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Ladies and gentlemen, please welcome your host for tonight, Rich Hall! | 0:00:18 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:29 | |
Yeah! | 0:00:39 | 0:00:40 | |
Hello. Oh, look at it! I can already see it on your faces. | 0:00:40 | 0:00:46 | |
"Oh, great an American hosting the show. | 0:00:46 | 0:00:49 | |
"Is there no end to what these assholes will try to pull off next?! | 0:00:49 | 0:00:55 | |
"Is he capable? Can he pull it off?" | 0:00:55 | 0:00:58 | |
You're damn right I can! | 0:00:58 | 0:01:02 | |
Welcome to Live At The Apollo. | 0:01:02 | 0:01:05 | |
Comedy is important, ladies and gentlemen. Americans are always, | 0:01:12 | 0:01:18 | |
"Hey, Rich, I hear those Londoners have a dry sense of humour." | 0:01:18 | 0:01:23 | |
Well, they're pretty wet right now, what do you mean dry sense of humour? What they have is a sense of humour! | 0:01:23 | 0:01:29 | |
You understand? Americans love to laugh. | 0:01:29 | 0:01:31 | |
There's a difference between a sense of humour | 0:01:31 | 0:01:33 | |
and the ability to laugh, that's why I'm in London, ladies and gentlemen. | 0:01:33 | 0:01:37 | |
Where you put up with shit every day of your life. Is there not a day you | 0:01:42 | 0:01:45 | |
don't wake up in London and go what shit is going to befall me today? | 0:01:45 | 0:01:49 | |
What's going to happen that I didn't see coming in a million years? | 0:01:49 | 0:01:52 | |
Oh, look, there's a homeless guy urinating into a spray bottle | 0:01:52 | 0:01:55 | |
and cleaning a wind screen with a head of lettuce. | 0:01:55 | 0:01:57 | |
Well, I didn't see that coming. That's London, 13 million people. | 0:01:57 | 0:02:04 | |
You know London has a mayor, did you know that? | 0:02:04 | 0:02:09 | |
Two of them. You got two mayors? | 0:02:09 | 0:02:12 | |
Some people get heckles I get footnotes. | 0:02:12 | 0:02:15 | |
You're telling me London has two mayors? | 0:02:17 | 0:02:19 | |
One, a big, pudgy, pasty-faced, bicycle-riding slug | 0:02:19 | 0:02:24 | |
named Boris who shows up at the riots, "I urge you to stop." Urge? | 0:02:24 | 0:02:31 | |
When did that become a political tactic? | 0:02:31 | 0:02:35 | |
Urge! Fellas, Operation Urge isn't working, we're going to swap | 0:02:35 | 0:02:39 | |
to plan B, Operation Pretty Pretty Please With A Cherry On Top. | 0:02:39 | 0:02:43 | |
PC Johnson, go around back | 0:02:43 | 0:02:45 | |
and distract them with some good natured ribbing, | 0:02:45 | 0:02:47 | |
that'll stop them! | 0:02:47 | 0:02:49 | |
Then the Met Police say, "Don't incite these looters!" | 0:02:49 | 0:02:53 | |
They're already looting! | 0:02:53 | 0:02:55 | |
If you want to incite them, offer them | 0:02:55 | 0:02:57 | |
a warranty on the TV they're stealing, that's how you incite them. | 0:02:57 | 0:03:01 | |
This litany of abuse and what caused the riot? What caused the riot? | 0:03:04 | 0:03:09 | |
"I blame the prisons. I blame education, I blame the broken society." | 0:03:09 | 0:03:13 | |
Do you know who I blame? Sony! | 0:03:13 | 0:03:15 | |
Most of them were stealing flat-screen TVs. Sony should be | 0:03:17 | 0:03:20 | |
cranking out flat screen TVs to every poor bastard on the planet. | 0:03:20 | 0:03:24 | |
Give them a flat-screen TV, I'll take a flat-screen TV. | 0:03:24 | 0:03:29 | |
If I offered you a flat-screen TV wouldn't you take it ma'am? | 0:03:29 | 0:03:31 | |
Everyone wants a flat-screen TV. | 0:03:31 | 0:03:34 | |
Don't build council houses, just build four solid walls of HD TV | 0:03:34 | 0:03:38 | |
with a satellite dish for a roof like a HD wigwam. | 0:03:38 | 0:03:42 | |
You went up to a poor person and said, "Sir if I gave you | 0:03:44 | 0:03:47 | |
"the choice, here I could give you a room full of books so you can read. | 0:03:47 | 0:03:50 | |
"Give you night classes to educate yourself | 0:03:50 | 0:03:52 | |
"and get a job so you can have dignity. | 0:03:52 | 0:03:54 | |
"Or you can have a flat-screen TV?" | 0:03:54 | 0:03:56 | |
"I'll take the flat-screen TV, thank you very much." | 0:03:56 | 0:03:59 | |
"Does it get the Disney Channel?" "Yes, it does." | 0:03:59 | 0:04:01 | |
"Well then good, cos if I had a job I'd save up the money | 0:04:01 | 0:04:04 | |
"and get a flat-screen TV." | 0:04:04 | 0:04:06 | |
"So there I've just eliminated the middle man. | 0:04:06 | 0:04:08 | |
"Who's the smart guy now, pig face?" | 0:04:08 | 0:04:10 | |
I love London for that very reason, ladies and gentlemen. | 0:04:12 | 0:04:15 | |
I love doing comedy in Britain, it's that simple, cos Americans, | 0:04:15 | 0:04:18 | |
you'll be doing great in America, then all of a sudden in the middle | 0:04:18 | 0:04:21 | |
of nowhere you bring up some topic that pisses some... "Tractors? Did he just say tractors? | 0:04:21 | 0:04:25 | |
"Hey, pal, don't you be making fun of tractors, | 0:04:25 | 0:04:28 | |
"you're treading on my beliefs now." | 0:04:28 | 0:04:30 | |
I said tractors! | 0:04:30 | 0:04:32 | |
Cos Americans don't really have opinions, | 0:04:35 | 0:04:37 | |
what they have is bumper stickers. | 0:04:37 | 0:04:39 | |
Once you've committed to a bumper sticker there is no | 0:04:39 | 0:04:42 | |
changing your mind then. | 0:04:42 | 0:04:43 | |
"You want to know what I think about that? | 0:04:43 | 0:04:46 | |
"Just look at the back of my car and that will much sum up everything you need to know about me!" | 0:04:46 | 0:04:50 | |
Walking round the car park looking at backs of cars, | 0:04:50 | 0:04:53 | |
I didn't even know what this guy's car looks like, Jesus. | 0:04:53 | 0:04:56 | |
It must be this one, "Jesus is my airbag." | 0:04:56 | 0:04:58 | |
Yeah, that's right, Jesus is my airbag, | 0:05:01 | 0:05:03 | |
have you got any more questions? | 0:05:03 | 0:05:05 | |
What is Moses your meat thermometer? "Yeah, he is. That's not funny." | 0:05:05 | 0:05:09 | |
I've seen a bumper sticker in America, I've seen about six times | 0:05:09 | 0:05:12 | |
and it says, "I'm proud of my gay son." | 0:05:12 | 0:05:15 | |
That raises more questions than it answers! | 0:05:15 | 0:05:18 | |
You're thinking, did he win a contest or something? | 0:05:18 | 0:05:21 | |
What if you're gay? Yes, well be proud of it. Tell the world, whatever you want, | 0:05:21 | 0:05:25 | |
but when your dad is driving round with a bumper sticker, | 0:05:25 | 0:05:27 | |
"I'm proud of my gay son," looks like he's taking credit for the whole thing. | 0:05:27 | 0:05:31 | |
Taught that son of a bitch everything he needed to know about being gay! | 0:05:31 | 0:05:35 | |
Started him out when he was a kid, I said son go out there and make me proud. | 0:05:35 | 0:05:39 | |
I'm talking distance, volume, accuracy - get out there and be gay. | 0:05:39 | 0:05:43 | |
Son of a bitch took to it like a duck to water. | 0:05:43 | 0:05:47 | |
Duck of course being the son and water being cock! | 0:05:47 | 0:05:51 | |
Brings a tear to my eye just thinking about it, just thinking about it! God bless him! | 0:05:53 | 0:05:58 | |
I never thought I'd be standing on the stage | 0:06:01 | 0:06:04 | |
and telling you that our president, our wonderful President, who the world loves, | 0:06:04 | 0:06:08 | |
but Americans are like, "Hey what's going on?" | 0:06:08 | 0:06:11 | |
"Don't know if it's going to happen for him or not." | 0:06:11 | 0:06:14 | |
It turns out the audacity of hope wasn't what we were looking for. | 0:06:14 | 0:06:17 | |
You can't run the whole four years of presidency on the audacity of hope. | 0:06:17 | 0:06:21 | |
Cos hope is a bit desperate, isn't it? | 0:06:21 | 0:06:23 | |
That's not an economic policy, it's just hope. | 0:06:23 | 0:06:26 | |
Hope is right below wishful thinking and just above performing | 0:06:26 | 0:06:29 | |
a rain dance, that's where hope is on the scale of activity. | 0:06:29 | 0:06:32 | |
Hope is what you want the weather to be tomorrow. | 0:06:32 | 0:06:35 | |
So consequently we have what you have | 0:06:35 | 0:06:38 | |
obviously heard of before, ladies and gentlemen, it's the Tea Party. | 0:06:38 | 0:06:41 | |
A bunch of bible bashing, tub-thumping, foot-marching, fundamentalist freaks. | 0:06:41 | 0:06:45 | |
If Satan were to hold a Tupperware party, the Tea Party candidates | 0:06:45 | 0:06:51 | |
would be demonstrating the products, that's what they are. | 0:06:51 | 0:06:54 | |
Last month, in the course of 24 hours, two Tea Party candidates | 0:06:54 | 0:06:59 | |
both announced God had told them to run for president. | 0:06:59 | 0:07:02 | |
God! | 0:07:02 | 0:07:04 | |
Who in 2,000 years has appointed one saviour of mankind, | 0:07:04 | 0:07:09 | |
within one week appointed two different dip wits | 0:07:09 | 0:07:12 | |
to run for President of the United States! | 0:07:12 | 0:07:14 | |
Anyway, Sarah Palin probably gets the most press, | 0:07:23 | 0:07:25 | |
because she's the best marksman. | 0:07:25 | 0:07:28 | |
All the Tea Party candidates like to claim | 0:07:28 | 0:07:31 | |
that they speak for the average Joe in America, | 0:07:31 | 0:07:35 | |
just the normal guy the average, struggling Joe. | 0:07:35 | 0:07:38 | |
First of all, Sarah, you live in Alaska, There's no-one normal in Alaska. | 0:07:38 | 0:07:42 | |
Alaska is full of people running from the Drug Enforcement Agency | 0:07:42 | 0:07:45 | |
and people that hate humans so much, they thought | 0:07:45 | 0:07:49 | |
Montana was too crowded and moved to Alaska to touch moose. | 0:07:49 | 0:07:52 | |
That's who's in Alaska. Oh, we're perfectly... You're not normal! | 0:07:52 | 0:07:56 | |
Sarah Palin says on a TV show, she's being interviewed - | 0:07:56 | 0:07:59 | |
she says, "It is perfectly normal in Alaska to | 0:07:59 | 0:08:01 | |
"open up your front door and see a grizzly bear." | 0:08:01 | 0:08:04 | |
No, it's not! | 0:08:04 | 0:08:05 | |
Oh, it's perfectly normal to look out the front door and see | 0:08:07 | 0:08:10 | |
a 12ft carnivore chowing down on the family dog like the last leg | 0:08:10 | 0:08:13 | |
in a bucket of KFC, nah, see that every day, these are average... | 0:08:13 | 0:08:17 | |
It's not normal to build your house | 0:08:17 | 0:08:19 | |
where the carnivore roam, for crying out loud. | 0:08:19 | 0:08:21 | |
And she was asked, "Well what did you do when you saw a grizzly bear? | 0:08:21 | 0:08:24 | |
"Oh, he was too cute, I couldn't shoot him." Wrong! | 0:08:24 | 0:08:28 | |
If you think that grizzly bears are cute, | 0:08:28 | 0:08:30 | |
wait until you meet terrorists, they'll be adorable. | 0:08:30 | 0:08:34 | |
Don't screw with the bears, that's my message. | 0:08:35 | 0:08:39 | |
Bears want to eat you, even the little ones. | 0:08:39 | 0:08:42 | |
Don't give your child a teddy bear, it's sending them the wrong message. | 0:08:42 | 0:08:46 | |
"Well Yogi and Boo Boo are cute." No! Have you ever looked at Yogi, you know what he's wearing? | 0:08:46 | 0:08:51 | |
A hat, a tie and a shirt, where did he get that from? I'll tell you where, a victim, that's where! | 0:08:51 | 0:08:56 | |
He's parading it like a serial killer trophy, reliving every | 0:08:56 | 0:09:00 | |
moment when he ripped them to shreds, it's not right. | 0:09:00 | 0:09:03 | |
So after two years, she decided she doesn't want to be | 0:09:03 | 0:09:06 | |
Governor of Alaska any more. "I'm tired of this." | 0:09:06 | 0:09:08 | |
And she goes off on a whirlwind trip around the world to study foreign policy. | 0:09:08 | 0:09:13 | |
She goes to Israel. As if the Jews haven't suffered enough! | 0:09:13 | 0:09:16 | |
Touches the Wailing Wall and then runs away. | 0:09:16 | 0:09:19 | |
Then she goes to New York, where they're building a mosque | 0:09:19 | 0:09:23 | |
and she looks at it and says that, | 0:09:23 | 0:09:25 | |
"Muslims need to re-fudiate this Mosque." | 0:09:25 | 0:09:28 | |
Even the Muslims are looking at her saying "I don't think that's | 0:09:28 | 0:09:31 | |
"a word in anyone's language - did you just say re-fudiate?" | 0:09:31 | 0:09:34 | |
"Yeah, re-fudiate, refude..." "What do you mean re-fute?" | 0:09:34 | 0:09:38 | |
"No refudiate the Mosque, I said it." It's not a word! | 0:09:38 | 0:09:41 | |
Then she said, "Well, Shakespeare made up words, why can't I?" | 0:09:41 | 0:09:44 | |
"Cos Shakespeare was a Renaissance genius | 0:09:44 | 0:09:47 | |
"and you're a dip-shit from Alaska! | 0:09:47 | 0:09:50 | |
"All right? You can't just make up words." | 0:09:50 | 0:09:54 | |
I read your biography, I want to be refundiated. | 0:09:56 | 0:10:00 | |
So that's the thing about comedy, you know. | 0:10:03 | 0:10:06 | |
I could stand here and talk about America and everyone gets it. | 0:10:06 | 0:10:10 | |
You go to America and everyone is like, "Britain? | 0:10:10 | 0:10:12 | |
"What's going on over there? I heard they have a commulicious government? | 0:10:12 | 0:10:15 | |
"What? Is it commulicious? It's commulicious. | 0:10:15 | 0:10:18 | |
"It's a commulicious... "Coalition? What is that?" | 0:10:18 | 0:10:21 | |
And I can't explain, cos I wasn't here during the elections. | 0:10:21 | 0:10:24 | |
When I left, a guy called Gordon Brown was in office | 0:10:24 | 0:10:27 | |
and when I came back and the country is being run by the regional manager | 0:10:27 | 0:10:30 | |
of several Toni & Guy salons... | 0:10:30 | 0:10:33 | |
LAUGHTER AND APPLAUSE | 0:10:33 | 0:10:35 | |
..and his rinse boy Nicky. | 0:10:35 | 0:10:37 | |
"Oh, rinse boy, come over here, Oh, rinse boy!" | 0:10:39 | 0:10:42 | |
They look like each other, they can't even argue. | 0:10:42 | 0:10:44 | |
"No, you're Nick Clegg, who's Clegg, did you sell a submarine?" | 0:10:44 | 0:10:48 | |
"Shut the window, you're letting in immigrants. What's going on?" | 0:10:48 | 0:10:52 | |
And you have to explain that no-one got a mandate, | 0:10:52 | 0:10:55 | |
no-one got a majority vote, so they took the guy with the most votes | 0:10:55 | 0:10:58 | |
and tacked on a little party on the side, a little Frankenstein. | 0:10:58 | 0:11:03 | |
And it makes perfect sense to Brits, cos you can walk up | 0:11:03 | 0:11:06 | |
any high street in Britain and you see this shop... | 0:11:06 | 0:11:09 | |
Shoe repair/key cutting. | 0:11:09 | 0:11:11 | |
You don't really question it, do you? What the hell was someone thinking? | 0:11:13 | 0:11:17 | |
What kind of a business plan was that? | 0:11:17 | 0:11:20 | |
That's the stupidest... No, it's perfectly... | 0:11:20 | 0:11:23 | |
People need shoes and they need extra keys. | 0:11:23 | 0:11:25 | |
It's a marriage made in Heaven, it's a coalition. | 0:11:25 | 0:11:29 | |
You probably go in there generally to get your shoes repaired | 0:11:30 | 0:11:34 | |
and you see the key guy stood there with cobwebs growing off him, | 0:11:34 | 0:11:37 | |
"You need any keys?" | 0:11:37 | 0:11:40 | |
No, I don't need keys! | 0:11:40 | 0:11:42 | |
I haven't even thought about keys, Why are you here?! | 0:11:42 | 0:11:45 | |
It's a coalition. | 0:11:46 | 0:11:48 | |
But once a year someone walks on and says | 0:11:50 | 0:11:52 | |
"I need my shoes repaired...oh I need some extra keys as well!" | 0:11:52 | 0:11:56 | |
You're just in the back high-fiving, "It's working! Whoo!" | 0:11:56 | 0:12:00 | |
I figured out the answer, ladies and gentlemen, having travelled | 0:12:02 | 0:12:05 | |
round Britain quite a lot, and the further north you get, | 0:12:05 | 0:12:08 | |
the more chicken people are consuming, | 0:12:08 | 0:12:12 | |
and I mean a shitload of chicken. | 0:12:12 | 0:12:14 | |
I fear for chickens in this country, cos people are eating chicken like nobody's business. | 0:12:14 | 0:12:19 | |
I'm not even sure it's chicken. | 0:12:19 | 0:12:21 | |
I mean, you know, you go round London | 0:12:21 | 0:12:23 | |
and if you don't get a KFC franchise | 0:12:23 | 0:12:26 | |
they get any other state and just stick it up on a sign as if, | 0:12:26 | 0:12:30 | |
"That's close enough, Tennessee, I'll take it." | 0:12:30 | 0:12:33 | |
I walk into Kansas Fried Chicken and all I said was, "Sir, you have | 0:12:33 | 0:12:39 | |
"captured the great plain spirit in this chicken. How have you done it? | 0:12:39 | 0:12:44 | |
"This great mid-west... How do you do it, Ahmed? How do you? | 0:12:44 | 0:12:47 | |
"I can taste Eisenhower in your chicken." Turfed me right out. | 0:12:47 | 0:12:51 | |
No sense of humour, these chicken restaurant owners. | 0:12:51 | 0:12:53 | |
So I was up north doing a show and it was a Sunday night, | 0:12:55 | 0:12:58 | |
nowhere to eat. Nowhere. So the entire crowd leave and then | 0:12:58 | 0:13:01 | |
I run into them all at a place called Kenturkey Fried Chicken. | 0:13:01 | 0:13:05 | |
They haven't even tried there! It just confuses you all even more. | 0:13:05 | 0:13:09 | |
Kenturkey? Is it Kentuckey mis-spelled? | 0:13:09 | 0:13:13 | |
Or is it Turkey made by Ken?! Kluckey, Klurkey? | 0:13:13 | 0:13:16 | |
Kluckey! There was a line around! I don't know what they're putting | 0:13:16 | 0:13:21 | |
in the chicken. Holy shit, a queue around the block | 0:13:21 | 0:13:24 | |
waiting for Kenturkey Fried... Two bouncers in suits. | 0:13:24 | 0:13:30 | |
Bouncers at a chicken takeaway restaurant?! | 0:13:30 | 0:13:33 | |
What kind of people are they turning away? | 0:13:33 | 0:13:36 | |
"Sir, you do not meet the criteria to enter this establishment and eat your dinner out of a bucket. | 0:13:36 | 0:13:43 | |
"Now move along, go down the street where they drop it from the third floor, go on." | 0:13:44 | 0:13:50 | |
So, um, to sum it up, ladies and gentlemen, because people | 0:13:50 | 0:13:54 | |
always ask me, "Rich, is it really better in Britain for comedy?' | 0:13:54 | 0:13:57 | |
and I think it is, yeah, I'm not blowing smoke up your ass, | 0:13:57 | 0:14:00 | |
I'm just telling you it's better. It's a better place, because you do, | 0:14:00 | 0:14:04 | |
you have a sense of humour, that's why you came out tonight. | 0:14:04 | 0:14:08 | |
CHEERING AND APPLAUSE | 0:14:08 | 0:14:11 | |
Oh, he's buttering us up for the kill! | 0:14:11 | 0:14:13 | |
No, I'm serious, cos listen, in America, we don't have | 0:14:13 | 0:14:18 | |
this broken society, you know, we don't have that yet. | 0:14:18 | 0:14:24 | |
That came out completely wrong, didn't it? What ya telling us now? | 0:14:24 | 0:14:28 | |
I'm just quoting something in the newspaper. | 0:14:28 | 0:14:30 | |
Broken society, I don't even know what that means. | 0:14:30 | 0:14:32 | |
Is society broken, fella? Is your society broken? | 0:14:32 | 0:14:34 | |
A little bit. | 0:14:34 | 0:14:36 | |
A little bit. Well, that's not broken that's just damaged, isn't it? | 0:14:36 | 0:14:41 | |
-Where you from? -Twickenham. | 0:14:44 | 0:14:46 | |
Twickenham. Oh, well no more questions, Your Honour. | 0:14:46 | 0:14:49 | |
You get back to your rugby. What do you do in Twickenham? | 0:14:50 | 0:14:53 | |
-I'm a teacher. -A teacher? | 0:14:53 | 0:14:55 | |
See this is a man who's not interested in broken society. | 0:14:55 | 0:14:58 | |
He's interested in making children's futures better. God bless you. That's so much better than what I do. | 0:14:58 | 0:15:02 | |
I just tell jokes, don't I? What do you learn from that? | 0:15:02 | 0:15:06 | |
Nothing! The world is evil, I can't fix it. | 0:15:06 | 0:15:09 | |
I'm not a faith healer, am I? | 0:15:09 | 0:15:12 | |
The thing I've learnt from watching idiots like Gaddafi, | 0:15:13 | 0:15:17 | |
and I say idiot. | 0:15:17 | 0:15:19 | |
The man is a dictator and he only made himself Colonel, what does that tell you? | 0:15:19 | 0:15:22 | |
In America, you can put chicken in a bucket, and you're a colonel! | 0:15:29 | 0:15:34 | |
-But what I tell you what I've learnt, fella - what's your name? -Peter. | 0:15:36 | 0:15:41 | |
Peter, I have learnt from watching these tyrants that maybe | 0:15:41 | 0:15:44 | |
the term human shield is not being used to its best advantage. | 0:15:44 | 0:15:48 | |
It's usually used in a negative light. | 0:15:48 | 0:15:49 | |
"Oh, he's going to take human shields". I found as a comedian, | 0:15:49 | 0:15:53 | |
quite often when you hit these situations where people have | 0:15:53 | 0:15:55 | |
been here for a while, you're about to hit a wall, they're hot, | 0:15:55 | 0:15:58 | |
tired, a little restless - | 0:15:58 | 0:15:59 | |
that's when the human shield comes in to play. | 0:15:59 | 0:16:02 | |
You understand what I mean, Peter? | 0:16:02 | 0:16:04 | |
I'm going to tell you what I mean. Get over here. Get over here, Peter. | 0:16:04 | 0:16:08 | |
You don't have a choice, Peter. | 0:16:10 | 0:16:12 | |
CHEERING | 0:16:12 | 0:16:16 | |
You are my human shield, friend, march right up here. | 0:16:16 | 0:16:20 | |
There are some people here who want to hurt me. | 0:16:20 | 0:16:23 | |
I'm going to be right behind you the whole time. Turn this way, so I can... | 0:16:23 | 0:16:27 | |
Broader target. Here you go, Peter. Do you have a sweetheart, Peter? | 0:16:27 | 0:16:31 | |
"Yeah, my girlfriend." | 0:16:31 | 0:16:33 | |
Could you say that with a bit more world weariness? | 0:16:33 | 0:16:36 | |
All right, Peter, you take the mike. I just want you to read what I prepared for you. | 0:16:37 | 0:16:41 | |
Say it right and then no-one gets hurt, you understand what I'm saying? | 0:16:43 | 0:16:47 | |
Pretend your girlfriend's not here and you're having to phone home. | 0:16:47 | 0:16:50 | |
Take the mike, watch the technique. | 0:16:50 | 0:16:53 | |
Hello, honey. No, everything's fine, | 0:16:53 | 0:16:55 | |
it's just that I'm going to be a little late getting home. | 0:16:55 | 0:16:58 | |
Why? | 0:16:58 | 0:16:59 | |
Well, I've run into a little situation here at the Apollo. | 0:16:59 | 0:17:02 | |
Rich Hall? Yes, he is a very funny man. | 0:17:02 | 0:17:05 | |
Well, he is currently using me as a human shield. | 0:17:08 | 0:17:12 | |
Isn't that wild? | 0:17:12 | 0:17:14 | |
Who would ever thought...your name... would find myself here on stage? | 0:17:15 | 0:17:19 | |
LAUGHTER AND APPLAUSE | 0:17:19 | 0:17:23 | |
You should have prepared it a bit better | 0:17:25 | 0:17:28 | |
-and then it would have said Peter there already! -All right! | 0:17:28 | 0:17:30 | |
I, Peter, find myself on stage here as Rich Hall's hostage, | 0:17:39 | 0:17:41 | |
leading the audience in a rousing sing-a-long. | 0:17:41 | 0:17:44 | |
Who doesn't love the late John Denver sing-a-long, everyone? | 0:17:49 | 0:17:52 | |
# Almost heaven | 0:18:04 | 0:18:08 | |
CHEERING DROWNS HIM OUT | 0:18:08 | 0:18:10 | |
# West Virginia | 0:18:10 | 0:18:11 | |
# Blue Ridge mountains | 0:18:14 | 0:18:19 | |
# Shenandoah River | 0:18:19 | 0:18:21 | |
# Life is older | 0:18:24 | 0:18:28 | |
# Older than the trees | 0:18:28 | 0:18:31 | |
# Younger than the mountains | 0:18:31 | 0:18:34 | |
# Blowing like the breeze | 0:18:34 | 0:18:37 | |
# Country roads | 0:18:39 | 0:18:42 | |
# Take me home | 0:18:42 | 0:18:45 | |
# Sing, you bastards... # | 0:18:45 | 0:18:46 | |
LAUGHING AND SINGING ALONG | 0:18:46 | 0:18:51 | |
# To the place I belong | 0:18:51 | 0:18:54 | |
# West Virginia | 0:18:54 | 0:18:57 | |
# Mountain momma | 0:18:57 | 0:19:00 | |
# Take me home Country roads. # | 0:19:00 | 0:19:06 | |
CHEERING AND APPLAUSE | 0:19:06 | 0:19:07 | |
Goodnight, everybody. | 0:19:07 | 0:19:09 | |
CHEERING AND APPLAUSE | 0:19:09 | 0:19:13 | |
Let's hear it for Peter the hostage, ladies and gentlemen! | 0:19:29 | 0:19:35 | |
Ladies and gentlemen, you're in for a real treat tonight. | 0:19:35 | 0:19:38 | |
We have two, TWO fantastic performers on the show. | 0:19:38 | 0:19:42 | |
Please, ladies and gentlemen, you are about to enjoy yourself like you've never enjoyed yourselves before. | 0:19:42 | 0:19:49 | |
Please welcome Mr Mark Watson! | 0:19:49 | 0:19:54 | |
CHEERING AND APPLAUSE | 0:19:54 | 0:19:57 | |
Hello. | 0:20:03 | 0:20:06 | |
Yeah. I... Yeeeeah! | 0:20:08 | 0:20:15 | |
CHEERING | 0:20:15 | 0:20:17 | |
It's very generous of you, | 0:20:20 | 0:20:22 | |
but deep down we all know it's impossible to follow Peter. | 0:20:22 | 0:20:26 | |
There are times in your career when you see the person before you | 0:20:34 | 0:20:39 | |
and you think there is nothing I can do here. Singing Country Roads | 0:20:39 | 0:20:43 | |
as movingly and with as little respect for the original as that. | 0:20:43 | 0:20:49 | |
And I'm just backstage, waiting to come on, thinking, | 0:20:49 | 0:20:52 | |
it will be fine, I'll do my best. I'm a comedian, I'm not | 0:20:52 | 0:20:55 | |
the greatest comedian in the world, but by God I will give it a good go. | 0:20:55 | 0:20:59 | |
The only thing I would be worried about | 0:20:59 | 0:21:01 | |
is if I had to follow an avant garde musical genius. | 0:21:01 | 0:21:03 | |
I mean, what can you do? | 0:21:06 | 0:21:08 | |
I'm going to be periodically just drinking water, | 0:21:09 | 0:21:13 | |
very important to hydrate yourself. | 0:21:13 | 0:21:14 | |
I tend to gabble on and you don't allow yourself time to... | 0:21:14 | 0:21:19 | |
The reason that I don't usually have a bottle of water on stage | 0:21:19 | 0:21:21 | |
is cos you get so easily distracted by the unbelievable crap | 0:21:21 | 0:21:25 | |
that they write on these bottles. If you look at one of these labels, it's unbelievable. | 0:21:25 | 0:21:29 | |
The water you are holding has been naturally filtered | 0:21:29 | 0:21:32 | |
through ancient rock for 5,000 years. | 0:21:32 | 0:21:35 | |
Ancient rock as opposed to these modern rocks that you find these days. | 0:21:35 | 0:21:40 | |
This is a stunning rock formation, yeah, they put it up in the '60s. | 0:21:40 | 0:21:43 | |
Then there's always a little bit about how important water is. | 0:21:43 | 0:21:48 | |
You only find these statistics on bottles of water, conveniently. | 0:21:48 | 0:21:51 | |
Did you know that your body is 80% water? | 0:21:51 | 0:21:53 | |
So it's very important to drink as much water as you can. | 0:21:53 | 0:21:57 | |
As much water as you can. If they had their way I would be drinking water solidly, basically. | 0:21:57 | 0:22:01 | |
It improves brain function. I think this is probably bollocks, don't you? | 0:22:01 | 0:22:06 | |
Your body is 80% water, you're four fifths water, | 0:22:06 | 0:22:09 | |
I find that a bit suspect really. Four fifths of you is water! | 0:22:09 | 0:22:13 | |
If that's true we're basically paddling pools with eyes. I find that a bit hard to swallow. | 0:22:13 | 0:22:18 | |
If it's true, if I'm 80% water why am I buying these expensively branded bottles of water? | 0:22:18 | 0:22:25 | |
Why can't I just suck myself? | 0:22:25 | 0:22:27 | |
Anyway! Erm, I'm sorry. | 0:22:27 | 0:22:33 | |
I didn't really want to see that thought through, | 0:22:33 | 0:22:37 | |
as I was aware it was obviously going in a coarse direction. | 0:22:37 | 0:22:40 | |
Sometimes you start saying something and that's it, it's all over. I've had quite a nice day today. | 0:22:40 | 0:22:45 | |
There's this business of course, there's the old standing in front | 0:22:45 | 0:22:48 | |
of 3,000 people, but asides from that it's been a relaxing enough day. | 0:22:48 | 0:22:52 | |
I got a little bit of an ego boost on the way here. | 0:22:52 | 0:22:55 | |
I got recognised by a person just outside Hammersmith Station. Doesn't often happen to me. | 0:22:55 | 0:23:00 | |
I'm at the sort stage of my career when people vaguely recognise me, | 0:23:00 | 0:23:04 | |
but they don't really know who I am, | 0:23:04 | 0:23:06 | |
so I get into a lot of awkward conversations with people. | 0:23:06 | 0:23:08 | |
People quite often go, "Well, it's that, oh, erm..." | 0:23:08 | 0:23:11 | |
I had a bloke that shouted at me, real proper shouting as well. | 0:23:11 | 0:23:15 | |
I had never seen him before and he was completely naked this man, | 0:23:15 | 0:23:19 | |
and we were in the gym | 0:23:19 | 0:23:20 | |
and I should have probably started the story with that! | 0:23:20 | 0:23:23 | |
But still, there's no need to be naked. | 0:23:23 | 0:23:25 | |
There are partitions, there are proper cubicles, he didn't have to be naked. | 0:23:25 | 0:23:29 | |
This guy came up to me absolutely naked, | 0:23:29 | 0:23:31 | |
as naked as you like, this guy, in the changing room situation, | 0:23:31 | 0:23:35 | |
more naked than I would have liked, really. | 0:23:35 | 0:23:37 | |
Really hairy, he was one of those people that are | 0:23:37 | 0:23:40 | |
so hairy you think, I'm not sure how that came about. | 0:23:40 | 0:23:43 | |
Shouting across this quite crowded changing room, | 0:23:43 | 0:23:47 | |
"Mate, oi mate, mate", just over again and I was trying to | 0:23:47 | 0:23:50 | |
avoid contact with him cos I didn't feel that we were mates, really. | 0:23:50 | 0:23:54 | |
From my point of view, he was just a naked stranger | 0:23:54 | 0:23:57 | |
and that's not the same as a mate and that's quite an important distinction to be drawn there! | 0:23:57 | 0:24:01 | |
I might go to the pub with a mate - I'd rarely go with a naked stranger. | 0:24:01 | 0:24:05 | |
Not never, never say never, but rarely, I think. | 0:24:05 | 0:24:07 | |
But in the end, the guy shouted, "Mate, mate" | 0:24:07 | 0:24:10 | |
until I couldn't ignore him any more | 0:24:10 | 0:24:12 | |
so I had to sort of look up and acknowledge him. Oh, hello. | 0:24:12 | 0:24:16 | |
The guy said, "Mate!" and I was waiting for a massive revelation, and he said, | 0:24:16 | 0:24:20 | |
"I saw you on Mock The Week," and that was it! What am I meant to say? | 0:24:20 | 0:24:24 | |
Oh, I saw you on awkward conversations with our cocks out, I think. | 0:24:24 | 0:24:28 | |
I don't know if you saw that - it was on Dave. | 0:24:28 | 0:24:31 | |
That happens to me fairly often. | 0:24:31 | 0:24:33 | |
I sort of... I mean, you seem a very nice, easily pleased audience. | 0:24:33 | 0:24:38 | |
I never take an audience's good will for granted, cos you don't know, | 0:24:38 | 0:24:41 | |
you don't know what an audience is going to be like, and this goes across the board, really. | 0:24:41 | 0:24:46 | |
Not just in comedy. I was in the North last year, I was touring. | 0:24:46 | 0:24:49 | |
I had a whole day to kill, and kill was the phrase, really, | 0:24:49 | 0:24:53 | |
and it was fine, a perfectly nice place, | 0:24:53 | 0:24:55 | |
but I had nothing to do, really, and it was a bleak, fading seaside resort, | 0:24:55 | 0:25:00 | |
it was one of those afternoons. So I went to a Punch and Judy show. Most people there had a kid, | 0:25:00 | 0:25:05 | |
I didn't have a kid, didn't let it put me off. | 0:25:05 | 0:25:08 | |
We were waiting for this, this girl was trying to warm up the audience | 0:25:08 | 0:25:12 | |
the way you do in these situations and you've all seen Punch and Judy, | 0:25:12 | 0:25:16 | |
she was saying, "Mr Punch is very nervous - he needs a big cheer," | 0:25:16 | 0:25:19 | |
so we were all going, "Come on!" Yeah, exactly. | 0:25:19 | 0:25:22 | |
You don't necessarily have to do everything I mention. | 0:25:22 | 0:25:24 | |
So we all got our tits out. Don't do that. | 0:25:24 | 0:25:27 | |
It's a bit of fun, that. | 0:25:27 | 0:25:30 | |
I don't even really want that to happen, I think it would be embarrassing. | 0:25:32 | 0:25:35 | |
So we were cheering Mr Punch, "Come on, come on!" | 0:25:35 | 0:25:38 | |
And then the woman said, "Mr Punch is very nervous, | 0:25:38 | 0:25:41 | |
"he needs a bigger cheer than that," so again, "Come on, come on!" | 0:25:41 | 0:25:45 | |
By now, we were really shouting. A third time she said, | 0:25:45 | 0:25:48 | |
"Mr Punch didn't quite hear you," which had to be bullshit, | 0:25:48 | 0:25:51 | |
he was just in the bag there, there was no way he could not have heard it. | 0:25:51 | 0:25:56 | |
But again, we were all really game, going, "Come on, come on!" | 0:25:56 | 0:25:59 | |
So by now, we were shouting as much as we could, | 0:25:59 | 0:26:02 | |
and that's where she should have brought Mr Punch on, | 0:26:02 | 0:26:04 | |
that's three times, but she pushed her luck this lady, | 0:26:04 | 0:26:07 | |
she went for a fourth one, | 0:26:07 | 0:26:08 | |
"Oh, Mr Punch still isn't sure you want to see him." | 0:26:08 | 0:26:10 | |
At this point, this massive great big bloke next to me | 0:26:10 | 0:26:13 | |
with two small kids went, | 0:26:13 | 0:26:15 | |
"Bloody hell, Punch, I'm freezing me cock off here!" | 0:26:15 | 0:26:18 | |
His six-year-old kid just nodded proudly next to him. | 0:26:18 | 0:26:22 | |
"Well done, Dad, you've said what we were all thinking." | 0:26:22 | 0:26:25 | |
The important lesson to be drawn from that, really, | 0:26:27 | 0:26:29 | |
is you shouldn't take the public's good will for granted. | 0:26:29 | 0:26:32 | |
That's why this is quite a nerve-wracking job. | 0:26:32 | 0:26:34 | |
A lot of people say, "I could never do that, | 0:26:34 | 0:26:36 | |
"stand-up comedy, that would be my worst nightmare." | 0:26:36 | 0:26:39 | |
You hear this quite a lot if you're a comedian, | 0:26:39 | 0:26:41 | |
"Oh, that'd be my worst nightmare." | 0:26:41 | 0:26:43 | |
In a way, it just shows you how limited people's nightmares must be. | 0:26:43 | 0:26:46 | |
This is just talking. | 0:26:46 | 0:26:47 | |
You must have something worse in the bowels of your subconscious. | 0:26:47 | 0:26:50 | |
I had a nightmare, | 0:26:50 | 0:26:52 | |
I was having the shit kicked out of me by Nelson Mandela. | 0:26:52 | 0:26:55 | |
Proper stuff. Fingers in my eyes, knee in the balls, | 0:26:55 | 0:26:58 | |
surprisingly athletic for an 80-year-old man. | 0:26:58 | 0:27:00 | |
Pulling my hair, all the dirty tricks. | 0:27:00 | 0:27:02 | |
You want to punch him back - you can't, it's Mandela, | 0:27:02 | 0:27:05 | |
you'd be a racist. That's a nightmare. | 0:27:05 | 0:27:07 | |
LAUGHTER AND APPLAUSE | 0:27:07 | 0:27:10 | |
This is the world we live in, | 0:27:13 | 0:27:15 | |
it's an aggressive, bloody world, isn't it? | 0:27:15 | 0:27:18 | |
I find that I'm a relatively simple person, | 0:27:18 | 0:27:20 | |
I don't want much out of life, | 0:27:20 | 0:27:21 | |
but even the simplest things are hard to accomplish. | 0:27:21 | 0:27:25 | |
For example, I went out recently on a shopping expedition | 0:27:25 | 0:27:27 | |
to buy one carrot. | 0:27:27 | 0:27:29 | |
That was all I wanted, a single carrot, my wife was cooking... | 0:27:29 | 0:27:32 | |
She wasn't just cooking that, | 0:27:32 | 0:27:34 | |
she had a recipe of which that was a component. | 0:27:34 | 0:27:36 | |
She wasn't just going to cook the carrot, "There you are," like an ice lolly. | 0:27:36 | 0:27:40 | |
She was being more ambitious and... | 0:27:40 | 0:27:42 | |
she tends to do most of the cooking. | 0:27:42 | 0:27:43 | |
I'm aware that some people are thinking, | 0:27:43 | 0:27:45 | |
"I doubt he's got a wife." I bloody have! | 0:27:45 | 0:27:47 | |
There's no time to prove it, | 0:27:47 | 0:27:48 | |
but just take my word for it. I have a... I own a woman. | 0:27:48 | 0:27:52 | |
She... | 0:27:52 | 0:27:54 | |
You can't say that these days, can you? | 0:27:54 | 0:27:56 | |
Anyway...to get onto more politically-correct ground, | 0:27:56 | 0:28:01 | |
my wife does all the cooking. | 0:28:01 | 0:28:02 | |
Well, it's actually true. I pretty much let my wife cook, | 0:28:02 | 0:28:06 | |
purely because it's a sensible distribution of skills. | 0:28:06 | 0:28:09 | |
My wife is a good cook, and I'm very poor at it, | 0:28:09 | 0:28:11 | |
so my wife tends to do the cooking. | 0:28:11 | 0:28:13 | |
I think it's quite an enlightened attitude. I think, these days, | 0:28:13 | 0:28:16 | |
cooking tends to be quite a testosterone-dominated field. | 0:28:16 | 0:28:19 | |
It's all your Gordon Ramsay, | 0:28:19 | 0:28:21 | |
Marco Pierre... All these people, Jamie Oliver. | 0:28:21 | 0:28:24 | |
It's all men. I think someone should be modern enough to say, | 0:28:24 | 0:28:28 | |
"Let's get women cooking. Let's be 21st century about this, | 0:28:28 | 0:28:31 | |
"they've got the same rights as we have in the kitchen." | 0:28:31 | 0:28:33 | |
So my wife sent me out to... A dangerous gag, that. | 0:28:33 | 0:28:37 | |
No, I wouldn't clap that. | 0:28:37 | 0:28:38 | |
MUTED APPLAUSE | 0:28:38 | 0:28:40 | |
Sort of more clever than funny, really. | 0:28:40 | 0:28:45 | |
So my wife was cooking, and I'm happy with my role | 0:28:45 | 0:28:47 | |
which is basically, you know, foraging. | 0:28:47 | 0:28:51 | |
But I went to buy this one... I say foraging... | 0:28:51 | 0:28:54 | |
Normally, if you go to Tesco, you will lay your hands on a carrot. | 0:28:54 | 0:28:57 | |
There's no real jeopardy there. | 0:28:57 | 0:28:59 | |
Still, I like to pick it up and go, "Got it!" | 0:28:59 | 0:29:02 | |
But, actually, this is my point, | 0:29:02 | 0:29:04 | |
it was surprisingly hard to buy a bloody carrot. | 0:29:04 | 0:29:08 | |
Right, for a start, I took it to the till, | 0:29:08 | 0:29:10 | |
this is all I was buying, one carrot. | 0:29:10 | 0:29:12 | |
First of all, this lady tried to put it in a bag for me, | 0:29:12 | 0:29:15 | |
and I always try to not take a bag if I don't need one, | 0:29:15 | 0:29:18 | |
for environmental reasons. | 0:29:18 | 0:29:19 | |
But they're furious. You'll have tried doing this - | 0:29:19 | 0:29:22 | |
if you say, "I don't need a bag," | 0:29:22 | 0:29:24 | |
they look at you like, "How dare you?!" | 0:29:24 | 0:29:26 | |
This woman, she said, "What you going to do?" | 0:29:26 | 0:29:29 | |
And I said, "Well, I don't want to appear cocky here, | 0:29:29 | 0:29:32 | |
"but I've got two hands, | 0:29:32 | 0:29:33 | |
"there's only one carrot - I think I will nail this. | 0:29:33 | 0:29:36 | |
"I'm almost certain I'll get this home, by hook or by crook." | 0:29:36 | 0:29:39 | |
Cos what am I going to do - walk around with one carrot in a bag? | 0:29:39 | 0:29:44 | |
"I've got my carrot in a bag." | 0:29:44 | 0:29:46 | |
"How's your day?" | 0:29:46 | 0:29:48 | |
"Yeah, great, just walking with my carrot in its bag. | 0:29:48 | 0:29:51 | |
"I've got a piece of celery at home in a little bit of Tupperware." | 0:29:51 | 0:29:55 | |
I don't want to make out I'm someone with a repertoire of vegetables that I walk... Anyway... | 0:29:55 | 0:30:00 | |
Then there's a receipt - | 0:30:00 | 0:30:02 | |
she insisted in printing out a bloody receipt, | 0:30:02 | 0:30:04 | |
which meant the till roll had to be changed. | 0:30:04 | 0:30:07 | |
Why do you need a receipt for this transaction?! | 0:30:07 | 0:30:10 | |
All I'm buying is a single carrot - why would you ever need a receipt?! | 0:30:10 | 0:30:13 | |
You're not going to bite into it and think, "Hang on, this is a pear." | 0:30:13 | 0:30:17 | |
Right, it's basically, buying a carrot can't go that badly wrong. | 0:30:17 | 0:30:21 | |
So by now, I'm really impatient, I was frothing with impatience, | 0:30:21 | 0:30:24 | |
I wanted to get home, see my wife, whether she exists or not. | 0:30:24 | 0:30:28 | |
Finally, just when I thought I had finally secured this carrot, | 0:30:28 | 0:30:32 | |
as I was walking out, this girl said, "Excuse me, sorry, | 0:30:32 | 0:30:35 | |
"before you go," so now I have to listen to this. I said, "Yes?" | 0:30:35 | 0:30:38 | |
She said, "Did you want to pre-order the Harry Potter DVD?" | 0:30:38 | 0:30:41 | |
Now, what part of my actions so far would give you that impression? | 0:30:43 | 0:30:47 | |
I was trying to be polite. I said, "Sorry?" | 0:30:47 | 0:30:50 | |
She said... By now, SHE'S impatient, like I'm some sort of idiot. | 0:30:50 | 0:30:53 | |
"Did you want to pre-order the Harry Potter DVD?" | 0:30:53 | 0:30:56 | |
I mean, no, not really, my aim was to buy a carrot, | 0:30:56 | 0:31:00 | |
and I would say I've achieved that modest aim. | 0:31:00 | 0:31:03 | |
I mean, if I wanted to buy a Harry Potter DVD, | 0:31:03 | 0:31:06 | |
what I would probably do is go to somewhere like HMV, | 0:31:06 | 0:31:09 | |
I would go to a place where you can buy DVDs, I would pre-order it, | 0:31:09 | 0:31:12 | |
when the time came, I would collect it, | 0:31:12 | 0:31:14 | |
I'd take it home, I'd watch it. | 0:31:14 | 0:31:16 | |
I wouldn't approach this transaction by going to a supermarket, | 0:31:16 | 0:31:19 | |
seizing a carrot from the fruit and veg bit, | 0:31:19 | 0:31:22 | |
and then standing there at the checkout thinking, | 0:31:22 | 0:31:24 | |
"She knows what I really want here. | 0:31:24 | 0:31:26 | |
"She'll gather my true intentions. | 0:31:26 | 0:31:28 | |
"She knows that this carrot is a metaphor for an orange wand." | 0:31:28 | 0:31:33 | |
Is this what supermarket shopping is meant to be, | 0:31:33 | 0:31:35 | |
some sort of guessing game? "I'd like ten Lucky Strikes, please." | 0:31:35 | 0:31:39 | |
"Shrek 2? I'll just see if we've got it in." | 0:31:39 | 0:31:41 | |
But thanks very much. You've been lovely. I'm Mark Watson. See you again! Bye! Thank you! | 0:31:44 | 0:31:48 | |
CHEERING AND APPLAUSE | 0:31:48 | 0:31:50 | |
Mark Watson! | 0:31:52 | 0:31:54 | |
Mark Watson, ladies and gentlemen! | 0:31:54 | 0:31:56 | |
Ladies and gentlemen, are you ready for one more comedian? | 0:31:59 | 0:32:03 | |
CHEERING | 0:32:03 | 0:32:04 | |
And I mean...absolutely fantastic, one of my favourite performers, | 0:32:04 | 0:32:09 | |
ladies and gentlemen, would you please welcome | 0:32:09 | 0:32:12 | |
Andrew...Maxwell! | 0:32:12 | 0:32:15 | |
CHEERING AND APPLAUSE | 0:32:15 | 0:32:19 | |
Heeeeey! | 0:32:26 | 0:32:28 | |
(CHUCKLES) | 0:32:28 | 0:32:31 | |
Good evening, the Apollo! | 0:32:31 | 0:32:33 | |
CHEERING | 0:32:33 | 0:32:36 | |
-How you feeling - OK? -ALL: -Yeah. | 0:32:36 | 0:32:39 | |
God, it's hot in this country, isn't it? | 0:32:39 | 0:32:42 | |
It's hot, are you feeling hot? | 0:32:42 | 0:32:44 | |
-ALL: -Yes. -Ah, it's hot! | 0:32:44 | 0:32:47 | |
God, it's hot. | 0:32:47 | 0:32:49 | |
Compared to Ireland, | 0:32:49 | 0:32:50 | |
it's very, very hot. | 0:32:50 | 0:32:53 | |
Has anybody here ever experienced an Irish summer? | 0:32:53 | 0:32:56 | |
CHEERING | 0:32:56 | 0:32:58 | |
Oh, my God, what an August we can offer the world, people. | 0:32:58 | 0:33:02 | |
20 degrees, every day! | 0:33:02 | 0:33:04 | |
Granted it's not a great tourism slogan. | 0:33:07 | 0:33:10 | |
"Come to Ireland - | 0:33:10 | 0:33:11 | |
"it's room temperature!" | 0:33:11 | 0:33:14 | |
Do we have any English people here? | 0:33:17 | 0:33:19 | |
CHEERING | 0:33:19 | 0:33:21 | |
Welcome, English people. I want you to know, | 0:33:21 | 0:33:24 | |
on behalf of all the Irish people in the room | 0:33:24 | 0:33:26 | |
and all the Irish people watching this at home, | 0:33:26 | 0:33:28 | |
I want you to know you're totally forgiven. | 0:33:28 | 0:33:31 | |
You're forgiven, English people. We no longer hate you. | 0:33:33 | 0:33:36 | |
It's in the past, it's over, | 0:33:36 | 0:33:40 | |
you're forgiven, | 0:33:40 | 0:33:42 | |
we don't hate you any more. | 0:33:42 | 0:33:44 | |
We can't afford to hate you. | 0:33:44 | 0:33:45 | |
Who knew hatred was a luxury item? | 0:33:49 | 0:33:51 | |
It's a weird place, Ireland, let me tell you. | 0:33:54 | 0:33:57 | |
In Ireland, sometimes you don't even have to write jokes... | 0:33:57 | 0:34:00 | |
it's just in the newspaper. | 0:34:00 | 0:34:01 | |
Last year, an orang-utan escaped from Dublin Zoo, | 0:34:03 | 0:34:08 | |
and in the newspaper - and I quote - his zookeeper said, | 0:34:08 | 0:34:12 | |
"We believe he was planning it for years." | 0:34:12 | 0:34:16 | |
They reverse-engineered his crime | 0:34:19 | 0:34:22 | |
and they found out, over the last 15 years, | 0:34:22 | 0:34:25 | |
he'd been cultivating a tree to grow against the wall of his enclosure. | 0:34:25 | 0:34:30 | |
What kind of monkey Shawshank Redemption is that? | 0:34:30 | 0:34:34 | |
"Bobo wasn't like the other monkeys." | 0:34:36 | 0:34:40 | |
-Any Muslim people here? -RIPPLE OF CHEERS | 0:34:40 | 0:34:44 | |
I was just wondering, because this is the thing that I've been getting recently, | 0:34:44 | 0:34:47 | |
when I've been asking, "Is there any Muslims in?" | 0:34:47 | 0:34:49 | |
I'm getting pissed-up geezers saying yes. | 0:34:49 | 0:34:52 | |
I did a gig in Bethnal Green about a year ago. | 0:34:52 | 0:34:54 | |
I went, "Is there any Muslims in?" | 0:34:54 | 0:34:56 | |
This dude stands up, shaved head, fat neck, | 0:34:56 | 0:35:00 | |
Ben Sherman, he was the most unlikely Muslim in the world. | 0:35:00 | 0:35:04 | |
This man looked like he was entirely made of sausage. | 0:35:05 | 0:35:09 | |
He stands up in the middle of the audience. | 0:35:11 | 0:35:15 | |
I went, "Is there any Muslims in?" | 0:35:15 | 0:35:16 | |
He stands up, lifts up his pint of Stella and just went, "Yeeeah!" | 0:35:16 | 0:35:20 | |
"What? You're Muslim?!" He went, "Yeah, why not?!" | 0:35:22 | 0:35:27 | |
Fair enough, but I don't think that's how you join. | 0:35:29 | 0:35:33 | |
I thought, there and then, maybe that is the solution | 0:35:33 | 0:35:35 | |
to all this Islamic panic in the British media! | 0:35:35 | 0:35:38 | |
An all-Cockney mosque! | 0:35:38 | 0:35:41 | |
Now, there's a mosque the Daily Mail would find hard to complain about being built. | 0:35:42 | 0:35:47 | |
Oh, you can see it now, can't you? | 0:35:49 | 0:35:51 | |
The call to prayer from the top of the geezer minaret | 0:35:51 | 0:35:54 | |
in the Cockney mosque. | 0:35:54 | 0:35:55 | |
Oi, oiiiiiiiiiiiii...! | 0:35:59 | 0:36:09 | |
Who wants some?! | 0:36:09 | 0:36:12 | |
Every Friday evening at the Cockney mosque, | 0:36:18 | 0:36:22 | |
neat rows of white Reebok Classics down the street. | 0:36:22 | 0:36:26 | |
Have we got any Lebanese women here? | 0:36:28 | 0:36:31 | |
-CHEER -One? | 0:36:31 | 0:36:33 | |
Welcome. | 0:36:33 | 0:36:34 | |
Beautiful, you see. Beautiful Apollo, | 0:36:36 | 0:36:40 | |
that's just the history of the Lebanon. | 0:36:40 | 0:36:42 | |
It's a small country that's been invaded over and over again, | 0:36:42 | 0:36:45 | |
and everybody's gone in there and had sex with their women. | 0:36:45 | 0:36:48 | |
And that's how you get good-looking women, people. | 0:36:48 | 0:36:51 | |
It's a little bit distasteful, but that's genetics for you. | 0:36:51 | 0:36:54 | |
I don't know whether anybody here | 0:36:57 | 0:36:59 | |
has ever been to the Shetland Islands. | 0:36:59 | 0:37:01 | |
They have not been invaded... | 0:37:02 | 0:37:04 | |
..anywhere near enough! | 0:37:11 | 0:37:13 | |
Vikings must have rode up the beach there and gone, | 0:37:15 | 0:37:18 | |
"Hey-oh, ho-oh. Oh?!" | 0:37:18 | 0:37:21 | |
"OK, gather round, everybody... | 0:37:23 | 0:37:26 | |
"it's just pillage." | 0:37:26 | 0:37:28 | |
I think, probably the most inspiring thing of the year | 0:37:34 | 0:37:37 | |
has definitely been the Arab Spring. | 0:37:37 | 0:37:39 | |
It's been incredible. | 0:37:39 | 0:37:40 | |
I mean, it's gotten better in some places than others. | 0:37:40 | 0:37:43 | |
The worst thing for me is that Tony Blair's back on TV. | 0:37:43 | 0:37:47 | |
Oh, I really don't like that sun-kissed hustler. | 0:37:47 | 0:37:51 | |
Do you know he's brought out an autobiography? | 0:37:52 | 0:37:55 | |
How bad taste is that? | 0:37:55 | 0:37:57 | |
We're still stuck in the two wars that he started, | 0:37:57 | 0:37:59 | |
so that he could curry favour | 0:37:59 | 0:38:01 | |
with the American industrial military complex, | 0:38:01 | 0:38:03 | |
so he could spend the rest of his sunny life | 0:38:03 | 0:38:06 | |
on golf courses in Florida. | 0:38:06 | 0:38:07 | |
Yeah, there we are, he's brought out an autobiography, | 0:38:07 | 0:38:10 | |
"Tony Blair, My Journey, you know, just in case people want to see it | 0:38:10 | 0:38:15 | |
"from Tony's perspective." | 0:38:15 | 0:38:16 | |
APPLAUSE | 0:38:16 | 0:38:19 | |
Not really...not really, Tone. | 0:38:21 | 0:38:24 | |
"What other bad-taste bits of merchandise | 0:38:24 | 0:38:28 | |
"have you got up your sleeve there, Tony? | 0:38:28 | 0:38:31 | |
"A fragrance?!" | 0:38:31 | 0:38:32 | |
"Tony Blair, Denial." | 0:38:34 | 0:38:37 | |
You never know what will offend people. | 0:38:47 | 0:38:50 | |
I hope I haven't offended anybody. | 0:38:50 | 0:38:52 | |
You don't know! | 0:38:52 | 0:38:54 | |
You can talk about whatever you want on stage, nobody gives a toss. | 0:38:54 | 0:38:57 | |
If you talk about cats... | 0:38:57 | 0:39:00 | |
don't talk about cats on TV. | 0:39:00 | 0:39:02 | |
You know, even if it's a funny thing about cats. | 0:39:03 | 0:39:06 | |
Like cat in the bin - remember that? | 0:39:06 | 0:39:09 | |
There was a week of cat in the bin! | 0:39:11 | 0:39:14 | |
A week of a cat going into a bin! | 0:39:14 | 0:39:17 | |
You remember the first time you saw that horrific, horrific footage... | 0:39:19 | 0:39:24 | |
of the cat go into the bin. | 0:39:24 | 0:39:26 | |
I know. Live it with me, brothers and sisters. | 0:39:28 | 0:39:31 | |
Is it just me or was your first reaction, | 0:39:31 | 0:39:34 | |
why... | 0:39:34 | 0:39:36 | |
is Susan Boyle... | 0:39:36 | 0:39:40 | |
putting a cat in a bin?! | 0:39:40 | 0:39:43 | |
What the hell is going on? | 0:39:45 | 0:39:47 | |
Genuinely, my first reaction, | 0:39:47 | 0:39:49 | |
when I first saw the cat go in the bin... | 0:39:49 | 0:39:51 | |
I've turned into such a environmental idiot | 0:39:51 | 0:39:53 | |
as I've got older. | 0:39:53 | 0:39:54 | |
Genuinely, my first reaction when I saw the cat go into the bin was, | 0:39:54 | 0:39:57 | |
"Oh, God, no! Wrong bin!" | 0:39:57 | 0:40:00 | |
"A cat is 100% recyclable!" | 0:40:02 | 0:40:04 | |
You never know, man. I love the news and the tabloids. | 0:40:09 | 0:40:14 | |
I love the tabloids, man, but aren't they creepy? | 0:40:14 | 0:40:16 | |
Oh, you better believe they are. | 0:40:16 | 0:40:18 | |
Here's a classic example. The Middletons, Kate and Pippa... | 0:40:18 | 0:40:24 | |
They must have been raised in pretty much the same upbringing, right? | 0:40:24 | 0:40:28 | |
They've got to be pretty similar women? | 0:40:28 | 0:40:30 | |
Not in the tabloids, they're not. I feel sorry for Pippa, do you? | 0:40:30 | 0:40:34 | |
Cos all the filth is on her, isn't it? | 0:40:34 | 0:40:36 | |
Cos the tabloids can't say anything untoward about Kate, | 0:40:36 | 0:40:39 | |
not the future Queen of England. | 0:40:39 | 0:40:41 | |
"Oh, here she comes. Lovely, lovely Kate. | 0:40:41 | 0:40:45 | |
"Oh, lovely, lovely Kate, here she comes, | 0:40:45 | 0:40:48 | |
"Duchess of Cambridge, future Queen of England. | 0:40:48 | 0:40:51 | |
"Here she is. Awwwww... | 0:40:51 | 0:40:55 | |
"Handing out coins to the immigrant children, awwwwww." | 0:40:55 | 0:40:59 | |
(COCKNEY ACCENT) "Look at filthy Pippa! | 0:40:59 | 0:41:03 | |
"Oh, you filthy cow! | 0:41:03 | 0:41:06 | |
"Who brings an arse to a wedding?!" | 0:41:06 | 0:41:10 | |
"Awwwww...lovely, lovely Kate, | 0:41:15 | 0:41:21 | |
"awwwww... Healing the poor with her eyes, awwwwww." | 0:41:21 | 0:41:26 | |
(COCKNEY ACCENT) "Look at filthy Pippa! | 0:41:26 | 0:41:29 | |
"Down the docks with a bell - ding-ding! | 0:41:29 | 0:41:34 | |
"Come and get it, boys, come on!" | 0:41:34 | 0:41:37 | |
That's all I'm saying, people. I hope I haven't offended anyone. | 0:41:45 | 0:41:48 | |
You just don't know when you're a comedian. | 0:41:48 | 0:41:51 | |
I'll give you an example of this. | 0:41:51 | 0:41:54 | |
I did a gig for the biscuit industry. | 0:41:54 | 0:41:56 | |
That's right, people, I work for the biscuit industry. | 0:41:56 | 0:42:00 | |
It was terrifying, it was 50 biscuit businessmen | 0:42:00 | 0:42:04 | |
and I was dreading it, man. | 0:42:04 | 0:42:06 | |
Not like this, I knew you were going to be good. | 0:42:06 | 0:42:08 | |
It turns out they were great, they were fantastic. | 0:42:08 | 0:42:12 | |
And that's why I said it. I only said it because they were good! | 0:42:12 | 0:42:15 | |
I didn't walk straight on and say it. | 0:42:15 | 0:42:16 | |
At the end of the gig, I said "Listen, you've been fantastic." | 0:42:16 | 0:42:19 | |
They were like, "More!" and I'm like, "No, I can't." | 0:42:19 | 0:42:22 | |
I've got to go and do another gig, | 0:42:22 | 0:42:23 | |
but before I go, can I ask you something? | 0:42:23 | 0:42:25 | |
They were like, "Yeaaah!" Anything? "Yeaaaah!" | 0:42:25 | 0:42:29 | |
It's about biscuits. | 0:42:29 | 0:42:32 | |
"Yeaaaah!" | 0:42:32 | 0:42:35 | |
This is all I managed to say | 0:42:35 | 0:42:37 | |
before the whole crap-house went up in flames. | 0:42:37 | 0:42:40 | |
Wagon Wheels! | 0:42:40 | 0:42:41 | |
THEY'RE THE SAME SIZE | 0:42:44 | 0:42:47 | |
AS THEY'VE ALWAYS BEEEEEEN! | 0:42:47 | 0:42:52 | |
APPLAUSE AND CHEERING | 0:42:52 | 0:42:55 | |
But remember when we were kids - | 0:43:00 | 0:43:02 | |
YOUR HANDS WERE SMALLER! | 0:43:02 | 0:43:06 | |
People, you've been an absolute delight. | 0:43:08 | 0:43:11 | |
Thank you, Apollo! Good night! | 0:43:11 | 0:43:15 | |
CHEERING AND APPLAUSE | 0:43:15 | 0:43:17 | |
Andrew Maxwell, ladies and gentlemen! | 0:43:23 | 0:43:26 | |
Andrew Maxwell! | 0:43:26 | 0:43:28 | |
CHEERING AND APPLAUSE | 0:43:28 | 0:43:30 | |
Ladies and gentlemen, thank you so much for coming out tonight! | 0:43:30 | 0:43:34 | |
We hope you've had a wonderful night. | 0:43:34 | 0:43:36 | |
One more hand, please for Mr Andrew Maxwell and Mark Watson! | 0:43:36 | 0:43:40 | |
Thanks for coming, good night! | 0:43:40 | 0:43:44 | |
APPLAUSE AND CHEERING | 0:43:44 | 0:43:47 | |
Subtitles by Red Bee Media Ltd | 0:43:59 | 0:44:05 |