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Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:21 | |
Al Murray, the pub landlord! | 0:00:21 | 0:00:27 | |
# Another one bites the dust Another one bites the dust | 0:00:27 | 0:00:34 | |
# And another one's gone And another one's gone | 0:00:34 | 0:00:37 | |
# Another one bites the dust | 0:00:37 | 0:00:39 | |
# Hey, they're gonna get you too! Another one bites the dust # | 0:00:39 | 0:00:43 | |
AUDIENCE CLAP IN RHYTHM | 0:00:43 | 0:00:47 | |
# How do you think I'm going to get along... # | 0:00:51 | 0:00:54 | |
Yes! Let's hear it for the beer! All hail to the ale! | 0:00:54 | 0:01:03 | |
And welcome the wine for the ladies. Good evening, good evening. Welcome to Live At The Apollo, | 0:01:03 | 0:01:08 | |
ladies and gentlemen! | 0:01:08 | 0:01:10 | |
And look at this beautiful British audience and beautiful British people, it's fantastic. | 0:01:12 | 0:01:18 | |
Stars of EastEnders present. We like EastEnders, don't we? | 0:01:18 | 0:01:21 | |
CHEERING | 0:01:21 | 0:01:23 | |
And they need a new publican on that show, don't they? Incredible. | 0:01:23 | 0:01:26 | |
Now, the fellow here - the spud-faced man here - | 0:01:26 | 0:01:28 | |
what's your name here, sir, with the serial killer beard? | 0:01:28 | 0:01:31 | |
Muah-ha-ha-ha! What's your name, pal? | 0:01:31 | 0:01:34 | |
Kerry?! Mmm. | 0:01:34 | 0:01:38 | |
Beautiful British name, comes from the ancient Celtic name meaning slightly camp, innit? | 0:01:39 | 0:01:44 | |
-What do you do, Kerry? -I'm a welder. -You're a welder! | 0:01:45 | 0:01:49 | |
No, you're not, are you? Come on. | 0:01:49 | 0:01:53 | |
There's not a welder with soft hands called Kerry in the world, is there, pal? | 0:01:54 | 0:01:58 | |
What else we got? The young fella, | 0:01:59 | 0:02:01 | |
with glasses - what's your name? | 0:02:01 | 0:02:03 | |
-Will. -Will, a beautiful British name. What do you do? | 0:02:03 | 0:02:05 | |
-I'm a student. -You're a student, oh, great, fantastic. | 0:02:05 | 0:02:09 | |
-What are you studying, young man? -Radio production. | 0:02:09 | 0:02:11 | |
Radio production. Is that a proper job? | 0:02:11 | 0:02:14 | |
-Sort of. -It isn't, is it? I bet you've got asthma, haven't you? | 0:02:14 | 0:02:18 | |
No! | 0:02:18 | 0:02:20 | |
-Of course you have. You've got asthma, haven't you? -No. | 0:02:20 | 0:02:23 | |
-You've got asthma, haven't you? -No. | 0:02:23 | 0:02:25 | |
"Ooh, I can't get down the stairs. I can't get back up. | 0:02:25 | 0:02:28 | |
"I'm all right now." That's not proper old school asthma. | 0:02:28 | 0:02:31 | |
In the old days, one kid had asthma, didn't he, just one child - | 0:02:31 | 0:02:35 | |
the blue-faced boy at the back of the class. | 0:02:35 | 0:02:37 | |
You probably think poetry doesn't have to rhyme as well, don't you, mate? | 0:02:37 | 0:02:42 | |
-Yes. -You were excited about the release of Windows 7, weren't you? | 0:02:42 | 0:02:46 | |
You're not normal, are you, Will? That's what it boils down to. You worry me, | 0:02:48 | 0:02:53 | |
and I'll tell you why. I mean, you're a nice lad, but what you're forgetting, | 0:02:53 | 0:02:57 | |
and everyone else here has remembered tonight - is that today is tomorrow's history. | 0:02:57 | 0:03:02 | |
Think about it. Today is tomorrow's history, yeah? | 0:03:02 | 0:03:05 | |
History's written by the winners. | 0:03:05 | 0:03:07 | |
French history books, of course, are blank from cover to cover. The point is... | 0:03:07 | 0:03:12 | |
And I'm worried - what if the world ended right now? | 0:03:12 | 0:03:16 | |
What if the world ended right now, and it could. The icecaps could melt. We'd all be drowned, | 0:03:16 | 0:03:20 | |
couldn't we? Someone could leave the taps on. We could all be drowned. | 0:03:20 | 0:03:24 | |
The greenhouse effect could take...effect, couldn't it? | 0:03:24 | 0:03:27 | |
And the world would be plagued by a plague of tiny green unripe tomatoes. | 0:03:27 | 0:03:31 | |
It could happen, yeah? | 0:03:31 | 0:03:34 | |
Or the Chinese - all of them, all at once - all of the Chinese - | 0:03:34 | 0:03:37 | |
could jump up and down - | 0:03:37 | 0:03:38 | |
daah! Like that - and crack the Earth's crust. It could happen, Will. | 0:03:38 | 0:03:43 | |
The thing with you, Will, is, I'm worried - what if archaeologists, | 0:03:45 | 0:03:48 | |
in a million years time, and you know what archaeologists are like. | 0:03:48 | 0:03:52 | |
They dig a hole. They find one leather shoe, | 0:03:52 | 0:03:54 | |
and they can paint a picture of an entire bloody city, | 0:03:54 | 0:03:57 | |
based on the strength of one leather shoe. | 0:03:57 | 0:03:59 | |
What if, in a million years time, they find you, Will, | 0:03:59 | 0:04:02 | |
the sole surviving remnant of all human civilisation, yeah? | 0:04:02 | 0:04:06 | |
They're going to think we're a bunch of wankers! | 0:04:06 | 0:04:09 | |
It's not personal. | 0:04:11 | 0:04:12 | |
It's for the sake of everyone else, my friend. | 0:04:14 | 0:04:17 | |
If, in a million years time, they find you at the bottom - | 0:04:17 | 0:04:21 | |
they find an asthma inhaler, a tub of E45 cream, | 0:04:21 | 0:04:26 | |
a book of blank verse, some subtitled French films, | 0:04:28 | 0:04:34 | |
and the manual for Windows 7, | 0:04:34 | 0:04:35 | |
and they look at you, and they look at us, and we will be judged. | 0:04:35 | 0:04:39 | |
So, I'm offering you something, mate. What I want to do right now, for the sake of all mankind, | 0:04:39 | 0:04:44 | |
is fix you, right now, live on stage, yeah? Up you come, Will. | 0:04:44 | 0:04:48 | |
A round of applause for Will. Up you come, son. | 0:04:48 | 0:04:50 | |
Come, son! Welcome. | 0:04:50 | 0:04:55 | |
Look at them all. It's Will, ladies and gentlemen. It's Will. | 0:04:55 | 0:04:59 | |
APPLAUSE AND CHEERING | 0:04:59 | 0:05:02 | |
-Welcome. Yeah, you got any hobbies, Will? -I quite like tennis. | 0:05:04 | 0:05:07 | |
-You quite like tennis. -I quite like tennis. -Ah, I've got a lot of work to do here, haven't I? | 0:05:07 | 0:05:11 | |
You disgust me. Now, the... | 0:05:11 | 0:05:13 | |
LAUGHTER | 0:05:13 | 0:05:16 | |
It's a good game. | 0:05:16 | 0:05:18 | |
Shut up. Now, what we're going to do is dead simple. | 0:05:18 | 0:05:23 | |
We're going to do compare and contrast between me and you - | 0:05:23 | 0:05:26 | |
-normal - and Will, right? -OK. | 0:05:26 | 0:05:28 | |
-You up for this? -Yeah, why not. | 0:05:28 | 0:05:30 | |
Put your hands out like that - | 0:05:30 | 0:05:33 | |
look, like that so everyone can see them. | 0:05:33 | 0:05:35 | |
-That's it, yeah? Now look at my hands. -Yeah. -Now look at your hands. | 0:05:35 | 0:05:39 | |
Now look at my hands. Now look at your hands. | 0:05:39 | 0:05:42 | |
Now look at my hands. Now look at your hands. | 0:05:42 | 0:05:45 | |
Now, tell me, Will, what have I got that you ain't? | 0:05:45 | 0:05:50 | |
-You've got two rings on. -No, no. | 0:05:50 | 0:05:52 | |
It's not the rings. I'm pointing at the moon, | 0:05:52 | 0:05:54 | |
and you're looking at my finger. You can't see the wood through the trees. | 0:05:54 | 0:05:58 | |
What I've got that you haven't is class, innit? | 0:05:58 | 0:06:03 | |
-How so? -Well, look. | 0:06:03 | 0:06:05 | |
I'll sort you out, pal. Put this on, go on. | 0:06:05 | 0:06:07 | |
-It's too big! -Put it on! | 0:06:07 | 0:06:09 | |
-Which finger? -Shut your face, and put it on. | 0:06:09 | 0:06:11 | |
That one, you doughnut. | 0:06:11 | 0:06:13 | |
There you go, and the other one, | 0:06:13 | 0:06:15 | |
there you go. Here we go. Let's sort you out. | 0:06:15 | 0:06:17 | |
Yeah, you've got rubber bands on, ain't ya? | 0:06:17 | 0:06:20 | |
Rubber bands to show how much money you've given to charity! | 0:06:20 | 0:06:24 | |
You arsehole. Eh? Shut up, shut up. | 0:06:24 | 0:06:27 | |
We're nearly there, let's see it, let's see it. | 0:06:27 | 0:06:29 | |
Nearly. One last touch, | 0:06:29 | 0:06:31 | |
one last touch for you, Will. Here we go, pal. How about this, yeah? | 0:06:31 | 0:06:34 | |
Put this on. Put this on, Will. | 0:06:34 | 0:06:37 | |
There you go. Pop that on. | 0:06:37 | 0:06:40 | |
There we go, fantastic. | 0:06:40 | 0:06:42 | |
Now take a look, you'll feel better. He looks better, | 0:06:42 | 0:06:45 | |
doesn't he, gentleman? | 0:06:45 | 0:06:47 | |
CHEERING AND APPLAUSE | 0:06:47 | 0:06:48 | |
Will, you're fixed, you're sorted. | 0:06:48 | 0:06:51 | |
On your bike, pal. God bless you. Good luck, son, eh? | 0:06:51 | 0:06:53 | |
You're beautiful people. That's how much it meant to me, mate. | 0:06:59 | 0:07:05 | |
Esther, can you give me a hand with this, love, yeah? Esther, | 0:07:05 | 0:07:08 | |
Esther Rantzen. Come on. | 0:07:08 | 0:07:10 | |
APPLAUSE | 0:07:10 | 0:07:13 | |
Ooh, may I say, Esther, the chassis's in fantastic order. | 0:07:17 | 0:07:21 | |
It's been a year, love. | 0:07:23 | 0:07:25 | |
Thanks very much. Esther Rantzen there, ladies and gentlemen, doing up my clasp. | 0:07:26 | 0:07:30 | |
God bless her. Now, I want to help you people. You're beautiful people, | 0:07:30 | 0:07:34 | |
because people don't believe in anything any more. | 0:07:34 | 0:07:37 | |
I mean, Kerry, do you believe there's a God? | 0:07:37 | 0:07:39 | |
-I'm not sure. -You're not sure. Well, I will prove it for you now. | 0:07:39 | 0:07:42 | |
It's dead easy. I'm not going to use any Bible blah blah or vicar waffle. | 0:07:42 | 0:07:46 | |
I'm going to do it with one simple thing, | 0:07:46 | 0:07:48 | |
that everyone loves, that's touched the lives of everyone here tonight, | 0:07:48 | 0:07:52 | |
and it is, of course, bacon. | 0:07:52 | 0:07:54 | |
Bacon proves the existence of God conclusively, and His infinite wisdom and mercy, | 0:07:56 | 0:08:01 | |
because everyone loves bacon - even the vegetarians. They say they don't, but they love it. | 0:08:01 | 0:08:06 | |
The smell of bacon proves that aromatherapy isn't total bullshit. | 0:08:06 | 0:08:10 | |
Everyone loves bacon, everyone. | 0:08:10 | 0:08:14 | |
Bacon proves the existence of God, because Jesus died on a Friday, | 0:08:14 | 0:08:18 | |
rose again on a Sunday, a very impressive achievement. | 0:08:18 | 0:08:21 | |
You can't take that away from him. Give the boy a biscuit. But... | 0:08:21 | 0:08:25 | |
Bacon means you can kill yourself with alcohol on a Friday night, | 0:08:25 | 0:08:29 | |
and be fully resurrected Saturday morning with the application of just one bacon sandwich. | 0:08:29 | 0:08:34 | |
That's a fact. | 0:08:34 | 0:08:36 | |
It proves the existence of God. | 0:08:36 | 0:08:39 | |
And we've all - we've all had that Friday, haven't we? Yeah? | 0:08:39 | 0:08:44 | |
When you get get home from the pub, | 0:08:44 | 0:08:46 | |
get the front door open, slam the door behind us. | 0:08:46 | 0:08:49 | |
Tear off our clothes because of the raging fire of dehydration, | 0:08:49 | 0:08:52 | |
that comes from taking too much fluid that science cannot explain. | 0:08:52 | 0:08:56 | |
The useless nerds. At that point you collapse to the floor. | 0:08:56 | 0:08:59 | |
You drag yourself through the hall towards the stairs like a beached walrus, naked, and in pain. | 0:08:59 | 0:09:05 | |
Urg, urrrh, rrrr. | 0:09:05 | 0:09:09 | |
You haul yourself up the stairs. Urg, urrrh, boof, urrrh, boof. | 0:09:09 | 0:09:16 | |
Drag yourself across the landing towards the bathroom, | 0:09:16 | 0:09:19 | |
snagging your ear on the strip of metal that separates the carpet from the lino. | 0:09:19 | 0:09:23 | |
Ahhh! | 0:09:23 | 0:09:25 | |
Gather your senses, and then, begin the perilous assault on the rim of the bog. | 0:09:27 | 0:09:32 | |
Aaargh! Aaargh! Aaargh! | 0:09:41 | 0:09:44 | |
Oh, oh, oh, ohhh! | 0:09:44 | 0:09:48 | |
Aaarrgh! Oh! | 0:09:51 | 0:09:53 | |
You feel the cold ceramic kiss against your face. | 0:09:56 | 0:09:59 | |
You gaze down into the liquid abyss. | 0:10:00 | 0:10:03 | |
A pork scratching falls out of your nose. | 0:10:03 | 0:10:07 | |
The stale piss-water splashes back onto your face. | 0:10:08 | 0:10:12 | |
You start to drool uncontrollably... | 0:10:13 | 0:10:16 | |
into the Toilet Duck. The fumes rise from the Toilet Duck into your eye | 0:10:16 | 0:10:20 | |
and you start to cry back into the Toilet Duck. | 0:10:20 | 0:10:23 | |
You're caught in an endless cycle of bodily fluid and chemical pain. | 0:10:23 | 0:10:28 | |
You do one of those farts that could go either way. | 0:10:28 | 0:10:31 | |
No way of knowing the damage till you check with your hands in the morning. | 0:10:34 | 0:10:40 | |
For ten seconds you forget who you are. | 0:10:40 | 0:10:42 | |
Catch your reflection in the rippling bog-water... | 0:10:52 | 0:10:55 | |
and you remember, and then, and only then, | 0:10:55 | 0:10:58 | |
you begin a humiliating and disgusting process of passing out | 0:10:58 | 0:11:02 | |
with your face on the rim of a toilet. | 0:11:02 | 0:11:04 | |
HE SNORES | 0:11:12 | 0:11:14 | |
Blargh! | 0:11:14 | 0:11:16 | |
HE SNORES | 0:11:16 | 0:11:17 | |
Blargh! | 0:11:17 | 0:11:19 | |
Who?! W-Where am I? | 0:11:20 | 0:11:22 | |
Can't you see I love you...? | 0:11:22 | 0:11:24 | |
Blargh! | 0:11:25 | 0:11:27 | |
You sleep fitfully for three hours. | 0:11:27 | 0:11:29 | |
But then in the morning the miracle begins. | 0:11:29 | 0:11:32 | |
Down in the kitchen, a loved one... | 0:11:32 | 0:11:35 | |
..a friend... | 0:11:36 | 0:11:38 | |
Esther Rantzen - cos you got lucky - | 0:11:38 | 0:11:40 | |
puts on the gas, puts on the frying pan | 0:11:40 | 0:11:43 | |
and puts some bacon in that pan. | 0:11:43 | 0:11:45 | |
And the bacon begins to sizzle, and the bacon begins to spatter, | 0:11:45 | 0:11:48 | |
and suddenly from the pan the bacon aroma leaps out into the kitchen | 0:11:48 | 0:11:52 | |
fans its way through the house. | 0:11:52 | 0:11:53 | |
It vectors through the hall patrolling for hung over life forms | 0:11:53 | 0:11:57 | |
wherever it may find them. | 0:11:57 | 0:11:58 | |
Darts up the stairs, makes its way across the landing | 0:11:58 | 0:12:01 | |
avoiding the strip of metal that separates the carpet from the lino. | 0:12:01 | 0:12:04 | |
Fights its way through the frightful, fetid, fart-fug and finds you... | 0:12:04 | 0:12:09 | |
There, lying on the toilet, face down. | 0:12:09 | 0:12:13 | |
The only thing marking you out as a human being | 0:12:13 | 0:12:15 | |
is the words "Armitage Shanks" tattooed in reverse on your forehead. | 0:12:15 | 0:12:19 | |
And the bacon sees you. | 0:12:21 | 0:12:23 | |
And the bacon knows. | 0:12:23 | 0:12:26 | |
It knows why it was sent to this planet. | 0:12:26 | 0:12:28 | |
It knows why it spent three years living inside a pig. | 0:12:28 | 0:12:30 | |
It knows why it was then mercilessly slaughtered, cut into strips, | 0:12:30 | 0:12:34 | |
put in a vacuum pack and put in a supermarket. | 0:12:34 | 0:12:36 | |
It knows why it was sent to this Earth. | 0:12:36 | 0:12:38 | |
To save you! | 0:12:38 | 0:12:39 | |
And as you take your last half-dozen breaths, | 0:12:39 | 0:12:42 | |
the bacon vapour darts into your nostrils, | 0:12:42 | 0:12:44 | |
deep into your brain and touches the bacon-receptor. | 0:12:44 | 0:12:47 | |
And the bacon-receptor sends out a message. | 0:12:47 | 0:12:50 | |
Wake up! Wake up! | 0:12:50 | 0:12:52 | |
There's bacon! There's bacon! | 0:12:52 | 0:12:54 | |
Wake up! You love bacon! Everyone loves bacon! | 0:12:54 | 0:12:57 | |
Even the vegetarians love bacon! | 0:12:57 | 0:12:59 | |
Wake up - there might be eggs as well. | 0:12:59 | 0:13:01 | |
Wake up! Wake up! | 0:13:01 | 0:13:02 | |
And as you feel it, the bacon-force makes its way through your body | 0:13:03 | 0:13:07 | |
into the tips of your fingers, the tips of your toes | 0:13:07 | 0:13:09 | |
and thanks to bacon, God's greatest gift of all, | 0:13:09 | 0:13:12 | |
you are back from the dead. Do you believe ladies and gentlemen? | 0:13:12 | 0:13:16 | |
-AUDIENCE: -Yes! | 0:13:16 | 0:13:17 | |
-Say, "Hallelujah, I believe" AUDIENCE: -Hallelujah, I believe! | 0:13:17 | 0:13:21 | |
Bacon, proving the existence of God. And you can't argue with the logic there. | 0:13:21 | 0:13:25 | |
APPLAUSE | 0:13:25 | 0:13:27 | |
And now, ladies and gentlemen, please welcome our first act of the evening. | 0:13:32 | 0:13:36 | |
Please show your appreciation for the comedy stylings of Mr Chris Addison. | 0:13:36 | 0:13:41 | |
APPLAUSE | 0:13:41 | 0:13:43 | |
Hello! | 0:13:54 | 0:13:56 | |
Hello! Hello! | 0:13:57 | 0:14:00 | |
Hello Hammersmith, you all right? | 0:14:01 | 0:14:04 | |
-AUDIENCE: -Yes! | 0:14:04 | 0:14:05 | |
Ah, lovely, thank you for coming out. | 0:14:05 | 0:14:07 | |
I was in Scotland, in... | 0:14:07 | 0:14:09 | |
WHOOPING | 0:14:09 | 0:14:10 | |
-Are you Scottish? -CHEERING | 0:14:10 | 0:14:11 | |
The correct word is "aye" but we'll believe you for now. | 0:14:11 | 0:14:15 | |
Whereabouts are you from in Scotland? | 0:14:15 | 0:14:18 | |
Aberdeen. | 0:14:18 | 0:14:19 | |
Aberdeen! What an extraordinary town. | 0:14:19 | 0:14:22 | |
They talk like that in Aberdeen because if they open their mouths | 0:14:22 | 0:14:26 | |
any more, the wind will get in and they will freeze from the inside. | 0:14:26 | 0:14:29 | |
Astonishing town. It's great, Scotland. I love Scotland. | 0:14:30 | 0:14:33 | |
They don't care what anyone thinks of them. | 0:14:33 | 0:14:35 | |
That's what's great about the Scottish. | 0:14:35 | 0:14:37 | |
Any country whose inhabitants are prepared to take tossing the caber | 0:14:38 | 0:14:42 | |
as its national game... | 0:14:42 | 0:14:44 | |
Never mind about football, | 0:14:45 | 0:14:47 | |
I'm going to throw that tree! | 0:14:47 | 0:14:50 | |
They won't play cricket cos it's a "waste of wood". | 0:14:52 | 0:14:55 | |
They look at the stumps going, "Look, travel-caber! | 0:14:55 | 0:14:59 | |
"Look at the wee cabers! | 0:14:59 | 0:15:01 | |
"Look at that!" | 0:15:01 | 0:15:03 | |
I tell you who I think gets a bad press | 0:15:04 | 0:15:06 | |
Pirates. | 0:15:06 | 0:15:08 | |
Right, and not these rubbish modern pirates. | 0:15:08 | 0:15:11 | |
Don't like them. Lazy - can't be arsed going to the fancy-dress shop. No time for them. | 0:15:11 | 0:15:17 | |
I mean proper pirates, I mean the old pirates. | 0:15:17 | 0:15:19 | |
You hear terrible things about them. Nobody ever talks about | 0:15:19 | 0:15:23 | |
what brilliant role models for disabled people they were. | 0:15:23 | 0:15:26 | |
But they were! | 0:15:28 | 0:15:30 | |
They were. They were high achievers. | 0:15:30 | 0:15:32 | |
They were the kings of the high seas. | 0:15:32 | 0:15:35 | |
They were the terrors of Hispaniola, | 0:15:35 | 0:15:37 | |
and every single one of them had a disability. | 0:15:37 | 0:15:40 | |
No leg, or a hook for a hand, | 0:15:40 | 0:15:44 | |
or eye patch. | 0:15:44 | 0:15:45 | |
Entire ships filled with disabled men ruling the oceans of the 18th century, | 0:15:45 | 0:15:52 | |
with their own special mooring space in the harbour, | 0:15:52 | 0:15:54 | |
that only they... | 0:15:54 | 0:15:56 | |
were allowed to use. | 0:15:56 | 0:15:58 | |
That bit nearer the pub than everybody else. | 0:15:58 | 0:16:01 | |
Entire ships with men with only one eye each! | 0:16:01 | 0:16:04 | |
Think about that! That's where they got their reputation for aggression. | 0:16:04 | 0:16:08 | |
They weren't ramming other ships out of violent intent, | 0:16:08 | 0:16:11 | |
they just had no depth of vision. | 0:16:11 | 0:16:13 | |
"Sorry mate, sorry. I thought you were on a bigger ship, further away. | 0:16:13 | 0:16:18 | |
"I apologise... | 0:16:18 | 0:16:20 | |
"let's swap insurance details." | 0:16:20 | 0:16:24 | |
Once the eye patch goes on, that's when the limbs start going. | 0:16:25 | 0:16:29 | |
Isn't it. Because of the increased likelihood of kitchen accidents. | 0:16:29 | 0:16:33 | |
A pirate in the galley, chopping onions with a cutlass | 0:16:33 | 0:16:36 | |
going pht-pht-pht-pht-pht. Ow! | 0:16:36 | 0:16:39 | |
Ow! That smarts! | 0:16:39 | 0:16:40 | |
Ow, pass me a hook. | 0:16:40 | 0:16:42 | |
Good as new! | 0:16:43 | 0:16:45 | |
Happy pirate! | 0:16:45 | 0:16:47 | |
I've never really understood why a hook was supposed to be an adequate substitute for a human hand | 0:16:47 | 0:16:53 | |
unless pirates do actually run like Dodgems. | 0:16:53 | 0:16:56 | |
Maybe different pirates, with different roles, had different things. | 0:17:01 | 0:17:05 | |
There would be one with a bottle opener for a hand, | 0:17:05 | 0:17:08 | |
one with a spanner. | 0:17:08 | 0:17:09 | |
A Swiss pirate with an arm that does everything. | 0:17:09 | 0:17:12 | |
He'd collect an entire floating toolkit of pirates. | 0:17:13 | 0:17:17 | |
The Black and Decker! | 0:17:18 | 0:17:21 | |
I love DIY because since the '90s we've been told that it makes us sophisticated. It doesn't. | 0:17:24 | 0:17:28 | |
It's just a way of marking your territory. All animals mark their territory. | 0:17:28 | 0:17:33 | |
They just do it differently. For example cats. | 0:17:33 | 0:17:35 | |
Cats mark their territory... by urinating all over it. | 0:17:35 | 0:17:40 | |
Seems to be cutting off your nose to spite your face, slightly. | 0:17:40 | 0:17:44 | |
All this is mine! | 0:17:44 | 0:17:47 | |
And I'm not sure that I want it now to be perfectly honest. | 0:17:48 | 0:17:51 | |
It smells of wee. | 0:17:51 | 0:17:53 | |
Why did I not just paint a sign? Murray, get a cloth. That's cats. | 0:17:54 | 0:17:57 | |
We mark our territory by doing DIY. | 0:17:57 | 0:18:00 | |
That is why the first thing you do when you move into a new house | 0:18:00 | 0:18:03 | |
is you take the idiot's wallpaper down, and you put yours up. | 0:18:03 | 0:18:06 | |
Now, here's a little tip if you want to be extra territorial next time you do this. | 0:18:06 | 0:18:10 | |
Take the idiot's wallpaper down. Before you put yours up, | 0:18:10 | 0:18:13 | |
go to a DIY shop, buy a tin of blood-red paint, | 0:18:13 | 0:18:18 | |
take it home and write on the wall, with the paint, | 0:18:18 | 0:18:21 | |
"I will kill again!" | 0:18:21 | 0:18:23 | |
All right. | 0:18:23 | 0:18:24 | |
Wait for it to dry, and then put your wallpaper up. | 0:18:29 | 0:18:33 | |
Now, you never actually get to see the punch line of this little practical joke, | 0:18:38 | 0:18:42 | |
but you do get a lovely warm feeling, in about five years time, when you hand the keys over. | 0:18:42 | 0:18:47 | |
That's a nice moment. | 0:18:47 | 0:18:49 | |
And you can sit back down and watch Time Team. | 0:18:49 | 0:18:52 | |
I love Time Team. I love Time Team. | 0:18:54 | 0:18:56 | |
-SCATTERED CHEERING -Really?! | 0:18:56 | 0:18:58 | |
That's really interesting that you cheer for that, you geeks! | 0:18:58 | 0:19:02 | |
What I love most about Time Team is the scale of the lies! | 0:19:03 | 0:19:07 | |
The lies they tell about tiny, crappy pieces of pot! | 0:19:07 | 0:19:12 | |
"Ah well, yes. This, Tony, is very clearly a segment of milk-jug handle | 0:19:12 | 0:19:17 | |
"- no I've not finished, wait - | 0:19:17 | 0:19:19 | |
"This would have been owned by a big, fat woman called Brenda, right, | 0:19:19 | 0:19:23 | |
"I can tell that by looking at it - shut up, I'm not finished - | 0:19:23 | 0:19:26 | |
"with a harelip and a cousin in Gillingham." Liar! | 0:19:26 | 0:19:29 | |
You liar! The only thing that archaeology can tell us, | 0:19:29 | 0:19:32 | |
with 100% certainty, about ancient civilisations, | 0:19:32 | 0:19:35 | |
is they were all skeletons who lived underground. | 0:19:35 | 0:19:38 | |
That's it. | 0:19:38 | 0:19:40 | |
The rest is purely speculation, right? | 0:19:40 | 0:19:43 | |
But it's amazing - the power of that programme. | 0:19:43 | 0:19:46 | |
15 years ago, archaeology departments were shutting down. | 0:19:46 | 0:19:49 | |
Now, you can't get a place to do it, cos middle-class children are queuing round the block. | 0:19:49 | 0:19:54 | |
There are so many of them! The chances of any of us staying in our graves past about 50 years | 0:19:54 | 0:19:59 | |
are pretty slim, right? Cos these buggers are going to need projects. | 0:19:59 | 0:20:02 | |
So... | 0:20:02 | 0:20:04 | |
This is our opportunity to put them off the scent. | 0:20:04 | 0:20:07 | |
Here, tonight, we'll make a pact. A word-of-mouth pact. | 0:20:07 | 0:20:10 | |
Don't text it, don't e-mail it. No written record must exist for these people to find. | 0:20:10 | 0:20:14 | |
We will all agree to be buried in the same bizarre manner. | 0:20:14 | 0:20:20 | |
So that 900 years from now, there'll be archaeologists digging us up going, "I can't understand it, Phil. | 0:20:20 | 0:20:26 | |
"Here's another one buried the same - arse in the air, surrounded by eight toasters." | 0:20:26 | 0:20:30 | |
If you're prepared to put a bit of time and money into this, | 0:20:32 | 0:20:36 | |
get yourself buried in a spring-loaded coffin. Right? | 0:20:36 | 0:20:40 | |
Designed so when they finally prise the coffin open, | 0:20:45 | 0:20:48 | |
your body's propelled to a standing position. Your arms come out and a tape clicks on, going... | 0:20:48 | 0:20:53 | |
# I am what I am | 0:20:53 | 0:20:55 | |
# I am my own special creation. # | 0:20:55 | 0:20:58 | |
Ladies and gentlemen at the Hammersmith Apollo, it's been a pleasure to talk to you. | 0:20:58 | 0:21:03 | |
Thanks a lot. Good night. | 0:21:03 | 0:21:04 | |
CHEERING AND APPLAUSE | 0:21:04 | 0:21:05 | |
Chris Addison, there, ladies and gentlemen. | 0:21:10 | 0:21:13 | |
I'll have a bit of that! Oh, yeah. | 0:21:13 | 0:21:16 | |
Well... There's no point hanging around now, ladies and gentlemen. | 0:21:19 | 0:21:22 | |
Let's crack on with the next act. Please welcome to the stage, | 0:21:22 | 0:21:25 | |
live at the Apollo, it's Tim Vine! | 0:21:25 | 0:21:29 | |
CHEERING AND APPLAUSE | 0:21:29 | 0:21:31 | |
Good evening. | 0:21:46 | 0:21:47 | |
I don't know why, but I keep getting my head kicked in. | 0:21:47 | 0:21:50 | |
So, this bloke said to me, "Can you tell me your availability to run a football team in Sheffield?" | 0:21:52 | 0:21:57 | |
I said, "I can't manage Wednesday." | 0:21:57 | 0:21:59 | |
I saw a football game. They came on like that... | 0:22:02 | 0:22:04 | |
# Der-der-der der-der der-der der-der. # | 0:22:04 | 0:22:06 | |
It was "Charleston" Athletic. | 0:22:06 | 0:22:08 | |
I watched a football match in Japan. At the end, they started doing martial arts. | 0:22:10 | 0:22:14 | |
I said to the bloke next to me, "What's going on?" He said, "Two minutes of 'ninja-ry' time." | 0:22:14 | 0:22:20 | |
Then a referee walked in. I thought, "It's all going to kick off now." | 0:22:23 | 0:22:27 | |
So, Eric Bristow came up to me. | 0:22:29 | 0:22:31 | |
He said, "How come you put superglue on one of my darts?" | 0:22:31 | 0:22:34 | |
I said, "You just can't let it go, can you?" | 0:22:34 | 0:22:36 | |
Ripped all the hair off. | 0:22:38 | 0:22:41 | |
I was working in a health-food shop. This bloke said, "Evening primrose oil." | 0:22:43 | 0:22:47 | |
I said, "Mr Vine to you." | 0:22:47 | 0:22:49 | |
He said, "Soya chunks." I said, "You shouldn't have been looking." | 0:22:53 | 0:22:56 | |
You see, the advantage of easy origami is two-fold. | 0:23:00 | 0:23:04 | |
Exit signs - they're on the way out, aren't they? | 0:23:06 | 0:23:09 | |
Velcro - what a rip-off. Come on! | 0:23:11 | 0:23:13 | |
I was in this horse race. I was like that... | 0:23:15 | 0:23:18 | |
I was disqualified for punching the horse in front. | 0:23:18 | 0:23:21 | |
I got to the finishing line and got hit in the eye with an apple seed. Pipped at the post. | 0:23:22 | 0:23:27 | |
D'you get that, when you're half-way through eating a horse and think, | 0:23:28 | 0:23:31 | |
"I'm not as hungry as I thought I was." | 0:23:31 | 0:23:33 | |
Ladies and gentlemen, I'd like to start tonight by... | 0:23:36 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:41 | |
I'd like to start by telling you a bit about my personality. | 0:23:41 | 0:23:44 | |
I'm a very private, secretive person. | 0:23:44 | 0:23:47 | |
That's it, really. | 0:23:47 | 0:23:48 | |
During the Second World War, my granddad couldn't stop scribbling. He got hit by the "doodle bug." | 0:23:52 | 0:23:58 | |
When I was in Vietnam, this fortune teller came up to me. He was on fire. | 0:23:58 | 0:24:01 | |
He was a "napalm" reader. | 0:24:01 | 0:24:04 | |
So, this bloke said to me, "Tim, as a young boy, was your mother strict with you?" | 0:24:06 | 0:24:10 | |
I said, "Let me make one thing absolutely clear. | 0:24:10 | 0:24:12 | |
"My mother was never a young boy." | 0:24:12 | 0:24:15 | |
At Pizza Express, I said, "Give me an American Hot." | 0:24:17 | 0:24:20 | |
Next thing I know, big fat guy, Hawaiian shirt. "Can somebody open a window?" | 0:24:20 | 0:24:24 | |
I saw a sign that said, "Watch out for our new menu." I looked round, it hit me in the face. | 0:24:25 | 0:24:30 | |
I ordered dessert, he gave me tiramisu and a blindfolded horse. | 0:24:30 | 0:24:34 | |
I said, "No - mascarpone." | 0:24:34 | 0:24:36 | |
Dale Winton came up to me. He said, "Tim, can I ask you a question?" | 0:24:42 | 0:24:45 | |
He said, "Are you any good at impressions?" | 0:24:45 | 0:24:48 | |
I said, "No." | 0:24:48 | 0:24:49 | |
CHEERING AND APPLAUSE | 0:24:52 | 0:24:55 | |
Now... No, please. | 0:24:55 | 0:24:57 | |
I've got a lot to get through - don't start that. | 0:24:57 | 0:25:01 | |
Now, the big highlight of the show. | 0:25:01 | 0:25:02 | |
There it is. | 0:25:02 | 0:25:04 | |
But I think it's time for a bit of music. Let me tell you this - I'm actually totally deaf. | 0:25:10 | 0:25:14 | |
And, er, I never thought I'd hear myself say that. | 0:25:14 | 0:25:17 | |
My favourite composer is Handel, | 0:25:20 | 0:25:22 | |
who later teamed up with Hinge & Bracket to form The Doors. | 0:25:22 | 0:25:25 | |
Now, it's time to sing a song. I'm going to sing you a song. This song is called Alarm Bells. | 0:25:28 | 0:25:33 | |
Hit the music, please. Thank you very much. | 0:25:33 | 0:25:35 | |
PIANO INTRO PLAYS | 0:25:35 | 0:25:38 | |
# When a man wears trousers He's still a man | 0:25:38 | 0:25:41 | |
# When a girl wears trousers She's still a girl | 0:25:41 | 0:25:45 | |
# When your dad wears lipstick | 0:25:45 | 0:25:47 | |
# Alarm bells | 0:25:47 | 0:25:49 | |
# Alarm bells | 0:25:49 | 0:25:50 | |
# Alarm bells | 0:25:50 | 0:25:54 | |
# When the rollercoaster's fast It makes you feel high | 0:25:54 | 0:25:57 | |
# When the rollercoaster spins The world whizzes by | 0:25:57 | 0:26:00 | |
# When there's blood on the seats | 0:26:00 | 0:26:02 | |
# Alarm bells | 0:26:02 | 0:26:04 | |
# Alarm bells | 0:26:04 | 0:26:06 | |
# Alarm bells | 0:26:06 | 0:26:08 | |
# When an airline pilot says, "Fasten your seatbelts" | 0:26:08 | 0:26:11 | |
# That's all right | 0:26:11 | 0:26:13 | |
# When he says, "There's turbulence" It's just part of the flight | 0:26:13 | 0:26:16 | |
# When you hear him say "What does that light mean?" | 0:26:16 | 0:26:19 | |
# Alarm bells, alarm bells | 0:26:19 | 0:26:22 | |
# Alarm bells | 0:26:22 | 0:26:25 | |
# In your life, there are sights and smells | 0:26:25 | 0:26:29 | |
# But listen out for those alarm bells | 0:26:29 | 0:26:33 | |
# For example | 0:26:33 | 0:26:35 | |
# I am now a quarter of the way through my act. # | 0:26:35 | 0:26:39 | |
Alarm Bells. There they are, ladies and gentlemen. | 0:26:40 | 0:26:43 | |
This bloke said to me, "Tim, do you know, Marie Osmond is about to appear in the world's worst film?" | 0:26:49 | 0:26:54 | |
I said, "Warner Brothers?" He said, "I already have." | 0:26:54 | 0:26:58 | |
At a record shop, I said, "What have you got by The Doors?" | 0:26:59 | 0:27:01 | |
He said, "A bucket of sand and a fire blanket." | 0:27:01 | 0:27:04 | |
My mum and dad are complete opposites. You couldn't hope to meet two such totally different blokes. | 0:27:06 | 0:27:10 | |
My local police chief does a talk on heroin. | 0:27:12 | 0:27:15 | |
So, you can't understand any of it. | 0:27:15 | 0:27:17 | |
I was mugged recently. I was at Victoria station, I was mugged and I burst into tears. | 0:27:20 | 0:27:24 | |
A policeman came up to me. He said, "I'm fining you £10." | 0:27:24 | 0:27:27 | |
I said, "For crying out loud!" He said, "Yes." | 0:27:27 | 0:27:29 | |
I went to the cinema, saw a very sad film and the bloke behind started "wailing." | 0:27:31 | 0:27:35 | |
I got hit in the back of the head with a harpoon. | 0:27:35 | 0:27:38 | |
I love reading. At the moment, I'm reading My Life by Bill Clinton. | 0:27:42 | 0:27:45 | |
Which freaked me out, cos I didn't know he knew anything about my life. | 0:27:45 | 0:27:49 | |
This bloke said, "I've got bubonic plague." | 0:27:51 | 0:27:54 | |
I said, "Don't give me that." | 0:27:54 | 0:27:56 | |
Ladies and gentlemen, I'll leave you with this. | 0:27:58 | 0:28:01 | |
Well, I didn't bring it with me. | 0:28:01 | 0:28:02 | |
I had dinner with my boss and his wife. It was a complete disaster. | 0:28:04 | 0:28:08 | |
His wife said, "How many potatoes would you like?" I said, "Just one." | 0:28:08 | 0:28:11 | |
She said, "It's OK, you don't have to be polite." I said, "All right, then. Just one, you stupid cow." | 0:28:11 | 0:28:17 | |
Thank you very much. Good night and God bless. | 0:28:17 | 0:28:19 | |
CHEERING AND APPLAUSE | 0:28:19 | 0:28:22 | |
Vine! | 0:28:24 | 0:28:26 | |
Tim Vine, ladies and gentlemen. | 0:28:27 | 0:28:29 | |
And now, | 0:28:31 | 0:28:33 | |
it's time to say goodbye. | 0:28:33 | 0:28:35 | |
Thanks for watching Live At The Apollo, with Chris Addison, Tim Vine and me, Al Murray the Pub Landlord. | 0:28:35 | 0:28:39 | |
See you again. | 0:28:39 | 0:28:41 | |
Subtitles by Red Bee Media Ltd | 0:29:02 | 0:29:05 | |
E-mail [email protected] | 0:29:05 | 0:29:08 |