09 | |
It's a joke about colour. | 0:25:11 | 0:25:13 | |
Just a joke about colour, madam. | 0:25:13 | 0:25:16 | |
People always ask me where I'm from. | 0:25:16 | 0:25:18 | |
You know, people always say, "Hey, Phil, Phil Wang... | 0:25:18 | 0:25:21 | |
"..where are you from?" | 0:25:23 | 0:25:25 | |
Then I say, "Oh, London." | 0:25:25 | 0:25:27 | |
And then they say, "Heh, NO... | 0:25:27 | 0:25:29 | |
"..Nice try, Phil Wang... | 0:25:34 | 0:25:35 | |
"..Where are you originally from? | 0:25:38 | 0:25:40 | |
"Hong Kong, the Philippines, Malaysia, somewhere like that?" | 0:25:42 | 0:25:45 | |
Happens all the time and it upsets me, you know? | 0:25:45 | 0:25:47 | |
I don't like it, cos I'm British. I love being British. | 0:25:47 | 0:25:50 | |
I have a British passport, and I'm very proud to be British, | 0:25:50 | 0:25:53 | |
but I think what annoys me the most about the whole thing is that | 0:25:53 | 0:25:56 | |
I am actually originally from Malaysia. | 0:25:56 | 0:25:58 | |
Yeah, so, erm... | 0:25:58 | 0:26:00 | |
So I don't say that. | 0:26:01 | 0:26:04 | |
And then they were right to have asked. | 0:26:04 | 0:26:06 | |
That's the most difficult part of the whole thing. | 0:26:06 | 0:26:09 | |
You know, cos they shouldn't have asked. | 0:26:09 | 0:26:12 | |
But it turns out | 0:26:12 | 0:26:14 | |
they were right to have asked. | 0:26:14 | 0:26:16 | |
It was spot-on, to be fair to them, but... | 0:26:16 | 0:26:18 | |
I mean, it was a racist suspicion | 0:26:18 | 0:26:22 | |
for them to have. | 0:26:22 | 0:26:23 | |
But the suspicion was correct in the end, so... | 0:26:24 | 0:26:27 | |
I'm always conflicted. | 0:26:27 | 0:26:29 | |
Am I offended by their narrow-mindedness | 0:26:29 | 0:26:31 | |
or impressed with their detective skills? | 0:26:31 | 0:26:34 | |
Good work, Columbo. | 0:26:34 | 0:26:36 | |
I suppose race isn't always black and white. | 0:26:37 | 0:26:40 | |
There are shades of yellow, too. Thank you. | 0:26:42 | 0:26:44 | |
Thank you very much. | 0:26:44 | 0:26:45 | |
I'm enjoying my life in the UK, though. I like it a lot here. | 0:26:46 | 0:26:50 | |
Got myself a girlfriend. Thank you! | 0:26:50 | 0:26:52 | |
Got myself an English girlfriend, living the immigrant dream! | 0:26:54 | 0:26:56 | |
Smackin' it. | 0:26:58 | 0:26:59 | |
It'll be your jobs next! | 0:26:59 | 0:27:02 | |
Nah, the women'll do. | 0:27:09 | 0:27:12 | |
Women are miracles. Jobs are boring. | 0:27:12 | 0:27:15 | |
She's great, my gal, she's brilliant. She's a vicar's daughter. | 0:27:16 | 0:27:20 | |
A vicar's daughter. | 0:27:23 | 0:27:25 | |
The atheist's ultimate victory. | 0:27:25 | 0:27:27 | |
Take that, God. | 0:27:29 | 0:27:32 | |
Old Wang snagged one of your lambs. | 0:27:32 | 0:27:34 | |
Mm-mm-mm. | 0:27:38 | 0:27:40 | |
I snuck in your pen and I nabbed your lambs. | 0:27:42 | 0:27:44 | |
I reckon I'm going to have kids, though, with my lady. | 0:27:47 | 0:27:49 | |
I'm going to have kids with my gal. | 0:27:49 | 0:27:51 | |
My girlfriend, she's a white lady. No problem with that. Big fan. | 0:27:51 | 0:27:55 | |
Big fan of the white ladies. | 0:27:55 | 0:27:57 | |
So much so, actually, that I've decided that I'm only ever | 0:27:57 | 0:27:59 | |
going to have children with a white lady, right? | 0:27:59 | 0:28:02 | |
Not only that, my sons will only ever have children | 0:28:02 | 0:28:04 | |
with white ladies, their sons will only ever have children | 0:28:04 | 0:28:06 | |
with white ladies, and this'll go on and on, on and on, | 0:28:06 | 0:28:09 | |
generation after generation after generation, | 0:28:09 | 0:28:12 | |
until every trace of Chinese gene is gone, every memory of me erased. | 0:28:12 | 0:28:15 | |
They won't even know I ever existed, right? | 0:28:15 | 0:28:18 | |
Because I have a dream that in 1,000 years, the UK will be full of | 0:28:18 | 0:28:22 | |
white people who are all called Wang and don't know why. | 0:28:22 | 0:28:25 | |
Thanks a lot, guys. I'm Phil Wang. | 0:28:27 | 0:28:29 | |
You're wonderful. Thanks, bye. | 0:28:29 | 0:28:31 | |
CHEERING | 0:28:31 | 0:28:35 | |
Phil Wang! | 0:28:35 | 0:28:37 | |
Amazing! | 0:28:38 | 0:28:40 | |
Ivo Graham and Phil Wang! I've been Joe Lycett. See you again. | 0:28:41 | 0:28:45 |