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This programme contains adult humour | 0:00:02 | 0:00:09 | |
Ladies and gentlemen, please welcome your host for tonight, Rhod Gilbert! | 0:00:18 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:27 | |
Hello. | 0:00:34 | 0:00:36 | |
Hello, ladies and gentlemen. Hello. | 0:00:36 | 0:00:38 | |
Good evening. | 0:00:38 | 0:00:39 | |
-Good evening. Are you well? -CHEERING | 0:00:39 | 0:00:43 | |
Welcome to Live At The Apollo. Each and every one of you is very, very welcome here. | 0:00:43 | 0:00:47 | |
We have a wonderful show. We have some famous faces as always in the audience. | 0:00:47 | 0:00:50 | |
Esther Rantzen is here. Where are you, Esther? | 0:00:50 | 0:00:53 | |
Look at that. We have Olympians, ladies and gentlemen. | 0:00:53 | 0:00:56 | |
We have our Olympians. | 0:00:56 | 0:00:58 | |
CHEERING | 0:00:58 | 0:01:01 | |
Who else? Tommy Walsh. Tommy Walsh is there. Look at that! | 0:01:01 | 0:01:04 | |
Lembit Opik is here. | 0:01:04 | 0:01:06 | |
Of course he bloody is! | 0:01:06 | 0:01:09 | |
I'm not going to pick on you. I'm not. I'm not. | 0:01:09 | 0:01:11 | |
No, I'm not! Somebody laughed at that idea. I'm not going to pick on anyone. | 0:01:11 | 0:01:15 | |
I'm a reformed character, | 0:01:15 | 0:01:17 | |
ladies and gentlemen. I stand in front of you... This is the new me. | 0:01:17 | 0:01:21 | |
I used to be quite a petty, angry person... | 0:01:21 | 0:01:24 | |
You may have seen me on television ranting and raving on the odd occasion. I am not any more | 0:01:24 | 0:01:29 | |
because I have had... | 0:01:29 | 0:01:31 | |
er, what is it? I've had anger management. | 0:01:31 | 0:01:34 | |
WHISTLING | 0:01:34 | 0:01:35 | |
I have. I've had anger management and this, ladies and gentleman, | 0:01:35 | 0:01:39 | |
is the actual anger management diary | 0:01:39 | 0:01:42 | |
that I had from when I was doing my anger management sessions. I'm not going to embarrass anyone. | 0:01:42 | 0:01:46 | |
I'm not going to ask if you've had anger management or ever seen an anger management diary. | 0:01:46 | 0:01:50 | |
Basically, every time you get angry, you write it down in this diary. | 0:01:50 | 0:01:53 | |
It's a bit like a normal diary | 0:01:53 | 0:01:55 | |
-except every day somebody gets twatted, right? -LAUGHTER | 0:01:55 | 0:01:59 | |
I can guarantee you somebody gets the shit kicked out of them | 0:01:59 | 0:02:02 | |
every day of my diary. | 0:02:02 | 0:02:04 | |
It's a sort of cross between Bridget Jones' diary and Mel Gibson's, | 0:02:04 | 0:02:08 | |
if you can imagine such a thing. | 0:02:08 | 0:02:10 | |
And I'm going to take you through some of the entries in my diary | 0:02:10 | 0:02:13 | |
Basically, the way it works is you go... | 0:02:13 | 0:02:16 | |
Well, I went every two weeks. | 0:02:16 | 0:02:19 | |
And in the interim, you leave the meeting and they give you | 0:02:19 | 0:02:22 | |
an anger management diary and you have to write down | 0:02:22 | 0:02:24 | |
every single time you got angry, who you got angry with, who said what to whom, | 0:02:24 | 0:02:28 | |
how you could have avoided, what you've learnt from the whole experience... | 0:02:28 | 0:02:32 | |
I'm going to level with you. Filling this out pisses you off | 0:02:32 | 0:02:34 | |
more than anything else that happens in the two weeks. | 0:02:34 | 0:02:37 | |
Because it's tedious. Every time you get angry, you've got to write it down. | 0:02:37 | 0:02:41 | |
And partly as well, there are stupid questions on this diary. | 0:02:41 | 0:02:45 | |
I know in every area of life, every form we ever fill in, there are stupid questions. | 0:02:45 | 0:02:50 | |
But bear in mind the context. You're angry when you pick this up. | 0:02:50 | 0:02:54 | |
By definition, you are pissed off when you reach for this diary | 0:02:54 | 0:02:57 | |
and then you come to questions like this, right. | 0:02:57 | 0:02:59 | |
Look at this shit. Every incident, I had to fill this out. | 0:02:59 | 0:03:03 | |
On a scale of one to ten, where one is not at all angry | 0:03:03 | 0:03:07 | |
-and ten is feelings of very strong anger or rage... -LAUGHTER | 0:03:07 | 0:03:11 | |
..how angry would you say you were at the start of this particular incident? | 0:03:11 | 0:03:16 | |
I've put, "What's the point in having a scale | 0:03:16 | 0:03:18 | |
where one is not at all angry on a pissing anger management diary?" | 0:03:18 | 0:03:21 | |
When are you going to get so wound up you think, | 0:03:21 | 0:03:24 | |
"This is going straight in the diary. Give me that bloody diary. | 0:03:24 | 0:03:27 | |
"Right. One, not at all angry. There you go." | 0:03:27 | 0:03:30 | |
When is that going to happen?! | 0:03:31 | 0:03:33 | |
If I'm honest, I was in the wrong frame of mind filling this out | 0:03:33 | 0:03:36 | |
because if I read this diary out to you... | 0:03:36 | 0:03:39 | |
If you read all of it in chronological order, you would see that this worked over time. | 0:03:39 | 0:03:44 | |
If you're doing anger management or counselling, stick with it because I think it works. | 0:03:44 | 0:03:48 | |
It works out over time, but it doesn't work overnight. | 0:03:48 | 0:03:51 | |
And I'm going to read you some of the early examples | 0:03:51 | 0:03:53 | |
from my anger management diary where I think you will detect | 0:03:53 | 0:03:57 | |
from the tone that I'm not quite in the right frame of mind yet. | 0:03:57 | 0:04:01 | |
Let's see if you can hear it. "Who or what..." This is an early one. | 0:04:01 | 0:04:04 | |
"Who or what would you say was the main cause of your stress | 0:04:04 | 0:04:06 | |
or feelings of anger on this particular occasion?" | 0:04:06 | 0:04:10 | |
I've put, "First Great Western rail company | 0:04:10 | 0:04:13 | |
"deciding that me popping to London on the train from Cardiff | 0:04:13 | 0:04:16 | |
"should cost the same as an all-inclusive seven-night holiday in Spain." | 0:04:16 | 0:04:20 | |
LAUGHTER | 0:04:20 | 0:04:22 | |
APPLAUSE | 0:04:22 | 0:04:23 | |
There we go. | 0:04:23 | 0:04:25 | |
I put in brackets, "For a family of 43." | 0:04:25 | 0:04:29 | |
"In your own words," it says, "In your own words describe | 0:04:29 | 0:04:33 | |
"how you felt at the time. I've put, "Well, in my own words, | 0:04:33 | 0:04:36 | |
"I felt like First Great Western had pulled my trousers and pants down, | 0:04:36 | 0:04:39 | |
"bent me over the counter and force fed | 0:04:39 | 0:04:42 | |
"an entire baseball bat into my bottom." | 0:04:42 | 0:04:44 | |
LAUGHTER | 0:04:44 | 0:04:46 | |
Can you hear the tone? Not quite in the right frame of mind. | 0:04:46 | 0:04:50 | |
Then it says, "What action did you take to combat the stress | 0:04:50 | 0:04:55 | |
"or feelings of anger? For example, counting to ten | 0:04:55 | 0:04:58 | |
"or breathing exercises." I put, "I wrote everything down | 0:04:58 | 0:05:02 | |
"in this amazing anger management diary | 0:05:02 | 0:05:05 | |
"and I instantly felt so relaxed I barely noticed | 0:05:05 | 0:05:08 | |
"the last nine inches of bat going in." | 0:05:08 | 0:05:11 | |
LAUGHTER | 0:05:11 | 0:05:13 | |
This is not somebody who's in the right frame of mind, is it? | 0:05:13 | 0:05:19 | |
Here's another one. Here's another one. | 0:05:19 | 0:05:22 | |
You can tell I'm just not the right headspace. | 0:05:22 | 0:05:24 | |
"Who or what would you say was the main cause of your stress of feelings of anger on this occasion?" | 0:05:24 | 0:05:29 | |
I've put, "Our dickhead electrician," right? | 0:05:29 | 0:05:32 | |
Which immediately isn't off to a great start. | 0:05:32 | 0:05:34 | |
Then it says, "Our dickhead electrician not turning up to | 0:05:34 | 0:05:37 | |
"do the lights in our kitchen for the ninth time in two weeks." | 0:05:37 | 0:05:39 | |
"Give details of any conversations you had." | 0:05:39 | 0:05:42 | |
"I didn't have any conversations. The dickhead didn't turn up." | 0:05:42 | 0:05:45 | |
LAUGHTER | 0:05:45 | 0:05:46 | |
"How was the situation resolved?" | 0:05:46 | 0:05:48 | |
"With dickhead not turning up and me cooking in the dark again." | 0:05:48 | 0:05:51 | |
It says, "Using this experience, | 0:05:51 | 0:05:53 | |
"what would you do differently in the event of a similar incident?" | 0:05:53 | 0:05:56 | |
I've put, "Invent a luminous pie." Right? | 0:05:56 | 0:05:59 | |
LAUGHTER | 0:05:59 | 0:06:03 | |
To be fair, to be fair to me, right, in my defence, | 0:06:03 | 0:06:06 | |
I do think I was up against... | 0:06:06 | 0:06:09 | |
Maybe I got unlucky with my builder friend. Tommy, you can tell me. | 0:06:09 | 0:06:12 | |
Did I get unlucky? I know you are a builder, not an electrician, | 0:06:12 | 0:06:15 | |
but you can still answer this question. | 0:06:15 | 0:06:17 | |
What would be your absolute record in a row for not turning up | 0:06:17 | 0:06:21 | |
when you promised you would? | 0:06:21 | 0:06:24 | |
-Four. -Four. God bless your honesty! | 0:06:24 | 0:06:27 | |
Because my electrician... | 0:06:28 | 0:06:30 | |
Did I get unlucky? Because 14 times he didn't turn up | 0:06:30 | 0:06:33 | |
when he promised he would. | 0:06:33 | 0:06:35 | |
You know, 14 times incidentally, where I sat on my arse | 0:06:35 | 0:06:37 | |
watching shit daytime television, no offence, Tommy... | 0:06:37 | 0:06:41 | |
LAUGHTER AND APPLAUSE | 0:06:41 | 0:06:44 | |
I sat on my arse twiddling my thumbs, | 0:06:44 | 0:06:46 | |
watching shit daytime telly. | 0:06:46 | 0:06:48 | |
Presumably, he did exactly the same thing round at his house | 0:06:48 | 0:06:50 | |
but that he came. He finally came, right... | 0:06:50 | 0:06:53 | |
Have you ever seen anything this incompetent, right, | 0:06:53 | 0:06:56 | |
because I'm 43 and I've travelled the world, | 0:06:56 | 0:06:59 | |
I've seen a thing or two but I've never seen anything this shit. | 0:06:59 | 0:07:03 | |
I've never seen anything this incompetent in any area of life. | 0:07:03 | 0:07:07 | |
This electrician came and he fitted... What you call it? | 0:07:07 | 0:07:10 | |
-You know double plug sockets. -Yes. | 0:07:10 | 0:07:13 | |
He fitted 15 of those, all around the lounge, | 0:07:13 | 0:07:15 | |
all around the dining room. 13 of them, Tommy, are awesome. | 0:07:15 | 0:07:18 | |
Awesome. Some of the finest plug sockets you'll ever see in your | 0:07:18 | 0:07:21 | |
life. Beautiful pieces of work. | 0:07:21 | 0:07:23 | |
Two of them, however, the upside pissing down. | 0:07:23 | 0:07:26 | |
How is that even possible? Have you ever seen that? | 0:07:28 | 0:07:30 | |
I've never seen an upside-down plug... | 0:07:30 | 0:07:32 | |
Literally, the switch is at the top, you push it in. | 0:07:32 | 0:07:36 | |
Half the light switches are on the wrong way round as well, right? | 0:07:36 | 0:07:39 | |
I can live with that. | 0:07:39 | 0:07:40 | |
I was going to complain about that until I saw the plug sockets. | 0:07:40 | 0:07:44 | |
I'll leave it go because it's not the end of the world. | 0:07:44 | 0:07:46 | |
Some of them are on when they are up, | 0:07:46 | 0:07:48 | |
some are on when they are down. It's a bit inconvenient. They all work. | 0:07:48 | 0:07:51 | |
Until you come to change a light bulb | 0:07:51 | 0:07:53 | |
and then it's Russian roulette, frankly. | 0:07:53 | 0:07:55 | |
I let it go. I let the light switches go. | 0:07:56 | 0:07:58 | |
We've all seen that before. | 0:07:58 | 0:08:00 | |
I've never seen upside down sockets. I rang him, right. | 0:08:00 | 0:08:02 | |
The conversation I had with my attrition is in my anger management diary. | 0:08:02 | 0:08:06 | |
This is the conversation with my electrician because he has | 0:08:06 | 0:08:10 | |
put two plug sockets upside down in our lounge. I rang him, right. | 0:08:10 | 0:08:14 | |
I said, "This is a bit awkward. | 0:08:14 | 0:08:16 | |
"But you seem to have fitted two of the plug sockets upside down." | 0:08:16 | 0:08:19 | |
Do you know what he said, Tommy? "Are you sure?" | 0:08:19 | 0:08:22 | |
I said, "I think so. I'm pretty sure. Let me just check. | 0:08:22 | 0:08:24 | |
"Oh, hang on, my girlfriend has just come in. | 0:08:24 | 0:08:27 | |
"Her head seems to be roughly the same height as mine. | 0:08:27 | 0:08:29 | |
"Her eyes are above her mouth. | 0:08:29 | 0:08:31 | |
"When we drop things, they fall towards our feet. | 0:08:31 | 0:08:33 | |
"We seem to be the right way up, mate." | 0:08:33 | 0:08:36 | |
This is a genuine question from my electrician to me. A genuine question. | 0:08:36 | 0:08:39 | |
"Would you prefer them all the same way up, would you?" | 0:08:39 | 0:08:42 | |
"I think I would. I'm old school. What can I say? I can't help it." | 0:08:45 | 0:08:49 | |
And he's always on the front foot. He's one of those people. | 0:08:49 | 0:08:52 | |
He would never take criticism, this guy. | 0:08:52 | 0:08:54 | |
He's like, "What do you want me to do about it?" | 0:08:54 | 0:08:56 | |
He's on the phone, "What do you expect me to do about it? | 0:08:56 | 0:08:59 | |
I said, "There seem to be two choices. | 0:08:59 | 0:09:00 | |
"One involves you popping back to the house | 0:09:00 | 0:09:03 | |
"and turning the two sockets round. | 0:09:03 | 0:09:04 | |
"And the other one involves you trying to persuade the entire world | 0:09:04 | 0:09:07 | |
"to starting to live upside down, doesn't it? | 0:09:07 | 0:09:10 | |
"I should point out, if you do decide to go down at second route, | 0:09:10 | 0:09:13 | |
"it could actually involve a lot more work for you in the long run | 0:09:13 | 0:09:16 | |
"because once you've travelled the world, spreading | 0:09:16 | 0:09:19 | |
"the topsy-turvy Gospel according to St Pissing Nutjob | 0:09:19 | 0:09:22 | |
"The Inverted, you'll have to bounce back here on your head and redo | 0:09:22 | 0:09:25 | |
"the 13 sockets you put on the right way round in the first place." | 0:09:25 | 0:09:28 | |
APPLAUSE | 0:09:28 | 0:09:31 | |
Ladies and gentlemen of the wonderful Hammersmith Apollo, | 0:09:35 | 0:09:38 | |
are you ready to welcome your first act of the evening? | 0:09:38 | 0:09:41 | |
CHEERING | 0:09:41 | 0:09:43 | |
Start cheering, start whooping and go wild and crazy | 0:09:43 | 0:09:47 | |
for the wonderful talents that are Kerry Godliman! | 0:09:47 | 0:09:51 | |
CHEERING AND APPLAUSE | 0:09:51 | 0:09:53 | |
Wow. Hello. | 0:10:03 | 0:10:05 | |
How lovely! This is lovely. I'm so happy to be to be here. | 0:10:06 | 0:10:10 | |
Generally, I like coming to work these days cos I love my job. | 0:10:10 | 0:10:15 | |
I like this job because I'm allowed to be sarcastic at work, you know, | 0:10:15 | 0:10:20 | |
which I'm sure many of you do, but I'm contractually obligated to be | 0:10:20 | 0:10:24 | |
sarcastic at work. I used to do it in my old job. | 0:10:24 | 0:10:27 | |
I remember. I was like, "Oooh, well done, Toby. | 0:10:27 | 0:10:29 | |
"That's a brilliant spaceship, you dick." LAUGHTER | 0:10:29 | 0:10:33 | |
That is how I lost my job in the primary school, really. | 0:10:36 | 0:10:39 | |
It's weird. Sarcasm is very popular, isn't it, in this country? | 0:10:40 | 0:10:44 | |
We go mental for it. We love sarcasm. | 0:10:44 | 0:10:47 | |
Sometimes I think it's too popular. Sometimes I think it creeps | 0:10:47 | 0:10:50 | |
into situations where it doesn't really belong. | 0:10:50 | 0:10:53 | |
I'll give you an example. Recently, I was at the dentist | 0:10:53 | 0:10:56 | |
and they had a poster in the waiting room | 0:10:56 | 0:10:58 | |
and it said, "Question - do I have to floss between all of my teeth? | 0:10:58 | 0:11:04 | |
"Answer - no, just the ones you want to keep." | 0:11:04 | 0:11:08 | |
LAUGHTER | 0:11:08 | 0:11:11 | |
I don't think sarcasm is appropriate in a medical context, really. | 0:11:12 | 0:11:17 | |
I mean, where do you draw the line with that? | 0:11:17 | 0:11:19 | |
What if you're at the doctor's, in the waiting room | 0:11:19 | 0:11:22 | |
and there's a poster on the wall and it says, "Question... | 0:11:22 | 0:11:25 | |
"can I eat all the pies?" | 0:11:25 | 0:11:28 | |
"Answer - yeah, you carry on, you thick, fat prat." | 0:11:29 | 0:11:34 | |
LAUGHTER | 0:11:34 | 0:11:35 | |
That would be quite an aggressive campaign, wouldn't it? | 0:11:35 | 0:11:38 | |
Although what's tragic is you wouldn't reel back in shock | 0:11:38 | 0:11:42 | |
if you saw it in this country. You'd be like, "Oh, right. Well, I'll lay off the pies then." | 0:11:42 | 0:11:47 | |
I've maxed out all my credit cards. I love the adverts | 0:11:47 | 0:11:51 | |
on the radio for credit cards when the woman's really excited | 0:11:51 | 0:11:54 | |
and she's like, get this credit card cos it's brilliant | 0:11:54 | 0:11:57 | |
and there's zero interest for nine long months | 0:11:57 | 0:12:00 | |
and you can buy loads of stuff | 0:12:00 | 0:12:02 | |
and you can go into absolute denial about debt | 0:12:02 | 0:12:05 | |
and it might even make you come and then... | 0:12:05 | 0:12:08 | |
Right at the end, she goes, "Subject to availability, | 0:12:08 | 0:12:11 | |
"fixed-rate variable APR, terms and conditions apply." What did you just say then? | 0:12:11 | 0:12:15 | |
That's not a reasonable way of communicating, is it? | 0:12:15 | 0:12:18 | |
You wouldn't tolerate being spoken to in that manner | 0:12:18 | 0:12:21 | |
in any other situation in your life. You wouldn't put up with it. | 0:12:21 | 0:12:24 | |
You wouldn't put up with it if, for example, you were out on a date | 0:12:24 | 0:12:28 | |
and you thought to yourself, this bloke's attractive. | 0:12:28 | 0:12:31 | |
And he says to you, "I think you're attractive and I am solvent... | 0:12:31 | 0:12:37 | |
"and I've got absolutely no emotional baggage, | 0:12:37 | 0:12:40 | |
"but I will be intending to take you up the arse, not return your calls and erode your self-confidence." | 0:12:40 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:47 | |
APPLAUSE | 0:12:47 | 0:12:50 | |
Sorry. I didn't catch everything you said then. | 0:12:54 | 0:12:57 | |
You gabbled a bit then at the end. | 0:12:57 | 0:13:00 | |
"Don't worry, darling. Do you want another little glass of wine? | 0:13:00 | 0:13:04 | |
"Do hope you're game for a tit wank. I'll be recording it for training purposes." | 0:13:04 | 0:13:08 | |
That would be quite unsettling, wouldn't it? | 0:13:08 | 0:13:11 | |
Initially. | 0:13:11 | 0:13:13 | |
LAUGHTER | 0:13:13 | 0:13:14 | |
Push through. | 0:13:14 | 0:13:16 | |
The other quite nice thing about this job is | 0:13:16 | 0:13:19 | |
not only am I allowed to be sarcastic, I'm allowed to exaggerate. | 0:13:19 | 0:13:23 | |
All comedians exaggerate. | 0:13:23 | 0:13:24 | |
It's quite a comedic conceit to use, exaggeration. | 0:13:24 | 0:13:27 | |
And women are very good at exaggerating, generally speaking. | 0:13:27 | 0:13:30 | |
We're a lot better than men at it, I think, apart from the...cock stuff. | 0:13:30 | 0:13:34 | |
We're much better. We're much better at exaggerating than men. | 0:13:34 | 0:13:37 | |
Women are very good at just slightly overreacting | 0:13:37 | 0:13:41 | |
to arguably trivial things, | 0:13:41 | 0:13:43 | |
We've got that covered. You know when a woman puts her hand in her handbag | 0:13:43 | 0:13:47 | |
to find her purse... | 0:13:47 | 0:13:49 | |
but she doesn't immediately find her purse? | 0:13:49 | 0:13:53 | |
LAUGHTER | 0:13:53 | 0:13:55 | |
"I've lost my purse. I'm not being funny. | 0:13:56 | 0:14:00 | |
"I'm going to have to cancel all of my cards now and everything. | 0:14:00 | 0:14:03 | |
"Oh, hang on. I've found it. I found it. | 0:14:03 | 0:14:06 | |
"I hadn't checked the front pocket. What am I like?!" | 0:14:06 | 0:14:10 | |
You're like a prick. | 0:14:10 | 0:14:11 | |
LAUGHTER | 0:14:11 | 0:14:14 | |
I think my tolerance for these things isn't very good anyway. | 0:14:19 | 0:14:22 | |
I'm quite a grumpy woman really. I'm quite tired, that's the problem. | 0:14:22 | 0:14:25 | |
I'm sleep deprived. I don't get enough kip. | 0:14:25 | 0:14:28 | |
It's because I've got three young children. | 0:14:28 | 0:14:30 | |
I've got a baby and I've got a slightly older one, | 0:14:30 | 0:14:33 | |
and a bigger one...in the car. | 0:14:33 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:37 | |
And it's weird being this tired because I mean I'm proper knackered. | 0:14:37 | 0:14:41 | |
Of course there's a lot of make-up on my face to be honest. | 0:14:41 | 0:14:44 | |
It's like a burqa of foundation... | 0:14:44 | 0:14:47 | |
on my face. | 0:14:47 | 0:14:49 | |
Some days, I wear a burqa - I think, "Sod it, I can't work with this." | 0:14:49 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:55 | |
There's loads of women round my way that wear burqas | 0:14:55 | 0:14:57 | |
and they're not all Muslim women, I'm telling you now. | 0:14:57 | 0:15:00 | |
Some of them are women having a bad hair day that are like, | 0:15:00 | 0:15:03 | |
"Right, burqa day - I'm doing the school run. Get in the car!" | 0:15:03 | 0:15:07 | |
So thank God for make-up. | 0:15:08 | 0:15:09 | |
Honestly, I properly cake it on, you know. | 0:15:09 | 0:15:11 | |
I'm not as close to you as you think I am - that's how much make-up... | 0:15:11 | 0:15:15 | |
No, I am tired. And I should've known I would be tired, | 0:15:16 | 0:15:19 | |
cos I had mates that had kids before me and they said, | 0:15:19 | 0:15:21 | |
"You will be tired." Because it's a real war story, isn't it, | 0:15:21 | 0:15:24 | |
with new parents - they do go on about it. | 0:15:24 | 0:15:25 | |
They're always banging on about it, like, "When you have a kid, right? | 0:15:25 | 0:15:29 | |
"YOU BLEED FROM YOUR EYES!" | 0:15:29 | 0:15:31 | |
LAUGHTER | 0:15:31 | 0:15:34 | |
And, before I had children, I didn't... | 0:15:34 | 0:15:36 | |
I couldn't have given less of a toss, really. | 0:15:36 | 0:15:38 | |
I remember thinking, "All right, | 0:15:38 | 0:15:40 | |
"you haven't got a monopoly on tiredness, have you, you breeders?" | 0:15:40 | 0:15:43 | |
I used to think to myself, "I know what tired is, actually. | 0:15:44 | 0:15:47 | |
"Tired's when you work ALL DAY and then you go to the pub after work | 0:15:47 | 0:15:53 | |
"and you stay until closing | 0:15:53 | 0:15:56 | |
"and then maybe you go to a club and take class-A drugs | 0:15:56 | 0:15:58 | |
"and sleep with a stranger and then get a minicab home." | 0:15:58 | 0:16:01 | |
CHEERING AND APPLAUSE | 0:16:01 | 0:16:04 | |
You do all that AND breast-feed. | 0:16:08 | 0:16:10 | |
Cos I'm not being funny... | 0:16:10 | 0:16:11 | |
..it does ratchet up, it does. | 0:16:13 | 0:16:14 | |
Proper knackered now. | 0:16:15 | 0:16:17 | |
It is very interesting, | 0:16:17 | 0:16:19 | |
cos I-I find that it's very difficult | 0:16:19 | 0:16:20 | |
communicating with very young children, | 0:16:20 | 0:16:22 | |
that's the thing that I have found particularly to be a challenge. | 0:16:22 | 0:16:25 | |
Because, like, my daughter's at an age now | 0:16:25 | 0:16:27 | |
where she's asking very big questions - big stuff, heavy things. | 0:16:27 | 0:16:29 | |
Like death and "Where do we go when we die?" | 0:16:29 | 0:16:31 | |
and "How will I die?" and "What happens after we die?" | 0:16:31 | 0:16:33 | |
and "Where to babies come from? and "Where do I come from?" | 0:16:33 | 0:16:36 | |
It's like, "Argh! Google it!" | 0:16:36 | 0:16:38 | |
LAUGHTER | 0:16:38 | 0:16:41 | |
And I... | 0:16:41 | 0:16:42 | |
I suppose I-I aspire to have answers for all her questions. | 0:16:42 | 0:16:45 | |
You know, everything. | 0:16:45 | 0:16:46 | |
Like, "Mummy, Mummy, what's dogging?" | 0:16:46 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
"Right, OK, darling. Well... | 0:16:50 | 0:16:52 | |
"..dogging... | 0:16:53 | 0:16:55 | |
"is when... | 0:16:55 | 0:16:57 | |
"..three or four people... | 0:16:58 | 0:17:00 | |
"that love each other... | 0:17:02 | 0:17:03 | |
"go to a car park... | 0:17:05 | 0:17:07 | |
"Go and ask your dad!" | 0:17:10 | 0:17:11 | |
LAUGHTER | 0:17:11 | 0:17:13 | |
Because it's hard. | 0:17:13 | 0:17:14 | |
It's hard communicating with emotionally underdeveloped people. | 0:17:14 | 0:17:17 | |
I'll give you an example - last Christmas, | 0:17:17 | 0:17:19 | |
we were doing the advent calendar, right? | 0:17:19 | 0:17:21 | |
And she was three at the time and she insisted - she INSISTED - | 0:17:21 | 0:17:24 | |
that the number eight came sequentially after the number five. | 0:17:24 | 0:17:27 | |
Now, you're thinking, "Does it matter, Kerry? She's only three." | 0:17:27 | 0:17:30 | |
But when you haven't had any sodding sleep, | 0:17:30 | 0:17:32 | |
you get into these debates with these people! | 0:17:32 | 0:17:35 | |
And she didn't put it in a cute way, | 0:17:35 | 0:17:36 | |
she put it like Gordon Ramsay running a Greggs. | 0:17:36 | 0:17:39 | |
And I-I know that I'm supposed to be | 0:17:41 | 0:17:43 | |
this sort of sanguine vision of motherhood, | 0:17:43 | 0:17:45 | |
but I'm not naturally adept at it - | 0:17:45 | 0:17:47 | |
I take her to toddler group | 0:17:47 | 0:17:48 | |
and I'm like, "Right. You can't punch Milo in the face." | 0:17:48 | 0:17:52 | |
And she goes, "Why not?" | 0:17:52 | 0:17:53 | |
Which is a good question, cos Milo is a bit of a dick. | 0:17:53 | 0:17:56 | |
"Right, you can't, babe. You can't, because..." | 0:17:57 | 0:18:00 | |
"it makes ME look bad." | 0:18:00 | 0:18:01 | |
She doesn't care, really. | 0:18:06 | 0:18:08 | |
And it's hard. | 0:18:08 | 0:18:09 | |
I mean, I thought I was tired when I had one kid, but now | 0:18:09 | 0:18:12 | |
I look back on that, that was just like having an accessory, really. | 0:18:12 | 0:18:14 | |
Now... | 0:18:14 | 0:18:16 | |
Now that I've got two, I'm properly broken. | 0:18:16 | 0:18:19 | |
I-I think they're trying to kill me. | 0:18:19 | 0:18:21 | |
LAUGHTER | 0:18:21 | 0:18:22 | |
I do - I hear them talking about it on the landing. | 0:18:22 | 0:18:25 | |
They have little conferences. | 0:18:25 | 0:18:27 | |
One's like, "Right, I'll-I'll get up at five, right? | 0:18:27 | 0:18:31 | |
"And I'll be inexplicably perky. | 0:18:33 | 0:18:35 | |
"And then, just as I'm winding down for my nap... | 0:18:37 | 0:18:40 | |
"YOU CRANK UP!" | 0:18:40 | 0:18:41 | |
LAUGHTER | 0:18:41 | 0:18:43 | |
"Start going mental for Coco Pops! | 0:18:43 | 0:18:46 | |
"She ain't been shopping!" | 0:18:46 | 0:18:47 | |
SHE LAUGHS | 0:18:47 | 0:18:49 | |
"I think we can kill her! High-five." | 0:18:51 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:55 | |
My judgment isn't reliable - I'm too tired to be sure, | 0:18:55 | 0:18:58 | |
but, er... | 0:18:58 | 0:18:59 | |
No, it's very hard. | 0:18:59 | 0:19:00 | |
I-I prepared for motherhood by watching Supernanny. | 0:19:00 | 0:19:03 | |
That's-that's how I prepared. | 0:19:03 | 0:19:04 | |
I know - I don't really know what I was thinking. | 0:19:04 | 0:19:07 | |
I-I got smug, in fact. | 0:19:07 | 0:19:08 | |
I remember watching it and thinking, "Right, I've sussed this out. | 0:19:08 | 0:19:11 | |
"I'm not going to end up like one of those | 0:19:11 | 0:19:13 | |
"wet, middle-class mothers that say things like, 'Megan... | 0:19:13 | 0:19:16 | |
" 'You're really upsetting Mummy, Megan.' " | 0:19:16 | 0:19:18 | |
LAUGHTER | 0:19:18 | 0:19:21 | |
" 'No, Megan. Don't-don't cut Mummy, Megan. | 0:19:21 | 0:19:24 | |
" 'No, Megan, no. No, not Mummy's face! | 0:19:26 | 0:19:29 | |
" 'NOT MUMMY'S FA-A-ACE!' " | 0:19:29 | 0:19:31 | |
That was a classic one, the one with Megan. Classic Supernanny, that one. | 0:19:31 | 0:19:35 | |
Er, they show it in high schools now as a sort of contraceptive. | 0:19:35 | 0:19:38 | |
LAUGHTER | 0:19:38 | 0:19:40 | |
So, um... | 0:19:40 | 0:19:42 | |
No, I'm exaggerating. I said I would. It's lovely. | 0:19:42 | 0:19:45 | |
I'm thoroughly enjoying family life. It's-it's delightful. | 0:19:45 | 0:19:48 | |
I like being married as well. I got married just over a year ago. | 0:19:48 | 0:19:51 | |
I enjoy being married. It's, er... It's lovely. | 0:19:51 | 0:19:54 | |
I think I like it a lot mostly because I very vividly remember | 0:19:54 | 0:19:56 | |
being single and I wasn't so good at that. | 0:19:56 | 0:20:00 | |
I was single for years, like years and years, before I met my bloke. | 0:20:00 | 0:20:04 | |
You know when women have been single for years, they go a bit feral? | 0:20:04 | 0:20:09 | |
I was a bit like that. I used to ring up man-in-a-van numbers and go, | 0:20:09 | 0:20:12 | |
"Don't bring the van. You won't need the van." | 0:20:12 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:17 | |
But I was very nervous about getting married. I was particularly nervous | 0:20:17 | 0:20:20 | |
about becoming a Bridezilla. That's what made me anxious | 0:20:20 | 0:20:23 | |
I've seen a lot of that. I've seen it happen. | 0:20:23 | 0:20:25 | |
Women that are normal one minute and then they get engaged | 0:20:25 | 0:20:28 | |
and start planning their wedding and something clicks | 0:20:28 | 0:20:30 | |
and they're like... | 0:20:30 | 0:20:32 | |
SHE GROWLS: "It's my day. It's my day. I want to be like a princess." | 0:20:32 | 0:20:36 | |
So I was quite nervous about it and I waited a long time | 0:20:36 | 0:20:40 | |
for my bloke to propose to me. | 0:20:40 | 0:20:43 | |
I had wanted him to propose in a spontaneous, unforeseen way. | 0:20:43 | 0:20:46 | |
I would have loved that. But I did get sick of waiting for that, | 0:20:46 | 0:20:49 | |
so in the end I clearly instructed him to propose to me | 0:20:49 | 0:20:52 | |
in a spontaneous, unforeseen way. | 0:20:52 | 0:20:54 | |
It does get quite wearing, walking past sunsets going, | 0:20:54 | 0:20:58 | |
"No. Now. Now. Down!" | 0:20:58 | 0:20:59 | |
"Oh, forget it. Get up." | 0:21:00 | 0:21:02 | |
We got there in the end, I kind of brought the topic up | 0:21:02 | 0:21:06 | |
in a breezy way with him, as if I wasn't bothered. | 0:21:06 | 0:21:08 | |
I said, "Oh, yeah. Hey, why have you never... | 0:21:08 | 0:21:11 | |
"Why have you never proposed to me?" | 0:21:11 | 0:21:14 | |
SHE LAUGHS MANICALLY | 0:21:14 | 0:21:16 | |
ANGRILY: "Why have you never proposed to me? | 0:21:19 | 0:21:22 | |
"I want my day!" | 0:21:22 | 0:21:24 | |
And he was a bit bewildered, as you can imagine, to be honest. | 0:21:25 | 0:21:28 | |
He was like, "What?" He said, "Come on, Kerry. | 0:21:28 | 0:21:30 | |
"When we first met, you said that you didn't believe in marriage. | 0:21:30 | 0:21:34 | |
"You said it didn't suit a post-feminist ideology | 0:21:34 | 0:21:37 | |
"because it was rooted in the ownership of women." | 0:21:37 | 0:21:40 | |
I said, "Did I? Did I say that? I don't remember I said that." | 0:21:40 | 0:21:44 | |
He said, "Yeah, you said it didn't suit the autonomous | 0:21:44 | 0:21:47 | |
"or spontaneous nature of the human experience." | 0:21:47 | 0:21:50 | |
I said, "Well, screw that. I've changed my mind, haven't I? | 0:21:50 | 0:21:53 | |
"I said a lot of things at the beginning of this relationship | 0:21:53 | 0:21:56 | |
"that I didn't mean and I did a lot of things that I don't do any more." | 0:21:56 | 0:22:00 | |
LAUGHTER | 0:22:00 | 0:22:02 | |
I said, "If you'd been listening carefully at the beginning of this relationship | 0:22:02 | 0:22:05 | |
"you'd have heard me say that blow jobs will be subject to availability, non-fixed rate, variable APR..." | 0:22:05 | 0:22:10 | |
You've been absolutely delightful. Do enjoy the rest of your evening. Take care. | 0:22:10 | 0:22:14 | |
CHEERING AND APPLAUSE | 0:22:14 | 0:22:17 | |
Ladies and gentlemen, Kerry Godliman! | 0:22:19 | 0:22:22 | |
CHEERING AND APPLAUSE | 0:22:22 | 0:22:24 | |
I'll tell you who else we've got... Where's Jeremy Edwards? | 0:22:24 | 0:22:27 | |
There he is, little Jeremy Edwards. Actor, Holby, Hollyoaks... Anything recently? | 0:22:27 | 0:22:32 | |
LAUGHTER INAUDIBLE SPEECH | 0:22:32 | 0:22:35 | |
Casualty! | 0:22:35 | 0:22:37 | |
-Casualty? Oh, you've literally been in casualty? -Yeah. | 0:22:37 | 0:22:40 | |
Not acting, you've just had an accident? | 0:22:40 | 0:22:42 | |
How have you damaged your wrist so violently? | 0:22:42 | 0:22:45 | |
LAUGHTER | 0:22:45 | 0:22:47 | |
-Punching a comedian. -Punching a comedian?! | 0:22:47 | 0:22:50 | |
-APPLAUSE -Very nice, very nice. | 0:22:52 | 0:22:56 | |
I was reading about you... I don't know if this is true | 0:22:58 | 0:23:02 | |
because I Wikipedia-jobbed it. Didn't you use to work in the canteen in Reading railway station? | 0:23:02 | 0:23:07 | |
-Yes, I did. Yeah, yeah. -Really? What were you doing? | 0:23:07 | 0:23:09 | |
-Washing pots, big pots. -Washing pots? -Yeah. | 0:23:09 | 0:23:13 | |
I bet they didn't call it that, though. They never do on the trains. | 0:23:13 | 0:23:16 | |
They never call a spade a spade. They're full of shit on the trains. | 0:23:16 | 0:23:19 | |
I imagine you were a Fairy Liquid consultant or something, were you? | 0:23:19 | 0:23:23 | |
Or a soap-sud distributor or a crockery-hygiene specialist? | 0:23:23 | 0:23:27 | |
This is my current favourite on the trains, when they go, | 0:23:27 | 0:23:30 | |
"Ladies and gentlemen, the buffet car is now open, | 0:23:30 | 0:23:35 | |
"serving a selection of hot and cold snacks, teas, coffees, biscuits, crisps." | 0:23:35 | 0:23:39 | |
Then I'm thinking, "Please say it." And then they go, | 0:23:39 | 0:23:42 | |
-"On board today we have our travelling chef." -LAUGHTER | 0:23:42 | 0:23:47 | |
Piss off! | 0:23:47 | 0:23:48 | |
Travelling chef now, is he? That's awesome. | 0:23:48 | 0:23:51 | |
That's the biggest piece of bull... Travelling.... Old toasty Geoff. | 0:23:51 | 0:23:54 | |
Fair play, toasty Geoff is now a travelling chef. | 0:23:54 | 0:23:59 | |
Have a look in his kitchen. | 0:23:59 | 0:24:02 | |
Normally, you don't get access to the world's top chefs' kitchens. | 0:24:02 | 0:24:07 | |
You can on the trains. | 0:24:07 | 0:24:08 | |
Stick your head round the counter. You can see straight in. | 0:24:08 | 0:24:11 | |
Consists entirely of a microwave and a pair of tongs. That's all he's got in there. | 0:24:11 | 0:24:15 | |
He's not a travelling chef. I've a got a plastic spoon | 0:24:15 | 0:24:17 | |
and a Tracker bar in my coat pocket. | 0:24:17 | 0:24:19 | |
I'm not Marco Pierre White, right? | 0:24:19 | 0:24:21 | |
"Who's that... Who's that with the sandwich trolley, darling? | 0:24:21 | 0:24:25 | |
"I think it's Heston Blumenthal! | 0:24:25 | 0:24:27 | |
"Heston, I'll have a Twix!" | 0:24:27 | 0:24:30 | |
Maybe, maybe it's just me. Maybe you do get a Michelin star | 0:24:32 | 0:24:35 | |
for turning round and passing somebody a Kit Kat, I dunno. | 0:24:35 | 0:24:37 | |
I'll tell you on thing I do know, though, | 0:24:39 | 0:24:41 | |
that you definitely don't get. | 0:24:41 | 0:24:43 | |
You definitely do not get... | 0:24:43 | 0:24:44 | |
You know the very best chefs in the world, | 0:24:44 | 0:24:47 | |
they definitely don't have to close their restaurant to do a stock take | 0:24:47 | 0:24:50 | |
just because two people in a row order an egg and cress sandwich, | 0:24:50 | 0:24:53 | |
I'll tell you that. | 0:24:53 | 0:24:54 | |
I can laugh about it now but not back then when it happened. | 0:24:54 | 0:24:57 | |
We had a 40-minute ding-dong about that egg and cress sandwich | 0:24:57 | 0:25:01 | |
cos he wouldn't sell me an egg and cress sandwich | 0:25:01 | 0:25:04 | |
because it was his last one and if he sold it to me, | 0:25:04 | 0:25:08 | |
people wouldn't know he did egg and cress sandwiches. | 0:25:08 | 0:25:11 | |
That's the travelling chef, he wouldn't... | 0:25:14 | 0:25:16 | |
It's in my anger management diary, here we go. It's in my diary. | 0:25:16 | 0:25:20 | |
This is a convoluted conversation. | 0:25:20 | 0:25:22 | |
You're just going to have to hang in there and follow it, all right? | 0:25:22 | 0:25:25 | |
This is the conversation I had. | 0:25:25 | 0:25:26 | |
I said, "I'll have an egg and cress sandwich, please." | 0:25:26 | 0:25:30 | |
Travelling chef, "I haven't got any." | 0:25:30 | 0:25:32 | |
Me, "Yeah, there's one behind you on the shelf there." | 0:25:32 | 0:25:36 | |
Him, "Oh, that's just the last one. | 0:25:36 | 0:25:38 | |
"That's to show the range of sandwiches we do, sir." | 0:25:39 | 0:25:42 | |
Me, "What?" | 0:25:44 | 0:25:46 | |
Him, "That's just to show the range of sandwiches we do, sir." | 0:25:48 | 0:25:53 | |
Me, "Before we go any further, | 0:25:53 | 0:25:54 | |
"can I just get this straight in my own head? | 0:25:54 | 0:25:57 | |
"You're keeping an egg and cress sandwich on the shelf | 0:25:57 | 0:25:59 | |
"to show that you do egg and cress sandwiches | 0:25:59 | 0:26:02 | |
"but you're not doing egg and cress sandwiches. Is that right?" | 0:26:02 | 0:26:06 | |
He said, "They are in the range. | 0:26:06 | 0:26:09 | |
"We just haven't got any at the moment." | 0:26:09 | 0:26:11 | |
I said, "You have. I can see it. | 0:26:15 | 0:26:17 | |
"At the risk of this turning | 0:26:19 | 0:26:21 | |
"into one of the shittest pantomimes of all time...it's behind you." | 0:26:21 | 0:26:25 | |
APPLAUSE | 0:26:28 | 0:26:30 | |
He said, "If that one goes, | 0:26:32 | 0:26:34 | |
"people won't know we do egg and cress sandwiches." | 0:26:34 | 0:26:36 | |
I said, "But you don't do them. | 0:26:36 | 0:26:38 | |
"I'm trying to get one and look at the state of me!" | 0:26:38 | 0:26:41 | |
He said, "We do do them." | 0:26:41 | 0:26:43 | |
I said, "Oh, good. I'll have one then!" | 0:26:43 | 0:26:46 | |
He said, "We haven't got any." | 0:26:46 | 0:26:49 | |
I said, "You have, you travelling, pissing chef! | 0:26:49 | 0:26:51 | |
"I can see it I can see the cress sticking out from behind the egg. | 0:26:51 | 0:26:55 | |
"Either that or it's the worst mirage I've ever come across!" | 0:26:55 | 0:26:58 | |
He said, "Look." | 0:26:59 | 0:27:01 | |
He said, "Look, sir." | 0:27:01 | 0:27:03 | |
He said, "It's quite simple." | 0:27:03 | 0:27:06 | |
I thought, "Is it?" | 0:27:06 | 0:27:07 | |
He said, "It's quite simple. We'll be re-stocking later | 0:27:09 | 0:27:12 | |
"and I want people to know we'll have egg and cress sandwiches | 0:27:12 | 0:27:16 | |
"in the range once we've re-stocked." | 0:27:16 | 0:27:18 | |
I said, "Well, once you've restocked | 0:27:18 | 0:27:19 | |
"there'll be egg and cress sandwiches on the shelf, | 0:27:19 | 0:27:22 | |
"won't there? Once you've restocked, there'll be egg and cress sandwiches | 0:27:22 | 0:27:25 | |
"on the shelf and people will come along and they'll use | 0:27:25 | 0:27:28 | |
"their eyes and their brains in tandem to assess the situation. | 0:27:28 | 0:27:30 | |
"They'll realise you do egg and cress sandwiches. | 0:27:30 | 0:27:33 | |
"you'll give them one and the whole thing will work like clockwork | 0:27:33 | 0:27:36 | |
"but at the moment this system you're operating | 0:27:36 | 0:27:38 | |
"is fundamentally flawed. | 0:27:38 | 0:27:39 | |
"You're only helping one group of people as far as I can see | 0:27:39 | 0:27:42 | |
"and they are egg and cress sandwich spotters! | 0:27:42 | 0:27:44 | |
"People who don't even want egg and cress sandwiches at the moment. | 0:27:44 | 0:27:47 | |
"They've just come to the buffet to investigate whether you'll have | 0:27:47 | 0:27:50 | |
"egg and cress sandwiches in the future, | 0:27:50 | 0:27:52 | |
"only by the time they're back you could be down to your last one again | 0:27:52 | 0:27:55 | |
"and you'll have to go through this shit with someone else, | 0:27:55 | 0:27:58 | |
"only they're going to be even more annoyed than I am | 0:27:58 | 0:28:00 | |
"because they'll be in the frustrating position | 0:28:00 | 0:28:02 | |
"of having gone to the trouble of verified the future availability | 0:28:02 | 0:28:05 | |
"of egg and cress sandwiches earlier on, won't they?" | 0:28:05 | 0:28:08 | |
APPLAUSE | 0:28:08 | 0:28:11 | |
"What are you talking about?" | 0:28:15 | 0:28:17 | |
I said, "Please..." | 0:28:19 | 0:28:20 | |
"Please, travelling chef..." | 0:28:22 | 0:28:23 | |
"Please understand... | 0:28:25 | 0:28:27 | |
"If that egg and cress sandwich isn't for sale, | 0:28:27 | 0:28:29 | |
"just please take it down." | 0:28:29 | 0:28:31 | |
"Either sell it or take it down but don't leave it up there...please." | 0:28:32 | 0:28:36 | |
Him, "Why?" | 0:28:37 | 0:28:40 | |
Me, "Because you don't seem to understand | 0:28:41 | 0:28:45 | |
"that not being able to have an egg and cress sandwich, | 0:28:45 | 0:28:48 | |
"is far more irritating when you can see one right in front of you, | 0:28:48 | 0:28:53 | |
"than when you can't." | 0:28:53 | 0:28:54 | |
Him, "Why? | 0:28:56 | 0:28:58 | |
Me, "Because, and I really believe this, | 0:29:00 | 0:29:04 | |
"people are far more ready to accept | 0:29:04 | 0:29:07 | |
"that you haven't got something... | 0:29:07 | 0:29:09 | |
"..if they can't see it. | 0:29:12 | 0:29:13 | |
"For example, it hasn't crossed my mind | 0:29:16 | 0:29:18 | |
"that you're doing a hog roast this afternoon. | 0:29:18 | 0:29:21 | |
"At no point have I wondered which of these lobster | 0:29:22 | 0:29:25 | |
"I'd like from the tank. | 0:29:25 | 0:29:27 | |
Him, "What lobster?" | 0:29:27 | 0:29:28 | |
Me, "Exactly! Do you see how it works with your eyes, and my brain?" | 0:29:28 | 0:29:32 | |
He said, "I can do you prawn. If you like lobster, I can do you prawn." | 0:29:32 | 0:29:36 | |
20 minutes later I had prawn. | 0:29:38 | 0:29:40 | |
And I almost had a full nervous breakdown, when he...he passed me | 0:29:42 | 0:29:47 | |
that prawn sandwich and he said, | 0:29:47 | 0:29:49 | |
"Er, that's my last one of those as well." | 0:29:49 | 0:29:53 | |
Ladies and gentlemen, are you ready to welcome our | 0:30:03 | 0:30:06 | |
final act of the evening? | 0:30:06 | 0:30:07 | |
CROWD CHEERS | 0:30:07 | 0:30:09 | |
Would you, please, give a warm Apollo welcome to the wonderful, | 0:30:09 | 0:30:12 | |
Jon Richardson! | 0:30:12 | 0:30:14 | |
APPLAUSE | 0:30:14 | 0:30:17 | |
Hello. | 0:30:31 | 0:30:33 | |
CHEERING | 0:30:33 | 0:30:35 | |
Who eats egg and cress sandwiches? | 0:30:37 | 0:30:39 | |
Nobody does. That's the first time I've ever watched a routine | 0:30:39 | 0:30:42 | |
and thought, "You need to chill out, mate." | 0:30:42 | 0:30:45 | |
I've just turned 30. Not an interesting age | 0:30:46 | 0:30:48 | |
but it's the age at which I realised I totally wasted my 20s. | 0:30:48 | 0:30:52 | |
Totally. And I don't mean I spent them doing drugs and having sex. | 0:30:52 | 0:30:56 | |
I mean I didn't spend them doing drugs...at all, ever! | 0:30:56 | 0:31:01 | |
Never! | 0:31:01 | 0:31:03 | |
I mean I did some sex, a couple of times but not... | 0:31:03 | 0:31:06 | |
And now I'll never get that time back. | 0:31:06 | 0:31:08 | |
Do you know one of the things I spent my time doing in my 20s? | 0:31:08 | 0:31:10 | |
I cleaned the skirting boards of my flat with an anti-bacterial wipe. | 0:31:10 | 0:31:13 | |
I'm never going to get that time again! | 0:31:16 | 0:31:19 | |
I don't get to go back in time and go, "What are you doing? | 0:31:19 | 0:31:22 | |
"Go and have sex with someone!" Cos I wouldn't have listened. | 0:31:22 | 0:31:24 | |
I'd have gone, "Who's going to want to have sex with me | 0:31:24 | 0:31:27 | |
"when they see the state of these skirting boards?" | 0:31:27 | 0:31:30 | |
I'm really trying not to lose my shit... | 0:31:34 | 0:31:37 | |
over things that I know really don't matter | 0:31:37 | 0:31:39 | |
because it's sort of affecting my life. | 0:31:39 | 0:31:41 | |
I've moved in with some friends now | 0:31:41 | 0:31:43 | |
because I spent 20s living on my own. | 0:31:43 | 0:31:45 | |
Didn't make me happy, and I thought, "I'll move in with some friends." | 0:31:45 | 0:31:48 | |
And maybe that'll make me happy. | 0:31:48 | 0:31:50 | |
They're great people and my best friends. I really like them. | 0:31:50 | 0:31:52 | |
The easiest way to describe them to you is that they are adults, | 0:31:52 | 0:31:55 | |
who eat cereal at night-time. | 0:31:55 | 0:31:58 | |
This is the kind of arsehole we're deal... | 0:31:59 | 0:32:01 | |
I've never seen it done in my life. | 0:32:01 | 0:32:02 | |
They get in from work and go, "Ooh, chocolate Weetos!" | 0:32:02 | 0:32:05 | |
"What are you doing? | 0:32:07 | 0:32:08 | |
"You people are... You can't eat chocolate Weetos now. | 0:32:08 | 0:32:11 | |
"You're an adult. Have some olives." | 0:32:11 | 0:32:13 | |
"No, I don't like olives." "Nobody likes olives! | 0:32:15 | 0:32:17 | |
"You don't eat olives because they're nice. | 0:32:18 | 0:32:21 | |
"You eat them to punish yourself for having survived this long." | 0:32:21 | 0:32:24 | |
"Didn't I used to eat colourful, sweet, shiny...?" | 0:32:24 | 0:32:27 | |
Oh, yeah, I used to be a child, now I'm an adult. | 0:32:27 | 0:32:30 | |
You get to an age where you squeeze the oil out of it and dip bread in it. Mmm. | 0:32:30 | 0:32:35 | |
"How was your anniversary meal last night? | 0:32:35 | 0:32:37 | |
"What did you have for main course?" | 0:32:37 | 0:32:39 | |
"I didn't have a main course cos I filled up on slimy bread. Mmm! | 0:32:39 | 0:32:43 | |
"I basically took the blandest food and I dipped it i9n the slimiest | 0:32:43 | 0:32:46 | |
"and I had a big load of that! Mmm-mmm!" | 0:32:46 | 0:32:49 | |
But I live with my fiends. They're very happy people. | 0:32:49 | 0:32:51 | |
I like living with them. They've made me a better person. | 0:32:51 | 0:32:54 | |
That's who they are. | 0:32:54 | 0:32:55 | |
This, unfortunately, is why they have to die | 0:32:55 | 0:32:57 | |
and I have to be the one that kills them. | 0:32:57 | 0:32:59 | |
Because they won't learn. | 0:33:01 | 0:33:02 | |
They just won't learn. Like we... | 0:33:02 | 0:33:04 | |
I'm too old now to have a rota, can't be bothered. | 0:33:04 | 0:33:06 | |
You live with people... When you're younger, | 0:33:06 | 0:33:08 | |
"Oh, there's a yellow sticker so you've got to wash the bath mat." | 0:33:08 | 0:33:11 | |
I'd rather top myself than have that conversation now. | 0:33:11 | 0:33:14 | |
I don't care. I'll just wash the bath mat. | 0:33:14 | 0:33:16 | |
When I see it needs washing, I'll wash it. | 0:33:16 | 0:33:18 | |
They don't know I've washed it. They just get out of the shower and go, | 0:33:18 | 0:33:21 | |
"Oh, that's white. I thought it was brown." | 0:33:21 | 0:33:23 | |
I don't say, "Oh, do you know why you thought it was brown yesterday? | 0:33:23 | 0:33:26 | |
"Because it was matted with your pubic hair, that's why. | 0:33:26 | 0:33:29 | |
"Remember you came downstairs and you thought you'd put your slippers on? | 0:33:29 | 0:33:33 | |
"You hadn't." | 0:33:33 | 0:33:34 | |
That's an image that'll stay with you. | 0:33:37 | 0:33:39 | |
And when I see that needs doing, I don't care. | 0:33:39 | 0:33:41 | |
I just wash the bath mat. I'm an adult. | 0:33:41 | 0:33:43 | |
I would happily do every chore in the house, wouldn't bother me | 0:33:43 | 0:33:46 | |
to do everything, but I can't because I have to leave. | 0:33:46 | 0:33:49 | |
If you stay with someone all the time that's full-time care, | 0:33:49 | 0:33:52 | |
not flat sharing. | 0:33:52 | 0:33:53 | |
That's not the commitment I went into. | 0:33:53 | 0:33:55 | |
So I have to leave the house and now, even now they're back there now, | 0:33:55 | 0:33:58 | |
eating food and touching stuff, I can feel it - | 0:33:58 | 0:34:02 | |
opening cupboards and subsisting by eating food, right? | 0:34:02 | 0:34:05 | |
So they have to know, for example, | 0:34:05 | 0:34:06 | |
what to do with the waste products they create when they eat food. | 0:34:06 | 0:34:09 | |
Right? So, they need to know about things like recycling. Now, again, | 0:34:09 | 0:34:12 | |
I can't bear to tell them everything that goes into the job of recycling. | 0:34:12 | 0:34:16 | |
It would just exhaust me to have to say... | 0:34:16 | 0:34:18 | |
HIGH-PITCHED: "You know when you've finished your cereal, | 0:34:18 | 0:34:21 | |
"can you take the plastic bag out and then put that on the side | 0:34:21 | 0:34:24 | |
"and then go to the bin and tip any Cheerios that are in the thing? | 0:34:24 | 0:34:27 | |
"We don't want any in there in the box cos when it gets rained on, | 0:34:27 | 0:34:30 | |
"and they'll go mouldy and we don't want a mouldy box, do we? | 0:34:30 | 0:34:33 | |
"And, then, you know when you've opened the top of the cereal box, | 0:34:34 | 0:34:37 | |
"can you open the bottom the same way and then whup?! | 0:34:37 | 0:34:40 | |
"Now isn't that good? | 0:34:42 | 0:34:44 | |
"And then foldy-foldy-foldy-foldy-foldy-foldy! | 0:34:44 | 0:34:47 | |
"Look how small it is, and then come with me to the box. Come. Follow. | 0:34:47 | 0:34:50 | |
"Quickly, follow. | 0:34:50 | 0:34:52 | |
"You put the little thing in the thing there and then wedge it | 0:34:53 | 0:34:56 | |
"in the corner with the wine bottle cos otherwise it spreads out | 0:34:56 | 0:34:59 | |
"and all that work was wasted. | 0:34:59 | 0:35:01 | |
"This is where we put the cereals, | 0:35:02 | 0:35:04 | |
"this is where we put the wine bottles, the tins and the newspaper, | 0:35:04 | 0:35:07 | |
"and then you pick it up every other Wednesday - | 0:35:07 | 0:35:09 | |
"not every Wednesday." | 0:35:09 | 0:35:11 | |
"No, they don't come every Wednesday, | 0:35:13 | 0:35:15 | |
"every other Wednesday. | 0:35:15 | 0:35:17 | |
"Follow. Come. | 0:35:17 | 0:35:19 | |
"Pick up the..." | 0:35:21 | 0:35:22 | |
I didn't say any of this, right? | 0:35:22 | 0:35:24 | |
I didn't think they'd understand really. | 0:35:26 | 0:35:28 | |
"Why are you talking like that, Jon" "I think I've had a breakdown!" | 0:35:29 | 0:35:33 | |
All I said, to make it as simple as possible, I said, | 0:35:35 | 0:35:37 | |
"You know when you've finished your cereal, | 0:35:37 | 0:35:39 | |
"can you just put the empty box on the windowsill? | 0:35:39 | 0:35:42 | |
"It gets recycled by the fairy," right? | 0:35:42 | 0:35:44 | |
It's not a nickname I'm happy with but it seems to have stuck. | 0:35:46 | 0:35:49 | |
And the cereal box is here on the windowsill is there, | 0:35:49 | 0:35:51 | |
so it's like ugh-ugh - that's all I ask. | 0:35:51 | 0:35:53 | |
Every now and again, I'll get back from a gig, might be tonight, | 0:35:53 | 0:35:56 | |
flick the bin lid open - hello, Mr Cereal Box! | 0:35:56 | 0:36:00 | |
Oh, I wonder how did you get in there?! | 0:36:02 | 0:36:04 | |
And my first thought is always, "Do you know how that got in there? | 0:36:06 | 0:36:09 | |
"Cos they hate you, Jon. | 0:36:09 | 0:36:11 | |
"It's a dirty protest. That's, "Yeah, look at that, you dick! Yeah!" | 0:36:11 | 0:36:14 | |
"That's nothing to do with the council, | 0:36:14 | 0:36:17 | |
"he brought that green box from his last house. | 0:36:17 | 0:36:19 | |
"Sad little wanker!" | 0:36:19 | 0:36:21 | |
They might as well pull their pants down, get on the worktops, | 0:36:21 | 0:36:24 | |
and drag themselves across. | 0:36:24 | 0:36:26 | |
"Piss off back to your last house," right? | 0:36:27 | 0:36:31 | |
And I think, "Oh, my God, they hate me." | 0:36:31 | 0:36:33 | |
And then I realise they don't hate me | 0:36:33 | 0:36:35 | |
because they will clean some stuff, right? | 0:36:35 | 0:36:37 | |
Because they know it excites me or something. | 0:36:37 | 0:36:39 | |
They think it turns me on to watch them do chores. | 0:36:39 | 0:36:41 | |
I really would rather they didn't. They wait until I'm relaxing, | 0:36:41 | 0:36:44 | |
watching a bit of You've Been Framed or something. | 0:36:44 | 0:36:47 | |
The pains of the elderly to relax me of an evening. | 0:36:47 | 0:36:50 | |
"Go on, get on the pogo stick. See how that ends." | 0:36:50 | 0:36:53 | |
They wait until I'm just chilling out then and one of them will go, | 0:36:53 | 0:36:56 | |
"Oh, I'm going to do the washing-up!" | 0:36:56 | 0:36:58 | |
And I have to sit there and think, "Yeah, so am I, | 0:36:58 | 0:37:00 | |
"five minutes after you think you've done it." | 0:37:00 | 0:37:03 | |
LAUGHTER | 0:37:03 | 0:37:06 | |
Watch them... They're just shit. They just don't understand! | 0:37:06 | 0:37:09 | |
Look at me, it's like a little lap dance! | 0:37:09 | 0:37:11 | |
They're watching me going "Yeah, you see what I'm doing. | 0:37:11 | 0:37:13 | |
"Can you see what I'm doing?" | 0:37:13 | 0:37:15 | |
"Yeah, I can see what you're doing. You're doing a baking tray | 0:37:15 | 0:37:18 | |
"when there are still wine glasses." | 0:37:18 | 0:37:20 | |
How can you explain that to an adult who doesn't know? | 0:37:29 | 0:37:32 | |
You can't because then the grease goes in and then the... | 0:37:32 | 0:37:34 | |
I try to do it subtly because... Then I'm the arsehole. | 0:37:34 | 0:37:37 | |
"Oh, when you're washing the baking try." | 0:37:37 | 0:37:39 | |
The next night I'll go, | 0:37:39 | 0:37:40 | |
"Mm, this Sauvignon Blanc's a bit... pork and leeky." | 0:37:40 | 0:37:44 | |
Just throw some bread crumbs out, | 0:37:45 | 0:37:48 | |
"He said his wine tasted like pork and leeks, | 0:37:48 | 0:37:50 | |
"but then it's me who had pork and leek sausages. "But I washed my baking tray... | 0:37:50 | 0:37:54 | |
"But then I washed the wine glasses. It's my fault." | 0:37:54 | 0:38:00 | |
I say that and they say, "Oh, don't buy that one again," | 0:38:00 | 0:38:03 | |
"thinking... JON CHUCKLES | 0:38:03 | 0:38:06 | |
They didn't do it, you did it. | 0:38:06 | 0:38:09 | |
I didn't buy it because I read the label | 0:38:09 | 0:38:12 | |
and it said, "This has hints of pork and friggin' leek." | 0:38:12 | 0:38:14 | |
"Do you know what this wine goes well with? Mashed potato!" | 0:38:14 | 0:38:17 | |
There're some things that they do, | 0:38:20 | 0:38:22 | |
I think there's no logic to that at all. | 0:38:22 | 0:38:24 | |
We'll be washing up, here at the sink, right, | 0:38:24 | 0:38:26 | |
and I've put a little thing here. | 0:38:26 | 0:38:27 | |
It's like a bean tin but it's got holes in it. | 0:38:27 | 0:38:29 | |
So you put the cutlery in there and it's altogether, then. | 0:38:29 | 0:38:32 | |
You're not chasing it around | 0:38:32 | 0:38:33 | |
and the water comes out the holes so you just take it away, right? | 0:38:33 | 0:38:36 | |
I'll watch them washing up, reach past this thing... | 0:38:36 | 0:38:38 | |
They can see it, it's there. | 0:38:38 | 0:38:40 | |
They would have to be blind in this eye and looking that way | 0:38:40 | 0:38:42 | |
not to be able to see it. | 0:38:42 | 0:38:45 | |
They travel this extra distance to lay the cutlery flat on the side. | 0:38:45 | 0:38:49 | |
And I mean all the cutlery, including teaspoons, | 0:38:49 | 0:38:52 | |
and not that way round. That way. | 0:38:52 | 0:38:54 | |
So a little pool of shitty water dribbles down into the teaspoon | 0:38:58 | 0:39:04 | |
so it looks like it's already got soup in it | 0:39:04 | 0:39:07 | |
and then they walk over to the cutlery drawer and all I ask | 0:39:07 | 0:39:11 | |
is that they put the cutlery away however you like, | 0:39:11 | 0:39:13 | |
as long as it's forks on the left, knives in the middle, | 0:39:13 | 0:39:17 | |
spoons on the right, teaspoons on the bottom facing to the left, | 0:39:17 | 0:39:19 | |
steak knives on the far left. | 0:39:19 | 0:39:21 | |
You can't fit the steak knives in the ordinary knife rack. | 0:39:21 | 0:39:24 | |
They're too long. They have to go in there. | 0:39:24 | 0:39:26 | |
Lovely, sexy steak knives they are. | 0:39:26 | 0:39:28 | |
Sexy, jet-black handle and a long, serrated knife, grrr! | 0:39:28 | 0:39:31 | |
They'll be putting it away and they put some of them away right. | 0:39:31 | 0:39:34 | |
"Oh, yeah, they go in there, don't they?" | 0:39:34 | 0:39:37 | |
Then they think, "Urg, bored of this. "Doing it right - huh! | 0:39:37 | 0:39:40 | |
"I'm going to put this one in the knife rack. | 0:39:40 | 0:39:42 | |
"And then I'll take the paring knife | 0:39:42 | 0:39:44 | |
"and I'm going to put the paring knife in there," | 0:39:44 | 0:39:46 | |
as if they look anything alike! | 0:39:46 | 0:39:47 | |
Fat, horrible grey handle on the paring knife. | 0:39:47 | 0:39:50 | |
No serration on the blade. Little, fat, stubby blade. | 0:39:50 | 0:39:53 | |
And I think, "How have you done that?" | 0:39:53 | 0:39:56 | |
But the only consolation I get is it's OK | 0:39:56 | 0:39:58 | |
because that's the one I'm going to kill them with. | 0:39:58 | 0:40:01 | |
LAUGHTER AND APPLAUSE | 0:40:01 | 0:40:03 | |
I'm going to grab that knife and I'm going to sneak up | 0:40:10 | 0:40:13 | |
to their room in the middle of the night, | 0:40:13 | 0:40:14 | |
and say, "Hello, it's the fairy and he's tooled up. | 0:40:14 | 0:40:17 | |
I'm going to stab you now with this steak knife." | 0:40:18 | 0:40:20 | |
"That's actually a paring knife." | 0:40:20 | 0:40:22 | |
"So you do know the difference!" | 0:40:22 | 0:40:24 | |
The reason that I need to be a better person | 0:40:31 | 0:40:33 | |
is because I've finally decided I think I want to have kids. | 0:40:33 | 0:40:36 | |
It's taken me a long time | 0:40:36 | 0:40:37 | |
and what turned me, I watched a woman near where I live | 0:40:37 | 0:40:41 | |
pushing a pram with two toddler-age children in | 0:40:41 | 0:40:43 | |
and all I heard he say as she went past, she went, | 0:40:43 | 0:40:45 | |
"Well, cars aren't allowed to turn right all the time, | 0:40:45 | 0:40:48 | |
"sometimes they have to go straight on." | 0:40:48 | 0:40:50 | |
That was it and I thought, "My God, I want kids." | 0:40:52 | 0:40:54 | |
Imagine being in the company of people | 0:40:55 | 0:40:57 | |
to whom you could say a sentence that tedious. | 0:40:57 | 0:40:59 | |
And their response will be, | 0:40:59 | 0:41:02 | |
"You've blown my mind." | 0:41:02 | 0:41:03 | |
"So there's a road, but they're not allowed to turn into it - | 0:41:07 | 0:41:10 | |
"that is...so what...? Do they just move house to the end of the road?" | 0:41:10 | 0:41:14 | |
"If you turn right twice, you'll end up back on that road." | 0:41:14 | 0:41:17 | |
"And why aren't you Prime Minister, I don't... | 0:41:17 | 0:41:20 | |
"You know everything. You're an incredible person. | 0:41:20 | 0:41:23 | |
I really want kids but I can't have kids cos I can't... | 0:41:23 | 0:41:25 | |
I can't inflict myself on a child, because I don't know what the line is | 0:41:25 | 0:41:29 | |
between telling a child when it's doing something wrong, | 0:41:29 | 0:41:32 | |
so it learns to do better, | 0:41:32 | 0:41:33 | |
and accepting that children can't do everything properly. | 0:41:33 | 0:41:37 | |
I don't think I would draw that distinction. | 0:41:37 | 0:41:39 | |
I think I would always tell them they were doing something wrong, | 0:41:39 | 0:41:42 | |
to the point of breaking their souls immediately. | 0:41:42 | 0:41:45 | |
"Oh, you're doing some colouring in, are you? Aw-w! | 0:41:45 | 0:41:48 | |
"I just wonder why you're carrying on with that | 0:41:48 | 0:41:51 | |
"because you've gone over the lines, haven't you? It's ruined. | 0:41:51 | 0:41:54 | |
"It's never going to be perfect now, is it? | 0:41:54 | 0:41:56 | |
"You might as well start again, | 0:41:56 | 0:41:58 | |
"cos it's not going on the fridge like that! | 0:41:58 | 0:42:01 | |
"Trying to eat my breakfast, when all I can see is that blue line | 0:42:08 | 0:42:12 | |
"inexplicably going out of that tree. You might as well start again. | 0:42:12 | 0:42:16 | |
"and here's a little tip from Daddy, when you do the next one, | 0:42:16 | 0:42:18 | |
"just have a look what colour your Winnie-the-Pooh is | 0:42:18 | 0:42:21 | |
"and then ask why you've done him purple." | 0:42:21 | 0:42:22 | |
It's been an absolute honour. I've enjoyed this. | 0:42:22 | 0:42:25 | |
I hope you've enjoyed it too. Take care. See you soon. | 0:42:25 | 0:42:28 | |
APPLAUSE | 0:42:28 | 0:42:30 | |
Ladies and gentlemen, Jon Richardson! | 0:42:35 | 0:42:37 | |
Give it up for Jon Richardson, ladies and gentlemen. | 0:42:37 | 0:42:40 | |
That is the end of the show. | 0:42:40 | 0:42:42 | |
You've been watching Live At The Apollo. Have you had a good night? | 0:42:42 | 0:42:45 | |
CHEERING | 0:42:45 | 0:42:47 | |
Just remains for me to thank the people you've seen. | 0:42:47 | 0:42:50 | |
We've seen Kerry Godliman. | 0:42:50 | 0:42:51 | |
APPLAUSE | 0:42:51 | 0:42:53 | |
And Mr Jon Richardson, ladies and gentlemen. | 0:42:53 | 0:42:55 | |
I've been Rhod Gilbert, your host. | 0:42:55 | 0:42:57 | |
Thank you very, very, very much for coming each and every one of you! | 0:42:57 | 0:43:01 | |
Thank you! Good night! | 0:43:01 | 0:43:02 |