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This programme contains some strong language | 0:00:02 | 0:00:05 | |
Ladies and gentlemen, | 0:00:17 | 0:00:19 | |
please welcome your host for tonight, Katherine Ryan. | 0:00:19 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
# All I want for Christmas is you. # | 0:00:26 | 0:00:29 | |
Hello, girls! CHEERING | 0:00:42 | 0:00:46 | |
Welcome to Noel at the Apollo. CHEERING | 0:00:46 | 0:00:48 | |
Whatever the holiday season means to you, that's Christmas. | 0:00:50 | 0:00:54 | |
If it means going down to the pub, that's Christmas. | 0:00:54 | 0:00:57 | |
If you're alone, that's Christmas. | 0:00:57 | 0:00:59 | |
As long as it's good and it's kind. | 0:00:59 | 0:01:01 | |
If it's Hanukkah, that's Christmas. | 0:01:01 | 0:01:04 | |
That's what it's about, live your life. | 0:01:04 | 0:01:07 | |
There will still be people who are like, | 0:01:07 | 0:01:09 | |
"Mah, I'm not allowed to call it a Christmas tree." | 0:01:09 | 0:01:12 | |
Yeah, that's cos it's a tower of whiskey bottles, Kevin. | 0:01:12 | 0:01:17 | |
Well, you know what, call it a Christmas tree | 0:01:17 | 0:01:19 | |
if that's what you want to do. | 0:01:19 | 0:01:21 | |
If your biggest problem in life is what you name a seasonal household | 0:01:21 | 0:01:25 | |
plant, then you are the definition of privilege. Enjoy it, Kevin. | 0:01:25 | 0:01:30 | |
Christmas for me means struggling with Jane. | 0:01:33 | 0:01:36 | |
Does anyone know Jane from the North London School Run? | 0:01:36 | 0:01:39 | |
I can't stand Jane. | 0:01:41 | 0:01:43 | |
Jane used to have a professional career and that's fine. | 0:01:43 | 0:01:45 | |
And now she stays home to look after seven tiny children | 0:01:45 | 0:01:48 | |
and that's also fine. | 0:01:48 | 0:01:50 | |
Even though I didn't realise that you could have seven little | 0:01:50 | 0:01:53 | |
baby ones like in a row. How do you do that? | 0:01:53 | 0:01:56 | |
Her ass is like a peach, cervix like a hula hoop at this point. | 0:01:56 | 0:01:59 | |
Just voom, voom, voom. | 0:02:01 | 0:02:03 | |
Not the snack, no, sir, not the little... | 0:02:03 | 0:02:06 | |
..like a giant, athletic-sized... | 0:02:06 | 0:02:10 | |
This woman's having a baby every four months. | 0:02:10 | 0:02:13 | |
Jane said to me, "Katherine, you must be so sad | 0:02:15 | 0:02:19 | |
"that you don't have a husband at Christmas." | 0:02:19 | 0:02:23 | |
This coming from the woman whose ham-coloured husband, Brian, | 0:02:23 | 0:02:26 | |
is a man I've never seen out of a bicycle helmet. | 0:02:26 | 0:02:31 | |
He's just Spandex man, you know? | 0:02:31 | 0:02:34 | |
He runs marathons. | 0:02:34 | 0:02:36 | |
Those are the worst kind of people, by the way. | 0:02:36 | 0:02:38 | |
What is it about a middle aged man that he's gotta know | 0:02:38 | 0:02:41 | |
he can be 26 miles away from home on foot at any given moment? | 0:02:41 | 0:02:44 | |
Relax, Brian. "Just trying to raise awareness for cancer." | 0:02:46 | 0:02:50 | |
We've heard of it. | 0:02:50 | 0:02:52 | |
Everyone's heard of it. | 0:02:54 | 0:02:57 | |
Raise funds, yeah, that's good, but I don't care | 0:02:58 | 0:03:01 | |
more about your charity because you're running a marathon. | 0:03:01 | 0:03:03 | |
Like, I will donate to Plan UK because they do tremendous work, | 0:03:03 | 0:03:06 | |
not because someone from the office threatened to jog | 0:03:06 | 0:03:09 | |
until he lost a toenail. I don't care. | 0:03:09 | 0:03:13 | |
Jane's in charge of fundraising at the school, of course she is. | 0:03:13 | 0:03:16 | |
"Katherine, will you help with the Christmas cookie sale?" | 0:03:16 | 0:03:19 | |
No, I will not, Jane, | 0:03:19 | 0:03:21 | |
because last year you sold my gingerbread biscuits for 10p. | 0:03:21 | 0:03:25 | |
Are we selling these cookies for Bangladeshi kids | 0:03:26 | 0:03:29 | |
or are we selling them TO Bangladeshi kids, Jane? | 0:03:29 | 0:03:32 | |
What are you doing? | 0:03:33 | 0:03:35 | |
No, no, where are you getting your price point, you prick? | 0:03:38 | 0:03:40 | |
How were you ever effective in the corporate world? | 0:03:40 | 0:03:43 | |
What is your scale of economies? Do you need money? | 0:03:43 | 0:03:46 | |
I'll write you a cheque for £100, you can | 0:03:46 | 0:03:48 | |
fuck off and make a thousand gingerbread men. | 0:03:48 | 0:03:50 | |
She says, "Katherine, you should have another baby." | 0:03:52 | 0:03:55 | |
Get out of my life. | 0:03:55 | 0:03:56 | |
"You need to have another baby, | 0:03:56 | 0:03:58 | |
"Katherine, you're running out of time." | 0:03:58 | 0:04:00 | |
We're all running out of time, Jane, that's how time works. | 0:04:00 | 0:04:03 | |
If anything, I've got a lot more time than you, | 0:04:05 | 0:04:06 | |
cos I don't have to help find 14 tiny shoes every morning. | 0:04:06 | 0:04:11 | |
And I don't have to sleep with your husband. | 0:04:11 | 0:04:14 | |
I shag him cos I want to. | 0:04:15 | 0:04:18 | |
It's not my job. | 0:04:20 | 0:04:22 | |
Thank you. Thank you very much. | 0:04:25 | 0:04:28 | |
I had a partner. He left us last Christmas, | 0:04:28 | 0:04:32 | |
because I didn't need him. | 0:04:32 | 0:04:35 | |
I was like, "Oh, it's a good thing you don't do anything, I'd be dead." | 0:04:36 | 0:04:40 | |
"You don't need me, Katherine, I need to go where I'm needed." | 0:04:41 | 0:04:44 | |
"OK, Batman, jog on." | 0:04:44 | 0:04:46 | |
He said... | 0:04:49 | 0:04:51 | |
..he said to an immigrant single mother, | 0:04:53 | 0:04:56 | |
"You didn't make me a priority, | 0:04:56 | 0:04:58 | |
"you just work all the time and look after your child. | 0:04:58 | 0:05:02 | |
"You didn't make me a priority." | 0:05:02 | 0:05:03 | |
I was like, "Mate, I paid for everything. | 0:05:03 | 0:05:07 | |
"It literally says priority on your bags every time | 0:05:07 | 0:05:09 | |
"I buy you a plane ticket. | 0:05:09 | 0:05:11 | |
"And I always check back into economy | 0:05:13 | 0:05:15 | |
"to see how you're doing on the flight." | 0:05:15 | 0:05:18 | |
"You don't fight for me, Katherine." | 0:05:19 | 0:05:22 | |
You are not the last fidget spinner on Christmas Eve. | 0:05:22 | 0:05:25 | |
I'm a single mum, and there's still baggage attached to that. | 0:05:27 | 0:05:30 | |
I believe that if I were a man, | 0:05:30 | 0:05:32 | |
I wouldn't be single, I'd be eligible, wouldn't I? | 0:05:32 | 0:05:36 | |
I just bought a house in central London, | 0:05:36 | 0:05:38 | |
they would make me The Bachelor. | 0:05:38 | 0:05:40 | |
They'd freak out. | 0:05:40 | 0:05:42 | |
It is, by the way, the most expensive property ever owned | 0:05:42 | 0:05:45 | |
by anyone in my family - it's also the smallest, they're very confused. | 0:05:45 | 0:05:48 | |
They come from Canada and they're like, | 0:05:50 | 0:05:52 | |
"Katherine! This is what you bought with all your money? | 0:05:52 | 0:05:55 | |
"But this house is so small. | 0:05:55 | 0:05:58 | |
"Don't you know what size house you could afford in your home town?" | 0:06:00 | 0:06:04 | |
I'm like, "Don't you know? Like I wouldn't be sure which room | 0:06:04 | 0:06:07 | |
"to kill myself in, so I can't do that." | 0:06:07 | 0:06:09 | |
"When you visit at Christmas, get a hotel." | 0:06:11 | 0:06:14 | |
If I was a man I'd be eligible - they'd go, "How does he do it?" | 0:06:16 | 0:06:20 | |
"How does a young, young, young man | 0:06:20 | 0:06:24 | |
"of only 34 years old... | 0:06:24 | 0:06:28 | |
"...raise a gorgeous young daughter | 0:06:28 | 0:06:29 | |
"without financial help from anywhere? How does he do that?" | 0:06:29 | 0:06:32 | |
And there'd be memes of me just hoovering with no shirt on. | 0:06:32 | 0:06:34 | |
Like, mah... | 0:06:34 | 0:06:38 | |
"How does he do it?" | 0:06:38 | 0:06:40 | |
There'd be You Tube videos of me | 0:06:40 | 0:06:41 | |
going viral, just plaiting her hair before school. | 0:06:41 | 0:06:45 | |
SHE GASPS "How does he do it?" | 0:06:45 | 0:06:48 | |
I'd be like, "Well, I take three equal sections of hair... | 0:06:48 | 0:06:54 | |
"..then heroically I fold one into the other two, and so on." | 0:06:57 | 0:07:04 | |
And I'd say things like, | 0:07:04 | 0:07:06 | |
"If you think my hands are full, you should see my heart." | 0:07:06 | 0:07:12 | |
And women everywhere would be like, | 0:07:13 | 0:07:16 | |
SHE GASPS "Is anyone sucking his dick right now?" | 0:07:16 | 0:07:19 | |
"Where is this man?" | 0:07:22 | 0:07:24 | |
And then I'd remove the mask and be like, "Ha-ha, I'm a lady!" | 0:07:24 | 0:07:26 | |
And they'd be like, "Urgh, another single mum, gross. | 0:07:26 | 0:07:30 | |
"Gross, pathetic." | 0:07:30 | 0:07:33 | |
CHEERING AND APPLAUSE | 0:07:33 | 0:07:36 | |
I'm alone this Christmas, my daughter's with her dad. | 0:07:40 | 0:07:43 | |
"Aw..." Don't be jealous, don't be jealous. | 0:07:43 | 0:07:46 | |
Because you're slaving away in a kitchen filled with guests | 0:07:48 | 0:07:53 | |
and I'm drinking sangria in my underpants for four days. | 0:07:53 | 0:07:57 | |
AUDIENCE MEMBER CHEERS Yes! | 0:07:57 | 0:08:01 | |
These have become my favourite Christmases. | 0:08:01 | 0:08:04 | |
Jane comes out of the woodwork always. | 0:08:05 | 0:08:07 | |
"Oh, Katherine, aren't you so sad that you're alone at Christmas?" | 0:08:07 | 0:08:13 | |
No, Jane. "I would be sad if I was alone at Christmas" - | 0:08:13 | 0:08:17 | |
"I'd be sad if I was alone with you too." | 0:08:17 | 0:08:21 | |
When I'm alone, I'm just hanging out with Katherine Ryan, it's amazing. | 0:08:21 | 0:08:26 | |
"You can come to our house for Christmas. | 0:08:26 | 0:08:29 | |
"You could eat with our family." | 0:08:29 | 0:08:31 | |
"Jane, that's a lovely gesture, very charitable, I do appreciate it, | 0:08:31 | 0:08:35 | |
"but I would rather the tweets of Piers Morgan | 0:08:35 | 0:08:38 | |
"be shouted into my face till I died of rage." | 0:08:38 | 0:08:42 | |
Respectfully... | 0:08:43 | 0:08:46 | |
..no. | 0:08:46 | 0:08:48 | |
No, Jane. | 0:08:48 | 0:08:51 | |
You don't have to live your life like me. | 0:08:51 | 0:08:53 | |
You could do it any way you want, that is my message. | 0:08:53 | 0:08:58 | |
But be warned, cos Melania Trump... | 0:08:58 | 0:09:02 | |
..that is an innocent gold-digger caught up in a dangerous game. | 0:09:04 | 0:09:08 | |
Right? She used to have an incredible life. | 0:09:11 | 0:09:15 | |
She didn't know...she didn't know he was going to be the President. | 0:09:15 | 0:09:18 | |
In a perfect world, she should be divorced, banging one of J.Lo's | 0:09:18 | 0:09:22 | |
backing dancers through season two of her reality show, | 0:09:22 | 0:09:24 | |
Melania Unchained, but no... | 0:09:24 | 0:09:26 | |
Her dreams of a better life in a communist country | 0:09:30 | 0:09:33 | |
did not involve brunch with Philip May. | 0:09:33 | 0:09:36 | |
She used to be BFFs with all the best designers | 0:09:38 | 0:09:40 | |
and now Marc Jacobs is like, "Bitch, make your own dress." | 0:09:40 | 0:09:43 | |
Nobody likes her. | 0:09:43 | 0:09:45 | |
She went too young, that's the problem, she went too young. | 0:09:46 | 0:09:49 | |
Go old if you're going to... Go old. | 0:09:49 | 0:09:50 | |
If he is still eating solid food, he is too young. | 0:09:50 | 0:09:54 | |
Trust me. | 0:09:58 | 0:09:59 | |
You want a one line of coke and a vigorous hand job away | 0:09:59 | 0:10:02 | |
from you having Christmas alone on a yacht. | 0:10:02 | 0:10:04 | |
That's what you want. | 0:10:04 | 0:10:06 | |
CHEERING AND APPLAUSE | 0:10:08 | 0:10:11 | |
Are you ready to kick off Noel at the Apollo? | 0:10:16 | 0:10:18 | |
Whoooooo! | 0:10:18 | 0:10:20 | |
Ladies and gentlemen, please welcome to the stage a tremendous man, | 0:10:20 | 0:10:24 | |
we've been friends for years, he's touring all across the UK. | 0:10:24 | 0:10:27 | |
You're going to absolutely love him. | 0:10:27 | 0:10:28 | |
Give a warm round of applause for Marlon Davis. | 0:10:28 | 0:10:32 | |
CHEERING AND APPLAUSE | 0:10:32 | 0:10:34 | |
# So here it is, merry Christmas | 0:10:34 | 0:10:39 | |
# Everybody's having fun | 0:10:39 | 0:10:43 | |
# Look to the future now It's only just begun. # | 0:10:43 | 0:10:49 | |
-Ah-ha. Yes, Merry Christmas, guys. AUDIENCE: -Merry Christmas! | 0:10:49 | 0:10:56 | |
SLIGHTLY INEFFECTUAL VOICE: I just want to say to everyone, er... | 0:10:56 | 0:10:59 | |
..this is my voice. | 0:10:59 | 0:11:01 | |
LAUGHTER | 0:11:01 | 0:11:03 | |
This is how I sound. | 0:11:04 | 0:11:08 | |
Yeah, when you sound like this, | 0:11:08 | 0:11:09 | |
people don't take you seriously, you know. They don't. | 0:11:09 | 0:11:13 | |
I couldn't be your boss at work, like, "Why are you late?" | 0:11:13 | 0:11:17 | |
It's just not going to happen, is it? | 0:11:21 | 0:11:25 | |
I was stressed as well about coming | 0:11:25 | 0:11:26 | |
here today and I was like, "oh, my God." | 0:11:26 | 0:11:28 | |
You know, I came on the tube and stuff and I was like, | 0:11:28 | 0:11:30 | |
"Oh, I might not make it on time to the Apollo. Oh, my gosh." | 0:11:30 | 0:11:34 | |
And the carriage was packed, like in here right now, | 0:11:34 | 0:11:37 | |
so I had to get in there cos I didn't want to wait one | 0:11:37 | 0:11:40 | |
minute for the next one, and I said, | 0:11:40 | 0:11:44 | |
WEAKLY: "C-Can you move down, please?" | 0:11:44 | 0:11:46 | |
And people went, "What's that? | 0:11:48 | 0:11:50 | |
"Was that a fly in here or something?" | 0:11:50 | 0:11:52 | |
I have to get it from here, you know, from the bass cos they don't | 0:11:54 | 0:11:57 | |
take you seriously so I had to say to them, | 0:11:57 | 0:11:59 | |
"Can you move down, please?!" | 0:11:59 | 0:12:04 | |
And they said, "I think it's that girl over there, you know." | 0:12:04 | 0:12:07 | |
I think it's her. | 0:12:07 | 0:12:08 | |
And I got a little boy as well, I got a little boy, yeah? | 0:12:08 | 0:12:11 | |
CHEERING Yeah. I've done that. | 0:12:11 | 0:12:16 | |
And I say to him as well I say, "Go to bed!" | 0:12:16 | 0:12:19 | |
And he says, "I wait till Mum says go to bed, innit. | 0:12:19 | 0:12:21 | |
"I don't know who you are." | 0:12:21 | 0:12:23 | |
I'm like, "I'm your dad!" "Yeah, sure you are. | 0:12:29 | 0:12:33 | |
"Why don't YOU go to bed?" | 0:12:33 | 0:12:35 | |
"W-What, now? | 0:12:35 | 0:12:37 | |
"Can I get a story?" | 0:12:38 | 0:12:39 | |
It's all good though you know, it's lovely. | 0:12:41 | 0:12:43 | |
Like, last year at Christmas my life changed. | 0:12:43 | 0:12:46 | |
I have an amazing life, I'll tell you why - | 0:12:46 | 0:12:49 | |
cos I got a trampoline. | 0:12:49 | 0:12:50 | |
Yeah, life is good if you've got a trampoline. | 0:12:53 | 0:12:55 | |
Whatever it is that you got going on in your life | 0:12:55 | 0:12:58 | |
doesn't matter if you've got a trampoline. It doesn't! | 0:12:58 | 0:13:01 | |
Say the boss is pissing you off at work, you come home. | 0:13:01 | 0:13:04 | |
Just bounce and that, innit? Everything's OK again, you know? | 0:13:04 | 0:13:08 | |
And I had to get a trampoline because I've got a son | 0:13:08 | 0:13:11 | |
and I've got a garden. | 0:13:11 | 0:13:13 | |
Yeah, see those are the rules. If you have a child | 0:13:14 | 0:13:17 | |
and open space, you have to fill it with a trampoline, right? | 0:13:17 | 0:13:20 | |
And I got it from John Lewis cos I saw the advert. | 0:13:20 | 0:13:23 | |
What an advert innit, I was like, "I'm having that." | 0:13:23 | 0:13:27 | |
And I got it and I put it up myself, I put it up myself! | 0:13:27 | 0:13:29 | |
CHEERING All by myself! | 0:13:29 | 0:13:35 | |
It took me till nearly New Year's Day, but I did it, I did it. | 0:13:35 | 0:13:39 | |
I put it up, right, and guess what happened? | 0:13:39 | 0:13:41 | |
Two days later the next-door neighbour climbed over | 0:13:41 | 0:13:44 | |
the fence and started jumping up | 0:13:44 | 0:13:47 | |
and down on our trampoline with his fucking big-head baby. | 0:13:47 | 0:13:52 | |
I was there, and I'm incensed by this because he earns so much money | 0:13:55 | 0:13:59 | |
he could buy his own trampoline for his fucking big-head baby. | 0:13:59 | 0:14:03 | |
But I didn't say anything, because I'm passive aggressive. | 0:14:05 | 0:14:09 | |
So I was there behind this curtain, | 0:14:09 | 0:14:13 | |
looking at this man | 0:14:13 | 0:14:15 | |
hoping that he can see me but not see me. | 0:14:15 | 0:14:18 | |
At the same time I'm like, "Why am I like this?" | 0:14:19 | 0:14:22 | |
Why am I like... I think it's definitely a British thing. | 0:14:22 | 0:14:25 | |
I think so - like if I was American I'd be like, | 0:14:25 | 0:14:28 | |
"Hey, buddy, get off the damn trampoline." | 0:14:28 | 0:14:30 | |
You know, but if you're British you're like, "Mmm-hm-hm, no." | 0:14:32 | 0:14:35 | |
You don't say how you really feel. | 0:14:37 | 0:14:39 | |
So I'm there looking at these people jumping up | 0:14:39 | 0:14:42 | |
and down on our trampoline | 0:14:42 | 0:14:43 | |
and I wish someone would say something. | 0:14:43 | 0:14:46 | |
So I told my son. | 0:14:46 | 0:14:48 | |
I said, "Come here." He's like, "What?" | 0:14:49 | 0:14:51 | |
I said, "Come and have a look at those people." | 0:14:51 | 0:14:54 | |
"What people?" "Them people out there. | 0:14:54 | 0:14:57 | |
"They're jumping up and down on our trampoline. | 0:14:57 | 0:15:00 | |
"I wish someone would do something." | 0:15:00 | 0:15:02 | |
And my son said, "Leave it to me." | 0:15:02 | 0:15:05 | |
And he went out there, he was like, | 0:15:06 | 0:15:08 | |
"Hey! My dad said... | 0:15:08 | 0:15:10 | |
"..stop jumping up and down on the frickiiing...!" | 0:15:10 | 0:15:14 | |
And I said, "Kayden! | 0:15:14 | 0:15:17 | |
"Come here!" He's like, "What?" | 0:15:17 | 0:15:18 | |
I said, "Say your mum said, right, say your mum said..." | 0:15:18 | 0:15:21 | |
CHEERING AND APPLAUSE | 0:15:21 | 0:15:24 | |
Thank you very much. I've been Marlon Davis. | 0:15:29 | 0:15:32 | |
CHEERING AND APPLAUSE | 0:15:32 | 0:15:35 | |
Marlon Davis! | 0:15:39 | 0:15:41 | |
This next act is so clever, so funny, | 0:15:47 | 0:15:51 | |
everyone's always dying to see what he's got to say, | 0:15:51 | 0:15:54 | |
super exciting to have him here with us this evening. | 0:15:54 | 0:15:57 | |
Please welcome John Robins. | 0:15:57 | 0:15:59 | |
CHEERING AND APPLAUSE | 0:15:59 | 0:16:01 | |
# Thank God it's Christmas | 0:16:01 | 0:16:03 | |
# Thank God it's Christmas | 0:16:05 | 0:16:09 | |
# Thank God it's Christmas | 0:16:09 | 0:16:12 | |
# Can it be Christmas? # | 0:16:12 | 0:16:15 | |
-Hello! AUDIENCE: -Hello! | 0:16:15 | 0:16:19 | |
-Hello-ho-ho! AUDIENCE: -Hello-ho-ho! | 0:16:19 | 0:16:22 | |
-Happy Christmas! AUDIENCE: -Happy Christmas. | 0:16:22 | 0:16:25 | |
Christmas can sometimes be a sad time, | 0:16:25 | 0:16:27 | |
I think we should remember that. | 0:16:27 | 0:16:29 | |
I had a very sad Christmas last year. | 0:16:29 | 0:16:32 | |
My flatmate moved out. | 0:16:32 | 0:16:33 | |
-AUDIENCE: -Awwwww. | 0:16:33 | 0:16:35 | |
She hates it when I call her that, | 0:16:35 | 0:16:37 | |
# ..but it stops me crying when people ask how I am. # | 0:16:37 | 0:16:40 | |
Just a fun song. | 0:16:41 | 0:16:44 | |
Fun song there, sounds less sad if you put it in a song. | 0:16:44 | 0:16:47 | |
One of my many coping mechanisms. | 0:16:47 | 0:16:50 | |
Another coping mechanism - | 0:16:50 | 0:16:52 | |
frequent use of the phrase, "That'll show her" | 0:16:52 | 0:16:54 | |
out loud around the house when I do stuff that used to annoy her. | 0:16:54 | 0:16:58 | |
Such as watching Traffic Cops for five hours, or turning | 0:16:59 | 0:17:02 | |
the heating off when I go abroad. | 0:17:02 | 0:17:04 | |
I live alone now, I live alone in Grief Mansions, | 0:17:06 | 0:17:08 | |
that's what I call my house now. Grief Mansions. | 0:17:08 | 0:17:12 | |
Great thing about the timing of it all is | 0:17:12 | 0:17:14 | |
when I put the wreath on the front door the neighbours thought | 0:17:14 | 0:17:17 | |
it was for Christmas, and not a memorial to everything I held dear. | 0:17:17 | 0:17:20 | |
Yeah, Grief Mansions that's what I call it, | 0:17:22 | 0:17:24 | |
sometimes I call it that, sometimes, sometimes | 0:17:24 | 0:17:27 | |
I call it the Museum Of Pain, cos all her stuff's still there. | 0:17:27 | 0:17:30 | |
Trinkets, treasures, ornaments, books, mugs, clothes. | 0:17:33 | 0:17:37 | |
Each one a reminder of countless cherished memories | 0:17:37 | 0:17:40 | |
that now turn painful. | 0:17:40 | 0:17:42 | |
And that pain beats at the centre of my soul | 0:17:42 | 0:17:44 | |
like a diseased bird with terrible wings. | 0:17:44 | 0:17:46 | |
But I can shit with the door open! | 0:17:48 | 0:17:51 | |
Hello, everyone, I can shit with the door open, | 0:17:51 | 0:17:55 | |
with a little bit less of that. | 0:17:55 | 0:17:58 | |
Little bit less of the old | 0:17:58 | 0:18:00 | |
"don't shit with the door open" routine. | 0:18:00 | 0:18:02 | |
As my tears fall down onto my penis | 0:18:02 | 0:18:07 | |
in such quantities, | 0:18:07 | 0:18:09 | |
that they then fall from my penis | 0:18:09 | 0:18:11 | |
as if my penis itself were crying onto shit as it gathers below. | 0:18:11 | 0:18:16 | |
But with a little bit less of that. | 0:18:18 | 0:18:20 | |
Little bit less of the old GBH of the "don't shit with the door | 0:18:20 | 0:18:23 | |
"open routine", as my tears | 0:18:23 | 0:18:26 | |
fall from my penis onto shit. | 0:18:26 | 0:18:28 | |
Happy Christmas! | 0:18:30 | 0:18:32 | |
I've made a list of pros and cons... | 0:18:39 | 0:18:42 | |
cos I've been spending a lot of time in brothels and prisons. | 0:18:42 | 0:18:44 | |
Made a list of pros and cons - always good, | 0:18:48 | 0:18:50 | |
give you a bit of balance, give you a bit of balance. | 0:18:50 | 0:18:52 | |
Con - complete loss of all feelings of hope and possibility. | 0:18:52 | 0:18:56 | |
Mmm, doesn't sound very good, does it? | 0:18:56 | 0:18:58 | |
Doesn't sound much fun, does it? | 0:18:58 | 0:19:00 | |
Pro - increased plug socket access. | 0:19:00 | 0:19:02 | |
Bang, one-all! | 0:19:03 | 0:19:06 | |
I say increased, it's actually total plug socket access. | 0:19:07 | 0:19:12 | |
I've got 32 plug sockets in my house, | 0:19:12 | 0:19:14 | |
each and every one of them is now under my sole domain. | 0:19:14 | 0:19:17 | |
Con - all experiences that form the basis of my happiness | 0:19:19 | 0:19:22 | |
and sense of self worth are now destroyed by grief. | 0:19:22 | 0:19:26 | |
Downer! Bit of a downer, isn't it? | 0:19:26 | 0:19:31 | |
Pro - less recycling. | 0:19:31 | 0:19:33 | |
I can fit it all in the green box now. | 0:19:35 | 0:19:38 | |
Which is remarkable when you take into account | 0:19:38 | 0:19:40 | |
just how much I'm drinking. | 0:19:40 | 0:19:41 | |
"Oh, John, you're meant to heat mulled wine." | 0:19:43 | 0:19:45 | |
"All right, your highness, hand me the bottle and leave." | 0:19:45 | 0:19:48 | |
Con, con - I'm going to lose me house, | 0:19:50 | 0:19:53 | |
bit of fun, bit of fun, bit of fun. | 0:19:53 | 0:19:55 | |
Pro - 25% off council tax. | 0:19:56 | 0:19:59 | |
Yeah. CHEERING | 0:20:00 | 0:20:03 | |
I was on that like a ferret. | 0:20:03 | 0:20:04 | |
Dialling as the door slammed. | 0:20:06 | 0:20:08 | |
And that's us fresh out of cons, the rest are just pros, guys. | 0:20:09 | 0:20:12 | |
CHEERING Yeah! | 0:20:12 | 0:20:14 | |
Increased freezer space, all four drawers. | 0:20:14 | 0:20:18 | |
Cheaper gas and electric. | 0:20:18 | 0:20:20 | |
Reduced wear and tear on fixtures and fittings. | 0:20:20 | 0:20:23 | |
And when I say reduced I don't mean by half, | 0:20:25 | 0:20:29 | |
cos I was only ever responsible for about 10% of scuffs | 0:20:29 | 0:20:31 | |
and spills, so we're looking at a net reduction of 90% in real terms. | 0:20:31 | 0:20:37 | |
This is my favourite one, my favourite one, ultimate control | 0:20:39 | 0:20:43 | |
over where the iPhone charger cable is and why it is there. | 0:20:43 | 0:20:47 | |
There was a time it would take hours to answer the questions, | 0:20:51 | 0:20:54 | |
"Where is the iPhone charger cable? And why is it there?" | 0:20:54 | 0:21:00 | |
Not any more. | 0:21:00 | 0:21:02 | |
Plugged in next to the bed, most convenient place to have it. | 0:21:02 | 0:21:05 | |
Simple. | 0:21:05 | 0:21:07 | |
Is it... | 0:21:07 | 0:21:08 | |
..is it unplugged in the bathroom? | 0:21:10 | 0:21:13 | |
No. No, it's not. | 0:21:13 | 0:21:15 | |
That'd be a ludicrous place to keep it, | 0:21:15 | 0:21:17 | |
there's no plug socket in the bathroom. | 0:21:17 | 0:21:20 | |
Is it... | 0:21:21 | 0:21:23 | |
..in the front pocket of a rucksack you no longer use? | 0:21:23 | 0:21:26 | |
No, that'd be the last place you'd look, | 0:21:28 | 0:21:30 | |
that'd be very frustrating. | 0:21:30 | 0:21:32 | |
Is it... | 0:21:34 | 0:21:35 | |
..plugged in on a train we have alighted from? | 0:21:35 | 0:21:39 | |
No, no, it's plugged in next to the bed, | 0:21:43 | 0:21:45 | |
cos that's the most convenient place to have it. | 0:21:45 | 0:21:48 | |
Happy Christmas! | 0:21:50 | 0:21:52 | |
I've been John Robins, good night, bye-bye! | 0:21:53 | 0:21:56 | |
John Robins! | 0:22:03 | 0:22:05 | |
Ladies and gentlemen, are you ready for your next act? | 0:22:09 | 0:22:11 | |
CHEERING | 0:22:11 | 0:22:14 | |
This is one of my very good friends, | 0:22:14 | 0:22:17 | |
his career has absolutely gone stratospheric, | 0:22:17 | 0:22:20 | |
he is amazing, you're going to love him, please welcome Joel Dommett. | 0:22:20 | 0:22:25 | |
-CHEERING AND APPLAUSE -# O come, all ye faithful | 0:22:25 | 0:22:29 | |
# Joyful and triumphant | 0:22:29 | 0:22:32 | |
# O come ye | 0:22:32 | 0:22:35 | |
# O come ye to Bethlehem | 0:22:35 | 0:22:41 | |
# Come and behold... # | 0:22:41 | 0:22:44 | |
What a tune! What a tune. | 0:22:44 | 0:22:47 | |
-Hello, Merry Christmas. AUDIENCE: -Merry Christmas! | 0:22:47 | 0:22:50 | |
Yes, Merry Christmas, it's a pleasure, my name is Joel. | 0:22:50 | 0:22:53 | |
Come All Ye Faithful, what an intro track. | 0:22:53 | 0:22:56 | |
What an intro song, guys. | 0:22:56 | 0:22:58 | |
It's my favourite Christmas carol, its so good, what a banger. | 0:22:58 | 0:23:04 | |
What a tune. What a tune. | 0:23:04 | 0:23:07 | |
I request it all year round in the nightclubs. | 0:23:07 | 0:23:11 | |
Don't care, such a good... Cos it's the middle bit, when you sing it, | 0:23:11 | 0:23:15 | |
you just can't wait till the middle bit, that's the juicy part. | 0:23:15 | 0:23:18 | |
# Come all ye faithful joyful and triumphant | 0:23:18 | 0:23:20 | |
# O come ye, O come ye to Bethlehem | 0:23:20 | 0:23:23 | |
# Come and behold him Born the king of angels... | 0:23:23 | 0:23:26 | |
HE WHISPERS # O come let us adore him | 0:23:26 | 0:23:31 | |
HE SINGS LOUDER # O come let us adore him | 0:23:31 | 0:23:36 | |
HE SHOUTS # Oh come let us adore him | 0:23:36 | 0:23:40 | |
# Christ the Lord! # | 0:23:40 | 0:23:43 | |
Yes! That's a carol! Oh, it's a fave. All year round. | 0:23:43 | 0:23:50 | |
It's the only time you can shout in assembly. | 0:23:52 | 0:23:55 | |
They can't tell you off. It's in the Bible, probably. | 0:23:59 | 0:24:02 | |
I got angry with my flatmate the other day, | 0:24:05 | 0:24:07 | |
got proper angry with him, cos he's a player. | 0:24:07 | 0:24:10 | |
Right, my flatmate's a proper player. | 0:24:10 | 0:24:12 | |
And I love players, don't get me wrong, I love 'em. | 0:24:12 | 0:24:14 | |
Cos you hear 'em before you see 'em. | 0:24:14 | 0:24:16 | |
In the nightclubs they're like, "I'm a playeeeeeeer." | 0:24:16 | 0:24:20 | |
The other players across the other | 0:24:20 | 0:24:22 | |
side of the nightclub are just like... | 0:24:22 | 0:24:24 | |
"Plaaaayeeeeer." | 0:24:24 | 0:24:27 | |
That's how they communicate. | 0:24:28 | 0:24:30 | |
Means you get women if you don't know that, that's what it means. | 0:24:30 | 0:24:33 | |
"Player" means you get women, | 0:24:33 | 0:24:34 | |
unless you're Spanish, in which case it means beach. | 0:24:34 | 0:24:37 | |
All the Spanish people in that nightclub are like, | 0:24:42 | 0:24:44 | |
"Where is the beach?" | 0:24:44 | 0:24:45 | |
"Donde esta the beach?" | 0:24:47 | 0:24:50 | |
This is the thing living with a player, right. | 0:24:53 | 0:24:55 | |
I just, like, we've got a small house, | 0:24:55 | 0:24:57 | |
I just know the noise that he makes when he has sex, I just know that. | 0:24:57 | 0:24:59 | |
I know that, right. | 0:24:59 | 0:25:01 | |
And I think it's funny, | 0:25:01 | 0:25:02 | |
because his noise sounds like a Nokia 3310 vibrating on a table. | 0:25:02 | 0:25:07 | |
Very specific. | 0:25:09 | 0:25:10 | |
And in my house, right, my TV is here and then behind the TV | 0:25:12 | 0:25:15 | |
..is his bedroom... | 0:25:15 | 0:25:17 | |
..and the erm... | 0:25:17 | 0:25:18 | |
There's a wall there as well. | 0:25:18 | 0:25:19 | |
LAUGHTER | 0:25:19 | 0:25:22 | |
That would be the creepiest house of all time. | 0:25:22 | 0:25:25 | |
"Let's just go behind the TV and ignore him, it's going to be fine." | 0:25:26 | 0:25:29 | |
He goes in with this lady. | 0:25:35 | 0:25:37 | |
I'm in the lounge, I'm playing Modern Warfare 3 on my Xbox. | 0:25:37 | 0:25:40 | |
-AUDIENCE: -Whooo! | 0:25:40 | 0:25:41 | |
Yes "whoo," cos I'm a different kind of playeeeer! | 0:25:41 | 0:25:44 | |
He goes in with this lady and it's a thin wall, so I can just hear them | 0:25:45 | 0:25:48 | |
talking and they're like, you know, they're like, | 0:25:48 | 0:25:51 | |
HE IMITATES MUFFLED MALE VOICE | 0:25:51 | 0:25:54 | |
HE IMITATES MUFFLED FEMALE VOICE | 0:26:07 | 0:26:10 | |
HE IMITATES MUFFLED MALE VOICE | 0:26:15 | 0:26:18 | |
HE IMITATES MUFFLED LAUGHTER | 0:26:20 | 0:26:23 | |
MUFFLED FEMALE VOICE: Oh, my God, you're so funny. | 0:26:25 | 0:26:28 | |
HE IMITATES MUFFLED MALE VOICE | 0:26:28 | 0:26:32 | |
MUFFLED MALE VOICE: Plaaaayyeeeeeeer. | 0:26:32 | 0:26:36 | |
MUFFLED FEMALE VOICE: Oh, my God, you're such a player. | 0:26:40 | 0:26:42 | |
HE IMITATES MUFFLED MALE VOICE | 0:26:42 | 0:26:45 | |
# Come all ye faithful... | 0:26:45 | 0:26:49 | |
HE IMITATES MUFFLED FEMALE VOICE | 0:26:56 | 0:26:59 | |
HE IMITATES PHONE VIBRATING | 0:27:07 | 0:27:11 | |
HE IMITATES PHONE VIBRATING | 0:27:15 | 0:27:19 | |
MUFFLED MALE VOICE: I'm so sorry. | 0:27:24 | 0:27:26 | |
You guys have been absolutely incredible, | 0:27:34 | 0:27:35 | |
I've been Joel Dommett, have a nice evening, get home safe. | 0:27:35 | 0:27:38 | |
Merry Christmas! | 0:27:38 | 0:27:39 | |
CHEERING AND APPLAUSE | 0:27:39 | 0:27:42 | |
Joel Dommett! | 0:27:47 | 0:27:49 | |
That's the show, everybody, | 0:27:52 | 0:27:54 | |
we are so touched that you allowed us | 0:27:54 | 0:27:56 | |
to share your evening with you. | 0:27:56 | 0:27:58 | |
Thank you once again to my special guests, Marlon Davis... | 0:27:58 | 0:28:01 | |
CHEERING AND APPLAUSE | 0:28:01 | 0:28:04 | |
..John Robins... CHEERING AND APPLAUSE | 0:28:04 | 0:28:07 | |
..and Joel Dommett. CHEERING AND APPLAUSE | 0:28:07 | 0:28:10 | |
I'm Katherine Ryan. | 0:28:12 | 0:28:13 | |
Please be kind to yourselves and to others, | 0:28:13 | 0:28:16 | |
please be very generous, stay safe and look after each other. | 0:28:16 | 0:28:19 | |
Happy holidays, good evening. | 0:28:19 | 0:28:22 |