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This programme contains some strong language | 0:00:02 | 0:00:06 | |
Ladies and gentlemen, please welcome your host for tonight, | 0:00:19 | 0:00:22 | |
Nish Kumar! | 0:00:22 | 0:00:25 | |
CHEERING | 0:00:25 | 0:00:28 | |
Yes. | 0:00:37 | 0:00:39 | |
Ladies and gentlemen, welcome to Live at the Apollo. | 0:00:39 | 0:00:41 | |
How are you? Are you all right? CHEERING | 0:00:41 | 0:00:46 | |
Great to see you. | 0:00:46 | 0:00:48 | |
Nice to be here. | 0:00:48 | 0:00:49 | |
My name is Nish Kumar. | 0:00:49 | 0:00:51 | |
I'm about to do some comedy for you and I'm a comedian, | 0:00:51 | 0:00:54 | |
so that's very convenient, right? | 0:00:54 | 0:00:56 | |
So let's start with a question. | 0:00:58 | 0:00:59 | |
Is anyone here on their own? | 0:00:59 | 0:01:01 | |
No-one ever says yes to that question. | 0:01:02 | 0:01:04 | |
I asked that at a gig and there was a man sat with five empty seats | 0:01:04 | 0:01:07 | |
around him and I said, "Is anybody here on their own?" | 0:01:07 | 0:01:09 | |
And he just went, "No. | 0:01:09 | 0:01:11 | |
"You don't know, maybe they're on their way. | 0:01:11 | 0:01:13 | |
"Maybe you can't see them, right?" | 0:01:13 | 0:01:15 | |
Now, the reason I ask is - I go and watch comedy on my own all the time. | 0:01:16 | 0:01:20 | |
Now, what I have found is that I can't go | 0:01:20 | 0:01:21 | |
and watch music on my own because it turns out people enjoy music | 0:01:21 | 0:01:24 | |
in a variety of different ways and I enjoy it in a way no-one likes. | 0:01:24 | 0:01:28 | |
Right? When I was 18, I went to see a couple of gigs on my own. | 0:01:28 | 0:01:31 | |
The reason for this is that when I was at school, I liked old bands. | 0:01:31 | 0:01:34 | |
I still like old bands now, but when I was at school, I only liked old bands. | 0:01:34 | 0:01:37 | |
But it was fine, because at school, I had two friends, Ollie and | 0:01:37 | 0:01:40 | |
Andy, they liked old bands as well | 0:01:40 | 0:01:41 | |
so we would go to gigs together, we would go back to Andy's house | 0:01:41 | 0:01:44 | |
and listen to original Neil Young vinyls. | 0:01:44 | 0:01:46 | |
Occasionally somebody would say, "Should we talk to girls?" | 0:01:46 | 0:01:49 | |
And the other two would be like, "No, no, no." | 0:01:49 | 0:01:52 | |
These Nina Simone reissues are not going to listen to themselves. | 0:01:52 | 0:01:56 | |
It was great, because we were a little gang. | 0:01:56 | 0:01:58 | |
Then I left school and I went to university in a different | 0:01:58 | 0:02:00 | |
part of the country to Ollie and Andy. | 0:02:00 | 0:02:01 | |
And I wound up at university with a group of friends who I still | 0:02:01 | 0:02:04 | |
continue to love dearly to this day, | 0:02:04 | 0:02:06 | |
but who had a very different taste in music to me. | 0:02:06 | 0:02:08 | |
So I experimented with the idea of going and watching a gig on my own. | 0:02:08 | 0:02:12 | |
Now, the first one I went to see was David Bowie. | 0:02:12 | 0:02:14 | |
Dearly departed David Bowie. CHEERING | 0:02:14 | 0:02:17 | |
Absolutely. And I was so excited. | 0:02:17 | 0:02:19 | |
I had got there early and there was a guy who was also on his own, | 0:02:19 | 0:02:21 | |
sat two rows in front of me. This man was wearing a Lou Reed T-shirt. | 0:02:21 | 0:02:24 | |
It was the album cover from Lou Reed's Transformer album | 0:02:24 | 0:02:27 | |
which was his second solo album after he left The Velvet Underground | 0:02:27 | 0:02:30 | |
and was co-produced by Mick Ronson and David Bowie. | 0:02:30 | 0:02:32 | |
What's that? Yes, I was a 19-year-old virgin, right? | 0:02:32 | 0:02:35 | |
And I saw this guy and I thought, | 0:02:36 | 0:02:38 | |
"This guy likes David Bowie, Lou Reed and no friends. | 0:02:38 | 0:02:40 | |
"So clearly, he and I are destined to be together." | 0:02:40 | 0:02:42 | |
Right? And the gig starts and we get | 0:02:42 | 0:02:44 | |
about an hour in and Bowie was amazing. He was so great. | 0:02:44 | 0:02:48 | |
His voice was impeccable. | 0:02:48 | 0:02:50 | |
He played a bunch of songs that I | 0:02:50 | 0:02:51 | |
loved and hadn't expected to hear live. | 0:02:51 | 0:02:53 | |
And the other thing you need to know about me is, | 0:02:53 | 0:02:55 | |
I love David Bowie but I also come from the same terrible | 0:02:55 | 0:02:57 | |
South London-Kent border shithole that he comes from. | 0:02:57 | 0:03:01 | |
Look, I was having a great time, OK? | 0:03:01 | 0:03:04 | |
I need you to know that before I tell you what happened. | 0:03:04 | 0:03:09 | |
LAUGHTER | 0:03:09 | 0:03:11 | |
I was excited, my blood was up. So Bowie finishes his song. | 0:03:11 | 0:03:14 | |
He goes to the front of the stage to introduce his next song. | 0:03:14 | 0:03:16 | |
He says, "This next song is not actually one of mine. | 0:03:16 | 0:03:19 | |
"This next song is a cover of a song by one of my favourite groups | 0:03:19 | 0:03:21 | |
"of all time, The Velvet Underground. | 0:03:21 | 0:03:23 | |
"This song was written by my very good friend, Mr Lou Reed." | 0:03:23 | 0:03:26 | |
And when David Bowie said that, I stood up and went, "Whoo!" | 0:03:26 | 0:03:31 | |
And 5,000 people turned around to stare at me. | 0:03:31 | 0:03:35 | |
Including this guy in the Lou Reed T-shirt. | 0:03:35 | 0:03:38 | |
I was like, how are you not excited by that? | 0:03:38 | 0:03:41 | |
You clearly like David Bowie, you've made me look like an arsehole, mate. | 0:03:41 | 0:03:45 | |
And what I wanted to say to him was, | 0:03:45 | 0:03:47 | |
"Why don't you allow yourself to be happy?" | 0:03:47 | 0:03:49 | |
This is an objectively wonderful moment for you. | 0:03:49 | 0:03:51 | |
The guy you have paid to see | 0:03:51 | 0:03:53 | |
is about to do a song by the guy on your T-shirt. | 0:03:53 | 0:03:55 | |
I felt like taking him aside and saying, | 0:03:55 | 0:03:56 | |
"Look, sir, if you can't be happy now, then you'll never be happy." | 0:03:56 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:00 | |
Now, if I had said that, it would have been fine. | 0:04:00 | 0:04:03 | |
Because what I did say was this... | 0:04:03 | 0:04:04 | |
"Hey! Fuck you, Lou Reed!" | 0:04:04 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:09 | |
Which was unfair, | 0:04:16 | 0:04:17 | |
cos it was not Lou Reed's fault. | 0:04:17 | 0:04:19 | |
He was not even tangentially to blame, if I'm honest. | 0:04:21 | 0:04:25 | |
It's great to be at the Apollo. | 0:04:27 | 0:04:28 | |
Especially for me, because I'm a David Bowie fan. | 0:04:28 | 0:04:31 | |
David Bowie did a lot of amazing gigs in this venue, | 0:04:31 | 0:04:33 | |
it's very exciting for me. | 0:04:33 | 0:04:34 | |
When I was a kid, all I wanted to be was David Bowie. | 0:04:34 | 0:04:37 | |
I was obsessed with him, like, I really loved him so much. | 0:04:37 | 0:04:40 | |
And now I'm 32 years old and I still love Bowie's music, | 0:04:40 | 0:04:42 | |
but I think it was really hard to be David Bowie. | 0:04:42 | 0:04:45 | |
I think there was a lot of scrutiny on someone like him. | 0:04:45 | 0:04:47 | |
People like Bowie and Dylan and Hendrix, all these people that | 0:04:47 | 0:04:50 | |
I grew up loving, there was a lot of pressure on them. | 0:04:50 | 0:04:52 | |
I don't think I want to live under that kind of pressure or scrutiny. | 0:04:52 | 0:04:55 | |
I have realised that the musician I want to be is | 0:04:55 | 0:04:59 | |
the drummer from Coldplay. | 0:04:59 | 0:05:01 | |
LAUGHTER | 0:05:01 | 0:05:04 | |
I want to be the drummer from Coldplay so badly because that | 0:05:05 | 0:05:08 | |
dude is rich as shit and no-one knows who the fuck he is. | 0:05:08 | 0:05:12 | |
CHEERING AND APPLAUSE | 0:05:12 | 0:05:16 | |
No-one knows who the drummer from Coldplay is. | 0:05:18 | 0:05:22 | |
He could be here and no-one would know. | 0:05:22 | 0:05:23 | |
It could be you, it could be you, it could be you. | 0:05:23 | 0:05:26 | |
I'm not sure it's an Indian woman, but it could be. | 0:05:26 | 0:05:28 | |
We don't know. | 0:05:28 | 0:05:29 | |
I'm obsessed with the idea that this guy has the best life in the world. | 0:05:31 | 0:05:35 | |
And I was telling my friend about this and she tried to tell me | 0:05:35 | 0:05:38 | |
something that she was trying to portray as a bad thing. | 0:05:38 | 0:05:40 | |
Apparently, he loves Game Of Thrones so he said to HBO, | 0:05:40 | 0:05:42 | |
"Can I be in Game Of Thrones?" and they were, like, "Yeah, man, | 0:05:42 | 0:05:45 | |
"you are, like, the drummer from Coldplay. | 0:05:45 | 0:05:46 | |
"You can do literally anything you want. | 0:05:46 | 0:05:48 | |
"We'll restart the Sopranos | 0:05:48 | 0:05:49 | |
"if that is something that will make you happy, right?" | 0:05:49 | 0:05:52 | |
Now, he is in Game Of Thrones. | 0:05:52 | 0:05:54 | |
Confession time, I don't watch Game Of Thrones. | 0:05:54 | 0:05:56 | |
But even I know The Red Wedding is an important | 0:05:56 | 0:05:59 | |
episode of Game Of Thrones, right? | 0:05:59 | 0:06:02 | |
He is in The Red Wedding. | 0:06:02 | 0:06:03 | |
Guess what he is doing in The Red Wedding? | 0:06:03 | 0:06:06 | |
He is the drummer in the wedding band. | 0:06:06 | 0:06:09 | |
That is the extent to which this guy's anonymity is | 0:06:11 | 0:06:14 | |
a borderline superpower. | 0:06:14 | 0:06:16 | |
He is in the most famous episode of one of the most popular television | 0:06:16 | 0:06:20 | |
shows in the world doing the thing he is famous for and no-one noticed. | 0:06:20 | 0:06:26 | |
That is Keyser Soze shit. | 0:06:33 | 0:06:36 | |
And my friend was telling me that she | 0:06:38 | 0:06:40 | |
read a supposedly embarrassing story that one of the actors told. | 0:06:40 | 0:06:43 | |
One of the actors said that when they were shooting The Red Wedding, | 0:06:43 | 0:06:46 | |
he was making small talk with the extras and he got round | 0:06:46 | 0:06:49 | |
to the drummer from Coldplay and said, "Are you a full-time extra?" | 0:06:49 | 0:06:52 | |
And the guy was like, "No, I'm a musician. " | 0:06:53 | 0:06:55 | |
So he said, to the drummer from Coldplay, | 0:06:55 | 0:06:58 | |
"Played on anything I might have heard of?" | 0:06:58 | 0:07:01 | |
LAUGHTER | 0:07:01 | 0:07:03 | |
To which the drummer from Coldplay was presumably like, | 0:07:03 | 0:07:05 | |
"Have you heard of all music?" | 0:07:05 | 0:07:07 | |
Because I'm basically the drummer on all music. | 0:07:09 | 0:07:12 | |
And my friend tried to tell me this like this was a sad thing. | 0:07:12 | 0:07:14 | |
She was like, oh, this guy is in Coldplay, | 0:07:14 | 0:07:16 | |
but no-one knows that he's in Coldplay. | 0:07:16 | 0:07:18 | |
Isn't that sad? No. | 0:07:18 | 0:07:20 | |
Because the problem with being in Coldplay | 0:07:20 | 0:07:22 | |
is that people hate Coldplay. | 0:07:22 | 0:07:24 | |
People hate Coldplay so much and the people who hate Coldplay | 0:07:26 | 0:07:30 | |
don't say things like, "Oh, it's not to my taste." | 0:07:30 | 0:07:32 | |
They say things like this, "I hate Coldplay!" | 0:07:32 | 0:07:35 | |
But what you mean when you say that is, "I hate Chris Martin." | 0:07:35 | 0:07:40 | |
No-one is angry with the drummer from Coldplay. | 0:07:40 | 0:07:44 | |
No-one has ever been like, "Oh, the drummer from Coldplay! | 0:07:44 | 0:07:47 | |
"He ruined my life!" | 0:07:47 | 0:07:49 | |
And I know what you're thinking. | 0:07:52 | 0:07:54 | |
You're thinking, "Nish, | 0:07:54 | 0:07:55 | |
"why are you so obsessed with the drummer from Coldplay?" | 0:07:55 | 0:08:00 | |
"There's two other people in that band. | 0:08:00 | 0:08:02 | |
We don't know anything about them, either. | 0:08:02 | 0:08:06 | |
And you know what? You're right. | 0:08:06 | 0:08:08 | |
There is a guitar player and a bassist in Coldplay. | 0:08:08 | 0:08:10 | |
I wouldn't know them even if they were here. | 0:08:10 | 0:08:12 | |
I assume it's you two, but only because you're sat next to her and I spoke to her already. | 0:08:12 | 0:08:15 | |
That's all I've got to go on at this point. | 0:08:15 | 0:08:18 | |
They have the exact same life as the drummer. | 0:08:18 | 0:08:20 | |
Because I did a bit of research into this. | 0:08:20 | 0:08:21 | |
Turns out Coldplay are one of those bands where they split the royalties equally. | 0:08:21 | 0:08:25 | |
So they have the exact same life as the drummer apart from one detail. | 0:08:25 | 0:08:29 | |
They have the exact same life as the drummer, they have the same level | 0:08:29 | 0:08:32 | |
of wealth, access and anonymity but, crucially, | 0:08:32 | 0:08:35 | |
the drummer is sat down. | 0:08:35 | 0:08:37 | |
LAUGHTER | 0:08:37 | 0:08:41 | |
And that is the dream. | 0:08:45 | 0:08:47 | |
LAUGHTER AND CHEERING | 0:08:47 | 0:08:51 | |
It's really great to be here because it's an amazing venue. | 0:08:55 | 0:08:58 | |
It's also very close to my house. Oh, my God! I live... | 0:08:58 | 0:09:01 | |
I'm from West London, I live in Shepherd's Bush. | 0:09:01 | 0:09:03 | |
I've not lived there for very long and I really like it. | 0:09:03 | 0:09:05 | |
It's really nice. | 0:09:05 | 0:09:06 | |
And when I first moved there, the estate agent I rent a flat from | 0:09:06 | 0:09:09 | |
said, "Hey, this is a great time for you to be moving to Shepherd's Bush." And I said, "Why?" | 0:09:09 | 0:09:14 | |
And he said, "Well, the area has been recently gentrified." | 0:09:14 | 0:09:18 | |
Now, listen, fair play. I did not know what that meant. | 0:09:20 | 0:09:24 | |
So I looked it up. | 0:09:24 | 0:09:25 | |
It turns out what it means is, it is now safe for white people. | 0:09:25 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:31 | |
So come on down to Shepherd's Bush, whiteys, | 0:09:33 | 0:09:35 | |
we'll have a great old time! | 0:09:35 | 0:09:36 | |
We've got all the stuff you like, tea... | 0:09:38 | 0:09:39 | |
Yeah, all the stuff! | 0:09:39 | 0:09:41 | |
Of course that's not what gentrification means. | 0:09:45 | 0:09:47 | |
I know what it means, I'm a very clever boy. | 0:09:47 | 0:09:49 | |
Gentrification is when people are priced out of an area by a rising | 0:09:49 | 0:09:52 | |
costs of living so they move to an adjacent area but in doing | 0:09:52 | 0:09:54 | |
so, raise the cost of living for people who already live there. | 0:09:54 | 0:09:57 | |
It's a phenomenon that in the last few years has occasionally | 0:09:57 | 0:10:00 | |
been referred to as white flight, because the people moving tend | 0:10:00 | 0:10:02 | |
to be white and the areas they are moving into tend to be non-white. | 0:10:02 | 0:10:05 | |
And as such, it's a double-edged sword for your friend Nish Kumar. | 0:10:05 | 0:10:08 | |
Because my parents are Indian and middle-class. | 0:10:09 | 0:10:12 | |
So gentrification is essentially the replacement of people I'm related to | 0:10:12 | 0:10:15 | |
by people I went to university with. So it's like... | 0:10:15 | 0:10:18 | |
Bye-bye uncle and auntie, but hello, Geoffrey! | 0:10:18 | 0:10:22 | |
See you down the pub for some craft beer! | 0:10:23 | 0:10:26 | |
Probably got a lot of Indian pale ales, just no Indians. | 0:10:26 | 0:10:30 | |
LAUGHTER | 0:10:30 | 0:10:32 | |
Gentrification is a subject that arouses very strong, | 0:10:38 | 0:10:40 | |
serious emotions all over the world. | 0:10:40 | 0:10:42 | |
There have been massive anti-gentrification protests | 0:10:42 | 0:10:44 | |
over the last couple of years. | 0:10:44 | 0:10:45 | |
You might remember that a couple of years ago there was | 0:10:45 | 0:10:47 | |
one in east London in Bethnal Green conducted by a group called Class War. | 0:10:47 | 0:10:51 | |
A lot of the focus turned out to be | 0:10:51 | 0:10:52 | |
a shop called the Cereal Killer Cafe. | 0:10:52 | 0:10:54 | |
Which is a cafe where people sell bowls of cereal in milk for £6 to... | 0:10:54 | 0:10:59 | |
..morons, presumably. | 0:10:59 | 0:11:01 | |
It's an exclusively moron clientele. | 0:11:01 | 0:11:04 | |
Now, a lot of these protests claim to be protesting against | 0:11:04 | 0:11:07 | |
something that they either call the gentrification | 0:11:07 | 0:11:10 | |
or the hipsterification of certain cities. | 0:11:10 | 0:11:13 | |
Hipsterification is used as a synonym for gentrification | 0:11:13 | 0:11:16 | |
and hipsters get the blame for gentrification. | 0:11:16 | 0:11:18 | |
Now, I don't think that's fair and, ultimately, I think it's counter-productive. | 0:11:18 | 0:11:21 | |
Firstly, what is a hipster? | 0:11:21 | 0:11:22 | |
It's just the collective noun we have given to people | 0:11:22 | 0:11:25 | |
who conform to what is currently trendy. Every generation has them. | 0:11:25 | 0:11:27 | |
In the '60s they were hippies, in the '70s they were punks, | 0:11:27 | 0:11:30 | |
in the '80s they were New Romantics. | 0:11:30 | 0:11:32 | |
Hipsters are just our version of that thing. | 0:11:32 | 0:11:34 | |
And we all know what I mean when I say what is currently trendy. | 0:11:34 | 0:11:37 | |
It's restaurants where the menu is on a board | 0:11:37 | 0:11:39 | |
and there is no currency printed so you have to be like, | 0:11:39 | 0:11:41 | |
"Oh, I'll have poached eggs for eight... | 0:11:41 | 0:11:44 | |
"..money, I guess." | 0:11:44 | 0:11:45 | |
In clothing terms, | 0:11:48 | 0:11:50 | |
it's the juxtaposition of the mundane with the ostentatious. | 0:11:50 | 0:11:52 | |
So you wear a plaid shirt but you have a face tattoo of a dog | 0:11:52 | 0:11:56 | |
high-fiving a unicorn or some nonsense. | 0:11:56 | 0:11:58 | |
Earlier this year, | 0:11:58 | 0:12:00 | |
I went to the most hipster shop I've ever been in in my entire life. | 0:12:00 | 0:12:03 | |
All it sold was notebooks with old maps on them. | 0:12:03 | 0:12:07 | |
Who needs that?! No-one! | 0:12:07 | 0:12:09 | |
Anyway, I was in there buying five, | 0:12:09 | 0:12:11 | |
because I'm very much part of the problem. | 0:12:11 | 0:12:13 | |
It's also the trend for men to have very ornately crafted facial hair. | 0:12:16 | 0:12:20 | |
Have you seen these guys with the twirly moustaches? | 0:12:20 | 0:12:22 | |
Have you seen them? Yeah? | 0:12:22 | 0:12:23 | |
Fine, as long as they are not white men. | 0:12:23 | 0:12:26 | |
Because those moustaches make white men | 0:12:26 | 0:12:28 | |
look like Victorian Englishmen which is not ideal. | 0:12:28 | 0:12:31 | |
I cannot tell you the number of times | 0:12:31 | 0:12:34 | |
I have had to order a coffee from a man whose facial hair | 0:12:34 | 0:12:36 | |
looks like it colonised my ancestors. | 0:12:36 | 0:12:38 | |
LAUGHTER | 0:12:38 | 0:12:41 | |
The guy's like, "Do you want something with your coffee?" | 0:12:47 | 0:12:49 | |
And I'm like, "Yeah, a piece of banana bread and something else, what is it? | 0:12:49 | 0:12:52 | |
"Oh, I know, an apology for the Amritsar massacre, thank you!" | 0:12:52 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:13:00 | |
Now, taken in isolation, it's fine | 0:13:00 | 0:13:02 | |
to think that all of these things are ridiculous. | 0:13:02 | 0:13:05 | |
Because, clearly, they are. | 0:13:05 | 0:13:06 | |
But what I would say about hipster culture | 0:13:06 | 0:13:09 | |
is that it is silly but it is not malicious. | 0:13:09 | 0:13:11 | |
I would say that what was trendy | 0:13:11 | 0:13:13 | |
when I was growing up was much more inherently malicious. | 0:13:13 | 0:13:15 | |
Because I grew up in England in the 1990s | 0:13:15 | 0:13:17 | |
and what was trendy then was, lads! Lads! Lads, lads, lads! Lads, mate! | 0:13:17 | 0:13:21 | |
I mean, we went to Eton and Oxford, | 0:13:21 | 0:13:23 | |
but we are a bunch of absolute lads. | 0:13:23 | 0:13:26 | |
Now, lad culture was everywhere in the '90s. | 0:13:26 | 0:13:28 | |
In our books, our movies, our music. And a lot of it was harmless. | 0:13:28 | 0:13:31 | |
But by its very nature, lad culture celebrated the male over the female. | 0:13:31 | 0:13:36 | |
So it came with an inherent portion of misogyny. | 0:13:36 | 0:13:38 | |
Now, some of that misogyny was ironic, | 0:13:38 | 0:13:40 | |
but we all know what ironic misogyny is. | 0:13:40 | 0:13:42 | |
It's just misogyny and then at the end, someone goes..."hmm?" | 0:13:42 | 0:13:45 | |
Like that. It's just... LAUGHTER | 0:13:45 | 0:13:47 | |
..bourgeois misogyny, right? | 0:13:47 | 0:13:49 | |
And lad culture did so much weird stuff. | 0:13:49 | 0:13:50 | |
Like the prevalence of lads mags, | 0:13:50 | 0:13:52 | |
loudly proclaiming that women's only value was as sex objects. | 0:13:52 | 0:13:55 | |
Right? It's insane. | 0:13:55 | 0:13:56 | |
And if you want any evidence of the extent to which women were | 0:13:56 | 0:13:59 | |
second-class citizens in lad culture, | 0:13:59 | 0:14:01 | |
what was the name we gave to women who participated in it? | 0:14:01 | 0:14:04 | |
-AUDIENCE: -Ladettes. | 0:14:04 | 0:14:05 | |
Ladettes! That's right. They didn't even get their own name. | 0:14:05 | 0:14:08 | |
That's messed up. | 0:14:08 | 0:14:10 | |
That's as messed up as the fact that Nigel Lawson | 0:14:10 | 0:14:12 | |
named his daughter Nigella. | 0:14:12 | 0:14:14 | |
A fact which we do not talk about often enough. | 0:14:14 | 0:14:18 | |
How truly weird it is that Nigel Lawson had a baby girl | 0:14:20 | 0:14:23 | |
and thought, "I shall name her Nigella. | 0:14:23 | 0:14:25 | |
"Oh, she's like a little me." | 0:14:27 | 0:14:31 | |
Go to jail, you weird man. | 0:14:31 | 0:14:32 | |
Now, the caveat I always have to put on this | 0:14:36 | 0:14:38 | |
piece of material is that the 1990s has passed and as such, | 0:14:38 | 0:14:40 | |
we have had a decade and a half to make a considered value judgment | 0:14:40 | 0:14:44 | |
over the events of the 1990s and think about what was good and bad. | 0:14:44 | 0:14:48 | |
Maybe in 15, 16 years' time, it'll turn out that hipster culture | 0:14:48 | 0:14:50 | |
was really awful and was responsible for gentrification. | 0:14:50 | 0:14:53 | |
We don't have that kind of perspective. | 0:14:53 | 0:14:54 | |
That's the caveat I have to put on it. | 0:14:54 | 0:14:56 | |
Because there is lots of stuff that happened in the | 0:14:56 | 0:14:58 | |
'90s that we now have a completely different opinion on. | 0:14:58 | 0:15:01 | |
Like, the North American Free Trade Agreement, | 0:15:01 | 0:15:03 | |
that turned out to be a geopolitical disaster. | 0:15:03 | 0:15:05 | |
Tracksuits, very flammable. | 0:15:05 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:09 | |
And we now know that the Spice Girls | 0:15:09 | 0:15:11 | |
were an incredibly malicious influence on our culture. | 0:15:11 | 0:15:14 | |
Did a huge amount of damage to the way we see... | 0:15:14 | 0:15:16 | |
BOOING Whoa. | 0:15:16 | 0:15:19 | |
That's turned the atmosphere. LAUGHTER | 0:15:19 | 0:15:22 | |
The Spice Girls were awful. | 0:15:22 | 0:15:24 | |
BOOING AND WHOOPING | 0:15:24 | 0:15:27 | |
What? Wait, did you have different Spice Girls? | 0:15:27 | 0:15:30 | |
Ziggy-zig-ah, the Spice Girls? | 0:15:30 | 0:15:32 | |
WHOOPING The Spice... | 0:15:32 | 0:15:36 | |
CHEERING Are you kidding me? | 0:15:36 | 0:15:40 | |
They had one black member and she was called Scary! | 0:15:40 | 0:15:43 | |
LAUGHTER | 0:15:43 | 0:15:46 | |
And then they used to dress her | 0:15:47 | 0:15:48 | |
in leopard-print robes like Kunta Kinte. | 0:15:48 | 0:15:51 | |
And make her stand next to Geri Halliwell in a Union flag | 0:15:51 | 0:15:55 | |
minidress like an English Defence League wet dream. | 0:15:55 | 0:15:58 | |
And they used to make her do raps, even though | 0:16:07 | 0:16:10 | |
she had no talent at rapping whatsoever. | 0:16:10 | 0:16:12 | |
They just assumed she could do it. | 0:16:12 | 0:16:14 | |
That's like somebody coming up to me | 0:16:14 | 0:16:15 | |
and assuming I can prescribe penicillin. | 0:16:15 | 0:16:17 | |
Someone came up to me after one of the shows and said, | 0:16:21 | 0:16:24 | |
"As an intersexualist feminist of African descent, | 0:16:24 | 0:16:27 | |
"I have very mixed feelings about your Spice Girls joke." | 0:16:27 | 0:16:29 | |
And you know what that means? It means I have found my audience. | 0:16:29 | 0:16:32 | |
There are...not many of them, | 0:16:32 | 0:16:34 | |
but the ones that are turning out are high-value indeed. | 0:16:34 | 0:16:37 | |
And here is what I feel. | 0:16:39 | 0:16:40 | |
I feel if you blame hipsters for gentrification, | 0:16:40 | 0:16:43 | |
you are letting the real culprits off the hook. | 0:16:43 | 0:16:45 | |
Because gentrification is a really serious social problem. | 0:16:45 | 0:16:48 | |
It is changing the nature of our cities | 0:16:48 | 0:16:49 | |
and driving people out of homes they have lived in for 35, 40 years. | 0:16:49 | 0:16:53 | |
But it is the result of decades of bad housing policy. | 0:16:53 | 0:16:56 | |
So why not be angry with the people responsible for that policy? | 0:16:56 | 0:16:58 | |
Don't be angry with hipsters, be angry with property developers | 0:16:58 | 0:17:01 | |
that fail to meet their targets for affordable housing. | 0:17:01 | 0:17:04 | |
Be angry with politicians that fail to hold them to account. | 0:17:04 | 0:17:07 | |
Be angry with the local authority less than two miles | 0:17:07 | 0:17:10 | |
away from where we are right now who ignored repeated | 0:17:10 | 0:17:12 | |
warnings about fire safety in their tower blocks until it was too late. | 0:17:12 | 0:17:18 | |
CHEERING Be angry with those people. | 0:17:18 | 0:17:20 | |
Not the concept of smashed avocado or some arsehole riding | 0:17:20 | 0:17:24 | |
a penny-farthing as a substitute for having a personality. | 0:17:24 | 0:17:27 | |
I'm very clever. | 0:17:34 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:38 | |
Ladies and gentlemen, are you ready for my first guest of this evening? | 0:17:38 | 0:17:42 | |
CHEERING | 0:17:42 | 0:17:46 | |
I know two things about him. | 0:17:46 | 0:17:47 | |
One, I absolutely love him. | 0:17:47 | 0:17:50 | |
And number two, he is one of the greatest comedians in the world. | 0:17:50 | 0:17:53 | |
Ladies and gentlemen, please raise the roof of the Hammersmith Apollo | 0:17:53 | 0:17:57 | |
and welcome to the stage David O'Doherty! | 0:17:57 | 0:18:01 | |
CHEERING | 0:18:01 | 0:18:02 | |
MUSIC: Orinoco Flow by Enya | 0:18:02 | 0:18:07 | |
CHEERING | 0:18:07 | 0:18:14 | |
All right! Thank you, Enya. | 0:18:14 | 0:18:16 | |
Let's do this shit. | 0:18:16 | 0:18:18 | |
My name is David. Some of you will know me from my comedy. | 0:18:20 | 0:18:23 | |
You all know my graffiti. You'll know my tag. | 0:18:23 | 0:18:25 | |
I do two parallel yellow lines beside the path. | 0:18:25 | 0:18:29 | |
And the great thing is that motorists really respect my work. | 0:18:30 | 0:18:33 | |
OK, we're in. | 0:18:33 | 0:18:35 | |
Shout-out to my sponsors this evening for this gig. | 0:18:35 | 0:18:38 | |
My sponsors are lasagne, or as I call it, meat Viennetta... | 0:18:38 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:45 | |
And the French soft drink Orangina. | 0:18:45 | 0:18:48 | |
It would sell a lot less if it was pronounced orange-eye-na. | 0:18:48 | 0:18:51 | |
# It would sell virtually none. # | 0:18:51 | 0:18:53 | |
Big gig, you guys. | 0:18:55 | 0:18:57 | |
Big... I've made the supreme commitment to this gig. | 0:18:57 | 0:19:00 | |
Check it out. Fresh batteries! | 0:19:00 | 0:19:02 | |
CHEERING Argos. Went to Argos. | 0:19:03 | 0:19:06 | |
And if you don't go to Argos very often, you forget. | 0:19:06 | 0:19:09 | |
Argos is sort of like a shop but much more like a bookies. | 0:19:11 | 0:19:14 | |
That must have been the original concept. | 0:19:14 | 0:19:17 | |
You go in and you study the form and you're like, I'm going | 0:19:17 | 0:19:20 | |
to take a punt on that and you fill in the little docket with | 0:19:20 | 0:19:22 | |
the tiny pencil, you go up to the counter and go, | 0:19:22 | 0:19:25 | |
"Can I have a tenner on that, please?" | 0:19:25 | 0:19:26 | |
And he's like, "Best of luck, go up to the big screen." | 0:19:26 | 0:19:29 | |
And you're like, "Come on, 362!" | 0:19:29 | 0:19:30 | |
LAUGHTER | 0:19:30 | 0:19:32 | |
Take it home to Papa! | 0:19:32 | 0:19:34 | |
# If Findus, the frozen food brand, had a Facebook page | 0:19:39 | 0:19:42 | |
# They can legitimately say, Findus on Facebook. # | 0:19:42 | 0:19:45 | |
# Serena Williams' nickname should be Tennessee Williams. # | 0:19:48 | 0:19:54 | |
That's the best joke I never come up with. # I mean, it's fine.# | 0:19:54 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:19:58 | |
# How do you contact dead single ladies? | 0:19:58 | 0:20:00 | |
# You have a se-YONCE. # | 0:20:00 | 0:20:02 | |
OK... Look, all I want from this... | 0:20:02 | 0:20:06 | |
I just want to be a one-name entertainer. | 0:20:06 | 0:20:08 | |
I want you to be able to say, "Oh, we saw David last night," | 0:20:08 | 0:20:11 | |
and everyone will know who you're talking about, you know? | 0:20:11 | 0:20:14 | |
There's no doubt with Beyonce. | 0:20:14 | 0:20:16 | |
Your mother's never like, "Who? Beyonce O'Laughlin?" | 0:20:16 | 0:20:19 | |
The problem is all the other Davids who are more famous than me, | 0:20:21 | 0:20:24 | |
there's billions of them. | 0:20:24 | 0:20:25 | |
So I'm dedicating the next six months of my life... | 0:20:25 | 0:20:28 | |
# I'm going to murder all of the Davids who are more famous than me. # | 0:20:28 | 0:20:31 | |
Name a David who's more famous than me, | 0:20:31 | 0:20:33 | |
I'm going to tell you how I'm going to murder them, OK? Go. | 0:20:33 | 0:20:36 | |
AUDIENCE SHOUT NAMES Down at the front, what are you saying? | 0:20:36 | 0:20:39 | |
David Attenborough? David Atten... | 0:20:39 | 0:20:40 | |
# You absolute prick! # | 0:20:40 | 0:20:43 | |
Murder David Attenborough?! | 0:20:43 | 0:20:44 | |
That is the worst shit anyone's ever said! | 0:20:44 | 0:20:47 | |
Twisted mind. It would be quite easy... | 0:20:49 | 0:20:51 | |
# Cos he's about 300. # | 0:20:51 | 0:20:53 | |
I might just make it look like a lion did it, so people will be | 0:20:53 | 0:20:56 | |
like "Oh, he died as he would have wanted..." | 0:20:56 | 0:20:58 | |
# Murdered by a lion. # | 0:20:58 | 0:21:00 | |
David Cameron. There's two options there. | 0:21:00 | 0:21:04 | |
One is a referendum or the other is... | 0:21:04 | 0:21:06 | |
# Crushed to death by a pig. # | 0:21:06 | 0:21:09 | |
We'll take a... | 0:21:13 | 0:21:15 | |
couple more Davids. | 0:21:15 | 0:21:17 | |
AUDIENCE SHOUT NAMES | 0:21:17 | 0:21:20 | |
David Blaine. David Blaine, that's quite an obscure David. | 0:21:20 | 0:21:23 | |
I mean, with a magician, what, do you just, like, | 0:21:23 | 0:21:25 | |
# You lock him in a cupboard for a year, | 0:21:25 | 0:21:27 | |
# Well, that trick didn't work. # | 0:21:27 | 0:21:29 | |
David Beckham. | 0:21:32 | 0:21:34 | |
# Bend him into an unconventional position. # | 0:21:34 | 0:21:37 | |
Craig David is the trickiest. Still technically a David, you know? | 0:21:39 | 0:21:42 | |
With him, it's a medium-term plan. | 0:21:42 | 0:21:45 | |
With Craig David, I think I'd meet him for, like, a drink, | 0:21:45 | 0:21:47 | |
just early in the week. | 0:21:47 | 0:21:50 | |
And then we'd be making love for several days... | 0:21:50 | 0:21:53 | |
# And then kill him on Sunday. # | 0:21:53 | 0:21:56 | |
OK. Let's go. Thank you. | 0:21:56 | 0:21:59 | |
CHEERING AND APPLAUSE | 0:21:59 | 0:22:02 | |
Look at that. I look incredible, thank you. | 0:22:04 | 0:22:07 | |
If I can just give you... It's difficult for me to stay in shape, | 0:22:07 | 0:22:10 | |
because my favourite food is... | 0:22:10 | 0:22:12 | |
I like gluten with trans fats on it and... LAUGHTER | 0:22:12 | 0:22:15 | |
I like to eat it like I'm angrily throwing laundry down a flight of stairs, | 0:22:15 | 0:22:19 | |
you know... LAUGHTER | 0:22:19 | 0:22:20 | |
It's about small achievable health goals. | 0:22:20 | 0:22:23 | |
This year I did No Lilt February. Thank you. | 0:22:23 | 0:22:27 | |
I know, it sounds impossible, but you take it one day at a time. | 0:22:27 | 0:22:32 | |
Did I have any today? No. You're a legend. | 0:22:32 | 0:22:35 | |
It gets hard around the middle of the month. You get the cravings. | 0:22:35 | 0:22:38 | |
It's called "Lilt guilt". | 0:22:38 | 0:22:39 | |
You're like, "Oh, I'd bloody love some Lilt." | 0:22:39 | 0:22:42 | |
That's the night, when you go to the shop at midnight, kick the doors, "Where's the Lilt?!" | 0:22:42 | 0:22:45 | |
They're like, "We don't stock it any more." You're like, "Argh!" | 0:22:45 | 0:22:48 | |
So you try and make your own hooch Lilt, you know, you get | 0:22:48 | 0:22:50 | |
a pineapple and a grapefruit and you add in batteries and a horse's head, | 0:22:50 | 0:22:54 | |
and you're like... | 0:22:54 | 0:22:55 | |
"It's good, but it's not totally tropical." LAUGHTER | 0:22:55 | 0:22:59 | |
Did that joke in America recently, turns out... | 0:22:59 | 0:23:01 | |
# They don't have Lilt! Hey! # So... | 0:23:01 | 0:23:06 | |
This is it. This is all I do. | 0:23:06 | 0:23:08 | |
Imagine if this was your actual... | 0:23:08 | 0:23:10 | |
This...I go like, "Blah, blah, blah," and you go, "Ha-ha-ha, money." | 0:23:10 | 0:23:14 | |
LAUGHTER | 0:23:14 | 0:23:17 | |
I can't believe I get away with it. You do actual proper London jobs. | 0:23:17 | 0:23:21 | |
You know, like blacksmith, you know? | 0:23:21 | 0:23:23 | |
Farrier. | 0:23:25 | 0:23:27 | |
Brunch DJ. The big three. LAUGHTER | 0:23:27 | 0:23:30 | |
I tell you who I do not trust, people who work in offices. | 0:23:30 | 0:23:33 | |
I know, right? What are they doing? Nothing takes that long. | 0:23:33 | 0:23:36 | |
They're planning something. They must be. Do you know how you know? | 0:23:36 | 0:23:40 | |
Do you ever call in to visit your friend in an office unexpectedly? | 0:23:40 | 0:23:42 | |
Everyone just shits themselves. | 0:23:42 | 0:23:44 | |
They're like, "What's he doing here?! | 0:23:44 | 0:23:46 | |
"Cover the screen! Lie across the spreadsheets! Get him out! | 0:23:46 | 0:23:50 | |
"Kind regards, warm regards, best, best," that's how they talk. | 0:23:50 | 0:23:54 | |
I've seen the e-mail. LAUGHTER AND APPLAUSE | 0:23:54 | 0:23:57 | |
Hey, I know what it's like in the real world. | 0:23:59 | 0:24:03 | |
Look, sometimes I check into your world, "Oh, gross, back to showbiz." | 0:24:03 | 0:24:06 | |
It's... No. LAUGHTER | 0:24:06 | 0:24:09 | |
I'm very self-aware of the level of fame that I have. | 0:24:09 | 0:24:12 | |
I was in a supermarket recently, and an older lady came up to me and she | 0:24:12 | 0:24:16 | |
put her hands on my shoulders and she said, | 0:24:16 | 0:24:19 | |
"You are vaguely familiar." LAUGHTER | 0:24:19 | 0:24:21 | |
And that is it. | 0:24:21 | 0:24:24 | |
I did a gig in Wrexham, and I was at an ATM machine, and a guy cycled by | 0:24:24 | 0:24:27 | |
and he shouted at me, "Surprised to see you at an ATM machine!" | 0:24:27 | 0:24:31 | |
And I've been obsessed with it since then. | 0:24:31 | 0:24:33 | |
What did he mean?! | 0:24:33 | 0:24:36 | |
On the one hand, is he surprised I don't have a butler to go to the ATM | 0:24:36 | 0:24:39 | |
machine for me? No, I think it's the opposite. | 0:24:39 | 0:24:42 | |
"I'm surprised you have any money whatsoever, | 0:24:42 | 0:24:44 | |
"doing this keyboard horseshit." LAUGHTER | 0:24:44 | 0:24:48 | |
Here's my greatest ever showbiz tale. | 0:24:48 | 0:24:50 | |
I did a gig in your Milton Keynes recently. Thank you. | 0:24:50 | 0:24:53 | |
And I was staying in the Milton Keynes Hilton. | 0:24:53 | 0:24:56 | |
And she is the least well-known of all the Hilton sisters. LAUGHTER | 0:24:56 | 0:25:01 | |
And I checked in after the gig, like, 12:30. | 0:25:01 | 0:25:04 | |
Room 303 is where this took place. | 0:25:04 | 0:25:07 | |
Open the door, TV on in the room. | 0:25:07 | 0:25:10 | |
Not that uncommon in the chain hotels. | 0:25:10 | 0:25:13 | |
I guess it's to welcome you. But get this... | 0:25:13 | 0:25:15 | |
on the TV is me, | 0:25:15 | 0:25:19 | |
playing the shitty keyboard on some show! LAUGHTER | 0:25:19 | 0:25:23 | |
Immediate thought is, like, | 0:25:23 | 0:25:24 | |
"Is this a service they provide to all guests? If so..." | 0:25:24 | 0:25:28 | |
No, it's the realisation, "This is it! I've arrived!! | 0:25:28 | 0:25:32 | |
And I waltz into the room, down the little corridor with the loo away to | 0:25:32 | 0:25:36 | |
the left, and as the room opens out, there is a fully naked man | 0:25:36 | 0:25:41 | |
lying on the bed! LAUGHTER | 0:25:41 | 0:25:44 | |
So they've given me the key to someone else's room, | 0:25:45 | 0:25:48 | |
and he is lying there, watching ME... | 0:25:48 | 0:25:51 | |
LAUGHTER | 0:25:51 | 0:25:54 | |
..on the TV! And he looks up... | 0:25:54 | 0:25:58 | |
and he sees ME! LAUGHTER | 0:25:58 | 0:26:02 | |
I wish I'd had the wit to think of something smart. | 0:26:02 | 0:26:04 | |
What I say is like, "Oh, shit, sorry about that." | 0:26:04 | 0:26:07 | |
I could have said anything and I'd be a legend. | 0:26:07 | 0:26:10 | |
I could've been like, "Oh, hey, are you enjoying this? Ah, no boner," | 0:26:10 | 0:26:13 | |
and just walked out and been... LAUGHTER | 0:26:13 | 0:26:16 | |
I know, there is some money in the room this evening, | 0:26:18 | 0:26:21 | |
so I'll just, before you go on, I'll just pitch you | 0:26:21 | 0:26:24 | |
a few app ideas, if anyone's got a couple of spare mill. | 0:26:24 | 0:26:28 | |
App idea one - Creme Brulapp. | 0:26:28 | 0:26:30 | |
Now that is the world's first creme-brulee-themed app. | 0:26:30 | 0:26:33 | |
It doesn't do anything except | 0:26:33 | 0:26:35 | |
when you touch the screen of your phone, it goes...squish. | 0:26:35 | 0:26:38 | |
OK, so that's app idea one. LAUGHTER | 0:26:38 | 0:26:41 | |
App idea two - Yodelr. Now that is similar to Grindr, | 0:26:41 | 0:26:45 | |
but it tells you about Swiss people in the vicinity. LAUGHTER | 0:26:45 | 0:26:50 | |
What Is App. Now that is similar to the already popular WhatsApp. | 0:26:50 | 0:26:54 | |
What Is App is more formal, do you know what I mean? | 0:26:55 | 0:26:58 | |
No abbreviations allowed. | 0:26:58 | 0:27:01 | |
Fartzam's the big one. Fartzam is similar to Shazam, | 0:27:01 | 0:27:04 | |
do you know the app that can identify whatever song is playing? | 0:27:04 | 0:27:07 | |
It's the same principle with Fartzam. | 0:27:07 | 0:27:10 | |
You walk into a room, there's an unclaimed fart cloud | 0:27:10 | 0:27:12 | |
within the room. | 0:27:12 | 0:27:14 | |
You thrust Fartzam into the mist, that person's face comes up on it. | 0:27:14 | 0:27:18 | |
Now that... LAUGHTER | 0:27:18 | 0:27:20 | |
The technology may not exist yet, | 0:27:20 | 0:27:22 | |
but that's for the nerds to work out. I'm the ideas guy. Thank you. | 0:27:22 | 0:27:25 | |
APPLAUSE | 0:27:25 | 0:27:27 | |
It's a dream to play at the Apollo. So many people here. | 0:27:28 | 0:27:32 | |
Not everyone's here, cos a lot of people are dead. Uh... | 0:27:32 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:39 | |
I'd like to just, for a moment, pay tribute to the dead. | 0:27:39 | 0:27:42 | |
There's too many to mention them all, so I'm just going to | 0:27:42 | 0:27:45 | |
pick a few of my favourite dead. | 0:27:45 | 0:27:48 | |
AA Milne. Creator of Winnie the Pooh. Sorry if you didn't know. | 0:27:50 | 0:27:54 | |
# He is dead. # He died ages ago. | 0:27:54 | 0:27:56 | |
AA Milne. Alphabetically, he is the first of all the dead. OK. | 0:27:56 | 0:28:01 | |
LAUGHTER | 0:28:01 | 0:28:03 | |
Steve Jobs. | 0:28:03 | 0:28:06 | |
Inventor of the iPhone. Dead. | 0:28:06 | 0:28:07 | |
And, for me, the saddest part there was, | 0:28:07 | 0:28:10 | |
remember just after he died, they put his body into a bag of rice, | 0:28:10 | 0:28:13 | |
to see if he'd come back to life? | 0:28:13 | 0:28:14 | |
# But he didn't. # LAUGHTER | 0:28:14 | 0:28:17 | |
The man who set up the North Face clothing company died recently. | 0:28:21 | 0:28:25 | |
How did he die? Of exposure on a camping trip in South America. | 0:28:25 | 0:28:29 | |
That is true! | 0:28:29 | 0:28:30 | |
The boss of Segway died. How did he die? | 0:28:32 | 0:28:34 | |
He reversed his Segway off a cliff. Aaaahh! LAUGHTER | 0:28:34 | 0:28:38 | |
Dyson must be shitting himself, you know? | 0:28:38 | 0:28:42 | |
He's messed with air, and you cannot escape from air. | 0:28:42 | 0:28:45 | |
Wherever he goes, he could be hit by a kite. | 0:28:45 | 0:28:47 | |
I think the irony would be if he was sucked up inside one of his own | 0:28:47 | 0:28:49 | |
Hoovers - just him noiselessly... | 0:28:49 | 0:28:51 | |
# Rotating in the bagless drum | 0:28:51 | 0:28:54 | |
# Screaming but no sound comes out | 0:28:54 | 0:28:56 | |
# Cos sound doesn't travel in a vacuum. # | 0:28:56 | 0:28:59 | |
LAUGHTER AND APPLAUSE | 0:28:59 | 0:29:02 | |
I like music a lot. | 0:29:05 | 0:29:06 | |
I like all music, except for one genre, and that is the worst | 0:29:06 | 0:29:09 | |
music of all, which is the whistling and twinkly bells music in 80% of | 0:29:09 | 0:29:14 | |
all TV and radio ads at the moment, which is this music here. | 0:29:14 | 0:29:17 | |
WHISTLING AND UPBEAT MELODY | 0:29:17 | 0:29:22 | |
The more sinister the product, the more adorable the music. | 0:29:22 | 0:29:26 | |
"Go out tonight, have a burger. Ha-ha-ha-ha-ha! | 0:29:26 | 0:29:31 | |
"Cos we know you don't like to | 0:29:31 | 0:29:33 | |
"think about where your food comes from. | 0:29:33 | 0:29:35 | |
"You couldn't give a shit. | 0:29:35 | 0:29:37 | |
"We could abduct homeless dogs and cut their dicks off and sell | 0:29:37 | 0:29:40 | |
"them to you as homeless dogs' dicks, and you'd just be like, | 0:29:40 | 0:29:43 | |
"'Oh, pound saver menu!'" HE WHISTLES | 0:29:43 | 0:29:45 | |
LAUGHTER | 0:29:45 | 0:29:48 | |
"Kalashnikov. | 0:29:50 | 0:29:51 | |
"We're about sorting out localised tribal conflicts." | 0:29:51 | 0:29:54 | |
LAUGHTER | 0:29:54 | 0:29:56 | |
"At your bank, we're more like your mate than your bank. Ah-ha-ha-ha! | 0:29:56 | 0:30:00 | |
"Sure, we don't really have interest rates any more, | 0:30:00 | 0:30:03 | |
"and the charges, the stealth charges are ridiculous in recent | 0:30:03 | 0:30:07 | |
"years, and, yeah, we did cause the last collapse of the economy, yeah. | 0:30:07 | 0:30:10 | |
"Ah-ha-ha-ha-ha-ha! And the credit card bill! | 0:30:10 | 0:30:13 | |
"Have you seen the bonuses we give our boss?! | 0:30:13 | 0:30:15 | |
"Ah, you idiots! You keep coming back! You absolute dickheads!" | 0:30:15 | 0:30:20 | |
HE WHISTLES | 0:30:20 | 0:30:22 | |
LAUGHTER AND APPLAUSE | 0:30:22 | 0:30:25 | |
CHEERING AND APPLAUSE Thank you very much. | 0:30:28 | 0:30:31 | |
David O Doherty! CHEERING AND APPLAUSE | 0:30:42 | 0:30:45 | |
Ladies and gentlemen, are you ready for our final guest tonight? | 0:30:48 | 0:30:52 | |
CHEERING | 0:30:52 | 0:30:54 | |
It is an absolute privilege to be bringing this lady to you. | 0:30:56 | 0:30:58 | |
She and I actually started together, and she is without question one of | 0:30:58 | 0:31:03 | |
the most unique and distinctive voices working in comedy right now. | 0:31:03 | 0:31:06 | |
So, ladies and gentlemen, | 0:31:06 | 0:31:08 | |
please join me in welcoming to the stage the incredible | 0:31:08 | 0:31:10 | |
Luisa Omielan! CHEERING AND APPLAUSE | 0:31:10 | 0:31:13 | |
ENERGETIC POP MUSIC PLAYS | 0:31:13 | 0:31:16 | |
Hello! Hello! | 0:31:22 | 0:31:27 | |
I think it's about time to kill that party spirit, don't you? | 0:31:27 | 0:31:30 | |
LAUGHTER Let's talk about mental health. | 0:31:30 | 0:31:33 | |
Yes, sir. | 0:31:33 | 0:31:35 | |
Brace yourselves, bitches, we're about to talk about depression. | 0:31:35 | 0:31:38 | |
It's going to get sexy. Cronk! Cronk! LAUGHTER | 0:31:38 | 0:31:41 | |
I remember having a time when I felt really low, really bad about | 0:31:44 | 0:31:48 | |
myself, and there was no particular reason, right? | 0:31:48 | 0:31:50 | |
Cos nobody had died, everything was going well. | 0:31:50 | 0:31:52 | |
Like, seemingly, on paper, things were good. | 0:31:52 | 0:31:54 | |
Like, my local Chinese buffet | 0:31:54 | 0:31:55 | |
started serving crispy aromatic duck before 6pm. | 0:31:55 | 0:31:58 | |
Things were going all right. LAUGHTER | 0:31:58 | 0:31:59 | |
But for some reason I couldn't shift this feeling of, like, isolation | 0:31:59 | 0:32:03 | |
and sadness, and I thought, "I need to tackle this head-on." | 0:32:03 | 0:32:05 | |
So I went for a walk along the River Thames, | 0:32:05 | 0:32:07 | |
and I thought, "I know what I'll do. I'll jump in." | 0:32:07 | 0:32:09 | |
Facebook status: "Dead. Start a page, bitches, start a page." | 0:32:09 | 0:32:13 | |
But I looked down and I thought, "Oh, water does look a bit dirty." | 0:32:13 | 0:32:17 | |
Instead I wrote a letter to the universe. | 0:32:17 | 0:32:21 | |
Genius idea, right? | 0:32:21 | 0:32:22 | |
So I got out this pen and paper | 0:32:22 | 0:32:24 | |
and I wrote down everything that was going wrong in my life, | 0:32:24 | 0:32:26 | |
everything that upset me, I wrote it all down, | 0:32:26 | 0:32:28 | |
and it felt so good to see it in black and white. | 0:32:28 | 0:32:31 | |
And just, get off my chest, right? And I stood on the end of | 0:32:31 | 0:32:35 | |
that bridge and I ceremoniously threw this letter out. | 0:32:35 | 0:32:38 | |
The wind threw it back in my face. | 0:32:38 | 0:32:41 | |
Twice. LAUGHTER | 0:32:41 | 0:32:44 | |
And I was living with my mother at the time. My mum is amazing. | 0:32:44 | 0:32:46 | |
My mum's Polish. She's not a cleaner, don't be such a racist! | 0:32:46 | 0:32:49 | |
Why would you say that? LAUGHTER | 0:32:49 | 0:32:50 | |
That's so racist! She should be, she's a very good one. LAUGHTER | 0:32:50 | 0:32:53 | |
My mum is amazing, right. She... | 0:32:53 | 0:32:55 | |
My mum came over to England, like, 35 years ago. | 0:32:55 | 0:32:57 | |
We were here first. Don't blame me for the influx. LAUGHTER | 0:32:57 | 0:33:01 | |
She came over a long time ago, and actually I was born here, | 0:33:01 | 0:33:03 | |
and my mum tries to be like, "Oh, you know you're Polish too." | 0:33:03 | 0:33:06 | |
And I was like, I was born here, so, like, "I'm British! | 0:33:06 | 0:33:08 | |
"I'm British! Get out of our country!" | 0:33:08 | 0:33:12 | |
It was adorable. And... LAUGHTER | 0:33:12 | 0:33:16 | |
And my mum has this beautiful accent, right? | 0:33:16 | 0:33:18 | |
Because people expect my mum to talk like this... | 0:33:18 | 0:33:21 | |
POLISH ACCENT: "Hello, I like to clean, nice to meet you." | 0:33:21 | 0:33:23 | |
But she doesn't. | 0:33:23 | 0:33:25 | |
RECEIVED PRONUNCIATION: She talks like this... | 0:33:25 | 0:33:27 | |
And the reason being, because when she first came over, she tried to | 0:33:27 | 0:33:29 | |
really immerse herself into the community, into the British culture, right? | 0:33:29 | 0:33:32 | |
So she was like, "Marks and Spencers, the land of dreams," right? She was really excited. | 0:33:32 | 0:33:37 | |
So she used to listen to a lot of BBC radio news, but this was back | 0:33:37 | 0:33:39 | |
in the day when they have those boring same old accents. | 0:33:39 | 0:33:42 | |
They don't have all the beautiful dialects that you have now. | 0:33:42 | 0:33:44 | |
So my mum learned to speak English, so now instead of speaking like this... | 0:33:44 | 0:33:47 | |
POLISH ACCENT: "Hello..." | 0:33:47 | 0:33:49 | |
RECEIVED PRONUNCIATION: She talks like this, but she always gets her | 0:33:49 | 0:33:52 | |
English completely wrong, | 0:33:52 | 0:33:53 | |
so you can still tell she's a massive immigrant. | 0:33:53 | 0:33:55 | |
LAUGHTER My favourite bit of English she ever got wrong was... | 0:33:55 | 0:33:57 | |
"Luisa, I notice you've been going through lots of toilet roll | 0:33:57 | 0:34:00 | |
"recently. When you go, how many slices do you use, hmm?" | 0:34:00 | 0:34:03 | |
LAUGHTER | 0:34:03 | 0:34:06 | |
"I'm not wiping it with bread! Shut up! Go away! Shut the door!" | 0:34:06 | 0:34:10 | |
"I've seen it all before." | 0:34:10 | 0:34:11 | |
"Not recently you haven't!" It's quite...it's quite adorable. | 0:34:11 | 0:34:14 | |
And she said, "Luisa, I'm worried about you. I think you need to go and see a doctor." | 0:34:14 | 0:34:18 | |
And I was like, "OK, I'll go and see a doctor, but there's no | 0:34:18 | 0:34:20 | |
reason, cos there's nothing wrong with me. | 0:34:20 | 0:34:22 | |
OK, so I'm sad all the time, but I'm fine. Like, I'm fine." | 0:34:22 | 0:34:24 | |
"Hi, Doctor, sorry to bother you. Like, I'm fine, honestly. I'm fine. | 0:34:24 | 0:34:26 | |
"There's nothing wrong with me. No, I had a smear test, thank you, honestly, everything's fine. | 0:34:26 | 0:34:30 | |
"I'm fine. I just, sometimes want to pour boiling hot water all over my face, but I'm fine." | 0:34:30 | 0:34:35 | |
LAUGHTER She was like, "Luisa, I think you might be suffering from depression." | 0:34:35 | 0:34:39 | |
"Oh, my God! Are you Polish? What the fuck is wrong with you? | 0:34:39 | 0:34:42 | |
"I'm not depressed. I don't have depression, OK? | 0:34:42 | 0:34:44 | |
"I don't...I don't have depression." | 0:34:44 | 0:34:46 | |
She was like, "Luisa, it's fine. I'm going to give you some antidepressants." | 0:34:46 | 0:34:50 | |
And... "Yeah, do you want to say that any louder?" | 0:34:50 | 0:34:52 | |
Like, the door was ajar. "Do you want to... Ah-choo! I've just got a common cold!" | 0:34:52 | 0:34:55 | |
WHISPERS: I don't need antidepressants! | 0:34:55 | 0:34:57 | |
Do I look batshit mental? I don't need antidepressants. | 0:34:57 | 0:34:59 | |
Besides of which, you put me on the pill once | 0:34:59 | 0:35:01 | |
and that did send me batshit crazy, so I am not taking anything... | 0:35:01 | 0:35:05 | |
that you prescribe me. | 0:35:05 | 0:35:06 | |
And I went home, and I didn't want to take 'em cos I was so embarrassed. | 0:35:09 | 0:35:12 | |
Right, I didn't want to be on antidepressants. | 0:35:12 | 0:35:14 | |
But I had to do something cos I was crying constantly. | 0:35:14 | 0:35:17 | |
Like, I couldn't stop crying. | 0:35:17 | 0:35:19 | |
Like, I would masturbate, and I'd cry. | 0:35:19 | 0:35:21 | |
Who does that? | 0:35:24 | 0:35:26 | |
You don't get guys having a wank, do you? Being like, "Arrr!" | 0:35:26 | 0:35:30 | |
LAUGHTER | 0:35:33 | 0:35:35 | |
SOBS: I miss... I don't know what you're doing. | 0:35:38 | 0:35:41 | |
I don't understand it any more. | 0:35:41 | 0:35:43 | |
What do I do with myself? | 0:35:43 | 0:35:46 | |
SHE SOBS AND GROANS | 0:35:46 | 0:35:49 | |
CHEERING AND WHISTLING | 0:35:51 | 0:35:53 | |
I can't even cum! Eurgh! | 0:35:55 | 0:35:59 | |
LAUGHTER AND APPLAUSE | 0:36:01 | 0:36:03 | |
It's... | 0:36:14 | 0:36:15 | |
It's not nice when you do it in the face like that, is it? | 0:36:15 | 0:36:19 | |
LAUGHTER AND APPLAUSE | 0:36:19 | 0:36:23 | |
So, I started taking the antidepressants, right? | 0:36:29 | 0:36:31 | |
And the weirdest thing happened - I stopped crying. | 0:36:33 | 0:36:36 | |
I was like, "What?" I was like, "Mum..." | 0:36:36 | 0:36:39 | |
"Mum... | 0:36:39 | 0:36:40 | |
"I'm not crying. | 0:36:40 | 0:36:42 | |
"John Lewis advert is on, and I'm not crying!" | 0:36:42 | 0:36:45 | |
And I hated it. I was like, well, I've got to make myself cry. | 0:36:45 | 0:36:48 | |
Forget this, I've got to make myself cry if it kills me. | 0:36:48 | 0:36:50 | |
So I did everything in my power to make myself cry. | 0:36:50 | 0:36:52 | |
So, what I did, do you want to hear it? | 0:36:52 | 0:36:54 | |
So, what I did, I went home and I put on The Lion King. Mmm! | 0:36:54 | 0:36:57 | |
Oh, we all know what bit, we all know what bit. Don't we? | 0:36:58 | 0:37:01 | |
The bit where Simba comes along, and he's like... | 0:37:01 | 0:37:03 | |
AS SIMBA: "Dad, Dad, come on! You gotta get up!" | 0:37:03 | 0:37:05 | |
SHE GIGGLES | 0:37:05 | 0:37:07 | |
"Dad! | 0:37:07 | 0:37:08 | |
"Dad, come on, you gotta get up, we gotta go home." | 0:37:08 | 0:37:11 | |
"Dad!" | 0:37:14 | 0:37:15 | |
"Dad?" | 0:37:27 | 0:37:28 | |
"Dad, come on." | 0:37:32 | 0:37:33 | |
LAUGHTER | 0:37:41 | 0:37:43 | |
"Dad, we gotta go home." | 0:37:43 | 0:37:45 | |
Nothing, nothing! | 0:37:46 | 0:37:47 | |
I was like, "Oh, these drugs are goo-ood." | 0:37:48 | 0:37:51 | |
It didn't last long. | 0:37:52 | 0:37:54 | |
I just went on Rightmove and looked up property prices in the 1990s, | 0:37:54 | 0:37:57 | |
and it was all like "arrgh"! | 0:37:57 | 0:37:58 | |
This is a bit of a weird gig for me, and I'll tell you why. | 0:38:00 | 0:38:02 | |
I want to talk to you about my mum. My mum's amazing, my mum's a legend. | 0:38:02 | 0:38:06 | |
Right? I told you she's Polish. And I lost my mother recently. | 0:38:06 | 0:38:09 | |
I didn't leave her in Waitrose. "Uh, could the bloody immigrant | 0:38:09 | 0:38:12 | |
"in aisle four come back to the service desk?" | 0:38:12 | 0:38:14 | |
And she went, and she'd got Stage IV stomach and bowel cancer | 0:38:15 | 0:38:19 | |
by the time they found out, right? | 0:38:19 | 0:38:21 | |
And they said, "It's inoperable, we can't do anything. | 0:38:21 | 0:38:23 | |
"But you can't do anything until you see an oncologist, | 0:38:23 | 0:38:25 | |
"and that's going to take four to five weeks, to see somebody, | 0:38:25 | 0:38:28 | |
"by the time we get all your tests." | 0:38:28 | 0:38:30 | |
And they sent her home with Calpol, | 0:38:30 | 0:38:31 | |
because she's clearly four years old and has flu, right? | 0:38:31 | 0:38:34 | |
So, they sent her home with Calpol. | 0:38:34 | 0:38:36 | |
Now, my mum was in so much pain, I was like, "What do I do?" | 0:38:36 | 0:38:38 | |
And they were like, "Well, if you need anything, call 111." | 0:38:38 | 0:38:41 | |
"111? That's who you call when you're drunk and want | 0:38:41 | 0:38:43 | |
"a free lift home. Like, what the fuck? How do I help my mum?" | 0:38:43 | 0:38:46 | |
And so I had to source alternative pain relief for my mum. | 0:38:46 | 0:38:49 | |
And I read loads of things online about cannabis, | 0:38:49 | 0:38:51 | |
about how cannabis has got medicinal properties. | 0:38:51 | 0:38:53 | |
And I don't do drugs, I've never done drugs, right? | 0:38:53 | 0:38:56 | |
I drink two Smirnoff Ice and I'm like, "What!" | 0:38:56 | 0:38:58 | |
I've never really figured it out. | 0:38:58 | 0:38:59 | |
So I started looking at cannabis oil, | 0:38:59 | 0:39:01 | |
but it's not the easiest thing to locate cos you can't really - | 0:39:01 | 0:39:03 | |
I learned - post on Facebook, | 0:39:03 | 0:39:05 | |
"Uh, guys, does anybody know how to get hold of some cannabis oil | 0:39:05 | 0:39:07 | |
"so I can help heal my mum of Stage IV cancer?" "Smiley face". | 0:39:07 | 0:39:11 | |
Nobody really answers, guys. | 0:39:11 | 0:39:12 | |
I actually ended up getting hold of cannabis oil, | 0:39:12 | 0:39:15 | |
and here's the thing about cannabis oil - you only need a tiny bit. | 0:39:15 | 0:39:17 | |
But if you put it in your mouth, you get really high. | 0:39:17 | 0:39:20 | |
And my mum was like, "I don't want to be rocky." | 0:39:20 | 0:39:22 | |
I was like, "Mum, stoned - very different." | 0:39:22 | 0:39:24 | |
LAUGHTER | 0:39:24 | 0:39:27 | |
So I started making suppositories for her, where you have to use | 0:39:27 | 0:39:30 | |
a tiny amount of cannabis oil | 0:39:30 | 0:39:32 | |
and you have to mix it with something that will lend with it. | 0:39:32 | 0:39:34 | |
So I was using coconut oil. | 0:39:34 | 0:39:35 | |
So I'm mixing cannabis oil with coconut oil and I'm putting it in | 0:39:35 | 0:39:38 | |
the freezer, and I'm doing these suppositories in my kitchen. | 0:39:38 | 0:39:40 | |
I feel like Breaking Bad, but I don't know what I'm doing, | 0:39:40 | 0:39:43 | |
and you can't Google it. | 0:39:43 | 0:39:44 | |
And I try to call 111, but they're frigging useless, | 0:39:44 | 0:39:46 | |
and they give me Calpol, so I don't know what to do. | 0:39:46 | 0:39:48 | |
I'm going, "OK, my mum's got cancer. I'll save her, | 0:39:48 | 0:39:51 | |
"I'll help her. I'll make these suppositories." | 0:39:51 | 0:39:53 | |
But the problem with coconut oil | 0:39:53 | 0:39:54 | |
is it gets all over your fingers, right? | 0:39:54 | 0:39:56 | |
You try and put it in, it's all over... | 0:39:56 | 0:39:58 | |
You've lost half the goodness, so it's a waste of time. | 0:39:58 | 0:40:00 | |
Do not use coconut oil. | 0:40:00 | 0:40:01 | |
What you need is cacao butter. Yes, this is very middle class, mate. | 0:40:01 | 0:40:04 | |
You need cacao butter to mix with cannabis oil. | 0:40:04 | 0:40:07 | |
And you freeze it, and I gave it to my mum. | 0:40:07 | 0:40:09 | |
It obviously didn't kill her, but eased her pain, really. | 0:40:09 | 0:40:11 | |
And when we went to the doctors, I was like, "Let's tell them, | 0:40:11 | 0:40:14 | |
"but let's break it in gently | 0:40:14 | 0:40:15 | |
"that I've got you on this class-A illegal substance. | 0:40:15 | 0:40:18 | |
"So, let's just..." | 0:40:18 | 0:40:19 | |
"..wean our way in. | 0:40:21 | 0:40:22 | |
I mean, hopeful they'll be surprised that you've been managing so well | 0:40:22 | 0:40:25 | |
with Stage IV cancer only on Calpol, but you never know. | 0:40:25 | 0:40:27 | |
And we got into the room, and she sat with the oncologist, | 0:40:29 | 0:40:33 | |
and my mum farted. | 0:40:33 | 0:40:34 | |
And I was like, "Oh, my days." | 0:40:36 | 0:40:38 | |
"Are you joking?" And I was like, what do I do? Pretend to be high. | 0:40:39 | 0:40:42 | |
"Just pretend to be high. | 0:40:42 | 0:40:44 | |
"Just pretend to be like, "I do it. Yeah, it's not her - it's me." | 0:40:44 | 0:40:46 | |
"Oh, look at those rabbits. Oh..." | 0:40:46 | 0:40:49 | |
We came out, and I was like, "Mum, why did you do that? So annoying." | 0:40:50 | 0:40:53 | |
She's like, "I'm sorry, I didn't mean to, I couldn't help it." | 0:40:53 | 0:40:55 | |
I was like, "You have just shat out £65 worth of cannabis oil, idiot!" | 0:40:55 | 0:40:58 | |
It was hard, right? | 0:41:01 | 0:41:02 | |
We managed to get her into a hospice, | 0:41:02 | 0:41:04 | |
and we had a beautiful moment where my mum was with me | 0:41:04 | 0:41:08 | |
and my sister, and she said, "Girls, I'm ready to die. | 0:41:08 | 0:41:11 | |
"I've felt too much pain, and I'm ready to go. | 0:41:11 | 0:41:15 | |
"And I want you to remember something - | 0:41:15 | 0:41:17 | |
"that I love you and will always love you. | 0:41:17 | 0:41:20 | |
"You're wonderful, wonderful girls, and I'm so proud of you. | 0:41:20 | 0:41:23 | |
"I want you to look after each other and I want you both to be kind." | 0:41:23 | 0:41:27 | |
And she looked at both of us and she took our hands | 0:41:27 | 0:41:30 | |
and she said, "Don't be upset, girls. | 0:41:30 | 0:41:34 | |
"I'm ready. I'm ready to go. | 0:41:34 | 0:41:37 | |
"I love you." | 0:41:37 | 0:41:38 | |
She held our hands, and she took a deep breath... | 0:41:39 | 0:41:43 | |
..and closed her eyes. | 0:41:44 | 0:41:46 | |
SHE EXHALES DEEPLY | 0:41:46 | 0:41:48 | |
LAUGHTER | 0:42:02 | 0:42:04 | |
Oh, man, it didn't work! | 0:42:14 | 0:42:15 | |
To be honest, I think she just saw Brexit coming, | 0:42:18 | 0:42:20 | |
and was like, "Fuck it, I'm out of here." | 0:42:20 | 0:42:22 | |
So, um, you know, I got the e-mail to do this gig | 0:42:25 | 0:42:29 | |
a few weeks before my mum died. | 0:42:29 | 0:42:31 | |
And I said, "I don't want to do it." | 0:42:31 | 0:42:32 | |
I'd been waiting for years to do the Apollo. | 0:42:32 | 0:42:34 | |
"Don't want to do it." | 0:42:34 | 0:42:35 | |
She said, "Luisa, you have to promise me | 0:42:35 | 0:42:37 | |
"you'll do Live At The Apollo, whatever happens." | 0:42:37 | 0:42:39 | |
I said, "No, I'll be with you. We're going to fix you. | 0:42:39 | 0:42:41 | |
"You're going to have cannabis oil it's going to be amazing, | 0:42:41 | 0:42:44 | |
"you're going to be fine." | 0:42:44 | 0:42:45 | |
And she was like, "Whatever happens, you promise me you do that gig." | 0:42:45 | 0:42:49 | |
And so that's why I came out today, to do the gig. | 0:42:49 | 0:42:52 | |
CHEERING AND APPLAUSE | 0:42:52 | 0:42:55 | |
So thank you for having me. I'm Luisa Omielan. Big love. | 0:43:03 | 0:43:06 | |
Thank you. | 0:43:06 | 0:43:08 | |
APPLAUSE | 0:43:08 | 0:43:11 | |
Luisa Omielan! | 0:43:17 | 0:43:18 | |
CHEERING AND APPLAUSE | 0:43:18 | 0:43:21 | |
Ladies and gentlemen, thank you so much | 0:43:21 | 0:43:22 | |
for watching Live At The Apollo. | 0:43:22 | 0:43:24 | |
Please give a massive round of applause for my guests, | 0:43:24 | 0:43:26 | |
Luisa Omielan and David O'Doherty. | 0:43:26 | 0:43:28 | |
My name's Nish Kumar. Thank you very much. Goodnight. | 0:43:28 | 0:43:31 | |
CHEERING AND APPLAUSE | 0:43:31 | 0:43:34 |