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'Ladies and gentlemen, | 0:00:19 | 0:00:21 | |
'please welcome your host for tonight, | 0:00:21 | 0:00:23 | |
'Alan Carr!' | 0:00:23 | 0:00:25 | |
APPLAUSE | 0:00:25 | 0:00:27 | |
Oh, how lovely! | 0:00:36 | 0:00:39 | |
Oh! | 0:00:39 | 0:00:40 | |
Oh, Hammersmith! | 0:00:42 | 0:00:44 | |
Ah! | 0:00:44 | 0:00:46 | |
Welcome to Live At The Apollo. I'm your host, Alan Carr. | 0:00:48 | 0:00:53 | |
CHEERING AND WHISTLING | 0:00:53 | 0:00:55 | |
Woohoo! Thank you. | 0:00:55 | 0:00:58 | |
I'm not a sheepdog. | 0:00:58 | 0:00:59 | |
I visited my nan the other day. You got to visit your nan, ain't ya? | 0:01:00 | 0:01:05 | |
-ALL: Yes! -Yeah. I went to see her, bless her. | 0:01:05 | 0:01:07 | |
She was sucking the chocolate off a Crunchie to send to Cash for Gold. | 0:01:07 | 0:01:12 | |
I don't know how much money pensioners get. | 0:01:17 | 0:01:20 | |
Honestly, she's got herself a 3D HD plasma screen in her lounge. | 0:01:20 | 0:01:24 | |
Honestly, it's huge. It's huge. | 0:01:24 | 0:01:25 | |
The people on the screen are bigger than she is. | 0:01:25 | 0:01:29 | |
The council drove by, thought she was subletting to Poirot. | 0:01:29 | 0:01:33 | |
Honestly, but she loves it, though. All this technology. | 0:01:35 | 0:01:38 | |
I'm the other way. I'm going... | 0:01:38 | 0:01:40 | |
You're going to think I'm mad, but you know what I can't stand? | 0:01:40 | 0:01:43 | |
Digital cameras. | 0:01:43 | 0:01:44 | |
I like the old ones, know what I mean? | 0:01:44 | 0:01:46 | |
I don't like to get the image instantly, | 0:01:46 | 0:01:48 | |
I like to wait to get back from the holiday | 0:01:48 | 0:01:51 | |
before I realise I'm fat and pasty, yeah? | 0:01:51 | 0:01:53 | |
People show you it, don't they? "Oh, yes! | 0:01:55 | 0:01:57 | |
"Great the way me back fat's poking through the slots of the sun lounger!" | 0:01:57 | 0:02:01 | |
Got screensaver written all over it, hasn't it? | 0:02:04 | 0:02:07 | |
They're inventing things that I don't even know what they are. | 0:02:09 | 0:02:13 | |
Wi-Fi printers, have you heard about this? I don't know what they are. | 0:02:13 | 0:02:16 | |
You can print from your computer to any printer, | 0:02:16 | 0:02:18 | |
wherever it is, in the world. | 0:02:18 | 0:02:20 | |
My printer don't work when it's connected to the sodding computer. | 0:02:20 | 0:02:25 | |
They're back to back in a loveless relationship. | 0:02:25 | 0:02:28 | |
"If you think I'm printing that, you've got another thing coming." | 0:02:28 | 0:02:32 | |
"Don't take that toner with me." | 0:02:32 | 0:02:33 | |
I like that pun, I like it. | 0:02:35 | 0:02:38 | |
I like it. | 0:02:40 | 0:02:42 | |
What celebs have we got here? | 0:02:44 | 0:02:46 | |
Hello, Eamonn. Eamonn and Ruth, come on. | 0:02:46 | 0:02:48 | |
APPLAUSE | 0:02:48 | 0:02:52 | |
Olly Murs. | 0:02:52 | 0:02:55 | |
CHEERING | 0:02:55 | 0:02:57 | |
And little Geordie Joe sneaked in behind you. | 0:02:58 | 0:03:01 | |
X Factor fantasy of mine. | 0:03:01 | 0:03:03 | |
Hello, love. Can I just say I love you? You know his skinny fit jeans? | 0:03:05 | 0:03:09 | |
He's got the image. Olly is the image I want. | 0:03:09 | 0:03:12 | |
Ain't he lovely? He's gorgeous. | 0:03:12 | 0:03:15 | |
SHOUTS OF APPROVAL | 0:03:15 | 0:03:16 | |
-He wears those skinny fit jeans. -Yeah. | 0:03:16 | 0:03:19 | |
I've had to throw mine out, honestly. | 0:03:19 | 0:03:21 | |
I had to. I got on the bus and a woman gave her seat up for me. | 0:03:21 | 0:03:25 | |
Olly, those hats! | 0:03:31 | 0:03:32 | |
Do you know, I got myself a white trilby, | 0:03:32 | 0:03:34 | |
cos I want to look like Justin Timberlake. I got it from Topman. | 0:03:34 | 0:03:39 | |
White trilby. | 0:03:39 | 0:03:41 | |
I look like a fishmonger at Morrisons. | 0:03:42 | 0:03:45 | |
APPLAUSE | 0:03:47 | 0:03:49 | |
Honestly. Pow! Pow! Pow! | 0:03:49 | 0:03:52 | |
Got some lovely scallops for your tea, Mrs Henderson. | 0:03:52 | 0:03:55 | |
Pop them in your basket. | 0:03:57 | 0:03:58 | |
Who else have we got? Oh, Arg. | 0:03:59 | 0:04:01 | |
The Only Way Is Essex. | 0:04:01 | 0:04:04 | |
CHEERING | 0:04:04 | 0:04:07 | |
Any Essex girls in? | 0:04:07 | 0:04:08 | |
I don't think there is tonight. | 0:04:08 | 0:04:10 | |
-Are you sure, cos... -There might be. | 0:04:10 | 0:04:12 | |
I'm not being rude, but over there I saw a flash of vajazzle. | 0:04:12 | 0:04:15 | |
Honestly, it was like looking in a magpie's nest. | 0:04:15 | 0:04:20 | |
Oh, Olly doesn't know. Let me explain. | 0:04:20 | 0:04:22 | |
-You know a woman's lady garden? -Yes, yep. | 0:04:22 | 0:04:25 | |
-It's where they decorate it with sequins. -Oh, really? | 0:04:25 | 0:04:29 | |
-Trinkets. -OK, yeah. | 0:04:29 | 0:04:30 | |
Hundreds and thousands. | 0:04:30 | 0:04:32 | |
I mean, they do. | 0:04:35 | 0:04:38 | |
Where I live, everyone does vajazzle. | 0:04:38 | 0:04:40 | |
Every shop does vajazzling. My best mate Monica, she got vajazzled. | 0:04:40 | 0:04:43 | |
She only popped in to get her keys cut. | 0:04:43 | 0:04:45 | |
The mechanical man did it in the window. | 0:04:47 | 0:04:49 | |
Seriously. Honest to God. Listen, Arg. She went to get it done | 0:04:58 | 0:05:02 | |
and she missed her appointment and the girl behind the counter went, | 0:05:02 | 0:05:05 | |
"A client's just gone in. Can you come back in an hour?" | 0:05:05 | 0:05:08 | |
I said "An hour?! How big is it?" | 0:05:08 | 0:05:11 | |
Go to Wickes and get it crazy paved for less. | 0:05:11 | 0:05:13 | |
It's true! | 0:05:13 | 0:05:16 | |
No, but these things they keep inventing, no-one tells me. | 0:05:16 | 0:05:19 | |
I took my two goddaughters to the leisure centre to go swimming. | 0:05:19 | 0:05:23 | |
No-one told me they'd invented a wave machine. | 0:05:23 | 0:05:26 | |
Did you know about this? | 0:05:26 | 0:05:28 | |
There I am, at the leisure centre, minding me own business. | 0:05:28 | 0:05:32 | |
All of a sudden, I hear... | 0:05:33 | 0:05:35 | |
IMITATES SIREN | 0:05:35 | 0:05:36 | |
It's getting choppy! | 0:05:44 | 0:05:46 | |
And then I couldn't kick because my locker key was round me weak leg. | 0:05:47 | 0:05:51 | |
I thought someone had pulled the plug out. | 0:05:53 | 0:05:55 | |
"Help! Help! Help!" | 0:05:55 | 0:05:58 | |
No! This lifeguard runs over with a float. | 0:05:59 | 0:06:03 | |
Do you remember those white floats you used to get at school? | 0:06:03 | 0:06:06 | |
Do you remember the texture of them? | 0:06:06 | 0:06:09 | |
They always had a bite out of them, didn't they? | 0:06:11 | 0:06:14 | |
How far away from land have you floated... | 0:06:17 | 0:06:20 | |
that you're that hungry? | 0:06:20 | 0:06:21 | |
WOMAN SQUEALS | 0:06:26 | 0:06:28 | |
It's been a long time since I've made a woman make that noise. | 0:06:28 | 0:06:31 | |
Oh, it's Melanie Sykes. Hello, Mel! | 0:06:34 | 0:06:36 | |
-Oh, thanks for laughing. -APPLAUSE | 0:06:36 | 0:06:38 | |
That's what friends are for. | 0:06:38 | 0:06:41 | |
Hope you brought your Tena Lady. | 0:06:42 | 0:06:44 | |
How unfit am I? | 0:06:49 | 0:06:52 | |
Do you see me sweating? | 0:06:52 | 0:06:54 | |
I don't mind getting the underarm bits. It's when you get the W's. | 0:06:54 | 0:06:57 | |
You've been sitting down and you get up | 0:07:02 | 0:07:04 | |
and they're underlined. You're like, "What?!" | 0:07:04 | 0:07:08 | |
You see, Gok was meant to help me with my outfit. | 0:07:08 | 0:07:11 | |
You know Gok Wan? You like Gok? | 0:07:11 | 0:07:13 | |
CHEERING | 0:07:13 | 0:07:14 | |
I love Gok, he's great. People always say | 0:07:14 | 0:07:16 | |
"When are you and Gok going to get together?" | 0:07:16 | 0:07:20 | |
We can't, we can't. | 0:07:20 | 0:07:22 | |
If we had kids, they'd be Wan-Carrs! | 0:07:22 | 0:07:25 | |
APPLAUSE | 0:07:25 | 0:07:29 | |
Do you know? | 0:07:29 | 0:07:31 | |
And let's face it, they're going to get bullied at school anyway. | 0:07:35 | 0:07:38 | |
Know what I mean? Let's not over-egg the pudding. | 0:07:38 | 0:07:41 | |
"Wan-Carr?" "Here, Sir!" | 0:07:41 | 0:07:43 | |
With a handbag. | 0:07:43 | 0:07:46 | |
I took my two goddaughters to the zoo, | 0:07:48 | 0:07:50 | |
cos I'm a good godfather and everything. | 0:07:50 | 0:07:52 | |
The trouble is, they're at that age... | 0:07:52 | 0:07:54 | |
that face-painting stage, you know what I mean? | 0:07:54 | 0:07:57 | |
When they like face painting. | 0:07:57 | 0:07:59 | |
The eldest one has got her face done as a tiger. | 0:07:59 | 0:08:02 | |
I don't know how I feel about that at the zoo. Do you know what I mean? | 0:08:02 | 0:08:05 | |
Not only do we take away these animals' freedom and liberty, | 0:08:05 | 0:08:09 | |
we start taking the piss out of their face. | 0:08:09 | 0:08:11 | |
The youngest one has got her face done as a dormouse. | 0:08:13 | 0:08:16 | |
Going round the reptile house, | 0:08:16 | 0:08:18 | |
they're creaming their drawers in there! | 0:08:18 | 0:08:21 | |
A Komodo dragon started laying the table. | 0:08:22 | 0:08:24 | |
While I'm there in the zoo, the zookeeper comes to me. | 0:08:28 | 0:08:31 | |
"Hello. | 0:08:31 | 0:08:33 | |
"Would you like to feed the monkeys? | 0:08:33 | 0:08:36 | |
"Would you like a bit of fruit and get in the cage | 0:08:36 | 0:08:39 | |
"and feed the monkeys?" | 0:08:39 | 0:08:40 | |
Then I realised he had a lazy eye and was looking at the girls. | 0:08:42 | 0:08:46 | |
Freaked me out! Freaked me out! Then the girls said, | 0:08:48 | 0:08:51 | |
"We don't want to get in the cage and feed the monkeys. | 0:08:51 | 0:08:54 | |
"Will you do it, Uncle Alan?" | 0:08:54 | 0:08:56 | |
"Yes, what a good idea(!)" | 0:08:59 | 0:09:02 | |
I get in the cage, I'm feeding the monkeys. | 0:09:02 | 0:09:04 | |
People are filming me. They're shouting commands. | 0:09:04 | 0:09:07 | |
"Stroke the monkey! Stroke the monkey! | 0:09:07 | 0:09:08 | |
"Faster! Harder! | 0:09:11 | 0:09:12 | |
"Dance with the monkey! | 0:09:14 | 0:09:15 | |
"Look like you're enjoying it!" | 0:09:19 | 0:09:21 | |
Then this school kid comes by and goes "Look, it's got a stiffy!" | 0:09:24 | 0:09:27 | |
I actually looked down at my own crotch! | 0:09:27 | 0:09:30 | |
I looked down! | 0:09:30 | 0:09:33 | |
But if you haven't got kids, you don't know how it works. | 0:09:38 | 0:09:41 | |
I don't know the rules and regulations. | 0:09:41 | 0:09:43 | |
Like those Baby On Board stickers - what am I supposed to make of that? | 0:09:43 | 0:09:47 | |
"All right, love, I weren't going to ram you anyway." | 0:09:47 | 0:09:50 | |
"You... If it weren't for that Baby On Board sticker." | 0:09:50 | 0:09:53 | |
What are you supposed to do with a Baby On Board sticker? | 0:09:53 | 0:09:56 | |
Overtake on a hairpin bend? "Oh, she's got her mother's eyes." | 0:09:56 | 0:09:59 | |
I was in a restaurant, yeah, with my two goddaughters and their mum | 0:10:04 | 0:10:08 | |
and the kid starts going, "I want Alan to take me to the toilet." | 0:10:08 | 0:10:14 | |
And then the mum goes, "She wants you to take her to the toilet!" | 0:10:15 | 0:10:19 | |
As if it's swimming with dolphins or something. | 0:10:19 | 0:10:22 | |
What do you want me to do? Go, "Yes..." | 0:10:25 | 0:10:27 | |
So, "Oh, yes, I'll let my lasagne get cold | 0:10:27 | 0:10:30 | |
"while I loiter mysteriously around a women's toilet for 20 minutes, | 0:10:30 | 0:10:34 | |
"getting dirty looks off everyone." | 0:10:34 | 0:10:37 | |
"I'm waiting for a child." | 0:10:37 | 0:10:40 | |
"Not like that! Not like that!" | 0:10:40 | 0:10:43 | |
And one of those kids gave me nits. | 0:10:46 | 0:10:49 | |
Nits at my a... Nits. | 0:10:49 | 0:10:51 | |
I had to go to Boots on the high street, | 0:10:51 | 0:10:54 | |
so embarrassing. | 0:10:54 | 0:10:55 | |
Have you seen that Scottish Widows advert | 0:10:59 | 0:11:01 | |
where she's going round the lighthouse? I was like her. | 0:11:01 | 0:11:05 | |
I went in and I said, "Excuse me," I said, "I think I've got nits." | 0:11:10 | 0:11:15 | |
"What, NITS?" | 0:11:15 | 0:11:16 | |
Even a man buying Vagisil went, "Hmm." | 0:11:16 | 0:11:19 | |
If you have got nits, don't use a nit comb. They're crap. | 0:11:25 | 0:11:28 | |
All they do is break the nits' legs, no wonder you can't get rid of them. | 0:11:28 | 0:11:32 | |
They're just laying there, "Help!" | 0:11:32 | 0:11:34 | |
"Has anyone got a ramp?" | 0:11:35 | 0:11:38 | |
"Quick, roll down the fringe." | 0:11:38 | 0:11:40 | |
Do I look like shit? | 0:11:53 | 0:11:56 | |
I do, don't I? | 0:11:56 | 0:11:57 | |
WOLF WHISTLE | 0:11:57 | 0:11:58 | |
You are a sick bastard! | 0:11:58 | 0:12:00 | |
Why are you whistling at camp chubby man, | 0:12:02 | 0:12:05 | |
who has obviously a thyroid issue?! | 0:12:05 | 0:12:08 | |
What you saying? | 0:12:11 | 0:12:13 | |
Sorry, I'm not fluent in, "Ugh-bugh!" | 0:12:13 | 0:12:15 | |
Your flies are undone! | 0:12:16 | 0:12:19 | |
Oh, my God! | 0:12:22 | 0:12:23 | |
LAUGHTER | 0:12:23 | 0:12:26 | |
It's popped off! | 0:12:35 | 0:12:37 | |
Oh, no! | 0:12:40 | 0:12:43 | |
You've all been looking at my knob. | 0:12:45 | 0:12:47 | |
Shouldn't bloody be looking, you big gay! | 0:12:50 | 0:12:52 | |
I am like Oscar Wilde, ain't I? | 0:12:59 | 0:13:02 | |
I really am, with these witty put-downs. | 0:13:02 | 0:13:04 | |
Let's welcome our first comedian to the stage. | 0:13:06 | 0:13:09 | |
I love her, you love her. | 0:13:09 | 0:13:10 | |
It's Andi Osho! Woo! | 0:13:10 | 0:13:12 | |
Hey! | 0:13:18 | 0:13:20 | |
Hello! | 0:13:22 | 0:13:24 | |
Oh, this is nice! | 0:13:26 | 0:13:28 | |
Did he do the whole thing with his flies undone? | 0:13:28 | 0:13:30 | |
I couldn't see. Is that it? | 0:13:30 | 0:13:32 | |
Oh, my days! Never mind. | 0:13:32 | 0:13:33 | |
Don't look at my boobs. | 0:13:33 | 0:13:35 | |
This is good, this is nice. Are there loads of couples in? | 0:13:35 | 0:13:38 | |
Give me a cheer, couples. | 0:13:38 | 0:13:39 | |
MUTED CHEERING | 0:13:39 | 0:13:41 | |
Hey, that's nice. That's the sound of a thousand blokes being nudged in the ribs. | 0:13:41 | 0:13:45 | |
And are there single people in? Single people, give me a cheer. | 0:13:45 | 0:13:48 | |
LOUDER CHEERING | 0:13:48 | 0:13:51 | |
You see how much happier they sound? | 0:13:51 | 0:13:54 | |
Amazing. I'm single, | 0:13:54 | 0:13:56 | |
I've been single for ages. I think, and I... | 0:13:56 | 0:13:59 | |
I can't tell whether it's cos I'm really fussy. | 0:13:59 | 0:14:02 | |
Cos this I all I want, right - a good-looking bloke who's smart. | 0:14:02 | 0:14:05 | |
And the smart thing, is a deal-breaker for me. | 0:14:05 | 0:14:08 | |
I don't want the sort of bloke | 0:14:08 | 0:14:09 | |
who licks his finger before turning the page on a Kindle. | 0:14:09 | 0:14:13 | |
Or worse still, licks the Kindle to turn the page. | 0:14:15 | 0:14:19 | |
That's bad. But it has been ages since I've even... | 0:14:19 | 0:14:22 | |
I haven't had a date, this is absolutely true, I've not had a date for three years. | 0:14:22 | 0:14:26 | |
-AUDIENCE: Aw! -Save your sympathy! | 0:14:26 | 0:14:28 | |
When I'm talking about dates, I'm not talking about getting drunk with some bloke | 0:14:28 | 0:14:32 | |
and staggering back to his. In which case, I've been dating! | 0:14:32 | 0:14:35 | |
Probably a little bit too much, to be perfectly honest, | 0:14:35 | 0:14:39 | |
but a girl's got to eat. Now... | 0:14:39 | 0:14:41 | |
LAUGHTER | 0:14:41 | 0:14:43 | |
It's true. Honestly, you've got to keep it all working down there. | 0:14:43 | 0:14:48 | |
I saw it on Embarrassing Bodies - a woman's vajuju healed up. | 0:14:48 | 0:14:52 | |
It was like a Sindy doll down there! | 0:14:52 | 0:14:54 | |
You've got to keep it, you know. | 0:14:54 | 0:14:56 | |
But seriously, I'm down to last resorts now. | 0:14:56 | 0:14:58 | |
This is my last resort, because I've tried everything. | 0:14:58 | 0:15:01 | |
I've done internet dating and all that. My last resort is to walk into a random pub | 0:15:01 | 0:15:05 | |
and hope someone replies if I go, | 0:15:05 | 0:15:07 | |
# I like old movies... # | 0:15:07 | 0:15:09 | |
LAUGHTER AND APPLAUSE | 0:15:09 | 0:15:11 | |
That's all I've got left. But that could work. | 0:15:15 | 0:15:19 | |
You know what I love about that ad? I would love it if that wasn't the first shop she'd been into. | 0:15:19 | 0:15:24 | |
If she'd gone into a weird shop like that one in Pulp Fiction with all the samurai swords on the wall. | 0:15:24 | 0:15:30 | |
And she'd gone up to the piano... | 0:15:30 | 0:15:32 | |
# I like old movies... # | 0:15:32 | 0:15:35 | |
Then she'd heard from the back... | 0:15:35 | 0:15:36 | |
# Like Scream and Saw III... # | 0:15:36 | 0:15:38 | |
OK, not this shop, but thank you, thank you. | 0:15:38 | 0:15:41 | |
They all advertise as well, don't they? | 0:15:43 | 0:15:45 | |
The internet dating companies, like Uniform Dating, | 0:15:45 | 0:15:48 | |
they advertise, but they don't even have people in their adverts. | 0:15:48 | 0:15:52 | |
And then the tag line, she goes, "Do you work in uniform, | 0:15:52 | 0:15:55 | |
"or fancy those who do?" | 0:15:55 | 0:15:57 | |
Isn't that just like everybody, then? | 0:16:02 | 0:16:04 | |
That's like BUPA bringing out a new health care product - | 0:16:04 | 0:16:07 | |
"Are you healthy, ill, dead, or know someone who is?" | 0:16:07 | 0:16:12 | |
They're not helping me. | 0:16:13 | 0:16:15 | |
Or eHarmony, that's another one, they advertise a lot. | 0:16:15 | 0:16:18 | |
Sometimes they reject people's applications, | 0:16:18 | 0:16:21 | |
and a guy put in an application and it got rejected | 0:16:21 | 0:16:23 | |
cos of what he said in response to a question. | 0:16:23 | 0:16:26 | |
And there's a screen grab of it on the internet. | 0:16:26 | 0:16:28 | |
It goes "eHarmony has rejected your application | 0:16:28 | 0:16:31 | |
"because in response to the question 'What do you find most attractive in a woman?'" | 0:16:31 | 0:16:35 | |
The bloke had written "My dick." | 0:16:35 | 0:16:37 | |
How good is that? | 0:16:42 | 0:16:44 | |
Because it tells a woman two important things. | 0:16:44 | 0:16:46 | |
1 - He has got a sense of humour. | 0:16:46 | 0:16:48 | |
What girl doesn't like a guy with a sense of humour? | 0:16:48 | 0:16:51 | |
2 - He's got a dick. | 0:16:51 | 0:16:52 | |
What girl doesn't like a guy with a dick? All of us. | 0:16:54 | 0:16:58 | |
But I did internet dating, | 0:17:01 | 0:17:02 | |
and the problem I had with it | 0:17:02 | 0:17:04 | |
was basically the men. | 0:17:04 | 0:17:06 | |
No, what it is, I think it's the panic of having to advertise yourself, | 0:17:06 | 0:17:10 | |
so they write weird things. | 0:17:10 | 0:17:11 | |
Like they'll put down "reading" as a hobby. | 0:17:11 | 0:17:15 | |
Now, reading is not a hobby, | 0:17:15 | 0:17:17 | |
that's just something you should be able to do. | 0:17:17 | 0:17:20 | |
You know, what are you going to put next? | 0:17:20 | 0:17:23 | |
"I'm a big fan of eating and thinking. Pick me!" | 0:17:23 | 0:17:25 | |
No, mate, put that you're a fan of putting up shelves | 0:17:25 | 0:17:28 | |
and munching rug, then I'll pick you. | 0:17:28 | 0:17:30 | |
LAUGHTER AND APPLAUSE | 0:17:30 | 0:17:33 | |
Yep. They wouldn't even need a photo then. | 0:17:33 | 0:17:37 | |
I'd be like, "My God, this guy sounds amazing, where is he?" | 0:17:37 | 0:17:40 | |
Also, they want you to think that they look after themselves, | 0:17:40 | 0:17:43 | |
so they put down that they like a sport. | 0:17:43 | 0:17:45 | |
But then they'll pick a rubbish one, like badminton. | 0:17:45 | 0:17:48 | |
Now, come on, I'm sorry, that is not a proper sport. | 0:17:48 | 0:17:51 | |
That should be downgraded. It is a board game at best. | 0:17:51 | 0:17:55 | |
It is, it's like watching two blokes trying to hit a dandelion | 0:17:55 | 0:17:58 | |
with a sieve. | 0:17:58 | 0:17:59 | |
It's ridiculous. It's like watching a bloke chase a moth with a wok. | 0:18:02 | 0:18:07 | |
What an absurd game. | 0:18:09 | 0:18:11 | |
And the equipment in badminton is ridiculous. | 0:18:11 | 0:18:14 | |
Like, in cricket, right, you've got a ball made of wood. | 0:18:14 | 0:18:17 | |
If that hits you, that hurts. | 0:18:17 | 0:18:19 | |
If you get hit by a shuttlecock in badminton, you're like, | 0:18:19 | 0:18:22 | |
"What is it? What is it? Get it out! Get it away from me!" | 0:18:22 | 0:18:25 | |
If someone breaks into your house, | 0:18:25 | 0:18:27 | |
do you have a baseball bat by your bed or a badminton racket? | 0:18:27 | 0:18:30 | |
Do you go up to the intruder, "Stay back or I will dice you." | 0:18:30 | 0:18:35 | |
But it's not like I don't like sport. I do like sport. | 0:18:36 | 0:18:39 | |
I stewarded at a football club. | 0:18:39 | 0:18:41 | |
I won't say which one, cos it always divides the room. | 0:18:41 | 0:18:43 | |
I'll give you a clue. | 0:18:43 | 0:18:44 | |
It rhymes with "Middle-class-enal". | 0:18:44 | 0:18:48 | |
It's there if you want it. | 0:18:48 | 0:18:49 | |
But what I really loved about stewarding, right, | 0:18:49 | 0:18:52 | |
I loved the way the fans behave. | 0:18:52 | 0:18:54 | |
I loved the random things that they do. | 0:18:54 | 0:18:56 | |
A guy had a season ticket, always sat in the same place behind me. | 0:18:56 | 0:18:59 | |
He wanted to join in with the chanting | 0:18:59 | 0:19:01 | |
but couldn't quite get the inflection right. | 0:19:01 | 0:19:03 | |
So what you get is the opposition pipe up, like, "Who are ya? Who are ya?" | 0:19:03 | 0:19:06 | |
And then this guy behind me, going, "Who are you? Who are you?!" | 0:19:06 | 0:19:10 | |
Like properly angry. | 0:19:15 | 0:19:18 | |
He'd always be getting them wrong. | 0:19:18 | 0:19:19 | |
A little fracas would break out on the pitch and you'd get him going, | 0:19:19 | 0:19:22 | |
"The referee is wanking! The referee is wanking!" | 0:19:22 | 0:19:25 | |
"It's 'He's a wanker'." | 0:19:31 | 0:19:34 | |
"Oh, no, shit, look, he is! Well spotted!" | 0:19:35 | 0:19:38 | |
"What are the chances? What are the chances?" | 0:19:38 | 0:19:40 | |
If you go on a lot of dating websites, | 0:19:42 | 0:19:45 | |
or look at a lot of profiles, you start to see the same phrases, | 0:19:45 | 0:19:48 | |
people write the same stuff on their profiles. | 0:19:48 | 0:19:50 | |
This is one that always gets me. | 0:19:50 | 0:19:52 | |
People always go, "I love nights in, but I love nights out." | 0:19:52 | 0:19:56 | |
Who doesn't like nights in and nights out? Can't we just assume... | 0:19:57 | 0:20:01 | |
I mean, obviously homeless people would prefer more nights in. | 0:20:01 | 0:20:05 | |
Obviously. | 0:20:07 | 0:20:09 | |
Fritzl kids, you know, more nights out. | 0:20:09 | 0:20:12 | |
GROANING | 0:20:12 | 0:20:15 | |
What are you gonna do? | 0:20:18 | 0:20:20 | |
You know what, if I had my own dating website, right, | 0:20:20 | 0:20:24 | |
I would only have one question. | 0:20:24 | 0:20:25 | |
I wouldn't bother with all these questions they ask you. | 0:20:25 | 0:20:28 | |
One question, simple. "What's wrong with you?" | 0:20:28 | 0:20:31 | |
Because that's all we need to know. That is what it comes down to. | 0:20:31 | 0:20:34 | |
However you met someone, | 0:20:34 | 0:20:36 | |
be it via a dating website or in the real world, | 0:20:36 | 0:20:38 | |
the only thing you really want to know about them | 0:20:38 | 0:20:41 | |
is what's wrong with them. | 0:20:41 | 0:20:42 | |
Because we pretend to be someone we're not | 0:20:42 | 0:20:44 | |
when we first meet someone. | 0:20:44 | 0:20:46 | |
It's a super-us, isn't it? A good, decent, honest version of ourselves. | 0:20:46 | 0:20:49 | |
One of my pretences in the early stages, I pretend to be, | 0:20:49 | 0:20:52 | |
like, really hygienic. | 0:20:52 | 0:20:54 | |
You know, like I won't eat food off the floor in front of the bloke. | 0:20:54 | 0:20:58 | |
"No, I prepared it with hair and fluff and stuff on it." | 0:20:58 | 0:21:01 | |
Or I'll make a big deal about washing my hands | 0:21:01 | 0:21:04 | |
after I've been to the toilet, even though I'm pretending. | 0:21:04 | 0:21:06 | |
"Look at me, washy, washy, wash. All the way up to the elbow." | 0:21:06 | 0:21:09 | |
Sharing a bit too much now. | 0:21:12 | 0:21:14 | |
I'll tell you something that women pretend - we pretend, | 0:21:14 | 0:21:16 | |
in the early stages, that we don't fart. | 0:21:16 | 0:21:18 | |
That's one of the biggest pretences that we have going, | 0:21:18 | 0:21:21 | |
but I think, right, women should just let it out. | 0:21:21 | 0:21:24 | |
It's a big day in a girl's life | 0:21:24 | 0:21:25 | |
when she can freely let rip in front of her bloke. | 0:21:25 | 0:21:29 | |
It is. I think women should be having | 0:21:29 | 0:21:31 | |
"I farted in front of my boyfriend for the first time" parties. | 0:21:31 | 0:21:34 | |
They should be ringing their mums, going, | 0:21:36 | 0:21:38 | |
"Mum, I've got something to tell you." | 0:21:38 | 0:21:40 | |
"Oh, darling, what is it? What is it?" | 0:21:40 | 0:21:42 | |
"I just did a fart in front of Tom." | 0:21:42 | 0:21:44 | |
"Oh, darling, that's wonderful news! And what did he say?" | 0:21:44 | 0:21:47 | |
"He didn't say anything. He just laughed and farted back!" | 0:21:47 | 0:21:50 | |
"My little girl's all grown up." | 0:21:52 | 0:21:54 | |
Meanwhile, Dad'll be going, | 0:21:54 | 0:21:56 | |
"Women are farting far too early in front of their boyfriends these days. | 0:21:56 | 0:22:00 | |
"It was 18 months before your mother even trumped in my direction. | 0:22:00 | 0:22:03 | |
"Six months before she'd take a dump in the house when I was around." | 0:22:03 | 0:22:06 | |
Something else we pretend - | 0:22:08 | 0:22:10 | |
we keep the old, er, the lady garden quite tidy, us girls, in the early stages. | 0:22:10 | 0:22:15 | |
We do little tricks with it. | 0:22:15 | 0:22:16 | |
"Look, it's a strip, it's a Brazilian. | 0:22:16 | 0:22:18 | |
"Look, I put a hat on it, it's a Mexican." Like, we do... | 0:22:18 | 0:22:22 | |
We do all that in the early stages and then after about a year, | 0:22:23 | 0:22:26 | |
it looks like the back of the wardrobe that leads to Narnia. | 0:22:26 | 0:22:29 | |
"Well, if he wants it, he's going to have to work for it." | 0:22:31 | 0:22:34 | |
People say, "Andi, you could try meeting people in a nightclub." | 0:22:46 | 0:22:49 | |
You'll never meet anyone good in a nightclub, | 0:22:49 | 0:22:52 | |
because the nightclub environment is designed to have us make bad decisions. | 0:22:52 | 0:22:57 | |
It's dark, you can't see, you can't hear. | 0:22:57 | 0:22:59 | |
You know what, if nightclubs want to be responsible, | 0:22:59 | 0:23:01 | |
what they should do to help us out, is just before the exit, they should have a brightly lit room, | 0:23:01 | 0:23:06 | |
where you can check out the person you're leaving with. | 0:23:06 | 0:23:10 | |
They should call it the Have A Sodding Word With Yourself Lounge. | 0:23:10 | 0:23:13 | |
And you'd get women in there just going, "Oh, my god, you're wearing a fleece. | 0:23:15 | 0:23:19 | |
"I couldn't tell because it's so dark in there. OK, nice to meet you!" | 0:23:19 | 0:23:23 | |
But listen, if you meet somebody online, | 0:23:28 | 0:23:30 | |
all I'm going to say is there's some safety things to take into consideration. | 0:23:30 | 0:23:34 | |
Now, I met somebody through Twitter just the once - never again - | 0:23:34 | 0:23:38 | |
and it was the most irresponsible thing I've ever done. I spoke to a friend about it | 0:23:38 | 0:23:42 | |
and I said, "I've met this guy, and we seem to really like each other | 0:23:42 | 0:23:45 | |
"and we're talking about meeting up. Should I meet him?" | 0:23:45 | 0:23:47 | |
Before my mate had a chance to say anything, | 0:23:47 | 0:23:50 | |
I said, "I AM going to meet this guy. You know why? Cos life's too short." | 0:23:50 | 0:23:54 | |
And my mate just went, "Yeah, you're going to find out how short!" | 0:23:54 | 0:23:57 | |
And my mum says, "Look, if you go on these dates, | 0:23:59 | 0:24:02 | |
"make sure you meet in a public place." | 0:24:02 | 0:24:04 | |
I'm going to add something to that. Public place - brill. | 0:24:04 | 0:24:08 | |
Public house - excellent. | 0:24:08 | 0:24:10 | |
Public toilet... | 0:24:10 | 0:24:11 | |
Never meet in a public toilet. No good can come of it, | 0:24:13 | 0:24:17 | |
unless it's them space-age toilets that they have outside, | 0:24:17 | 0:24:21 | |
where you put the money in, press the button and then the door opens. Cos you can pretend it's Blind Date. | 0:24:21 | 0:24:27 | |
Oh, how good is that, you just put the money in, and press the button! | 0:24:27 | 0:24:32 | |
SHE HUMS BLIND DATE THEME | 0:24:32 | 0:24:35 | |
And if you don't like them, just press the button really quickly. | 0:24:37 | 0:24:40 | |
I don't know why young couples, | 0:24:44 | 0:24:45 | |
new couples, have got this obsession with finding out | 0:24:45 | 0:24:48 | |
how many people someone has been out with from before. | 0:24:48 | 0:24:51 | |
Like, how many previous partners? This is a lose/lose situation. | 0:24:51 | 0:24:55 | |
And if any of you have ever had that conversation, | 0:24:55 | 0:24:57 | |
or you think it's going to come up, this is what you should say, OK? Just say, | 0:24:57 | 0:25:01 | |
"You want to know how many previous partners? OK, I'll tell you from the beginning. | 0:25:01 | 0:25:06 | |
"One, two, three, four, | 0:25:06 | 0:25:07 | |
"YOU... | 0:25:07 | 0:25:08 | |
"six, seven..." | 0:25:08 | 0:25:10 | |
Ladies and gentlemen, you've been lovely. | 0:25:15 | 0:25:17 | |
I've been Andi Osho. Thank you very much! Good night! | 0:25:17 | 0:25:20 | |
APPLAUSE AND CHEERING | 0:25:20 | 0:25:22 | |
Andi Osho! | 0:25:27 | 0:25:29 | |
Who else have we got? Jake Humphrey from Formula One. | 0:25:32 | 0:25:36 | |
ALL: Woo! | 0:25:36 | 0:25:38 | |
-Hello, love. -Hello. -What's your show about? What's it...? | 0:25:38 | 0:25:41 | |
No, I'm not being horrible. I've never heard of it. | 0:25:41 | 0:25:44 | |
-It's driving cars and stuff. -Driving cars. | 0:25:44 | 0:25:47 | |
Oh, what do you think of those electric cars? | 0:25:47 | 0:25:50 | |
-Brilliant, good for the environment. -Good for the environment. You know why I'm asking... | 0:25:50 | 0:25:55 | |
They asked me to be the face of electric cars. | 0:25:55 | 0:25:58 | |
No, because you know me surname's Carr? | 0:25:58 | 0:26:02 | |
They spent hours thinking this up, honestly, yeah. | 0:26:03 | 0:26:06 | |
And the money was good, I thought I'd do it, and then I saw the slogan. | 0:26:06 | 0:26:09 | |
"The car you don't have to stick your nozzle in and pump." | 0:26:09 | 0:26:14 | |
It's true, it's true. It took me ages.... | 0:26:14 | 0:26:19 | |
-Honestly, how long did it take you to pass your test, Jake? -First time. | 0:26:19 | 0:26:22 | |
Oh, don't you hate people, "first time?" | 0:26:22 | 0:26:25 | |
Do you know how long it took me? Four times, yeah. | 0:26:25 | 0:26:27 | |
The first time I failed me test it weren't my fault. | 0:26:27 | 0:26:30 | |
I had the wrong prescription in my glasses. | 0:26:30 | 0:26:33 | |
It had a concave lens. | 0:26:33 | 0:26:34 | |
Honestly, I kept veering off into the hedge and the verge. | 0:26:34 | 0:26:37 | |
Honestly, the poor instructor! I was screaming, | 0:26:37 | 0:26:40 | |
he was blackberry picking. | 0:26:40 | 0:26:42 | |
He was a pervert. | 0:26:46 | 0:26:47 | |
He liked me to go down the country lanes. | 0:26:47 | 0:26:50 | |
"Let's go down the country lanes, me and you. | 0:26:50 | 0:26:53 | |
"Let's go down the country lanes." | 0:26:53 | 0:26:55 | |
He liked me to drive over cattle grids | 0:26:55 | 0:26:58 | |
cos it made me chest jiggle. | 0:26:58 | 0:27:00 | |
Oh, can I tell you this, it's a bit personal? | 0:27:04 | 0:27:07 | |
I had a health scare, yeah, I caught something in a hot tub. | 0:27:07 | 0:27:10 | |
Now listen, | 0:27:12 | 0:27:13 | |
I hate hot tubs, yeah, I was round me friend's house, | 0:27:13 | 0:27:16 | |
we're having a nice meal, | 0:27:16 | 0:27:17 | |
the plates get taken away and he says, | 0:27:17 | 0:27:19 | |
"Hey, Alan... | 0:27:19 | 0:27:20 | |
"..grab a glass of wine, put some Speedos on, | 0:27:22 | 0:27:24 | |
"and come and join me and the wife in the hot tub." | 0:27:24 | 0:27:27 | |
AUDIENCE LAUGHS | 0:27:27 | 0:27:29 | |
What's wrong with an after-dinner mint, | 0:27:29 | 0:27:32 | |
why do I have to get in a hot tub? | 0:27:32 | 0:27:33 | |
They're wrong, hot tubs, ain't they, they're wrong? | 0:27:33 | 0:27:37 | |
It's like me inviting you all for dinner, then saying, | 0:27:37 | 0:27:40 | |
"I've run a bath, do you want to get in? | 0:27:40 | 0:27:41 | |
"No, wait, I'll push it into the front lawn | 0:27:44 | 0:27:46 | |
"so the neighbours can see us." | 0:27:46 | 0:27:48 | |
We haven't got the views over here, have we? | 0:27:51 | 0:27:53 | |
Fair enough if you're in California watching the sun set on the horizon, | 0:27:53 | 0:27:57 | |
but over here, a rusty swingball | 0:27:57 | 0:27:59 | |
and a fox going through your rubbish! | 0:27:59 | 0:28:01 | |
Oh, look, a syringe. Ooh! | 0:28:05 | 0:28:07 | |
Do you know, I had to have a Well Man test. | 0:28:11 | 0:28:12 | |
You know, where they test everything over, | 0:28:12 | 0:28:14 | |
because like I said, I had that health scare. | 0:28:14 | 0:28:17 | |
And I'd put on weight on everything. | 0:28:17 | 0:28:18 | |
I know I'm fat now, but I really put on weight. | 0:28:18 | 0:28:22 | |
You know you've got fat when someone uses your love handles | 0:28:22 | 0:28:24 | |
to get to a disabled toilet. | 0:28:24 | 0:28:26 | |
She started asking embarrassing questions. | 0:28:32 | 0:28:34 | |
"Do you find your clothes are a bit tighter than normal?" | 0:28:34 | 0:28:37 | |
I said, "My poncho's chaffing, you do the math." | 0:28:37 | 0:28:39 | |
She checked everything over, yeah, | 0:28:43 | 0:28:45 | |
but she checked my balls. | 0:28:45 | 0:28:47 | |
Honestly, she checked my balls and she was down there for ages. | 0:28:47 | 0:28:51 | |
And she started pulling the same face I pull | 0:28:51 | 0:28:53 | |
when I'm trying to Sky+. | 0:28:53 | 0:28:55 | |
You don't know what to say. She's got your balls in her hand, what can you say? | 0:29:02 | 0:29:06 | |
"Go compare! Go compare!" You can't! | 0:29:06 | 0:29:08 | |
But once one thing goes, you think everything's going to go. | 0:29:11 | 0:29:14 | |
Have you ever been in a posh car | 0:29:14 | 0:29:15 | |
and they've put the heated seats on without telling you? | 0:29:15 | 0:29:19 | |
"Ooh, no. | 0:29:20 | 0:29:22 | |
"Oh, no, you haven't. | 0:29:23 | 0:29:26 | |
"Not in a Nissan Sunny!" | 0:29:26 | 0:29:28 | |
This kind of shit happens to me. | 0:29:32 | 0:29:33 | |
I think it's time for our second comedian, | 0:29:35 | 0:29:37 | |
he's absolutely brilliant. | 0:29:37 | 0:29:39 | |
Hammersmith, go mad, go crazy | 0:29:39 | 0:29:41 | |
and welcome to the stage the one and only Patrick Kielty! | 0:29:41 | 0:29:45 | |
-Woo! -AUDIENCE CHEERS AND APPLAUDS | 0:29:45 | 0:29:49 | |
Thank you very much. Good evening, Apollo, how are we? | 0:30:01 | 0:30:04 | |
AUDIENCE CHEERS | 0:30:04 | 0:30:07 | |
Good, good, we're all here, all ready to laugh Britain | 0:30:07 | 0:30:10 | |
out of recession, | 0:30:10 | 0:30:11 | |
that's...that's what it is, | 0:30:11 | 0:30:14 | |
cos it's tough times, | 0:30:14 | 0:30:15 | |
it's tough for everybody, tough to be Irish at the minute, | 0:30:15 | 0:30:18 | |
tough to be Irish in London at the minute. | 0:30:18 | 0:30:20 | |
AUDIENCE: Woo! | 0:30:20 | 0:30:22 | |
Any Irish in? | 0:30:22 | 0:30:23 | |
-AUDIENCE: Whey! -Whey, yeah. | 0:30:23 | 0:30:25 | |
The Polish have stolen all the building work. | 0:30:25 | 0:30:27 | |
The Muslims have stolen all the terrorism work. | 0:30:29 | 0:30:32 | |
Yeah, it... | 0:30:33 | 0:30:35 | |
"They come over here, they steal our bombs!" | 0:30:39 | 0:30:41 | |
I tell you, that was good while it lasted, | 0:30:41 | 0:30:44 | |
honestly, that was the greatest scam that Irish people ever had. | 0:30:44 | 0:30:48 | |
Blow it up on a Friday, | 0:30:48 | 0:30:50 | |
start building it again on a Monday, that was great! | 0:30:50 | 0:30:52 | |
"Have you much work on at the minute, Seamus?" | 0:30:56 | 0:30:58 | |
"Not much, Michael." "Leave it with me." | 0:30:58 | 0:31:01 | |
And can I just say, guys, as someone from Northern Ireland, | 0:31:04 | 0:31:07 | |
can I just say, | 0:31:07 | 0:31:09 | |
congratulations on your riots, London, that was... | 0:31:09 | 0:31:12 | |
AUDIENCE CHEERS | 0:31:12 | 0:31:13 | |
Yeah, round of applause for the riots there, | 0:31:13 | 0:31:16 | |
that's...one, or two, | 0:31:16 | 0:31:17 | |
only the people that actually rioted applauding there, that was good. | 0:31:17 | 0:31:20 | |
People who rioted thinking other people were going to join in. | 0:31:20 | 0:31:26 | |
It brought me back to my childhood, | 0:31:26 | 0:31:28 | |
it really did, it did. | 0:31:28 | 0:31:30 | |
It was just the right mixture between excitement and fear. | 0:31:30 | 0:31:34 | |
It reminded me of being an altar boy again. It... | 0:31:35 | 0:31:38 | |
And the great thing about it for me | 0:31:41 | 0:31:43 | |
was that that people asked my opinion. | 0:31:43 | 0:31:45 | |
They kind of think that when you're from Northern Ireland, | 0:31:45 | 0:31:49 | |
you're an expert. | 0:31:49 | 0:31:50 | |
Which is kind of nice, | 0:31:50 | 0:31:52 | |
or racist, really, it's kind of racist. | 0:31:52 | 0:31:55 | |
I went on Daybreak during the riots, | 0:31:55 | 0:31:59 | |
as if London wasn't suffering enough, | 0:31:59 | 0:32:02 | |
and I kid you not, right, Adrian Chiles asked me, he said, | 0:32:02 | 0:32:06 | |
"So before we talk about what you're here to talk about, | 0:32:06 | 0:32:09 | |
"disgraceful scenes in London, last night, | 0:32:09 | 0:32:12 | |
"you're from Belfast, Patrick, what do you think?" | 0:32:12 | 0:32:16 | |
I'm like, "Well, Adrian, most of these kids are only doing this | 0:32:18 | 0:32:21 | |
"because they grew up in shitholes. | 0:32:21 | 0:32:23 | |
"You're from Birmingham, what do you think?" | 0:32:23 | 0:32:26 | |
-AUDIENCE LAUGHS AND CHEERS -So... | 0:32:26 | 0:32:32 | |
What was he expecting?! | 0:32:34 | 0:32:36 | |
Was he expecting some type of post-match analysis from me? | 0:32:36 | 0:32:40 | |
-IMITATES ALAN HANSEN: -"Technically very, very poor, badly organised. | 0:32:40 | 0:32:44 | |
"You might pick up a plasma in this country | 0:32:46 | 0:32:48 | |
"with that type of performance, | 0:32:48 | 0:32:50 | |
"but in Europe they'll eat you for breakfast." | 0:32:50 | 0:32:52 | |
I like a riot as much as anybody else, | 0:32:55 | 0:32:57 | |
but, you know, we need a cause. | 0:32:57 | 0:33:00 | |
We need a cause that we can all believe in. | 0:33:00 | 0:33:02 | |
Whatever happened to taking to the streets | 0:33:02 | 0:33:04 | |
and getting behind the great rallying cries? | 0:33:04 | 0:33:07 | |
"I have a dream." "We shall overcome." | 0:33:07 | 0:33:09 | |
"If you like, you should have put a ring on it." | 0:33:09 | 0:33:12 | |
# Oh-oh-oh oh-oh-oh... | 0:33:12 | 0:33:14 | |
I kind of feel a bit let down by Beyonce, I have to say. | 0:33:16 | 0:33:19 | |
Does any other man in the room feel let down by Beyonce? | 0:33:19 | 0:33:23 | |
I remember when Beyonce used to be here for us men. | 0:33:23 | 0:33:25 | |
You could rely on Beyonce. | 0:33:25 | 0:33:27 | |
When Beyonce used to shake her stuff purely for men. | 0:33:27 | 0:33:31 | |
# I don't think you're ready for this jelly | 0:33:31 | 0:33:34 | |
# I don't think you're ready for this jelly | 0:33:34 | 0:33:36 | |
# I don't think you're ready for this | 0:33:36 | 0:33:38 | |
# My body too bootilicious for you, baby. # | 0:33:38 | 0:33:43 | |
-That's... That's kind of... -APPLAUSE AND CHEERING | 0:33:43 | 0:33:46 | |
That's when Beyonce was being Beyonce. | 0:33:49 | 0:33:52 | |
None of this, "If you like it, you should have put a ring on it." Eh? | 0:33:52 | 0:33:57 | |
What's all that about? | 0:33:57 | 0:33:58 | |
She's gone from a pole-dancing sex kitten | 0:33:58 | 0:34:01 | |
to an Irish Catholic nun in three singles, hasn't she? | 0:34:01 | 0:34:04 | |
# No, no, no, no, no, no, no, no, no, no... # | 0:34:04 | 0:34:09 | |
And as we all know, that's a lie. | 0:34:12 | 0:34:15 | |
I find, guys, if you like it, never put a ring on it. I find. | 0:34:17 | 0:34:20 | |
I find if you like it, | 0:34:23 | 0:34:24 | |
put a nice pair of shoes on it every few months. | 0:34:24 | 0:34:26 | |
And that'll give you a much more regular level of service, I find. | 0:34:28 | 0:34:32 | |
So I've given up on Beyonce. | 0:34:37 | 0:34:39 | |
I've basically replaced Beyonce with Rihanna, | 0:34:39 | 0:34:41 | |
because obviously Rihanna... | 0:34:41 | 0:34:42 | |
-Any Rihanna fans in? -WHOOPING | 0:34:42 | 0:34:45 | |
Rihanna, of course, much more wholesome. | 0:34:45 | 0:34:48 | |
No, she is. A lot of people don't know this, but Rihanna, | 0:34:49 | 0:34:52 | |
very good to her family, very nice to her grandmother. | 0:34:52 | 0:34:54 | |
Most people don't know but her biggest hit, she actually | 0:34:54 | 0:34:57 | |
wrote that after visiting her grandmother in the nursing home. | 0:34:57 | 0:35:00 | |
# Ooh, Nana, what's my name? | 0:35:00 | 0:35:03 | |
# Oh, Nana, what's my name? | 0:35:04 | 0:35:07 | |
"What... What's my name? | 0:35:07 | 0:35:09 | |
"Hello? Nana? What's my name, Nana?" | 0:35:09 | 0:35:12 | |
But Nana didn't know her name. | 0:35:18 | 0:35:20 | |
Cos they'd just given her her medication. | 0:35:22 | 0:35:24 | |
We love a knee-jerk reaction in this country, | 0:35:27 | 0:35:29 | |
they were talking about whether, you know... | 0:35:29 | 0:35:32 | |
How are we going to prevent trouble next time round? | 0:35:32 | 0:35:34 | |
And we said, we'll shut down Twitter and BBM. | 0:35:34 | 0:35:38 | |
Great, put us up there with Syria and Saudi Arabia. | 0:35:38 | 0:35:43 | |
That's good work, isn't it? | 0:35:43 | 0:35:44 | |
Well, I've got a better idea. | 0:35:44 | 0:35:46 | |
Next time there's any trouble, we'll just get onto the phone companies | 0:35:46 | 0:35:50 | |
and ask them to only forward texts that are spelt properly | 0:35:50 | 0:35:53 | |
and are grammatically correct. | 0:35:53 | 0:35:55 | |
That's... I'm thinking... | 0:35:55 | 0:35:57 | |
..I'm thinking that might thin the crowd down a little bit. | 0:36:01 | 0:36:05 | |
It'll just be Joan Bakewell and Stephen Fry outside the Apple store. | 0:36:05 | 0:36:09 | |
"Stephen, who does this iPad belong to?" | 0:36:12 | 0:36:16 | |
"No, no, Joan, I think you'll find | 0:36:16 | 0:36:20 | |
"it's to whom does this iPad belong?" | 0:36:20 | 0:36:24 | |
But we've basically given up, | 0:36:26 | 0:36:28 | |
we've given up on spelling, we've given up on mental arithmetic. | 0:36:28 | 0:36:31 | |
I saw Wayne Rooney on the TV | 0:36:31 | 0:36:33 | |
a few weeks ago. | 0:36:33 | 0:36:34 | |
Wayne Rooney said, "The lads gave 150%." | 0:36:34 | 0:36:37 | |
No, Wayne, that's... | 0:36:42 | 0:36:43 | |
they can't give 150%, that's kind of not possible, | 0:36:43 | 0:36:47 | |
it's like, who's going to take Wayne aside | 0:36:47 | 0:36:50 | |
and explain that in terms that Wayne understands? | 0:36:50 | 0:36:53 | |
You can't have more than 100%, Wayne, you've 150... | 0:36:54 | 0:36:57 | |
It's like having two hookers in your room | 0:36:57 | 0:37:01 | |
and trying to shag three of them, Wayne. | 0:37:01 | 0:37:03 | |
It's, um... | 0:37:03 | 0:37:04 | |
AUDIENCE LAUGHS | 0:37:04 | 0:37:08 | |
I love David Cameron's answer to the trouble. | 0:37:12 | 0:37:15 | |
David Cameron, to prevent social unrest next time round, he says, | 0:37:15 | 0:37:19 | |
"We need to encourage more marriage." | 0:37:19 | 0:37:22 | |
That's the solution for all our problems in this country. | 0:37:22 | 0:37:25 | |
To prevent antisocial behaviour, | 0:37:25 | 0:37:28 | |
random acts of violence and binge drinking - more marriage. | 0:37:28 | 0:37:31 | |
Is he the only man in this country that hasn't seen | 0:37:33 | 0:37:35 | |
My Big Fat Gypsy Wedding? It's... | 0:37:35 | 0:37:38 | |
For me, it's amazing what you get away with | 0:37:42 | 0:37:44 | |
when you give something a cuddly title - | 0:37:44 | 0:37:46 | |
My Big Fat Gypsy Wedding - | 0:37:46 | 0:37:48 | |
and really, what the programme makers mean by that is, | 0:37:48 | 0:37:52 | |
"Let's watch pikeys on the piss." | 0:37:52 | 0:37:55 | |
That's kind of... | 0:37:55 | 0:37:58 | |
That's kind of why we watch it. | 0:37:58 | 0:38:01 | |
The programme makers say, "No, no. | 0:38:01 | 0:38:03 | |
"These programmes are a social study | 0:38:03 | 0:38:05 | |
"into the individual and cultural differences within the UK." | 0:38:05 | 0:38:08 | |
So that's why the advert for Seven Dwarves features a two-foot man | 0:38:09 | 0:38:13 | |
trying to get a book off a six-foot shelf, is that right? | 0:38:13 | 0:38:17 | |
We all know what these shows mean, | 0:38:17 | 0:38:19 | |
Big Fat Gypsy Wedding - laugh at pikeys, | 0:38:19 | 0:38:22 | |
The Only Way Is Essex - laugh at chavs... | 0:38:22 | 0:38:24 | |
-AUDIENCE: Ooh! -Um... | 0:38:27 | 0:38:31 | |
Geordie Shore - laugh at chavs with no coats. | 0:38:36 | 0:38:39 | |
Made in Chelsea - laugh at wankers! | 0:38:42 | 0:38:45 | |
AUDIENCE CHEERS | 0:38:45 | 0:38:49 | |
Seven Dwarves - laugh at midgets, | 0:38:49 | 0:38:52 | |
Embarrassing Bodies - laugh at people with odd-shaped testicles, | 0:38:52 | 0:38:55 | |
that's basically it. | 0:38:55 | 0:38:57 | |
Has the word "embarrassing" changed since I was small? | 0:39:00 | 0:39:04 | |
Cos when I had a pimple on my nose, | 0:39:05 | 0:39:07 | |
I wasn't going to school for two days, and apparently now | 0:39:07 | 0:39:10 | |
if you've got balls the size of a space hopper | 0:39:10 | 0:39:13 | |
or labia like elephant's ears... | 0:39:13 | 0:39:14 | |
..you go on TV and show everybody, that's... | 0:39:19 | 0:39:22 | |
"What's that? | 0:39:22 | 0:39:23 | |
"Oh, I'm mortified! Oh! | 0:39:23 | 0:39:25 | |
"Don't look. Get a close-up. I'm mortified!" | 0:39:27 | 0:39:29 | |
We've basically lost our sense of collective shame. | 0:39:37 | 0:39:41 | |
That's kind of what's happened, isn't it? I'm totally confused. | 0:39:41 | 0:39:46 | |
When I get a girl's phone number, I don't know whether to call her | 0:39:46 | 0:39:49 | |
and ask her to dinner or just text her a picture of my cock. | 0:39:49 | 0:39:54 | |
When? When did that become a chat-up line? That's what I want to know. | 0:39:57 | 0:40:01 | |
Eh? The day that a man had the technical ability | 0:40:01 | 0:40:05 | |
to send a picture of his penis to another woman, | 0:40:05 | 0:40:08 | |
that's the day romance died for me, it really is. | 0:40:08 | 0:40:12 | |
Who knows, maybe that's what Alexander Graham Bell | 0:40:15 | 0:40:18 | |
had in mind all those years ago back in 1876 | 0:40:18 | 0:40:22 | |
in his Boston laboratory when he invented the telephone. | 0:40:22 | 0:40:26 | |
"Alexander, to be able to speak to another person | 0:40:26 | 0:40:28 | |
by means of an electrical cable in another room is the future." | 0:40:28 | 0:40:32 | |
"No, no." | 0:40:33 | 0:40:34 | |
"The future is that one day, | 0:40:38 | 0:40:40 | |
"footballers will communicate with prostitutes solely by this device, | 0:40:40 | 0:40:46 | |
"by texting pictures of their penises. | 0:40:46 | 0:40:50 | |
"Or peni. Or whatever the plural for penises is." | 0:40:50 | 0:40:56 | |
Ah, footballers. | 0:40:58 | 0:41:00 | |
I tell you, I feel sorry for George Best, that's who I feel sorry for. | 0:41:00 | 0:41:03 | |
Could you imagine the damage that George Best would've done | 0:41:03 | 0:41:06 | |
with a mobile phone, eh? | 0:41:06 | 0:41:09 | |
There wouldn't have been a woman safe. | 0:41:09 | 0:41:13 | |
If George ever wanted to send a picture of his cock, | 0:41:13 | 0:41:16 | |
he'd have had to call up David Bailey, | 0:41:16 | 0:41:18 | |
organise a photo shoot in the kitchen, | 0:41:18 | 0:41:20 | |
take the film down to Boots the chemist, | 0:41:20 | 0:41:22 | |
find out the girl's address | 0:41:22 | 0:41:24 | |
and then hand-deliver it in an A4 brown envelope | 0:41:24 | 0:41:27 | |
with "Do not bend" put on the front. | 0:41:27 | 0:41:29 | |
Technology has ruined romance. | 0:41:33 | 0:41:36 | |
We're in contact 24 hours a day. We never have to say goodbye. | 0:41:36 | 0:41:40 | |
There's no "adieu," there's no "farewell," | 0:41:40 | 0:41:42 | |
there's no "when will I see you again?" | 0:41:42 | 0:41:45 | |
All the love songs have been ruined. | 0:41:45 | 0:41:48 | |
# I'm leaving on a jet plane | 0:41:48 | 0:41:52 | |
# Don't know when I'll be back again.... # | 0:41:52 | 0:41:55 | |
But I'll Skype you. | 0:41:55 | 0:41:58 | |
It doesn't work. No-one hears it through the grapevine any more. | 0:42:00 | 0:42:04 | |
# I bet you're wondering how I knew... # | 0:42:04 | 0:42:06 | |
Actually, I updated my Facebook status. So... | 0:42:06 | 0:42:08 | |
# I drove all night to get to you... # | 0:42:10 | 0:42:13 | |
Should've just texted me a picture of your cock | 0:42:13 | 0:42:16 | |
and saved the petrol money. | 0:42:16 | 0:42:18 | |
I love that song. | 0:42:22 | 0:42:23 | |
# I drove all night | 0:42:23 | 0:42:25 | |
# Crept in your room | 0:42:25 | 0:42:27 | |
# Is that all right? # | 0:42:27 | 0:42:30 | |
No, Roy, that's not all right. | 0:42:31 | 0:42:33 | |
That's not even right if you're Dominique Strauss-Kahn. | 0:42:33 | 0:42:37 | |
Folks, you've been fantastic, I've been Patrick Kielty, | 0:42:44 | 0:42:46 | |
thank you very much, Apollo, good night, thank you, cheers. | 0:42:46 | 0:42:49 | |
AUDIENCE CHEERS AND APPLAUDS | 0:42:49 | 0:42:53 | |
Patrick Kielty! | 0:42:58 | 0:43:00 | |
Have you had a good night, Hammersmith? | 0:43:03 | 0:43:06 | |
AUDIENCE: Yes! | 0:43:06 | 0:43:08 | |
-Give it up for Patrick Kielty. -AUDIENCE CHEERS | 0:43:08 | 0:43:12 | |
-And Andi Osho. -AUDIENCE CHEERS | 0:43:12 | 0:43:14 | |
I've been Alan Carr. See you! | 0:43:14 | 0:43:16 | |
-AUDIENCE CHEERS AND APPLAUDS -Thank you, bye. | 0:43:16 | 0:43:19 |