Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Ladies and gentleman, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
Kevin Bridges. | 0:00:22 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Thanks for that! Good evening. | 0:00:41 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:45 | |
Hello, and welcome to Live At The Apollo, yeah! | 0:00:45 | 0:00:48 | |
CHEERING | 0:00:48 | 0:00:49 | |
We've got some special guests in. | 0:00:49 | 0:00:51 | |
Who have we got? We've got some of our Team GB Olympians in the room. | 0:00:51 | 0:00:55 | |
Where are they? | 0:00:55 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:58 | |
Feel that! | 0:01:03 | 0:01:04 | |
Feel the national pride you've instilled in the room there. | 0:01:04 | 0:01:08 | |
CHEERING | 0:01:08 | 0:01:09 | |
David Seaman's here as well. How you doing, David? | 0:01:09 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:14 | |
What do you think of the current set-up of the England national team? | 0:01:18 | 0:01:21 | |
Pretty disappointing Euros, and I was gutted for you, Euro 2012. | 0:01:21 | 0:01:25 | |
I bet you were(!) | 0:01:25 | 0:01:26 | |
I watched that quarter-final in a pub in Glasgow, | 0:01:26 | 0:01:29 | |
with the rest of the Italians. | 0:01:29 | 0:01:30 | |
John Terry's quit, as well. Don't know how we feel about that. | 0:01:32 | 0:01:35 | |
CHEERING | 0:01:35 | 0:01:36 | |
He gets a hard time. John Terry looks like the kind of guy, | 0:01:36 | 0:01:39 | |
if he never made it as a footballer, | 0:01:39 | 0:01:41 | |
I reckon you would see him outside a pub in Tenerife going, | 0:01:41 | 0:01:44 | |
-MOCKNEY: -"You guys want a free shot tonight?" | 0:01:44 | 0:01:47 | |
"What's the plan tonight, lads? | 0:01:52 | 0:01:54 | |
"Coming down The Bull's Head for a free sambuca?" | 0:01:54 | 0:01:56 | |
Scottish football - don't know if you follow Scottish football, David, | 0:01:58 | 0:02:02 | |
we're going through an interesting time, | 0:02:02 | 0:02:04 | |
Scottish football, famously a two-horse race. | 0:02:04 | 0:02:07 | |
We've now lost a horse. | 0:02:07 | 0:02:09 | |
Scottish football's become showjumping. | 0:02:10 | 0:02:14 | |
Don't know if you followed that story about Rangers Football Club, | 0:02:14 | 0:02:17 | |
they went into liquidation, owed a lot of people money. | 0:02:17 | 0:02:20 | |
I read a full list a Scottish newspaper printed | 0:02:20 | 0:02:22 | |
of everybody they owed money to, and it just got surreal. | 0:02:22 | 0:02:25 | |
They owed a few million to the tax people, | 0:02:25 | 0:02:27 | |
another couple of football clubs were owed money, | 0:02:27 | 0:02:30 | |
then you get near the bottom. | 0:02:30 | 0:02:31 | |
It said £70 was owed to a local taxi company. | 0:02:31 | 0:02:34 | |
Yeah. | 0:02:34 | 0:02:35 | |
About 60 quid to a local flower shop, | 0:02:35 | 0:02:38 | |
about 60 to a newsagent, and then the one that made me chuckle - | 0:02:38 | 0:02:41 | |
it said £40 was owed to a local face-painting company. | 0:02:41 | 0:02:45 | |
You know when you read it a few times, | 0:02:47 | 0:02:49 | |
"Does that say face-painting company?" | 0:02:49 | 0:02:52 | |
The newspaper article never explained why, | 0:02:52 | 0:02:54 | |
never offered any background info. | 0:02:54 | 0:02:56 | |
They left that there as if that's a common modern football club expense, | 0:02:56 | 0:03:00 | |
£40 to a face-painting company. | 0:03:00 | 0:03:03 | |
The club are in financial meltdown | 0:03:03 | 0:03:05 | |
and there's some guy running about the boardroom, | 0:03:05 | 0:03:08 | |
kidding on he's a tiger. | 0:03:08 | 0:03:10 | |
Somebody opens the door, he's going, "Arrrgh!" | 0:03:13 | 0:03:16 | |
"Will you go and wash your face, you idiot? | 0:03:17 | 0:03:20 | |
"We're trying to fix these accounts here." | 0:03:20 | 0:03:23 | |
"Sorry about him, lads. 40 quid he spent on that." | 0:03:23 | 0:03:26 | |
"Oh, it is a cracker though, aye. Did you see his whiskers?" | 0:03:27 | 0:03:30 | |
We're here, it is a free show. | 0:03:32 | 0:03:33 | |
In these tough times, that's the never-ending news story, isn't it, | 0:03:33 | 0:03:37 | |
the global economic downturn. | 0:03:37 | 0:03:39 | |
We're in a double-dip recession. They're calling it double dip. | 0:03:39 | 0:03:42 | |
I don't even know what that means. | 0:03:42 | 0:03:44 | |
That used to be a good thing, didn't it, double dip. | 0:03:44 | 0:03:46 | |
Since when was that a negative? | 0:03:48 | 0:03:50 | |
These bankers - they've ruined Dip Dabs. | 0:03:50 | 0:03:52 | |
I used to think, "Oh, you got the sherbet that's orange and cherry! | 0:03:54 | 0:03:58 | |
"Oh, brilliant, a double dip!" | 0:03:58 | 0:04:00 | |
They've ruined it for us. | 0:04:00 | 0:04:01 | |
Europe are skint, America are skint, | 0:04:01 | 0:04:03 | |
I hope Africa have got some good rock bands cos we need a concert. | 0:04:03 | 0:04:07 | |
That's my solution - it's their round. | 0:04:15 | 0:04:18 | |
They can show some appeal videos about us. | 0:04:21 | 0:04:23 | |
This is Tom and Diane, from Basingstoke. | 0:04:25 | 0:04:28 | |
Everybody's going, "Oh, I hate these videos." | 0:04:30 | 0:04:32 | |
"They always put these videos on when you're having your tea, | 0:04:34 | 0:04:37 | |
"do you notice that?" | 0:04:37 | 0:04:38 | |
Tom and Diane, like so many others, took out a fixed-rate mortgage. | 0:04:40 | 0:04:44 | |
They now find themselves in negative equity. | 0:04:48 | 0:04:51 | |
"The world can be such a cruel place. | 0:04:57 | 0:04:59 | |
"And only this morning I had the cheek to complain about | 0:04:59 | 0:05:02 | |
"having to walk 20 miles for clean water. | 0:05:02 | 0:05:05 | |
"Then you see this." | 0:05:05 | 0:05:06 | |
"They're having to tell their kids | 0:05:09 | 0:05:10 | |
"it's not Disneyland this year, it's Centre Parcs." | 0:05:10 | 0:05:13 | |
Every time I click my fingers, | 0:05:15 | 0:05:17 | |
a newly married couple from Swindon | 0:05:17 | 0:05:19 | |
have a credit card application rejected. | 0:05:19 | 0:05:22 | |
The old double-dip recession - that is... | 0:05:32 | 0:05:34 | |
Er, anybody lost their job in the double-dip recession? | 0:05:34 | 0:05:37 | |
Nope? | 0:05:37 | 0:05:38 | |
London sailing through the recession. | 0:05:40 | 0:05:42 | |
-POSH ENGLISH ACCENT: -"Unemployment, is that, er... Is that a Scottish thing? | 0:05:42 | 0:05:46 | |
"I mean, I do know self-employment but un... Unemployment?" | 0:05:49 | 0:05:52 | |
I feel for the unemployed. | 0:05:53 | 0:05:55 | |
It must be tough under the coalition government | 0:05:55 | 0:05:57 | |
and their proposals for the job crisis, | 0:05:57 | 0:05:59 | |
these work experience programmes, creating jobs for people, | 0:05:59 | 0:06:03 | |
just like normal jobs. | 0:06:03 | 0:06:04 | |
The only difference being you don't get paid. | 0:06:04 | 0:06:07 | |
You don't get any wages, but it's to boost your self-esteem. | 0:06:07 | 0:06:10 | |
How condescending is that? | 0:06:10 | 0:06:12 | |
Self-esteem - that's what people need last Friday of the month. | 0:06:12 | 0:06:15 | |
"Going to go and check and see if my self-esteem's in." | 0:06:15 | 0:06:18 | |
"Feeling a bit low, thank the Lord it's self-esteem Friday." | 0:06:20 | 0:06:23 | |
"Maybe I can finally pay these bills. | 0:06:24 | 0:06:26 | |
"Hi, is that British Gas? | 0:06:26 | 0:06:28 | |
"Listen, mate, I'm skint but I feel terrific." | 0:06:28 | 0:06:30 | |
"I'm wondering, are you prepared to except self-esteem?" | 0:06:34 | 0:06:37 | |
"Maybe I can go on Skype and just smile at you. How's that?" | 0:06:38 | 0:06:41 | |
To stop people slipping into depression, David Cameron said, | 0:06:44 | 0:06:47 | |
was the reason for these work experience programmes. | 0:06:47 | 0:06:50 | |
Poundstretcher - they were one of the first shops to sign up. | 0:06:50 | 0:06:53 | |
Working in Poundstretcher for no money - that's pretty depressing. | 0:06:53 | 0:06:57 | |
Working in a shop where everything is worth a quid except you. | 0:06:58 | 0:07:02 | |
What would David Cameron know about being unemployed? | 0:07:09 | 0:07:12 | |
He's never been unemployed. | 0:07:12 | 0:07:14 | |
He's never woke up at two in the afternoon. | 0:07:14 | 0:07:16 | |
David Cameron's never had a packet of Flamin' Hot Monster Munch | 0:07:18 | 0:07:21 | |
for his breakfast. | 0:07:21 | 0:07:22 | |
He's never known the feeling of waking up at two in the afternoon | 0:07:24 | 0:07:27 | |
and your only goal for the day | 0:07:27 | 0:07:29 | |
is to try and piss a skid mark off the inside of your toilet. | 0:07:29 | 0:07:32 | |
You know when you start seeing that as a challenge? | 0:07:41 | 0:07:44 | |
"I could use the brush, but that's admitting defeat." | 0:07:44 | 0:07:47 | |
"I'm going to get a glass of water, I'm going to reload here." | 0:07:50 | 0:07:54 | |
I've done a bit of travelling. I was on holiday, in Spain, | 0:07:57 | 0:08:00 | |
I tried to learn a bit of Spanish. | 0:08:00 | 0:08:02 | |
I've took up languages, I bought these disks. | 0:08:02 | 0:08:04 | |
You put them on an iPod, she teaches you about Spanish, the voice. | 0:08:04 | 0:08:08 | |
I can now say things in Spanish that Spanish people can say in English. | 0:08:08 | 0:08:12 | |
That's the level I'm at - I've got the tourist stuff. | 0:08:12 | 0:08:15 | |
Everywhere you go as a tourist, people speak English, | 0:08:15 | 0:08:17 | |
but when you've got a Scottish accent, that's very little help. | 0:08:17 | 0:08:21 | |
I've been on holidays and had people translate for me into English. | 0:08:22 | 0:08:26 | |
You walk into a pub and say, "Are you still serving food?" | 0:08:30 | 0:08:33 | |
"Que?" | 0:08:33 | 0:08:35 | |
-ENGLISH ACCENT: -"No, he asked you are you still serving food?" | 0:08:36 | 0:08:39 | |
"Ah, si. Si, si." | 0:08:39 | 0:08:41 | |
You get that shit. | 0:08:47 | 0:08:48 | |
I was in America, I done a gig in America, in New York, | 0:08:48 | 0:08:51 | |
and after the gig a guy said to me, | 0:08:51 | 0:08:53 | |
-AMERICAN ACCENT: -"Hey, hey! Hey, buddy, are you actually Scottish?" | 0:08:53 | 0:08:56 | |
I said, "Yes," and he said, "Man, your English is really good." | 0:08:58 | 0:09:02 | |
I got these disks, the best I've got - | 0:09:10 | 0:09:12 | |
una mesa para cuatro, por favor. | 0:09:12 | 0:09:14 | |
I've got tourist stuff kind of nailed, stuff you need on holiday. | 0:09:14 | 0:09:17 | |
That means "a table for four, please". | 0:09:17 | 0:09:19 | |
She says it a few times. She says... | 0:09:19 | 0:09:21 | |
-SPANISH ACCENT: -"Una mesa... | 0:09:21 | 0:09:23 | |
"para cuatro, | 0:09:24 | 0:09:26 | |
"por favor." | 0:09:26 | 0:09:28 | |
-POSH VOICE: -"A table for four, please." | 0:09:28 | 0:09:30 | |
Then she leaves a beat and goes again, in case you're a moron. | 0:09:32 | 0:09:35 | |
"Una mesa...para cuatro, por favor." | 0:09:37 | 0:09:43 | |
"A table for four, please." | 0:09:43 | 0:09:44 | |
Then she says it three and four times, | 0:09:46 | 0:09:48 | |
and you start drifting off and imagining | 0:09:48 | 0:09:50 | |
how many people have been found dead listening to these disks. | 0:09:50 | 0:09:54 | |
A suicide note wrote in broken Spanish... | 0:09:54 | 0:09:56 | |
"It all got too muchas." | 0:09:58 | 0:10:00 | |
"Una mesa...para cuatro, por favor." | 0:10:05 | 0:10:10 | |
"A table for..." | 0:10:10 | 0:10:11 | |
and that's crucial knowledge, cos I know when me and three associates, | 0:10:11 | 0:10:15 | |
when we walk into a restaurant in Spain, | 0:10:15 | 0:10:17 | |
I can tell the head waiter is looking at us and thinking, | 0:10:17 | 0:10:20 | |
"Well, I wonder what these guys want." | 0:10:20 | 0:10:23 | |
Fortunately, I'm on hand to defuse the situation. | 0:10:31 | 0:10:34 | |
I have been thoroughly briefed. I step forward and say, | 0:10:36 | 0:10:39 | |
"Una mesa... | 0:10:39 | 0:10:41 | |
LAUGHTER | 0:10:41 | 0:10:42 | |
"..para cuatro, por favor." | 0:10:42 | 0:10:45 | |
Then we get sat at a table for four, | 0:10:46 | 0:10:48 | |
the guy brings the menus in Spanish and I crumble. | 0:10:48 | 0:10:51 | |
Everybody else is losing their minds, going, | 0:10:52 | 0:10:55 | |
"What the f...? What's a hamburgeresa?" | 0:10:55 | 0:10:57 | |
Ladies and gentlemen, | 0:11:04 | 0:11:06 | |
this guy is a bit of a comedy hero on the scene, | 0:11:06 | 0:11:09 | |
you'll have seen him on Never Mind The Buzzcocks, | 0:11:09 | 0:11:12 | |
give it up for the one and only Phill Jupitus! | 0:11:12 | 0:11:15 | |
I won't take me coat off, I'm not stopping. | 0:11:33 | 0:11:35 | |
So, um, in a bit of a weird mood, as you can probably spot. | 0:11:37 | 0:11:41 | |
Um, OK, so... | 0:11:41 | 0:11:44 | |
The other day, my wife and I had a meeting | 0:11:46 | 0:11:48 | |
that I did not know was a meeting. | 0:11:48 | 0:11:50 | |
I got in and there was tea and there was biscuits, and I thought, | 0:11:50 | 0:11:53 | |
"Brilliant!" I sat down, "Ooh, Viscounts! I love them!" | 0:11:53 | 0:11:56 | |
Didn't even take the foil off. "Oh, these are fa..." | 0:11:56 | 0:11:59 | |
HE MIMICS GLUTTONOUS MUNCHING | 0:11:59 | 0:12:00 | |
"Love a Viscount!" | 0:12:02 | 0:12:03 | |
And she goes, "Yeah, we've got to have a chat about Emily." | 0:12:05 | 0:12:08 | |
I'm like, "Yeah, all right, yeah, yeah. What's going on?" | 0:12:08 | 0:12:10 | |
"She's, er... | 0:12:10 | 0:12:12 | |
"She's having a sleepover on Friday." | 0:12:13 | 0:12:15 | |
I should have pointed out earlier that this is | 0:12:17 | 0:12:19 | |
just after my daughter had turned 16. | 0:12:19 | 0:12:21 | |
That's a very important number to bear in mind. | 0:12:23 | 0:12:26 | |
She said, "Yeah, Emily's having a sleepover on Friday." | 0:12:27 | 0:12:31 | |
I went "Oh, right, do you want me to buy pizzas?" | 0:12:31 | 0:12:33 | |
"No, no, no, no, no, no. Cos there's only one person coming." | 0:12:33 | 0:12:36 | |
"Oh, right. Shall I just buy one pizza?" | 0:12:36 | 0:12:39 | |
"Stop talking about pizza." | 0:12:39 | 0:12:41 | |
"Erm, she's having a sleepover and it's Stephen". | 0:12:46 | 0:12:49 | |
"What, the boyfriend?" | 0:12:49 | 0:12:51 | |
"Yeah". | 0:12:51 | 0:12:53 | |
"Well, where's he going to sleep?" | 0:12:53 | 0:12:55 | |
"I-In Emily's room." | 0:13:03 | 0:13:05 | |
"W-W-Where's she going to sleep?!" | 0:13:06 | 0:13:09 | |
"She's going to sleep in her room as well." | 0:13:18 | 0:13:21 | |
"What, on the floor?!" | 0:13:21 | 0:13:23 | |
"Tubbs, come here." | 0:13:25 | 0:13:27 | |
"Listen to me very carefully. | 0:13:29 | 0:13:32 | |
"Your 16..." | 0:13:32 | 0:13:34 | |
Remember that number. | 0:13:34 | 0:13:36 | |
"..16-year-old daughter is having a boy stay the night." | 0:13:36 | 0:13:41 | |
NOOOOOOOOOOOOOOOOOOOOOOO! | 0:13:47 | 0:13:49 | |
I run out into the front garden. | 0:13:51 | 0:13:52 | |
"WHY? WHY? WHY? WHY? | 0:13:52 | 0:13:56 | |
"RARGHHHHH!" | 0:13:56 | 0:13:58 | |
My wife's standing there going, "I think you're overreacting." | 0:14:02 | 0:14:06 | |
"WHY?" | 0:14:06 | 0:14:08 | |
She's like, "I don't want her losing her virginity up against a skip!" | 0:14:08 | 0:14:12 | |
And I'm like, "It was good enough for us!" | 0:14:12 | 0:14:14 | |
Why do you think I keep hiring them? | 0:14:21 | 0:14:24 | |
She's like, "Look, remember when we were kids, | 0:14:32 | 0:14:36 | |
"and we used to hang out with each other and we wished that our parents | 0:14:36 | 0:14:39 | |
"had been cool enough to just let us do our own thing in our own way? | 0:14:39 | 0:14:43 | |
"Well, it's your turn to be the cool parent." | 0:14:43 | 0:14:46 | |
"I don't want to be the cool parent. | 0:14:46 | 0:14:48 | |
HE SOBS | 0:14:48 | 0:14:50 | |
"You've got to be." | 0:14:50 | 0:14:51 | |
"I know I've got to be but I don't want to be." | 0:14:51 | 0:14:54 | |
And so that Friday, | 0:14:56 | 0:14:58 | |
that was it. | 0:14:58 | 0:15:00 | |
Stephen arrives. | 0:15:01 | 0:15:03 | |
HE MIMICS DOORBELL | 0:15:03 | 0:15:04 | |
He's a lovely kid. I've known Stephen since he was eight. | 0:15:07 | 0:15:11 | |
Wonderful little boy. | 0:15:11 | 0:15:13 | |
Not anymore. | 0:15:14 | 0:15:16 | |
Now he is my nemesis. | 0:15:19 | 0:15:21 | |
He comes in and I'm sat in the kitchen. "All right, Phill?" | 0:15:25 | 0:15:29 | |
"All right? | 0:15:34 | 0:15:36 | |
"I don't know, Stephen. Am I?" | 0:15:36 | 0:15:38 | |
"All right, I'll see you later." | 0:15:46 | 0:15:48 | |
And he goes off and they have an evening like every other | 0:15:48 | 0:15:51 | |
they've ever had - they play games, they lark about. | 0:15:51 | 0:15:53 | |
watch telly, and I'm sitting there in my own house. | 0:15:55 | 0:15:59 | |
"I don't like it, I don't like it, I don't like it, | 0:15:59 | 0:16:02 | |
"I don't like it, I don't like it, I don't like it." | 0:16:02 | 0:16:04 | |
Cos I don't want to be complicit in it, | 0:16:06 | 0:16:08 | |
I don't want to be a part of it. I don't want to have agreed to it, | 0:16:08 | 0:16:11 | |
I don't want to be in the room when they go, | 0:16:11 | 0:16:13 | |
"All right, we're going to bed now. Good night." | 0:16:13 | 0:16:15 | |
I can't be in the room when that happens, | 0:16:15 | 0:16:18 | |
so I go to bed earlier than normal, | 0:16:18 | 0:16:20 | |
twenty past six, the sun is still out. | 0:16:20 | 0:16:22 | |
Ice-cream vans going down the street. | 0:16:22 | 0:16:25 | |
Children playing football in the fields, | 0:16:25 | 0:16:27 | |
the dog at the bottom of the bed, lead in his mouth, | 0:16:27 | 0:16:30 | |
as I lay bolt-upright on top of the duvet in my pyjamas. | 0:16:30 | 0:16:33 | |
"Not now, Chester. Daddy's sad." | 0:16:33 | 0:16:35 | |
And at about half eleven, I hear them come up the stairs. | 0:16:41 | 0:16:44 | |
MIMICS DAUGHTER AND STEPHEN GIGGLING | 0:16:44 | 0:16:47 | |
MUFFLED GIGGLING | 0:16:53 | 0:16:55 | |
For about...ten minutes, and then... | 0:17:00 | 0:17:04 | |
..complete...and utter...silence. | 0:17:07 | 0:17:12 | |
Madam, there is nothing in the entire world that is quieter... | 0:17:23 | 0:17:28 | |
..than a 16-year-girl shagging... | 0:17:32 | 0:17:36 | |
when her dad's next door. | 0:17:38 | 0:17:40 | |
And that is not the bad bit. The bad bit... | 0:17:45 | 0:17:47 | |
..happens two weeks later. | 0:17:49 | 0:17:51 | |
I get in from a gig. | 0:17:51 | 0:17:52 | |
I'm a creature of habit, I get in from a gig, | 0:17:52 | 0:17:55 | |
I've been driving, normally, for a while, I have a beer... | 0:17:55 | 0:17:59 | |
I just watch telly, I zone out, have a beer, go to bed. | 0:17:59 | 0:18:03 | |
So I get in, it's about midnight, I open the fridge, | 0:18:03 | 0:18:07 | |
and there, on the middle shelf of the fridge, | 0:18:07 | 0:18:10 | |
are six cans of generic, supermarket lager, I think from Lidl. | 0:18:10 | 0:18:14 | |
It's called Festenbrow, | 0:18:17 | 0:18:19 | |
which is spelt F-E-S-T-E-N- | 0:18:19 | 0:18:23 | |
B-R-O-W. | 0:18:23 | 0:18:26 | |
The umlaut...is over the F. | 0:18:29 | 0:18:32 | |
The mascot is a monkey in a bowler hat playing a banjo. | 0:18:36 | 0:18:39 | |
It's dog lager is what it is. It's dog lager. | 0:18:41 | 0:18:45 | |
And I'm looking at it... | 0:18:45 | 0:18:46 | |
and the missus is still up. | 0:18:48 | 0:18:49 | |
I go, "Babe? | 0:18:49 | 0:18:51 | |
"What... What is this crap doing in the fridge?" | 0:18:51 | 0:18:55 | |
I'm on telly. | 0:18:55 | 0:18:56 | |
And she goes, "It's Stephen's." | 0:19:00 | 0:19:02 | |
HE BARKS | 0:19:03 | 0:19:05 | |
"Yes, as Stephen's spending so much time over here, | 0:19:05 | 0:19:08 | |
"he thought it would be wrong of him to drink your beer, | 0:19:08 | 0:19:10 | |
"so he bought his own and left it in the fridge." | 0:19:10 | 0:19:13 | |
Right, right, right. I've got it, I've got it, | 0:19:22 | 0:19:26 | |
because it's wrong... | 0:19:26 | 0:19:28 | |
..to drink my BEER in my house? | 0:19:32 | 0:19:35 | |
Yeah. Cos I imagine | 0:19:37 | 0:19:41 | |
that hanging out the back of my first-born is thirsty work. | 0:19:41 | 0:19:44 | |
You get parched. | 0:19:47 | 0:19:49 | |
You get a bit thirsty. You think, | 0:19:49 | 0:19:51 | |
"Ooh, a little something tasty would be nice now, | 0:19:51 | 0:19:55 | |
"as I leave his daughter like some kind of slutty starfish, | 0:19:55 | 0:19:59 | |
"on the bed spread-eagled. | 0:19:59 | 0:20:02 | |
"I make my way downstairs, | 0:20:02 | 0:20:04 | |
"pausing only to wipe my cock on his curtains." | 0:20:04 | 0:20:08 | |
And THAT is why I'm in a funny mood. | 0:20:17 | 0:20:20 | |
Thanks very much. Ta-ta, cheers. | 0:20:22 | 0:20:24 | |
CHEERING AND APPLAUSE | 0:20:24 | 0:20:26 | |
Give it up for Phill Jupitus! | 0:20:33 | 0:20:35 | |
CHEERING AND APPLAUSE LOUDENS | 0:20:35 | 0:20:37 | |
OK, ladies and gentlemen, | 0:20:37 | 0:20:38 | |
are you ready to crack on with your second act of the evening? | 0:20:38 | 0:20:41 | |
CHEERING | 0:20:41 | 0:20:43 | |
I'm excited to see her myself. It's her Live At The Apollo debut. | 0:20:43 | 0:20:46 | |
She's fantastic. Let's make some noise, give it up for | 0:20:46 | 0:20:49 | |
the wonderful Sara Pascoe! | 0:20:49 | 0:20:50 | |
CHEERING AND APPLAUSE | 0:20:50 | 0:20:52 | |
Hello. | 0:21:03 | 0:21:05 | |
Hello, good evening. Are you having a good time? | 0:21:05 | 0:21:07 | |
Yeah! | 0:21:07 | 0:21:09 | |
I am absolutely so thrilled to be here. This is so exciting for me, | 0:21:09 | 0:21:12 | |
and I love it that there's actual celebrities in the audience. | 0:21:12 | 0:21:16 | |
I think that's brilliant. | 0:21:16 | 0:21:18 | |
But if you are sitting next to one of them, I have to warn you. | 0:21:18 | 0:21:21 | |
You do know the rules about having sex with famous people? | 0:21:21 | 0:21:24 | |
The rule is...just don't have sex with famous people. | 0:21:24 | 0:21:27 | |
Never have sex with a famous person. | 0:21:27 | 0:21:30 | |
Or, no, this is the rule - | 0:21:30 | 0:21:32 | |
you should only have sex with a famous person | 0:21:32 | 0:21:35 | |
if you really, really, genuinely, | 0:21:35 | 0:21:38 | |
want to tell people about it afterwards. | 0:21:38 | 0:21:40 | |
Otherwise, there's nothing in it for you. | 0:21:42 | 0:21:44 | |
Like, I don't know if you've ever kissed anyone that | 0:21:44 | 0:21:47 | |
you've been in love or lust with for months and years, | 0:21:47 | 0:21:51 | |
and when you finally kiss them, | 0:21:51 | 0:21:53 | |
and all you want to do is concentrate on it | 0:21:53 | 0:21:55 | |
and live in that moment, | 0:21:55 | 0:21:57 | |
and the way that they're touching you and the way that they smell, | 0:21:57 | 0:22:01 | |
and instead you've got this inner monologue, like this voice, | 0:22:01 | 0:22:04 | |
shouting inside your head, | 0:22:04 | 0:22:06 | |
"Oh, my God! | 0:22:06 | 0:22:09 | |
"I'm kissing Mr Humphries!" | 0:22:09 | 0:22:10 | |
Also, I think it's very difficult to tell the difference between | 0:22:14 | 0:22:18 | |
when someone is in love with you, which is like... | 0:22:18 | 0:22:21 | |
..and when someone is not listening. | 0:22:24 | 0:22:27 | |
How am I supposed to decide who to go to bed with? | 0:22:30 | 0:22:33 | |
I do need to start being more selective. | 0:22:34 | 0:22:37 | |
Currently, all of my lovers have exactly the same thing in common - | 0:22:37 | 0:22:41 | |
they're all slightly more attractive than a night bus. | 0:22:41 | 0:22:44 | |
That's not fussy enough, is it? | 0:22:47 | 0:22:49 | |
The thing is, I'm not even very good at casual sex, right? | 0:22:49 | 0:22:51 | |
I don't know if any of you are the same. | 0:22:51 | 0:22:54 | |
Whenever I sleep with someone I'm not in a relationship with, | 0:22:54 | 0:22:58 | |
I get this really odd... | 0:22:58 | 0:22:59 | |
It's kind of like a guilty feeling in my tummy, | 0:22:59 | 0:23:03 | |
and it doesn't go away, | 0:23:03 | 0:23:05 | |
even when I leave their house and go back to my boyfriend's. | 0:23:05 | 0:23:08 | |
Got to stick at it, I guess, keep on trying. | 0:23:10 | 0:23:13 | |
The thing is, I just always want what I can't have. | 0:23:13 | 0:23:17 | |
I have no interest in charity fundraisers in the street, right, | 0:23:17 | 0:23:21 | |
unless they're talking to somebody else, | 0:23:21 | 0:23:25 | |
in which case I will queue. | 0:23:25 | 0:23:26 | |
Have you seen this advert? | 0:23:28 | 0:23:31 | |
This is the worst ad I've ever seen. | 0:23:31 | 0:23:33 | |
I saw it in a women's magazine, but I can't remember which one, | 0:23:33 | 0:23:36 | |
cos they've all got different names, haven't they, | 0:23:36 | 0:23:39 | |
like Look, New!, Hello!, OK!, Heat, | 0:23:39 | 0:23:43 | |
but I just think they should all change their name to | 0:23:43 | 0:23:46 | |
Women Getting Dressed. | 0:23:46 | 0:23:48 | |
Cos that's all that was in it. | 0:23:49 | 0:23:51 | |
Oh, look - Victoria Beckham got dressed. | 0:23:51 | 0:23:54 | |
Katie Holmes got dressed in blue. | 0:23:56 | 0:23:58 | |
Michelle Obama got dressed. How does she find the time? | 0:24:00 | 0:24:04 | |
We're an intelligent society. | 0:24:06 | 0:24:08 | |
Everyone knows now that these magazines | 0:24:08 | 0:24:10 | |
are just negative propaganda towards women, aren't they? | 0:24:10 | 0:24:13 | |
I read this thing from cover to cover, and every article, | 0:24:13 | 0:24:16 | |
everything it was saying, could be condensed down into one short quiz, | 0:24:16 | 0:24:21 | |
which is basically, | 0:24:21 | 0:24:22 | |
"Ladies, what do you hate most about yourself? | 0:24:22 | 0:24:26 | |
"Is it A - your face? | 0:24:26 | 0:24:28 | |
"Or is it B - your body? | 0:24:28 | 0:24:30 | |
"Answers to the quiz. Mostly As - | 0:24:32 | 0:24:35 | |
"Buy expensive make-up to cover it up | 0:24:35 | 0:24:38 | |
"and expensive clothes to distract people. | 0:24:38 | 0:24:41 | |
"Mostly Bs - starve yourself and go to the gym. | 0:24:41 | 0:24:45 | |
"While you're there, look in one of those big mirrors. | 0:24:45 | 0:24:49 | |
"Are you sure you don't hate your face?" | 0:24:49 | 0:24:52 | |
Kevin was talking about the double-dip recession. | 0:24:55 | 0:24:57 | |
I have, I think, solved the economic crisis. | 0:24:57 | 0:25:00 | |
I mean, I'm not bragging but I think I've worked it out, right? | 0:25:00 | 0:25:04 | |
So, basically, debt, as I understand it, | 0:25:04 | 0:25:06 | |
is caused by people borrowing more than they can afford to pay back, | 0:25:06 | 0:25:10 | |
and they spend it on things they don't need, | 0:25:10 | 0:25:12 | |
like clothes and shoes and nuclear weapons. | 0:25:12 | 0:25:15 | |
But when you think about it, | 0:25:15 | 0:25:16 | |
some people don't get into debt - | 0:25:16 | 0:25:19 | |
children. | 0:25:19 | 0:25:20 | |
Do they? | 0:25:20 | 0:25:22 | |
Small, smug, in the black, children. | 0:25:22 | 0:25:24 | |
So all we need to do is | 0:25:25 | 0:25:27 | |
make chip and pin machines a bit more like parents, | 0:25:27 | 0:25:30 | |
and then we don't have a problem. | 0:25:30 | 0:25:32 | |
Because you'd go into the shop, you'd pick something out, | 0:25:32 | 0:25:35 | |
put in your card and your number and it would say, | 0:25:35 | 0:25:38 | |
"You've already got a coat." | 0:25:38 | 0:25:40 | |
And you'd have to go and put it back. | 0:25:45 | 0:25:47 | |
So you'd pick something else out, put in your card and your number, | 0:25:49 | 0:25:53 | |
and it would say, | 0:25:53 | 0:25:54 | |
"Sensible black ones, please, so you can wear them to school." | 0:25:54 | 0:25:57 | |
So you'd have to put 'em back, so you pick something else out, | 0:25:59 | 0:26:02 | |
put in your card and your number and it would say, | 0:26:02 | 0:26:06 | |
"OK, you can have nuclear weapons, | 0:26:06 | 0:26:08 | |
"but you've got to share them with your sister." | 0:26:08 | 0:26:11 | |
No. | 0:26:14 | 0:26:16 | |
Then we would have to put 'em back. | 0:26:16 | 0:26:18 | |
Because our sister is France. | 0:26:18 | 0:26:20 | |
She's the one we want to use them on. | 0:26:22 | 0:26:24 | |
Being poor has not stopped people shopping. | 0:26:26 | 0:26:28 | |
I know that because I live in Tooting, | 0:26:28 | 0:26:31 | |
where people have not let being very deprived stop them | 0:26:31 | 0:26:34 | |
from dressing badly in a different way every day. | 0:26:34 | 0:26:37 | |
There is a fashion trend in my area | 0:26:38 | 0:26:40 | |
where women wear T-shirts with more attractive women on them. | 0:26:40 | 0:26:44 | |
Yeah, so there'll be acne-ridden schoolgirls | 0:26:46 | 0:26:48 | |
emblazoned with Debbie Harry, in her heyday, | 0:26:48 | 0:26:51 | |
very big women with Kate Moss riding around on their pendulous breasts, | 0:26:51 | 0:26:56 | |
very old women, the kind that have been betrayed twice by their follicles, | 0:26:56 | 0:27:01 | |
wearing both five o'clock shadow and a wig, | 0:27:01 | 0:27:05 | |
and they'll have Rihanna grinding down on them inappropriately. | 0:27:05 | 0:27:09 | |
When I first noticed this, I thought, | 0:27:09 | 0:27:11 | |
"These women cannot be well served by the comparison." | 0:27:11 | 0:27:14 | |
Like, if a gentleman was like, "Oh, hello... Urgh!" | 0:27:14 | 0:27:17 | |
But then I remembered that men are stupid | 0:27:19 | 0:27:21 | |
and, actually, they will find anything alluring | 0:27:21 | 0:27:24 | |
if you put a sexy woman on it. | 0:27:24 | 0:27:26 | |
That's the basis of all advertising ever. | 0:27:26 | 0:27:29 | |
Like, these T-shirts are probably tricking men into having threesomes. | 0:27:29 | 0:27:33 | |
"Oh, yeah, it was a great night, last night. | 0:27:34 | 0:27:37 | |
"It was me, pop star Rihanna, | 0:27:37 | 0:27:38 | |
"and a really old lady who was bald with a beard." | 0:27:38 | 0:27:41 | |
The facial hair thing terrifies me. | 0:27:43 | 0:27:45 | |
I'm setting up a charity, | 0:27:45 | 0:27:46 | |
which is going to be where young women go into hospitals | 0:27:46 | 0:27:50 | |
and pluck the faces of old women for them. | 0:27:50 | 0:27:53 | |
It's going to be called Dignitache. | 0:27:53 | 0:27:55 | |
Thank you very much, this has been an absolute pleasure. | 0:28:00 | 0:28:03 | |
Thank you so much for having me. My name is Sara, good night! | 0:28:03 | 0:28:06 | |
Thank you very much, thank you! | 0:28:06 | 0:28:08 | |
CHEERING AND APPLAUSE | 0:28:08 | 0:28:09 | |
Give it up for Sara Pascoe. | 0:28:12 | 0:28:14 | |
CHEERING AND APPLAUSE | 0:28:14 | 0:28:16 | |
All right, ladies and gentlemen, this has been Live At The Apollo. | 0:28:17 | 0:28:20 | |
Give it up for Sara Pascoe! | 0:28:20 | 0:28:22 | |
CHEERING AND APPLAUSE | 0:28:22 | 0:28:24 | |
And give it up for Phill Jupitus! | 0:28:25 | 0:28:27 | |
CHEERING AND APPLAUSE | 0:28:27 | 0:28:29 | |
I'm Kevin Bridges, cheers for watching, good night, | 0:28:29 | 0:28:32 | |
see you again sometime, cheers! | 0:28:32 | 0:28:34 | |
CHEERING AND APPLAUSE | 0:28:34 | 0:28:35 | |
Subtitles by Red Bee Media Ltd | 0:28:58 | 0:29:02 |