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'Ladies and gentlemen, | 0:00:19 | 0:00:21 | |
'please welcome your host for tonight, | 0:00:21 | 0:00:23 | |
'Alan Carr!' | 0:00:23 | 0:00:25 | |
APPLAUSE | 0:00:25 | 0:00:27 | |
Oh, how lovely! | 0:00:36 | 0:00:37 | |
Oh! | 0:00:39 | 0:00:40 | |
Oh, Hammersmith! | 0:00:42 | 0:00:44 | |
Ah! | 0:00:44 | 0:00:46 | |
Welcome to Live At The Apollo. I'm your host, Alan Carr. | 0:00:48 | 0:00:53 | |
CHEERING AND WHISTLING | 0:00:53 | 0:00:55 | |
Woohoo! Thank you. | 0:00:55 | 0:00:58 | |
I'm not a sheepdog. | 0:00:58 | 0:00:59 | |
Visited my nan the other day. You got to visit your nan, ain't ya? | 0:01:01 | 0:01:05 | |
-ALL: Yes! -Yeah. I went to see her, bless her. | 0:01:05 | 0:01:07 | |
She was sucking the chocolate off a Crunchie to send to Cash for Gold. | 0:01:07 | 0:01:12 | |
I don't know how much money pensioners get. | 0:01:17 | 0:01:20 | |
Honestly she's got herself a 3D HD Plasma screen in her lounge. | 0:01:20 | 0:01:24 | |
Honestly, it's huge. It's huge. | 0:01:24 | 0:01:27 | |
The people on the screen are bigger than she is. | 0:01:27 | 0:01:29 | |
The council drove by, thought she was subletting to Poirot. | 0:01:29 | 0:01:33 | |
Honestly, but she loves it though. All this technology. | 0:01:35 | 0:01:38 | |
I'm the other way. I'm going... | 0:01:38 | 0:01:40 | |
You're going to think I'm mad, but you know what I can't stand? | 0:01:40 | 0:01:43 | |
Digital cameras. | 0:01:43 | 0:01:44 | |
I like the old ones, know what I mean? | 0:01:44 | 0:01:46 | |
I don't like to get the image instantly, | 0:01:46 | 0:01:48 | |
I like to wait to get back from the holiday | 0:01:48 | 0:01:51 | |
before I realise I'm fat and pasty, yeah? | 0:01:51 | 0:01:53 | |
People show you it, don't they? "Oh, yes! | 0:01:55 | 0:01:57 | |
"Great the way me back fat's poking through the slots of the sun lounger!" | 0:01:57 | 0:02:01 | |
Got screensaver written all over it, hasn't it? | 0:02:04 | 0:02:07 | |
What celebs have we got here? | 0:02:09 | 0:02:11 | |
Hello, Eamonn. Eamonn and Ruth, come on. | 0:02:11 | 0:02:14 | |
APPLAUSE | 0:02:14 | 0:02:18 | |
Olly Murs. | 0:02:18 | 0:02:21 | |
CHEERING | 0:02:21 | 0:02:22 | |
And little Geordie Joe sneaked in behind you. | 0:02:24 | 0:02:27 | |
Fucking X Factor fantasy of mine. | 0:02:27 | 0:02:29 | |
Hello, love. Can I just say I love you? You know his skinny fit jeans? | 0:02:31 | 0:02:35 | |
He's got the image. Ollie is the image I want. | 0:02:35 | 0:02:38 | |
Ain't he lovely? He's gorgeous. | 0:02:38 | 0:02:41 | |
SHOUTS OF APPROVAL | 0:02:41 | 0:02:42 | |
-He wears those skinny fit jeans. -Yeah. | 0:02:42 | 0:02:45 | |
I've had to throw mine out, honestly. | 0:02:45 | 0:02:47 | |
I had to. I got on the bus and a woman gave her seat up for me. | 0:02:47 | 0:02:51 | |
Ollie, those hats! | 0:02:57 | 0:02:58 | |
Do you know, I got myself a white Trilby, | 0:02:58 | 0:03:00 | |
cos I want to look like Justin Timberlake. I got it from Top Man. | 0:03:00 | 0:03:05 | |
A white Trilby? | 0:03:05 | 0:03:07 | |
I look like a fishmonger at Morrisons. | 0:03:08 | 0:03:11 | |
APPLAUSE | 0:03:13 | 0:03:15 | |
Honestly. Pow! Pow! Pow! | 0:03:15 | 0:03:17 | |
Got some lovely scallops for your tea, Mrs Henderson. | 0:03:17 | 0:03:20 | |
Pop them in your basket. | 0:03:22 | 0:03:24 | |
Who else have we got? Oh, Arg. | 0:03:25 | 0:03:27 | |
The Only Way Is Essex. | 0:03:27 | 0:03:30 | |
CHEERING | 0:03:30 | 0:03:32 | |
Any Essex girls in? | 0:03:32 | 0:03:34 | |
I don't think there is tonight. | 0:03:34 | 0:03:36 | |
-Are you sure, cos... -There might be. | 0:03:36 | 0:03:38 | |
I'm not being rude, but over there I saw a flash of vajazzle. | 0:03:38 | 0:03:41 | |
Honestly, it was like looking in a magpie's nest. | 0:03:41 | 0:03:46 | |
Oh, Ollie doesn't know. Let me explain. | 0:03:46 | 0:03:48 | |
-You know a woman's lady garden? -Yes, yep. | 0:03:48 | 0:03:51 | |
-It's where they decorate it with sequins. -Oh, really? | 0:03:51 | 0:03:55 | |
-Trinkets. -OK, yeah. | 0:03:55 | 0:03:56 | |
Hundreds and thousands. | 0:03:56 | 0:03:58 | |
I mean, they do. | 0:04:01 | 0:04:03 | |
Where I live, everyone does vajazzle. | 0:04:03 | 0:04:06 | |
Every shop does vajazzling. My best mate Monica, she got vajazzled. | 0:04:06 | 0:04:09 | |
She only popped in to get her keys cut. | 0:04:09 | 0:04:11 | |
The mechanical man did it in the window. | 0:04:13 | 0:04:16 | |
Seriously. Honest to God. Listen, Arg. She went to get it done | 0:04:24 | 0:04:28 | |
and she missed her appointment and the girl became the counter went, | 0:04:28 | 0:04:31 | |
"A client's just gone in. Can you come back in an hour?" | 0:04:31 | 0:04:34 | |
I said "An hour?! How big is it?" | 0:04:34 | 0:04:36 | |
Go to Wickes and get it crazy paved for less. | 0:04:36 | 0:04:39 | |
It's true! | 0:04:39 | 0:04:42 | |
No, but these things they keep inventing, no-one tells me. | 0:04:42 | 0:04:45 | |
I took my two goddaughters to the leisure centre to go swimming. | 0:04:45 | 0:04:49 | |
No-one told me they'd invented a wave machine. | 0:04:49 | 0:04:52 | |
Did you know about this? | 0:04:52 | 0:04:54 | |
There I am, at the leisure centre, minding me own business. | 0:04:54 | 0:04:57 | |
All of a sudden, I hear... | 0:04:59 | 0:05:00 | |
IMITATES SIREN | 0:05:00 | 0:05:02 | |
It's getting choppy! | 0:05:10 | 0:05:11 | |
And then I couldn't kick because my locker key was round me weak leg. | 0:05:13 | 0:05:17 | |
I thought someone had pulled the plug out. | 0:05:19 | 0:05:21 | |
"Help! Help! Help!" | 0:05:21 | 0:05:24 | |
No! This lifeguard runs over with a float. | 0:05:25 | 0:05:29 | |
Do you remember those white floats you used to get at school? | 0:05:29 | 0:05:32 | |
Do you remember the texture of them? | 0:05:32 | 0:05:34 | |
They always had a bite out of them, mind? | 0:05:37 | 0:05:40 | |
How far away from land have you floated... | 0:05:43 | 0:05:46 | |
that you're that hungry? | 0:05:46 | 0:05:47 | |
WOMAN SQUEALS | 0:05:52 | 0:05:54 | |
It's been a long time since I've made a woman make that noise. | 0:05:54 | 0:05:57 | |
Oh, it's Melanie Sykes. Hello, Mel! | 0:05:59 | 0:06:02 | |
Oh, thanks for laughing. | 0:06:02 | 0:06:03 | |
APPLAUSE | 0:06:03 | 0:06:04 | |
That's what friends are for. | 0:06:04 | 0:06:07 | |
Hope you brought your Tena Lady. | 0:06:08 | 0:06:10 | |
How unfit am I? | 0:06:15 | 0:06:17 | |
Do you see me sweating? | 0:06:17 | 0:06:20 | |
I don't mind getting the underarm bits. It's when you get the W's. | 0:06:20 | 0:06:23 | |
You've been sitting down and you get up | 0:06:28 | 0:06:30 | |
and they're underlined. You're like, "What?!" | 0:06:30 | 0:06:34 | |
You see, Gok was meant to help me with my outfit. | 0:06:34 | 0:06:37 | |
You know Gok Wan? You like Gok? | 0:06:37 | 0:06:39 | |
CHEERING | 0:06:39 | 0:06:40 | |
I love Gok, he's great. People always say | 0:06:40 | 0:06:42 | |
"When are you and Gok going to get together?" | 0:06:42 | 0:06:46 | |
We can't, we can't. | 0:06:46 | 0:06:48 | |
If we had kids, they'd be Wan-Carrs! | 0:06:48 | 0:06:51 | |
APPLAUSE | 0:06:51 | 0:06:55 | |
Do you know? | 0:06:55 | 0:06:57 | |
And let's face it, they're going to get bullied at school anyway. | 0:07:01 | 0:07:04 | |
Know what I mean? Let's not over-egg the pudding. | 0:07:04 | 0:07:07 | |
"Wan-Carr?" "Here, Sir!" | 0:07:07 | 0:07:09 | |
With a handbag. | 0:07:09 | 0:07:12 | |
I took my two goddaughters to the zoo, | 0:07:14 | 0:07:16 | |
cos I'm a good godfather and everything. | 0:07:16 | 0:07:18 | |
The trouble is, they're at that age... | 0:07:18 | 0:07:20 | |
that face-painting stage, you know what I mean? | 0:07:20 | 0:07:23 | |
When they like face painting. | 0:07:23 | 0:07:25 | |
The eldest one has got her face done as a tiger. | 0:07:25 | 0:07:28 | |
I don't know how I feel about that at the zoo. Do you know what I mean? | 0:07:28 | 0:07:31 | |
Not only do we take away these animals' freedom and liberty, | 0:07:31 | 0:07:35 | |
we start taking the piss out of their face. | 0:07:35 | 0:07:37 | |
The youngest one has got her face done as a dormouse. | 0:07:39 | 0:07:42 | |
Going round the reptile house, | 0:07:42 | 0:07:44 | |
they're creaming their drawers in there! | 0:07:44 | 0:07:46 | |
A Komodo dragon started laying the table. | 0:07:48 | 0:07:50 | |
While I'm there in the zoo, the zookeeper comes to me. | 0:07:54 | 0:07:57 | |
"Hello. | 0:07:57 | 0:07:59 | |
"Would you like to feed the monkeys? | 0:07:59 | 0:08:02 | |
"Would you like a bit of fruit and get in the cage | 0:08:02 | 0:08:05 | |
"and feed the monkeys?" | 0:08:05 | 0:08:06 | |
Then I realised he had a lazy eye and was looking at the girls. | 0:08:08 | 0:08:12 | |
Freaked me out! Freaked me out! Then the girls said, | 0:08:13 | 0:08:17 | |
"We don't want to get in the cage and feed the monkeys. | 0:08:17 | 0:08:20 | |
"Will you do it, Uncle Alan?" | 0:08:20 | 0:08:22 | |
"Yes, what a good idea(!)" | 0:08:25 | 0:08:28 | |
I get in the cage, I'm feeding the monkeys. | 0:08:28 | 0:08:30 | |
People are filming me. They're shouting commands. | 0:08:30 | 0:08:33 | |
"Stroke the monkey! Stroke the monkey! | 0:08:33 | 0:08:37 | |
"Faster! Harder! | 0:08:37 | 0:08:40 | |
"Dance with the monkey! | 0:08:40 | 0:08:41 | |
"Look like you're enjoying it!" | 0:08:45 | 0:08:48 | |
Then this school kid comes by and goes "Look, it's got a stiffy!" | 0:08:49 | 0:08:53 | |
I actually looked down at my own crotch! | 0:08:53 | 0:08:56 | |
I looked down! | 0:08:56 | 0:08:58 | |
Do I look like shit? | 0:09:03 | 0:09:05 | |
I do, don't I? | 0:09:05 | 0:09:06 | |
WOLF WHISTLE | 0:09:06 | 0:09:07 | |
You are a sick bastard! | 0:09:07 | 0:09:09 | |
Why are you whistling at camp chubby man, | 0:09:10 | 0:09:14 | |
who has obviously a thyroid issue?! | 0:09:14 | 0:09:17 | |
What you saying? | 0:09:20 | 0:09:22 | |
Sorry, I'm not fluent in, "Oh, bear!" | 0:09:22 | 0:09:24 | |
< Your flies are undone! | 0:09:25 | 0:09:28 | |
Oh, my God! | 0:09:30 | 0:09:32 | |
LAUGHTER | 0:09:32 | 0:09:35 | |
It's popped off! | 0:09:44 | 0:09:46 | |
Oh, no! | 0:09:49 | 0:09:51 | |
You've all been looking at my knob. | 0:09:54 | 0:09:56 | |
Shouldn't bloody be looking, you big gay! | 0:09:58 | 0:10:01 | |
I am like Oscar Wilde, ain't I? | 0:10:08 | 0:10:10 | |
I really am, with these witty putdowns. | 0:10:10 | 0:10:13 | |
Let's welcome our first comedian to the stage. | 0:10:15 | 0:10:17 | |
I love her, you love her. | 0:10:17 | 0:10:19 | |
It's Andi Osho! Woo! | 0:10:19 | 0:10:21 | |
Hey! | 0:10:26 | 0:10:28 | |
Hello! | 0:10:31 | 0:10:33 | |
Oh, this is nice! | 0:10:35 | 0:10:37 | |
Did he do the whole thing with his flies undone? | 0:10:37 | 0:10:39 | |
I couldn't see. Is that it? | 0:10:39 | 0:10:40 | |
Oh, my days! Never mind. | 0:10:40 | 0:10:42 | |
Don't look at my boobs. | 0:10:42 | 0:10:44 | |
This is good, this is nice. Are there loads of couples in? | 0:10:44 | 0:10:47 | |
Give me a cheer, couples. | 0:10:47 | 0:10:48 | |
MUTED CHEERING | 0:10:48 | 0:10:49 | |
Hey, that's nice. That's the sound of a thousand blokes being nudged in the ribs. | 0:10:49 | 0:10:53 | |
And are there single people in? Single people, give me a cheer. | 0:10:53 | 0:10:57 | |
LOUDER CHEERING | 0:10:57 | 0:11:00 | |
You see how much happier they sound? | 0:11:00 | 0:11:03 | |
Amazing. I'm single, | 0:11:03 | 0:11:05 | |
I've been single for ages. I think, and I... | 0:11:05 | 0:11:08 | |
I can't tell whether it's cos I'm really fussy. | 0:11:08 | 0:11:11 | |
Cos this I all I want, right - a good-looking bloke who's smart. | 0:11:11 | 0:11:14 | |
And the smart thing, is a deal-breaker for me. | 0:11:14 | 0:11:16 | |
I don't want the sort of bloke | 0:11:16 | 0:11:18 | |
who licks his finger before turning the page on a Kindle. | 0:11:18 | 0:11:22 | |
Or worse still, licks the Kindle to turn the page. | 0:11:24 | 0:11:28 | |
That's bad. But it has been ages since I've even... | 0:11:28 | 0:11:31 | |
I haven't had a date, this is absolutely true, I've not had a date for three years. | 0:11:31 | 0:11:35 | |
-AUDIENCE: Aw! -Save your sympathy! | 0:11:35 | 0:11:37 | |
When I'm talking about dates, I'm not talking about getting drunk with some bloke | 0:11:37 | 0:11:41 | |
and staggering back to his. In which case, I've been dating! | 0:11:41 | 0:11:44 | |
Probably a little bit too much, to be perfectly honest, | 0:11:44 | 0:11:47 | |
but a girl's got to eat. Now... | 0:11:47 | 0:11:49 | |
LAUGHTER | 0:11:49 | 0:11:51 | |
It's true. Honestly, you've got to keep it all working down there. | 0:11:52 | 0:11:57 | |
I saw it on Embarrassing Bodies - a woman's vajuju healed up. | 0:11:57 | 0:12:01 | |
It was like a Sindy doll down there! | 0:12:01 | 0:12:03 | |
You've got to keep it, you know. | 0:12:03 | 0:12:05 | |
But seriously, I'm down to last resorts now. | 0:12:05 | 0:12:07 | |
This is my last resort, because I've tried everything. | 0:12:07 | 0:12:10 | |
I've done internet dating and all that. My last resort is to walk into a random pub | 0:12:10 | 0:12:14 | |
and hope someone replies if I go, | 0:12:14 | 0:12:16 | |
# I like old movies... # | 0:12:16 | 0:12:18 | |
LAUGHTER AND APPLAUSE | 0:12:18 | 0:12:20 | |
That's all I've got left. But that could work. | 0:12:24 | 0:12:27 | |
you know what I love about that ad? I would love it if that wasn't the first shop she'd been into. | 0:12:27 | 0:12:33 | |
If she'd gone into a weird shop like that one in Pulp Fiction with all the samurai swords on the wall. | 0:12:33 | 0:12:39 | |
And she'd gone up to the piano... | 0:12:39 | 0:12:41 | |
# I like old movies... # | 0:12:41 | 0:12:43 | |
Then she'd heard from the back... | 0:12:43 | 0:12:45 | |
# Like Scream and Saw III... # | 0:12:45 | 0:12:47 | |
OK, not this shop, but thank you, thank you. | 0:12:47 | 0:12:50 | |
They all advertise as well, don't they? | 0:12:50 | 0:12:54 | |
The internet dating companies, like Uniform Dating, | 0:12:54 | 0:12:57 | |
they advertise, but they don't even have people in their adverts. | 0:12:57 | 0:13:01 | |
And then the tag line, she goes, "Do you work in uniform, | 0:13:01 | 0:13:04 | |
"or fancy those who do?" | 0:13:04 | 0:13:05 | |
Isn't that just like everybody, then? | 0:13:11 | 0:13:13 | |
That's like BUPA bringing out a new health care product - | 0:13:13 | 0:13:16 | |
"Are you healthy, ill, dead, or know someone who is?" | 0:13:16 | 0:13:21 | |
They're not helping me. | 0:13:22 | 0:13:24 | |
Or eHarmony, that's another one, they advertise a lot. | 0:13:24 | 0:13:27 | |
Sometimes they reject people's applications, | 0:13:27 | 0:13:30 | |
and a guy put in an application and it got rejected | 0:13:30 | 0:13:32 | |
cos of what he said in response to a question. | 0:13:32 | 0:13:34 | |
And there's a screen grab of it on the internet. | 0:13:34 | 0:13:37 | |
It goes "eHarmony has rejected your application | 0:13:37 | 0:13:39 | |
"because in response to the question 'What do you find most attractive in a woman?'" | 0:13:39 | 0:13:44 | |
The bloke had written "my dick". | 0:13:44 | 0:13:46 | |
How good is that? | 0:13:51 | 0:13:52 | |
Because it tells a woman two important things. | 0:13:52 | 0:13:55 | |
1 - He has got a sense of humour. | 0:13:55 | 0:13:57 | |
What girl doesn't like a guy with a sense of humour? | 0:13:57 | 0:13:59 | |
2 - He's got a dick. | 0:13:59 | 0:14:01 | |
What girl doesn't like a guy with a dick? All of us. | 0:14:03 | 0:14:07 | |
But I did internet dating, | 0:14:09 | 0:14:11 | |
and the problem I had with it | 0:14:11 | 0:14:13 | |
was basically the men. | 0:14:13 | 0:14:15 | |
No, what it is, I think it's the panic of having to advertise yourself, | 0:14:15 | 0:14:19 | |
so they write weird things. | 0:14:19 | 0:14:20 | |
Like they'll put down "reading" as a hobby. | 0:14:20 | 0:14:24 | |
Now, reading is not a hobby, | 0:14:24 | 0:14:25 | |
that's just something you should be able to do. | 0:14:25 | 0:14:29 | |
You know, what are you going to put next? | 0:14:29 | 0:14:31 | |
"I'm a big fan of eating and thinking. Pick me!" | 0:14:31 | 0:14:34 | |
No, mate, put that you're a fan of putting up shelves | 0:14:34 | 0:14:36 | |
and munching rug, then I'll pick you. | 0:14:36 | 0:14:39 | |
LAUGHTER AND APPLAUSE | 0:14:39 | 0:14:42 | |
Yep. They wouldn't even need a photo then. | 0:14:42 | 0:14:45 | |
I'd be like, "My God, this guy sounds amazing, where is he?" | 0:14:45 | 0:14:50 | |
People say, "Andi, you could try meeting people in a nightclub." | 0:14:50 | 0:14:53 | |
You'll never meet anyone good in a nightclub, | 0:14:53 | 0:14:55 | |
because the nightclub environment is designed to have us make bad decisions. | 0:14:55 | 0:15:00 | |
It's dark, you can't see, you can't hear. | 0:15:00 | 0:15:02 | |
You know what, if nightclubs want to be responsible | 0:15:02 | 0:15:05 | |
what they should do to help us out, is just before the exit, they should have a brightly lit room, | 0:15:05 | 0:15:10 | |
where you can check out the person you're leaving with. | 0:15:10 | 0:15:13 | |
They should call it the Have A Sodding Word With Yourself Lounge. | 0:15:13 | 0:15:17 | |
And you'd get women in there just going, "Oh, my god, you're wearing a fleece. | 0:15:18 | 0:15:23 | |
"I couldn't tell because it's so dark in there. OK, nice to meet you!" | 0:15:23 | 0:15:27 | |
But listen, if you meet somebody online, | 0:15:31 | 0:15:33 | |
all I'm going to say is there's some safety things to take into consideration. | 0:15:33 | 0:15:38 | |
Now, I met somebody through Twitter just the once - never again - | 0:15:38 | 0:15:41 | |
and it was the most irresponsible thing I've ever done. I spoke to a friend about it | 0:15:41 | 0:15:45 | |
and I said, "I've met this guy, and we seem to really like each other | 0:15:45 | 0:15:48 | |
"and we're talking about meeting up. Should I meet him?" | 0:15:48 | 0:15:51 | |
Before my mate had a chance to say anything, | 0:15:51 | 0:15:53 | |
I said, "I AM going to meet this guy. You know why? Cos life's too short." | 0:15:53 | 0:15:57 | |
And my mate just went, "Yeah, you're going to find out how short!" | 0:15:57 | 0:16:01 | |
And my mum says, "Look, if you go on these dates, | 0:16:02 | 0:16:05 | |
"make sure you meet in a public place." | 0:16:05 | 0:16:07 | |
I'm going to add something to that. Public place - brill. | 0:16:07 | 0:16:11 | |
Public house - excellent. | 0:16:11 | 0:16:13 | |
Public toilet... | 0:16:13 | 0:16:14 | |
Never meet in a public toilet. No good can come of it, | 0:16:17 | 0:16:20 | |
unless it's them space-age toilets that they have outside, | 0:16:20 | 0:16:25 | |
where you put the money in, press the button and then the door opens. Cos you can pretend it's Blind Date. | 0:16:25 | 0:16:30 | |
Oh, how good is that, you just put the money in, and press the button! | 0:16:30 | 0:16:35 | |
SHE HUMS BLIND DATE THEME | 0:16:35 | 0:16:38 | |
And if you don't like them, just press the button really quickly. | 0:16:40 | 0:16:44 | |
I don't know why young couples, | 0:16:47 | 0:16:49 | |
new couples, have got this obsession with finding out | 0:16:49 | 0:16:51 | |
how many people someone has been out with from before. | 0:16:51 | 0:16:54 | |
Like, how many previous partners? This is a lose/lose situation. | 0:16:54 | 0:16:58 | |
And if any of you have ever had that conversation, | 0:16:58 | 0:17:00 | |
or you think it's going to come up, this is what you should say, OK? Just say, | 0:17:00 | 0:17:05 | |
"You want to know how many previous partners? OK, I'll tell you from the beginning. | 0:17:05 | 0:17:09 | |
"One, two, three, four, | 0:17:09 | 0:17:11 | |
"YOU... | 0:17:11 | 0:17:12 | |
"six, seven..." | 0:17:12 | 0:17:13 | |
Ladies and gentlemen, you've been lovely. | 0:17:18 | 0:17:20 | |
I've been Andi Osho. Thank you very much! Good night! | 0:17:20 | 0:17:23 | |
APPLAUSE AND CHEERING | 0:17:23 | 0:17:25 | |
Andi Osho! | 0:17:30 | 0:17:32 | |
Who else have we got? Jake Humphrey from Formula One. | 0:17:36 | 0:17:39 | |
ALL: Woo! | 0:17:39 | 0:17:41 | |
-Hello, love. -Hello. -What's your show about? What's it...? | 0:17:41 | 0:17:44 | |
No, I'm not being horrible. I've never heard of it. | 0:17:44 | 0:17:47 | |
-It's driving cars and stuff. -Driving cars. | 0:17:47 | 0:17:50 | |
Oh, what do you think of those electric cars? | 0:17:50 | 0:17:53 | |
-Brilliant, good for the environment. -Good for the environment. You know why I'm asking... | 0:17:53 | 0:17:58 | |
They asked me to be the face of electric cars. | 0:17:58 | 0:18:00 | |
No, because you know me surname's Carr? | 0:18:01 | 0:18:05 | |
They spent hours thinking this up, honestly, yeah. | 0:18:06 | 0:18:09 | |
And the money was good, I thought I'd do it, and then I saw the slogan. | 0:18:09 | 0:18:12 | |
"The car you don't have to stick your nozzle in and pump." | 0:18:12 | 0:18:16 | |
It's true, it's true. It took me ages.... | 0:18:16 | 0:18:22 | |
-Honestly, how long did it take you to pass your test, Jake? -First time. | 0:18:22 | 0:18:26 | |
Oh, don't you hate people, "first time". | 0:18:26 | 0:18:28 | |
Do you know how long it took me? Four times, yeah. | 0:18:28 | 0:18:31 | |
The first time I failed me test it weren't my fault. | 0:18:31 | 0:18:33 | |
I had the wrong prescription in my glasses. | 0:18:33 | 0:18:36 | |
It had a concave lens. | 0:18:36 | 0:18:38 | |
Honestly, I kept veering off into the hedge and the verge. | 0:18:38 | 0:18:41 | |
Honestly, the poor instructor! I was screaming, | 0:18:41 | 0:18:43 | |
he was blackberry picking. | 0:18:43 | 0:18:45 | |
He was a pervert. | 0:18:49 | 0:18:51 | |
He liked me to go down the country lanes. | 0:18:51 | 0:18:53 | |
"Let's go down the country lanes, me and you. | 0:18:53 | 0:18:57 | |
"Let's go down the country lanes." | 0:18:57 | 0:18:59 | |
He liked me to drive over cattle grids | 0:18:59 | 0:19:01 | |
cos it made me chest jiggle. | 0:19:01 | 0:19:03 | |
Oh, can I tell you this, it's a bit personal? | 0:19:07 | 0:19:10 | |
I had a health scare, yeah, I caught something in a hot tub. | 0:19:10 | 0:19:13 | |
Now listen, | 0:19:15 | 0:19:16 | |
I hate hot tubs, yeah, I was round me friend's house, | 0:19:16 | 0:19:19 | |
we're having a nice meal, | 0:19:19 | 0:19:21 | |
the plates get taken away and he says, | 0:19:21 | 0:19:22 | |
"Hey, Alan... | 0:19:22 | 0:19:24 | |
"..grab a glass of wine, put some Speedos on, | 0:19:25 | 0:19:27 | |
"and come and join me and the wife in the hot tub." | 0:19:27 | 0:19:30 | |
AUDIENCE LAUGHS | 0:19:30 | 0:19:33 | |
What's wrong with an after-dinner mint, | 0:19:33 | 0:19:35 | |
why do I have to get in a hot tub? | 0:19:35 | 0:19:37 | |
They're wrong hot tubs, ain't they, they're wrong? | 0:19:37 | 0:19:40 | |
It's like me inviting you all for dinner, then saying, | 0:19:40 | 0:19:43 | |
"I've run a bath, do you want to get in? | 0:19:43 | 0:19:45 | |
"No, wait, I'll push it into the front lawn | 0:19:47 | 0:19:49 | |
"so the neighbours can see us." | 0:19:49 | 0:19:51 | |
We haven't got the views over here, have we? | 0:19:54 | 0:19:56 | |
Fair enough if you're in California watching the sun set on the horizon, | 0:19:56 | 0:20:00 | |
but over here, a rusty swingball | 0:20:00 | 0:20:02 | |
and a fox going through your rubbish! | 0:20:02 | 0:20:04 | |
Oh, look, a syringe. Ooh! | 0:20:08 | 0:20:10 | |
This kind of shit happens to me. | 0:20:15 | 0:20:17 | |
I think it's time for our second comedian, | 0:20:18 | 0:20:21 | |
he's absolutely brilliant, | 0:20:21 | 0:20:22 | |
Hammersmith, go mad, go crazy | 0:20:22 | 0:20:25 | |
and welcome to the stage the one and only, Patrick Kielty! | 0:20:25 | 0:20:29 | |
-Woo! -AUDIENCE CHEERS AND APPLAUDS | 0:20:29 | 0:20:35 | |
Thank you very much. Good evening, Apollo, how are we? | 0:20:44 | 0:20:48 | |
AUDIENCE CHEERS | 0:20:48 | 0:20:50 | |
Good, good, we're all here, all ready to laugh Britain | 0:20:50 | 0:20:53 | |
out of recession, | 0:20:53 | 0:20:55 | |
that's...that's what it is, | 0:20:55 | 0:20:57 | |
cos it's tough times, | 0:20:57 | 0:20:59 | |
it's tough for everybody, tough to be Irish at the minute, | 0:20:59 | 0:21:02 | |
tough to be Irish in London at the minute. | 0:21:02 | 0:21:04 | |
AUDIENCE: Woo! | 0:21:04 | 0:21:05 | |
Any Irish in? | 0:21:05 | 0:21:07 | |
-AUDIENCE: Whey! -Whey, yeah. | 0:21:07 | 0:21:08 | |
The Polish have stolen all the building work. | 0:21:08 | 0:21:11 | |
The Muslims have stolen all the terrorism work. | 0:21:13 | 0:21:16 | |
Yeah, it... | 0:21:17 | 0:21:19 | |
"They come over here, they steal our bombs!" | 0:21:22 | 0:21:25 | |
I tell you, that was good while it lasted, | 0:21:25 | 0:21:28 | |
honestly, that was the greatest scam that Irish people ever had. | 0:21:28 | 0:21:32 | |
Blow it up on a Friday, | 0:21:32 | 0:21:33 | |
start building it again on a Monday, that was great! | 0:21:33 | 0:21:36 | |
"Have you much work on at the minute, Seamus?" | 0:21:40 | 0:21:42 | |
"Not much, Michael." "Leave it with me." | 0:21:42 | 0:21:44 | |
And can I just say, guys as someone from Northern Ireland, | 0:21:47 | 0:21:51 | |
can I just say, | 0:21:51 | 0:21:52 | |
congratulations on your riots, London, that was... | 0:21:52 | 0:21:55 | |
AUDIENCE CHEERS | 0:21:55 | 0:21:57 | |
Yeah, round of applause for the riots there, | 0:21:57 | 0:21:59 | |
that's...one, or two, | 0:21:59 | 0:22:01 | |
only the people that actually rioted applauding there, that was good. | 0:22:01 | 0:22:04 | |
People who rioted thinking other people were going to join in. | 0:22:04 | 0:22:09 | |
It brought me back to my childhood, | 0:22:09 | 0:22:12 | |
it really did, it did. | 0:22:12 | 0:22:14 | |
It was just the right mixture between excitement and fear. | 0:22:14 | 0:22:18 | |
It reminded me of being an altar boy again. It... | 0:22:19 | 0:22:22 | |
And the great thing about it for me | 0:22:25 | 0:22:26 | |
was that that people asked my opinion. | 0:22:26 | 0:22:29 | |
They kind of think that when you're from Northern Ireland | 0:22:29 | 0:22:32 | |
you're an expert. | 0:22:32 | 0:22:34 | |
Which is kind of nice, | 0:22:34 | 0:22:36 | |
or racist really, it's kind of racist. | 0:22:36 | 0:22:39 | |
I went on Daybreak during the riots, | 0:22:39 | 0:22:43 | |
as if London wasn't suffering enough, | 0:22:43 | 0:22:46 | |
and I kid you not, right, | 0:22:46 | 0:22:47 | |
Adrian Chiles asked me, he said, | 0:22:47 | 0:22:50 | |
"So before we talk about what you're here to talk about, | 0:22:50 | 0:22:53 | |
"disgraceful scenes in London, last night, | 0:22:53 | 0:22:55 | |
"you're from Belfast, Patrick, what do you think?" | 0:22:55 | 0:22:59 | |
I'm like, "Well, Adrian, most of these kids are only doing this | 0:23:02 | 0:23:05 | |
"because they grew up in shitholes. | 0:23:05 | 0:23:07 | |
"You're from Birmingham, what do you think?" | 0:23:07 | 0:23:10 | |
-AUDIENCE LAUGHS AND CHEERS -So... | 0:23:10 | 0:23:15 | |
What was he expecting?! | 0:23:18 | 0:23:20 | |
Was he expecting some type of post-match analysis from me? | 0:23:20 | 0:23:23 | |
-IMITATES ALAN HANSEN: -"Technically very, very poor, badly organised. | 0:23:23 | 0:23:28 | |
"You might pick up a plasma in this country | 0:23:29 | 0:23:32 | |
"with that type of performance, | 0:23:32 | 0:23:33 | |
"but in Europe they'll eat you for breakfast." | 0:23:33 | 0:23:36 | |
We love a kneejerk reaction in this country, | 0:23:39 | 0:23:41 | |
they were talking about whether, you know... | 0:23:41 | 0:23:43 | |
How are we going to prevent trouble next time round? | 0:23:43 | 0:23:46 | |
And we said, we'll shut down Twitter and BBM. | 0:23:46 | 0:23:50 | |
Great, put us up there with Syria and Saudi Arabia | 0:23:50 | 0:23:54 | |
That's good work, isn't it? | 0:23:54 | 0:23:56 | |
Well, I've got a better idea. | 0:23:56 | 0:23:58 | |
Next time there's any trouble, we'll just get onto the phone companies | 0:23:58 | 0:24:01 | |
and ask them to only forward texts that are spelt properly | 0:24:01 | 0:24:05 | |
and are grammatically correct. | 0:24:05 | 0:24:07 | |
That's... I'm thinking... | 0:24:07 | 0:24:09 | |
..I'm thinking that might thin the crowd down a little bit. | 0:24:13 | 0:24:17 | |
It'll just be Joan Bakewell and Stephen Fry outside the Apple store. | 0:24:17 | 0:24:21 | |
"Stephen, who does this iPad belong to?" | 0:24:24 | 0:24:28 | |
"No, no, Joan, I think you'll find | 0:24:28 | 0:24:31 | |
"it's to whom does this iPad belong?" | 0:24:31 | 0:24:35 | |
But we've basically given up, | 0:24:38 | 0:24:39 | |
we've given up on spelling, we've given up on mental arithmetic. | 0:24:39 | 0:24:42 | |
I saw Wayne Rooney on the TV | 0:24:42 | 0:24:44 | |
a few weeks ago. | 0:24:44 | 0:24:46 | |
Wayne Rooney said, "The lads gave a 150%." | 0:24:46 | 0:24:49 | |
No, Wayne that's... | 0:24:53 | 0:24:55 | |
they can't give 150%, that's kind of not possible, | 0:24:55 | 0:24:59 | |
it's like, who's going to take Wayne aside | 0:24:59 | 0:25:01 | |
and explain that in terms that Wayne understands? | 0:25:01 | 0:25:04 | |
You can't have more than a 100%, Wayne, you've a 150... | 0:25:06 | 0:25:08 | |
It's like having two hookers in your room | 0:25:08 | 0:25:12 | |
and trying to shag three of them, Wayne. | 0:25:12 | 0:25:14 | |
It's, um... | 0:25:14 | 0:25:16 | |
AUDIENCE LAUGHS | 0:25:16 | 0:25:19 | |
I love David Cameron's answer to the trouble. | 0:25:23 | 0:25:27 | |
David Cameron, to prevent social unrest next time round, he says, | 0:25:27 | 0:25:30 | |
"We need to encourage more marriage." | 0:25:30 | 0:25:33 | |
That's the solution for all our problems in this country. | 0:25:33 | 0:25:37 | |
To prevent antisocial behaviour, | 0:25:37 | 0:25:39 | |
random acts of violence and binge drinking - more marriage. | 0:25:39 | 0:25:42 | |
Is he the only man in this country that hasn't seen | 0:25:44 | 0:25:47 | |
My Big Fat Gypsy Wedding? It's... | 0:25:47 | 0:25:50 | |
For me, it's amazing what you get away with, | 0:25:53 | 0:25:56 | |
when you give something a cuddly title - | 0:25:56 | 0:25:58 | |
My Big Fat Gypsy Wedding - | 0:25:58 | 0:26:00 | |
and really, what the programme makers mean by that is, | 0:26:00 | 0:26:03 | |
"Let's watch pikeys on the piss." | 0:26:03 | 0:26:07 | |
That's kind of... | 0:26:07 | 0:26:09 | |
That's kind of why we watch it. | 0:26:09 | 0:26:12 | |
The programme makers say, "No, no. | 0:26:12 | 0:26:15 | |
"These programmes are a social study | 0:26:15 | 0:26:17 | |
"into the individual and cultural differences within the UK." | 0:26:17 | 0:26:20 | |
So that's why the advert for Seven Dwarves, features a two-foot man | 0:26:21 | 0:26:24 | |
trying to get a book off a six-foot shelf, is that right? | 0:26:24 | 0:26:28 | |
We all know what these shows mean, | 0:26:28 | 0:26:31 | |
Big Fat Gypsy Wedding - laugh at pikeys, | 0:26:31 | 0:26:33 | |
The Only Way Is Essex - laugh at chavs... | 0:26:33 | 0:26:36 | |
-AUDIENCE: Ooh! -Um... | 0:26:38 | 0:26:42 | |
Geordie Shore - laugh at chavs with no coats. | 0:26:47 | 0:26:50 | |
Made in Chelsea - laugh at wankers! | 0:26:54 | 0:26:56 | |
AUDIENCE CHEERS | 0:26:56 | 0:27:01 | |
Seven Dwarves - laugh at midgets, | 0:27:01 | 0:27:03 | |
Embarrassing Bodies - laugh at people with odd-shaped testicles, | 0:27:03 | 0:27:07 | |
that's basically it. | 0:27:07 | 0:27:09 | |
Has the word "embarrassing" changed, since I was small? | 0:27:12 | 0:27:15 | |
Cos when I had a pimple on my nose | 0:27:17 | 0:27:18 | |
I wasn't going to school for two days, and apparently now | 0:27:18 | 0:27:22 | |
if you've got balls the size of a space hopper | 0:27:22 | 0:27:24 | |
or labia like elephant's ears... | 0:27:24 | 0:27:26 | |
..you go on TV and show everybody, that's... | 0:27:30 | 0:27:34 | |
"What's that? | 0:27:34 | 0:27:35 | |
"Oh, I'm mortified! Oh! | 0:27:35 | 0:27:37 | |
"Don't look. Get a close-up. I'm mortified!" | 0:27:38 | 0:27:41 | |
Folks, you've been fantastic, I've been Patrick Kielty, | 0:27:46 | 0:27:49 | |
thank you very much, Apollo, good night, thank you, cheers. | 0:27:49 | 0:27:52 | |
AUDIENCE CHEERS AND APPLAUDS | 0:27:52 | 0:27:58 | |
Patrick Kielty! | 0:28:01 | 0:28:03 | |
Have you had a good night, Hammersmith? | 0:28:06 | 0:28:09 | |
AUDIENCE: Yes! | 0:28:09 | 0:28:11 | |
-Give it up for Patrick Kielty. -AUDIENCE CHEERS | 0:28:11 | 0:28:14 | |
-And Andi Osho. -AUDIENCE CHEERS | 0:28:14 | 0:28:17 | |
I've been Alan Carr. See you! | 0:28:17 | 0:28:19 | |
-AUDIENCE CHEERS AND APPLAUDS -Thank you, bye. | 0:28:19 | 0:28:22 | |
Subtitles by Red Bee Media Ltd | 0:28:42 | 0:28:45 | |
E-mail [email protected] | 0:28:45 | 0:28:48 |