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Ladies and gentlemen, please welcome your host for tonight, Rich Hall. | 0:00:19 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
Yeah! | 0:00:39 | 0:00:40 | |
Hello! | 0:00:40 | 0:00:41 | |
Oh! Look at it! | 0:00:43 | 0:00:45 | |
I can already see it on your faces - | 0:00:45 | 0:00:47 | |
"Oh, great. An American hosting the show. | 0:00:47 | 0:00:50 | |
"Is there no end to what these assholes will try to pull off next? | 0:00:50 | 0:00:55 | |
"Is he capable? Can he pull it off?" | 0:00:55 | 0:00:58 | |
You're damned right I can! | 0:00:58 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:01 | |
Ladies and gentlemen, welcome to Live at the Apollo. | 0:01:01 | 0:01:05 | |
LAUGHTER AND APPLAUSE | 0:01:05 | 0:01:06 | |
Comedy's important, ladies and gentlemen. Don't for a second... | 0:01:12 | 0:01:16 | |
I know a lot of people, Americans are always, | 0:01:16 | 0:01:19 | |
"Hey Rich, I hear those Londoners have a dry sense of humour." | 0:01:19 | 0:01:22 | |
Oh, yeah? They're pretty wet right now. | 0:01:22 | 0:01:25 | |
They don't have a dry sense of humour at all. | 0:01:25 | 0:01:27 | |
What they have is a sense of humour, you understand? | 0:01:27 | 0:01:30 | |
Americans love to laugh. There's a difference between a sense of humour | 0:01:30 | 0:01:33 | |
and the ability to laugh. | 0:01:33 | 0:01:35 | |
That's why I'm in London, ladies and gentlemen. | 0:01:35 | 0:01:38 | |
LAUGHTER AND APPLAUSE | 0:01:38 | 0:01:40 | |
Where you put up with shit every day of your life. | 0:01:41 | 0:01:44 | |
Is there not a day you don't wake up in London and say, | 0:01:44 | 0:01:46 | |
"What kind of shit is going to befall me today? | 0:01:46 | 0:01:49 | |
"What will happen that I didn't see coming in a million years? | 0:01:49 | 0:01:52 | |
"Look, there's a homeless guy urinating into a bottle | 0:01:52 | 0:01:55 | |
"and cleaning the windscreen with a lettuce. | 0:01:55 | 0:01:57 | |
"Well, I didn't see that coming." | 0:01:57 | 0:01:59 | |
That's London. | 0:01:59 | 0:02:01 | |
I love doing comedy in Britain. It's that simple? | 0:02:03 | 0:02:06 | |
I never thought that I'd be standing on this stage and telling you | 0:02:06 | 0:02:10 | |
that our president, our wonderful president, | 0:02:10 | 0:02:12 | |
who the world loves but Americans are like "Hey, what's going on?" | 0:02:12 | 0:02:16 | |
Don't know what will happen for him or not. | 0:02:16 | 0:02:18 | |
Turns out the audacity of hope wasn't what we were looking for. | 0:02:18 | 0:02:22 | |
Can't run four years as president on the audacity of hope, | 0:02:22 | 0:02:26 | |
cos hope is a bit desperate, isn't it? | 0:02:26 | 0:02:28 | |
It's not an economic policy, it's just hope. | 0:02:28 | 0:02:30 | |
Hope is right below wishful thinking and above performing a rain dance, | 0:02:30 | 0:02:34 | |
on the scale of activity. | 0:02:34 | 0:02:35 | |
LAUGHTER | 0:02:35 | 0:02:36 | |
Hope is what you want the weather to be tomorrow. | 0:02:36 | 0:02:39 | |
Consequently we have what you've obviously heard of before - the Tea Party, | 0:02:40 | 0:02:44 | |
which is the biggest bunch of Bible bashing, tub-thumping, foot-washing fundamentalist freaks. | 0:02:44 | 0:02:50 | |
If Satan were to hold a Tupperware party... | 0:02:50 | 0:02:53 | |
the Tea Party candidates would be demonstrating the products, | 0:02:53 | 0:02:57 | |
that's what they are. | 0:02:57 | 0:02:58 | |
Last month, in the course of 24 hours, | 0:02:58 | 0:03:01 | |
two different Tea Party candidates both announced that God had told them to run for president. | 0:03:01 | 0:03:07 | |
God! | 0:03:07 | 0:03:09 | |
Who in 2000 years has appointed one saviour of mankind, | 0:03:09 | 0:03:13 | |
within one week appointed two different dip-wits | 0:03:13 | 0:03:16 | |
to run for presidents of the United States. | 0:03:16 | 0:03:18 | |
LAUGHTER AND APPLAUSE | 0:03:18 | 0:03:20 | |
Sarah Palin probably gets the most press | 0:03:28 | 0:03:30 | |
because she's the best marksman. | 0:03:30 | 0:03:32 | |
All the Tea Party candidates claim that they speak for the average Joe | 0:03:36 | 0:03:39 | |
in America, just the normal guy, the normal struggling, average Joe. | 0:03:39 | 0:03:43 | |
First of all, Sarah, you live in Alaska. | 0:03:43 | 0:03:45 | |
There's no-one normal in Alaska. | 0:03:45 | 0:03:48 | |
Alaska's full of people running from the Drug Enforcement Agency | 0:03:48 | 0:03:51 | |
and people who hate humans so much, they thought Montana was too crowded | 0:03:51 | 0:03:55 | |
and went to Alaska to touch moose. | 0:03:55 | 0:03:57 | |
That's who's in Alaska. | 0:03:57 | 0:03:59 | |
You're not normal! | 0:03:59 | 0:04:00 | |
Sarah Palin says on a TV show, she's been interviewed, | 0:04:00 | 0:04:04 | |
"It's perfectly normal in Alaska to open up your front door and see a grizzly bear." | 0:04:04 | 0:04:08 | |
No, it's not! | 0:04:08 | 0:04:10 | |
LAUGHTER | 0:04:10 | 0:04:11 | |
It's perfectly normal to look out the front door and see | 0:04:12 | 0:04:15 | |
a 12-foot carnivore chowing down on the family dog like the last leg in a bucket of KFC. | 0:04:15 | 0:04:19 | |
Yep, see that every day. | 0:04:19 | 0:04:21 | |
It's not normal to build your house with a carnivore room, for crying out loud! | 0:04:21 | 0:04:26 | |
She was asked, "What did you do when you saw a grizzly bear?" | 0:04:26 | 0:04:29 | |
"He was too cute, I couldn't shoot him." | 0:04:29 | 0:04:31 | |
Again - wrong. | 0:04:31 | 0:04:33 | |
If you think bears are cute, wait till you meet terrorists, they're adorable. | 0:04:33 | 0:04:37 | |
Don't screw with the bears! That's my message. | 0:04:40 | 0:04:43 | |
Bears want to eat you, even the little ones. | 0:04:43 | 0:04:47 | |
Don't give your kid a teddy bear, it's sending the wrong message. | 0:04:47 | 0:04:50 | |
"Well, Yogi and Boo-boo are cute." | 0:04:50 | 0:04:52 | |
No. Ever look at Yogi? You know what he's wearing? | 0:04:52 | 0:04:55 | |
A hat, a tie, a shirt. Where did he get that from? | 0:04:55 | 0:04:57 | |
I'll tell you where - a victim, that's where! | 0:04:57 | 0:05:00 | |
He's parading with the shirt as a kind of trophy, | 0:05:00 | 0:05:04 | |
reliving every moment when he ripped them to shreds. It's not right. | 0:05:04 | 0:05:08 | |
So after two years, she decides she doesn't want to be governor of Alaska anymore, | 0:05:08 | 0:05:12 | |
and she goes off on a whirlwind trip around the world | 0:05:12 | 0:05:15 | |
to study foreign policy. She goes to Israel. | 0:05:15 | 0:05:18 | |
As if the Jews haven't suffered enough. | 0:05:18 | 0:05:21 | |
Touches the Wailing Wall and runs away. | 0:05:22 | 0:05:25 | |
Then she goes to New York, where they're building a mosque, | 0:05:25 | 0:05:28 | |
and she looks at it and she says, "Muslims need to refudiate this mosque". | 0:05:28 | 0:05:32 | |
Even Muslims are going, | 0:05:32 | 0:05:34 | |
"I don't think that's a word in anyone's language, Sarah. | 0:05:34 | 0:05:37 | |
"Did you just say 'refudiate'?" | 0:05:37 | 0:05:39 | |
"Yeah, refudiate..." | 0:05:39 | 0:05:40 | |
"No, you mean refute or repudiate, not refudiate the mosque", | 0:05:40 | 0:05:44 | |
But it's not a word! | 0:05:44 | 0:05:46 | |
She says, "Shakespeare made up words, why can't I?" | 0:05:46 | 0:05:49 | |
Cos Shakespeare was a Renaissance genius | 0:05:49 | 0:05:52 | |
and you're a dip-shit from Alaska! All right? | 0:05:52 | 0:05:55 | |
CHEERING AND APPLAUSE | 0:05:55 | 0:05:56 | |
You can't just make up words! | 0:05:58 | 0:06:00 | |
I read her biography, I want to be refundiated! | 0:06:00 | 0:06:04 | |
LAUGHTER | 0:06:04 | 0:06:05 | |
So, you know, to sum it up, ladies and gentlemen, | 0:06:07 | 0:06:11 | |
because people always ask me, | 0:06:11 | 0:06:13 | |
"Rich, is it really better in Britain for comedy?" | 0:06:13 | 0:06:15 | |
And I think it is. I'm not blowing smoke up your ass. | 0:06:15 | 0:06:18 | |
I'm just telling you, it's better. | 0:06:18 | 0:06:20 | |
It's a better place, right, cos you do, you have a sense of humour. | 0:06:20 | 0:06:24 | |
That's why you came out tonight. | 0:06:24 | 0:06:25 | |
CHEERING AND APPLAUSE | 0:06:25 | 0:06:27 | |
Oh, he's prodding us up for the kill! No! | 0:06:29 | 0:06:32 | |
I'm serious, cos listen, you know, | 0:06:32 | 0:06:35 | |
in America we don't have this whole kind of... | 0:06:35 | 0:06:38 | |
this broken society thing, you know, and you can be... | 0:06:38 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:42 | |
That came out completely wrong, didn't it, | 0:06:42 | 0:06:45 | |
I'm just quoting something that I see in the papers, "broken society". | 0:06:45 | 0:06:49 | |
I don't even know what the hell that means. Is society broken, fella? | 0:06:49 | 0:06:52 | |
You feel your society's broken? | 0:06:52 | 0:06:54 | |
A little bit? | 0:06:54 | 0:06:56 | |
Well, that's not broken, that's just damaged, isn't it? | 0:06:56 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:01 | |
Where are you from? | 0:07:02 | 0:07:03 | |
Twickenham. | 0:07:03 | 0:07:04 | |
Twickenham? Well, no more questions, your honour. | 0:07:04 | 0:07:08 | |
Get back to your rugby. What do you do in Twickenham? | 0:07:09 | 0:07:12 | |
I'm a teacher. | 0:07:12 | 0:07:14 | |
A teacher? | 0:07:14 | 0:07:15 | |
See? This man's not interested in broken society, | 0:07:15 | 0:07:17 | |
he's interested in making children's futures better. | 0:07:17 | 0:07:20 | |
That is so much better than what I do. I just tell jokes. | 0:07:20 | 0:07:22 | |
What do you learn from that? | 0:07:22 | 0:07:25 | |
Nothing. The world is evil and I can't fix it. | 0:07:25 | 0:07:27 | |
Not a faith healer, am I. | 0:07:28 | 0:07:31 | |
Tell you what I've learned, ladies and gentlemen, | 0:07:31 | 0:07:33 | |
from watching idiots like Gaddafi. | 0:07:33 | 0:07:36 | |
I say idiot - basically the man was a dictator, | 0:07:36 | 0:07:38 | |
and he only made himself Colonel. | 0:07:38 | 0:07:40 | |
What does that tell you? | 0:07:40 | 0:07:42 | |
LAUGHTER | 0:07:42 | 0:07:43 | |
In America, if you can put chicken in a bucket, you're a colonel! | 0:07:48 | 0:07:53 | |
But I'll tell you what I've learned. What's your name? | 0:07:54 | 0:07:57 | |
Peter? | 0:07:57 | 0:07:59 | |
All right, Peter, I have learned from watching these tyrants | 0:07:59 | 0:08:02 | |
that maybe the term "human shield" is not being used to its best advantage. | 0:08:02 | 0:08:06 | |
It's usually used in a negative light. | 0:08:06 | 0:08:08 | |
But I've found as a comedian, quite often when you hit these situations, | 0:08:08 | 0:08:13 | |
where people have been here a while, you're about to hit a wall, | 0:08:13 | 0:08:16 | |
people are getting hot, tired and restless, | 0:08:16 | 0:08:18 | |
that's where the human shield comes into play, do you understand? Peter? | 0:08:18 | 0:08:22 | |
I'll tell you what I mean, all right? Get over here. | 0:08:22 | 0:08:26 | |
Get over here, Peter. Over here. | 0:08:26 | 0:08:28 | |
You don't have a choice, Peter. | 0:08:28 | 0:08:30 | |
CHEERING AND APPLAUSE | 0:08:30 | 0:08:31 | |
You are my human shield, friend. March right up here. | 0:08:34 | 0:08:38 | |
There's some people here who want to hurt me | 0:08:38 | 0:08:40 | |
and I'll be right behind you the whole time. | 0:08:40 | 0:08:43 | |
of turn this way so I get...yeah, broader target, there you go. | 0:08:43 | 0:08:47 | |
Do you have a sweetheart, Peter? | 0:08:47 | 0:08:49 | |
Yeah, my girlfriend. | 0:08:50 | 0:08:51 | |
Can you say that with a bit more world weariness? | 0:08:51 | 0:08:54 | |
All right, Peter, there you go, you take the mic. | 0:08:54 | 0:08:57 | |
I just want you to read what I've prepared for you. | 0:08:57 | 0:09:01 | |
Say it right, no-one gets hurt. You understand what I'm saying? | 0:09:02 | 0:09:06 | |
Pretend your girlfriend's not here and you're having to phone home. | 0:09:06 | 0:09:09 | |
Take the mic. Watch the technique. | 0:09:09 | 0:09:12 | |
Hello, no, everything's fine. | 0:09:12 | 0:09:14 | |
It's just that I'm going to be a little late getting home. Why? | 0:09:14 | 0:09:18 | |
I've run into a little situation here at the Apollo. | 0:09:18 | 0:09:21 | |
Rich Hall? Yes. He's a very funny man. | 0:09:21 | 0:09:25 | |
Well, he's currently using me as a human shield. | 0:09:27 | 0:09:31 | |
Isn't that wild (!) | 0:09:31 | 0:09:32 | |
LAUGHTER | 0:09:32 | 0:09:33 | |
Who would ever have thought that "your name" would ever find myself here on stage? | 0:09:33 | 0:09:38 | |
LAUGHTER AND APPLAUSE | 0:09:38 | 0:09:40 | |
You should've prepared it better. It would've said "Peter" already. | 0:09:45 | 0:09:48 | |
All right. | 0:09:48 | 0:09:50 | |
LAUGHTER AND CHEERING | 0:09:50 | 0:09:51 | |
I, Peter, would find myself on stage as Rich Hall's hostage | 0:09:56 | 0:10:00 | |
leading the audience in a rousing sing-a-long. | 0:10:00 | 0:10:02 | |
LAUGHTER | 0:10:02 | 0:10:03 | |
Who doesn't love the late John Denver sing-a-long, everyone? | 0:10:07 | 0:10:11 | |
CHEERING | 0:10:11 | 0:10:12 | |
# Almost heaven... # | 0:10:23 | 0:10:24 | |
I don't know the song. | 0:10:24 | 0:10:26 | |
# West Virginia | 0:10:26 | 0:10:28 | |
# Blue Ridge mountains | 0:10:34 | 0:10:36 | |
# Shenandoah River | 0:10:37 | 0:10:40 | |
# Life is older | 0:10:43 | 0:10:44 | |
# Older than the trees | 0:10:46 | 0:10:48 | |
# Younger than the mountains | 0:10:48 | 0:10:51 | |
# Rolling like the breeze | 0:10:53 | 0:10:55 | |
# Country roads | 0:10:58 | 0:10:59 | |
# Take me home | 0:11:01 | 0:11:02 | |
AUDIENCE SINGS CORRECT TUNE | 0:11:02 | 0:11:04 | |
# Sing you bastards | 0:11:04 | 0:11:06 | |
AUDIENCE CLAP IN TIME | 0:11:06 | 0:11:08 | |
# To the place I belong | 0:11:09 | 0:11:11 | |
# West Virginia | 0:11:13 | 0:11:14 | |
# Mountain mama | 0:11:14 | 0:11:17 | |
# Take me home | 0:11:19 | 0:11:21 | |
# Down country roads. # | 0:11:21 | 0:11:24 | |
CHEERING AND APPLAUSE | 0:11:24 | 0:11:26 | |
Good night, everybody. | 0:11:26 | 0:11:28 | |
Let's hear it for Peter the hostage, ladies and gentlemen! | 0:11:47 | 0:11:51 | |
CHEERING AND APPLAUSE | 0:11:51 | 0:11:52 | |
Ladies and gentlemen, you're in for a real treat tonight. | 0:11:52 | 0:11:56 | |
We have two, TWO, fantastic performers on the show. | 0:11:56 | 0:12:00 | |
Please, ladies and gentlemen, | 0:12:00 | 0:12:03 | |
you're about to enjoy yourselves like you've never enjoyed yourselves before. | 0:12:03 | 0:12:08 | |
Please welcome, Mr Mark Watson. | 0:12:08 | 0:12:12 | |
CHEERING AND APPLAUSE | 0:12:12 | 0:12:14 | |
Hello. | 0:12:23 | 0:12:24 | |
Hello. | 0:12:26 | 0:12:27 | |
Yeah. Yeah! | 0:12:30 | 0:12:33 | |
CHEERING AND WHISTLING | 0:12:33 | 0:12:35 | |
It's very generous of you, | 0:12:38 | 0:12:41 | |
but deep down, we all know it's impossible to follow Peter. | 0:12:41 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:46 | |
There are times in your career where you see the person before you | 0:12:53 | 0:12:56 | |
and think "There's nothing I can do here". | 0:12:56 | 0:12:59 | |
To sing Country Roads as movingly | 0:12:59 | 0:13:02 | |
and with as little respect for the original as that... | 0:13:02 | 0:13:05 | |
And I'm just back stage waiting to come on thinking, it'll be fine. | 0:13:08 | 0:13:12 | |
I'll do my best, I'm a comedian. | 0:13:12 | 0:13:14 | |
I'm not the greatest comedian in the world, but by God, I'll give it a good go. | 0:13:14 | 0:13:18 | |
The only thing I would be worried about is | 0:13:18 | 0:13:20 | |
if I had to follow an avant-garde musical genius. | 0:13:20 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:24 | |
I mean, what can you do? | 0:13:25 | 0:13:27 | |
I'm going to be periodically drinking water, | 0:13:28 | 0:13:31 | |
very important to hydrate yourself. | 0:13:31 | 0:13:33 | |
I tend to sort of gabble on and you don't allow yourself time to... | 0:13:33 | 0:13:38 | |
The reason I don't normally have a bottle of water on stage | 0:13:38 | 0:13:41 | |
is cos you get so easily distracted by the unbelievable crap they write on these bottles. | 0:13:41 | 0:13:45 | |
If you look at one of these labels, it's unbelievable. | 0:13:45 | 0:13:48 | |
"The water you're holding has been naturally filtered through ancient rock for 5,000 years". | 0:13:48 | 0:13:53 | |
Ancient rock as opposed to modern rocks that you find these days. | 0:13:53 | 0:13:58 | |
"This is a stunning rock formation". | 0:13:58 | 0:14:00 | |
Yeah, they put it up in the '60s. | 0:14:00 | 0:14:03 | |
And then there's always a little bit about how important water is. | 0:14:03 | 0:14:06 | |
You only ever find these statistics on bottles of water, conveniently. | 0:14:06 | 0:14:10 | |
"Did you know your body's 80% water, | 0:14:10 | 0:14:12 | |
so it's very important to drink as much water as you can." | 0:14:12 | 0:14:15 | |
As much water as you can! If they had their way I'd be drinking water solidly basically. | 0:14:15 | 0:14:20 | |
"It improves brain function". | 0:14:20 | 0:14:21 | |
I think this is probably bollocks, don't you? | 0:14:21 | 0:14:24 | |
Your body's 80% wat... You are four fifths water. | 0:14:24 | 0:14:28 | |
I find that a bit suspect really. Four fifths of you is water? | 0:14:28 | 0:14:32 | |
If that's true then we're all just basically paddling pools with eyes. | 0:14:32 | 0:14:35 | |
I find that a bit hard to swallow, | 0:14:35 | 0:14:37 | |
but also if it's true, if I am 80% water, | 0:14:37 | 0:14:40 | |
why am I buying these expensively branded bottles? | 0:14:40 | 0:14:43 | |
Why can't I just suck myself...anyway... | 0:14:43 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:47 | |
LAUGHTER AND APPLAUSE | 0:14:47 | 0:14:51 | |
Yeah, I... | 0:14:51 | 0:14:54 | |
I didn't really want to see that thought through, because I was aware | 0:14:54 | 0:14:57 | |
it was obviously going in a coarse direction, | 0:14:57 | 0:14:59 | |
but sometimes you just start saying something | 0:14:59 | 0:15:02 | |
and that's it, it's all over, ah. | 0:15:02 | 0:15:04 | |
A lot of people say, "I could never do stand up comedy, it'd be my worse nightmare". | 0:15:04 | 0:15:08 | |
You hear this quite a lot, "Oh, that'd be my worst nightmare". | 0:15:08 | 0:15:12 | |
In a way, it just shows you how limited people's nightmares must be. | 0:15:12 | 0:15:15 | |
This is just talking, you must have something worse in the bowels of your subconscious. | 0:15:15 | 0:15:19 | |
I had a nightmare, I was having the shit kicked out of me by Nelson Mandela, | 0:15:19 | 0:15:23 | |
like proper stuff, fingers in my eyes, knee in the balls - | 0:15:23 | 0:15:27 | |
surprisingly athletic for an 80-year-old man - pulling my hair, all the dirty tricks. | 0:15:27 | 0:15:31 | |
You want to punch him back, you can't, it's Mandela, you'd be a racist - THAT'S a nightmare! | 0:15:31 | 0:15:38 | |
It's just the world we live in. It's an aggressive bloody world, isn't it? | 0:15:43 | 0:15:47 | |
I'm a relatively simple person, I don't want much out of life, | 0:15:47 | 0:15:50 | |
but even the simplest things are hard to accomplish. | 0:15:50 | 0:15:54 | |
For example, I went out recently on a shopping expedition to buy one carrot, right, | 0:15:54 | 0:15:58 | |
that was all I wanted, a single carrot. | 0:15:58 | 0:16:00 | |
My wife was cooking... She wasn't just cooking that, | 0:16:00 | 0:16:03 | |
she had a recipe of which that was a component, | 0:16:03 | 0:16:07 | |
she wasn't just going to cook the carrot, "There you are", like an ice lolly... | 0:16:07 | 0:16:11 | |
She does most of the cooking - | 0:16:11 | 0:16:12 | |
I'm aware some people are thinking, "I doubt he's got a wife" - | 0:16:12 | 0:16:15 | |
I bloody have, no time to prove it, | 0:16:15 | 0:16:17 | |
but just take my word for it, there we are, I have a... | 0:16:17 | 0:16:20 | |
I own a...woman, so... | 0:16:20 | 0:16:22 | |
You can't say that these days, can you?! | 0:16:24 | 0:16:27 | |
Anyway, so to get onto more politically-correct ground, | 0:16:27 | 0:16:30 | |
my wife does all the cooking... It's actually true, | 0:16:30 | 0:16:33 | |
I pretty much let my wife cook, purely because it's a sensible distribution of skills. | 0:16:33 | 0:16:37 | |
My wife is a good cook and I'm very poor at it. | 0:16:37 | 0:16:40 | |
I'm happy with my role, which is basically, | 0:16:40 | 0:16:42 | |
you know, just foraging, but I went to buy this one... I say foraging, | 0:16:42 | 0:16:46 | |
it's very much that - normally, if you go to Tesco, you will lay your hands on a carrot, | 0:16:46 | 0:16:50 | |
no real jeopardy there. | 0:16:50 | 0:16:52 | |
Still, I like to pick it up and go, "Got it!" You know? | 0:16:52 | 0:16:55 | |
But actually, this is my point, | 0:16:55 | 0:16:57 | |
it was surprisingly hard to buy a bloody carrot, right - | 0:16:57 | 0:17:00 | |
I took it to the till, this is ALL I was buying, one carrot - | 0:17:00 | 0:17:04 | |
first of all, this lady tried to put it in a bag for me, | 0:17:04 | 0:17:07 | |
and I always try to not take a bag if I don't need one for environmental reasons, | 0:17:07 | 0:17:11 | |
but they're furious. You'll have tried doing this, | 0:17:11 | 0:17:14 | |
if you say, "I don't need a bag", they look at you like, "How dare you? | 0:17:14 | 0:17:17 | |
"How dare you?" This woman was... She said, "What are you going to do?" | 0:17:17 | 0:17:21 | |
And I said, "Well, I don't want to appear cocky here, | 0:17:21 | 0:17:23 | |
"but I've got two hands, there's only one carrot, | 0:17:23 | 0:17:27 | |
"I think I will nail this. | 0:17:27 | 0:17:28 | |
"I'm almost certain I'll get this home by hook or by crook". | 0:17:28 | 0:17:32 | |
Because what am I going to do? | 0:17:32 | 0:17:34 | |
Just walk around with one carrot in a bag? | 0:17:34 | 0:17:36 | |
"I've got my carrot in a bag!" | 0:17:36 | 0:17:38 | |
"How was your day?" | 0:17:38 | 0:17:40 | |
"Yeah, great, just walking with my carrot in its bag! | 0:17:40 | 0:17:45 | |
"I've got a piece of celery at home in a bit of Tupperware, too". | 0:17:45 | 0:17:48 | |
I don't want to make out I'm someone with a repertoire of vegetables that I walk... | 0:17:48 | 0:17:52 | |
Anyway, then there's a receipt, | 0:17:52 | 0:17:54 | |
she insisted on printing out a bloody receipt which meant the till roll had to be changed - | 0:17:54 | 0:18:00 | |
why?! | 0:18:00 | 0:18:01 | |
Why do you need a receipt for this transaction? | 0:18:01 | 0:18:03 | |
All I'm buying is a single carrot, why would you ever need a receipt?! | 0:18:03 | 0:18:06 | |
You're not going to bite into it and think, "Hang on, this is a pear". | 0:18:06 | 0:18:10 | |
Right, basically, buying a carrot can't go that badly wrong. | 0:18:10 | 0:18:13 | |
So by now, I'm really impa... I was frothing with impatience, | 0:18:13 | 0:18:17 | |
I wanted to get home, see my wife, whether she exists or not, | 0:18:17 | 0:18:21 | |
and finally, just when I thought I had finally secured this carrot, | 0:18:21 | 0:18:25 | |
as I was walking out, this girl was like, "Excuse me, | 0:18:25 | 0:18:28 | |
" before you go" - so now I have to listen - I said, "Yes?" | 0:18:28 | 0:18:30 | |
She said, "Did you want to pre-order the Harry Potter DVD?" | 0:18:30 | 0:18:34 | |
LAUGHTER | 0:18:34 | 0:18:36 | |
Now, what part of my actions so far would give you that impression? | 0:18:36 | 0:18:40 | |
I was trying to be polite, I said, "Sorry?" | 0:18:40 | 0:18:43 | |
So by now, SHE'S impatient like I'm sort of idiot, | 0:18:43 | 0:18:45 | |
"Did you want to pre-order the Harry Potter DVD?" | 0:18:45 | 0:18:49 | |
I mean, no, not really, my aim was to buy a carrot | 0:18:49 | 0:18:52 | |
and I would say I've achieved that modest end. | 0:18:52 | 0:18:56 | |
I mean, if I wanted to buy a Harry Potter DVD, what I'd probably do is go somewhere like HMV, for example, | 0:18:56 | 0:19:02 | |
I'd go to a place where you could buy DVDs, I'd pre-order it, | 0:19:02 | 0:19:05 | |
when the time came I would collect it, | 0:19:05 | 0:19:07 | |
I'd take it home and I'd watch it - I wouldn't approach this transaction by going to a supermarket, | 0:19:07 | 0:19:12 | |
seizing a carrot from the fruit and veg bit, and then standing there at the checkout thinking, | 0:19:12 | 0:19:17 | |
"She knows what I really want here, she'll gather my true intentions. | 0:19:17 | 0:19:21 | |
"She knows that this carrot is a metaphor for an orange wand"! | 0:19:21 | 0:19:24 | |
Is this what supermarket shopping is meant to be? | 0:19:24 | 0:19:28 | |
Some sort of guessing game? | 0:19:28 | 0:19:29 | |
"I'd like ten Lucky Strikes, please" - | 0:19:29 | 0:19:32 | |
"Shrek 2, I'll just see if we've got it in". | 0:19:32 | 0:19:34 | |
-But thanks very much, you've been a lovely crowd. -LAUGHTER AND APPLAUSE | 0:19:34 | 0:19:38 | |
My name's Mark Watson, see you again! Bye, thank you, bye! | 0:19:38 | 0:19:41 | |
CHEERING AND APPLAUSE | 0:19:41 | 0:19:44 | |
Mark Watson! | 0:19:44 | 0:19:46 | |
Mark Watson, ladies and gentlemen! | 0:19:46 | 0:19:48 | |
Ladies and gentlemen, are you ready for one more comedian? CHEERING | 0:19:54 | 0:19:58 | |
Absolutely fantastic, one of my favourite performers - | 0:19:58 | 0:20:01 | |
ladies and gentlemen, | 0:20:01 | 0:20:03 | |
would you please welcome Andrew Maxwell! | 0:20:03 | 0:20:08 | |
CHEERING AND APPLAUSE | 0:20:08 | 0:20:11 | |
Hooray! | 0:20:19 | 0:20:21 | |
HE LAUGHS | 0:20:21 | 0:20:23 | |
Good evening, The Apollo! | 0:20:23 | 0:20:26 | |
CHEERING AND APPLAUSE | 0:20:26 | 0:20:28 | |
Are you feeling OK? | 0:20:28 | 0:20:31 | |
God, it's hot in this country, isn't it, though? | 0:20:31 | 0:20:35 | |
-It's hot, are you feeling hot? -CHEERING | 0:20:35 | 0:20:38 | |
Oh, it's hot, | 0:20:38 | 0:20:40 | |
God, it's hot. | 0:20:40 | 0:20:42 | |
Compared to Ireland, it's very, very hot. | 0:20:42 | 0:20:45 | |
Has anybody here ever experienced an Irish summer? | 0:20:45 | 0:20:49 | |
CHEERING | 0:20:49 | 0:20:50 | |
Oh, my God, what an August we can offer the world, people! | 0:20:50 | 0:20:54 | |
20 degrees! | 0:20:54 | 0:20:57 | |
Every day! | 0:20:57 | 0:20:58 | |
Granted, it's not a great tourism slogan - | 0:21:00 | 0:21:02 | |
"Come to Ireland, it's room temperature"! | 0:21:02 | 0:21:05 | |
Do we have any English people here? | 0:21:10 | 0:21:12 | |
CHEERING | 0:21:12 | 0:21:14 | |
We have got English people. | 0:21:14 | 0:21:15 | |
I want you to know, on behalf of all the Irish people in the room, | 0:21:15 | 0:21:19 | |
and all the Irish people watching this at home, | 0:21:19 | 0:21:21 | |
I want you to know you're totally forgiven. | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:25 | |
You're forgiven, English people, we no longer hate you. | 0:21:25 | 0:21:29 | |
It's in the past, it's over. | 0:21:29 | 0:21:31 | |
You're forgiven, we don't hate you any more... | 0:21:32 | 0:21:36 | |
We can't afford to hate you. | 0:21:36 | 0:21:38 | |
LAUGHTER | 0:21:38 | 0:21:40 | |
Aaah... | 0:21:40 | 0:21:42 | |
Who knew hatred was a luxury item? | 0:21:42 | 0:21:45 | |
Any Muslim people here? | 0:21:46 | 0:21:48 | |
I was just wondering, | 0:21:48 | 0:21:50 | |
because this is the thing I've been getting recently, | 0:21:50 | 0:21:52 | |
when I've been asking, "Is there any Muslims in?", | 0:21:52 | 0:21:55 | |
I'm getting pissed-up geezers saying yes. | 0:21:55 | 0:21:58 | |
I did a gig in Bethnal Green about a year ago, I went, "Is there any Muslims in?" | 0:21:58 | 0:22:02 | |
This dude stands up, shaved head, fat neck, Ben Sherman, | 0:22:02 | 0:22:07 | |
it was the most unlikely Muslim in the world. | 0:22:07 | 0:22:10 | |
LAUGHTER | 0:22:10 | 0:22:12 | |
This man looked like he was entirely made of sausage. | 0:22:12 | 0:22:15 | |
He stands up, he stands up in the middle of the audience, | 0:22:18 | 0:22:21 | |
I went, "Is there any Muslims in?" | 0:22:21 | 0:22:23 | |
He stands up, lifts up his pint of Stella and just went, "Yeah!" | 0:22:23 | 0:22:27 | |
"What? You're a Muslim?" He went, "Yeah! Why not?" | 0:22:29 | 0:22:33 | |
Fair enough, I know that's how you join. | 0:22:35 | 0:22:38 | |
I thought there and then, maybe that is the solution to the old Islamic panic in the British media, | 0:22:40 | 0:22:45 | |
an all-cockney mosque. | 0:22:45 | 0:22:47 | |
Now THERE'S a mosque the Daily Mail would find hard to complain about being built. | 0:22:47 | 0:22:53 | |
Oh, you can see it now, can't you? | 0:22:55 | 0:22:57 | |
The call to prayer from the top of the geezer minaret in the Cockney mosque... | 0:22:57 | 0:23:01 | |
..Oi-oooooooooiii! | 0:23:05 | 0:23:17 | |
Want some! | 0:23:17 | 0:23:18 | |
LAUGHTER AND APPLAUSE | 0:23:18 | 0:23:20 | |
Ah, every Friday evening at the Cockney mosque, | 0:23:25 | 0:23:28 | |
neat rows of white Reebok classic down the street. | 0:23:28 | 0:23:32 | |
ANDREW MAXWELL CHUCKLES | 0:23:35 | 0:23:37 | |
Probably the most inspiring thing of the year has definitely been the Arab Spring. | 0:23:37 | 0:23:41 | |
It's been incredible, | 0:23:41 | 0:23:43 | |
I mean, it's gotten better in some places than others. | 0:23:43 | 0:23:46 | |
The worst thing for me is that Tony Blair's back on TV - | 0:23:46 | 0:23:49 | |
ooh, I really don't like that sun-kissed hustler. | 0:23:49 | 0:23:53 | |
Do you know he's brought out an autobiography? | 0:23:55 | 0:23:57 | |
How bad taste is that? | 0:23:57 | 0:23:59 | |
While we're still stuck in the two wars that he started | 0:23:59 | 0:24:02 | |
so he could curry favour with the American industrial-military complex, | 0:24:02 | 0:24:06 | |
so he could see out the rest of his sunny life on golf courses in Florida, yeah? | 0:24:06 | 0:24:10 | |
There we are, he's brought out an autobiography, | 0:24:10 | 0:24:12 | |
-HE IMPERSONATES TONY BLAIR: -You know, Tony Blair, my journey, | 0:24:12 | 0:24:16 | |
you know, just in case people want to see it from Tony's perspective. | 0:24:16 | 0:24:19 | |
Not really. Not really, Tone. | 0:24:24 | 0:24:28 | |
What other bad taste bits of merchandise have you got up your sleeve there, Tony? | 0:24:28 | 0:24:33 | |
A fragrance? | 0:24:33 | 0:24:35 | |
"Tony Blair, denial". | 0:24:38 | 0:24:40 | |
You never know what will offend people. | 0:24:50 | 0:24:52 | |
I hope I haven't offended anybody? | 0:24:52 | 0:24:54 | |
You don't know. | 0:24:54 | 0:24:56 | |
You can talk about whatever you want on stage, nobody gives a toss, | 0:24:56 | 0:25:00 | |
but you talk about cats, don't talk about cats on TV, you know, | 0:25:00 | 0:25:06 | |
even if it's a funny thing about cats, | 0:25:06 | 0:25:09 | |
like cat in the bin, remember that? | 0:25:09 | 0:25:11 | |
There was a week of cat in the bin - a week! - | 0:25:14 | 0:25:18 | |
of a cat going into a bin! | 0:25:18 | 0:25:21 | |
You remember the first time you saw that horrific, | 0:25:21 | 0:25:24 | |
horrific footage of the cat going into the bin? | 0:25:24 | 0:25:28 | |
I know, live it with me, brothers and sisters. | 0:25:30 | 0:25:34 | |
Is it just me, or was your first reaction, | 0:25:34 | 0:25:37 | |
"Why... | 0:25:37 | 0:25:39 | |
"is Susan Boyle... | 0:25:39 | 0:25:43 | |
"putting a cat in the bin?" | 0:25:43 | 0:25:45 | |
LAUGHTER AND APPLAUSE | 0:25:45 | 0:25:47 | |
It was going on. | 0:25:50 | 0:25:51 | |
Genuinely, my first reaction when I saw the cat go in - | 0:25:51 | 0:25:54 | |
I've become such an environmental idiot as I've got older - | 0:25:54 | 0:25:57 | |
genuinely, my first reaction when I saw the cat go into the bin was, "Oh, God, no, wrong bin... | 0:25:57 | 0:26:02 | |
"..a cat is 100% recyclable". | 0:26:04 | 0:26:07 | |
You never know, man, I love the news, and the tabloids. | 0:26:11 | 0:26:16 | |
I love the tabloids, man, but aren't they creepy? | 0:26:16 | 0:26:19 | |
Oh, you better believe they are, here's a classic example - | 0:26:19 | 0:26:22 | |
the Middletons, Kate and Pippa, right? | 0:26:22 | 0:26:27 | |
They must have been raised in pretty much the same upbringing, right? | 0:26:27 | 0:26:31 | |
They've got to be pretty similar women. | 0:26:31 | 0:26:33 | |
Not in the tabloids, they're not! | 0:26:33 | 0:26:35 | |
I feel sorry for Pippa, do you? | 0:26:35 | 0:26:37 | |
Because all the filth is on her, isn't it? | 0:26:37 | 0:26:39 | |
Because the tabloids can't say anything untoward about Kate, | 0:26:39 | 0:26:42 | |
not the future Queen of England. | 0:26:42 | 0:26:44 | |
-IN QUEEN'S ENGLISH: -"Oh, here she comes, lovely, lovely Kate, | 0:26:44 | 0:26:48 | |
"oh, lovely, lovely Kate, here she comes, | 0:26:48 | 0:26:50 | |
"Duchess of Cambridge, future Queen of England, here she is..." | 0:26:50 | 0:26:54 | |
-HE SINGS: -# Aaah... # | 0:26:54 | 0:26:57 | |
"..handing out coins to the immigrant children." | 0:26:57 | 0:27:00 | |
# Aaah... # | 0:27:00 | 0:27:02 | |
-IN COCKNEY ACCENT: -"Look at filthy Pippa! | 0:27:02 | 0:27:06 | |
"Urrrgh, you filthy cow! | 0:27:06 | 0:27:10 | |
"Who brings an arse to a wedding?!" | 0:27:10 | 0:27:13 | |
# Aaah... # | 0:27:18 | 0:27:21 | |
Lovely, lovely Kate, | 0:27:21 | 0:27:23 | |
# Aah... # ..healing the poor with her eyes... | 0:27:23 | 0:27:27 | |
# Aah... # | 0:27:27 | 0:27:29 | |
Look at filthy Pippa! Down the docks with a bell, ding-ding! | 0:27:29 | 0:27:36 | |
Come and get it, boys, | 0:27:37 | 0:27:39 | |
come on! | 0:27:39 | 0:27:40 | |
LAUGHTER AND APPLAUSE | 0:27:40 | 0:27:43 | |
People, you've been an absolute delight. | 0:27:47 | 0:27:51 | |
Thank you Apollo, good night. | 0:27:51 | 0:27:54 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:57 | |
Andrew Maxwell, ladies and gentlemen! | 0:28:03 | 0:28:05 | |
Andrew Maxwell! | 0:28:05 | 0:28:07 | |
Ladies and gentlemen, thank you so much for coming out tonight. | 0:28:10 | 0:28:13 | |
We hope you've had a wonderful time - one more hand please for Mr Andrew Maxwell and Mark Watson. | 0:28:13 | 0:28:20 | |
Thanks for coming, good night! | 0:28:20 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 | |
E-mail [email protected] | 0:28:48 | 0:28:50 |