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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
MUSIC: Are You Gonna Be My Girl by The Hit Crew | 0:00:08 | 0:00:11 | |
Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:23 | |
Nish Kumar! | 0:00:23 | 0:00:25 | |
# He's got clothes all red... # | 0:00:25 | 0:00:27 | |
CHEERING AND APPLAUSE | 0:00:27 | 0:00:31 | |
# On a purple bed... # | 0:00:31 | 0:00:33 | |
Yes! | 0:00:36 | 0:00:38 | |
Ladies and gentlemen, welcome to Live At The Apollo. | 0:00:38 | 0:00:41 | |
How are you? Are you all right? | 0:00:41 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:45 | |
Great to see you! | 0:00:45 | 0:00:48 | |
Nice to be here. My name is Nish Kumar. | 0:00:48 | 0:00:51 | |
I'm about to do some comedy for you and I'm a comedian, | 0:00:51 | 0:00:54 | |
so that's very convenient, all right. | 0:00:54 | 0:00:56 | |
It's great to be at the Apollo, especially for me, | 0:00:57 | 0:01:00 | |
cos I'm a David Bowie fan. | 0:01:00 | 0:01:01 | |
David Bowie did a lot of amazing gigs in this venue, | 0:01:01 | 0:01:03 | |
so it's exciting for me. When I was a kid, | 0:01:03 | 0:01:05 | |
all I wanted to be was David Bowie. | 0:01:05 | 0:01:07 | |
I was obsessed with him. I really loved him so much. | 0:01:07 | 0:01:10 | |
And now, I'm 32 years old, and I still love Bowie's music, | 0:01:10 | 0:01:13 | |
but I think it was really hard to be David Bowie. | 0:01:13 | 0:01:16 | |
I think there was a lot of scrutiny on someone like him. | 0:01:16 | 0:01:18 | |
People like Bowie and Dylan and Hendrix, | 0:01:18 | 0:01:20 | |
all these people I grew up loving. There was a lot of pressure on them. | 0:01:20 | 0:01:23 | |
I don't think I want to live under that kind of pressure or scrutiny. | 0:01:23 | 0:01:26 | |
I've realised that the musician I want to be | 0:01:26 | 0:01:29 | |
is the drummer from Coldplay. | 0:01:29 | 0:01:32 | |
LAUGHTER | 0:01:32 | 0:01:34 | |
I want to be the drummer from Coldplay so badly | 0:01:36 | 0:01:38 | |
cos that dude is rich as shit | 0:01:38 | 0:01:40 | |
and no-one knows who the fuck he is. | 0:01:40 | 0:01:43 | |
LAUGHTER AND APPLAUSE | 0:01:43 | 0:01:45 | |
No-one knows who the drummer from Coldplay is! | 0:01:49 | 0:01:52 | |
He could be here and no-one would know. | 0:01:52 | 0:01:54 | |
It could be you, it could be you, it could be you. | 0:01:54 | 0:01:57 | |
I'm not sure it's an Indian woman, but it could be. We don't know. | 0:01:57 | 0:02:00 | |
LAUGHTER | 0:02:00 | 0:02:02 | |
I'm obsessed with the idea that this guy has the best life in the world. | 0:02:02 | 0:02:06 | |
And I was telling my friend about this | 0:02:06 | 0:02:07 | |
and she tried to tell me something | 0:02:07 | 0:02:09 | |
that she was trying to portray as a bad thing. | 0:02:09 | 0:02:11 | |
Apparently, he loves Game Of Thrones, so he said to HBO, | 0:02:11 | 0:02:13 | |
"Can I be in Game Of Thrones?" | 0:02:13 | 0:02:15 | |
and they were like, "You're the drummer from Coldplay, | 0:02:15 | 0:02:17 | |
"you can do literally anything you want. We'll restart The Sopranos | 0:02:17 | 0:02:20 | |
"if that would make you happy." | 0:02:20 | 0:02:22 | |
Now, he is in Game Of Thrones. | 0:02:22 | 0:02:24 | |
Confession time. I don't watch Game Of Thrones, | 0:02:24 | 0:02:27 | |
but even I know the Red Wedding is an important episode | 0:02:27 | 0:02:31 | |
of Game Of Thrones. He is in the Red Wedding. | 0:02:31 | 0:02:34 | |
Guess what he's doing in the Red Wedding. | 0:02:34 | 0:02:36 | |
He is the drummer in the wedding band. | 0:02:36 | 0:02:39 | |
LAUGHTER | 0:02:39 | 0:02:40 | |
That is the extent to which this guy's anonymity is | 0:02:42 | 0:02:45 | |
a borderline superpower. | 0:02:45 | 0:02:47 | |
He is in the most famous episode | 0:02:47 | 0:02:49 | |
of one of the most popular television shows in the world, | 0:02:49 | 0:02:52 | |
doing the thing he is famous for | 0:02:52 | 0:02:54 | |
and no-one noticed. | 0:02:54 | 0:02:56 | |
LAUGHTER AND APPLAUSE | 0:02:56 | 0:02:59 | |
That is Keyser Soze shit! | 0:03:03 | 0:03:07 | |
And my friend was telling me she read a supposedly embarrassing story | 0:03:09 | 0:03:12 | |
that one of the actors told. One of the actors said | 0:03:12 | 0:03:14 | |
that when they were shooting the Red Wedding, | 0:03:14 | 0:03:16 | |
he was making small talk with the extras | 0:03:16 | 0:03:18 | |
and he got round to the drummer from Coldplay | 0:03:18 | 0:03:20 | |
and said, "Are you a full-time extra?" | 0:03:20 | 0:03:23 | |
And the guy was like, "No, I'm a musician." | 0:03:24 | 0:03:26 | |
So he said, to the drummer from Coldplay, | 0:03:26 | 0:03:29 | |
"Have you played on anything I might have heard of?" | 0:03:29 | 0:03:32 | |
LAUGHTER | 0:03:32 | 0:03:33 | |
To which the drummer from Coldplay was presumably like, | 0:03:33 | 0:03:36 | |
"Er, have you heard of all music? | 0:03:36 | 0:03:38 | |
"Cos I'm basically the drummer on all music." | 0:03:39 | 0:03:42 | |
And my friend tried to tell me this like this was a sad thing. | 0:03:42 | 0:03:45 | |
She was like, "This guy's in Coldplay | 0:03:45 | 0:03:47 | |
"but no-one knows that he's in Coldplay. Isn't that sad?" | 0:03:47 | 0:03:50 | |
No, because the problem with being in Coldplay | 0:03:50 | 0:03:52 | |
is that people hate Coldplay. | 0:03:52 | 0:03:55 | |
People hate Coldplay so much | 0:03:56 | 0:03:58 | |
and the people who hate Coldplay don't say things like, | 0:03:58 | 0:04:01 | |
"Oh, it's not to my taste." | 0:04:01 | 0:04:03 | |
They say things like this - "I HATE Coldplay!" | 0:04:03 | 0:04:05 | |
But what you mean when you say that is, "I hate Chris Martin." | 0:04:06 | 0:04:10 | |
No-one is angry with the drummer from Coldplay. | 0:04:10 | 0:04:14 | |
No-one has ever been, like, "Grrr, the drummer from Coldplay! | 0:04:14 | 0:04:18 | |
"He's ruined my life!" | 0:04:18 | 0:04:20 | |
LAUGHTER | 0:04:20 | 0:04:22 | |
And I know what you're thinking. | 0:04:22 | 0:04:24 | |
You're thinking, "Nish, why are you so obsessed | 0:04:24 | 0:04:27 | |
"with the drummer from Coldplay? | 0:04:27 | 0:04:29 | |
"There's two other people in that band. | 0:04:29 | 0:04:33 | |
"We don't know anything about them either." | 0:04:33 | 0:04:37 | |
And you know what? You're right. | 0:04:37 | 0:04:39 | |
There's a guitar player and a bassist in Coldplay. | 0:04:39 | 0:04:41 | |
I wouldn't know them, even if they were here. | 0:04:41 | 0:04:43 | |
I assume it's you two, but only cos you're sat next to her | 0:04:43 | 0:04:45 | |
and I spoke to her already. That's all I've got to go on | 0:04:45 | 0:04:48 | |
at this point. They have the exact same life as the drummer | 0:04:48 | 0:04:50 | |
cos I did a bit of research into this. | 0:04:50 | 0:04:52 | |
Coldplay are one of those bands where they split royalties equally, | 0:04:52 | 0:04:55 | |
so they have the exact same life as the drummer, apart from one detail. | 0:04:55 | 0:04:59 | |
They have the exact same life as the drummer, | 0:04:59 | 0:05:02 | |
they have the same level of wealth, access, and anonymity. | 0:05:02 | 0:05:05 | |
But, crucially, the drummer is sat down. | 0:05:05 | 0:05:08 | |
LAUGHTER | 0:05:08 | 0:05:12 | |
And that is the dream. | 0:05:15 | 0:05:17 | |
LAUGHTER AND APPLAUSE | 0:05:17 | 0:05:19 | |
It's really great to be here cos it's an amazing venue. | 0:05:25 | 0:05:28 | |
It's also very close to my house. Oh, my God. | 0:05:28 | 0:05:31 | |
I live... I'm from West London. I live in Shepherd's Bush. | 0:05:31 | 0:05:34 | |
I've not lived there for very long and I really like it. | 0:05:34 | 0:05:36 | |
It's really nice. When I first moved there, | 0:05:36 | 0:05:38 | |
the estate agent that I rent my flat from said, | 0:05:38 | 0:05:40 | |
"Hey, this is a great time for you to be moving to Shepherd's Bush." | 0:05:40 | 0:05:43 | |
I said, "Why?" | 0:05:43 | 0:05:45 | |
And he said, "Well, the area has been recently gentrified." | 0:05:45 | 0:05:49 | |
Now, listen, fair play. I did not know what that meant. | 0:05:50 | 0:05:54 | |
So I looked it up. | 0:05:54 | 0:05:56 | |
It turns out what it means is it's now safe for white people. | 0:05:56 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:02 | |
So, come on down to Shepherd's Bush, whities, | 0:06:02 | 0:06:05 | |
we'll have a great old time! | 0:06:05 | 0:06:07 | |
We've got all the stuff you like - tea... | 0:06:07 | 0:06:10 | |
Yeah, all the stuff. | 0:06:10 | 0:06:12 | |
LAUGHTER AND APPLAUSE | 0:06:12 | 0:06:15 | |
Of course that's not what gentrification means. | 0:06:15 | 0:06:18 | |
I know what it means. I'm a very clever boy. | 0:06:18 | 0:06:20 | |
Gentrification is when people are priced out of an area | 0:06:20 | 0:06:22 | |
by rising cost of living, so they move to an adjacent area | 0:06:22 | 0:06:25 | |
but, in doing so, raise the cost of living | 0:06:25 | 0:06:26 | |
for people who were already living there. | 0:06:26 | 0:06:28 | |
In the last few years, | 0:06:28 | 0:06:29 | |
this has occasionally been referred to as "white flight", | 0:06:29 | 0:06:32 | |
cos the people moving tend to be white | 0:06:32 | 0:06:34 | |
and the areas they're moving into tend to be non-white. | 0:06:34 | 0:06:36 | |
And, as such, it's a double-edged sword for your friend Nish Kumar, | 0:06:36 | 0:06:40 | |
cos my parents are Indian and middle-class. | 0:06:40 | 0:06:42 | |
So, gentrification is essentially the replacement | 0:06:42 | 0:06:44 | |
of people I'm related to by people I went to university with. | 0:06:44 | 0:06:48 | |
So, it's like, "Goodbye, uncle and auntie, but hello, Jeffrey! | 0:06:48 | 0:06:52 | |
"See you down the pub for some craft beer. | 0:06:52 | 0:06:56 | |
"We've got a lot of Indian pale ales, | 0:06:56 | 0:06:58 | |
"just no Indians." | 0:06:58 | 0:07:00 | |
Gentrification is a subject that arouses | 0:07:08 | 0:07:10 | |
very strong serious emotions all over the world. | 0:07:10 | 0:07:12 | |
There have been massive anti-gentrification protests | 0:07:12 | 0:07:15 | |
over the last couple of years. | 0:07:15 | 0:07:16 | |
A couple of years ago, there was one in East London, | 0:07:16 | 0:07:18 | |
in Bethnal Green, conducted by a group called Class War. | 0:07:18 | 0:07:21 | |
A lot of the focus turned out to be a shop | 0:07:21 | 0:07:23 | |
called the Cereal Killer Cafe, | 0:07:23 | 0:07:25 | |
which is a cafe where people sell bowls of cereal in milk | 0:07:25 | 0:07:28 | |
for £6 to morons. | 0:07:28 | 0:07:30 | |
Presumably, it's exclusively moron clientele. | 0:07:30 | 0:07:34 | |
Now, a lot of these protests claim to be protesting | 0:07:34 | 0:07:37 | |
against something that they either call the gentrification | 0:07:37 | 0:07:40 | |
or the hipsterification of certain cities. | 0:07:40 | 0:07:43 | |
Hipsterification is used as a synonym for gentrification | 0:07:43 | 0:07:46 | |
and hipsters get the blame for gentrification. | 0:07:46 | 0:07:48 | |
Now, I don't think that's fair and, ultimately, | 0:07:48 | 0:07:50 | |
I think it's counter-productive. Firstly, what is a hipster? | 0:07:50 | 0:07:53 | |
It's just the collective noun we've given | 0:07:53 | 0:07:55 | |
to people who conform to what's currently trendy. | 0:07:55 | 0:07:57 | |
Every generation has them. In the '60s, they were hippies, | 0:07:57 | 0:07:59 | |
in the '70s, they were punks, in the '80s, they were New Romantics. | 0:07:59 | 0:08:02 | |
Hipsters are just our version of that thing. | 0:08:02 | 0:08:04 | |
And we all know what I mean when I say "what's currently trendy". | 0:08:04 | 0:08:07 | |
It's restaurants where the menu's on a board | 0:08:07 | 0:08:10 | |
and there's no currency printed, so you have to be, like, | 0:08:10 | 0:08:12 | |
"I'll have poached eggs for eight...money, I guess." | 0:08:12 | 0:08:16 | |
It's also the trend for men to have very ornately crafted facial hair. | 0:08:19 | 0:08:22 | |
Have you seen these guys with the twirly moustaches? | 0:08:22 | 0:08:25 | |
-Have you seen them? Audience: -Yes. | 0:08:25 | 0:08:26 | |
Yeah, fine, as long as they're not white men. | 0:08:26 | 0:08:29 | |
Because those moustaches make white men look | 0:08:29 | 0:08:32 | |
like Victorian English men, which is not ideal. | 0:08:32 | 0:08:35 | |
I cannot tell you the number of times I've had to order a coffee | 0:08:35 | 0:08:38 | |
from a man whose facial hair looks like it colonised my ancestors. | 0:08:38 | 0:08:42 | |
LAUGHTER AND APPLAUSE | 0:08:42 | 0:08:44 | |
The guy's like, "Do you want something with your coffee?" | 0:08:50 | 0:08:52 | |
And I'm like, "A piece of banana bread and something else. | 0:08:52 | 0:08:55 | |
"What is it? Oh, I know. An apology for the Amritsar massacre. | 0:08:55 | 0:08:58 | |
"Thank you!" | 0:08:58 | 0:09:00 | |
LAUGHTER | 0:09:00 | 0:09:03 | |
Now, taken in isolation, it is fine to think | 0:09:03 | 0:09:06 | |
that all of these things are ridiculous, cos clearly they are. | 0:09:06 | 0:09:09 | |
But what I would say about hipster culture | 0:09:09 | 0:09:11 | |
is that it's silly, but it's not malicious. | 0:09:11 | 0:09:14 | |
I would say that what was trendy | 0:09:14 | 0:09:16 | |
when I was growing up was much more inherently malicious. | 0:09:16 | 0:09:18 | |
Cos I grew up in England in the 1990s and what was trendy then | 0:09:18 | 0:09:21 | |
was lads, lads, lads, lads, lads. That's right | 0:09:21 | 0:09:24 | |
I mean, we went to Eton and Oxford | 0:09:24 | 0:09:25 | |
but we were a bunch of absolute lads. | 0:09:25 | 0:09:28 | |
Now, lad culture was everywhere in the '90s - | 0:09:28 | 0:09:31 | |
in our books, our movies, our music, and a lot of it was harmless. | 0:09:31 | 0:09:34 | |
But, by its very nature, | 0:09:34 | 0:09:36 | |
lad culture celebrated the male over the female, | 0:09:36 | 0:09:38 | |
so it came with an inherent portion of misogyny. | 0:09:38 | 0:09:41 | |
Now, some of that misogyny was ironic, | 0:09:41 | 0:09:43 | |
but we all know what ironic misogyny is. | 0:09:43 | 0:09:45 | |
It's just misogyny and then, | 0:09:45 | 0:09:46 | |
at the end, someone goes, "Hmm?", like that. | 0:09:46 | 0:09:49 | |
It's just bourgeois misogyny, right? | 0:09:49 | 0:09:51 | |
Now, the caveat I always have to put on this piece of material | 0:09:53 | 0:09:56 | |
is that the 1990s has passed and, as such, | 0:09:56 | 0:09:58 | |
we've had a decade and a half to make a considered value judgment | 0:09:58 | 0:10:01 | |
over the events of the 1990s and think about what was good and bad. | 0:10:01 | 0:10:04 | |
Maybe in 15 or 16 years' time, | 0:10:04 | 0:10:06 | |
it will turn out that hipster culture was really awful | 0:10:06 | 0:10:08 | |
and was responsible for gentrification. | 0:10:08 | 0:10:10 | |
We don't have that kind of perspective. | 0:10:10 | 0:10:12 | |
That's the caveat I have to put on it. | 0:10:12 | 0:10:14 | |
Cos there's lots of stuff that happened in the '90s | 0:10:14 | 0:10:16 | |
that we now have a completely different opinion on. | 0:10:16 | 0:10:18 | |
The North American Free Trade Agreement - | 0:10:18 | 0:10:20 | |
that turned out to be a geopolitical disaster. | 0:10:20 | 0:10:22 | |
Tracksuits - very flammable. | 0:10:22 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:26 | |
And we now know that the Spice Girls were | 0:10:26 | 0:10:28 | |
an incredibly malicious influence on our culture, | 0:10:28 | 0:10:31 | |
did a huge amount of damage to the way that we see... | 0:10:31 | 0:10:33 | |
AUDIENCE QUIETLY BOO Whoa. | 0:10:33 | 0:10:36 | |
That's turned the atmosphere. | 0:10:36 | 0:10:38 | |
The Spice Girls were awful. | 0:10:39 | 0:10:41 | |
CHEERING AND BOOING What? | 0:10:41 | 0:10:44 | |
Did you have different Spice Girls? | 0:10:44 | 0:10:46 | |
"Zig-a-zig-ah". The Spice Girls. | 0:10:46 | 0:10:49 | |
The Spice... CHEERING AND APPLAUSE | 0:10:50 | 0:10:54 | |
Are you kidding me? | 0:10:54 | 0:10:56 | |
They had one black member and she was called Scary! | 0:10:56 | 0:11:00 | |
And then they used to dress her in leopard-print robes, | 0:11:04 | 0:11:06 | |
like Kunta Kinte, | 0:11:06 | 0:11:08 | |
and make her stand next to Geri Halliwell | 0:11:08 | 0:11:11 | |
in a Union flag minidress, | 0:11:11 | 0:11:13 | |
like an English Defence League wet dream. | 0:11:13 | 0:11:15 | |
LAUGHTER AND APPLAUSE | 0:11:15 | 0:11:19 | |
Then they used to make her do raps, | 0:11:24 | 0:11:26 | |
even though she had no talent at rapping whatsoever. | 0:11:26 | 0:11:29 | |
They just assumed she could do it. That's like someone coming up to me | 0:11:29 | 0:11:32 | |
and assuming I can prescribe penicillin. | 0:11:32 | 0:11:34 | |
Someone came up to me, after one of these shows and said, | 0:11:38 | 0:11:40 | |
"As an intersectionalist feminist of African descent, | 0:11:40 | 0:11:44 | |
"I have very mixed feelings about your Spice Girls joke." | 0:11:44 | 0:11:46 | |
And you know what that means? It means I've found my audience. | 0:11:46 | 0:11:49 | |
There are not many of them | 0:11:49 | 0:11:51 | |
but the ones that are turning out are high value indeed. | 0:11:51 | 0:11:54 | |
And here's what I feel. | 0:11:55 | 0:11:57 | |
I feel if you blame hipsters for gentrification, | 0:11:57 | 0:11:59 | |
you're letting the real culprits off the hook. | 0:11:59 | 0:12:02 | |
Cos, look, gentrification is a really serious social problem. | 0:12:02 | 0:12:05 | |
It's changing the nature of our cities | 0:12:05 | 0:12:07 | |
and driving people out of homes they've lived in for 35, 40 years. | 0:12:07 | 0:12:10 | |
But it's the result of decades of bad housing policy. | 0:12:10 | 0:12:13 | |
So, why not be angry with the people responsible for that policy? | 0:12:13 | 0:12:16 | |
Don't be angry with the hipsters. Be angry with property developers | 0:12:16 | 0:12:18 | |
that fail to meet their targets for affordable housing, | 0:12:18 | 0:12:21 | |
be angry with politicians that fail to hold them to account, | 0:12:21 | 0:12:24 | |
be angry with the local authority, | 0:12:24 | 0:12:26 | |
less than two miles away from where we are right now, | 0:12:26 | 0:12:29 | |
who ignored repeated warnings | 0:12:29 | 0:12:31 | |
about fire safety in their tower blocks until it was too late. | 0:12:31 | 0:12:35 | |
Be angry with those people, | 0:12:35 | 0:12:37 | |
not the concept of smashed avocado | 0:12:37 | 0:12:39 | |
or some arsehole riding a Penny Farthing | 0:12:39 | 0:12:42 | |
as a substitute for having a personality. | 0:12:42 | 0:12:44 | |
CHEERING AND APPLAUSE | 0:12:44 | 0:12:47 | |
I'm very clever. | 0:12:51 | 0:12:52 | |
Ladies and gentlemen, are you ready for my first guest of this evening? | 0:12:55 | 0:12:59 | |
CHEERING AND APPLAUSE | 0:12:59 | 0:13:01 | |
I know two things about him. One, I absolutely love him. | 0:13:03 | 0:13:07 | |
And, number two, he is one of the greatest comedians in the world. | 0:13:07 | 0:13:10 | |
Ladies and gentlemen, please raise the roof of the Hammersmith Apollo | 0:13:10 | 0:13:14 | |
and welcome to the stage David O'Doherty! | 0:13:14 | 0:13:18 | |
CHEERING AND APPLAUSE | 0:13:18 | 0:13:20 | |
# Sail away, sail away, sail away | 0:13:20 | 0:13:23 | |
# Sail away, sail away, sail away | 0:13:24 | 0:13:27 | |
# Sail away, sail away sail away... # | 0:13:28 | 0:13:31 | |
All right! Thank you, Enya. | 0:13:31 | 0:13:33 | |
Let's do this shit. | 0:13:33 | 0:13:35 | |
My name's David. Some of you will know me for my comedy. | 0:13:37 | 0:13:40 | |
You'll all know my graffiti. You'll know my tag. | 0:13:40 | 0:13:42 | |
I do two parallel yellow lines beside the path. | 0:13:42 | 0:13:46 | |
And the great thing is that motorists really respect my work. | 0:13:47 | 0:13:50 | |
OK, we're in! | 0:13:50 | 0:13:52 | |
A shout out to my sponsors this evening for this gig. | 0:13:52 | 0:13:55 | |
My sponsors are lasagne. | 0:13:55 | 0:13:57 | |
Or as I call it, meat Viennetta. | 0:13:57 | 0:13:59 | |
LAUGHTER | 0:13:59 | 0:14:02 | |
And the French soft drink Orangina, | 0:14:02 | 0:14:04 | |
Which would sell a lot less | 0:14:04 | 0:14:06 | |
if it was pronounced orange-ai-na. | 0:14:06 | 0:14:08 | |
# It would sell virtually none. # | 0:14:08 | 0:14:11 | |
LAUGHTER | 0:14:11 | 0:14:13 | |
Big gig! You guys are big. | 0:14:13 | 0:14:14 | |
I've made a supreme commitment to this gig. | 0:14:14 | 0:14:17 | |
Check it out. Fresh batteries! | 0:14:17 | 0:14:20 | |
CHEERING | 0:14:20 | 0:14:21 | |
Argos. | 0:14:21 | 0:14:23 | |
I went to Argos and if you don't go to Argos very often, you forget. | 0:14:23 | 0:14:26 | |
Mwah! | 0:14:26 | 0:14:27 | |
Argos is sort of like a shop, | 0:14:27 | 0:14:29 | |
but much more like a bookie's. | 0:14:29 | 0:14:31 | |
That must have been the original plan. | 0:14:31 | 0:14:33 | |
You go in and you study the form | 0:14:33 | 0:14:35 | |
and you're like, "I'm going to take a punt on that." | 0:14:35 | 0:14:38 | |
And you fill in the little docket with the tiny pencil, | 0:14:38 | 0:14:41 | |
go up to the counter and go, "Can I have a tenner on that, please?" | 0:14:41 | 0:14:44 | |
And he's like, "Best of luck. Go over to the big screen." | 0:14:44 | 0:14:46 | |
And you're like, "Come on, 362! | 0:14:46 | 0:14:48 | |
"Take it home to Papa!" | 0:14:48 | 0:14:51 | |
HE PLAYS KEYBOARD | 0:14:51 | 0:14:54 | |
If Findus, the frozen food brand, have a Facebook page... | 0:14:55 | 0:14:59 | |
# They can legitimately say, "Findus on Facebook." | 0:14:59 | 0:15:03 | |
# Serena Williams' nickname should be Tennessee Williams. # | 0:15:05 | 0:15:10 | |
That's the best joke I've ever come up with. # It's fine. # | 0:15:12 | 0:15:14 | |
How do you contact dead single ladies? | 0:15:14 | 0:15:18 | |
# You have a Seyonce. # | 0:15:18 | 0:15:19 | |
OK, look, all I want from this, | 0:15:19 | 0:15:23 | |
I just want to be a one-name entertainer. | 0:15:23 | 0:15:26 | |
I want you to be able to say, "Oh, we saw David last night," | 0:15:26 | 0:15:29 | |
and everyone will know who you're talking about, you know? | 0:15:29 | 0:15:31 | |
There's no doubt with Beyonce. | 0:15:31 | 0:15:33 | |
Your mother's never like, "Who, Beyonce O'Loughlan?" | 0:15:33 | 0:15:36 | |
The problem is all the other Davids are more famous than me. | 0:15:37 | 0:15:40 | |
There's billions of them. | 0:15:40 | 0:15:42 | |
So, I'm dedicating the next six months of my life. | 0:15:42 | 0:15:45 | |
# I'm going to murder all of the Davids | 0:15:45 | 0:15:47 | |
# Who are more famous than me. # | 0:15:47 | 0:15:48 | |
Name a David who's more famous than me, | 0:15:48 | 0:15:50 | |
I will tell you how I'm going to murder them. OK, go. | 0:15:50 | 0:15:53 | |
-AUDIENCE MEMBERS SHOUT OUT -What are you saying? | 0:15:53 | 0:15:55 | |
David Attenborough. David Att... | 0:15:55 | 0:15:57 | |
# You absolute prick! # | 0:15:57 | 0:15:59 | |
Murder David Att... | 0:15:59 | 0:16:01 | |
That is the worst shit anyone's ever said. | 0:16:01 | 0:16:04 | |
-LAUGHTER -Twisted mind. | 0:16:04 | 0:16:06 | |
It would be quite easy... # Cos he's about 300. # | 0:16:06 | 0:16:10 | |
I think, with him, I'd just make it look like a lion did it, | 0:16:10 | 0:16:13 | |
so people would be like, "Oh, he died as he would have wanted... | 0:16:13 | 0:16:16 | |
# "Murdered by a lion." # | 0:16:16 | 0:16:18 | |
Craig David is the trickiest. Still technically a David. | 0:16:18 | 0:16:22 | |
With him, it's a medium-term plan. | 0:16:22 | 0:16:25 | |
With Craig David, I think I'd meet him for a drink, | 0:16:25 | 0:16:28 | |
just early in the week. | 0:16:28 | 0:16:30 | |
And then we'd be making love for several days... | 0:16:30 | 0:16:34 | |
# And then kill him on Sunday. # | 0:16:34 | 0:16:37 | |
OK, let's go. Thank you. | 0:16:37 | 0:16:39 | |
CHEERING AND APPLAUSE | 0:16:39 | 0:16:42 | |
Look at that! | 0:16:43 | 0:16:45 | |
I look incredible, thank you. | 0:16:45 | 0:16:47 | |
It's difficult for me to stay in shape | 0:16:47 | 0:16:50 | |
because my favourite food is... | 0:16:50 | 0:16:52 | |
I like gluten with trans fats on it | 0:16:52 | 0:16:54 | |
and I like to eat it like I'm angrily throwing laundry | 0:16:54 | 0:16:57 | |
down a flight of stairs. Aaaah. | 0:16:57 | 0:17:00 | |
It's about small achievable health goals. | 0:17:00 | 0:17:03 | |
This year, I did No Lilt February. Thank you! | 0:17:03 | 0:17:07 | |
I know. It sounds impossible, but you take it one day at a time. | 0:17:07 | 0:17:13 | |
Did I have any today? No. You're a legend! | 0:17:13 | 0:17:15 | |
It gets hard round the middle of the month. You get the cravings. | 0:17:15 | 0:17:18 | |
It's called "Lilt guilt". | 0:17:18 | 0:17:20 | |
You're like, "Oh, I'd bloody love some Lilt." | 0:17:20 | 0:17:22 | |
There's the night where you go to the shop at midnight, | 0:17:22 | 0:17:24 | |
kick the doors in. Where's the Lilt? | 0:17:24 | 0:17:26 | |
And they're like, "We don't stock it any more." Argh! | 0:17:26 | 0:17:28 | |
So, you try and make your own hooch Lilt, | 0:17:28 | 0:17:30 | |
where you get a pineapple and a grapefruit | 0:17:30 | 0:17:32 | |
and you add in batteries and a horse's head, | 0:17:32 | 0:17:34 | |
and you're like, "It's good, but it's not totally tropical." | 0:17:34 | 0:17:39 | |
I did that joke in America recently. | 0:17:39 | 0:17:41 | |
Turns out they don't have Lilt there. So... | 0:17:41 | 0:17:45 | |
I know there is some money in the room this evening | 0:17:47 | 0:17:50 | |
so, before I go on, I'll just pitch you a few app ideas, | 0:17:50 | 0:17:53 | |
if anyone's got a couple of spare mill. | 0:17:53 | 0:17:56 | |
App idea one - Creme Brulapp. | 0:17:56 | 0:17:59 | |
That is the world's first creme brulee-themed app. | 0:17:59 | 0:18:02 | |
It doesn't do anything | 0:18:02 | 0:18:03 | |
except, when you touch the screen of your phone, it goes... | 0:18:03 | 0:18:06 | |
-HE MAKES A CRACK SOUND -OK, so that's app idea one. | 0:18:06 | 0:18:09 | |
-LAUGHTER -App idea two - Yodeller. | 0:18:09 | 0:18:12 | |
Now, that is similar to Grindr, | 0:18:12 | 0:18:14 | |
but it tells you about Swiss people in the vicinity. | 0:18:14 | 0:18:18 | |
Fartzam is the big one. | 0:18:19 | 0:18:21 | |
Fartzam is similar to Shazam, the app that can identify | 0:18:21 | 0:18:23 | |
whatever song is playing. It's the same principle with Fartzam. | 0:18:23 | 0:18:27 | |
You walk into a room | 0:18:27 | 0:18:28 | |
and there's an unclaimed fart cloud within the room. | 0:18:28 | 0:18:31 | |
You thrust Fartzam into the mist. That person's face comes up on it. | 0:18:31 | 0:18:35 | |
Now, that technology may not exist yet, | 0:18:35 | 0:18:38 | |
but that's for the nerds to work out. | 0:18:38 | 0:18:40 | |
I'm the ideas guy. Thank you! | 0:18:40 | 0:18:42 | |
I like music a lot. | 0:18:45 | 0:18:48 | |
I like all music, except for one genre, | 0:18:48 | 0:18:50 | |
and that is the worst music of all, | 0:18:50 | 0:18:51 | |
which is the whistling and twinkly bells music | 0:18:51 | 0:18:54 | |
in 80% of all TV and radio ads at the moment, | 0:18:54 | 0:18:57 | |
which is this music here. | 0:18:57 | 0:18:59 | |
HE PLAYS KEYBOARD AND WHISTLES JAUNTILY | 0:18:59 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:03 | |
The more sinister the product, the more adorable the music. | 0:19:03 | 0:19:08 | |
Go out tonight, have a burger. | 0:19:08 | 0:19:11 | |
Ha-ha-ha! | 0:19:11 | 0:19:12 | |
Cos we know you don't like to think about where your food comes from. | 0:19:12 | 0:19:16 | |
You couldn't give a shit. | 0:19:16 | 0:19:18 | |
We could have docked homeless dogs | 0:19:18 | 0:19:20 | |
and cut their dicks off and sold them to you as homeless dogs' dicks, | 0:19:20 | 0:19:23 | |
and you'd just be like, "Oh, pound-saver menu." | 0:19:23 | 0:19:26 | |
LAUGHTER | 0:19:26 | 0:19:28 | |
At Kalashnikov, we're about sorting out localised tribal conflicts. | 0:19:30 | 0:19:36 | |
At your bank, we're more like your mate than your bank. | 0:19:37 | 0:19:40 | |
Ha-ha-ha-ha. | 0:19:40 | 0:19:42 | |
Sure, we don't really have interest rates any more | 0:19:42 | 0:19:44 | |
and the charges, the stealth charges are ridiculous, in recent years, | 0:19:44 | 0:19:48 | |
and yeah, we did cause the last collapse of the economy, yeah. | 0:19:48 | 0:19:51 | |
Ha-ha-ha-ha. | 0:19:51 | 0:19:53 | |
And the credit card bill. Have you seen the bonuses we give our bosses? | 0:19:53 | 0:19:57 | |
You idiots! You keep coming back! | 0:19:57 | 0:19:59 | |
You absolute dickheads! | 0:19:59 | 0:20:01 | |
HE WHISTLES JAUNTILY | 0:20:01 | 0:20:04 | |
LAUGHTER AND APPLAUSE | 0:20:04 | 0:20:06 | |
Thank you very much. | 0:20:11 | 0:20:13 | |
CHEERING AND APPLAUSE | 0:20:13 | 0:20:16 | |
David O'Doherty! | 0:20:23 | 0:20:25 | |
Ladies and gentlemen, are you ready for our final guest tonight? | 0:20:29 | 0:20:33 | |
CHEERING | 0:20:33 | 0:20:35 | |
It is an absolute privilege to be bringing this lady to you. | 0:20:37 | 0:20:40 | |
She and I actually started together and she is, without question, | 0:20:40 | 0:20:43 | |
one of the most unique and distinctive voices | 0:20:43 | 0:20:46 | |
working in comedy right now. | 0:20:46 | 0:20:47 | |
So, ladies and gentlemen, please join me | 0:20:47 | 0:20:50 | |
in welcoming to the stage the incredible Luisa Omielan! | 0:20:50 | 0:20:54 | |
MUSIC: Feel The Love by Rudimental ft John Newman | 0:20:54 | 0:20:58 | |
# I can feel it, ah, ah | 0:20:58 | 0:21:01 | |
# I can feel it, ah, ah... # | 0:21:01 | 0:21:04 | |
Whoa! | 0:21:04 | 0:21:06 | |
Hello! I think it's about time to kill that party spirit, don't you? | 0:21:06 | 0:21:12 | |
Let's talk about mental health, yes, sir! | 0:21:12 | 0:21:16 | |
Brace yourself, bitches, we are about to talk about depression. | 0:21:16 | 0:21:19 | |
It's going to get sexy. Cronk, cronk. | 0:21:19 | 0:21:22 | |
I remember a time where I felt really low, | 0:21:26 | 0:21:28 | |
really bad about myself. And there was no particular reason, | 0:21:28 | 0:21:30 | |
because nobody had died, everything was going well. | 0:21:30 | 0:21:33 | |
Seemingly, on paper, things were good. | 0:21:33 | 0:21:35 | |
Like my local Chinese buffet started serving crispy aromatic duck | 0:21:35 | 0:21:38 | |
before 6pm. Things were going all right. | 0:21:38 | 0:21:40 | |
But, for some reason, I couldn't shift this feeling | 0:21:40 | 0:21:42 | |
of isolation and sadness | 0:21:42 | 0:21:44 | |
and I thought, "I need to tackle this head on." | 0:21:44 | 0:21:46 | |
I was living with my mother. My mum was amazing. | 0:21:46 | 0:21:48 | |
My mum's Polish. She's not a cleaner, don't be such a racist. | 0:21:48 | 0:21:51 | |
Why would you say that? That's so racist. | 0:21:51 | 0:21:53 | |
She should be, she's a very good one. My mum is amazing, right. | 0:21:53 | 0:21:56 | |
My mum came over to England 35 years ago. | 0:21:56 | 0:21:59 | |
We were here first. Don't blame ME for the influx. | 0:21:59 | 0:22:01 | |
LAUGHTER | 0:22:01 | 0:22:03 | |
She came over a long time ago and, actually, I was born here | 0:22:03 | 0:22:05 | |
and my mum tries to be like, "Oh, you know you're Polish too." | 0:22:05 | 0:22:08 | |
And I was like, "I was born here. I'm British! I'm British! | 0:22:08 | 0:22:12 | |
"Get out of our country!" It's adorable. And, um... | 0:22:12 | 0:22:17 | |
LAUGHTER | 0:22:17 | 0:22:20 | |
And my mum has this beautiful accent. | 0:22:20 | 0:22:22 | |
People expect my mum to talk like this. | 0:22:22 | 0:22:23 | |
-POLISH ACCENT: -Hello, I like to clean. Nice to meet you. | 0:22:23 | 0:22:26 | |
But she talks like this. | 0:22:26 | 0:22:28 | |
-POSH ACCENT: -Because when she first came over, | 0:22:28 | 0:22:30 | |
she tried to really immerse herself into the community, | 0:22:30 | 0:22:32 | |
into the British culture. She was like... | 0:22:32 | 0:22:34 | |
-POLISH ACCENT: -"Marks and Spencer's, the land of dreams." | 0:22:34 | 0:22:37 | |
She was really excited. | 0:22:37 | 0:22:39 | |
So she used to listen to a lot of BBC radio news. | 0:22:39 | 0:22:41 | |
This was in the day when they had those boring same old accents. | 0:22:41 | 0:22:44 | |
They didn't have all the beautiful dialects you have now. | 0:22:44 | 0:22:47 | |
My mum learnt to speak English so, instead of speaking like this... | 0:22:47 | 0:22:50 | |
-POLISH ACCENT: -Hello. ..she talks like this... | 0:22:50 | 0:22:52 | |
-POSH ACCENT: -..but she always gets her English wrong, | 0:22:52 | 0:22:54 | |
so you can still tell she's a massive immigrant. | 0:22:54 | 0:22:56 | |
But I had to do something, right. Cos I was crying constantly. | 0:22:58 | 0:23:01 | |
I couldn't stop crying. | 0:23:01 | 0:23:03 | |
I'd masturbate and I'd cry. | 0:23:03 | 0:23:05 | |
LAUGHTER | 0:23:05 | 0:23:08 | |
Who does that? | 0:23:08 | 0:23:09 | |
You don't get guys having a wank, do you, being like... | 0:23:09 | 0:23:12 | |
SHE WAILS | 0:23:12 | 0:23:15 | |
LAUGHTER | 0:23:15 | 0:23:17 | |
SHE SOBS | 0:23:20 | 0:23:22 | |
-SOBBING: -I don't know what to do any more. | 0:23:22 | 0:23:25 | |
I can't stand it any more. | 0:23:25 | 0:23:27 | |
What do I do with myself? | 0:23:27 | 0:23:30 | |
SHE SOBS | 0:23:30 | 0:23:33 | |
LAUGHTER | 0:23:33 | 0:23:35 | |
I can't even come! | 0:23:40 | 0:23:42 | |
LAUGHTER AND APPLAUSE | 0:23:46 | 0:23:49 | |
It's, er... It's not nice when you do it in the face like that, is it? | 0:23:58 | 0:24:02 | |
So, I started taking the antidepressants, right. | 0:24:13 | 0:24:16 | |
And the weirdest thing happened. I stop crying. | 0:24:17 | 0:24:20 | |
I was like, "Mum! | 0:24:20 | 0:24:22 | |
"Mum! I'm not crying! | 0:24:22 | 0:24:26 | |
"John Lewis advert is on and I'm not crying!" | 0:24:26 | 0:24:30 | |
Nothing. Nothing! | 0:24:31 | 0:24:33 | |
I was like, "Oh, these drugs are good!" | 0:24:33 | 0:24:35 | |
LAUGHTER | 0:24:35 | 0:24:37 | |
It didn't last long. I just went on Rightmove | 0:24:37 | 0:24:40 | |
and looked at property prices in the 1990s and it was...argh! | 0:24:40 | 0:24:42 | |
It's a bit of a weird gig for me. I'll tell you why. | 0:24:45 | 0:24:47 | |
I want to talk to you about my mum. My mum's amazing, a legend. | 0:24:47 | 0:24:50 | |
I told you she's Polish. And I lost my mother recently. | 0:24:50 | 0:24:53 | |
I didn't leave her in Waitrose. | 0:24:53 | 0:24:55 | |
"Could the bloody immigrant in aisle four come to the service desk?" No. | 0:24:55 | 0:24:59 | |
She went, and she got stage four stomach and bowel cancer, | 0:24:59 | 0:25:03 | |
by the time they found out, right. | 0:25:03 | 0:25:05 | |
And they said, "It's inoperable, we can't do anything, | 0:25:05 | 0:25:07 | |
"but you can't do anything until you see an oncologist | 0:25:07 | 0:25:10 | |
"and that's going to take four to five weeks to see somebody, | 0:25:10 | 0:25:13 | |
"by the time you get all your tests." | 0:25:13 | 0:25:15 | |
And they sent her home with Calpol, | 0:25:15 | 0:25:16 | |
because she's clearly four years old and has flu, right. | 0:25:16 | 0:25:19 | |
So, they sent her home with Calpol. | 0:25:19 | 0:25:21 | |
My mum was in so much pain, I was like, "What do I do?" | 0:25:21 | 0:25:23 | |
They said, "If you need anything, call 111." | 0:25:23 | 0:25:26 | |
"111? That's who you call when you're drunk | 0:25:26 | 0:25:28 | |
"and want a free lift home. What the fuck? How do I help my mum?" | 0:25:28 | 0:25:30 | |
And so, I had to source alternative pain relief for my mum | 0:25:30 | 0:25:34 | |
and I read loads of things online about cannabis, | 0:25:34 | 0:25:36 | |
about how cannabis has got medicinal properties. | 0:25:36 | 0:25:38 | |
I don't do drugs, I've never done drugs. | 0:25:38 | 0:25:40 | |
I drink two Smirnoff Ice and I'm like, "Whoa!" | 0:25:40 | 0:25:42 | |
I've never really figured it out. I started looking at cannabis oil, | 0:25:42 | 0:25:45 | |
but it's not the easiest thing to locate, cos you can't really - | 0:25:45 | 0:25:48 | |
I learnt - post on Facebook, "Does anybody know how to get hold | 0:25:48 | 0:25:51 | |
"of some cannabis oil so I can help heal my mum's stage four cancer? | 0:25:51 | 0:25:54 | |
"Smiley face." Nobody really answers, guys. | 0:25:54 | 0:25:57 | |
I actually ended up getting hold of cannabis oil | 0:25:57 | 0:26:00 | |
and here's the thing about cannabis oil. | 0:26:00 | 0:26:01 | |
You only need a tiny bit but, if you put it in your mouth, | 0:26:01 | 0:26:04 | |
you get really high. My mum was like, "I don't want to be Rocky." | 0:26:04 | 0:26:07 | |
I was like, "Mum, stoned - very different." | 0:26:07 | 0:26:09 | |
LAUGHTER | 0:26:09 | 0:26:11 | |
So, I started making suppositories for her, | 0:26:11 | 0:26:14 | |
where you have to use a tiny amount of cannabis oil | 0:26:14 | 0:26:16 | |
and mix it with something that will blend with it. | 0:26:16 | 0:26:19 | |
I was using coconut oil. I'm mixing cannabis oil with coconut oil | 0:26:19 | 0:26:21 | |
and putting it in the freezer, | 0:26:21 | 0:26:23 | |
and I'm there with billions of suppositories in my kitchen | 0:26:23 | 0:26:25 | |
and I feel very like Breaking Bad, but I don't know what I'm doing | 0:26:25 | 0:26:28 | |
and you can't Google it and I tried to call 111, but they're useless | 0:26:28 | 0:26:31 | |
and they're giving me Calpol, so I don't know what to do. | 0:26:31 | 0:26:33 | |
So, I'm there, going, "My mum's got cancer. | 0:26:33 | 0:26:35 | |
"I'm going to save her and make these suppositories." | 0:26:35 | 0:26:38 | |
But the problem with coconut oil, is it gets all over your fingers. | 0:26:38 | 0:26:41 | |
So, you've lost half the goodness, it's just waste of time. | 0:26:41 | 0:26:44 | |
Do not use coconut oil. What you need is cacao butter. | 0:26:44 | 0:26:47 | |
Yes, this is very middle-class. | 0:26:47 | 0:26:49 | |
You need cacao butter to mix with cannabis oil and you freeze it | 0:26:49 | 0:26:53 | |
and I gave it to my mum. | 0:26:53 | 0:26:54 | |
It obviously didn't cure her but it eased her pain. | 0:26:54 | 0:26:56 | |
And when we went to the doctors, I was like, "Let's tell them, | 0:26:56 | 0:26:59 | |
"but let's break it in gently that I've got you | 0:26:59 | 0:27:01 | |
"on this class A illegal substance, so let's just... | 0:27:01 | 0:27:03 | |
"..wean our way in." | 0:27:05 | 0:27:07 | |
Hopefully, they'll be surprised you've been managing so well | 0:27:07 | 0:27:09 | |
with stage four cancer only on Calpol but, you never know. | 0:27:09 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:14 | |
We got into the room and she's sat with the oncologist, | 0:27:14 | 0:27:17 | |
and my mum farted. | 0:27:17 | 0:27:19 | |
LAUGHTER | 0:27:19 | 0:27:21 | |
And I was like, "Oh, my days. You're joking." | 0:27:21 | 0:27:25 | |
I was like, "What I do?" | 0:27:25 | 0:27:26 | |
"Pretend to be high, pretend to be, like, | 0:27:26 | 0:27:29 | |
"I do it. it's not her, it's me. Oh, look at those rabbits. Oh." | 0:27:29 | 0:27:33 | |
We came out and I was like, "Mum, why did you do that? | 0:27:34 | 0:27:37 | |
"It's so annoying." She was like, "I'm sorry, I couldn't help it." | 0:27:37 | 0:27:40 | |
I was like, "You just shat out £65 worth of cannabis oil, you idiot!" | 0:27:40 | 0:27:42 | |
So, you know, I got the e-mail to do this gig | 0:27:44 | 0:27:47 | |
a few weeks before my mum died and I said I don't want to do it. | 0:27:47 | 0:27:50 | |
I'd been waiting for years to do the Apollo. | 0:27:50 | 0:27:53 | |
I don't want to do it. | 0:27:53 | 0:27:54 | |
And she said, "Luisa, promise me you'll do it. | 0:27:54 | 0:27:56 | |
"Promise me you'll do Live At The Apollo, whatever happens." | 0:27:56 | 0:27:59 | |
I said, "No, because I'll be with you. You'll have cannabis oil, | 0:27:59 | 0:28:02 | |
"it's going to be amazing, you'll be fine." | 0:28:02 | 0:28:04 | |
And she was like, "Whatever happens, promise me you do that gig." | 0:28:04 | 0:28:07 | |
And so, that's why I came out today to do the gig. | 0:28:07 | 0:28:11 | |
CHEERING AND APPLAUSE | 0:28:11 | 0:28:13 | |
So, thank you for having me. I'm Luisa Omielan. Big love. | 0:28:22 | 0:28:25 | |
Thank you. | 0:28:25 | 0:28:27 | |
CHEERING AND APPLAUSE | 0:28:27 | 0:28:31 | |
Luisa Omielan! | 0:28:35 | 0:28:37 | |
Ladies and gentlemen, thank you so much | 0:28:40 | 0:28:42 | |
for watching Live At The Apollo. | 0:28:42 | 0:28:43 | |
Please give a massive round of applause to my guests, | 0:28:43 | 0:28:45 | |
Luisa Omielan and David O'Doherty. My name is Nish Kumar. | 0:28:45 | 0:28:49 | |
Thank you very much. Good night. | 0:28:49 | 0:28:51 |