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Tonight, on my Big Show, | 0:00:09 | 0:00:12 | |
Miranda Hart hands over her mobile phone to play Send To All. | 0:00:12 | 0:00:16 | |
There's music from pop megastar Niall Horan | 0:00:16 | 0:00:19 | |
and comedy from the brilliant Jon Richardson. | 0:00:19 | 0:00:22 | |
There's another edition of the Midnight Gameshow. | 0:00:22 | 0:00:25 | |
And who will be tonight's Unexpected Star of the show? | 0:00:25 | 0:00:30 | |
Ladies and gentlemen, it's the Big Show. | 0:00:33 | 0:00:37 | |
Please welcome your host, Michael McIntyre. | 0:00:37 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:45 | |
MONSTER LAUGHS | 0:00:50 | 0:00:53 | |
Yay! | 0:00:55 | 0:00:57 | |
Oh, good evening, ladies and gentlemen! | 0:00:57 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:02 | |
Hello and welcome to my Big Show! | 0:01:02 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:11 | |
Yes, we are going to have, of course, big stars, | 0:01:13 | 0:01:16 | |
big laughs and even bigger surprises! | 0:01:16 | 0:01:20 | |
CHEERING | 0:01:20 | 0:01:22 | |
We will be playing my favourite game in the whole wide world | 0:01:22 | 0:01:25 | |
which would be Send To All, ladies and gentlemen. It's a good one. | 0:01:25 | 0:01:28 | |
CHEERING | 0:01:28 | 0:01:31 | |
And, of course, we'll be surprising another Unexpected Star of the show! | 0:01:31 | 0:01:37 | |
CHEERING | 0:01:37 | 0:01:39 | |
And I will be sneaking into another bedroom | 0:01:41 | 0:01:44 | |
for another Midnight Gameshow! | 0:01:44 | 0:01:48 | |
CHEERING | 0:01:48 | 0:01:50 | |
OK, so, this year I was invited... | 0:01:50 | 0:01:52 | |
It sounds like I'm showing off, and I am! | 0:01:52 | 0:01:55 | |
I was invited to the Wimbledon men's final. | 0:01:55 | 0:01:59 | |
You can't go to a better sporting occasion. | 0:01:59 | 0:02:01 | |
AUDIENCE MEMBER CHEERS I know, I know, | 0:02:01 | 0:02:03 | |
I can feel the jealousy. It was very exciting. | 0:02:03 | 0:02:06 | |
But tennis is a fun game, but there's a lot of faffing involved. | 0:02:06 | 0:02:09 | |
I like football. I don't know what sports you enjoy, | 0:02:09 | 0:02:11 | |
but I like football because it's gung ho, it's all action. | 0:02:11 | 0:02:15 | |
The whistle goes, everybody's kicking the ball, | 0:02:15 | 0:02:17 | |
trying to get it in the net, | 0:02:17 | 0:02:18 | |
with a little bit more panache than I'm exhibiting right now. | 0:02:18 | 0:02:21 | |
There's a bit of faffing when the ball goes off | 0:02:21 | 0:02:23 | |
and they have to throw it back in. This is what I mean by faffing, | 0:02:23 | 0:02:25 | |
when there's no action, when they don't quite know who to throw to. | 0:02:25 | 0:02:28 | |
You can feel the crowd get restless. | 0:02:28 | 0:02:30 | |
Come on! Throw the ball. There you go, there you go. | 0:02:30 | 0:02:33 | |
But in tennis, it's a great sport, | 0:02:33 | 0:02:34 | |
but get on with hitting it to each other. | 0:02:34 | 0:02:37 | |
All the balls are the same, OK. They're all the same. | 0:02:37 | 0:02:41 | |
They should just throw them a ball and go, "Play the sport. | 0:02:41 | 0:02:44 | |
"We've queued through the night. Get on with it!" | 0:02:44 | 0:02:47 | |
And they go up to these sweet ball boys and go, | 0:02:47 | 0:02:49 | |
"You, I want a ball from you." They are so nervy. | 0:02:49 | 0:02:53 | |
They struggle so hard to get the balls because they run | 0:02:53 | 0:02:56 | |
and sometimes the balls go over there and they have to run... | 0:02:56 | 0:02:58 | |
LAUGHTER | 0:02:58 | 0:03:00 | |
They throw the ball and then the player just hits it away. | 0:03:00 | 0:03:03 | |
No, I don't want that ball. | 0:03:03 | 0:03:05 | |
You, give me two balls, two balls. | 0:03:07 | 0:03:09 | |
I still haven't quite made my decision which one I prefer. | 0:03:09 | 0:03:12 | |
Is it that one or that one? | 0:03:12 | 0:03:14 | |
I'm looking for the fluffiest of the two. | 0:03:14 | 0:03:17 | |
I know you've paid, but wait, wait your turn. | 0:03:17 | 0:03:20 | |
Soon I will play the sport that you have come to witness. | 0:03:20 | 0:03:23 | |
OK, I've made my decision. Just some bouncing and looking now. | 0:03:23 | 0:03:26 | |
Just bounce and look. Even though I'm not on play, | 0:03:26 | 0:03:29 | |
I'm going to whack my foot. I'm whacking. | 0:03:29 | 0:03:32 | |
Bouncing, focus. | 0:03:32 | 0:03:34 | |
All right, so, I'm going to play the sport. | 0:03:34 | 0:03:36 | |
Here we go, it's happening. OK, there it is. | 0:03:36 | 0:03:39 | |
Bang, I just served one. Ace. Ace, that's it. | 0:03:39 | 0:03:41 | |
All they've done is move their arm. That's it. | 0:03:41 | 0:03:43 | |
You, I need a towel, I need a towel. | 0:03:43 | 0:03:46 | |
LAUGHTER AND APPLAUSE | 0:03:46 | 0:03:49 | |
I'm completely exhausted. Did you see me? | 0:03:49 | 0:03:53 | |
Did you see me do that with my arm once? | 0:03:53 | 0:03:55 | |
Too much faffing! | 0:03:56 | 0:03:58 | |
Cricket is nearly 100% faffing. | 0:03:59 | 0:04:04 | |
You're supposed to bowl the ball to a man who has to hit it with a bat. | 0:04:04 | 0:04:08 | |
That is cricket. But that's not happening enough. | 0:04:08 | 0:04:11 | |
All right, get the ball to the bowler, | 0:04:11 | 0:04:14 | |
but they have to go through the whole field. | 0:04:14 | 0:04:16 | |
I could throw it directly to him, but do you want some? | 0:04:16 | 0:04:18 | |
LAUGHTER | 0:04:18 | 0:04:20 | |
Thank you, yes. I'm not happy with the condition of the ball. | 0:04:20 | 0:04:23 | |
Do you want a little go over there? There you go. Thank you. | 0:04:23 | 0:04:27 | |
Half an hour later. Are you actually the bowler? | 0:04:28 | 0:04:31 | |
Sorry, I got lost in the game, my own little game of clean, | 0:04:31 | 0:04:34 | |
my cleaning game that I play with my friends. Are you ready? | 0:04:34 | 0:04:38 | |
Yes, I'm the bowler. All right, OK. | 0:04:38 | 0:04:40 | |
Still not happy with the condition of the ball. | 0:04:40 | 0:04:43 | |
Now, where are you all standing? You, have you slightly... | 0:04:43 | 0:04:47 | |
Just move slightly. | 0:04:47 | 0:04:49 | |
Stop! I'm happy with you there, I don't know why. I prefer it. | 0:04:49 | 0:04:52 | |
When was the last time the ball went to you? | 0:04:52 | 0:04:55 | |
Day two? Oh, yesterday. LAUGHTER | 0:04:55 | 0:04:58 | |
OK, you. Just slightly closer. Stop! | 0:04:58 | 0:05:00 | |
All right, I'm nearly ready. I'm nearly ready to do the sport. OK. | 0:05:00 | 0:05:04 | |
Here we go. I'm just going to rock a couple of times. | 0:05:04 | 0:05:08 | |
OK, you've waited this long. | 0:05:08 | 0:05:10 | |
You might as well just enjoy this rocking and focusing, all right. | 0:05:10 | 0:05:14 | |
OK, here it is. It's going to happen now. I'm coming in. | 0:05:14 | 0:05:17 | |
And then they bowl and the batsman goes, | 0:05:17 | 0:05:19 | |
"No, I don't think I'll hit that one." | 0:05:19 | 0:05:21 | |
LAUGHTER AND APPLAUSE | 0:05:21 | 0:05:23 | |
Stop faffing! | 0:05:23 | 0:05:25 | |
Who would like to play Send To All? | 0:05:29 | 0:05:32 | |
Oh, yeah, oh, yeah. Oh, yeah, it's a good one. | 0:05:32 | 0:05:36 | |
So, let's find out who is in our Send To All box this week. | 0:05:38 | 0:05:42 | |
Oh, it's bona fide, wonderful, | 0:05:43 | 0:05:47 | |
it's the sensational Miranda Hart. It is Miranda! | 0:05:47 | 0:05:51 | |
CHEERING Miranda! | 0:05:51 | 0:05:53 | |
-Thank you. -Doesn't even need a surname. Miranda. | 0:05:53 | 0:05:58 | |
Hello, darling. Thank you for coming. | 0:06:00 | 0:06:02 | |
-Pleasure. -Can I ask you who you're with tonight? -My sister, Alice. | 0:06:02 | 0:06:05 | |
-Hi, Alice. -Hi. -And my friend, Jo. -Hi, Alice and Jo. -Hi. | 0:06:05 | 0:06:09 | |
Hi, welcome. Welcome. So, how have you been? How are you? | 0:06:09 | 0:06:14 | |
-I'm very well, thank you. -I gather you've written another book. -Yes. | 0:06:14 | 0:06:17 | |
-You've written a lot of books. -Yeah, I have. | 0:06:17 | 0:06:19 | |
I've been writing mainly the last two years. | 0:06:19 | 0:06:21 | |
I've got a kids' book out at the moment | 0:06:21 | 0:06:23 | |
called The Girl With The Lost Smile. | 0:06:23 | 0:06:25 | |
Thanks for asking. Available in all good retailers. And, yeah... | 0:06:25 | 0:06:28 | |
-Don't worry about Send To All. -I'm a bit worried. | 0:06:28 | 0:06:30 | |
There's nothing to fear. Are you a bit of a phone person? | 0:06:30 | 0:06:33 | |
-Are you on your phone a lot? -Yeah, I realise I am | 0:06:33 | 0:06:35 | |
-and I want to be less so. -We're all trying. -We're all trying. | 0:06:35 | 0:06:38 | |
We're all addicted on some level, aren't we? | 0:06:38 | 0:06:40 | |
-I reach for the phone the first thing in the morning. -Yeah. | 0:06:40 | 0:06:42 | |
Do you say hello to your phone before you say hello to your wife? | 0:06:42 | 0:06:45 | |
Yes, I do. In fact, I text her. | 0:06:45 | 0:06:48 | |
LAUGHTER | 0:06:48 | 0:06:50 | |
Morning! | 0:06:50 | 0:06:52 | |
All right, well, if you'd like to place it into the cushion... | 0:06:52 | 0:06:55 | |
-Right. -..I will then be in possession of it. | 0:06:55 | 0:06:57 | |
Ladies and gentlemen, playing Send To All tonight, | 0:06:57 | 0:06:59 | |
the fabulous Miranda's here. | 0:06:59 | 0:07:01 | |
CHEERING | 0:07:01 | 0:07:03 | |
# What have you done today to make you feel proud? # | 0:07:04 | 0:07:09 | |
-Nice. -Nice song. | 0:07:09 | 0:07:11 | |
# It's never too late to try | 0:07:11 | 0:07:13 | |
# What have you done today to make you feel proud? # | 0:07:13 | 0:07:17 | |
All right, I am now in possession of Miranda's mobile telephone! | 0:07:17 | 0:07:22 | |
Thank you, darling. | 0:07:23 | 0:07:25 | |
So, I'm going to plug this in | 0:07:25 | 0:07:26 | |
and that should hopefully be revealed on the screen. | 0:07:26 | 0:07:30 | |
There it is, yay! APPLAUSE | 0:07:30 | 0:07:33 | |
-Oh. AUDIENCE: -Aw. -Who's that? | 0:07:33 | 0:07:36 | |
-That's Peggy. -Oh, Peggy. -Yeah. | 0:07:36 | 0:07:39 | |
-She's a lovely person. -She's a dog, Michael. | 0:07:39 | 0:07:42 | |
LAUGHTER | 0:07:42 | 0:07:43 | |
Sorry, I thought dog owners think their dogs are people, no? | 0:07:43 | 0:07:47 | |
-Some take it to that level. -OK. | 0:07:47 | 0:07:49 | |
So, photos. | 0:07:49 | 0:07:51 | |
Oh, yeah! Ooh, hello! | 0:07:51 | 0:07:54 | |
-There's Peggy. -I mean, yeah. | 0:07:54 | 0:07:56 | |
Peggy in your robe. OK, all right. | 0:07:56 | 0:07:59 | |
Oh, this... | 0:07:59 | 0:08:00 | |
LAUGHTER | 0:08:00 | 0:08:02 | |
What's all this about? MIRANDA LAUGHS | 0:08:02 | 0:08:06 | |
That, a fan sent me a photograph | 0:08:06 | 0:08:09 | |
of a Miranda that they had made out of papier-mache. | 0:08:09 | 0:08:13 | |
-That is amazing. Is this another one? -That's another one. | 0:08:13 | 0:08:17 | |
Weirdly, from a separate fan, | 0:08:17 | 0:08:19 | |
so I don't know what fans of mine are doing. | 0:08:19 | 0:08:22 | |
-Shrivelled legs. -LAUGHTER | 0:08:22 | 0:08:25 | |
-So, that's an amazing thing that people are doing. -Yeah. | 0:08:25 | 0:08:27 | |
-Did you ask them to do that? -No. -They just like to make you. | 0:08:27 | 0:08:32 | |
Oh, hello. What's going on here? | 0:08:32 | 0:08:35 | |
That was a hilarious Instagram post. | 0:08:35 | 0:08:38 | |
-Is there anything in my teeth? -LAUGHTER | 0:08:38 | 0:08:41 | |
OK, good. This is you in your new swimming pool. | 0:08:41 | 0:08:45 | |
Yeah, a friend bought me a paddling pool. | 0:08:47 | 0:08:49 | |
No, don't zoom in! | 0:08:49 | 0:08:51 | |
Sorry, I was zooming in to the magazine. | 0:08:51 | 0:08:54 | |
Don't zoom in, don't zoom in! Sorry, you're quite right. Zoom out. | 0:08:54 | 0:08:57 | |
-OK, let's get on with this text. -Oh, no! | 0:08:57 | 0:09:01 | |
No, it's a fun one. You really don't need to worry. OK, here we go. | 0:09:01 | 0:09:04 | |
The text we're going to send out of Miranda's phone is, | 0:09:04 | 0:09:07 | |
"Texting from the loo | 0:09:07 | 0:09:11 | |
"at Buck Pal." | 0:09:11 | 0:09:15 | |
LAUGHTER | 0:09:15 | 0:09:17 | |
"At a super awkward dinner." | 0:09:17 | 0:09:23 | |
Sorry, am I just constantly going to dinner with the Royals? What? | 0:09:25 | 0:09:30 | |
-It's how people see you. -Oh, right. | 0:09:30 | 0:09:34 | |
"I'm sat between | 0:09:34 | 0:09:36 | |
"the President of Switzerland..." | 0:09:36 | 0:09:38 | |
LAUGHTER | 0:09:38 | 0:09:40 | |
"..and a competition winner." | 0:09:40 | 0:09:43 | |
LAUGHTER | 0:09:43 | 0:09:46 | |
-OK, I believe it more now. -"Brackets, | 0:09:46 | 0:09:49 | |
"neither of whom... | 0:09:49 | 0:09:51 | |
"..has seen Miranda. | 0:09:52 | 0:09:55 | |
"We're just staring at each other. | 0:09:56 | 0:10:00 | |
"My only contribution so far | 0:10:01 | 0:10:04 | |
"has been a silent fart." | 0:10:04 | 0:10:08 | |
LAUGHTER | 0:10:08 | 0:10:12 | |
"Need conversation starters quick. | 0:10:15 | 0:10:20 | |
"If you come up with something good, | 0:10:22 | 0:10:27 | |
"I'll steal you some royal loo roll." | 0:10:27 | 0:10:32 | |
-So, how would you end a text, Miranda? -Um, two kisses. | 0:10:33 | 0:10:37 | |
Two kisses, OK. | 0:10:37 | 0:10:38 | |
So, we're putting this all on them, Miranda. | 0:10:38 | 0:10:41 | |
Conversation starters from your learned, wise, humorous friends | 0:10:41 | 0:10:47 | |
to help you out of this pickle. The text is as follows. | 0:10:47 | 0:10:51 | |
"Texting from the loo at Buck Pal. | 0:10:51 | 0:10:53 | |
"At a super awkward dinner. | 0:10:53 | 0:10:55 | |
"I'm sat between the President of Switzerland | 0:10:55 | 0:10:58 | |
"and a competition winner (neither of whom has seen Miranda.) | 0:10:58 | 0:11:01 | |
"We're just staring at each other. | 0:11:01 | 0:11:05 | |
"My only contribution so far has been a silent fart. | 0:11:05 | 0:11:07 | |
"Need conversation starters quick! | 0:11:07 | 0:11:10 | |
"If you come up with something good, I'll steal you some royal loo roll." | 0:11:10 | 0:11:13 | |
Miranda, I'm told you have | 0:11:13 | 0:11:15 | |
-a sensational number of people in your phone. -Oh, really? | 0:11:15 | 0:11:19 | |
So, we are going to send to 238 people | 0:11:19 | 0:11:23 | |
your silent fart, awkward dinner, conversation starter text | 0:11:23 | 0:11:29 | |
and we're going to send that now! | 0:11:29 | 0:11:32 | |
-No! -Yay! | 0:11:32 | 0:11:36 | |
Ladies and gentlemen, a huge thank you | 0:11:36 | 0:11:38 | |
for the extraordinarily brilliant and hilarious Miranda! | 0:11:38 | 0:11:41 | |
Yes. Thank you, darling. It's a fun one. It's a fun one. | 0:11:41 | 0:11:47 | |
Ladies and gentlemen, it is now time to find out | 0:11:49 | 0:11:52 | |
who is going to be tonight's Unexpected Star of the show. | 0:11:52 | 0:11:57 | |
Every week, on the Big Show, | 0:12:00 | 0:12:03 | |
we surprise a member of the public who has a passion for singing | 0:12:03 | 0:12:06 | |
and give them a once-in-a-lifetime opportunity to perform | 0:12:06 | 0:12:10 | |
on this West End stage for you and the millions watching at home. | 0:12:10 | 0:12:14 | |
So, here is tonight's Unexpected Star. | 0:12:14 | 0:12:18 | |
This is Dr Ciara Mackey. | 0:12:18 | 0:12:22 | |
Ciara lives in Belfast. | 0:12:22 | 0:12:24 | |
She is an A&E doctor. There she is with her selfie, | 0:12:24 | 0:12:27 | |
beginning her shift of helping people and saving people. | 0:12:27 | 0:12:31 | |
She paid for herself to go through medical school by singing in pubs. | 0:12:31 | 0:12:34 | |
She's never sung for an audience like this ever before. | 0:12:34 | 0:12:38 | |
She's been nominated by her boyfriend, Simon, | 0:12:38 | 0:12:40 | |
and she thinks that she has been whisked away | 0:12:40 | 0:12:43 | |
from her home in Belfast to London for a romantic break. | 0:12:43 | 0:12:48 | |
-AUDIENCE: -Aw! | 0:12:48 | 0:12:50 | |
Ciara and Simon have flown to London, | 0:12:50 | 0:12:53 | |
the city we're in currently... | 0:12:53 | 0:12:55 | |
LAUGHTER | 0:12:55 | 0:12:56 | |
..and he's treating her to a surprise night at the Grand Hotel. | 0:12:56 | 0:13:01 | |
Except the Grand Hotel does not exist, ladies and gentlemen. | 0:13:01 | 0:13:06 | |
Tonight, we are transforming this theatre into the Grand Hotel. | 0:13:07 | 0:13:14 | |
The inside of this auditorium - | 0:13:14 | 0:13:17 | |
I hope you've been to the loo - | 0:13:17 | 0:13:19 | |
is on lockdown. | 0:13:19 | 0:13:21 | |
We have to stay in here | 0:13:21 | 0:13:23 | |
because we have rebranded everything outside of the theatre. | 0:13:23 | 0:13:27 | |
So, let's have a little look at what the theatre looked like | 0:13:27 | 0:13:30 | |
when you yourselves arrived. | 0:13:30 | 0:13:32 | |
That is where you entered the Theatre Royal, Drury Lane. | 0:13:32 | 0:13:37 | |
So, here it is now, ladies and gentlemen. | 0:13:37 | 0:13:39 | |
There is reception and those are all actors waiting. | 0:13:39 | 0:13:45 | |
Sorry, is that a still or are those people...? That's actually... | 0:13:45 | 0:13:49 | |
If the receptionist is listening, can he just wiggle his bottom? | 0:13:49 | 0:13:52 | |
There you go. | 0:13:52 | 0:13:54 | |
I was worried that it wasn't real. | 0:13:55 | 0:13:57 | |
MICHAEL LAUGHS | 0:13:57 | 0:14:00 | |
So, those people are frozen in time in the reception of the Grand Hotel. | 0:14:02 | 0:14:06 | |
So, she's going to come to this hotel. | 0:14:06 | 0:14:09 | |
Ultimately she's coming down a corridor with her boyfriend. | 0:14:09 | 0:14:12 | |
Meanwhile, the bellboy will be saying, | 0:14:12 | 0:14:14 | |
"It's a cosy room but, really, it's all about the view." | 0:14:14 | 0:14:17 | |
She's going to come into the hotel room and then, obviously, | 0:14:17 | 0:14:20 | |
the view is behind the curtain and it's all of you. | 0:14:20 | 0:14:24 | |
You will be the view. Let's do that. | 0:14:24 | 0:14:28 | |
So, let's chat to her mum, Liz, and her friends. | 0:14:29 | 0:14:32 | |
Woohoo! | 0:14:32 | 0:14:34 | |
Hi, Liz. It's Liz. It's Ciara's mother. | 0:14:35 | 0:14:39 | |
And we've got some friends too. | 0:14:41 | 0:14:42 | |
-Ciara. -Hi, Ciara, lovely to meet you. | 0:14:42 | 0:14:45 | |
And Siobhan. So, Liz, tell us all about Ciara. | 0:14:45 | 0:14:47 | |
-She's been working last night? -She has. | 0:14:47 | 0:14:50 | |
I mean, Ciara works, well, like all doctors. | 0:14:50 | 0:14:52 | |
-These two girls are the same. They work 12-hour shifts. -Right. | 0:14:52 | 0:14:55 | |
-She's actually been on nights. -You're doctors as well? | 0:14:55 | 0:14:57 | |
-Yeah. -Both of them are. -This is very good. | 0:14:57 | 0:15:00 | |
Because it's such a shock for the Unexpected Stars | 0:15:00 | 0:15:02 | |
we have a paramedic that's on standby. | 0:15:02 | 0:15:04 | |
But I feel like you've got that covered. Tell me about her voice. | 0:15:04 | 0:15:07 | |
She's been singing since she was, like, three or four. | 0:15:07 | 0:15:10 | |
She can kind of do opera, she can do pop, she can do anything, really. | 0:15:10 | 0:15:14 | |
Tell us about her relationship with Simon, her boyfriend. | 0:15:14 | 0:15:16 | |
-How long has that been going on? -Well, about two years. | 0:15:16 | 0:15:19 | |
And I think he is a brave man to have done what he's done. | 0:15:19 | 0:15:22 | |
I hope that this all goes to plan | 0:15:22 | 0:15:24 | |
because she's coming into this bedroom. | 0:15:24 | 0:15:25 | |
-I hope that she opens the curtains. -Yeah. | 0:15:25 | 0:15:27 | |
And doesn't do something unexpected? | 0:15:27 | 0:15:29 | |
-She doesn't do something completely unexpected. -OK. | 0:15:29 | 0:15:32 | |
IN IRISH ACCENT: Oh, Simon darling, it's been such a long trip. | 0:15:32 | 0:15:36 | |
I love a cosy room. Let's try the bed out. | 0:15:37 | 0:15:39 | |
No! No! No! | 0:15:39 | 0:15:41 | |
Thank you so, so much. | 0:15:41 | 0:15:43 | |
-Thank YOU so much. -It's Ciara's lovely mother, Liz. -Thank you. | 0:15:43 | 0:15:46 | |
Thank you so much, thank you. | 0:15:46 | 0:15:48 | |
All right, thanks, girls. | 0:15:48 | 0:15:50 | |
I am going to go and take a look now at the Grand Hotel. Let's do this. | 0:15:51 | 0:15:57 | |
CHEERING | 0:15:57 | 0:16:00 | |
OK, so, hopefully, you should see me. | 0:16:00 | 0:16:04 | |
Have I popped up on the screen yet? | 0:16:04 | 0:16:06 | |
-AUDIENCE: -Yes. -So, here we are. | 0:16:06 | 0:16:09 | |
We're outside. This is the Theatre Royal. This is Drury Lane. | 0:16:09 | 0:16:13 | |
How are you? Sterling work, sterling work. | 0:16:13 | 0:16:15 | |
No idea who that is, but we seem to get on well. | 0:16:15 | 0:16:18 | |
How are you? There's a lot of security. | 0:16:18 | 0:16:20 | |
Yes, cos we can't let anyone close to the place. | 0:16:20 | 0:16:23 | |
We're going to move round now to the front of the theatre. | 0:16:23 | 0:16:26 | |
Here we go. So, this is it. This is now the front of the theatre. | 0:16:26 | 0:16:28 | |
Grand Hotel. It's four stars. | 0:16:28 | 0:16:31 | |
It was three-star, but the last one is an "unexpected star". | 0:16:31 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:37 | |
What's going to happen, Ciara is going to arrive here | 0:16:37 | 0:16:40 | |
in her Mercedes and she'll be taken through. | 0:16:40 | 0:16:43 | |
These people are actors, they're not real. | 0:16:43 | 0:16:45 | |
They're cold and they're doing a wonderful job. | 0:16:45 | 0:16:48 | |
Now, let's go through into our frozen lobby. | 0:16:48 | 0:16:51 | |
So, up we go to the red carpet and, of course, as you remember, | 0:16:51 | 0:16:56 | |
everybody is frozen here. | 0:16:56 | 0:16:58 | |
The doorman, we've got tourists, | 0:16:58 | 0:17:00 | |
people on their phones over here, chatting. This is our security. | 0:17:00 | 0:17:05 | |
And, if I hit this bell, everybody should come to life. | 0:17:05 | 0:17:11 | |
BELL RINGS | 0:17:11 | 0:17:13 | |
APPLAUSE | 0:17:13 | 0:17:17 | |
They're going to check in here | 0:17:21 | 0:17:23 | |
and be taken up by the bellboy, Jamie. | 0:17:23 | 0:17:25 | |
And I'll show you the route. | 0:17:25 | 0:17:27 | |
So, we go through here, | 0:17:27 | 0:17:29 | |
into the grand staircase, where we have our pianist over here and... | 0:17:29 | 0:17:34 | |
HE PLAYS THE PIANO | 0:17:34 | 0:17:37 | |
That is our theme music on the piano. | 0:17:37 | 0:17:40 | |
I love the risks we're taking! | 0:17:40 | 0:17:43 | |
And, of course, our tourists. Yeah, you can start too. Very good. | 0:17:43 | 0:17:47 | |
So, up we go. | 0:17:47 | 0:17:49 | |
They'll be led to their rooms by the bellboy, | 0:17:49 | 0:17:51 | |
all the way through the corridor. | 0:17:51 | 0:17:53 | |
On you go, darling. LAUGHTER | 0:17:56 | 0:17:59 | |
So, here we have other people's bags, people loitering, | 0:17:59 | 0:18:03 | |
all the details. | 0:18:03 | 0:18:04 | |
These two planning their day tomorrow. Off you go. | 0:18:04 | 0:18:08 | |
LAUGHTER | 0:18:08 | 0:18:10 | |
All right, we move along here. | 0:18:10 | 0:18:12 | |
A lot of the theatre stuff obviously works for both. | 0:18:12 | 0:18:15 | |
And then, we're having some renovation over here, | 0:18:15 | 0:18:18 | |
so we've got a decorator, obviously, | 0:18:18 | 0:18:20 | |
because the centre royal box is in here and this gentleman is... | 0:18:20 | 0:18:23 | |
I'm going to be honest with you, he's working | 0:18:23 | 0:18:25 | |
just about as hard right now as the builders I have at home. | 0:18:25 | 0:18:29 | |
LAUGHTER | 0:18:29 | 0:18:30 | |
If only I had the ability in my own house to do this. | 0:18:30 | 0:18:33 | |
What am I paying you for? OK, so, through we go, | 0:18:35 | 0:18:39 | |
where we now move... Yay! | 0:18:39 | 0:18:42 | |
Someone's room service has been left over here and we have... | 0:18:42 | 0:18:46 | |
Actually, on this occasion, | 0:18:46 | 0:18:48 | |
I might take advantage of the fact that she's frozen. | 0:18:48 | 0:18:51 | |
LAUGHTER | 0:18:51 | 0:18:52 | |
Here is our gentleman struggling with his key. | 0:18:55 | 0:18:59 | |
Yep, so he'll be back struggling with the key there. | 0:18:59 | 0:19:02 | |
That is a very familiar scene. Nice to see you. | 0:19:02 | 0:19:06 | |
And then we come to room 212. | 0:19:06 | 0:19:10 | |
Hiya, how are you doing? LAUGHTER | 0:19:10 | 0:19:14 | |
And into this incredibly disappointing... | 0:19:14 | 0:19:18 | |
We have a Corby trouser press over here. | 0:19:19 | 0:19:23 | |
This is obviously a fake door so, good luck going to the loo. | 0:19:23 | 0:19:27 | |
We've got the TV over here. | 0:19:27 | 0:19:29 | |
So, what's going to happen is the bellboy will go, | 0:19:29 | 0:19:31 | |
"I know it's a cosy but, really, we're here for the view. | 0:19:31 | 0:19:34 | |
"It's simply life-changing." And then... | 0:19:34 | 0:19:37 | |
CHEERING AND APPLAUSE | 0:19:38 | 0:19:41 | |
And there you all will be! | 0:19:42 | 0:19:44 | |
Whoa! | 0:19:44 | 0:19:47 | |
Whoa! | 0:19:47 | 0:19:48 | |
God, I hope that works! | 0:19:48 | 0:19:51 | |
All right, we've got to put this back now, | 0:19:53 | 0:19:55 | |
cos that really would ruin everything. | 0:19:55 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:19:59 | |
All right, so, let's do this. | 0:20:02 | 0:20:04 | |
So, we have a tracker on Ciara's car | 0:20:04 | 0:20:07 | |
and, that's her, the arrow. | 0:20:07 | 0:20:10 | |
Argh, that's her coming! Ciara is there. | 0:20:10 | 0:20:15 | |
She's just gone past the British Museum and a Travelodge, | 0:20:15 | 0:20:18 | |
which is probably a better hotel than we're offering. | 0:20:18 | 0:20:20 | |
LAUGHTER | 0:20:20 | 0:20:22 | |
They are now very, very close. | 0:20:22 | 0:20:24 | |
They're going the wrong way. | 0:20:24 | 0:20:27 | |
Why are they going the wrong way? | 0:20:27 | 0:20:29 | |
If we just watch them drive back to Ireland, | 0:20:31 | 0:20:35 | |
we'll know they've had a bit of a barney in the car | 0:20:35 | 0:20:38 | |
and all this was for nothing. | 0:20:38 | 0:20:40 | |
If he doesn't turn right, I'm really confused. | 0:20:41 | 0:20:44 | |
-AUDIENCE: -Ooh. | 0:20:44 | 0:20:47 | |
They'll be coming from the left in a Mercedes. | 0:20:47 | 0:20:50 | |
All right, this is them, ladies and gentlemen. | 0:20:53 | 0:20:55 | |
-So, exiting that vehicle. -Good evening. Welcome to the Grand Hotel. | 0:20:55 | 0:21:00 | |
-Thank you. -That is Ciara. | 0:21:00 | 0:21:01 | |
-Just wait one moment, I'll escort you through. -Thank you. | 0:21:01 | 0:21:04 | |
-Did you have a good journey? -Yes. -Take the bags in for them. | 0:21:04 | 0:21:08 | |
She seems to like it. She likes it. | 0:21:08 | 0:21:10 | |
I'll escort these people through to reception. Good evening, sir. | 0:21:10 | 0:21:12 | |
-Welcome to the Grand Hotel. -Thank you. -This way, please. | 0:21:12 | 0:21:15 | |
-DRIVER: -Sure? -Yes, thank you. -Have a good stay. | 0:21:15 | 0:21:17 | |
-Thanks very much. -Thanks very much. | 0:21:17 | 0:21:19 | |
Reception over there. I hope you have a very pleasant stay. | 0:21:22 | 0:21:24 | |
OK, thank you. | 0:21:24 | 0:21:26 | |
OK, she seems to like it. | 0:21:29 | 0:21:31 | |
OK, Diane, if you can hear me, just turn and say, | 0:21:31 | 0:21:34 | |
"Sorry, guys. Full disclosure. I've just passed wind." | 0:21:34 | 0:21:37 | |
LAUGHTER | 0:21:37 | 0:21:39 | |
I'm so sorry. Full disclosure. I've just passed wind. | 0:21:39 | 0:21:44 | |
LAUGHTER | 0:21:44 | 0:21:47 | |
Say, "Are you guys on a romantic break?" | 0:21:52 | 0:21:54 | |
-Are you guys on a romantic break? -Yes. -Yes. | 0:21:54 | 0:21:58 | |
I'm here with my toy boy. | 0:21:58 | 0:22:00 | |
-I'm here with my toy boy. -He's a real hunk. -He's a real hunk. | 0:22:00 | 0:22:04 | |
-I'm waiting for him. -Send in Robert, the toy boy. | 0:22:04 | 0:22:06 | |
Oh, there he is! | 0:22:08 | 0:22:10 | |
-LAUGHTER -Hey. | 0:22:10 | 0:22:12 | |
Hey, honey. | 0:22:12 | 0:22:14 | |
Hot stuff. What did I tell you? | 0:22:14 | 0:22:18 | |
So, the receptionist, can you just finish checking them in? | 0:22:20 | 0:22:22 | |
Jamie, could you show Mr and Mrs Dressel to their room? | 0:22:22 | 0:22:25 | |
There you go. It's 501. | 0:22:25 | 0:22:27 | |
Now, Robert, I want you to say, "We're checking out." | 0:22:27 | 0:22:30 | |
-We're checking out. -Everyone's checking YOU out, honey. | 0:22:30 | 0:22:32 | |
-Everyone's checking YOU out, honey. -LAUGHTER | 0:22:32 | 0:22:36 | |
OK, all right. Oh, she's cracking up over there. She's cracking up. | 0:22:40 | 0:22:44 | |
Let's let her laugh a bit. | 0:22:44 | 0:22:46 | |
Now, when the guy's not looking, steal the bell | 0:22:46 | 0:22:49 | |
and tell Ciara to shush. | 0:22:49 | 0:22:52 | |
Steal the bell. | 0:22:52 | 0:22:53 | |
Ssh... | 0:22:54 | 0:22:56 | |
LAUGHTER | 0:22:57 | 0:23:00 | |
OK, now the receptionist, say, "I'll just call for your bags," | 0:23:00 | 0:23:04 | |
and try and hit the bell. | 0:23:04 | 0:23:06 | |
I'll just call for your bags. | 0:23:06 | 0:23:08 | |
-LAUGHTER -Where's the bell? | 0:23:08 | 0:23:10 | |
There was a bell there. | 0:23:10 | 0:23:13 | |
Did you take the bell? | 0:23:13 | 0:23:15 | |
No, I don't like bells. | 0:23:15 | 0:23:17 | |
Ask Simon and Ciara if they know anything about the bell. | 0:23:17 | 0:23:20 | |
Excuse me, do you know anything about the bell? | 0:23:20 | 0:23:22 | |
-Did you see anything about the bell? -No. -Security, come over. | 0:23:22 | 0:23:26 | |
Take her to one side. | 0:23:26 | 0:23:29 | |
I'm sorry, I'm just going to take you to one side, please. | 0:23:29 | 0:23:31 | |
-Just over there. -What's the problem? | 0:23:31 | 0:23:33 | |
-You seem a bit bulky. -How dare you! | 0:23:33 | 0:23:36 | |
-Can I ask you to open your jacket, please? -ROBERT: -Huh? | 0:23:36 | 0:23:40 | |
You haven't done it again?! | 0:23:41 | 0:23:43 | |
LAUGHTER AND APPLAUSE | 0:23:45 | 0:23:49 | |
-You got me. -OK, you're going to need to both come with me. | 0:23:52 | 0:23:55 | |
-That way, please. Come on, come on. -It was included in the room. | 0:23:55 | 0:24:00 | |
OK, apologise and let's check you in. | 0:24:00 | 0:24:02 | |
I'm sorry, I've never seen anything like that before. | 0:24:02 | 0:24:05 | |
-How are you both? -Fine. -You've pre-checked in, haven't you? -Yeah. | 0:24:06 | 0:24:09 | |
-That's great. Excellent. Let me give you that, take that back. -Cheers. | 0:24:09 | 0:24:12 | |
-It's room to 212. Jamie. You'll love the view. -OK, thanks. | 0:24:12 | 0:24:17 | |
-JAMIE: -Come on through. -Thank you. | 0:24:17 | 0:24:19 | |
-Have you travelled far? -From Ireland. -Belfast, yeah. | 0:24:19 | 0:24:22 | |
Ah, OK, nice. So, just up these stairs. | 0:24:22 | 0:24:25 | |
PIANIST PLAYS BIG SHOW THEME TUNE | 0:24:25 | 0:24:28 | |
PIANIST CONTINUES TO PLAY | 0:24:41 | 0:24:43 | |
-After you. -Come on through. Sorry about this area, guys. | 0:24:43 | 0:24:46 | |
We're just having some work done. | 0:24:46 | 0:24:48 | |
212, just this way. I'll just go in front, sorry. | 0:24:53 | 0:24:55 | |
-Hi, how are you? -Just along here. | 0:24:57 | 0:24:59 | |
Excuse me, this key card's not working. | 0:24:59 | 0:25:02 | |
OK, sir, if you just pop back to reception | 0:25:02 | 0:25:04 | |
-and they'll get you a new one cut. -Thank you very much. | 0:25:04 | 0:25:08 | |
-OK, there's the key card. -Thanks very much. -There you go. -Thank you. | 0:25:08 | 0:25:12 | |
-Oh, lovely! -It is a cosy room, | 0:25:12 | 0:25:14 | |
-however, the view is absolutely amazing. -Ah. | 0:25:14 | 0:25:17 | |
-The view? -The view's amazing. -Thank you. -Check it out. | 0:25:17 | 0:25:19 | |
CHEERING AND APPLAUSE | 0:25:21 | 0:25:23 | |
What? | 0:25:26 | 0:25:27 | |
Ladies and gentlemen... | 0:25:31 | 0:25:33 | |
..it's our Unexpected Star of tonight's show. | 0:25:40 | 0:25:43 | |
It's Ciara. | 0:25:44 | 0:25:46 | |
Ciara...I understand that's a bit of a shock. | 0:25:50 | 0:25:54 | |
There's your mum over there, there's your friends. | 0:25:54 | 0:25:58 | |
Hiding behind the curtain is your very, very guilty boyfriend. | 0:25:58 | 0:26:03 | |
But what about that, Simon? | 0:26:03 | 0:26:06 | |
CHEERING AND APPLAUSE | 0:26:06 | 0:26:08 | |
Come with me. | 0:26:08 | 0:26:10 | |
Ladies and gentlemen, | 0:26:10 | 0:26:11 | |
it's our incredibly shocked Unexpected Star of tonight's show. | 0:26:11 | 0:26:15 | |
It's Ciara at the Grand Hotel! | 0:26:15 | 0:26:17 | |
CHEERING AND APPLAUSE | 0:26:17 | 0:26:20 | |
All right. Oh, my goodness! | 0:26:20 | 0:26:23 | |
I know. Even I'm in shock. | 0:26:24 | 0:26:27 | |
-Ciara, we're all here... -You're Michael McIntyre. | 0:26:28 | 0:26:31 | |
I am, I am, I am. LAUGHTER | 0:26:31 | 0:26:34 | |
You were very sweet not to be incredibly disappointed | 0:26:34 | 0:26:37 | |
with that room. Come over here. | 0:26:37 | 0:26:40 | |
You can see, actually, everybody in the lobby. There they all are. | 0:26:40 | 0:26:43 | |
CHEERING AND APPLAUSE | 0:26:43 | 0:26:46 | |
They are all actors and they've all been waiting here to surprise you. | 0:26:46 | 0:26:51 | |
-We've turned the whole theatre into a hotel. -Oh, wow. | 0:26:54 | 0:26:58 | |
It meant that we couldn't leave the auditorium, | 0:26:58 | 0:27:00 | |
which has made some people quite uncomfortable. | 0:27:00 | 0:27:02 | |
How are you feeling? | 0:27:02 | 0:27:04 | |
What's happening? | 0:27:04 | 0:27:06 | |
-You're here on a romantic break with Simon. -Yes. -How's that been going? | 0:27:08 | 0:27:12 | |
It's... It's going very well, yeah. | 0:27:12 | 0:27:15 | |
And more people than I thought. | 0:27:15 | 0:27:17 | |
More of an audience in the bedroom than one expected. | 0:27:19 | 0:27:23 | |
-There's two and a half thousand people here. -OK. | 0:27:23 | 0:27:25 | |
We're all here to surprise you | 0:27:25 | 0:27:27 | |
because you're going to be something called - if you'll agree - | 0:27:27 | 0:27:30 | |
the Unexpected Star of tonight's show. | 0:27:30 | 0:27:33 | |
-That's why you're here, that's why you've been nominated. -OK. | 0:27:33 | 0:27:36 | |
So, you will come back on this very stage. | 0:27:36 | 0:27:39 | |
My question to you, Ciara, is would you like to play us out | 0:27:39 | 0:27:42 | |
at the end of this show, to sing for us | 0:27:42 | 0:27:44 | |
and be tonight's Unexpected Star of the show? | 0:27:44 | 0:27:47 | |
Um, sure. | 0:27:47 | 0:27:49 | |
We've got ourselves a "sure"! | 0:27:49 | 0:27:51 | |
Ladies and gentlemen, it's our Unexpected Star of tonight's show. | 0:27:51 | 0:27:54 | |
It's Ciara. Amazing! | 0:27:54 | 0:27:57 | |
CHEERING | 0:27:57 | 0:27:59 | |
We'll get your bags. Hold on. | 0:27:59 | 0:28:02 | |
Don't forget your bag, Ciara. There you go. Off you go. | 0:28:02 | 0:28:05 | |
-They're waiting there to meet you. -Can I get my other bag? | 0:28:05 | 0:28:08 | |
Yes, you can get your other bag. | 0:28:08 | 0:28:10 | |
You're absolutely right. You've got your handbag. Is this Simon's bag? | 0:28:10 | 0:28:14 | |
-Yeah. -Hold on, let me sort this out. You've got your bags. Sorry. | 0:28:14 | 0:28:19 | |
Ladies and gentlemen, | 0:28:19 | 0:28:21 | |
it's our Unexpected Star of tonight's show, Ciara. | 0:28:21 | 0:28:24 | |
Ladies and gentlemen, please welcome the most handsome, charming, | 0:28:30 | 0:28:34 | |
Irish 20-something I've ever met. | 0:28:34 | 0:28:36 | |
He's a global pop superstar and I love this song! | 0:28:36 | 0:28:39 | |
Singing Slow Hands, it's Niall Horan. | 0:28:39 | 0:28:42 | |
CHEERING AND APPLAUSE | 0:28:42 | 0:28:45 | |
# "We should take this back to my place" | 0:28:59 | 0:29:04 | |
# That's what she said right to my face | 0:29:05 | 0:29:09 | |
# Cos I want you bad | 0:29:11 | 0:29:13 | |
# Yeah, I want you, baby | 0:29:13 | 0:29:16 | |
# I've been thinking 'bout it all day | 0:29:16 | 0:29:20 | |
# And I hope you feel the same way, yeah | 0:29:22 | 0:29:27 | |
# Cos I want you bad | 0:29:27 | 0:29:29 | |
# Yeah, I want you, baby | 0:29:30 | 0:29:32 | |
# Slow, slow hands | 0:29:32 | 0:29:34 | |
# Like sweat dripping down our dirty laundry | 0:29:34 | 0:29:37 | |
# No, no chance | 0:29:37 | 0:29:40 | |
# That I'm leaving here without you on me | 0:29:40 | 0:29:43 | |
# I, I know | 0:29:43 | 0:29:45 | |
# Yeah, I already know that there ain't no stopping | 0:29:45 | 0:29:49 | |
# Your plans and those... # | 0:29:49 | 0:29:51 | |
-AUDIENCE: -# Slow hands. # -Woo! | 0:29:51 | 0:29:54 | |
# Slow hands | 0:29:59 | 0:30:00 | |
# I just wanna take my time | 0:30:05 | 0:30:10 | |
# We could do this, baby, all night, yeah | 0:30:11 | 0:30:17 | |
# Cos I want you bad | 0:30:17 | 0:30:20 | |
# Yeah, I want you, baby | 0:30:20 | 0:30:22 | |
# Slow, slow hands | 0:30:22 | 0:30:24 | |
# Like sweat dripping down our dirty laundry | 0:30:24 | 0:30:27 | |
# No, no chance | 0:30:27 | 0:30:30 | |
# That I'm leaving here without you on me | 0:30:30 | 0:30:32 | |
# I, I know | 0:30:32 | 0:30:35 | |
# Yeah, I already know that there ain't no stopping | 0:30:35 | 0:30:38 | |
# Your plans and those... # | 0:30:38 | 0:30:41 | |
-AUDIENCE: -# Slow hands. # -Woo! | 0:30:41 | 0:30:44 | |
# Fingertips puttin' on a show | 0:30:44 | 0:30:46 | |
# Got me now and I can't say no | 0:30:46 | 0:30:49 | |
# Wanna be with you all alone | 0:30:49 | 0:30:52 | |
# Take me home, take me home | 0:30:52 | 0:30:55 | |
# Fingertips puttin' on a show | 0:30:55 | 0:30:58 | |
# Can't you tell that I want you, baby, yeah | 0:30:58 | 0:31:01 | |
# Slow hands | 0:31:01 | 0:31:03 | |
# Like sweat dripping down our dirty laundry | 0:31:03 | 0:31:06 | |
# No, no chance | 0:31:06 | 0:31:08 | |
# That I'm leaving here without you on me | 0:31:08 | 0:31:11 | |
# I, I know | 0:31:11 | 0:31:14 | |
# Yeah, I already know that there ain't no stopping | 0:31:14 | 0:31:17 | |
# Slow hands | 0:31:17 | 0:31:19 | |
# Like sweat dripping down our dirty laundry | 0:31:19 | 0:31:22 | |
# No, no chance | 0:31:22 | 0:31:24 | |
# That I'm leaving here without you on me | 0:31:24 | 0:31:28 | |
# I, I know | 0:31:28 | 0:31:30 | |
# Yeah, I already know that there ain't no stopping | 0:31:30 | 0:31:34 | |
# Your plans and those... # | 0:31:34 | 0:31:36 | |
-AUDIENCE: -# Slow hands. # -Woo! | 0:31:36 | 0:31:39 | |
# These slow hands | 0:31:43 | 0:31:45 | |
# Woo, slow hands. # | 0:31:48 | 0:31:50 | |
Thank you. | 0:31:50 | 0:31:52 | |
CHEERING AND APPLAUSE | 0:31:52 | 0:31:55 | |
Niall Horan, ladies and gentlemen! | 0:31:58 | 0:32:00 | |
Woo! | 0:32:02 | 0:32:03 | |
# Slow Hands, you know. # | 0:32:03 | 0:32:06 | |
Thank you, Niall. Thank you for being here. | 0:32:06 | 0:32:08 | |
Girls love you! Girls love you! | 0:32:08 | 0:32:11 | |
SCREAMING | 0:32:11 | 0:32:13 | |
Girls don't scream at me. My wife screams at me but not in this way. | 0:32:13 | 0:32:16 | |
Anyway, I love that bit - the "woo". | 0:32:16 | 0:32:18 | |
-Yeah. -Can I do one? Can I do one? | 0:32:18 | 0:32:21 | |
# Your plans and those slow hands | 0:32:21 | 0:32:25 | |
# Ooh! # | 0:32:25 | 0:32:26 | |
Pretty good, pretty good. Listen, congratulations. | 0:32:27 | 0:32:30 | |
-You have a brand-new album which is out to buy. -Yes, indeed. | 0:32:30 | 0:32:33 | |
-And it is called Flicker. -Yes. -Flicker. I've seen the posters. | 0:32:33 | 0:32:36 | |
-You're such a handsome man. That song is awesome. -Thanks very much. | 0:32:36 | 0:32:39 | |
All of the songs are awesome. Many congratulations. | 0:32:39 | 0:32:42 | |
One more time for the fantastic and the wonderful... | 0:32:42 | 0:32:44 | |
Thank you for being here. It's Niall Horan. Thank you very much. | 0:32:44 | 0:32:46 | |
Thank you, really appreciate it. | 0:32:46 | 0:32:48 | |
Woo! | 0:32:48 | 0:32:50 | |
Woo! | 0:32:50 | 0:32:51 | |
Now, ladies and gentlemen, it is time to play the Midnight Gameshow! | 0:32:55 | 0:33:02 | |
CHEERING | 0:33:02 | 0:33:05 | |
This is no ordinary game show, ladies and gentlemen. | 0:33:07 | 0:33:12 | |
The contestants of the Midnight Gameshow had no idea | 0:33:12 | 0:33:16 | |
they would be taking part. | 0:33:16 | 0:33:18 | |
They went to sleep, safe and sound, tucked up in their beds, | 0:33:18 | 0:33:20 | |
only to be awoken in the dead of night | 0:33:20 | 0:33:23 | |
by me and a camera crew to answer a series of questions | 0:33:23 | 0:33:27 | |
while semiconscious, in the Midnight Gameshow! | 0:33:27 | 0:33:30 | |
CHEERING | 0:33:30 | 0:33:33 | |
Yes, this is the only game, indeed, where if you snooze... | 0:33:33 | 0:33:37 | |
-AUDIENCE: -You lose! | 0:33:37 | 0:33:39 | |
Tonight's contestant is Johnny. | 0:33:39 | 0:33:41 | |
He's a 29-year-old tailor from Enfield, | 0:33:41 | 0:33:44 | |
and he was set up by his girlfriend, Toni. Johnny, where are you? | 0:33:44 | 0:33:49 | |
Go on, Johnny. Johnny's down here, ladies and gentlemen. | 0:33:49 | 0:33:52 | |
Big hand for Johnny. CHEERING AND APPLAUSE | 0:33:52 | 0:33:56 | |
-Go on, Johnny, nice to see you. -Nice to see you again. | 0:33:56 | 0:33:59 | |
Oh, Toni, you look so beautiful and handsome and charming and wonderful. | 0:33:59 | 0:34:04 | |
-Cos I've only ever met you once. -Yeah. I wasn't wearing many clothes. | 0:34:04 | 0:34:08 | |
-Tell me, Toni, of course, set you up for this. -Yeah. | 0:34:09 | 0:34:13 | |
Toni, why would you do such a thing to Johnny? | 0:34:13 | 0:34:15 | |
-Johnny loves to have a good laugh. -Right. -He likes to be a fun guy. | 0:34:15 | 0:34:20 | |
-I did have a little... -Little worry. -A little worry. | 0:34:20 | 0:34:22 | |
But what do you remember of the night, | 0:34:22 | 0:34:24 | |
leading up to the Midnight Gameshow, Johnny? | 0:34:24 | 0:34:27 | |
Before I went to bed, I was in the garden, just taking out the bins | 0:34:27 | 0:34:30 | |
and, when I closed the back door, I actually broke the back door lock. | 0:34:30 | 0:34:35 | |
-So, my last thought, going back to bed was... -Oh, dear! | 0:34:35 | 0:34:38 | |
-..you know, I've got to fix the lock or someone might break in. -Oh. | 0:34:38 | 0:34:41 | |
That's the last thing I thought about. | 0:34:41 | 0:34:43 | |
Well, this might explain this very, very extreme reaction. | 0:34:43 | 0:34:49 | |
I went in second, behind the cameraman, | 0:34:49 | 0:34:52 | |
who has never been more frightened. | 0:34:52 | 0:34:54 | |
He thought... He thought you were going to take him down. | 0:34:54 | 0:34:58 | |
Well, thank you so much for setting him up. | 0:34:59 | 0:35:02 | |
Shall we take a look at what happened | 0:35:02 | 0:35:04 | |
in Johnny's Midnight Gameshow? | 0:35:04 | 0:35:06 | |
All right. This is Johnny in the Midnight Gameshow. | 0:35:06 | 0:35:10 | |
CHEERING AND APPLAUSE | 0:35:10 | 0:35:12 | |
LAUGHTER | 0:35:26 | 0:35:29 | |
LAUGHTER | 0:35:34 | 0:35:37 | |
LAUGHTER | 0:36:03 | 0:36:06 | |
LAUGHTER | 0:36:09 | 0:36:12 | |
-Whoa! -Johnny! | 0:36:12 | 0:36:15 | |
Welcome to the Midnight Gameshow! | 0:36:15 | 0:36:19 | |
-Is this a joke? -Thanks to your beautiful girlfriend, Toni. | 0:36:19 | 0:36:24 | |
Yes, the bedside clock is ticking. | 0:36:25 | 0:36:27 | |
Are you going to get back in bed and answer the following questions? | 0:36:27 | 0:36:32 | |
Gather your composure. | 0:36:32 | 0:36:34 | |
He's ready for it. You can relax. | 0:36:34 | 0:36:36 | |
Do you want to get back and comfortable in bed? | 0:36:36 | 0:36:39 | |
All right. Here we go. | 0:36:39 | 0:36:41 | |
Name three types of biscuit. | 0:36:41 | 0:36:43 | |
-Hobnob. -He's off. | 0:36:43 | 0:36:45 | |
-McVitie's, digestive. -You're absolutely flying, Johnny. | 0:36:45 | 0:36:48 | |
We'll keep moving on. | 0:36:48 | 0:36:50 | |
Right, I need a doctor's help for this next question. | 0:36:50 | 0:36:52 | |
Here is our doctor, Johnny. | 0:36:52 | 0:36:54 | |
LAUGHTER | 0:36:54 | 0:36:56 | |
Right, this is a pointer. | 0:36:56 | 0:36:59 | |
What I'd like you to do, Johnny, is please point to the clavicle. | 0:36:59 | 0:37:05 | |
The clavicle. | 0:37:05 | 0:37:07 | |
Ooh, ooh... | 0:37:07 | 0:37:10 | |
LAUGHTER | 0:37:10 | 0:37:13 | |
Johnny, that is the wrong... Oh, little bit of help from Toni. | 0:37:13 | 0:37:16 | |
-This one? -That's...the right answer. OK, thank you to the doctor. | 0:37:16 | 0:37:21 | |
Johnny, this is an orang-utan. | 0:37:21 | 0:37:24 | |
These primates are native to Indonesia and Malaysia | 0:37:24 | 0:37:28 | |
and are the largest tree-dwelling animal | 0:37:28 | 0:37:30 | |
in the world. LAUGHTER | 0:37:30 | 0:37:33 | |
Come on in. He's a little bit shy. | 0:37:33 | 0:37:34 | |
Right, so this is our orang-utan. | 0:37:36 | 0:37:40 | |
He's quite friendly. | 0:37:40 | 0:37:41 | |
No, don't go... No! Don't go under there. | 0:37:41 | 0:37:45 | |
No, that's not OK. That's not allowed. | 0:37:45 | 0:37:47 | |
All right, so, now, what I'd like you to do | 0:37:47 | 0:37:50 | |
is try to beat the orang-utan, Johnny, | 0:37:50 | 0:37:53 | |
in a simple game of rock, paper, scissors. | 0:37:53 | 0:37:56 | |
Best of three. OK, one, two, three. | 0:37:56 | 0:37:59 | |
Right, that is 1-0 to the orang-utan. | 0:37:59 | 0:38:01 | |
He's quite strong. One, two, three. | 0:38:01 | 0:38:04 | |
-Oh! -Oh, it's 2-0. Thank you. Oh! | 0:38:04 | 0:38:07 | |
Thank you very much, orang-utan. | 0:38:07 | 0:38:09 | |
OK, all right. He hit me a bit there on the face. | 0:38:11 | 0:38:16 | |
Was that supposed to be part of it? | 0:38:16 | 0:38:18 | |
Goodness me! | 0:38:18 | 0:38:19 | |
Now, I would like you to sing the theme tune | 0:38:19 | 0:38:22 | |
of the TV show that this person starred in. | 0:38:22 | 0:38:26 | |
LAUGHTER | 0:38:27 | 0:38:29 | |
Er, I can't tell you. | 0:38:29 | 0:38:31 | |
-What's the show? -Dancing With The Stars. | 0:38:31 | 0:38:34 | |
-No. Strictly Come Dancing. -That's it! | 0:38:34 | 0:38:37 | |
Oh, God! What's the song? | 0:38:37 | 0:38:39 | |
I'll start you off. # Da. # | 0:38:39 | 0:38:42 | |
-LAUGHTER -# Da, da, da, da, da, da, da, da. # | 0:38:42 | 0:38:46 | |
-No, that's not it, is it? -Keep going, Johnny. | 0:38:46 | 0:38:51 | |
# Da, da, da, da, da, da... # | 0:38:51 | 0:38:54 | |
# Da, da... # I don't know. | 0:38:54 | 0:38:56 | |
# Da, da, da, da, da, da, da... # | 0:38:56 | 0:38:58 | |
LAUGHTER | 0:38:58 | 0:39:00 | |
# Da, da, da, da, da, da, da... # | 0:39:00 | 0:39:04 | |
# Da, da, da... # | 0:39:04 | 0:39:06 | |
LAUGHTER | 0:39:06 | 0:39:08 | |
That's not it. | 0:39:08 | 0:39:09 | |
Right, now, Johnny, after your success with that one, | 0:39:09 | 0:39:13 | |
I'm now going to ask Ola to perform a dance | 0:39:13 | 0:39:15 | |
and all you have to do is name the dance. | 0:39:15 | 0:39:17 | |
Oh, cha-cha. | 0:39:19 | 0:39:21 | |
-Keep guessing. That's very close. -Er, cancan. | 0:39:21 | 0:39:25 | |
-Keep going, keep guessing, keep guessing. -The samba. | 0:39:25 | 0:39:27 | |
Keep going, keep going. | 0:39:27 | 0:39:29 | |
You're on fire, but it's actually the wrong answers. | 0:39:29 | 0:39:32 | |
Keep going, keep guessing. | 0:39:32 | 0:39:34 | |
-Oh, I know this. -She's absolutely exhausted! | 0:39:34 | 0:39:37 | |
It does begin with C. | 0:39:37 | 0:39:39 | |
Chive. | 0:39:39 | 0:39:41 | |
That's a herb. LAUGHTER | 0:39:41 | 0:39:44 | |
Cha-cha slide. | 0:39:44 | 0:39:46 | |
Oh, go on. | 0:39:47 | 0:39:49 | |
Seriously... | 0:39:49 | 0:39:51 | |
-The Charle... -The Charleston! | 0:39:51 | 0:39:53 | |
-Yeah! -That's the correct answer! | 0:39:53 | 0:39:55 | |
Thank you very much, Ola Jordan. Stop the bedside clock. | 0:39:55 | 0:39:58 | |
LAUGHTER AND APPLAUSE | 0:40:06 | 0:40:10 | |
No. | 0:40:11 | 0:40:12 | |
Maybe Michael McIntyre is like Santa and he's got a key to every house. | 0:40:16 | 0:40:19 | |
Oh, God. I almost had a heart attack. | 0:40:19 | 0:40:21 | |
LAUGHTER | 0:40:27 | 0:40:30 | |
Oh, Johnny, congratulations. | 0:40:44 | 0:40:47 | |
Thank you so, so much, Toni. | 0:40:47 | 0:40:49 | |
Oh, first off, the biscuits. | 0:40:49 | 0:40:52 | |
I mean, you were right in there. | 0:40:52 | 0:40:54 | |
Right off, "Hobnob". You completely composed yourself. | 0:40:54 | 0:40:57 | |
Were you having a dream about Hobnobs or something? | 0:40:57 | 0:41:00 | |
-I love biscuits, so... -You love biscuits. -Yeah. | 0:41:00 | 0:41:03 | |
That served you very well. Other than that, it was quite difficult. | 0:41:03 | 0:41:06 | |
Did you think that was a real orang-utan? | 0:41:06 | 0:41:08 | |
Yeah, it confused me. I didn't know what was going on. | 0:41:08 | 0:41:11 | |
It was the middle of the night. So, since then, has it been all right? | 0:41:11 | 0:41:15 | |
Has it been a bit tense at home? | 0:41:15 | 0:41:17 | |
I woke up the next day and I was in the shower | 0:41:17 | 0:41:19 | |
and I thought, "Was that a dream?" Cos Toni didn't wake up. | 0:41:19 | 0:41:22 | |
And I came out the bathroom and said, "What happened last night?" | 0:41:22 | 0:41:25 | |
And Toni was like, "What?" | 0:41:25 | 0:41:26 | |
LAUGHTER | 0:41:26 | 0:41:29 | |
It sounds like you have a wonderful relationship. | 0:41:29 | 0:41:31 | |
I very much hope you enjoyed it. | 0:41:31 | 0:41:33 | |
I can tell you, this is a game show, | 0:41:33 | 0:41:35 | |
and you do qualify for our iconic bronze "Do not disturb" sign. | 0:41:35 | 0:41:41 | |
You're one of the few people to own such a thing | 0:41:41 | 0:41:44 | |
and, of course, we have an orang-utan for you | 0:41:44 | 0:41:48 | |
to get you through the night. | 0:41:48 | 0:41:49 | |
And your favourite dance, the chive. There you go. | 0:41:49 | 0:41:54 | |
Ladies and gentlemen, it's Johnny and Toni | 0:41:54 | 0:41:58 | |
on the Midnight Gameshow! | 0:41:58 | 0:42:00 | |
Thank you so, so much. | 0:42:00 | 0:42:02 | |
Brilliant, lovely to meet you. Thank you for coming. | 0:42:02 | 0:42:04 | |
Brilliant. Johnny and Toni. Fantastic! | 0:42:04 | 0:42:08 | |
APPLAUSE Oh, Johnny! | 0:42:08 | 0:42:11 | |
Ladies and gentlemen, please welcome | 0:42:13 | 0:42:15 | |
one of Britain's funniest and grumpiest men. | 0:42:15 | 0:42:17 | |
It's the hilarious, Jon Richardson's here! | 0:42:17 | 0:42:20 | |
Come on, Johnny! | 0:42:20 | 0:42:23 | |
CHEERING | 0:42:23 | 0:42:25 | |
Hello, there. | 0:42:29 | 0:42:31 | |
-CHEERING -Lovely. That was a bit TOO much. | 0:42:31 | 0:42:35 | |
LAUGHTER | 0:42:35 | 0:42:37 | |
Big couple of years for me, big couple of years. I got married. | 0:42:37 | 0:42:40 | |
-CHEERING -Thank you. | 0:42:40 | 0:42:43 | |
And then we got a bit comfortable. | 0:42:43 | 0:42:45 | |
You get in that phase, after you've been with someone a while, | 0:42:45 | 0:42:47 | |
you start to enjoy things. I thought we were getting a bit too much sleep | 0:42:47 | 0:42:50 | |
and not arguing enough, so we had a child. | 0:42:50 | 0:42:53 | |
LAUGHTER | 0:42:53 | 0:42:55 | |
See now, obviously, having a child puts a lot of strain | 0:42:55 | 0:42:58 | |
on the marriage, which is awkward, cos I feel that that's MY job. | 0:42:58 | 0:43:01 | |
Cos, when you love someone, you want them to get things right, don't you? | 0:43:03 | 0:43:06 | |
You want their lives to be perfect and that means, sometimes, | 0:43:06 | 0:43:09 | |
you have to point out when they've done something incorrectly. | 0:43:09 | 0:43:12 | |
I'm just picking the important ones, for the time being. | 0:43:12 | 0:43:15 | |
Like for example, my wife doesn't watch television correctly. | 0:43:15 | 0:43:18 | |
LAUGHTER | 0:43:18 | 0:43:20 | |
It would seem so simple. How could you get that wrong? | 0:43:20 | 0:43:22 | |
But she talks to me while it's on and that can't be right, can it? | 0:43:22 | 0:43:25 | |
I can't hear that and you as well, can I, at the same time? | 0:43:28 | 0:43:31 | |
She'll say something and I'll say, "Write it down. | 0:43:31 | 0:43:33 | |
"What do you think that notepad's for there?" | 0:43:33 | 0:43:36 | |
She's got one, I've got one. | 0:43:36 | 0:43:38 | |
You write it down and we'll talk afterwards. That's better, isn't it? | 0:43:38 | 0:43:41 | |
Very often, these issues resolve themselves. | 0:43:41 | 0:43:43 | |
You're watching telly. "I wonder what car the killer drives," | 0:43:43 | 0:43:46 | |
and then you see it and go, "Oh, I can cross that one out now. | 0:43:46 | 0:43:49 | |
"We've saved some time there, haven't we?" | 0:43:49 | 0:43:51 | |
So, then I go into the kitchen to get a whisky or something like that. | 0:43:52 | 0:43:55 | |
I go to the kitchen and I see the dishwasher's finished | 0:43:55 | 0:43:58 | |
and then we have another problem | 0:43:58 | 0:43:59 | |
because I have to empty the dishwasher. | 0:43:59 | 0:44:01 | |
Emptying the dishwasher is one of those never tasks. | 0:44:01 | 0:44:04 | |
Nobody quite does it. So, I think, "I can empty the dishwasher. | 0:44:04 | 0:44:06 | |
"That's the fair thing I can do." | 0:44:06 | 0:44:08 | |
So, I'll pull the door open, like that, pull the draw out. | 0:44:08 | 0:44:10 | |
She very often comes down from bed then, cos she can hear me screaming. | 0:44:10 | 0:44:14 | |
She'll say, "What's the problem, Jon? Is it a spider?" | 0:44:14 | 0:44:17 | |
And I'll say, "No, it's the dishwasher again." | 0:44:17 | 0:44:19 | |
She'll say, "You're joking," then we have to get comfortable | 0:44:19 | 0:44:21 | |
while we go through all the mistakes she's made in there. | 0:44:21 | 0:44:24 | |
And I'm trying to let it go, I really am, but this is important, | 0:44:24 | 0:44:27 | |
isn't it, the dishwasher? | 0:44:27 | 0:44:29 | |
If you don't wash dishes properly, you're trapping up chewed-up, | 0:44:29 | 0:44:32 | |
mouldy old bits of food in a warm, damp box, very often overnight. | 0:44:32 | 0:44:35 | |
You might as well just kill your family while they sleep. | 0:44:35 | 0:44:37 | |
I have to talk her through all the things. | 0:44:39 | 0:44:41 | |
She'll say, "What's the problem?" I'll say, "It's this upturned bowl | 0:44:41 | 0:44:44 | |
"on the top shelf of the dishwasher there." | 0:44:44 | 0:44:46 | |
Not really wrong to put a bowl on the top shelf | 0:44:46 | 0:44:49 | |
of the dishwasher on a light load, on a light load, on a light load... | 0:44:49 | 0:44:53 | |
-Malfunction. Light load. -LAUGHTER | 0:44:54 | 0:44:57 | |
I couldn't help but notice | 0:44:57 | 0:44:58 | |
you've put this upturned bowl on top of an upturned plate. | 0:44:58 | 0:45:01 | |
LAUGHTER | 0:45:01 | 0:45:03 | |
I really just wanted to ask | 0:45:03 | 0:45:05 | |
how you thought that was ever going to get clean. | 0:45:05 | 0:45:07 | |
There's nowhere for the water to get in, is there? | 0:45:09 | 0:45:11 | |
There's only water in there, you know. | 0:45:11 | 0:45:13 | |
You shut that door, water goes everywhere. | 0:45:13 | 0:45:15 | |
You don't shut that door, and the back one swings open | 0:45:15 | 0:45:17 | |
and little people come out with sponges. | 0:45:17 | 0:45:19 | |
Give us a hand with this one, Barry. Eh! | 0:45:19 | 0:45:22 | |
Look at the state of that. Unbelievable! | 0:45:22 | 0:45:24 | |
I lift it up and say, "It's exactly as dirty as when it came in, look. | 0:45:24 | 0:45:27 | |
"It's all covered in stuff, so we'll have to do that one again, won't we? | 0:45:27 | 0:45:31 | |
"Well, this plate, I know the underside is clean but... | 0:45:31 | 0:45:33 | |
"No, where are you going? I'll tell you when I'm finished. | 0:45:33 | 0:45:36 | |
"Sorry? Oh, we're both tired!" | 0:45:38 | 0:45:40 | |
Unbelievable! | 0:45:41 | 0:45:43 | |
You think I enjoy this at three o'clock in the morning, do you? | 0:45:43 | 0:45:46 | |
This, I'm afraid, is where I've had to fail you. | 0:45:48 | 0:45:50 | |
It's the bread knife in the cutlery tray. | 0:45:50 | 0:45:53 | |
Of course, it's called a knife. It sounds like cutlery, doesn't it? | 0:45:53 | 0:45:56 | |
But if you'll squat down with me, | 0:45:56 | 0:45:57 | |
you'll see it's too tall to go underneath, isn't it? | 0:45:57 | 0:46:00 | |
It's stopped the propeller going round there, hasn't it? | 0:46:00 | 0:46:03 | |
You've shut the door, the propeller has smashed into the bread knife, | 0:46:03 | 0:46:06 | |
spent 108 minutes washing the heck out of everything on this axis. | 0:46:06 | 0:46:10 | |
Everything on this line, I absolutely can't fault you with. | 0:46:11 | 0:46:14 | |
That's absolutely perfect. | 0:46:14 | 0:46:15 | |
I'm afraid the rest of it has been a complete waste of both... | 0:46:15 | 0:46:19 | |
I wonder when she left. I didn't hear the door. | 0:46:19 | 0:46:21 | |
Thank you very much. Enjoy the rest of the show. Thank you very much. | 0:46:22 | 0:46:25 | |
CHEERING AND APPLAUSE | 0:46:25 | 0:46:28 | |
Yay! Jon Richardson, ladies and gentlemen. | 0:46:28 | 0:46:31 | |
Thank you so much. Brilliant. Thank you very much, Jon Richardson. | 0:46:31 | 0:46:34 | |
Ladies and gentlemen, it is time to play Send To All. Who's up for that? | 0:46:39 | 0:46:43 | |
CHEERING | 0:46:43 | 0:46:45 | |
Yes, the time has come to find out | 0:46:45 | 0:46:47 | |
what replies Miranda Hart has got | 0:46:47 | 0:46:51 | |
from the text that we sent out earlier. | 0:46:51 | 0:46:54 | |
Let's remind ourselves of the text. The text was... | 0:46:54 | 0:46:59 | |
"Kiss, kiss." That was sent from your phone earlier tonight. | 0:47:22 | 0:47:27 | |
-Thank you for that. -And so much has been going on. | 0:47:27 | 0:47:30 | |
We will start with Clare Balding, ladies and gentlemen. | 0:47:30 | 0:47:33 | |
Clare Balding. She started with the word "Dogs". | 0:47:33 | 0:47:37 | |
"Dogs." She's giving you dogs as a conversation starter. | 0:47:37 | 0:47:40 | |
She goes, "Dogs. Dogs are always a conversation winner. | 0:47:40 | 0:47:45 | |
"Skiing or tax evasion are your other options. | 0:47:45 | 0:47:49 | |
"Check your shoes for loo paper | 0:47:51 | 0:47:54 | |
"and don't leave your pants showing. Now..." | 0:47:54 | 0:47:57 | |
In capitals. "..GET BACK OUT THERE, GIRL." | 0:47:57 | 0:48:00 | |
Very good start. | 0:48:00 | 0:48:03 | |
Very good. | 0:48:03 | 0:48:04 | |
APPLAUSE | 0:48:04 | 0:48:07 | |
-Nick Dance? -Oh, Nick Dance is a choreographer. | 0:48:08 | 0:48:12 | |
Oh, that's not his name. He just does dance. | 0:48:14 | 0:48:16 | |
"Maybe change your silent ones to loud." | 0:48:16 | 0:48:19 | |
Lovely ending. "That'll break the ice." | 0:48:20 | 0:48:23 | |
LAUGHTER | 0:48:23 | 0:48:25 | |
All right. Amelia Physio. | 0:48:25 | 0:48:28 | |
She's Amelia and she's a physio. | 0:48:28 | 0:48:31 | |
LAUGHTER | 0:48:31 | 0:48:33 | |
"Blessings, that is absolutely hilarious." Crying emoji. | 0:48:33 | 0:48:37 | |
"What competition did that person win | 0:48:37 | 0:48:39 | |
"to end up sitting next to the President of Switzerland?" | 0:48:39 | 0:48:41 | |
LAUGHTER | 0:48:41 | 0:48:44 | |
"Are you sure they didn't lose the competition instead?" | 0:48:44 | 0:48:48 | |
-It's a good point. It's a good point. -It's a very good one | 0:48:49 | 0:48:52 | |
from Amelia Physio. | 0:48:52 | 0:48:54 | |
-OK, Geri Halliwell. -Oh, right. -Spice Girl. -Yeah. | 0:48:54 | 0:48:57 | |
-Big friends with Geri? -Um... -Exchanged numbers. -Yeah, exactly. | 0:48:57 | 0:49:01 | |
In fact, I can tell you, this is the first time | 0:49:01 | 0:49:03 | |
you've texted each other and she's straight in, trying to help out. | 0:49:03 | 0:49:08 | |
"Ask him about his family. Does he have children? | 0:49:08 | 0:49:11 | |
"People love talking about themselves. Where did he grow up? | 0:49:11 | 0:49:14 | |
"Make it about them. They're probably nervous. And be kind." | 0:49:14 | 0:49:18 | |
-AUDIENCE: -Aw! -Very nice. -Very, very sweet. Very sweet from Geri. | 0:49:18 | 0:49:22 | |
All right. Ben Gardener. He's your gardener? | 0:49:22 | 0:49:25 | |
-Ben Gardener does some gardening. -LAUGHTER | 0:49:25 | 0:49:29 | |
-How many gardens have you got? -One. | 0:49:29 | 0:49:31 | |
It's just that it says Ben Gardener Sussex. | 0:49:31 | 0:49:33 | |
-I was wondering... -Oh, I see. | 0:49:33 | 0:49:35 | |
-No, it's cos he's based in Sussex. -Oh, OK. | 0:49:35 | 0:49:37 | |
I just have a couple of bushes in London that needs trimming. | 0:49:37 | 0:49:42 | |
-A couple of London bushes. -That needs trimming. | 0:49:42 | 0:49:44 | |
And you like to haul him in from Sussex to trim them. | 0:49:44 | 0:49:47 | |
-He is a friend from Sussex and up he comes to trim my bush. -OK. | 0:49:47 | 0:49:51 | |
LAUGHTER AND APPLAUSE | 0:49:51 | 0:49:55 | |
He's texted in just a really bad joke. | 0:49:55 | 0:49:58 | |
He's just put, "What did the traffic light say to the car? | 0:49:58 | 0:50:02 | |
"Don't look I'm changing." That's his response. | 0:50:02 | 0:50:05 | |
OK, he maybe might want to stick to the bushes. | 0:50:08 | 0:50:11 | |
All right. Oh, the wonderful Richard Curtis, a huge one. | 0:50:12 | 0:50:17 | |
He's a writer. You can sense that from the text. | 0:50:17 | 0:50:20 | |
OK, here goes. | 0:50:20 | 0:50:21 | |
He's actually started with "Here goes." He's loved that. | 0:50:21 | 0:50:24 | |
He's got the text and gone, "I'm going to do some writing. | 0:50:24 | 0:50:27 | |
"I'm going to help her out. Darling, Miranda's in trouble. | 0:50:27 | 0:50:31 | |
"She's at Buck Pal. | 0:50:31 | 0:50:33 | |
"She's stuck in the loo and I'm going to help her." | 0:50:33 | 0:50:35 | |
"Here goes. Switzerland even nicer in summer than winter. True?" | 0:50:35 | 0:50:40 | |
That's a good question. For the competition winner, he's gone, | 0:50:40 | 0:50:43 | |
"Competition winner - how did you win? | 0:50:43 | 0:50:45 | |
"Surely you're the kind of person who loves my show." | 0:50:47 | 0:50:50 | |
Back to Switzerland. | 0:50:50 | 0:50:51 | |
"I believe you have a complex government system. Explain it to me. | 0:50:51 | 0:50:54 | |
"Is a Swiss roll actually Swiss? | 0:50:54 | 0:50:57 | |
"Are the Swiss Family Robinson famous in Switzerland or only here?" | 0:50:58 | 0:51:03 | |
Back to the competition winner. "Do you know the Vicar Of Dibley?" | 0:51:03 | 0:51:07 | |
Thanks, Rich. Oh, it's another long one! | 0:51:10 | 0:51:14 | |
-Stephen Fry. Stephen Fry! AUDIENCE: -Ooh! | 0:51:14 | 0:51:18 | |
I love challenging all these very, very clever, funny people. | 0:51:18 | 0:51:21 | |
He's opened with, "Oh, Lordy. Oh, Lordy. | 0:51:21 | 0:51:25 | |
"You can tell them that I had a friend who pinched a teaspoon, | 0:51:25 | 0:51:30 | |
"thinking it would make a fine memento. | 0:51:30 | 0:51:32 | |
"A week later, someone called himself | 0:51:32 | 0:51:35 | |
"the Yeoman of the Plate Pantry wrote to her saying, | 0:51:35 | 0:51:38 | |
"'We believe you may have | 0:51:38 | 0:51:41 | |
"'inadvertently left in possession of one of Her Majesty's spoons. | 0:51:41 | 0:51:47 | |
"'Perhaps you would be kind enough to send it back | 0:51:47 | 0:51:50 | |
"'in the enclosed package.' So, no souvenir snitching." Four kisses. | 0:51:50 | 0:51:55 | |
-Very good. -Sweet. | 0:51:55 | 0:51:57 | |
That's such a lovely way to treat someone who's stolen from you. | 0:51:57 | 0:52:01 | |
Russell Howard. | 0:52:01 | 0:52:03 | |
"Why do the Swiss put bells on their cows?" | 0:52:03 | 0:52:07 | |
LAUGHTER | 0:52:07 | 0:52:09 | |
-Very good from Russell Howard. -That's a good one. | 0:52:09 | 0:52:12 | |
All right, somebody called Pussy. Who's Pussy? | 0:52:12 | 0:52:16 | |
Oh, you're Pussy. | 0:52:16 | 0:52:17 | |
You've texted your sister who's sitting next to you. | 0:52:17 | 0:52:21 | |
I call my sister Pussy from... Oh, I'm so embarrassed. | 0:52:21 | 0:52:26 | |
..from a beloved cat, when we were about nine or ten. | 0:52:27 | 0:52:30 | |
And even more embarrassingly, she calls ME Pussy. | 0:52:30 | 0:52:33 | |
We both call each other Pussy. | 0:52:33 | 0:52:36 | |
"All I can say is, you are the most perfect, beautiful | 0:52:36 | 0:52:39 | |
"and wonderful person and they should be grate..." What? | 0:52:39 | 0:52:42 | |
It might have been because I texted that. | 0:52:43 | 0:52:46 | |
LAUGHTER AND APPLAUSE | 0:52:46 | 0:52:49 | |
Miranda Hart has just won Send To All, ladies and gentlemen! | 0:52:53 | 0:52:58 | |
Very clever. | 0:53:00 | 0:53:01 | |
It says, "You are off-the-scale amazing." | 0:53:01 | 0:53:05 | |
-Oh, stop it. -Ladies and gentlemen, what absolute fun. | 0:53:05 | 0:53:07 | |
Thank you so, so much for agreeing to do this. | 0:53:07 | 0:53:10 | |
It's the brilliant and wonderful Miranda Hart, ladies and gentlemen! | 0:53:10 | 0:53:14 | |
CHEERING Thank you so much, Miranda. | 0:53:14 | 0:53:17 | |
Thanks, Pussy. | 0:53:17 | 0:53:18 | |
Earlier tonight, ladies and gentlemen, | 0:53:21 | 0:53:23 | |
we surprised Ciara, who thought she was coming to the Grand Hotel, | 0:53:23 | 0:53:27 | |
but instead got the surprise of her life. | 0:53:27 | 0:53:30 | |
Let's take a little look at how Ciara has been getting on | 0:53:30 | 0:53:34 | |
since that massive surprise backstage. | 0:53:34 | 0:53:36 | |
So, I was going for a weekend away with my boyfriend | 0:53:40 | 0:53:44 | |
and had a very strange experience in reception. | 0:53:44 | 0:53:48 | |
And then we walked into the room and the wall opens. | 0:53:48 | 0:53:53 | |
There was like thousands of people and my family and friends are here. | 0:53:53 | 0:53:57 | |
-I just thought what the, what the hell? -Well done. | 0:53:57 | 0:54:01 | |
SHE MOUTHS | 0:54:01 | 0:54:03 | |
Well done. Ciara, hello. Welcome. | 0:54:04 | 0:54:07 | |
When Ciara first came in, she was very nervous, in shock. | 0:54:07 | 0:54:10 | |
I'm not actually a crier. | 0:54:10 | 0:54:12 | |
As long as we can keep her calm, get her into it, then she'll be great. | 0:54:12 | 0:54:15 | |
Ciara's a doctor | 0:54:15 | 0:54:16 | |
and she's used to high-pressure situations, | 0:54:16 | 0:54:18 | |
but this is totally different. | 0:54:18 | 0:54:20 | |
She's in front of an audience, so the stakes are high. | 0:54:20 | 0:54:22 | |
It's a dream of mine to sing on stage. | 0:54:22 | 0:54:25 | |
Tonight will definitely be up there. | 0:54:25 | 0:54:27 | |
CHEERING AND APPLAUSE Ladies and gentlemen, | 0:54:29 | 0:54:31 | |
please welcome our Unexpected Star of tonight's show. | 0:54:31 | 0:54:36 | |
It's Dr Ciara! | 0:54:36 | 0:54:39 | |
CHEERING AND APPLAUSE | 0:54:39 | 0:54:42 | |
# On my own | 0:54:52 | 0:54:55 | |
# Pretending he's beside me | 0:54:55 | 0:55:00 | |
# All alone | 0:55:02 | 0:55:05 | |
# I walk with him till morning | 0:55:05 | 0:55:10 | |
# Without him | 0:55:12 | 0:55:14 | |
# I feel his arms around me | 0:55:14 | 0:55:20 | |
# And when I lose my way I close my eyes | 0:55:20 | 0:55:24 | |
# And he has found me | 0:55:24 | 0:55:26 | |
# And I know | 0:55:28 | 0:55:31 | |
# It's only in my mind | 0:55:31 | 0:55:36 | |
# That I'm talking to myself | 0:55:36 | 0:55:40 | |
# And not to him | 0:55:40 | 0:55:43 | |
# And although | 0:55:44 | 0:55:46 | |
# I know that he is blind | 0:55:46 | 0:55:52 | |
# Still I say | 0:55:52 | 0:55:56 | |
# There's a way for us | 0:55:56 | 0:55:59 | |
# I love him | 0:56:00 | 0:56:02 | |
# But when the night is over | 0:56:02 | 0:56:07 | |
# He is gone | 0:56:07 | 0:56:09 | |
# The river's just a river | 0:56:09 | 0:56:14 | |
# Without him | 0:56:16 | 0:56:17 | |
# The world around me changes | 0:56:17 | 0:56:22 | |
# The trees are bare and everywhere the streets are full of strangers | 0:56:22 | 0:56:29 | |
# I love him | 0:56:29 | 0:56:31 | |
# But every day I'm learning | 0:56:31 | 0:56:36 | |
# All my life | 0:56:36 | 0:56:39 | |
# I've only been pretending | 0:56:39 | 0:56:45 | |
# Without me | 0:56:45 | 0:56:47 | |
# His world will go on turning | 0:56:47 | 0:56:51 | |
# A world that's full of happiness | 0:56:51 | 0:56:53 | |
# That I have never known... # | 0:56:53 | 0:57:00 | |
APPLAUSE | 0:57:00 | 0:57:04 | |
# I love him | 0:57:04 | 0:57:06 | |
# I love him | 0:57:08 | 0:57:11 | |
# I love him | 0:57:13 | 0:57:15 | |
# But only on my | 0:57:15 | 0:57:20 | |
# Own. # | 0:57:21 | 0:57:27 | |
CHEERING AND APPLAUSE | 0:57:27 | 0:57:29 | |
Ladies and gentlemen, our Unexpected Star of tonight's show, it's Ciara. | 0:57:39 | 0:57:44 | |
Come on, Simon. Come on, mum, come up and see her. | 0:57:46 | 0:57:49 | |
And, of course, we remember romantic weekend Simon. Look at that. | 0:57:49 | 0:57:53 | |
Does she still love him? Go and find out. | 0:57:53 | 0:57:57 | |
APPLAUSE | 0:57:57 | 0:58:00 | |
This is incredible. Go and give her a hug. | 0:58:01 | 0:58:03 | |
Amazing, amazing. Thank you. Oh, you're all up. | 0:58:05 | 0:58:09 | |
All the doctors are here. | 0:58:09 | 0:58:12 | |
And the big question is, how do you still feel about this chap, | 0:58:16 | 0:58:20 | |
-after doing all this for you today? -I think I'll forgive him. | 0:58:20 | 0:58:22 | |
You were sensational and it was an absolute treat | 0:58:22 | 0:58:25 | |
-for us to hear you sing tonight. -Thank you. | 0:58:25 | 0:58:27 | |
Thank you so much for bringing her down. Thank you so much. | 0:58:27 | 0:58:30 | |
-Thank you. -Now, the problem is, of course... -Yes. | 0:58:30 | 0:58:33 | |
You don't have anywhere to stay tonight! | 0:58:33 | 0:58:36 | |
-Oh, yeah! -I'm sure we'll sort that out. | 0:58:37 | 0:58:42 | |
Ladies and gentlemen, please, one more time, | 0:58:42 | 0:58:44 | |
for the Unexpected Star of tonight's show, | 0:58:44 | 0:58:46 | |
the absolutely sensational Ciara. | 0:58:46 | 0:58:49 | |
And thank you so much to Simon for getting her here. | 0:58:49 | 0:58:51 | |
And Liz, her mum, and the doctors. | 0:58:51 | 0:58:54 | |
Thank you, doctors. Thank you so much for coming. | 0:58:54 | 0:58:57 | |
Good night, bravo! | 0:58:57 | 0:58:58 | |
CHEERING AND APPLAUSE | 0:58:58 | 0:59:01 | |
If you know somebody you'd like to nominate | 0:59:01 | 0:59:03 | |
to be an Unexpected Star of the show for the next series | 0:59:03 | 0:59:07 | |
or, in fact, want to nominate someone for any surprise, | 0:59:07 | 0:59:10 | |
please go to bbc.co.uk/bigshow for all the details. | 0:59:10 | 0:59:15 |