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Tonight on my Big Show... | 0:00:10 | 0:00:12 | |
..Marvin and Rochelle hand over both their phones to play Send To All, | 0:00:12 | 0:00:17 | |
there's music from pop sensations The Vamps, featuring | 0:00:17 | 0:00:21 | |
Maggie Lindemann, and comedy from the hilarious Jason Manford. | 0:00:21 | 0:00:26 | |
And who will be tonight's Unexpected Star of the show? | 0:00:26 | 0:00:29 | |
Ladies and gentlemen, it's the Big Show. | 0:00:34 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:42 | |
CIRCUS MUSIC PLAYS | 0:00:42 | 0:00:45 | |
DRUM ROLL | 0:00:50 | 0:00:54 | |
CHEERING | 0:00:54 | 0:00:57 | |
Yeah! | 0:00:58 | 0:01:00 | |
Thank you very much. | 0:01:03 | 0:01:04 | |
Good evening, ladies and gentlemen, | 0:01:04 | 0:01:07 | |
and welcome to my Big Show! | 0:01:07 | 0:01:11 | |
What a show we have for you tonight. | 0:01:16 | 0:01:18 | |
We will of course have big stars... | 0:01:18 | 0:01:21 | |
CHEERING ..big laughs... | 0:01:21 | 0:01:23 | |
CHEERING ..and very, very big surprises, | 0:01:23 | 0:01:27 | |
ladies and gentlemen. CHEERING | 0:01:27 | 0:01:29 | |
That's happening. Yeah! HE GIGGLES | 0:01:29 | 0:01:31 | |
Yes! And not one but two celebrities are going to be playing Send To All. | 0:01:31 | 0:01:39 | |
CHEERING | 0:01:39 | 0:01:42 | |
And we do have our most ambitious stunt yet | 0:01:42 | 0:01:47 | |
when we reveal this week's Unexpected Star of the show. | 0:01:47 | 0:01:52 | |
CHEERING | 0:01:52 | 0:01:54 | |
Family people in tonight? Who's got children? | 0:01:56 | 0:01:58 | |
Round of applause, you got children? | 0:01:58 | 0:01:59 | |
APPLAUSE AND CHEERING | 0:01:59 | 0:02:02 | |
There are basics that you have to do every single day | 0:02:02 | 0:02:05 | |
when raising children, and these are | 0:02:05 | 0:02:08 | |
feeding them, you have to feed them. | 0:02:08 | 0:02:10 | |
This is probably news to nobody. You have to feed them, | 0:02:10 | 0:02:12 | |
you have to dress them, OK? | 0:02:12 | 0:02:14 | |
You have to wash them and you have to put them to bed. | 0:02:14 | 0:02:16 | |
You have to do these four things every single day. | 0:02:16 | 0:02:18 | |
Now, every single day, each one of these things is a battle. | 0:02:18 | 0:02:22 | |
They are reluctant to do | 0:02:23 | 0:02:25 | |
these things, and you are forced every day to compromise | 0:02:25 | 0:02:27 | |
on each of them. | 0:02:27 | 0:02:29 | |
I don't know why they resist these basic things. | 0:02:29 | 0:02:33 | |
Every day is a battle. | 0:02:33 | 0:02:36 | |
Just getting dressed, they will not get dressed. "Put your clothes on. | 0:02:36 | 0:02:39 | |
"Put your pants on." They refuse to wear pants. | 0:02:39 | 0:02:41 | |
"I don't like pants." | 0:02:41 | 0:02:42 | |
"They're uncomfortable. I don't like pants." | 0:02:42 | 0:02:44 | |
"Put your jumper on." "I'm boiling. | 0:02:44 | 0:02:47 | |
"I'm boiling." They're always boiling. "I'm boiling!" | 0:02:47 | 0:02:50 | |
"Yes, that's because I've heated the inside of the house. | 0:02:50 | 0:02:53 | |
"But what I haven't done is heated the rest of the world. | 0:02:53 | 0:02:57 | |
"So you will need it when you get outside." "Can I just take it?" | 0:02:57 | 0:03:01 | |
So you just compromise. "All right, fine! Just take it." | 0:03:01 | 0:03:05 | |
"Do your laces." "Can I do it in the car?" | 0:03:05 | 0:03:07 | |
"Fine! Do it in the car! | 0:03:07 | 0:03:09 | |
"Where's your bag? Where's your other shoe?" | 0:03:09 | 0:03:11 | |
And they spring things on you at the last minute. | 0:03:11 | 0:03:13 | |
The other day, we're going to school, nearly out the door. | 0:03:13 | 0:03:15 | |
My son's done quite well, actually. He's got his pants on, | 0:03:15 | 0:03:17 | |
he's even got his jumper on. He's holding his coat, he's got his bag - | 0:03:17 | 0:03:20 | |
we're nearly out the door. He just looks at me and goes, "Dad, | 0:03:20 | 0:03:23 | |
"it's Roman day." | 0:03:23 | 0:03:25 | |
"What's Roman day?" | 0:03:27 | 0:03:29 | |
"Everybody has to go to school today dressed as something | 0:03:29 | 0:03:31 | |
"from the Roman Empire." | 0:03:31 | 0:03:33 | |
"We're supposed to be at school in six minutes. | 0:03:35 | 0:03:39 | |
"What exactly did you expect me to do at this point? | 0:03:39 | 0:03:42 | |
"Oh, yes, when I was nine I was a centurion. | 0:03:42 | 0:03:44 | |
"I think I still have my armour here in the cupboard." | 0:03:44 | 0:03:47 | |
"Let's not drive this morning. | 0:03:49 | 0:03:50 | |
"I've been hiding a horse and chariot in the garage. | 0:03:50 | 0:03:53 | |
"We'll arrive in style!" | 0:03:53 | 0:03:55 | |
Feeding... They will eat... Children will eat... | 0:03:57 | 0:04:00 | |
They will eat rubbish. They'll eat garbage, OK? | 0:04:00 | 0:04:02 | |
They'll eat chocolate and sweets and ice cream till they're sick. | 0:04:02 | 0:04:06 | |
What they won't eat is things that are good for them. | 0:04:06 | 0:04:08 | |
Every day, we try to get them to eat vegetables, fruit, | 0:04:08 | 0:04:10 | |
things that are good for them. We aim very high, my wife and I, | 0:04:10 | 0:04:13 | |
every single mealtime. | 0:04:13 | 0:04:14 | |
"All right, tonight there will be no ice cream, children, | 0:04:14 | 0:04:17 | |
"unless you have all your peas, all your broccoli and all your carrots." | 0:04:17 | 0:04:21 | |
"But, Dad, please, it's disgusting. | 0:04:21 | 0:04:23 | |
"Please don't make me eat that. Please, it's just disgusting. | 0:04:23 | 0:04:26 | |
"Please, Dad, you can't force us! You can't force us! | 0:04:26 | 0:04:30 | |
"It's disgusting!" | 0:04:30 | 0:04:32 | |
"All right! Fine. | 0:04:32 | 0:04:35 | |
"I just want you to eat one carrot... | 0:04:35 | 0:04:38 | |
"..five peas | 0:04:38 | 0:04:41 | |
"and this floret of broccoli." | 0:04:41 | 0:04:44 | |
"But, Dad, it's disgusting, please don't make me eat that. | 0:04:44 | 0:04:46 | |
"Please, you can't force me, I hate it!" | 0:04:46 | 0:04:49 | |
"I hate it!" | 0:04:49 | 0:04:51 | |
"All right, fine! | 0:04:51 | 0:04:54 | |
"Just stick out your tongue and let me | 0:04:54 | 0:04:56 | |
"wipe the broccoli across your face." | 0:04:56 | 0:04:59 | |
"And then can I have ice cream?" "Yes!" | 0:04:59 | 0:05:02 | |
Washing every day, run the bath, get in the bath, "Have you washed? | 0:05:03 | 0:05:07 | |
"Have you brushed your teeth?" They lie to you. | 0:05:07 | 0:05:09 | |
They lie to my face every single day. | 0:05:09 | 0:05:10 | |
"Have you brushed your teeth?" "Yes." | 0:05:10 | 0:05:12 | |
"OK, then breathe on me." | 0:05:12 | 0:05:14 | |
I have to get this jet of disgusting... | 0:05:14 | 0:05:16 | |
HE EXHALES Eugh! | 0:05:16 | 0:05:18 | |
"You haven't brushed your teeth, have you?" "No, I haven't, Daddy." | 0:05:18 | 0:05:21 | |
"Well, why didn't you say that?!" | 0:05:21 | 0:05:23 | |
The laziness. | 0:05:23 | 0:05:25 | |
Oh, and flush the... You know... | 0:05:25 | 0:05:27 | |
Before I had children I used to dream about what it was like. | 0:05:27 | 0:05:30 | |
My wife and I would discuss it, | 0:05:30 | 0:05:32 | |
"I can't wait to have children, it's going to be amazing. | 0:05:32 | 0:05:35 | |
"You'll be such an amazing mum." | 0:05:35 | 0:05:37 | |
I used to dream of idyllic, rosy-cheeked, | 0:05:37 | 0:05:40 | |
beautiful children in dungarees... | 0:05:40 | 0:05:43 | |
running in fields.... | 0:05:43 | 0:05:45 | |
..picking flowers. | 0:05:45 | 0:05:47 | |
"Can we have our picnic now? Can we have our picnic?" | 0:05:47 | 0:05:50 | |
How did that fantasy become me, almost on a nightly basis, | 0:05:50 | 0:05:54 | |
standing over the toilet going, "Whose poo is this?!" | 0:05:54 | 0:05:59 | |
"Lucas! Is that your poo?" | 0:06:02 | 0:06:05 | |
He puts on this whole... | 0:06:05 | 0:06:07 | |
He actually comes over and looks in the loo. | 0:06:07 | 0:06:10 | |
"No, that's not my poo." | 0:06:12 | 0:06:14 | |
"So, Ossie, it's your poo." | 0:06:15 | 0:06:18 | |
"Dad, that is definitely not my poo." | 0:06:18 | 0:06:20 | |
"Darling..." "Don't you even..." | 0:06:20 | 0:06:23 | |
Ah, hair-wash night. I don't know how much you're supposed to | 0:06:27 | 0:06:30 | |
wash your children's hair, | 0:06:30 | 0:06:31 | |
but I've got it down to about once a fortnight now because of the drama. | 0:06:31 | 0:06:35 | |
"Hair-wash night? No, Daddy, please. Can we do that tomorrow? | 0:06:35 | 0:06:38 | |
"Daddy, can we do it tomorrow? Can we do it tomorrow? | 0:06:38 | 0:06:41 | |
"It's going to go in my eyes! It's going to go in my eyes!" | 0:06:41 | 0:06:43 | |
"Put your head back." You have to hold the flannel. They shake and... | 0:06:43 | 0:06:47 | |
"Ah! It's going to go in my eyes! | 0:06:47 | 0:06:50 | |
"I don't like it, Daddy! Is it finished? Is it finished?" | 0:06:50 | 0:06:53 | |
God forbid the shampoo actually goes a little bit in their eye. | 0:06:53 | 0:06:58 | |
HE SHRIEKS | 0:06:58 | 0:07:00 | |
"I need a towel! | 0:07:03 | 0:07:04 | |
"I need a towel!" | 0:07:04 | 0:07:05 | |
"Ah!" | 0:07:07 | 0:07:08 | |
HE WHIMPERS | 0:07:08 | 0:07:10 | |
"Why would you do that to me?" | 0:07:14 | 0:07:17 | |
"For God's sake, I'm just trying to wash your hair." | 0:07:17 | 0:07:21 | |
Bedtime. Oh, bedtime. "It's bedtime, go to bed." "Can I have a story? | 0:07:21 | 0:07:25 | |
"Can I have a story?" The last thing you want to do at the end of a day | 0:07:25 | 0:07:29 | |
of battles is read a nonsense, stupid story. | 0:07:29 | 0:07:34 | |
I don't know if you do this, | 0:07:34 | 0:07:36 | |
but I will scan the bookshelf for the shortest book that we own. | 0:07:36 | 0:07:39 | |
My son's always like, "Can we read The Hobbit?" "No." | 0:07:41 | 0:07:44 | |
"I thought we could read this | 0:07:44 | 0:07:46 | |
"leaflet that came through the door. | 0:07:46 | 0:07:48 | |
"It's for a local pizzeria, you see there is a deal on. Now goodnight. | 0:07:48 | 0:07:52 | |
"Daddy loves you." | 0:07:52 | 0:07:54 | |
This is what it is like, it is a battle, it is a daily battle, | 0:07:55 | 0:07:59 | |
every single day, to do the basics. | 0:07:59 | 0:08:01 | |
There isn't a child on Earth who has ever not battled these things. | 0:08:01 | 0:08:05 | |
There's no kid in the history of children who's ever just gone, | 0:08:05 | 0:08:08 | |
"Mum, Dad, listen, I'm exhausted tonight. | 0:08:08 | 0:08:11 | |
"I'm just going to head up to bed, I think. | 0:08:11 | 0:08:14 | |
"I managed to squeeze a shower in earlier, Mum, while you were cooking | 0:08:14 | 0:08:17 | |
"that amazing dinner. I don't know what you did with the broccoli. | 0:08:17 | 0:08:19 | |
"Was it something different? Because for me it could've been | 0:08:19 | 0:08:22 | |
"the meal all unto itself. Magnificent. | 0:08:22 | 0:08:24 | |
"I didn't tell you guys it was Roman day tomorrow | 0:08:24 | 0:08:26 | |
"cos I wanted to surprise you with the outfit that I've made. | 0:08:26 | 0:08:29 | |
"You're going to love it." | 0:08:29 | 0:08:31 | |
"I'll see you by the door at about five to eight in my shoes and pants | 0:08:31 | 0:08:34 | |
"and I'm going to wear my coat cos you never know, I mean, | 0:08:34 | 0:08:37 | |
"it is quite chilly out there." | 0:08:37 | 0:08:39 | |
Oh and... HE EXHALES | 0:08:39 | 0:08:41 | |
Minty fresh. | 0:08:41 | 0:08:43 | |
Well, that's never going to happen. | 0:08:43 | 0:08:45 | |
That's a fantasy. That's a fantasy. | 0:08:45 | 0:08:49 | |
Now, ladies and gentlemen, it is time to play Send To All! | 0:08:53 | 0:08:58 | |
CHEERING | 0:08:58 | 0:09:00 | |
Yes. | 0:09:00 | 0:09:02 | |
In a Send To All first, ladies and gentlemen, this week, not one | 0:09:02 | 0:09:06 | |
but two celebrities have agreed to hand over their phones. | 0:09:06 | 0:09:11 | |
-AUDIENCE: -Ooh! -Ladies and gentlemen, please welcome | 0:09:11 | 0:09:14 | |
the divine, it's Marvin and Rochelle. | 0:09:14 | 0:09:17 | |
CHEERING | 0:09:17 | 0:09:19 | |
I love you two. | 0:09:19 | 0:09:21 | |
Aw! | 0:09:21 | 0:09:22 | |
You're very nice people. How are you both? How are you? | 0:09:22 | 0:09:25 | |
-I'm a bit nervous. Yeah, I'm a bit scared. -Bit nervous? -Yeah. | 0:09:25 | 0:09:28 | |
Yeah. There's nothing to worry about. | 0:09:28 | 0:09:30 | |
-I have to say, tonight is going to be especially fun. -OK. | 0:09:30 | 0:09:33 | |
So tell me about when you first got together. | 0:09:33 | 0:09:34 | |
I mean, phones would've been a big part of it. | 0:09:34 | 0:09:36 | |
-Who took whose number? -Yeah, yeah. So when we first got together... | 0:09:36 | 0:09:39 | |
-OK, hang on, just be honest. -I'm going to be honest. | 0:09:39 | 0:09:41 | |
I will be honest. So, we were doing a gig together in Ireland, | 0:09:41 | 0:09:45 | |
the Saturdays, JLS, and I'd always liked Roch. | 0:09:45 | 0:09:48 | |
We ended up chatting that night. | 0:09:48 | 0:09:49 | |
We were standing in the hotel cos it was a late show. | 0:09:49 | 0:09:52 | |
She decided to go to the toilet and what lady goes to the toilet | 0:09:52 | 0:09:56 | |
and leaves their handbag with me, her phone had no phone lock... | 0:09:56 | 0:10:00 | |
-No phone lock?! -No phone lock, exactly. -What year was this? | 0:10:00 | 0:10:02 | |
I went into her bag, I took out the phone, I called myself. | 0:10:04 | 0:10:07 | |
-Stole her phone number. -Wait, whoa, whoa, whoa, whoa. | 0:10:07 | 0:10:09 | |
-You took her phone and you phoned yourself? -Thank you! It's so wrong. | 0:10:09 | 0:10:12 | |
-To get her number? BOTH: -Yes! | 0:10:12 | 0:10:13 | |
-Right. That's clever. -No, that's really freaky. | 0:10:13 | 0:10:15 | |
-You say freaky... -Yeah. | 0:10:15 | 0:10:17 | |
#MarriedWithTwoKids. Seemed to work out. | 0:10:17 | 0:10:20 | |
It worked. It did work. | 0:10:20 | 0:10:22 | |
When you phoned yourself, did you leave a message? | 0:10:22 | 0:10:25 | |
"Hi, it's me. Just trying to pull." | 0:10:25 | 0:10:28 | |
Thank you so much for agreeing to do this. | 0:10:30 | 0:10:32 | |
Of course, Rochelle, as soon as I get your phone, | 0:10:32 | 0:10:35 | |
I'll probably call myself with it. | 0:10:35 | 0:10:36 | |
Ey! | 0:10:36 | 0:10:39 | |
-I mean, it's only right. -OK. | 0:10:39 | 0:10:42 | |
So, guys, if I can ask you please to place your mobile phones | 0:10:42 | 0:10:45 | |
here in this contraption and we will get them both down. This is | 0:10:45 | 0:10:49 | |
so exciting, a Send To All first. | 0:10:49 | 0:10:52 | |
OK, let's get these phones down. | 0:10:52 | 0:10:54 | |
# It takes two, baby | 0:10:54 | 0:10:56 | |
# It takes two, baby | 0:10:57 | 0:11:00 | |
# Me and you. # | 0:11:00 | 0:11:02 | |
AUDIENCE CLAPS IN TIME | 0:11:02 | 0:11:04 | |
All right, ladies and gentlemen, | 0:11:04 | 0:11:06 | |
I am now in possession of Marvin and Rochelle's mobile telephones! | 0:11:06 | 0:11:10 | |
CHEERING | 0:11:10 | 0:11:12 | |
Wow. OK. Has it come on? | 0:11:14 | 0:11:15 | |
CHEERING Oh, yeah! | 0:11:16 | 0:11:19 | |
-This is so weird. -This is so weird. | 0:11:19 | 0:11:21 | |
-It must be so weird to see your phone. -Oh, no. | 0:11:21 | 0:11:23 | |
So this is it, this... Oh, look, lovely things on here, Pinterest, | 0:11:23 | 0:11:27 | |
InstaBeauty... | 0:11:27 | 0:11:29 | |
Getting ready for Christmas? Santa there. | 0:11:29 | 0:11:31 | |
Oh, that's great, that works all year round with my little girl, | 0:11:31 | 0:11:33 | |
-the Santa app. -That is such a classic threat. -Yes. -Yes. | 0:11:33 | 0:11:36 | |
I do this thing where I go, "I'm phoning Father Christmas." | 0:11:36 | 0:11:39 | |
Yup. | 0:11:39 | 0:11:41 | |
Yup, but he can actually call you back. | 0:11:41 | 0:11:43 | |
-What?! -I know, it's amazing. | 0:11:43 | 0:11:44 | |
Santa also called you and gave you his number? | 0:11:46 | 0:11:50 | |
-He did. -Santa Claus. | 0:11:51 | 0:11:53 | |
-Call... Schedule a call? -Yes, it's brilliant. -All right. | 0:11:53 | 0:11:56 | |
Tap to add. | 0:11:56 | 0:11:57 | |
You have to, like, insert the name and then he says the name | 0:11:57 | 0:12:00 | |
when he calls, and say what they've been good at. | 0:12:00 | 0:12:03 | |
All right, well, I'm going to do it. | 0:12:03 | 0:12:06 | |
Michael. Michael Michael. Why not? | 0:12:06 | 0:12:09 | |
All right, are we ready? I'm a boy. Yes. | 0:12:09 | 0:12:11 | |
How old am I? | 0:12:11 | 0:12:12 | |
Just say you're, like, four. | 0:12:15 | 0:12:16 | |
I'll be four. When's he going to phone? Immediately. | 0:12:16 | 0:12:19 | |
-Let's go. -Yeah, here you go. | 0:12:19 | 0:12:21 | |
MUSIC: We Wish You A Merry Christmas | 0:12:21 | 0:12:24 | |
It's so good! | 0:12:24 | 0:12:26 | |
Hello? | 0:12:28 | 0:12:29 | |
Ho, ho, ho! Good evening. | 0:12:29 | 0:12:33 | |
It's Santa calling. | 0:12:33 | 0:12:35 | |
According to my records, you're four years old. | 0:12:35 | 0:12:40 | |
I've found out that you've been a very good girl. | 0:12:43 | 0:12:47 | |
I'm so impressed that I've put your name on my nice list. | 0:12:47 | 0:12:53 | |
Ho, ho! | 0:12:53 | 0:12:56 | |
How the hell did he find out? | 0:12:56 | 0:12:57 | |
Been keeping that secret for years. | 0:12:58 | 0:13:00 | |
-Goodbye. -Goodbye, thank you, Santa. | 0:13:02 | 0:13:06 | |
Oh, God. OK, Marvin. | 0:13:08 | 0:13:11 | |
You see? Obviously, straight in there, Premier League. TV Guide. | 0:13:11 | 0:13:15 | |
Oh, photos. Let's have a look at some photos. | 0:13:15 | 0:13:17 | |
Ooh, hello. Yes. There you go. | 0:13:17 | 0:13:20 | |
What's going on there, Marv? | 0:13:21 | 0:13:23 | |
Got a lovely house. | 0:13:23 | 0:13:24 | |
Just casual morning selfie. | 0:13:24 | 0:13:28 | |
OK. Oh, yeah, this is the life! | 0:13:28 | 0:13:30 | |
Erm, I'm hoping that's a spa and not a toilet. | 0:13:30 | 0:13:33 | |
Whoa. WOLF WHISTLES | 0:13:37 | 0:13:39 | |
This is obviously... Is this you? | 0:13:39 | 0:13:41 | |
Is it Drake? Have you put somebody else's body here? | 0:13:41 | 0:13:43 | |
Oh, look at the shape you're in. | 0:13:43 | 0:13:47 | |
-You are loving yourself, aren't you? AUDIENCE: -Woo! | 0:13:47 | 0:13:50 | |
-Very good. This is you going to collect the kids, is it? -Yeah! | 0:13:50 | 0:13:53 | |
At the posh school. | 0:13:53 | 0:13:55 | |
-School run. -School run. Perfect. | 0:13:55 | 0:13:57 | |
Oh, DJ-ing. There you go. | 0:13:57 | 0:14:00 | |
All right. Oh, look. | 0:14:00 | 0:14:01 | |
And there you are on a Saturday. | 0:14:01 | 0:14:04 | |
LAUGHTER | 0:14:04 | 0:14:06 | |
APPLAUSE | 0:14:06 | 0:14:08 | |
OK, I think it's about time to write the texts into these two very, | 0:14:08 | 0:14:11 | |
very sweet and lovely people. Right. | 0:14:11 | 0:14:13 | |
So the text I'm going to put into Marvin's phone is, | 0:14:13 | 0:14:15 | |
"Taken Rochelle | 0:14:15 | 0:14:19 | |
"out to a lovely | 0:14:19 | 0:14:23 | |
"little restaurant. | 0:14:23 | 0:14:25 | |
"A fan just asked me | 0:14:25 | 0:14:30 | |
"for a selfie, | 0:14:30 | 0:14:32 | |
"and not Rochelle. | 0:14:32 | 0:14:34 | |
"Now we're having a row..." | 0:14:37 | 0:14:40 | |
Oh, God! | 0:14:42 | 0:14:43 | |
-"..about who..." -Oh, no! | 0:14:44 | 0:14:46 | |
"is more | 0:14:46 | 0:14:48 | |
"famous. | 0:14:48 | 0:14:51 | |
"It's me, right?" | 0:14:53 | 0:14:55 | |
So, we'll just leave that there for the time being. | 0:14:57 | 0:15:00 | |
Now... | 0:15:00 | 0:15:01 | |
..into your phone, Rochelle... | 0:15:01 | 0:15:03 | |
You should write "Marv", not "Marvin", cos... | 0:15:03 | 0:15:06 | |
-You're right. Any help... -..I'd never say that. -You're right. | 0:15:06 | 0:15:09 | |
-Maybe write "Roch", cos you'd never call me Rochelle, would you? -Yeah. | 0:15:09 | 0:15:13 | |
-"Roch", like that? -Roch, yeah. -Yeah? -I think... Yeah. -All right. | 0:15:13 | 0:15:16 | |
Otherwise people might know. | 0:15:16 | 0:15:18 | |
So, your version, Marvin, was... | 0:15:18 | 0:15:21 | |
"Taken Roch out to a lovely little restaurant." | 0:15:21 | 0:15:25 | |
Now, Rochelle's. | 0:15:25 | 0:15:27 | |
"With Marv... | 0:15:27 | 0:15:30 | |
"..in Nando's." | 0:15:30 | 0:15:32 | |
That's about right. That's really accurate. | 0:15:38 | 0:15:42 | |
"He basically forced the waiter... | 0:15:42 | 0:15:46 | |
"..to have a selfie with him. | 0:15:48 | 0:15:50 | |
"So embarrassing. | 0:15:52 | 0:15:54 | |
"Now we're having an argument over who is more famous." | 0:15:54 | 0:16:02 | |
This is so awful. | 0:16:02 | 0:16:03 | |
-"In your honest..." -Oh, no! | 0:16:05 | 0:16:09 | |
"..opinion, is it me or Marv?" | 0:16:09 | 0:16:14 | |
Oh, my goodness. I hate this. | 0:16:14 | 0:16:16 | |
OK, so, Roch, how would you sign a text? | 0:16:16 | 0:16:21 | |
-One big X, two little ones. -All right. | 0:16:21 | 0:16:23 | |
-How have you opened it, though? -Oh. "With Marv in Nando's." | 0:16:23 | 0:16:27 | |
OK, so, maybe you should write, "Hey, babe, I'm with Marv." Yeah. | 0:16:27 | 0:16:30 | |
-Are you calling everyone in your phone book "babe"? -I think so. | 0:16:30 | 0:16:33 | |
Unless it's like... Oh, no, my doctor. | 0:16:33 | 0:16:35 | |
Or someone like that. | 0:16:37 | 0:16:38 | |
-Well, it is going to be your doctor. It's everybody. -Just "hey", I think. | 0:16:38 | 0:16:41 | |
Marvin's upset about you calling everyone in your phone "babe". | 0:16:41 | 0:16:44 | |
-I know! -Darling, I think we're going to go with just "hey" tonight. | 0:16:44 | 0:16:48 | |
-Just "hey". -Just "hey". | 0:16:49 | 0:16:51 | |
-Hey. OK. Now, Marvin...? -Yes. -How would you sign a text on yours? | 0:16:51 | 0:16:56 | |
How about the muscle emoji? | 0:16:56 | 0:16:57 | |
Yeah. | 0:17:00 | 0:17:01 | |
I think that works with the text. | 0:17:03 | 0:17:05 | |
And let's be honest, it was in your "recently used". | 0:17:05 | 0:17:08 | |
You are something else, Marv. | 0:17:13 | 0:17:15 | |
So, Marvin, your text is, | 0:17:17 | 0:17:19 | |
"Taken Roch out to a lovely little restaurant. | 0:17:19 | 0:17:21 | |
"A fan just asked me for a selfie, and not Roch. | 0:17:21 | 0:17:24 | |
"Now we're having a row about who is more famous. It's me, right?" | 0:17:24 | 0:17:28 | |
Rochelle's text is, "Hey, I'm with Marv in Nando's. | 0:17:28 | 0:17:32 | |
"He basically forced the waiter to have a selfie with him. | 0:17:32 | 0:17:34 | |
"So embarrassing. Now we're having an argument over who is more famous. | 0:17:34 | 0:17:38 | |
"In your honest opinion, is it me or Marv?" | 0:17:38 | 0:17:42 | |
Big kiss, two little kisses. | 0:17:42 | 0:17:44 | |
Shall we send those two texts simultaneously? | 0:17:44 | 0:17:47 | |
CHEERING | 0:17:47 | 0:17:49 | |
All right, ladies and gentlemen, | 0:17:49 | 0:17:51 | |
let's find out who's more famous, | 0:17:51 | 0:17:54 | |
because those texts have gone, ladies and gentlemen! | 0:17:54 | 0:17:58 | |
It's happening! | 0:17:58 | 0:18:00 | |
CHEERING | 0:18:00 | 0:18:01 | |
Please thank the very brilliant and very fun Marvin and Rochelle. | 0:18:01 | 0:18:06 | |
It's Marv and Roch. | 0:18:06 | 0:18:08 | |
Thank you so much, guys. | 0:18:09 | 0:18:11 | |
Ladies and gentlemen, my next guests are a group of handsome musicians | 0:18:12 | 0:18:15 | |
who have had a huge succession of sensational hit records. | 0:18:15 | 0:18:20 | |
Scream your hearts out. | 0:18:20 | 0:18:21 | |
Tonight, featuring Maggie Lindemann, it's The Vamps. | 0:18:21 | 0:18:24 | |
CHEERING | 0:18:24 | 0:18:26 | |
Thank you. How are we doing, London? | 0:18:27 | 0:18:31 | |
CHEERING | 0:18:31 | 0:18:33 | |
Feel free to stand up and have a dance. | 0:18:33 | 0:18:36 | |
# Personally, I think you'd be better with somebody like me | 0:18:36 | 0:18:39 | |
# But worst of all, you don't even see, you don't even see | 0:18:39 | 0:18:43 | |
# I think it's time to put my heart out on the line | 0:18:43 | 0:18:47 | |
# I think it's time to say what's playing on my mind | 0:18:48 | 0:18:53 | |
# I see you out with him and I say that I'm fine | 0:18:53 | 0:18:57 | |
# It happens every time | 0:18:57 | 0:19:00 | |
# Every time | 0:19:00 | 0:19:03 | |
# Well, I'm sick and tired of playing games | 0:19:03 | 0:19:05 | |
# I'm sick and tired of being second place | 0:19:05 | 0:19:08 | |
# And I know if I never tried | 0:19:08 | 0:19:10 | |
# I'd be sick and tired of being sick and tired | 0:19:10 | 0:19:12 | |
# Don't take it personal | 0:19:12 | 0:19:14 | |
# But personally, I think you'd be better with somebody like me | 0:19:14 | 0:19:18 | |
# But worst of all, you don't even see, you don't even see | 0:19:18 | 0:19:21 | |
# Girl, don't take it personal | 0:19:21 | 0:19:23 | |
# But personally, I think you'd be better with somebody like me | 0:19:23 | 0:19:27 | |
-# But worst of all... # -Put those hands up! | 0:19:27 | 0:19:29 | |
-# ..You don't even see... # -Put 'em up! | 0:19:29 | 0:19:31 | |
# ..So, don't take it personal | 0:19:31 | 0:19:33 | |
# But personally, I think you'd be better with somebody like me | 0:19:33 | 0:19:37 | |
# But worst of all, you don't even see, you don't even see | 0:19:37 | 0:19:40 | |
# Girl, don't take it personal | 0:19:40 | 0:19:43 | |
# But personally, I think you'd be better with somebody like me | 0:19:43 | 0:19:46 | |
# But worst of all... # | 0:19:46 | 0:19:47 | |
Ladies and gentlemen, Maggie Lindemann! | 0:19:47 | 0:19:51 | |
# ..You know how much I love it when you call me out | 0:19:51 | 0:19:55 | |
# You see it in my eyes The way they follow you around | 0:19:55 | 0:20:00 | |
# Cos, yeah, I like the way you dance | 0:20:00 | 0:20:03 | |
# You know I do | 0:20:03 | 0:20:05 | |
# Yeah, I do | 0:20:05 | 0:20:07 | |
-# Cos that's just you... # -Hey! | 0:20:07 | 0:20:09 | |
# ..I'm sick and tired of being friends | 0:20:09 | 0:20:12 | |
# I'm sick and tired of being there | 0:20:12 | 0:20:15 | |
-# And I know if I never try... # -London, here we go! | 0:20:15 | 0:20:18 | |
# ..I'll be sick and tired of being sick and tired | 0:20:18 | 0:20:20 | |
# Girl, don't take it personal | 0:20:20 | 0:20:21 | |
# But personally, I think you'd be better with somebody like me | 0:20:21 | 0:20:25 | |
# But worst of all, you don't even see, you don't even see | 0:20:25 | 0:20:28 | |
# Girl, don't take it personal | 0:20:28 | 0:20:31 | |
# But personally, I think you'd be better with somebody like me | 0:20:31 | 0:20:34 | |
# But worst of all, you don't even see, you don't even see | 0:20:34 | 0:20:38 | |
# So, let's make it personal | 0:20:38 | 0:20:42 | |
# Tell me what you like | 0:20:42 | 0:20:43 | |
# Let's make it personal | 0:20:43 | 0:20:46 | |
# Cos I know that you want to try to get personal | 0:20:46 | 0:20:51 | |
# Tell me what you like | 0:20:51 | 0:20:53 | |
# Let's make it personal | 0:20:53 | 0:20:56 | |
# Personal... # | 0:20:56 | 0:20:59 | |
London, put those hands up! | 0:20:59 | 0:21:00 | |
Beautiful! | 0:21:03 | 0:21:04 | |
# ..So don't take it personal | 0:21:07 | 0:21:09 | |
# But personally, I think you'd be better with somebody like me | 0:21:09 | 0:21:13 | |
# But worst of all, you don't even see, you don't even see | 0:21:13 | 0:21:17 | |
# Don't take it personal | 0:21:17 | 0:21:19 | |
# But personally, I think you'd be better with somebody like me | 0:21:19 | 0:21:22 | |
# But worst of all, you don't even see, you don't even see | 0:21:22 | 0:21:26 | |
# Girl, don't take it personal | 0:21:26 | 0:21:28 | |
# But personally, I think you'd be better with somebody like me | 0:21:28 | 0:21:32 | |
# But worst of all, you don't even see, you don't even see. # | 0:21:32 | 0:21:36 | |
Maggie Lindemann, everybody. | 0:21:36 | 0:21:37 | |
CHEERING | 0:21:37 | 0:21:39 | |
From The Vamps, what about that? Let's get Personal. | 0:21:44 | 0:21:48 | |
We love that. We love The Vamps. | 0:21:50 | 0:21:52 | |
OK. No, ladies and gentlemen, | 0:21:54 | 0:21:56 | |
it is time to find out who will be tonight's | 0:21:56 | 0:21:58 | |
Unexpected Star of the show. | 0:21:58 | 0:22:01 | |
CHEERING | 0:22:01 | 0:22:02 | |
So here is tonight's Unexpected Star. This... | 0:22:06 | 0:22:11 | |
..is Marvin. | 0:22:11 | 0:22:13 | |
He's a horse trainer from West Sussex. | 0:22:13 | 0:22:15 | |
CHEERING | 0:22:15 | 0:22:17 | |
There he is with a horse. He's kind of cool, is our Marv. | 0:22:17 | 0:22:20 | |
He is coming to our secret location, which is behind the theatre. | 0:22:21 | 0:22:25 | |
He thinks he's been hired as a body double for an advert | 0:22:25 | 0:22:30 | |
set in the Wild West. | 0:22:30 | 0:22:32 | |
So he's coming here thinking he's part of an advert for a perfume. | 0:22:33 | 0:22:38 | |
It's a men's aftershave. It's called Unexpected. | 0:22:38 | 0:22:42 | |
It's absolutely disgusting. | 0:22:44 | 0:22:47 | |
There's damsel in distress, played by Rachel Riley from Countdown. | 0:22:50 | 0:22:54 | |
Then he's going to get on an actual horse. | 0:22:54 | 0:22:58 | |
He's then going to deliver the final line of the advert, | 0:22:59 | 0:23:02 | |
which is, "Well, that was unexpected." | 0:23:02 | 0:23:05 | |
At that point, the curtain will fall down to reveal 2,000 of you, | 0:23:07 | 0:23:14 | |
and normally when this happens, I say, "Go mad, get on your feet," | 0:23:14 | 0:23:18 | |
but there's a horse on the stage. | 0:23:18 | 0:23:20 | |
I need to do the exit thing. | 0:23:23 | 0:23:25 | |
Exits are... I don't even know where they are. | 0:23:25 | 0:23:28 | |
This is where the people at the top go, "Good seats." | 0:23:28 | 0:23:31 | |
CHEERING | 0:23:34 | 0:23:36 | |
OK, Marvin is currently in the office, | 0:23:39 | 0:23:42 | |
which is adjacent to the theatre. | 0:23:42 | 0:23:44 | |
I think he actually might be waiting. Oh, there he is. | 0:23:44 | 0:23:46 | |
That is Marvin on the right, | 0:23:46 | 0:23:49 | |
and on the left is Terence, the lead actor on the left. | 0:23:49 | 0:23:53 | |
And, boy, have we got some fun lined up for him. | 0:23:53 | 0:23:56 | |
Are you up for that, ladies and gentlemen? Let's do that. | 0:23:56 | 0:23:58 | |
Marvin has been nominated by his wife Ellen, who's here tonight, | 0:24:00 | 0:24:04 | |
and we're going to find out | 0:24:04 | 0:24:05 | |
a little bit about Marvin before we get him out. | 0:24:05 | 0:24:08 | |
OK, where's Ellen? Hi, Ellen. Ladies and gentlemen, it's Ellen. | 0:24:08 | 0:24:11 | |
Ellen's here. | 0:24:11 | 0:24:12 | |
Hello, Ellen. So, tell us about Marvin. | 0:24:15 | 0:24:17 | |
-He's absolutely passionate about horses. -He's passionate. | 0:24:17 | 0:24:19 | |
-Is he a lovely person? -Yes. -And what about singing? | 0:24:19 | 0:24:22 | |
-Does he enjoy singing? I hope so. -He's quite good at that, yes. -OK. | 0:24:22 | 0:24:26 | |
So I understand he's performed a little bit already? | 0:24:26 | 0:24:29 | |
Yeah, he used to do some amateur dramatic stuff, | 0:24:29 | 0:24:31 | |
-he's done the Full Monty. -He's done the Full Monty? -Yes. -Oh, OK. | 0:24:31 | 0:24:36 | |
Everyone's getting very excited. He's not going to do that tonight. | 0:24:36 | 0:24:39 | |
OK, and I gather he's got a friend here as well. Hi. Is it Gavin? | 0:24:39 | 0:24:42 | |
-Hi there. -Hi, Gav. How are you? | 0:24:42 | 0:24:44 | |
So he performed at your wedding, is that right? | 0:24:44 | 0:24:46 | |
He did, yeah. He sang our first song. It was Lady In Red. | 0:24:46 | 0:24:49 | |
Right. How did that go? Did he perform well? | 0:24:49 | 0:24:51 | |
Yeah, he performed really well. | 0:24:51 | 0:24:53 | |
My mum and my sister still keep talking about him. | 0:24:53 | 0:24:55 | |
Oh, that's very good. | 0:24:55 | 0:24:56 | |
How do you think he will react to the shock of being on top | 0:24:56 | 0:24:59 | |
of a horse in a cowboy outfit, and all of us going crazy? | 0:24:59 | 0:25:03 | |
I'm beginning to wonder | 0:25:03 | 0:25:04 | |
if there'll be any divorce proceedings in the morning. | 0:25:04 | 0:25:08 | |
You think he might be divorcing you in the morning? | 0:25:08 | 0:25:11 | |
OK, well, listen. This is the perfume, Unexpected. | 0:25:11 | 0:25:14 | |
We just need to confirm that it's not the best. | 0:25:14 | 0:25:16 | |
Do you want to smell that for me and give your verdict? | 0:25:16 | 0:25:19 | |
Would you wear that? | 0:25:19 | 0:25:21 | |
Oh... | 0:25:21 | 0:25:22 | |
-How would you describe it? -Very fishy. -Yes, it is. | 0:25:22 | 0:25:25 | |
You're right to say it's fishy. Anyway, ladies and gentlemen, | 0:25:25 | 0:25:28 | |
please give it up for Marvin's lovely wife and friend, | 0:25:28 | 0:25:31 | |
lovely Ellen and Gavin. | 0:25:31 | 0:25:33 | |
All right. All right. | 0:25:36 | 0:25:38 | |
So, we're now going to talk to our actors backstage | 0:25:40 | 0:25:43 | |
and we're going to have a little bit of fun. OK. | 0:25:43 | 0:25:46 | |
Terence, if you can hear me, say, | 0:25:46 | 0:25:48 | |
"Yee-ha! I'm going to nail this part," and pump the air. | 0:25:48 | 0:25:52 | |
Yee-ha! I'm going to nail this part! | 0:25:52 | 0:25:55 | |
-Where's he going? -Where are you going? | 0:25:59 | 0:26:01 | |
He's so embarrassed he stood up and walked away. | 0:26:01 | 0:26:04 | |
He's just got on the horse. | 0:26:05 | 0:26:07 | |
Terence, could you say to Marvin, "Do you recognise me, by the way?" | 0:26:08 | 0:26:11 | |
Hey, Marvin, do you recognise me? | 0:26:11 | 0:26:13 | |
"I'm an actor." | 0:26:13 | 0:26:15 | |
-I'm an actor. -Yeah. | 0:26:15 | 0:26:16 | |
"You probably recognise me from The Walking Dead." | 0:26:18 | 0:26:21 | |
You might recognise me from The Walking Dead. | 0:26:21 | 0:26:24 | |
"This might jog your memory," and do a zombie impression. | 0:26:24 | 0:26:27 | |
This might jog your memory. You ready? | 0:26:27 | 0:26:29 | |
HE MOANS | 0:26:29 | 0:26:31 | |
He knows. He knows. He's seen it. He's seen it. | 0:26:40 | 0:26:43 | |
Can we send in the director, Robert? | 0:26:43 | 0:26:47 | |
-Oh, shoot. -Hi. -Hello. | 0:26:47 | 0:26:50 | |
-Is this Marvin? -Yes. -Grab a seat. | 0:26:50 | 0:26:53 | |
Hi. How's it going? Terence. | 0:26:53 | 0:26:55 | |
-Robert. Nice to meet you. I'm the director. Robert. -Nice to meet you. | 0:26:55 | 0:26:58 | |
Could you point to the runner and say, "Milk, two sugars"? | 0:26:58 | 0:27:01 | |
Milk, two sugars. | 0:27:01 | 0:27:02 | |
OK. | 0:27:02 | 0:27:04 | |
-Say, "Welcome, welcome, everybody." -Welcome. Welcome, all. | 0:27:05 | 0:27:07 | |
"Let's go through this script." Take the tea when it comes. | 0:27:07 | 0:27:11 | |
Just spit it out and say, "This is tea. I want milk and two sugars." | 0:27:11 | 0:27:16 | |
This is tea. I want milk with two sugars. | 0:27:16 | 0:27:19 | |
OK. OK. So, "In a minute, we're going to start rehearsing. | 0:27:24 | 0:27:27 | |
"We're just waiting for Rachel." | 0:27:27 | 0:27:29 | |
In a minute, we'll start rehearsing. We're just waiting for Rachel. | 0:27:29 | 0:27:32 | |
She'll pop through. | 0:27:32 | 0:27:33 | |
-Oh, hi. -Say, "Sorry I'm late." -Sorry I'm late. | 0:27:37 | 0:27:41 | |
Say, "Actually it's your fault." | 0:27:41 | 0:27:42 | |
Actually, though, I don't want to be rude | 0:27:42 | 0:27:44 | |
but it was kind of your fault that I was late. | 0:27:44 | 0:27:46 | |
"You booked a car to pick me up half an hour ago." | 0:27:46 | 0:27:49 | |
You booked a car to pick me up half an hour ago. | 0:27:49 | 0:27:51 | |
-"I live 15.7 miles from here." -But I live 15.7 miles from here. | 0:27:51 | 0:27:55 | |
OK, notice the whiteboard and then say, "Let me explain." | 0:27:55 | 0:27:58 | |
Hang on, let me explain. | 0:27:58 | 0:27:59 | |
The average speed of traffic in London is, what, 19mph? | 0:28:03 | 0:28:07 | |
Like I said, 15.7 miles is how far I have to go. | 0:28:07 | 0:28:10 | |
Time is distance over speed, so the journey, I mean, the time | 0:28:10 | 0:28:13 | |
should have been 15.7 divided by 19, which is obviously 0.82. | 0:28:13 | 0:28:19 | |
0.82 x 60 minutes to get here, | 0:28:20 | 0:28:22 | |
49 minutes, but obviously you only left 30, | 0:28:22 | 0:28:26 | |
so 49 - 30, you should have actually had it there 19 minutes earlier. | 0:28:26 | 0:28:30 | |
Yeah, so 19 minutes. Just for next time, OK? | 0:28:30 | 0:28:33 | |
OK, so, "You're all familiar with the fragrance." | 0:28:39 | 0:28:41 | |
So, you're all familiar with the fragrance. Give that to Rachel. | 0:28:41 | 0:28:45 | |
Oh, that is delicious. That's lovely. Have a whiff of that. | 0:28:47 | 0:28:52 | |
-Mm! -It's nice, isn't it? | 0:28:54 | 0:28:56 | |
He likes it. | 0:28:57 | 0:29:00 | |
So, Terence, Rachel, come with me. Marvin, stay there. | 0:29:00 | 0:29:03 | |
-We're just going to have a little rehearsal. -OK. -Come with me. | 0:29:03 | 0:29:07 | |
-Where do you want me? -If you're here. -OK. -Terence there. | 0:29:07 | 0:29:11 | |
We're just going to run through this last scene. | 0:29:11 | 0:29:13 | |
Rachel, listen, you'll do the "my hero". | 0:29:19 | 0:29:22 | |
Pull her in, you know the line. And action. | 0:29:22 | 0:29:25 | |
My hero. | 0:29:26 | 0:29:29 | |
Oh, not you! | 0:29:29 | 0:29:31 | |
Terence, come and mount the horse. | 0:29:31 | 0:29:33 | |
OK, and then if you could mount the horse the wrong way. | 0:29:33 | 0:29:36 | |
-OK. -It happens. | 0:29:42 | 0:29:44 | |
-You're the wrong way round. -Really? | 0:29:46 | 0:29:48 | |
OK, get off the horse and try again | 0:29:51 | 0:29:54 | |
and then get on it the right way and then we'll do the final line. | 0:29:54 | 0:29:57 | |
Very good. Super stuff. | 0:29:59 | 0:30:01 | |
So now just deliver the final line, "That was unexpected." | 0:30:01 | 0:30:06 | |
Terence, I want you to say, "That was antiseptic." | 0:30:06 | 0:30:09 | |
Action. | 0:30:11 | 0:30:13 | |
That was antiseptic. | 0:30:13 | 0:30:14 | |
-OK, all right, if you want to step off. Marvin... -Step off. | 0:30:19 | 0:30:22 | |
Take a break for a second. Marvin, would you just come in, | 0:30:22 | 0:30:25 | |
we'll just do lines for Rachel, if that's all right? | 0:30:25 | 0:30:27 | |
So, "my hero", and then Marvin onto the horse | 0:30:27 | 0:30:29 | |
and then say, "That was unexpected." | 0:30:29 | 0:30:31 | |
So, "my hero", pull in, push away, your line, mount the horse, | 0:30:31 | 0:30:35 | |
-"That was unexpected." -OK. | 0:30:35 | 0:30:37 | |
-And action. -My hero! | 0:30:37 | 0:30:41 | |
No, not you! | 0:30:41 | 0:30:43 | |
That was unexpected. | 0:30:48 | 0:30:50 | |
Very good. Amazing. You're amazing. Very good. | 0:30:50 | 0:30:54 | |
I'm just doing what you told me. | 0:30:54 | 0:30:56 | |
OK, all right. All right. | 0:30:57 | 0:30:59 | |
Tell him to sit down, "We're going to take a break | 0:30:59 | 0:31:01 | |
"and then we'll come through in a minute and we'll set up the studio." | 0:31:01 | 0:31:03 | |
Take a break. I'm going to set up the set. | 0:31:03 | 0:31:06 | |
OK, so we're going to bring Marvin up here for his shoot. | 0:31:06 | 0:31:09 | |
You all know what's going to happen | 0:31:09 | 0:31:10 | |
but first, let's take a little look at the studio that he's going to. | 0:31:10 | 0:31:15 | |
All right. Here we go. Right. | 0:31:15 | 0:31:18 | |
Whoa! | 0:31:18 | 0:31:19 | |
OK. If we could bring on... I can't believe I'm saying this. | 0:31:20 | 0:31:25 | |
Bring on the horse, please. Here we go, ladies and gentlemen. | 0:31:25 | 0:31:28 | |
Round of applause. | 0:31:28 | 0:31:29 | |
APPLAUSE | 0:31:29 | 0:31:31 | |
Hi, Andy. You are the horse handler. And the horse is...? | 0:31:31 | 0:31:36 | |
-Miro. -Miro. | 0:31:36 | 0:31:38 | |
Say hi to Miro, everyone. | 0:31:38 | 0:31:39 | |
-AUDIENCE: -Hi, Miro. -Hi, Miro. | 0:31:39 | 0:31:41 | |
Welcome to the Big Show. | 0:31:41 | 0:31:43 | |
Is this the first time Miro's appeared on stage? | 0:31:43 | 0:31:46 | |
He's done many, many Hollywood films. | 0:31:46 | 0:31:47 | |
-He's been in Hollywood movies? -Yes. | 0:31:47 | 0:31:49 | |
Ladies and gentlemen, thank you very much to Miro and his... | 0:31:49 | 0:31:52 | |
Oh, and you're going to be here with him. | 0:31:52 | 0:31:54 | |
-Yes. -He's going to be there with him. | 0:31:54 | 0:31:56 | |
OK, thank you very much, Miro. | 0:31:56 | 0:31:59 | |
OK, so that is Miro, an actual horse. | 0:31:59 | 0:32:03 | |
Let's get everything ready on the stage, then, | 0:32:05 | 0:32:07 | |
and then we're going to do this. | 0:32:07 | 0:32:08 | |
Are you up for that, ladies and gentlemen? | 0:32:08 | 0:32:10 | |
You will know when to make a noise | 0:32:14 | 0:32:17 | |
because, obviously, the curtain will fall down. | 0:32:17 | 0:32:20 | |
If we're ready... | 0:32:20 | 0:32:21 | |
..let's bring him up. | 0:32:21 | 0:32:23 | |
I like it. | 0:32:23 | 0:32:25 | |
Hi, guys. OK, Marvin, I need to take you on to set. | 0:32:25 | 0:32:28 | |
We'll do the body double. You guys, we'll bring you up in a second, OK? | 0:32:28 | 0:32:32 | |
This way. | 0:32:32 | 0:32:34 | |
- See you in a bit, man. - Bye. | 0:32:34 | 0:32:36 | |
-So, Andy is the horse handler. -Uh-huh. | 0:32:37 | 0:32:40 | |
So, yeah, he'll just help you on, but you're an old pro at this. | 0:32:41 | 0:32:45 | |
Just through here. | 0:32:48 | 0:32:50 | |
As soon as you're on, get comfortable, I'll disappear, action. | 0:32:50 | 0:32:53 | |
-Just get the hat on for us. -You've got it. | 0:32:53 | 0:32:55 | |
-All good? -Yeah. Looking good. Looking good. Super. Just this way. | 0:32:56 | 0:33:02 | |
It's right through here. This way. This is Andy, the horse handler. | 0:33:02 | 0:33:05 | |
-How are you doing, Andy? -If you go around there, hop straight on. | 0:33:05 | 0:33:07 | |
-All right. -So I'll go out of shot. | 0:33:07 | 0:33:10 | |
I'll just give you the "action", deliver the last line | 0:33:10 | 0:33:13 | |
and we're good to go. | 0:33:13 | 0:33:14 | |
-There we go. -All set? All comfortable? -Yeah. | 0:33:18 | 0:33:21 | |
-So wait for "action" and then give us the line. -OK. | 0:33:21 | 0:33:24 | |
And action. | 0:33:24 | 0:33:26 | |
That was unexpected. | 0:33:26 | 0:33:27 | |
CHEERING | 0:33:29 | 0:33:30 | |
You have to be joking. | 0:33:34 | 0:33:36 | |
CHEERING DROWNS SPEECH | 0:33:36 | 0:33:38 | |
Ladies and gentlemen, it's our Unexpected Star of tonight's show. | 0:33:38 | 0:33:42 | |
It's Marvin! | 0:33:42 | 0:33:43 | |
Hey, Marvin. How are you, man? | 0:33:49 | 0:33:52 | |
See your wife over there. See over there, your wife. | 0:33:54 | 0:33:57 | |
You're going to get it! You are going to get it! | 0:33:57 | 0:34:01 | |
All right, Marvin. Let's get you down from the horse. | 0:34:01 | 0:34:04 | |
OK. A small round of applause for Miro as well there. Miro, our horse. | 0:34:06 | 0:34:10 | |
Marvin, there we go. | 0:34:12 | 0:34:14 | |
This is your big hat with your crash helmet in it. Very good. | 0:34:14 | 0:34:17 | |
Come on, Marv. Let's go and have a chat. | 0:34:17 | 0:34:19 | |
So, Marvin... Yeah. Take it in, Marv. Take it in, Marv. | 0:34:22 | 0:34:27 | |
-Woo! -Woo! | 0:34:28 | 0:34:30 | |
CHEERING | 0:34:30 | 0:34:32 | |
Marvin, here we have 2,500 people at the Theatre Royal in Drury Lane. | 0:34:32 | 0:34:40 | |
You are not here to star in an advert for Unexpected pour-on, | 0:34:40 | 0:34:45 | |
which you seemed to like. Did you like the smell, Marvin? | 0:34:45 | 0:34:50 | |
I work with horses every day so... | 0:34:50 | 0:34:52 | |
Anything compared to that smells good. | 0:34:53 | 0:34:56 | |
So, Marvin, we've been watching you next door. | 0:34:56 | 0:34:59 | |
Rachel Riley doesn't always do Countdown numbers, for example. | 0:34:59 | 0:35:03 | |
That man who went "yee-ha", and you were so embarrassed | 0:35:03 | 0:35:06 | |
you started fiddling with the fake saddle. | 0:35:06 | 0:35:08 | |
You have been set up by your lovely wife, | 0:35:11 | 0:35:14 | |
who thinks you are a wonderful man, a brilliant horse trainer, | 0:35:14 | 0:35:18 | |
but mostly there's something else you like to do, isn't there, Marvin? | 0:35:18 | 0:35:21 | |
-Yeah, I sing. -Yeah! Yeah! | 0:35:21 | 0:35:24 | |
I love the way you said that. "I sing." | 0:35:24 | 0:35:26 | |
You are very cool, Marv. | 0:35:26 | 0:35:28 | |
So, Marvin, will you be tonight's Unexpected Star of the show? | 0:35:28 | 0:35:32 | |
-Yeah, sure. -He's up for it. | 0:35:32 | 0:35:34 | |
Ladies and gentlemen, it's our Unexpected Star of tonight's show. | 0:35:36 | 0:35:39 | |
It's Marvin. | 0:35:39 | 0:35:40 | |
So good. | 0:35:43 | 0:35:44 | |
HE MOUTHS | 0:35:44 | 0:35:46 | |
We're going to take you off here. There you go, Marv. | 0:35:47 | 0:35:50 | |
Very good. | 0:35:54 | 0:35:55 | |
Amazing. | 0:35:55 | 0:35:57 | |
We love Marvin. | 0:35:57 | 0:35:59 | |
All right. | 0:35:59 | 0:36:00 | |
We've got a real treat for you now, ladies and gentlemen. | 0:36:01 | 0:36:04 | |
I'm absolutely delighted | 0:36:04 | 0:36:06 | |
to introduce one of my favourite singers, | 0:36:06 | 0:36:09 | |
who is, tonight, trying his hand at stand-up comedy. | 0:36:09 | 0:36:13 | |
It is of course the always hilarious, | 0:36:13 | 0:36:16 | |
the brilliant Jason Manford is here. | 0:36:16 | 0:36:18 | |
CHEERING | 0:36:18 | 0:36:20 | |
Hello, hi. | 0:36:22 | 0:36:23 | |
Hello. | 0:36:23 | 0:36:26 | |
Hello. Thank you very much. | 0:36:26 | 0:36:28 | |
Thank you. Wow. Wow. | 0:36:28 | 0:36:30 | |
Lovely. What a great room. I've brought my parents with me. | 0:36:30 | 0:36:33 | |
My parents are here celebrating their 36th wedding anniversary. | 0:36:33 | 0:36:37 | |
I don't know what happens in a relationship that long | 0:36:37 | 0:36:39 | |
but it's amazing. My mum will be in a mood with my dad | 0:36:39 | 0:36:42 | |
cos of something that he did wrong in her dreams. | 0:36:42 | 0:36:47 | |
It's unbelievable. He will wake up already in trouble. | 0:36:48 | 0:36:51 | |
"Morning." "Morning!" | 0:36:51 | 0:36:54 | |
"What have I done now?" "You know what you've done. | 0:36:54 | 0:36:57 | |
"Flying off on your magic camel... | 0:36:57 | 0:37:00 | |
"..with your fancy lady, | 0:37:00 | 0:37:02 | |
"leaving me with all the shopping and no arms." | 0:37:02 | 0:37:04 | |
Very strange lady. I've got a strange family, to be honest. | 0:37:07 | 0:37:10 | |
Even my brother. My brother's one of those people... | 0:37:10 | 0:37:12 | |
Have you got any of those people in your life who... | 0:37:12 | 0:37:14 | |
they've got qualifications, a job, a family, | 0:37:14 | 0:37:16 | |
they've got everything but, still, every so often, | 0:37:16 | 0:37:19 | |
they just do something so stupid you've no reaction to it? | 0:37:19 | 0:37:22 | |
We played football a little while back, | 0:37:22 | 0:37:24 | |
over the summer, and my brother | 0:37:24 | 0:37:26 | |
opened up a brand-new pair of shin pads and looked really disappointed. | 0:37:26 | 0:37:28 | |
I said, "What's up with you?" He said, "I've just opened these, | 0:37:28 | 0:37:31 | |
"bought these yesterday." "Why are you so annoyed?" | 0:37:31 | 0:37:33 | |
He went, "Look at that - one's a large, one's a regular." | 0:37:33 | 0:37:36 | |
I said, "I think that's left and right, Steven." | 0:37:36 | 0:37:38 | |
I don't think they sell them like that. | 0:37:38 | 0:37:41 | |
I've recently done a speed awareness course. | 0:37:45 | 0:37:47 | |
Has anyone done one of those? | 0:37:47 | 0:37:48 | |
They are so dull, aren't they? So dull. | 0:37:50 | 0:37:52 | |
Everyone says the same things when they do a speed awareness course. | 0:37:52 | 0:37:55 | |
"Actually it was quite interesting. I learned a few things." And it is. | 0:37:55 | 0:37:58 | |
It's about 40 minutes of quite interesting information | 0:37:58 | 0:38:01 | |
spread over four hours. | 0:38:01 | 0:38:02 | |
Luckily, I was sat with this bloke from Glasgow, | 0:38:04 | 0:38:06 | |
fella called Jeff, who had driven down especially to Manchester | 0:38:06 | 0:38:09 | |
to do the speed awareness course. He was great fun to sit next to. | 0:38:09 | 0:38:12 | |
There was a moment when the guy leading the class said to us, | 0:38:12 | 0:38:17 | |
"There's only about five or six reasons to speed, | 0:38:17 | 0:38:19 | |
"and in the years doing this job I've heard them all." | 0:38:19 | 0:38:22 | |
Well, he'd never met Jeff. | 0:38:22 | 0:38:24 | |
He was going down the line, "Why were you speeding?" | 0:38:24 | 0:38:27 | |
And it was the same reasons. "I thought it was a 40 in a 30." | 0:38:27 | 0:38:31 | |
"I was distracted." "The rain." | 0:38:31 | 0:38:32 | |
All the same sort of reasons kept coming up. | 0:38:32 | 0:38:34 | |
Then he got to Jeff. "What was the reason you sped?" | 0:38:34 | 0:38:36 | |
He went, "Ah, mate, you know... | 0:38:36 | 0:38:41 | |
"You know McDonald's stop serving breakfast at 10.30?" | 0:38:41 | 0:38:46 | |
What an excuse! We've all been there at 10.27. "I need a hash brown!" | 0:38:46 | 0:38:51 | |
Why not put your foot down? | 0:38:52 | 0:38:55 | |
What a great reason. | 0:38:55 | 0:38:57 | |
That wasn't even my favourite bit. | 0:38:57 | 0:38:59 | |
Then he started to relax into the class. | 0:38:59 | 0:39:01 | |
He said... At one point, the teacher said to us, | 0:39:01 | 0:39:04 | |
"When you're on a road, road signs are green. | 0:39:04 | 0:39:06 | |
"When you're on a motorway, road signs are blue, | 0:39:06 | 0:39:08 | |
"and that's one of the major differences | 0:39:08 | 0:39:10 | |
"between those two very dangerous roads." | 0:39:10 | 0:39:12 | |
Jeff pipes up. "That's right, mate, and if the road signs are grey, | 0:39:12 | 0:39:15 | |
"that means you're going the wrong way." | 0:39:15 | 0:39:18 | |
Just entertaining himself. | 0:39:18 | 0:39:20 | |
And before we left, before we left, we're all sort of wrapping up, | 0:39:22 | 0:39:26 | |
getting our coats on to head out into the evening, and the teacher | 0:39:26 | 0:39:29 | |
again says to us, "Thanks for coming, thanks very much, | 0:39:29 | 0:39:32 | |
"don't speed again," and all that, | 0:39:32 | 0:39:34 | |
and I was having a little chat with him and then he said to Jeff, | 0:39:34 | 0:39:36 | |
"Have you got to get back to Glasgow now from Manchester?" | 0:39:36 | 0:39:39 | |
He says, "Aye, that's right." | 0:39:39 | 0:39:40 | |
He says, "What's that, about four-and-a-half hours?" | 0:39:40 | 0:39:43 | |
He went, "I'll do it in two." | 0:39:43 | 0:39:44 | |
Not learnt a thing. Not learnt a thing. God love him. | 0:39:45 | 0:39:48 | |
Not learnt a thing. | 0:39:48 | 0:39:50 | |
I... | 0:39:50 | 0:39:53 | |
I mean... | 0:39:53 | 0:39:55 | |
I mean, it works. I've not sped since, I've got to say. | 0:39:55 | 0:39:58 | |
And that's not necessarily my own moral judgment. | 0:39:58 | 0:40:01 | |
It's because my car doesn't have the ability any more. | 0:40:01 | 0:40:04 | |
I've had to swap my car. I got five children. Five children. | 0:40:04 | 0:40:07 | |
That's a lot of children, isn't it? I know. It's crazy. | 0:40:07 | 0:40:10 | |
Sometimes I go to drop my youngest daughter in nursery | 0:40:10 | 0:40:13 | |
and there are less children in nursery than I have in the car. | 0:40:13 | 0:40:19 | |
And they're wild. They're wild, cos they get to do loads of fun things, | 0:40:19 | 0:40:23 | |
cool things that we never got to do. | 0:40:23 | 0:40:25 | |
They go to the park about four times a week. | 0:40:25 | 0:40:27 | |
I never went to the park as a kid. My dad never took me to the park. | 0:40:27 | 0:40:30 | |
If I'd said, "Dad, I want to go to the park," | 0:40:30 | 0:40:32 | |
he'd have gone, "Off you go, then." | 0:40:32 | 0:40:34 | |
"But I'm six." "Well, mind the roads." | 0:40:34 | 0:40:36 | |
Things were different, weren't they? You made your own entertainment. | 0:40:36 | 0:40:39 | |
The trick in that day was just to get out and just entertain yourself. | 0:40:39 | 0:40:42 | |
All the way through the summer holidays, | 0:40:42 | 0:40:44 | |
get as far away from the house as possible. | 0:40:44 | 0:40:46 | |
Not too far in case some bigger boys came, but far enough away | 0:40:46 | 0:40:49 | |
that you couldn't hear yourself being shouted in. | 0:40:49 | 0:40:51 | |
That was the trick, wasn't it? | 0:40:51 | 0:40:53 | |
Cos in our house you weren't even allowed to sneak in the house | 0:40:53 | 0:40:55 | |
in the middle of the day | 0:40:55 | 0:40:56 | |
because my mum, she would hate the door being used as a door. | 0:40:56 | 0:40:59 | |
It used to wind her right up. | 0:40:59 | 0:41:01 | |
You'd sneak in, she be like, "Who's that?!" | 0:41:01 | 0:41:04 | |
"It's me, Mum. Just getting a sandwich." | 0:41:04 | 0:41:06 | |
"No! No! You're either in or you're out." | 0:41:06 | 0:41:10 | |
"What?" | 0:41:10 | 0:41:11 | |
"You're either in or you're out." | 0:41:11 | 0:41:13 | |
They're the only two options. It's a door. | 0:41:14 | 0:41:17 | |
You're thinking of a wall, you nutter. | 0:41:17 | 0:41:19 | |
Crazy, isn't it? When I watch my parents now... | 0:41:21 | 0:41:24 | |
Have we got any grandparents in, by the way? | 0:41:24 | 0:41:25 | |
-SOME CHEERS -A few of you in. | 0:41:25 | 0:41:27 | |
The rest are at home minding your kids, aren't they? | 0:41:27 | 0:41:29 | |
That's what they're doing. | 0:41:29 | 0:41:31 | |
Do you ever watch your parents being grandparents | 0:41:31 | 0:41:33 | |
and think to yourself, "Who are you? | 0:41:33 | 0:41:35 | |
"Who are you and when did you become so nice?" | 0:41:37 | 0:41:40 | |
Because when I was 14, I remember it clearly, | 0:41:40 | 0:41:42 | |
you were a nightmare every day. | 0:41:42 | 0:41:44 | |
Now look at you, you're all like, "Hey, Grandad's here! Hey-hey!" | 0:41:44 | 0:41:49 | |
They're like, "Grandad! Grandad! Grandad!" | 0:41:49 | 0:41:51 | |
"Come on, let's go to the park." | 0:41:51 | 0:41:53 | |
God love them. Thanks very much. I'll see you again. | 0:42:00 | 0:42:03 | |
Good night, God bless. Thank you. | 0:42:03 | 0:42:05 | |
CHEERING | 0:42:05 | 0:42:07 | |
Sensational Jason Manford, ladies and gentlemen. What about that? | 0:42:11 | 0:42:14 | |
Nice one. My man's on fire. | 0:42:14 | 0:42:17 | |
You're looking good, too, Jase. | 0:42:17 | 0:42:19 | |
What a treat. Thank you so much for coming and being so hilarious. | 0:42:19 | 0:42:22 | |
Ladies and gentlemen, the fantastic Mr Jason Manford. What about that? | 0:42:22 | 0:42:25 | |
Thank you, my friend. Yeah! | 0:42:28 | 0:42:31 | |
It is now time to find out what replies Marvin and Rochelle, | 0:42:34 | 0:42:38 | |
Marv and Roch, have received. | 0:42:38 | 0:42:40 | |
It's time to play Send To All. | 0:42:40 | 0:42:44 | |
OK. | 0:42:44 | 0:42:47 | |
This is the message that I sent into their mobile telephones | 0:42:47 | 0:42:50 | |
earlier tonight. | 0:42:50 | 0:42:51 | |
Into Marvin's phone... | 0:42:51 | 0:42:53 | |
And the text I sent into Rochelle's phone... | 0:43:06 | 0:43:09 | |
OK, so we're going to start with Marvin's phone. | 0:43:21 | 0:43:23 | |
So this has come from Gino D'Acampo. Gino, Gino, Gino. | 0:43:23 | 0:43:27 | |
Oh, so much love for Gino. | 0:43:27 | 0:43:30 | |
-Gino says, "Definitely you, my friend." -Yes. | 0:43:30 | 0:43:33 | |
"When I first met Rochelle, | 0:43:33 | 0:43:35 | |
"I thought she was your carer. | 0:43:35 | 0:43:37 | |
"Please don't tell Rochelle, | 0:43:41 | 0:43:43 | |
"she will kill me next time I see her." | 0:43:43 | 0:43:45 | |
-I will. -Triple kiss, Gino. -Yes, Gino. | 0:43:47 | 0:43:49 | |
-OK, Robbie Williams. -Oh, hello! | 0:43:49 | 0:43:52 | |
-Hello, Robbie Williams. -Showbiz. | 0:43:52 | 0:43:54 | |
"I don't know, but I've seen pictures in the gym and, Marvin, | 0:43:54 | 0:43:57 | |
"you definitely have bigger boobs." | 0:43:57 | 0:44:01 | |
That wasn't the question, Robbie. | 0:44:04 | 0:44:07 | |
I like that. That's good. That's good. | 0:44:07 | 0:44:10 | |
All right. Danny Jones. McFly. | 0:44:10 | 0:44:13 | |
Everybody's famous in your life. | 0:44:13 | 0:44:14 | |
Danny Jones from McFly says, | 0:44:16 | 0:44:18 | |
"No, Humes, I would say Roch is far more famous." | 0:44:18 | 0:44:22 | |
Oh, dear. "PS, have you sorted your rash?" | 0:44:22 | 0:44:25 | |
Marvin! | 0:44:28 | 0:44:30 | |
I mean, have you? Is it OK? | 0:44:35 | 0:44:37 | |
Danny and I play football together | 0:44:37 | 0:44:39 | |
so we see each other in the shower sometimes. | 0:44:39 | 0:44:41 | |
That's even more concerning. | 0:44:41 | 0:44:43 | |
All better now. See you in the showers next week... | 0:44:43 | 0:44:47 | |
-I'm worried. -How's the rash! OK. | 0:44:47 | 0:44:50 | |
-Claire... Claire Ince. -It's my auntie. -Auntie Claire. | 0:44:50 | 0:44:54 | |
"Marvin, get a grip. | 0:44:54 | 0:44:55 | |
"Rochelle is well more famous than you. | 0:44:58 | 0:45:00 | |
"You're always punching above your weight." | 0:45:00 | 0:45:03 | |
APPLAUSE | 0:45:05 | 0:45:07 | |
-Ben Shepherd. Shepsy. -Oh, he should be on my side. | 0:45:07 | 0:45:11 | |
"Tricky situation, Marv. If I was you, I'd let her win this one. | 0:45:11 | 0:45:16 | |
"It'd be worth it down the line, son. | 0:45:17 | 0:45:20 | |
"Lose the battle but not the war." | 0:45:20 | 0:45:23 | |
-Good advice from Sheps. -Smart guy. -Very good advice. | 0:45:25 | 0:45:29 | |
OK, Louis Walsh, ladies and gentlemen. | 0:45:29 | 0:45:32 | |
Louis Walsh says, "You sold more music in arenas so it's you, | 0:45:32 | 0:45:36 | |
"but she looks better." | 0:45:36 | 0:45:38 | |
Go on, Louis. | 0:45:40 | 0:45:42 | |
Ricky Wilson doesn't have your number. | 0:45:42 | 0:45:44 | |
"Who is this? Are you related to Rochelle Humes? She's great. | 0:45:44 | 0:45:47 | |
"I think she married the guy from DFS." | 0:45:47 | 0:45:50 | |
Yes! | 0:45:51 | 0:45:53 | |
That's the best reply ever. | 0:45:53 | 0:45:56 | |
That's from Ricky Wilson of the Kaiser Chiefs. | 0:45:56 | 0:45:58 | |
Everyone's famous. This is so fun. | 0:45:58 | 0:46:01 | |
DFS! HE CACKLES | 0:46:01 | 0:46:03 | |
-That's the best reply ever. -There's a deal on, and I got a husband. | 0:46:03 | 0:46:07 | |
So, we're now going to move from Marvin's phone to Rochelle's. | 0:46:09 | 0:46:12 | |
Mine's going to be my aunt. | 0:46:12 | 0:46:15 | |
Louis Walsh. | 0:46:15 | 0:46:16 | |
He's sent the same text to both. | 0:46:16 | 0:46:19 | |
He's gone, "Marvin sold more music, Rochelle, so it is Marvin, | 0:46:19 | 0:46:23 | |
"but you look better." | 0:46:23 | 0:46:24 | |
He texted both of you. | 0:46:25 | 0:46:27 | |
Andi Peters. "Marv is lemon and herb." | 0:46:27 | 0:46:30 | |
Oh, he's gone with the Nando's. | 0:46:30 | 0:46:33 | |
"Marv is lemon and herb. | 0:46:33 | 0:46:35 | |
"You're hot." | 0:46:35 | 0:46:36 | |
-Smooth. Really smooth. -That's good. | 0:46:38 | 0:46:42 | |
-Grimmy. -Oh, Grimmy. I love him. | 0:46:42 | 0:46:45 | |
We love Grimmy. | 0:46:45 | 0:46:46 | |
"I value you both on the same level as kind, funny humans | 0:46:46 | 0:46:49 | |
"whose fame doesn't enter my judgment, | 0:46:49 | 0:46:52 | |
"so I can't be brought into this debate. | 0:46:52 | 0:46:54 | |
"Plus, I'm also scared." | 0:46:54 | 0:46:56 | |
-Here's a fun one. Nicky Thai massage. -Oh, no! | 0:46:59 | 0:47:03 | |
I'm assuming this is Nicky who does Thai massage. | 0:47:04 | 0:47:07 | |
I'm glad that's in her phone and not mine. | 0:47:07 | 0:47:09 | |
Yeah, that would have been much worse if it was in your phone. | 0:47:10 | 0:47:14 | |
She doesn't even know what we do for a job, I don't think, does she? | 0:47:14 | 0:47:17 | |
She's going to think, what am I talking about? | 0:47:17 | 0:47:19 | |
So she's been asked the question, "Am I more famous than my husband?" | 0:47:19 | 0:47:22 | |
who she doesn't know. | 0:47:22 | 0:47:24 | |
Oh, it's a tough question. Turns out she knows. | 0:47:24 | 0:47:26 | |
"I need a bit more time to judge. | 0:47:28 | 0:47:31 | |
"Have a lovely time." | 0:47:31 | 0:47:32 | |
In Nando's! | 0:47:32 | 0:47:33 | |
-So random. -"Nicky..." I'm going to text her back. "I need a decision. | 0:47:35 | 0:47:39 | |
"And a massage." | 0:47:43 | 0:47:44 | |
-Kevin Playhouse. -Oh, my goodness. | 0:47:48 | 0:47:51 | |
-He installed your playhouse, didn't he? -For my little girl. | 0:47:51 | 0:47:54 | |
-He built her a little Wendy house. -Yeah. -This is so weird. | 0:47:54 | 0:47:57 | |
You've only met him once. | 0:47:57 | 0:47:59 | |
I've literally met him once when I paid him to make her a house. | 0:47:59 | 0:48:03 | |
All right, well, Kevin Playhouse. | 0:48:03 | 0:48:05 | |
"Hi, last year, when I installed your playhouse, you knew | 0:48:05 | 0:48:08 | |
"I didn't know who you were so I would say Marvin." | 0:48:08 | 0:48:12 | |
APPLAUSE | 0:48:14 | 0:48:16 | |
Thank you so, so much for handing me your phones. | 0:48:16 | 0:48:19 | |
You've both been brilliant. I will return this to you immediately. | 0:48:19 | 0:48:22 | |
One more time, ladies and gentlemen, | 0:48:22 | 0:48:23 | |
for the fantastic Marvin and Rochelle. What fantastic sports. | 0:48:23 | 0:48:26 | |
Thank you so much. CHEERING | 0:48:26 | 0:48:30 | |
OK, ladies and gentlemen, | 0:48:30 | 0:48:31 | |
earlier tonight, we surprised horse trainer Marvin, who thought | 0:48:31 | 0:48:34 | |
he was here to appear as an extra in an advert | 0:48:34 | 0:48:37 | |
on an actual horse on this stage. | 0:48:37 | 0:48:40 | |
Let's see how our Unexpected Star of the show | 0:48:40 | 0:48:43 | |
has been getting on backstage. | 0:48:43 | 0:48:45 | |
It's a big surprise. | 0:48:46 | 0:48:47 | |
I've come up to do a commercial and a curtain drops | 0:48:47 | 0:48:51 | |
and all these people... | 0:48:51 | 0:48:53 | |
I had no idea whatsoever. | 0:48:53 | 0:48:56 | |
To actually meet Michael, wow. | 0:48:56 | 0:48:57 | |
When Marvin came into the room, my goodness, | 0:48:58 | 0:49:00 | |
it was like complete and utter shock. | 0:49:00 | 0:49:02 | |
-I just can't believe this is all happening. -He's improved no end. | 0:49:02 | 0:49:05 | |
I mean, I can't tell you how hard he has worked in order to get | 0:49:05 | 0:49:08 | |
this performance up to where it needs to be. | 0:49:08 | 0:49:12 | |
I'm very excited to be singing in front of all these people | 0:49:12 | 0:49:15 | |
and my family. | 0:49:15 | 0:49:16 | |
When I look at my wife, it's about... | 0:49:16 | 0:49:20 | |
I now have that person in my life. | 0:49:20 | 0:49:22 | |
All the time, no matter if you're right or you're wrong, she's there. | 0:49:24 | 0:49:29 | |
Ladies and gentlemen, the moment is here. | 0:49:34 | 0:49:36 | |
Please go wild for our Unexpected Star of tonight's show. | 0:49:36 | 0:49:40 | |
It's Marvin. | 0:49:40 | 0:49:42 | |
# Stuck on you | 0:49:54 | 0:49:56 | |
# I've got this feeling down deep in my soul that I just can't lose | 0:49:56 | 0:50:02 | |
# Guess I'm on my way | 0:50:02 | 0:50:05 | |
# I needed a friend | 0:50:08 | 0:50:10 | |
# And the way I feel now, I guess I'll be with you till the end | 0:50:10 | 0:50:16 | |
# Yes, I'm on my way | 0:50:16 | 0:50:21 | |
# Mighty glad you stayed | 0:50:21 | 0:50:23 | |
# Yeah | 0:50:25 | 0:50:26 | |
# I'm stuck on you | 0:50:30 | 0:50:32 | |
# I've been a fool too long, I guess it's time for me to come on home | 0:50:32 | 0:50:38 | |
# Yes, I'm on my way | 0:50:38 | 0:50:41 | |
# It's so hard to see | 0:50:44 | 0:50:47 | |
# That a woman like you could wait around for a man like me | 0:50:47 | 0:50:52 | |
# Yes, I'm on my way | 0:50:52 | 0:50:57 | |
# Mighty glad you stayed | 0:50:57 | 0:50:59 | |
# Oh, I'm leaving on that midnight train tomorrow | 0:51:06 | 0:51:13 | |
# And I know just where I'm going | 0:51:14 | 0:51:19 | |
# I've packed up my troubles | 0:51:21 | 0:51:23 | |
# And I've thrown them all away | 0:51:23 | 0:51:26 | |
# Cos this time, little darling | 0:51:28 | 0:51:33 | |
# I'm coming home to stay | 0:51:33 | 0:51:37 | |
# I'm stuck on you | 0:51:37 | 0:51:41 | |
# I've got this feeling down deep in my soul that I just can't lose | 0:51:41 | 0:51:47 | |
# Yes, I'm on my way | 0:51:47 | 0:51:51 | |
# I needed a friend | 0:51:54 | 0:51:56 | |
# And the way I feel now, I guess I'll be with you till the end | 0:51:56 | 0:52:01 | |
# Yes, I'm on my way | 0:52:01 | 0:52:06 | |
# Mighty glad you stayed. # | 0:52:06 | 0:52:13 | |
CHEERING AND APPLAUSE | 0:52:13 | 0:52:15 | |
Yeah! Ladies and gentlemen, our Unexpected Star of tonight's show. | 0:52:22 | 0:52:28 | |
It's Marvin. | 0:52:28 | 0:52:30 | |
Well done. Well done. | 0:52:32 | 0:52:35 | |
Marvin, that was sensational. | 0:52:37 | 0:52:39 | |
How do you feel after that? | 0:52:39 | 0:52:42 | |
Actually, I'm speechless right now. | 0:52:42 | 0:52:44 | |
I just can't believe this is all happening. | 0:52:44 | 0:52:47 | |
CHEERING | 0:52:47 | 0:52:49 | |
It's amazing what you've been through. | 0:52:51 | 0:52:54 | |
Ellen has been absolutely in bits watching you. | 0:52:54 | 0:52:57 | |
She's so, so proud of you. She set this whole thing up for you tonight. | 0:52:57 | 0:53:00 | |
Oh! CHEERING | 0:53:00 | 0:53:02 | |
You've got to come up! You've got to come up! | 0:53:02 | 0:53:04 | |
You can't leave him here! Come on! | 0:53:04 | 0:53:06 | |
It's your daughter, and your wife Ellen. | 0:53:08 | 0:53:10 | |
CHEERING | 0:53:15 | 0:53:16 | |
CHEERING | 0:53:21 | 0:53:22 | |
I can't believe you guys did this to me. | 0:53:22 | 0:53:25 | |
Ladies and gentlemen, a very highly emotional | 0:53:30 | 0:53:33 | |
and wonderful Unexpected Star of tonight's show. | 0:53:33 | 0:53:37 | |
-Please, one more time for the fantastic Marvin. -Thank you. | 0:53:37 | 0:53:41 | |
And Ellen and his daughter. Thank you so, so much. | 0:53:41 | 0:53:45 | |
Thank you, all. Thank you for coming. I'll see you next time. | 0:53:45 | 0:53:49 | |
Good night and bravo. | 0:53:49 | 0:53:50 | |
CHEERING | 0:53:50 | 0:53:51 | |
If you know somebody you'd like to nominate to be | 0:53:53 | 0:53:55 | |
an Unexpected Star of the show for the next series, | 0:53:55 | 0:53:59 | |
or in fact want to nominate someone for any surprise, | 0:53:59 | 0:54:02 | |
please go to bbc.co.uk/bigshow for all the details. | 0:54:02 | 0:54:06 |