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# We spend all our time lying side by side | 0:00:02 | 0:00:05 | |
# Going nowhere It's really something | 0:00:05 | 0:00:08 | |
# Getting busy Doing nothing | 0:00:08 | 0:00:10 | |
# We spend all our time Running for our lives | 0:00:10 | 0:00:15 | |
# Going nowhere It's really something | 0:00:15 | 0:00:18 | |
# Getting busy Doing nothing | 0:00:18 | 0:00:21 | |
# Getting busy Doing nothing. # | 0:00:21 | 0:00:24 | |
Cheater! Cheater! | 0:00:24 | 0:00:27 | |
CHANTING ON TELEVISION Cheater! Cheater! | 0:00:27 | 0:00:30 | |
That woman is sleeping with her husband, | 0:00:31 | 0:00:33 | |
her husband's father and his father's brother! | 0:00:33 | 0:00:36 | |
Wow. Is that the father? | 0:00:36 | 0:00:38 | |
No, that's the husband. | 0:00:38 | 0:00:39 | |
There's the father. | 0:00:39 | 0:00:40 | |
Oh, dear. He looks very tired. | 0:00:40 | 0:00:42 | |
You'd think she'd wash her hair. | 0:00:42 | 0:00:43 | |
I mean, you know you're going on telly, so you'd wash your hair, wouldn't you? | 0:00:43 | 0:00:47 | |
Well, she's been quite busy. | 0:00:47 | 0:00:48 | |
Maybe she didn't have time. | 0:00:48 | 0:00:50 | |
Inca gives herself an hour's preparation time | 0:00:50 | 0:00:53 | |
before she leaves the house. | 0:00:53 | 0:00:54 | |
You could take a leaf out of her book, Gems. | 0:00:54 | 0:00:56 | |
-You all right? -Yeah, I just... | 0:01:01 | 0:01:03 | |
I miss her. | 0:01:03 | 0:01:05 | |
The cleanliness, the order, the microbiotic food regime. | 0:01:05 | 0:01:10 | |
You'd never have guessed. | 0:01:10 | 0:01:11 | |
Could you go round and see her for me? | 0:01:12 | 0:01:14 | |
-Oh, no, I don't want to get involved. -You are involved, you're the reason why I'm here. | 0:01:14 | 0:01:18 | |
No, Jason, you're the reason why you're lying on the sofa | 0:01:18 | 0:01:21 | |
like a giant sausage roll. | 0:01:21 | 0:01:22 | |
-Girls, get a wiggle on - Brownie camp! -Coming! | 0:01:22 | 0:01:26 | |
Billy! | 0:01:30 | 0:01:31 | |
Sup on my raw veg, will you? | 0:01:31 | 0:01:33 | |
Sorry? | 0:01:33 | 0:01:34 | |
-My gazpacho. -Oh. -Have a taste. | 0:01:34 | 0:01:36 | |
Right. | 0:01:36 | 0:01:37 | |
I usually get Poppy's sophisticated palate onto it, | 0:01:37 | 0:01:40 | |
-but she's away at Brownie camp, so... -Mmm. I'll do my best. | 0:01:40 | 0:01:43 | |
It's a cold tomato-based soup, | 0:01:43 | 0:01:46 | |
originating from the southern regions of Andalucia. | 0:01:46 | 0:01:49 | |
You know, I'm just not a soupy kind of guy. | 0:01:51 | 0:01:53 | |
You know, anything liquidy as a main meal | 0:01:53 | 0:01:56 | |
just kind of creeps my tastebuds out. | 0:01:56 | 0:01:58 | |
-But I'm sure Gemma will love it. -Well... | 0:01:59 | 0:02:02 | |
I haven't settled on a final menu yet, so... | 0:02:02 | 0:02:05 | |
Oh, um...here. | 0:02:05 | 0:02:07 | |
Try one of these. | 0:02:08 | 0:02:09 | |
A little piece of heaven in a ramekin. | 0:02:10 | 0:02:14 | |
You want me to take a souffle on the bus? | 0:02:14 | 0:02:16 | |
Oh, yes. | 0:02:16 | 0:02:17 | |
Ah. | 0:02:19 | 0:02:20 | |
And text me your thoughts, eh? | 0:02:21 | 0:02:23 | |
LOL, smiley face. | 0:02:23 | 0:02:25 | |
HE CHUCKLES | 0:02:25 | 0:02:26 | |
Right, baggy, crispies and, um... | 0:02:29 | 0:02:33 | |
a little tart. | 0:02:33 | 0:02:34 | |
You should do salads, you know. | 0:02:37 | 0:02:39 | |
I have an irritable bowel. | 0:02:39 | 0:02:40 | |
Oh. | 0:02:40 | 0:02:41 | |
Well, I'll make sure I tell my boss. | 0:02:41 | 0:02:43 | |
Not about your bowel thing, about the salad thing. | 0:02:43 | 0:02:46 | |
I bet you don't have an irritable bowel. | 0:02:50 | 0:02:52 | |
Er...no. | 0:02:52 | 0:02:54 | |
Can I have a cheese and pickle baguette, | 0:02:54 | 0:02:56 | |
-chicken pine nut wrap, and some crisps. -Mmm, I like your style. | 0:02:56 | 0:02:58 | |
Certainly no bowel issues there. | 0:02:58 | 0:03:00 | |
CHUCKLES NERVOUSLY No. | 0:03:00 | 0:03:03 | |
My bowels are fine, thanks. | 0:03:03 | 0:03:05 | |
There's a little something extra in the cheese and pickle baguette. | 0:03:07 | 0:03:10 | |
You are very lucky I was able to fitting you in. | 0:03:14 | 0:03:16 | |
People highly demand me. | 0:03:16 | 0:03:18 | |
Oh, thanks, Inca. | 0:03:18 | 0:03:19 | |
It's just I'm going to dinner at Tom's tonight. | 0:03:19 | 0:03:21 | |
Tom is a snatch. | 0:03:21 | 0:03:22 | |
Catch. | 0:03:22 | 0:03:24 | |
Go behind screen and slipping off clothes. | 0:03:24 | 0:03:26 | |
There are paper pants in there for your safety. | 0:03:27 | 0:03:30 | |
Thanks. | 0:03:30 | 0:03:31 | |
So how are you, Inca? | 0:03:31 | 0:03:33 | |
Did Yason send you? | 0:03:33 | 0:03:35 | |
No. | 0:03:35 | 0:03:36 | |
I didn't tell him I was coming. | 0:03:36 | 0:03:38 | |
He misses you. | 0:03:38 | 0:03:40 | |
My heart is stone, Gemma. | 0:03:40 | 0:03:42 | |
Please onto the couch. | 0:03:45 | 0:03:46 | |
You want a wax while you're here? | 0:03:47 | 0:03:49 | |
Er, no, thanks. | 0:03:49 | 0:03:51 | |
Probably a mistake. | 0:03:51 | 0:03:53 | |
Oh, well, it's just friends having dinner, no funny business. | 0:03:53 | 0:03:56 | |
BELL RINGS | 0:04:00 | 0:04:01 | |
Ooh! | 0:04:01 | 0:04:04 | |
-You are burying your head in the soot. -Maybe. | 0:04:06 | 0:04:09 | |
What about you? | 0:04:09 | 0:04:11 | |
Aren't you burying your head in the... | 0:04:11 | 0:04:12 | |
Ow! | 0:04:12 | 0:04:13 | |
Tension balls. | 0:04:13 | 0:04:15 | |
Inca, the thing is, | 0:04:15 | 0:04:16 | |
you and Jason are just so... | 0:04:16 | 0:04:19 | |
totally made for each other. | 0:04:19 | 0:04:21 | |
I thunk so too. | 0:04:21 | 0:04:22 | |
He was the deep fried fish to my organic parsnip chips. | 0:04:22 | 0:04:26 | |
The high-cholesterol salt to my filtered balsamic vinegar. | 0:04:26 | 0:04:30 | |
Basically, Gemma, he was the ping to my pong. | 0:04:31 | 0:04:33 | |
Ohh! | 0:04:33 | 0:04:35 | |
-But now I have thrust forward with my life. -Oh! Ooh! | 0:04:35 | 0:04:38 | |
I have joined husbandhunter.co.uk. | 0:04:38 | 0:04:42 | |
-Inca! Ooh! -He has broken the hoop of trust! | 0:04:42 | 0:04:44 | |
-Oh, Inca! -What? | 0:04:44 | 0:04:45 | |
Ooh... | 0:04:45 | 0:04:47 | |
You're hurting me. | 0:04:47 | 0:04:48 | |
Sorry, I forget you're frail. | 0:04:48 | 0:04:49 | |
Turn! | 0:04:49 | 0:04:51 | |
Ooh... | 0:04:51 | 0:04:53 | |
You see this? | 0:04:54 | 0:04:55 | |
Er, no. | 0:04:55 | 0:04:57 | |
This is the white platinum engagement ring that I'm imagining Yason gave me. | 0:04:57 | 0:05:00 | |
It is having a prong set with a round brilliant diamond solitaire, | 0:05:00 | 0:05:05 | |
embraced by a sparkling micro paved halo setting. | 0:05:05 | 0:05:08 | |
Give him the ring back. | 0:05:08 | 0:05:10 | |
Oh, I'm not sure I know how to give back an... | 0:05:10 | 0:05:12 | |
Oh. | 0:05:12 | 0:05:14 | |
-Whoo! -Ooh! | 0:05:14 | 0:05:16 | |
It is fine. I have a date tonight at the bar. | 0:05:16 | 0:05:19 | |
With businessman Terry Tompkinson 44, from Northwood Hills. | 0:05:19 | 0:05:22 | |
On no, Inca, don't! | 0:05:22 | 0:05:23 | |
Come round to mine and see Jason. | 0:05:23 | 0:05:25 | |
Jason who? | 0:05:25 | 0:05:27 | |
Lie! | 0:05:28 | 0:05:29 | |
HE SIGHS | 0:05:30 | 0:05:32 | |
# Con te... | 0:05:32 | 0:05:35 | |
-# Partiro... -# Partiro..! | 0:05:35 | 0:05:40 | |
-# Paesi... -# Paesi... | 0:05:41 | 0:05:44 | |
# Che non ho mai | 0:05:44 | 0:05:47 | |
# Veduto e vissuto con te... | 0:05:47 | 0:05:53 | |
# Lo con te... # | 0:05:53 | 0:05:59 | |
-# Magnifico... -# Magnifico... | 0:06:04 | 0:06:06 | |
-SINGS ALONG: -# I'm just a poor boy Nobody loves me | 0:06:06 | 0:06:09 | |
# He's just a poor boy From a poor family | 0:06:09 | 0:06:12 | |
# Spare him his life From this monstrosity.... # | 0:06:12 | 0:06:14 | |
-I'm not listening to that! -Ooh, now, ssh. -What? | 0:06:14 | 0:06:17 | |
# Easy come, easy go Will you let me go | 0:06:17 | 0:06:20 | |
# Bismillah! No, we will not let you go... # | 0:06:20 | 0:06:23 | |
I went to see Inca today, and she gave me back her imaginary engagement ring. | 0:06:23 | 0:06:26 | |
-It's over. She's even going on a date tonight. -She moves fast! | 0:06:26 | 0:06:29 | |
-Jason thinks she's going to take him back. -Yeah, well, he would. | 0:06:29 | 0:06:32 | |
-You've got to tell him. -I know. I need moral support. -I've got plans. | 0:06:32 | 0:06:35 | |
Alfie... | 0:06:35 | 0:06:37 | |
TUNELESS SINGING | 0:06:37 | 0:06:38 | |
Fine. | 0:06:38 | 0:06:40 | |
-Go on. -What? | 0:06:40 | 0:06:41 | |
HE SIGHS | 0:06:41 | 0:06:43 | |
# Beelzebub has a devil Put aside... # | 0:06:43 | 0:06:47 | |
Er, Jason, now. | 0:06:47 | 0:06:48 | |
There's no easy way to say this, so I'm just going to blurt it out. | 0:06:48 | 0:06:51 | |
Um...I went to see Inca today, and, er, she said to give you this back. | 0:06:51 | 0:06:56 | |
I'm sorry. | 0:06:57 | 0:06:58 | |
What's she giving back? | 0:06:58 | 0:07:00 | |
-It's the imaginary engagement ring you never bought her. -She's being dramatic. | 0:07:01 | 0:07:04 | |
-She'll have me back. -Jason, she's moving on. | 0:07:04 | 0:07:07 | |
She's going on a date tonight. | 0:07:07 | 0:07:09 | |
-She's doing what? -She's going on a date. -With who? -Businessman Terry someone...it's not the point. | 0:07:09 | 0:07:14 | |
-It's not the point... -Right, I'm going down there. -No... | 0:07:14 | 0:07:16 | |
-No! And I'm going to give that bloke a jolly good shoeing! -A shoeing? -She's a fragile, rare butterfly. | 0:07:16 | 0:07:21 | |
She needs protecting, otherwise she'll just end up | 0:07:21 | 0:07:23 | |
on some rich geezer's wall with a pin stuck through her torso! | 0:07:23 | 0:07:26 | |
I've never loved anyone the way I love her, never. | 0:07:26 | 0:07:29 | |
I'm going down there. | 0:07:29 | 0:07:30 | |
No, Jason, no! You're only going to make things worse. | 0:07:30 | 0:07:33 | |
There's no way she'll take you back if you go down there all guns blazing. Is there, Alfie? | 0:07:33 | 0:07:37 | |
What? Oh, no. | 0:07:37 | 0:07:38 | |
-Say something. -Er...yes. | 0:07:39 | 0:07:41 | |
Wha..? | 0:07:41 | 0:07:43 | |
Well, yeah, OK, Mum's right. | 0:07:43 | 0:07:44 | |
You'll end up looking more of a plank than you do in that little Slanket thingy. | 0:07:44 | 0:07:47 | |
-Thanks for those pearls of wisdom. -You're welcome. -Supposing this geezer's a murderer! | 0:07:47 | 0:07:52 | |
No, I'm sure Inca can take care of herself. But what I do propose is that, um... | 0:07:52 | 0:07:57 | |
-That Alfie go to the bar to keep an eye on her. -What? No, I can't do that, I've got a booty text. | 0:07:57 | 0:08:01 | |
-Cheese and pickle girl got the number I hid in her baguette. -This is a family emergency. | 0:08:01 | 0:08:05 | |
So get Billy to do it, he's working at the bar tonight. | 0:08:05 | 0:08:08 | |
Oh, I don't know... | 0:08:08 | 0:08:09 | |
Well, I would feel better if I knew that someone was watching over her. | 0:08:09 | 0:08:12 | |
No, forget it, I'm going there meself! | 0:08:12 | 0:08:14 | |
No, Jason! Stay here, I'll sort Billy out. | 0:08:14 | 0:08:17 | |
I mean, I'll sort it out with Billy. | 0:08:17 | 0:08:19 | |
I'm going to be all alone. | 0:08:19 | 0:08:21 | |
The girls are out. | 0:08:22 | 0:08:24 | |
You're going out. | 0:08:24 | 0:08:25 | |
You're going out. | 0:08:27 | 0:08:28 | |
Inca's even going out. | 0:08:30 | 0:08:32 | |
Oh, good, you're here. | 0:08:38 | 0:08:39 | |
Er, look, sorry, | 0:08:39 | 0:08:41 | |
but I haven't got time for the whole flirty thing you do. | 0:08:41 | 0:08:43 | |
Flirty thing? | 0:08:43 | 0:08:45 | |
-Yes. -You stay stuff to me and I get all hot and flustered, | 0:08:45 | 0:08:47 | |
and then I'm not sure if it's attraction or the menopause. | 0:08:47 | 0:08:50 | |
-Anyway, I haven't got time for that, I need to get to the point. -You're doing well so far. -Oh, thank you. | 0:08:50 | 0:08:54 | |
So... | 0:08:55 | 0:08:56 | |
-..you wanted us to get down to business? -Oh, yes. | 0:08:57 | 0:09:00 | |
Er...no, it's not about us. | 0:09:00 | 0:09:02 | |
Um, look, I need you to do a little bit of spying. | 0:09:02 | 0:09:05 | |
Well, not spying exactly, more keeping an eye on. | 0:09:05 | 0:09:08 | |
So you want to hire me as a detective? | 0:09:08 | 0:09:11 | |
Er...well not hire you so much, more ask you to as a favour. | 0:09:11 | 0:09:15 | |
Ah, free detective work. You know, I don't normally keep an eye on people for nothing. | 0:09:15 | 0:09:19 | |
Is it Alfie? Is he wearing women's clothes again? | 0:09:19 | 0:09:22 | |
What? | 0:09:22 | 0:09:23 | |
No, er...it's Inca. | 0:09:23 | 0:09:25 | |
Um, she's coming down here to meet businessman Terry someone for a date. | 0:09:25 | 0:09:28 | |
Does Alfie wear women's clothes? | 0:09:28 | 0:09:30 | |
Oh! | 0:09:30 | 0:09:31 | |
Ow! | 0:09:31 | 0:09:32 | |
Listen, I've had to practically sedate Jason with bacon sandwiches | 0:09:32 | 0:09:35 | |
to stop him from coming down here and making a scene. | 0:09:35 | 0:09:37 | |
Well, maybe he should do. | 0:09:37 | 0:09:39 | |
Show Inca how he feels, | 0:09:39 | 0:09:40 | |
stop pretending that there isn't anything... | 0:09:40 | 0:09:42 | |
Is this about us again? | 0:09:42 | 0:09:43 | |
Definitely not, this is spy business. | 0:09:43 | 0:09:45 | |
Would you stop bringing it round to "us" all the time? | 0:09:45 | 0:09:48 | |
Ow! | 0:09:48 | 0:09:49 | |
-Is that how you treat all your employees? -No, just stop it. | 0:09:49 | 0:09:51 | |
This is serious. If Jason comes down here and starts getting all macho, | 0:09:51 | 0:09:54 | |
-it's going to make things a lot worse than they are already. -OK, understood. | 0:09:54 | 0:09:58 | |
-So you'd like me to keep an eye on Inca and report back to you? -Yes. | 0:09:58 | 0:10:01 | |
Do we have code names? | 0:10:01 | 0:10:03 | |
I'm serious. | 0:10:03 | 0:10:05 | |
You text me and let me know what's going on. | 0:10:05 | 0:10:08 | |
Should I intercept if our client is in danger? | 0:10:08 | 0:10:12 | |
Well, yes, obviously. | 0:10:12 | 0:10:13 | |
You want me to put my life on the line for you then? | 0:10:13 | 0:10:16 | |
Now you...stop it. I'm going. | 0:10:16 | 0:10:18 | |
You... | 0:10:18 | 0:10:19 | |
I would. | 0:10:24 | 0:10:26 | |
Yep, so would I. | 0:10:27 | 0:10:28 | |
# At last... | 0:10:30 | 0:10:33 | |
# My love has come along | 0:10:36 | 0:10:40 | |
# My lonely days are over... # | 0:10:44 | 0:10:50 | |
All right? | 0:10:58 | 0:10:59 | |
All right. | 0:11:01 | 0:11:03 | |
I'm just waiting for someone. | 0:11:07 | 0:11:09 | |
Yep, me. | 0:11:09 | 0:11:11 | |
You put your number in my baguette, so here I am. | 0:11:11 | 0:11:13 | |
No. No, I put my number in cheese and pickle girl's baguette. | 0:11:13 | 0:11:16 | |
No. She was the chicken and pine nut. | 0:11:16 | 0:11:19 | |
I'm the cheese and pickle. | 0:11:19 | 0:11:21 | |
Oh... | 0:11:21 | 0:11:22 | |
Ohh... | 0:11:25 | 0:11:27 | |
Well, this is awkward. | 0:11:29 | 0:11:30 | |
Only if you're not gay. | 0:11:30 | 0:11:31 | |
Not gay. | 0:11:31 | 0:11:32 | |
So yeah... | 0:11:32 | 0:11:35 | |
it's a bit awkward. | 0:11:35 | 0:11:36 | |
Oh! | 0:11:46 | 0:11:48 | |
Sorry I'm late. | 0:11:48 | 0:11:49 | |
What's 22 minutes? Nothing's ruined. | 0:11:49 | 0:11:51 | |
-Lovely to see you, come on in. -Oh, great. | 0:11:51 | 0:11:53 | |
Um, Tom... | 0:11:53 | 0:11:55 | |
The thing is, I... | 0:11:55 | 0:11:56 | |
Jason! | 0:11:56 | 0:11:57 | |
Yes, that's the thing. | 0:11:57 | 0:11:59 | |
Jason. | 0:11:59 | 0:12:01 | |
Just parking. All right, Tom? | 0:12:01 | 0:12:03 | |
Jason's had a bit of bad news. | 0:12:03 | 0:12:05 | |
Inca's on a date. | 0:12:05 | 0:12:06 | |
And I want to go down there and batter the man, but Gemma won't let me! | 0:12:06 | 0:12:09 | |
Yes, sorry, Tom, I just couldn't leave him on his own. It's all been a bit last minute. | 0:12:09 | 0:12:13 | |
I have plenty for three. You're doing the grown-up thing, Jason. | 0:12:13 | 0:12:18 | |
No, I can't do it, I'm not grown-up, I'm going down there. | 0:12:18 | 0:12:20 | |
No, Jason, be sensible. Now, Billy's there and he's going to be keeping an eye on things. | 0:12:20 | 0:12:24 | |
Oh, well, that's all right, then. It's much better this way, Jason. | 0:12:24 | 0:12:27 | |
I made a terrible fool of myself when Selina moved in with Imran. | 0:12:27 | 0:12:30 | |
I exploded at the Asda meat counter, hurling a salami at him. | 0:12:30 | 0:12:33 | |
Wait it out and go and speak to her tomorrow calmly and with dignity. | 0:12:33 | 0:12:37 | |
-I'm so sorry about all of this. -We've all got baggage, Gem. | 0:12:40 | 0:12:43 | |
Yeah, well, I've brought mine with me. | 0:12:43 | 0:12:45 | |
Literally. | 0:12:45 | 0:12:46 | |
Can I take your coat, Gemma? | 0:12:46 | 0:12:47 | |
And Jason, your, um... | 0:12:47 | 0:12:50 | |
Blankety thing. | 0:12:50 | 0:12:51 | |
Er, Billy... | 0:12:54 | 0:12:56 | |
A couple of pints for me and my date, Cheese and Pickle. | 0:12:56 | 0:12:58 | |
Don't ask. | 0:12:58 | 0:13:00 | |
Did Mum ask you to spy on Inca? | 0:13:01 | 0:13:03 | |
Yeah, she wants me to make notes and update her. | 0:13:03 | 0:13:06 | |
Very James Bond. | 0:13:06 | 0:13:07 | |
Quiz machine? | 0:13:10 | 0:13:12 | |
Sure, why not? | 0:13:12 | 0:13:13 | |
You know, Casanova was a spy, | 0:13:13 | 0:13:15 | |
for the Venetian Inquisitors of State, in between his womanising. | 0:13:15 | 0:13:19 | |
I expect I'd be like him if I was a spy. | 0:13:19 | 0:13:21 | |
I see you more as Mata Hari. | 0:13:21 | 0:13:23 | |
Oh, really? I bet he was cool. | 0:13:23 | 0:13:25 | |
Yeah, she was. | 0:13:25 | 0:13:28 | |
Good luck. | 0:13:28 | 0:13:29 | |
Cheers. | 0:13:29 | 0:13:30 | |
Get your own baguette date. | 0:13:32 | 0:13:34 | |
Now this is a beauty. | 0:13:36 | 0:13:38 | |
Birch wine. | 0:13:38 | 0:13:39 | |
Wine from a tree? | 0:13:39 | 0:13:41 | |
Yep. | 0:13:41 | 0:13:42 | |
You penetrate the bark, let the sap drip into the bottle, | 0:13:42 | 0:13:44 | |
and then you begin the wine-making process. | 0:13:44 | 0:13:48 | |
Dammit, I like it. | 0:13:49 | 0:13:51 | |
So you're a bit of a Bear Grylls, then? | 0:13:51 | 0:13:53 | |
Does he make wine? | 0:13:54 | 0:13:56 | |
No, he eats flies and stuff. | 0:13:56 | 0:13:59 | |
Mm. | 0:13:59 | 0:14:00 | |
-OK, what's the shortest verse in the Bible? -Jesus wept. | 0:14:02 | 0:14:05 | |
-All right, I'm only asking. -No, that's the answer. | 0:14:05 | 0:14:07 | |
-The shortest verse is "Jesus wept." -Ah-ha. | 0:14:07 | 0:14:09 | |
Right, in money slang, how much is a "Pavarotti" worth? | 0:14:09 | 0:14:12 | |
It's C, 30. | 0:14:12 | 0:14:13 | |
-What? No, hang on. It's B, 10 quid. -Inca, you look lovely! | 0:14:13 | 0:14:17 | |
I know. | 0:14:17 | 0:14:18 | |
It was hard for me to be doing this dress up now that I am alone. | 0:14:18 | 0:14:22 | |
I'd be happy to help you with your zip. | 0:14:22 | 0:14:24 | |
There is no zip. | 0:14:24 | 0:14:25 | |
It's like sausage skin. | 0:14:25 | 0:14:26 | |
I had to do lots of writhing and wriggling on the bed. | 0:14:26 | 0:14:29 | |
I love this bar. | 0:14:29 | 0:14:30 | |
What can I get you? | 0:14:30 | 0:14:32 | |
Ah! Scotch on the rocks. | 0:14:32 | 0:14:34 | |
Allow me. | 0:14:34 | 0:14:35 | |
Are you my blind date? | 0:14:36 | 0:14:39 | |
No. | 0:14:39 | 0:14:41 | |
But I could be. | 0:14:41 | 0:14:42 | |
I am thinking not. | 0:14:42 | 0:14:43 | |
-You are not exfoliating facially. -There you go. | 0:14:43 | 0:14:46 | |
Yeah, steady with the wine, Jason. | 0:14:49 | 0:14:51 | |
I'm enjoying myself, you lighten up. | 0:14:51 | 0:14:53 | |
So... | 0:14:53 | 0:14:54 | |
starters of fresh sardines. | 0:14:54 | 0:14:57 | |
Naples style. | 0:14:57 | 0:14:59 | |
Drizzled with a garlic and white wine vinaigrette. | 0:14:59 | 0:15:04 | |
And the homemade bread on the table is made by Poppy's own fair hand. | 0:15:04 | 0:15:08 | |
His kid makes bread. | 0:15:08 | 0:15:10 | |
Do our kids make bread? | 0:15:10 | 0:15:11 | |
Oh...no, mate, no. | 0:15:14 | 0:15:15 | |
Gemma doesn't eat anything with eyes, do you, love? | 0:15:15 | 0:15:17 | |
It's fine. It's fine, I do now. | 0:15:17 | 0:15:20 | |
Really? What, dead googly eyes staring at you? | 0:15:20 | 0:15:22 | |
Stop it, Jason. | 0:15:22 | 0:15:24 | |
Sorry, Gem, I didn't think to ask. | 0:15:24 | 0:15:25 | |
Mmmm-mm! This is lovely, mate. | 0:15:25 | 0:15:28 | |
Shall I take the head off? | 0:15:28 | 0:15:29 | |
No, it's fine, I can do it. | 0:15:29 | 0:15:31 | |
Selina, Poppy and I went on a cooking course in Naples | 0:15:33 | 0:15:36 | |
on our last holiday together. | 0:15:36 | 0:15:38 | |
It was wonderful. | 0:15:38 | 0:15:39 | |
My last holiday with Inca | 0:15:39 | 0:15:41 | |
was five days on a barge on the Norfolk Broads. | 0:15:41 | 0:15:43 | |
Inca turned some heads. | 0:15:43 | 0:15:45 | |
She was like a Scandinavian ice queen | 0:15:45 | 0:15:47 | |
gliding that barge down those canals. | 0:15:47 | 0:15:49 | |
She never let me drive. | 0:15:51 | 0:15:52 | |
"The barge she sat in, | 0:15:53 | 0:15:55 | |
"like a burnish'd throne, burned on the water." | 0:15:55 | 0:15:59 | |
Shakespeare. | 0:16:00 | 0:16:01 | |
I have to go to her. | 0:16:04 | 0:16:05 | |
No, Jason, you can't. | 0:16:05 | 0:16:07 | |
Billy texted, she's not even there yet. | 0:16:07 | 0:16:10 | |
How about I pop open some parsnip champagne? | 0:16:10 | 0:16:12 | |
A wonderful beast, the organic parsnip. | 0:16:19 | 0:16:21 | |
champagne, yeast, juice of two oranges... | 0:16:21 | 0:16:23 | |
all in all, quite a potent combination. | 0:16:23 | 0:16:26 | |
Mmm. | 0:16:26 | 0:16:28 | |
Mmm. | 0:16:28 | 0:16:29 | |
That was lovely, Tom, thank you. | 0:16:29 | 0:16:32 | |
Full up. | 0:16:32 | 0:16:33 | |
They pack a nutritional punch. | 0:16:33 | 0:16:36 | |
I know someone I'd like to punch. | 0:16:36 | 0:16:38 | |
You let them go, | 0:16:39 | 0:16:40 | |
and if they come back to you, then it was meant to be. | 0:16:40 | 0:16:43 | |
-Your wife never came back from Imran. -Jason! | 0:16:43 | 0:16:45 | |
Don't be rude! | 0:16:45 | 0:16:47 | |
SHE SIGHS | 0:16:47 | 0:16:48 | |
Maybe we should go. | 0:16:48 | 0:16:50 | |
No, don't be silly. | 0:16:50 | 0:16:51 | |
Jason's right, she didn't. | 0:16:51 | 0:16:54 | |
It wasn't meant to be. | 0:16:54 | 0:16:56 | |
Um... | 0:16:57 | 0:16:59 | |
Let's get the, er... next course ready. | 0:16:59 | 0:17:02 | |
Fresh pasta. | 0:17:02 | 0:17:03 | |
Please, help yourselves to the olives. | 0:17:03 | 0:17:05 | |
What? | 0:17:10 | 0:17:11 | |
-Behave. -I am. | 0:17:11 | 0:17:12 | |
Ugh! | 0:17:12 | 0:17:15 | |
So, you nervous about your date? | 0:17:19 | 0:17:21 | |
Oh... | 0:17:21 | 0:17:22 | |
Not so much. | 0:17:22 | 0:17:23 | |
I have had many dates. | 0:17:24 | 0:17:25 | |
Always they ask me on a second date, and always I am saying no. | 0:17:25 | 0:17:28 | |
Ah, but you went on a second date with Jason. | 0:17:28 | 0:17:31 | |
Yes, that's because on the first date he was forgetting his purse, | 0:17:31 | 0:17:34 | |
so I paid. | 0:17:34 | 0:17:35 | |
So we had to have second date so he could be reimbursing me back. | 0:17:35 | 0:17:38 | |
I see. | 0:17:38 | 0:17:39 | |
We are Europeans, you and I. | 0:17:39 | 0:17:42 | |
Foreigners getting mixed up with the English, | 0:17:42 | 0:17:45 | |
with their tiny scared hearts. | 0:17:45 | 0:17:48 | |
It is pain-making. | 0:17:48 | 0:17:49 | |
Yeah, but real love is worth the pain, isn't it? | 0:17:49 | 0:17:53 | |
I mean, having your heart ripped out is part of knowing you're alive. | 0:17:53 | 0:17:57 | |
But you can't live without your heart, Irish. | 0:17:57 | 0:18:00 | |
Yeah, but you can't live if you keep it to yourself either. | 0:18:00 | 0:18:02 | |
I am wanting to show my love, | 0:18:04 | 0:18:06 | |
to yodel it from the mountains. | 0:18:06 | 0:18:09 | |
Oh... | 0:18:09 | 0:18:11 | |
But mens in this country, they just cannot do this. | 0:18:11 | 0:18:14 | |
Where is Yason now that I am to see another man? | 0:18:14 | 0:18:17 | |
I can tell you. Eating pig at Gemma's. | 0:18:17 | 0:18:20 | |
No, thank you, I am sorry to disappoint you. | 0:18:28 | 0:18:31 | |
I am sure you have thought all the Easters have come at once upon seeing me, | 0:18:31 | 0:18:34 | |
but I have just realised, businessman Terry Tompkinson, aged 44 from Northwood Hills, | 0:18:34 | 0:18:40 | |
that I am very much in love with Yason. | 0:18:40 | 0:18:42 | |
Then Yason is an incredibly lucky man. | 0:18:42 | 0:18:47 | |
Yes, he is. You are most astute. | 0:18:47 | 0:18:49 | |
There's my card. | 0:18:51 | 0:18:52 | |
-If you ever change your mind. -No, thank you. | 0:18:53 | 0:18:56 | |
So what was wrong with him? | 0:19:02 | 0:19:04 | |
Yes, I know, he had great hairs and fashions, but he just... | 0:19:04 | 0:19:09 | |
wasn't being Yason. | 0:19:09 | 0:19:11 | |
I think you should take her home. | 0:19:13 | 0:19:15 | |
Oh, sure. | 0:19:15 | 0:19:17 | |
Yeah, of course, of course. | 0:19:17 | 0:19:19 | |
But before we go, | 0:19:19 | 0:19:21 | |
does anyone know the name of Sherlock Holmes's housekeeper? | 0:19:21 | 0:19:24 | |
-Mrs Hudson. -B, Mrs Hudson! | 0:19:24 | 0:19:25 | |
Got it! | 0:19:25 | 0:19:27 | |
-Yes! -Yes!! | 0:19:27 | 0:19:28 | |
Tom! | 0:19:30 | 0:19:31 | |
That is amazing! | 0:19:31 | 0:19:34 | |
Thank you, Jason. | 0:19:34 | 0:19:35 | |
If I was a woman, I'd marry you. | 0:19:35 | 0:19:37 | |
Wouldn't you, Gems? | 0:19:37 | 0:19:38 | |
Gemma, have you seen this? | 0:19:38 | 0:19:40 | |
Yes, wonderful. | 0:19:40 | 0:19:42 | |
Oh, you've got it all going, Tom, haven't you, huh? | 0:19:42 | 0:19:45 | |
Nice house, nice car... | 0:19:45 | 0:19:47 | |
You can cook... | 0:19:47 | 0:19:49 | |
You're OK looking. | 0:19:49 | 0:19:50 | |
Thanks. | 0:19:50 | 0:19:52 | |
-I used to think you were a bit of a kno... -MESSAGE TONE | 0:19:52 | 0:19:54 | |
-Oh! Text. -Is it Billy? What does he say? | 0:19:54 | 0:19:56 | |
Has Inca gone on the date? | 0:19:56 | 0:19:57 | |
He says...that Inca is at the bar, and she seems sad. | 0:19:57 | 0:20:02 | |
She's missing me. | 0:20:02 | 0:20:03 | |
And that the guy arrived... | 0:20:03 | 0:20:05 | |
oh, and he was very good looking. | 0:20:05 | 0:20:07 | |
No! I'm going down there. | 0:20:07 | 0:20:09 | |
-MESSAGE TONE -No, wait, wait. He says Inca turned him away. | 0:20:09 | 0:20:12 | |
Oh, she still loves me. | 0:20:12 | 0:20:14 | |
Or maybe he had bad breath. | 0:20:14 | 0:20:15 | |
MESSAGE TONE | 0:20:15 | 0:20:17 | |
What else does he say? | 0:20:17 | 0:20:19 | |
Um, Billy says, | 0:20:19 | 0:20:20 | |
"I want to..." | 0:20:20 | 0:20:21 | |
He wants to what? | 0:20:22 | 0:20:24 | |
Oh! Um... | 0:20:24 | 0:20:26 | |
Oh, oh, oh, um... | 0:20:26 | 0:20:29 | |
Gemma? | 0:20:29 | 0:20:30 | |
-Yes. -Are you all right, Gemma? | 0:20:30 | 0:20:32 | |
No...um... | 0:20:32 | 0:20:33 | |
yes, I'm...I'm just a bit hot. | 0:20:33 | 0:20:35 | |
Well, there is a gentle after-kick of fresh chilli from the linguine, | 0:20:35 | 0:20:39 | |
it can take you by surprise. | 0:20:39 | 0:20:40 | |
It certainly can. | 0:20:40 | 0:20:42 | |
Um...may I, um...use your bathroom? | 0:20:42 | 0:20:44 | |
Of course, upstairs. First door on the left. | 0:20:44 | 0:20:46 | |
Right! | 0:20:49 | 0:20:50 | |
Let's get drunk! | 0:20:50 | 0:20:52 | |
What's next on the homemade wine front? | 0:20:52 | 0:20:54 | |
Roast potato? | 0:20:56 | 0:20:57 | |
SHE SIGHS | 0:21:00 | 0:21:01 | |
-Thank you for giving me the rides home. -You're welcome. | 0:21:05 | 0:21:10 | |
You know, he's all right, really. | 0:21:10 | 0:21:12 | |
Who? | 0:21:12 | 0:21:13 | |
Jason. | 0:21:13 | 0:21:15 | |
-He's liar and pain maker with the eyes of the beaver. -Agreed. | 0:21:15 | 0:21:17 | |
But he... | 0:21:17 | 0:21:19 | |
you know, when he split up with Mum, | 0:21:19 | 0:21:20 | |
he didn't have to help out with me, and he did. | 0:21:20 | 0:21:23 | |
Go on. | 0:21:25 | 0:21:26 | |
He always showed up for school stuff, and... | 0:21:27 | 0:21:31 | |
well, you know, even though he's a clown and a muppet, | 0:21:31 | 0:21:34 | |
he's kind of all right. | 0:21:34 | 0:21:36 | |
But if you tell him I said that, I will deny it. | 0:21:36 | 0:21:38 | |
OK. | 0:21:38 | 0:21:40 | |
I will keep it under my socks. | 0:21:40 | 0:21:41 | |
He loves you, you know? | 0:21:42 | 0:21:45 | |
I know. | 0:21:45 | 0:21:47 | |
But I'm not so sure it's enoughs. | 0:21:47 | 0:21:48 | |
Hang on... | 0:21:58 | 0:22:00 | |
Your phone number is in all these baguettes. | 0:22:00 | 0:22:02 | |
You must call her. | 0:22:04 | 0:22:06 | |
Reveal your heart. | 0:22:06 | 0:22:07 | |
You think? | 0:22:07 | 0:22:09 | |
Tell her how you feel, man. | 0:22:09 | 0:22:11 | |
Oh...I always make a hash of that sort of stuff. | 0:22:11 | 0:22:16 | |
Inca stabbed me with a nail file the last time I tried to be romantic. | 0:22:16 | 0:22:20 | |
Viking women are an enigma, | 0:22:20 | 0:22:23 | |
indeed. | 0:22:23 | 0:22:24 | |
But... | 0:22:24 | 0:22:25 | |
I could help you. | 0:22:25 | 0:22:27 | |
I trust you, Tom. | 0:22:27 | 0:22:30 | |
Ah... | 0:22:30 | 0:22:31 | |
DIALS NUMBER | 0:22:31 | 0:22:33 | |
HE SIGHS | 0:22:37 | 0:22:38 | |
Straight to voicemail. | 0:22:38 | 0:22:40 | |
Leave a message! | 0:22:40 | 0:22:41 | |
Tell her... | 0:22:42 | 0:22:44 | |
..that like her motherland, her beauty is vast and majestic. | 0:22:44 | 0:22:48 | |
Inca, just like your mother, you are vast and big. | 0:22:48 | 0:22:52 | |
But where is the spring and the summer? | 0:22:52 | 0:22:56 | |
Where did it go? | 0:22:57 | 0:22:59 | |
I just don't know! | 0:22:59 | 0:23:02 | |
But still...my love for you will live forever... | 0:23:02 | 0:23:09 | |
# Hasta manana... | 0:23:10 | 0:23:13 | |
-# Till we meet again -# Till we meet again | 0:23:13 | 0:23:17 | |
BOTH: # Don't know where Don't know when... # | 0:23:17 | 0:23:21 | |
I shouldn't even be looking at you, Billy's toothbrush. | 0:23:23 | 0:23:26 | |
I should be looking at you, Tom's. | 0:23:29 | 0:23:31 | |
All strong and stylish and professional, | 0:23:32 | 0:23:34 | |
with three speeds. | 0:23:34 | 0:23:36 | |
What do you have? | 0:23:38 | 0:23:40 | |
SHE SIGHS | 0:23:43 | 0:23:44 | |
I'm not sure this is a good idea. | 0:24:06 | 0:24:08 | |
PHONE RINGS | 0:24:08 | 0:24:09 | |
You are primed, you know what to say. | 0:24:09 | 0:24:13 | |
'Please leave your message after the tone.' | 0:24:13 | 0:24:15 | |
BLEEP | 0:24:15 | 0:24:16 | |
Yo, Selina. | 0:24:16 | 0:24:17 | |
Er... | 0:24:18 | 0:24:19 | |
Yeah, shut it, sweet cheeks, if you know what's good for you. | 0:24:19 | 0:24:22 | |
One thing... | 0:24:24 | 0:24:25 | |
Your bum does look big, bit big, in jeans. | 0:24:25 | 0:24:29 | |
Not so much the black ones... | 0:24:29 | 0:24:31 | |
But... | 0:24:31 | 0:24:32 | |
Yeah, so anyway. | 0:24:32 | 0:24:33 | |
Get over yourself! | 0:24:33 | 0:24:34 | |
THEY LAUGH | 0:24:34 | 0:24:36 | |
I'm going to be in so much trouble. | 0:24:41 | 0:24:43 | |
Whoo! | 0:24:45 | 0:24:47 | |
You still love her, don't you? | 0:24:47 | 0:24:48 | |
TOM SIGHS | 0:24:50 | 0:24:51 | |
HE SIGHS | 0:24:57 | 0:24:58 | |
We need to stop meeting in bathrooms. | 0:24:58 | 0:25:00 | |
Which would mean...meeting in places where other people would see us. | 0:25:00 | 0:25:05 | |
It... Yes. | 0:25:05 | 0:25:06 | |
Which would mean... | 0:25:06 | 0:25:08 | |
telling people. | 0:25:08 | 0:25:09 | |
Oh... | 0:25:09 | 0:25:10 | |
Yodelling it from the mountains. | 0:25:10 | 0:25:11 | |
Well, maybe we could just... squeak it first. | 0:25:11 | 0:25:14 | |
I just... | 0:25:15 | 0:25:16 | |
I can't keep doing this without telling Alfie. | 0:25:16 | 0:25:19 | |
You know, it's just not fair. | 0:25:19 | 0:25:20 | |
-KNOCK AT DOOR -Gemma! -Oh... | 0:25:20 | 0:25:22 | |
-Open the door. -Oh, no. | 0:25:22 | 0:25:25 | |
Not now, Jason! | 0:25:25 | 0:25:26 | |
Yes now, it's urgent. | 0:25:26 | 0:25:27 | |
Ohh... | 0:25:27 | 0:25:28 | |
-(There's no lock on the door.) -Oh, I'm coming in. -Ooh! Er... | 0:25:28 | 0:25:32 | |
Oh! | 0:25:34 | 0:25:35 | |
Oh! | 0:25:35 | 0:25:36 | |
JASON RETCHES | 0:25:36 | 0:25:38 | |
Oh, oh, oh... Oh, Jason. | 0:25:38 | 0:25:41 | |
It's the birch wine. | 0:25:41 | 0:25:42 | |
Oh, my tummy. | 0:25:42 | 0:25:43 | |
No, no, I think it's the sardines repeating... | 0:25:43 | 0:25:46 | |
-Oh...oh, oh! Urgh! -Gemma, I think you should go, I don't want you to see us like this. | 0:25:46 | 0:25:50 | |
-No! Make her stay, I need a wet compress. -No..! | 0:25:50 | 0:25:53 | |
-I just want to get a flannel. -No, I'll get it! | 0:25:53 | 0:25:55 | |
I like to nurse people. It's what makes me feel...whole. | 0:25:55 | 0:25:59 | |
Ooh..! | 0:25:59 | 0:26:01 | |
I think you should leave Jason here. | 0:26:01 | 0:26:03 | |
I'm not so sure I should. | 0:26:03 | 0:26:05 | |
It is my fault. | 0:26:05 | 0:26:06 | |
I undercooked the sardines. | 0:26:06 | 0:26:09 | |
Urgh! Ohh! | 0:26:09 | 0:26:10 | |
Ohh! | 0:26:10 | 0:26:11 | |
Ohh...we'll get through this... together. | 0:26:11 | 0:26:14 | |
-Urgh... -Right, well, I guess you're right. | 0:26:14 | 0:26:16 | |
OK... | 0:26:16 | 0:26:17 | |
-Uh... -Huh... | 0:26:17 | 0:26:19 | |
Oh, and thank you for a lovely night. | 0:26:19 | 0:26:21 | |
You're wel...welcome. | 0:26:21 | 0:26:23 | |
Oh, my God. | 0:26:27 | 0:26:29 | |
The squits. | 0:26:30 | 0:26:31 | |
Oh, OK, I'll give you some privacy. | 0:26:31 | 0:26:32 | |
I'll put some towels on Poppy's bed for you. | 0:26:33 | 0:26:36 | |
Oh, come on! | 0:26:36 | 0:26:38 | |
Uh... | 0:26:38 | 0:26:39 | |
Oh... | 0:26:39 | 0:26:41 | |
SPLASHING | 0:26:41 | 0:26:42 | |
Oh dear. | 0:26:42 | 0:26:43 | |
RETCHING | 0:26:44 | 0:26:46 | |
Urgh... | 0:26:46 | 0:26:48 | |
'Inca, just like your mother, you are vast and big.' | 0:26:48 | 0:26:52 | |
'Where is the spring, | 0:26:53 | 0:26:54 | |
'and the summer?' | 0:26:54 | 0:26:56 | |
SHE SIGHS | 0:26:56 | 0:26:57 | |
'Where did it go? | 0:26:57 | 0:26:59 | |
'I just don't know. | 0:26:59 | 0:27:00 | |
'But still... | 0:27:01 | 0:27:03 | |
'my love for you will live forever.' | 0:27:03 | 0:27:09 | |
'# Hasta manana... | 0:27:09 | 0:27:11 | |
-'# Till we meet again -'# Till we meet again | 0:27:11 | 0:27:15 | |
BOTH: '# Don't know where Don't know when... #' | 0:27:15 | 0:27:19 | |
BLEEP | 0:27:19 | 0:27:20 | |
DOORBELL RINGS | 0:27:39 | 0:27:41 | |
Oh, come on, come on, answer. | 0:27:43 | 0:27:45 | |
I'm in love with Billy, don't judge me. | 0:27:48 | 0:27:50 | |
-I won't. -You're not Fran! | 0:27:50 | 0:27:53 | |
Where's Fran? | 0:27:53 | 0:27:54 | |
Gemma? | 0:27:54 | 0:27:55 | |
-What are you doing here? Are you OK? -She's in love with Billy. | 0:27:55 | 0:27:58 | |
-Well... Hang on. Billy? -Yeah. | 0:27:58 | 0:28:00 | |
-Not Tom? -No. | 0:28:00 | 0:28:01 | |
But Billy, he's... | 0:28:01 | 0:28:03 | |
Well, he's... | 0:28:03 | 0:28:05 | |
Well then again, he is so... | 0:28:05 | 0:28:07 | |
She doesn't want you to judge. | 0:28:07 | 0:28:08 | |
Well, then she shouldn't tell me. That's what friends do, judge. | 0:28:08 | 0:28:11 | |
Right, well, I'll leave you two to it. | 0:28:11 | 0:28:13 | |
Well, not it. Well... | 0:28:15 | 0:28:16 | |
Well, probably it. | 0:28:16 | 0:28:18 | |
No, no, no, come in. | 0:28:18 | 0:28:19 | |
-Billy, though? -Judging... | 0:28:21 | 0:28:23 | |
Not judging, just saying. | 0:28:23 | 0:28:25 | |
Sounded a bit judging. | 0:28:25 | 0:28:26 | |
DOOR SLAMS | 0:28:26 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:28 | 0:28:31 |