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Ladies and gentlemen, | 0:00:23 | 0:00:26 | |
please give a big Dublin welcome to Michael McIntyre! | 0:00:26 | 0:00:30 | |
Good evening, ladies and gentlemen. Hello. | 0:00:35 | 0:00:38 | |
Good evening and welcome to my Comedy Roadshow! | 0:00:38 | 0:00:41 | |
Right here from my favourite city of them all... | 0:00:45 | 0:00:49 | |
it's Dublin! | 0:00:49 | 0:00:51 | |
I arrived a couple of days ago, they've got these | 0:00:59 | 0:01:02 | |
iris recognition scanners now in the airport for your eyes. | 0:01:02 | 0:01:06 | |
There was an Irishman working on it, he said, | 0:01:06 | 0:01:09 | |
"Would you like to step forward into the Irish Recognition Scanner?" | 0:01:09 | 0:01:13 | |
You have scanners for recognising Irish people? | 0:01:13 | 0:01:16 | |
Do you not use the normal passport system? | 0:01:16 | 0:01:20 | |
You've been losing your passports? | 0:01:20 | 0:01:22 | |
I'm Irish, scan me. | 0:01:22 | 0:01:24 | |
There's green blood pumping through these veins. | 0:01:24 | 0:01:28 | |
And I've been getting into some of your terminologies. | 0:01:31 | 0:01:34 | |
I was coming through immigration, always a tense affair, because you don't know if they'll let you in, | 0:01:34 | 0:01:38 | |
and this bloke went, "What's the story?" | 0:01:38 | 0:01:41 | |
I have never heard this expression. | 0:01:41 | 0:01:44 | |
It totally freaked me out. I was looking at my wife going, "We need a story to get into this country. | 0:01:44 | 0:01:49 | |
"Have you got any stories? | 0:01:49 | 0:01:52 | |
"I don't know, anything that's a narrative. | 0:01:52 | 0:01:54 | |
"Have you got some children's books? We're coming up with something... | 0:01:54 | 0:01:56 | |
"There were three little pigs... # | 0:01:56 | 0:01:58 | |
Story! I love that - you shorten it to "Story!" | 0:01:58 | 0:02:04 | |
In England we just stick to "How are you?" which we normally answer with "How are you?" | 0:02:05 | 0:02:10 | |
We tend not to even answer the question. | 0:02:10 | 0:02:13 | |
"How are you? How are you?" We're fine with that, we don't question it. | 0:02:13 | 0:02:16 | |
It's probably the only question you can answer with exactly the same question and nobody really cares. | 0:02:16 | 0:02:21 | |
"How are you? How are you?" You can't go, "Can you pass the salt? | 0:02:21 | 0:02:23 | |
"Can you pass the salt?" That wouldn't make sense. | 0:02:23 | 0:02:26 | |
So I've hired a car, I've driven around Ireland, which is thrilling | 0:02:28 | 0:02:31 | |
if not a little bit tense as I'm reminded of how many people have died on every one of your roads. | 0:02:31 | 0:02:38 | |
It doesn't make you feel better. | 0:02:41 | 0:02:45 | |
I'm planning my journeys now to get myself statistically the best chance of surviving. | 0:02:45 | 0:02:51 | |
Do you have it on your Irish Sat Navs, | 0:02:51 | 0:02:54 | |
"Would you like to pass this route or the one you might not die on?" | 0:02:54 | 0:02:58 | |
Do you think that reading statistics is going to make you drive safer? | 0:03:01 | 0:03:05 | |
If you didn't have the sign, if there was no sign on the road, | 0:03:05 | 0:03:08 | |
this is how you would drive down the road. | 0:03:08 | 0:03:10 | |
With the sign, you drive down it, and I've been there, and you go whooo. | 0:03:10 | 0:03:15 | |
So, ladies and gentlemen of Dublin, are we having a drink tonight? | 0:03:19 | 0:03:23 | |
AUDIENCE: Y-E-E-E-ES! | 0:03:23 | 0:03:26 | |
This is what I love about Dublin, you don't mess around when it comes to your drink. | 0:03:26 | 0:03:32 | |
There are various clues around the city that you like a drink, | 0:03:32 | 0:03:37 | |
for example when you're crossing the road you have the green man, who's go, and the red man is stop. | 0:03:37 | 0:03:42 | |
In England we have this red man, who's like this, | 0:03:42 | 0:03:45 | |
and you know you mustn't go. | 0:03:45 | 0:03:47 | |
You copy him, you copy him... | 0:03:47 | 0:03:49 | |
unless you try and walk across. | 0:03:49 | 0:03:51 | |
And then that will change to the green man, which means go. | 0:03:53 | 0:03:56 | |
But in Dublin you have an additional man, | 0:03:56 | 0:04:00 | |
the orange man in the middle, | 0:04:00 | 0:04:02 | |
just to make absolutely sure. | 0:04:02 | 0:04:04 | |
"Are you ready? Are you sure you're ready? | 0:04:04 | 0:04:08 | |
"We're going to be crossing any moment now. | 0:04:08 | 0:04:11 | |
"We're not going to take you from stationary to go, all right, get ready. GO! GO! GO!" | 0:04:11 | 0:04:17 | |
I actually came here a month ago and it was kind of weird timing | 0:04:17 | 0:04:21 | |
because in England we were going through this situation where we had this killer on the loose. | 0:04:21 | 0:04:25 | |
He was on the loose for a week and he was hiding in the woods and it was a very tense affair. | 0:04:25 | 0:04:30 | |
The whole of England, all the media, all the police in the country, were focused on this one big story, | 0:04:30 | 0:04:35 | |
and I came here at exactly the same when Dublin - and I think this explains the differences very well - | 0:04:35 | 0:04:40 | |
was focused on another story of a missing penguin... | 0:04:40 | 0:04:45 | |
..which lead to one of the weirdest conversations I've ever had in a taxi. | 0:04:48 | 0:04:53 | |
I sat in a taxi and the driver went, "So do you think we'll find him?" | 0:04:53 | 0:04:58 | |
And I was like, "Well they're certainly searching." | 0:04:58 | 0:05:00 | |
"I know they're all out there, but he's used to the outdoors." | 0:05:00 | 0:05:03 | |
"Yes, apparently he's a survivalist. | 0:05:03 | 0:05:05 | |
"Yes, yes, he's a survivalist, poor little fellow." | 0:05:05 | 0:05:08 | |
"What d'you mean poor little fellow? You know he only tried to murder, he tried to murder his girlfriend." | 0:05:08 | 0:05:15 | |
"I didn't know that about him." | 0:05:15 | 0:05:17 | |
"He's on steroids." "You're joking." | 0:05:19 | 0:05:21 | |
"I haven't read up on the subject. | 0:05:21 | 0:05:23 | |
"This penguin's a lunatic!" | 0:05:25 | 0:05:28 | |
What a fantastic story this was. | 0:05:28 | 0:05:32 | |
So please correct me if I'm wrong, it was a stag night, is that right? | 0:05:32 | 0:05:37 | |
Some people broke into Dublin Zoo | 0:05:37 | 0:05:39 | |
in the middle of the night in a taxi, the taxi was waiting. | 0:05:39 | 0:05:43 | |
"Dublin taxi drivers, we've learned not to ask questions." | 0:05:43 | 0:05:49 | |
"Could you just wait here?" "Are you going to the cashpoint?" | 0:05:49 | 0:05:52 | |
"Kind of." | 0:05:52 | 0:05:54 | |
They put the penguin into a carrier bag and then I suppose | 0:05:54 | 0:05:58 | |
they just couldn't stop laughing and dropped him off on O'Connell Street. | 0:05:58 | 0:06:02 | |
They found him, didn't they, they found him and they put him back. | 0:06:02 | 0:06:06 | |
You can imagine all the other penguins when he came back, they must have been... | 0:06:06 | 0:06:08 | |
"What's the story?!" | 0:06:10 | 0:06:12 | |
"Oh, it was unbelievable! I was asleep, I was asleep. | 0:06:15 | 0:06:19 | |
"Shoosh and listen. | 0:06:19 | 0:06:22 | |
"And the next thing I know I'm in a little bag, a small bag. | 0:06:22 | 0:06:27 | |
"No, a Lidl - the German shopping centre. | 0:06:27 | 0:06:30 | |
"And they just dropped me off on the corner of O'Connell Street." | 0:06:30 | 0:06:33 | |
"Were you scared?" | 0:06:33 | 0:06:35 | |
"I wasn't scared, there was signs up telling me that 117 humans had died, | 0:06:35 | 0:06:38 | |
"but nothing about penguins at all." | 0:06:38 | 0:06:42 | |
"Did you just stay on the corner of the road?" | 0:06:45 | 0:06:47 | |
"Well, I did because there was a green man and an orange man | 0:06:47 | 0:06:49 | |
"and a red man, but there was no penguins so I just stayed still." | 0:06:49 | 0:06:52 | |
All right, ladies and gentleman, I'd like to bring on my first guest of the night. | 0:06:57 | 0:07:00 | |
You're absolutely going to love this man, please welcome to the stage Mr Keith Farnan, ladies and gentlemen. | 0:07:00 | 0:07:05 | |
Thank you. Hello, Dublin. | 0:07:16 | 0:07:18 | |
Just to clear up one thing straightaway - | 0:07:18 | 0:07:22 | |
no, I'm not the lovechild of Chuck Norris and the Bee Gees, so get that. | 0:07:22 | 0:07:26 | |
I wasn't in The Hangover either. | 0:07:30 | 0:07:33 | |
What's nice for me is I travel a lot over to England, I gig a lot | 0:07:40 | 0:07:43 | |
in England and it's wonderful being an Irish comedian over in England because English women love Irish men. | 0:07:43 | 0:07:49 | |
We are worshipped over there, we are worshipped. | 0:07:49 | 0:07:52 | |
And you ask them what do they love about us and every one of them | 0:07:52 | 0:07:54 | |
will tell you it's the accent, the accent they love, the accent. | 0:07:54 | 0:07:57 | |
They never say the body, by the way. | 0:07:57 | 0:08:00 | |
I have yet to hear one woman going, "Ooh, I love the pale, white, pasty skin... | 0:08:02 | 0:08:07 | |
"and the Guinness belly, | 0:08:09 | 0:08:12 | |
"and those flamingo legs." | 0:08:12 | 0:08:14 | |
I mean, I can empathise, you can, Irishmen we're not the finest | 0:08:19 | 0:08:22 | |
of physical specimens so we have to rely on the accent and the charm. | 0:08:22 | 0:08:27 | |
No matter what you say about Irishmen, | 0:08:27 | 0:08:29 | |
we're always very, very charming, or at least initially we're charming. | 0:08:29 | 0:08:34 | |
And then drink becomes involved. | 0:08:34 | 0:08:37 | |
I can't help but feel that if Irishmen didn't drink, we'd be Italian. | 0:08:37 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:45 | |
Any Italians here? No, they're off having sex somewhere, do you see that? | 0:08:47 | 0:08:50 | |
I do get into trouble though when I go abroad, I do. | 0:08:58 | 0:09:00 | |
I have gotten into trouble, but it's mostly to do with the drink. | 0:09:00 | 0:09:02 | |
I know a lot of comedians will come up here and they'll tell you they don't drink any more. | 0:09:02 | 0:09:06 | |
I do. I love my whiskey. I will drink whiskey with all of you till the cows come home. | 0:09:06 | 0:09:09 | |
I will drink whiskey with you till we bring the cows home, we get the cows drunk, and we tip the cows over. | 0:09:09 | 0:09:16 | |
The one thing I will never do, I will never do drugs... | 0:09:19 | 0:09:23 | |
again. | 0:09:23 | 0:09:25 | |
I got stoned once in my life, only once, I was out in Australia... | 0:09:25 | 0:09:29 | |
don't know if there's Australians here tonight, | 0:09:29 | 0:09:32 | |
probably working behind the bar. That's OK, that's where they belong. | 0:09:32 | 0:09:35 | |
I was living in Sydney for six months with three women, you're thinking, | 0:09:35 | 0:09:38 | |
"Ooh, how exciting," but they were three Cork women so no, no and no. | 0:09:38 | 0:09:42 | |
People ask me what did I learn about living with three women. | 0:09:47 | 0:09:49 | |
I learned a lot of things. I learned about sharing my space with a woman, | 0:09:49 | 0:09:52 | |
I learned about how many times in a day I could possibly be wrong, | 0:09:52 | 0:09:56 | |
and I learned the meaning of a word I've never heard of before, | 0:10:00 | 0:10:03 | |
synchronisation. | 0:10:03 | 0:10:05 | |
LAUGHTER | 0:10:05 | 0:10:07 | |
You didn't tell us about that one, did you? | 0:10:09 | 0:10:12 | |
For those of you who don't know, synchronisation means that if you live with more than woman, | 0:10:12 | 0:10:17 | |
once a month you get the hell out of there. | 0:10:17 | 0:10:20 | |
Even in the countries where the Irish are loved, I get into trouble. | 0:10:28 | 0:10:32 | |
I was over in America, there's no greater place in the world to gig if you're an Irish comedian. | 0:10:32 | 0:10:36 | |
There are 55 million Americans claim to be Irish, | 0:10:36 | 0:10:40 | |
we only sent them 3 million. | 0:10:40 | 0:10:43 | |
We're not that good. | 0:10:43 | 0:10:45 | |
I was over there, all the clubs have different nights. | 0:10:45 | 0:10:48 | |
The first night I was booked, all the clubs have different nights like Puerto Rican night, Latino night. | 0:10:48 | 0:10:54 | |
I was obviously meant to be booked for UK and Ireland night, | 0:10:54 | 0:10:57 | |
they accidently booked me for African American night. | 0:10:57 | 0:11:00 | |
We were all surprised when I walked out on stage. | 0:11:01 | 0:11:04 | |
I spent ten minutes pretending I was an albino, it's all I could think of. | 0:11:08 | 0:11:12 | |
Eventually when I started speaking to the crowd, I said do you know what, | 0:11:15 | 0:11:18 | |
when I grew up in Ireland I didn't have any black friends, it's not because I was racist in any way, | 0:11:18 | 0:11:23 | |
it's simply when God set out his ice cream stall of the world, Ireland was the vanilla, that's all we were. | 0:11:23 | 0:11:29 | |
God didn't want us to have any outside influence that | 0:11:29 | 0:11:31 | |
may have lead to jazz or hip-hop or any sort of rhythm whatsoever. | 0:11:31 | 0:11:35 | |
I think most people have figured out that Irish people don't even dance, | 0:11:35 | 0:11:39 | |
we just stand in the same place till we get really angry at the floor. | 0:11:39 | 0:11:43 | |
That's all we do, we just stand there till eventually we're just like, | 0:11:43 | 0:11:46 | |
"I hate the floor, I hate the floor." | 0:11:46 | 0:11:49 | |
Lines of people hating the floor at the same time. | 0:11:49 | 0:11:53 | |
And that is why Riverdance is the result of poor ethnic diversity, | 0:11:55 | 0:11:58 | |
ladies and gentleman, and if you like it you're a racist. | 0:11:58 | 0:12:02 | |
APPLAUSE | 0:12:02 | 0:12:06 | |
I flew in last night for this show. | 0:12:10 | 0:12:13 | |
I was so excited, a few friends said let's go out and have a few drinks | 0:12:13 | 0:12:16 | |
and get the hairy fellow drunk and see what happens. | 0:12:16 | 0:12:19 | |
This was last night, and I know they got me drunk because I was | 0:12:19 | 0:12:22 | |
in the corner of the bar that we were at thinking that I was being dark and mysterious | 0:12:22 | 0:12:29 | |
when in fact I was asleep. | 0:12:29 | 0:12:32 | |
And I woke up this morning, we'd gone drinking somewhere in Dublin, I couldn't tell you where, | 0:12:35 | 0:12:39 | |
the only way I could retrace my steps was going through the drink receipts I found in my wallet. | 0:12:39 | 0:12:44 | |
I swear to you I took them out, | 0:12:44 | 0:12:46 | |
I was like "whiskey, whiskey, whiskey... | 0:12:46 | 0:12:49 | |
"Whiskey and white wine!" | 0:12:49 | 0:12:51 | |
I pulled. | 0:12:51 | 0:12:53 | |
Hang on, where is she? | 0:12:58 | 0:13:00 | |
"Whiskey and white wine, whiskey and white wine, whiskey..." Oh. | 0:13:00 | 0:13:05 | |
"Double whiskey. | 0:13:09 | 0:13:11 | |
"Kebab." | 0:13:14 | 0:13:16 | |
LAUGHTER | 0:13:16 | 0:13:17 | |
Ladies and gentlemen, I've been Keith Farnan, you've been wonderful. | 0:13:17 | 0:13:21 | |
Well done. Brilliant stuff. | 0:13:30 | 0:13:32 | |
Fantastic. Keith Farnan, ladies and gentlemen. | 0:13:32 | 0:13:34 | |
Keith Farnan. | 0:13:34 | 0:13:36 | |
Marvellous. | 0:13:36 | 0:13:38 | |
Brilliant. | 0:13:38 | 0:13:39 | |
Can I ask, did anybody get their exam results today or yesterday? | 0:13:40 | 0:13:44 | |
-GIRL: Yes! DEEP MALE VOICE: -Yes! | 0:13:44 | 0:13:47 | |
A young girl down here and man up there who obviously re-took them. | 0:13:47 | 0:13:51 | |
-DEEP VOICE: -"I'll take them again, yeah. | 0:13:56 | 0:13:58 | |
"I'll have another crack." | 0:13:58 | 0:14:01 | |
Was it you? Hi, how did you do? Did you do all right? | 0:14:01 | 0:14:05 | |
-Yes. -You did good, congratulations. | 0:14:05 | 0:14:08 | |
Was it grades, do you get A, B, like that? | 0:14:08 | 0:14:10 | |
-Yes. -Oh, yes, I saw it in the Irish Times, I was reading this morning. | 0:14:10 | 0:14:14 | |
They only have the people who've done really well, those people going, "Ya-a-a-ay!" | 0:14:14 | 0:14:18 | |
I wish on the next page they'd have all the losers, the people going "Boo-hoo... | 0:14:18 | 0:14:21 | |
"I can't believe it!" | 0:14:24 | 0:14:27 | |
A big, angry father in the background, | 0:14:27 | 0:14:29 | |
"You'll amount to nothing!" | 0:14:31 | 0:14:33 | |
So what are you going to do with your life, because you did well? | 0:14:35 | 0:14:38 | |
Social Science. | 0:14:38 | 0:14:41 | |
Social Science? OK. I don't know what that is, like science but more chatty. | 0:14:41 | 0:14:45 | |
Well, good luck, well done. Staring her life, starting her life now. | 0:14:49 | 0:14:54 | |
Ladies and gentlemen, are you ready for our next guest of the evening? | 0:14:56 | 0:15:00 | |
You are going to absolutely love this girl, she's going to be very successful. | 0:15:03 | 0:15:07 | |
She's absolutely hilarious, without a doubt one of my favourites, what a pleasure to have her here. | 0:15:07 | 0:15:11 | |
Please go wild for Miss Zoe Lyons! | 0:15:11 | 0:15:15 | |
-Hello! AUDIENCE: -Hello! | 0:15:25 | 0:15:27 | |
Doubly nice for me to be here because I actually grew up in Ireland. | 0:15:27 | 0:15:31 | |
I grew up in a little place called Ballypatrick in Tipperary. | 0:15:31 | 0:15:35 | |
If you've heard of it we are so related. | 0:15:35 | 0:15:38 | |
Are you in, Dadda? | 0:15:38 | 0:15:41 | |
It's a small town... Well, town is pushing it. It's a small, little village, it's properly small. | 0:15:41 | 0:15:46 | |
It's so small our telephone number was 5, that's how small. | 0:15:46 | 0:15:50 | |
Our phone didn't even have a dial on it, it didn't. | 0:15:50 | 0:15:53 | |
It had a little wind-up handle at the side... I don't know whether you remember these... | 0:15:53 | 0:15:57 | |
My mum used to wind up the phone and it would go straight through | 0:15:57 | 0:16:00 | |
to the post office and somebody there would put you through manually. | 0:16:00 | 0:16:03 | |
My mum would phone and go, Hello, it's Julie. | 0:16:03 | 0:16:06 | |
It's 5. | 0:16:06 | 0:16:08 | |
Can you put me through to 4 please? | 0:16:08 | 0:16:11 | |
And the woman in the post office was going, "Ah there's no point, Julie, | 0:16:11 | 0:16:14 | |
"I've just seen her walking past the window now. | 0:16:14 | 0:16:17 | |
"I can shout after her now if you like but there's no point really, she's out. Leave it." | 0:16:18 | 0:16:23 | |
My first school was in Ireland. I went to one of those proper little | 0:16:25 | 0:16:27 | |
rural schools where there was five classes in one room. | 0:16:27 | 0:16:30 | |
If you went down a year, you just moved desk, that was it. | 0:16:30 | 0:16:33 | |
We had one girl in our class who could read, | 0:16:33 | 0:16:36 | |
but we had to burn her because we thought she was a witch. | 0:16:36 | 0:16:39 | |
Nobody likes a show off, do they? | 0:16:41 | 0:16:44 | |
That Bridget reading, where will that ever get you? No. | 0:16:44 | 0:16:48 | |
Fuzzy Felt, | 0:16:48 | 0:16:50 | |
that's the future. | 0:16:50 | 0:16:52 | |
Fuzzy Felt and Playdough, it's bendy and it tastes great! | 0:16:52 | 0:16:57 | |
My mum's English, I've inherited that sort of English awkwardness, do you know what I mean? | 0:16:59 | 0:17:03 | |
We're feisty but don't know what to do with it, sort of...not sure. | 0:17:03 | 0:17:06 | |
I saw a beautiful example of this a couple of weeks ago in London. | 0:17:06 | 0:17:09 | |
I was walking down the South Bank in London and I saw two teenagers drinking cans of cider on a bench, | 0:17:09 | 0:17:14 | |
drinking away and shouting abuse at tourists, and then | 0:17:14 | 0:17:17 | |
one of them finished his can of cider and threw it on the floor like that. | 0:17:17 | 0:17:20 | |
And his friend just looks and went, "Robert, no. | 0:17:20 | 0:17:23 | |
"No. No. | 0:17:23 | 0:17:27 | |
"We're binge drinkers, but we're not litterbugs." | 0:17:27 | 0:17:31 | |
I get it myself though, that sort of angst, I'm not sure where to put it. | 0:17:34 | 0:17:37 | |
I've discovered that I'm so English there's a part of me that doesn't even like to use my car horn any more | 0:17:37 | 0:17:41 | |
in case it's interpreted too aggressively by the driver in front of me. | 0:17:41 | 0:17:45 | |
It's pathetic, my car has a horn, I'll just sit there and go, | 0:17:45 | 0:17:48 | |
"No, I won't use it, it comes across really angry. I'll just sit here." | 0:17:48 | 0:17:51 | |
I think I need an English car horn for my English car. | 0:17:51 | 0:17:53 | |
I need a car horn that just goes, "Ahem... | 0:17:53 | 0:17:56 | |
"Sorry, it's just the lights have changed. | 0:17:58 | 0:18:01 | |
"No, about five minutes ago. Sorry, was that overly aggressive? | 0:18:07 | 0:18:10 | |
"I do apologise, I'm just late for a dialysis appointment. I'm so sorry." | 0:18:10 | 0:18:14 | |
I'm an awkward person. I get myself into some awkward situations. | 0:18:18 | 0:18:22 | |
I was in London and I walked into a shop and I caught sight of myself on a CCTV monitor. | 0:18:22 | 0:18:27 | |
I don't know whether you've ever done this, I caught sight of myself and I went, | 0:18:27 | 0:18:30 | |
"Oh, my God, is that me? Is that me? Is that me?" | 0:18:30 | 0:18:33 | |
Because you're at a funny angle, so you've got to make sure it is you. | 0:18:33 | 0:18:37 | |
So you end up doing the is-that-me dance into the CCTV monitor, in the shop going, "Is that me? | 0:18:37 | 0:18:44 | |
"Is that me, is that me? | 0:18:44 | 0:18:47 | |
"Is that... that is me, that is me." | 0:18:47 | 0:18:50 | |
"Look at that. Look at the state of that. | 0:18:50 | 0:18:54 | |
"Look at the hair on that." | 0:18:54 | 0:18:56 | |
And I had this awful thought, I thought... | 0:18:56 | 0:18:59 | |
if I go missing. | 0:18:59 | 0:19:01 | |
LAUGHTER | 0:19:07 | 0:19:09 | |
I've decided to look after myself a bit more, eat more healthily. | 0:19:15 | 0:19:18 | |
I struggle with health food, I find health food quite smug. | 0:19:18 | 0:19:21 | |
There's a health food shop round the corner from where I live and I often go in there, | 0:19:21 | 0:19:25 | |
not to buy anything, you understand, just to slap a vegan round the face with a steak and run off. | 0:19:25 | 0:19:29 | |
It's the little things in life that keep you going, isn't it? | 0:19:35 | 0:19:39 | |
You just run in there... come on, you pasty-faced bugger, come on. | 0:19:39 | 0:19:42 | |
Chase me. What's that burning smell? | 0:19:42 | 0:19:44 | |
Protein, oh, yeah. Healthy protein, yeah. | 0:19:44 | 0:19:47 | |
Why aren't you running? Because you fainted, you fainted. | 0:19:47 | 0:19:51 | |
You fainted. | 0:19:51 | 0:19:53 | |
I don't do the competitive aspect of life very well at all. | 0:19:53 | 0:19:56 | |
I am the sort of person who will wander round a graveyard just | 0:19:56 | 0:19:59 | |
to give myself a brief sense of one-upmanship. | 0:19:59 | 0:20:02 | |
Do it, it's brilliant. You always come out feeling like a champion. | 0:20:02 | 0:20:06 | |
"Who's winning? I'm winning. Yeah. | 0:20:06 | 0:20:08 | |
"Dorothy, dead in 1859. | 0:20:08 | 0:20:11 | |
"Beat yer, in your face, Dot." | 0:20:11 | 0:20:13 | |
I hate competitive people. Everybody knows one of those people that says, | 0:20:16 | 0:20:19 | |
"I'm sorry, Zoe, but I'm just really competitive in everything I do." I'm like, "Are you? | 0:20:19 | 0:20:23 | |
"Well, then you're an arsehole. | 0:20:23 | 0:20:26 | |
"But if it makes you feel any better, you're the best arsehole I have ever met." | 0:20:26 | 0:20:30 | |
Do you ever meet people so stupid you go, "Oh, you're the reason tins of soup come with cooking instructions!" | 0:20:35 | 0:20:39 | |
We see beautiful examples of people not thinking all around you, don't you? | 0:20:39 | 0:20:46 | |
Flying over here today, I was on a plane... best way to fly I find... | 0:20:46 | 0:20:50 | |
but there was no Row 13 on the plane. | 0:20:50 | 0:20:52 | |
So I said to the stewardess, "No Row 13 on this plane? | 0:20:52 | 0:20:54 | |
"Why is there no Row 13 on this plane?" | 0:20:54 | 0:20:57 | |
She went, "Oh, it's because people think it's unlucky to sit in Row 13." | 0:20:57 | 0:21:01 | |
I went, "Really?" There's obviously not a lot of thinking going on there is there, when you think. | 0:21:01 | 0:21:05 | |
They think it's unlucky to sit in Row 13. | 0:21:05 | 0:21:08 | |
Now I am no aviation expert but I've done quite a bit of flying, right, and I have never been at 33,000 feet | 0:21:08 | 0:21:14 | |
with a very large gin and tonic and a packet of peanuts, and all of a sudden Row 13 | 0:21:14 | 0:21:20 | |
seats A to F has dropped through the fuselage... | 0:21:20 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:26 | |
..and everybody else is carrying on quite merrily. I have never seen that. | 0:21:26 | 0:21:33 | |
People in Row 12 turning round going, "Oh, that was lucky wasn't it? | 0:21:39 | 0:21:44 | |
"That has just gone, hasn't it?" | 0:21:44 | 0:21:46 | |
People in 14 going, "Look at that leg room, brilliant. | 0:21:48 | 0:21:52 | |
"I didn't pay for that, brilliant." | 0:21:52 | 0:21:54 | |
Folks, thank you ever so much. I'm Zoe Lyons, goodnight. Cheers. | 0:21:54 | 0:21:59 | |
Love Zoe Lyons! Well done. | 0:21:59 | 0:22:02 | |
Zoe Lyons, ladies and gentlemen! | 0:22:02 | 0:22:06 | |
Fantastic. | 0:22:08 | 0:22:09 | |
Let's talk to somebody. | 0:22:11 | 0:22:13 | |
Hi, how are you. You've got an enormous something in your pocket. | 0:22:13 | 0:22:19 | |
It's like Y-fronts. Could you pull it out of your pocket? | 0:22:19 | 0:22:22 | |
It's a hankie, it's a hankie. | 0:22:22 | 0:22:24 | |
It's a messy hankie, isn't it? | 0:22:24 | 0:22:26 | |
Some people wear a hankie with style, "Look, I'm a man of sophistication." | 0:22:26 | 0:22:30 | |
You've just got a big load of bog roll and stuffed it in there. | 0:22:30 | 0:22:36 | |
Your hankie's a mess, sir. | 0:22:36 | 0:22:38 | |
-Welcome, what's your name? -Kevin. | 0:22:40 | 0:22:43 | |
-Hi, Kevin, and where are you from in Ireland? -Limerick. | 0:22:43 | 0:22:46 | |
CHEERING | 0:22:46 | 0:22:47 | |
A little bit of support for Limerick. And what do you do? | 0:22:47 | 0:22:50 | |
-I'm a doctor. -You're a doctor. | 0:22:50 | 0:22:52 | |
Oh, Kevin, it's good to know there's a doctor in the house. | 0:22:52 | 0:22:55 | |
If something happens to somebody I would say, "Is there a doctor in the house?" And you'd go, "Me." | 0:22:55 | 0:22:59 | |
And everyone would go, "A bit grubby with that thing in his shirt, is there another doctor perhaps?" | 0:22:59 | 0:23:06 | |
Is there another doctor? | 0:23:06 | 0:23:08 | |
Woo! | 0:23:08 | 0:23:10 | |
I don't trust that doctor either. | 0:23:10 | 0:23:12 | |
"Woo, come on, get a thermometer in you. Woo!" | 0:23:12 | 0:23:17 | |
Are you a GP, because I don't trust GPs. I don't think they do anything. | 0:23:19 | 0:23:23 | |
GPs don't really do anything. No, no, don't look at me like that. | 0:23:23 | 0:23:25 | |
GPs, they just know other people who know stuff. | 0:23:25 | 0:23:28 | |
You go to the GP, "Oh, my leg really hurts," and they go, "You want leg man, I'll write down his details. | 0:23:28 | 0:23:34 | |
"Find legman, I've written him down on a piece of paper." | 0:23:34 | 0:23:37 | |
"My ear is killing me." "You need ear man." | 0:23:37 | 0:23:41 | |
"I've got a headache." | 0:23:41 | 0:23:43 | |
"I know that one, Nurofen. Come on! | 0:23:43 | 0:23:47 | |
"And water." | 0:23:47 | 0:23:49 | |
APPLAUSE | 0:23:49 | 0:23:53 | |
I was in a hospital in London and I was in the waiting room... it was nothing serious, don't worry... | 0:23:53 | 0:23:58 | |
and there was this sign up in the waiting room that said "Thieves operate in this area". | 0:23:58 | 0:24:05 | |
Thieves are doing the operations in this hospital? | 0:24:05 | 0:24:09 | |
What kind of a shithole is this? | 0:24:09 | 0:24:11 | |
Ladies and gentlemen, are you ready for our next guest? | 0:24:15 | 0:24:18 | |
Please welcome to the stage a man who is an award-winning comic. | 0:24:20 | 0:24:25 | |
He's been a sensation and now you're going to find out why. | 0:24:25 | 0:24:28 | |
Please welcome to the stage Mr Andrew Lloyds, ladies and gentlemen. | 0:24:28 | 0:24:31 | |
Whoo, thank you very much, thank you. | 0:24:39 | 0:24:41 | |
What a lovely warm welcome. | 0:24:41 | 0:24:43 | |
It's lovely to be here. I'm nervous. | 0:24:43 | 0:24:45 | |
I always get nervous when I come on stage, I can't help it. | 0:24:45 | 0:24:48 | |
I hear people clapping and I've got the lights shining in my eyes, | 0:24:48 | 0:24:53 | |
suddenly the clapping stops, a little bit of wee comes out... | 0:24:53 | 0:24:56 | |
LAUGHTER | 0:24:56 | 0:24:59 | |
Anyway you can relax, I'm not entirely sure at this early stage whether I'm the actual comedian | 0:24:59 | 0:25:04 | |
or whether someone's just led me up here as part of some sort of care in the community scheme. | 0:25:04 | 0:25:08 | |
If you're thinking any minute now some mental health nurse is going to come up here and drag me away, | 0:25:10 | 0:25:15 | |
you couldn't be more wrong - she's dead. | 0:25:15 | 0:25:18 | |
I'm never quite sure how to start a gig, to be honest. | 0:25:21 | 0:25:23 | |
A lot of the time I come on and just acknowledge the fact that | 0:25:23 | 0:25:26 | |
I've got ginger hair, a creepy face, and a voice like a sex offender. | 0:25:26 | 0:25:30 | |
LAUGHTER | 0:25:30 | 0:25:34 | |
APPLAUSE | 0:25:34 | 0:25:35 | |
I think if I don't do that, audiences are sitting there a little bit baffled and confused thinking, | 0:25:40 | 0:25:45 | |
"What's going in the comedic sense? God's given this man so much | 0:25:45 | 0:25:48 | |
"to work with and yet he's using none of it, how could this be?" | 0:25:48 | 0:25:51 | |
It's lovely to be in Dublin. I'm glad I get nervous when I come on stage, I wouldn't want to be arrogant. | 0:25:54 | 0:25:59 | |
It's natural to get nervous to do this sort of thing, isn't it? | 0:25:59 | 0:26:01 | |
I wouldn't want to get arrogant, because comedy is a job that will slowly strip you of all your dignity. | 0:26:01 | 0:26:07 | |
My mum came to see me do a gig recently for the first time ever, | 0:26:07 | 0:26:10 | |
and she's Irish, she's from Dublin and she's wonderful. | 0:26:10 | 0:26:13 | |
She tries to encourage me in everything I do, but when she thinks | 0:26:13 | 0:26:17 | |
I'm rubbish at something, she's not all that good at concealing it. | 0:26:17 | 0:26:21 | |
"Ah, that was great, Andrew, you stepped on stage, | 0:26:21 | 0:26:23 | |
"you started talking, you carried on talking, not everybody was listening, but you didn't let that faze you. | 0:26:23 | 0:26:28 | |
"Carried on talking, you didn't even seem to stop to think about the next thing you were going to say. | 0:26:37 | 0:26:42 | |
"It's almost as if you had the whole thing planned out in advance - well done, son." | 0:26:42 | 0:26:46 | |
"There's more to it than that, Mum." | 0:26:46 | 0:26:48 | |
I know, at one stage you took the microphone out of the stand, started walking around, I thought, | 0:26:48 | 0:26:52 | |
"Stick to what you know, son!" | 0:26:52 | 0:26:54 | |
"Don't overreach yourself, don't get overambitious. | 0:26:54 | 0:26:58 | |
"You did very well, you left the stage at the end, enough people clapped so it wasn't embarrassing." | 0:26:58 | 0:27:03 | |
"There's more to it, Mum, you should come and see me do another gig. | 0:27:03 | 0:27:06 | |
"It's more about me trying to make people laugh. Come and see me again." | 0:27:06 | 0:27:09 | |
"Oh, no, I wouldn't want to do that, I'd be bored out of my mind, Andrew." | 0:27:09 | 0:27:12 | |
But it's a privilege, a genuine privilege to be here. | 0:27:20 | 0:27:23 | |
I never thought I'd get to do something fun and interesting for a job. | 0:27:23 | 0:27:26 | |
I went to a rubbish school, nobody ever told you you had any potential. | 0:27:26 | 0:27:30 | |
Head teacher used to stand at the front at Assembly and say things like, "Now remember as you journey | 0:27:30 | 0:27:35 | |
"out into the world whatever your expectations are of life, lower them, | 0:27:35 | 0:27:40 | |
"lower them, lower them as far as you possibly can. | 0:27:40 | 0:27:44 | |
"Bury those expectations in a deep, dark, psychological hole. | 0:27:44 | 0:27:48 | |
"Once you've done that, whatever remains of your expectations, | 0:27:48 | 0:27:52 | |
"accept and acknowledge they will never ever come to any fruition. | 0:27:52 | 0:27:55 | |
"Put your shoes on, go out and get a job you don't like, | 0:27:55 | 0:27:58 | |
"enter into a loveless marriage, drink heavily, pretend you're happy. | 0:27:58 | 0:28:01 | |
"Don't complain, never complain, get on with things quietly, wait patiently for death. | 0:28:01 | 0:28:05 | |
"Death will inevitably come | 0:28:05 | 0:28:07 | |
"and when it does, trust me, you'll be more than grateful." | 0:28:07 | 0:28:10 | |
I get quite angry about things sometimes. | 0:28:18 | 0:28:21 | |
Get wound up, drink too much coffee. | 0:28:21 | 0:28:23 | |
All the time I go in these chain coffee shops, it drives me mad the way they train the poor people | 0:28:23 | 0:28:28 | |
who work in these places to treat the customers like idiots. | 0:28:28 | 0:28:31 | |
"Can I help you?" "I'll have a large black coffee, please." | 0:28:31 | 0:28:34 | |
"Would you like a raspberry muffin with that?" | 0:28:34 | 0:28:36 | |
"No, why are you asking me stupid unnecessary questions? | 0:28:36 | 0:28:39 | |
"You asked me what I wanted, I told you - a large black coffee. | 0:28:39 | 0:28:42 | |
"If I wanted a raspberry muffin I would have said I'll have a large black coffee and a raspberry muffin. | 0:28:42 | 0:28:47 | |
"I didn't say that because I never wanted a raspberry muffin. | 0:28:47 | 0:28:49 | |
"I've had an opportunity to have a look over the glass counter | 0:28:49 | 0:28:52 | |
"at all the confectionery on offer and think do I want any of this. | 0:28:52 | 0:28:54 | |
"The conclusion I came to is no, no I don't. | 0:28:54 | 0:28:57 | |
"Yet somehow in the moment between me deciding what I wanted and making | 0:28:57 | 0:28:59 | |
"my order, you imagine I've forgotten what I wanted. I haven't, I haven't. | 0:28:59 | 0:29:03 | |
"Why are you asking me stupid, offensive questions? | 0:29:03 | 0:29:05 | |
"I never asked you stupid offensive questions, do I?" "Can I help you?" | 0:29:05 | 0:29:08 | |
"Large black coffee." "2.50 please." | 0:29:08 | 0:29:09 | |
"Certainly, do you want a punch in the face?" | 0:29:09 | 0:29:12 | |
I don't do a lot of... Some comedians come on and sort of chat to people in the front row. | 0:29:20 | 0:29:25 | |
I got bored with doing that, asking questions, where are you from, what do you do. | 0:29:25 | 0:29:29 | |
Not interested, I've got my own problems. | 0:29:29 | 0:29:31 | |
I don't like that question, what do you do for a living? | 0:29:31 | 0:29:34 | |
Comedian is one of those jobs people find out what you do for a living, they want something for free. | 0:29:34 | 0:29:38 | |
"What do you do for a living?" "I'm a comedian." "Tell us a joke." | 0:29:38 | 0:29:40 | |
You rarely get that in other walks of live. "What d'you do for a living?" | 0:29:40 | 0:29:43 | |
"I'm a cleaner." "Empty my bins." It never happens. | 0:29:43 | 0:29:45 | |
I'm trying to save up - I'd love to be a homeowner at some stage. | 0:29:49 | 0:29:52 | |
It's impossible for younger people to get on the property ladder, isn't it? | 0:29:52 | 0:29:55 | |
I keep on switching on the television and seeing these nauseating repeats of property programmes like... | 0:29:55 | 0:30:00 | |
Gary and Michelle are air stewards. | 0:30:00 | 0:30:03 | |
They're looking for a two-bedroom townhouse in North London in the region of £3 million. What? | 0:30:03 | 0:30:08 | |
Where did Gary and Michelle get £3 million from? I have nothing! | 0:30:10 | 0:30:14 | |
My girlfriend says, "Andrew we should go on one of those property programmes." | 0:30:14 | 0:30:19 | |
Oh, what a good idea(!) Andrew and his girlfriend are first-time buyers | 0:30:19 | 0:30:22 | |
with an erratic income looking for a property in the region of £150,000. | 0:30:22 | 0:30:25 | |
Today we'll be showing them an array of squalid ex-council flats in undesirable areas. | 0:30:25 | 0:30:30 | |
Let's see how they get on as they enter into this first property, | 0:30:30 | 0:30:32 | |
who notices a crack addict sleeping in the stairwell? | 0:30:32 | 0:30:36 | |
Watch out for the pit bull terrier, in the hallway. There's a turd on the carpet, | 0:30:36 | 0:30:39 | |
don't know how long that's been there but there's a tree growing out of it. | 0:30:39 | 0:30:41 | |
Property's on the market for 175, good news is the owner is prepared | 0:30:41 | 0:30:45 | |
to listen to offers in exchange for sexual favours. Whoohoo! | 0:30:45 | 0:30:49 | |
It's the old people's fault, the old people's fault I can't get on the property ladder. | 0:30:49 | 0:30:54 | |
If there's any old people in tonight, I want to say congratulations - you've done a wonderful job. | 0:30:54 | 0:30:58 | |
You messed up the environment and you plunged us all into global economic crisis. | 0:30:58 | 0:31:02 | |
Gave yourself cheap housing, full employment, free education, you had a wonderful time. | 0:31:02 | 0:31:06 | |
You sold my generation down the river and now you expect me to pick up the pieces of your broken world. | 0:31:06 | 0:31:10 | |
Ha-ha-ha, you disgust me, old people. | 0:31:10 | 0:31:12 | |
These days the kids go out of university with their degree and their five-figure student loan debt, | 0:31:19 | 0:31:23 | |
there's no job for them because you old people won't retire. | 0:31:23 | 0:31:26 | |
Just go on working year after year, clogging up the job market, then you do retire but you won't die. | 0:31:26 | 0:31:31 | |
Why won't you die? | 0:31:31 | 0:31:33 | |
Why can't you just die? | 0:31:33 | 0:31:35 | |
Thanks for coming. | 0:31:35 | 0:31:38 | |
Ladies and gentlemen, it's been an absolute privilege, goodnight. Thank you so much. | 0:31:38 | 0:31:41 | |
Fantastic. Well done. | 0:31:44 | 0:31:47 | |
Andrew Lawrence, ladies and gentlemen, fantastic. | 0:31:47 | 0:31:51 | |
There's nobody quite like Andrew Lawrence. | 0:31:51 | 0:31:54 | |
Can I talk to you about Gaelic football? | 0:31:58 | 0:32:01 | |
CHEERING | 0:32:01 | 0:32:03 | |
It looks like a fun game, Gaelic. Gay-lick. | 0:32:03 | 0:32:07 | |
Gay-lick. | 0:32:10 | 0:32:13 | |
"Are you coming outside with us, boys, for some Gaelic?" | 0:32:13 | 0:32:17 | |
"No, thank you. | 0:32:17 | 0:32:19 | |
"Think I'm going to give that one a miss." | 0:32:19 | 0:32:22 | |
You didn't like that, did you, sir? He's sitting there going, | 0:32:24 | 0:32:27 | |
"You'll be stopped saying Gaelic like that, my friend." | 0:32:28 | 0:32:32 | |
It's like politicians say "I have a mandate." A man-date? Whoo. | 0:32:32 | 0:32:37 | |
I don't want to know about your private life. | 0:32:40 | 0:32:43 | |
My man-date is to play more gay-lick. Mmmm. | 0:32:43 | 0:32:47 | |
Yeah, yeah, baby. | 0:32:50 | 0:32:51 | |
Ladies and gentlemen of Dublin, it is time for your headliner! | 0:32:54 | 0:32:58 | |
CHEERING | 0:32:58 | 0:33:00 | |
When I heard that we were doing this show, I wanted to come here, I was desperate to come here. | 0:33:00 | 0:33:06 | |
I've always enjoyed gigging here and there was only one comedian that I wanted to headline the show, | 0:33:06 | 0:33:11 | |
because he is genuinely one of my favourite comedians working anywhere in the world. | 0:33:11 | 0:33:15 | |
So please welcome Mr Tommy Tiernan to the stage. | 0:33:15 | 0:33:17 | |
CHEERING AND WHISTLING | 0:33:17 | 0:33:20 | |
Thank you, thank you very much. | 0:33:36 | 0:33:38 | |
My goodness, there we are. | 0:33:38 | 0:33:40 | |
Difficult times, folks, difficult times. | 0:33:40 | 0:33:43 | |
LAUGHTER | 0:33:44 | 0:33:47 | |
Came here in a big car... | 0:33:47 | 0:33:49 | |
..big huge car, | 0:33:50 | 0:33:53 | |
big car that doesn't suit me. | 0:33:53 | 0:33:55 | |
Bought a big fancy car when times were good, you know, and it doesn't suit me. | 0:33:55 | 0:34:00 | |
I know it doesn't suit me because I drove past my reflection | 0:34:00 | 0:34:03 | |
in a shop window and before I knew who it was, I called him an arsehole. | 0:34:03 | 0:34:07 | |
Who do you think you are in you big fancy car? | 0:34:11 | 0:34:15 | |
If you don't believe the fingers, I'll start by hitting you. | 0:34:15 | 0:34:17 | |
We found out when times were good that money doesn't suit Irish people, | 0:34:21 | 0:34:26 | |
you know. We gave a go, didn't we? | 0:34:26 | 0:34:30 | |
It's like economists are telling us now that we screwed up the good times by spending all our money. | 0:34:30 | 0:34:37 | |
That's what we were supposed to do, | 0:34:39 | 0:34:42 | |
that's why they were called the good times. | 0:34:42 | 0:34:44 | |
You can't be saving your money during the good times because then they're not the good times. | 0:34:46 | 0:34:50 | |
Then they're the "in preparation for the bad times" times. | 0:34:50 | 0:34:53 | |
When we had money, we tried things. | 0:34:56 | 0:34:58 | |
We tried things that didn't suit us but at least we gave it a go. | 0:34:58 | 0:35:02 | |
We went skiing! | 0:35:02 | 0:35:03 | |
Irish people skiing - we get panic attacks | 0:35:06 | 0:35:09 | |
if we're in a house with more than one set of stairs. | 0:35:09 | 0:35:12 | |
"Get away from the banister, Michael, get away. | 0:35:14 | 0:35:18 | |
"This place is a death trap, get away!" | 0:35:18 | 0:35:20 | |
But we gave it a go. | 0:35:25 | 0:35:27 | |
Was there anything more frightening to the posh people of Europe up there in the Alps | 0:35:27 | 0:35:33 | |
with their designer gear, all Dolce and Gabbana and Prada and Gucci? | 0:35:33 | 0:35:38 | |
We were there head-to-toe Aldi. | 0:35:38 | 0:35:42 | |
Aldi skiing gear, | 0:35:51 | 0:35:53 | |
we were in the nip by the time we got to the bottom of the hill. | 0:35:53 | 0:35:57 | |
The stuff disintegrated if you went faster than 5mph. | 0:36:00 | 0:36:04 | |
Ski school, no, thanks. | 0:36:04 | 0:36:07 | |
A drink at altitude, yes. | 0:36:07 | 0:36:08 | |
The whole world now seemingly is in recession. | 0:36:11 | 0:36:14 | |
You know, we're told Germany, Germany owes 100 million billion | 0:36:14 | 0:36:20 | |
billion | 0:36:20 | 0:36:23 | |
trillion million greiben gruben schladen. | 0:36:23 | 0:36:29 | |
Trillion! | 0:36:29 | 0:36:31 | |
England owes million billion | 0:36:31 | 0:36:36 | |
billion zillion billion million billion... | 0:36:36 | 0:36:40 | |
billion. | 0:36:49 | 0:36:51 | |
America, America owes... | 0:36:52 | 0:36:53 | |
A-a-a-a-a-a-a-rgh! | 0:36:53 | 0:36:56 | |
It's not even a number, just a noise. | 0:37:04 | 0:37:07 | |
You're in trouble when you owe that much, aren't you? | 0:37:07 | 0:37:10 | |
"What's on your credit card?" | 0:37:10 | 0:37:12 | |
A-a-a-a-a-a-a-rgh! | 0:37:12 | 0:37:15 | |
Every country in the world owes money, but to who? | 0:37:17 | 0:37:21 | |
Who does everybody in the world owe money to... | 0:37:24 | 0:37:27 | |
and why don't we just kill the bastard and relax? | 0:37:27 | 0:37:30 | |
Tough times. | 0:37:40 | 0:37:41 | |
I have five children. | 0:37:41 | 0:37:44 | |
-Woo! -Woo! | 0:37:44 | 0:37:46 | |
Yes, thank you. | 0:37:46 | 0:37:47 | |
Five children, yeah. | 0:37:47 | 0:37:49 | |
The only other people who have five children are movie superstars, aren't they? | 0:37:51 | 0:37:55 | |
People like Brad Pitt and Angelina Jolie, how many kids do they have? | 0:37:55 | 0:38:00 | |
They're all from different parts of the world. | 0:38:00 | 0:38:04 | |
And I know nothing... | 0:38:04 | 0:38:05 | |
about Brad Pitt but I wouldn't say it's his idea. | 0:38:07 | 0:38:11 | |
He's just going with the flow, like, isn't he? | 0:38:14 | 0:38:17 | |
Sure, she's lipped like a duvet, he'd do anything for her. | 0:38:17 | 0:38:20 | |
I would say. | 0:38:22 | 0:38:23 | |
I'd say there's mornings Brad comes down into the kitchen with a big stoner head on him, | 0:38:27 | 0:38:33 | |
bumping into some young fella that he's never laid eyes on before. | 0:38:33 | 0:38:38 | |
"Well, hello there, little man, and where are you from?" | 0:38:40 | 0:38:44 | |
picking up the child to see if there's a country of origin sticker on him. | 0:38:44 | 0:38:47 | |
No, I would love to adopt, I'd love to do that. | 0:38:51 | 0:38:55 | |
I think it's a great thing to do, you know, but I only want to adopt talented children. | 0:38:55 | 0:39:01 | |
Pasty-faced, uncoordinated Irish kids, I can make them myself. | 0:39:01 | 0:39:06 | |
There was a talent show on in my kids' school recently, | 0:39:12 | 0:39:16 | |
and an eight-year-old girl did a tumble onto a mattress... | 0:39:16 | 0:39:21 | |
at a talent show! That's all she did. | 0:39:25 | 0:39:28 | |
And it was touch and go if she was going to make it there for a while. | 0:39:28 | 0:39:32 | |
She came down with a thwack, and she stood up | 0:39:35 | 0:39:40 | |
as if she'd won an Olympic medal, | 0:39:40 | 0:39:43 | |
and we had to clap. And I was there, "What is this shit?!" | 0:39:43 | 0:39:48 | |
Then these two Chinese kids got up that had been adopted, | 0:39:52 | 0:39:56 | |
they were playing the violin as if their lives depended on it... | 0:39:56 | 0:40:00 | |
because they did. | 0:40:00 | 0:40:02 | |
They were incredible. | 0:40:04 | 0:40:06 | |
One young fellow was only looking at the violin and it was singing at him. | 0:40:06 | 0:40:11 | |
They're the kind of kids I want. I want to go to orphanages and hold auditions | 0:40:11 | 0:40:18 | |
for a new show called Who Wants To Be a Tiernan? | 0:40:18 | 0:40:21 | |
It's hard when you've got five children to find time to make love to your wife, | 0:40:31 | 0:40:35 | |
you know, it's hard. | 0:40:35 | 0:40:38 | |
We don't get much sleep and I snore. | 0:40:38 | 0:40:42 | |
I don't know for a fact that I snore. | 0:40:42 | 0:40:45 | |
It's what she says after she hits me. | 0:40:45 | 0:40:49 | |
"Huh?" | 0:40:50 | 0:40:53 | |
"You're snoring." | 0:40:53 | 0:40:54 | |
"It's the elephant's turn to take a penalty. | 0:40:54 | 0:40:57 | |
"What's going on here like? What? | 0:41:04 | 0:41:08 | |
"I was snoring, seriously? Was I? | 0:41:08 | 0:41:11 | |
"Aargh. | 0:41:11 | 0:41:13 | |
"Did I wake you up, yeah? | 0:41:13 | 0:41:16 | |
"Aargh, sure I would have slept through the whole thing. | 0:41:16 | 0:41:18 | |
"No, I'm glad you woke me up, seriously. | 0:41:21 | 0:41:24 | |
"There's no point in one of us getting a night's rest. | 0:41:24 | 0:41:27 | |
"We both have to be exhausted in the morning so we know how the other one feels." | 0:41:31 | 0:41:36 | |
You can't leave lovemaking till last thing at night because you're too exhausted. | 0:41:38 | 0:41:44 | |
Best time to make love is about 11 o'clock in the morning, OK, the three older kids have gone to school, | 0:41:44 | 0:41:50 | |
the two younger kids are having their midmorning nap, Daddy follows Mammy upstairs in the hope of quick relief. | 0:41:50 | 0:41:56 | |
Now the only problem with this is you end up making love to whatever music | 0:41:56 | 0:42:01 | |
is putting the children to sleep, that's just the way it is. | 0:42:01 | 0:42:04 | |
# Twinkle twinkle little star | 0:42:09 | 0:42:13 | |
# How I wonder what you are... # | 0:42:13 | 0:42:19 | |
# Three little kittens have lost their mittens and don't know where to find them | 0:42:19 | 0:42:24 | |
# Mother dear, oh, did you hear We have lost our mittens? | 0:42:28 | 0:42:33 | |
# You've lost your mittens | 0:42:33 | 0:42:36 | |
# You naughty kittens You shall have no tea | 0:42:36 | 0:42:39 | |
# Oh, Mother dear, oh, did you hear We have found our mittens | 0:42:39 | 0:42:42 | |
# You've found your mittens You lovely kittens... # | 0:42:42 | 0:42:46 | |
# Row, row, row your boat... # | 0:42:46 | 0:42:48 | |
Dublin, you're a mighty bunch of people. | 0:42:48 | 0:42:50 | |
Thank you very much, goodnight. | 0:42:50 | 0:42:53 | |
RAPTUROUS APPLAUSE | 0:42:53 | 0:42:56 | |
Thank you so much. | 0:43:00 | 0:43:02 | |
Tommy Tiernan, that was superb. Fantastic. | 0:43:02 | 0:43:07 | |
What an absolute pleasure. | 0:43:07 | 0:43:09 | |
So, ladies and gentlemen, let's give it up for everybody we had tonight. | 0:43:09 | 0:43:14 | |
We had the fantastic Keith Farnan here, we love Keith Farnan. | 0:43:14 | 0:43:18 | |
The wonderful Zoe Lyons, ladies and gentlemen. | 0:43:18 | 0:43:23 | |
Fantastic Andrew Lawrence was here. | 0:43:23 | 0:43:26 | |
And the absolutely legendary Tommy Tiernan. | 0:43:26 | 0:43:33 | |
Thank you very much. Goodnight everybody, thank you. | 0:43:33 | 0:43:36 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 | |
E-mail [email protected] | 0:43:56 | 0:44:00 |