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Ladies and gentlemen, | 0:00:23 | 0:00:24 | |
please give a big Bristol welcome to Michael McIntyre! | 0:00:24 | 0:00:31 | |
Hello! | 0:00:31 | 0:00:33 | |
Good evening! Hello! | 0:00:33 | 0:00:36 | |
Good evening, ladies and gentlemen. | 0:00:36 | 0:00:39 | |
And welcome to my Comedy Roadshow! | 0:00:39 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:44 | |
Right here in my favourite city of them all. | 0:00:44 | 0:00:49 | |
It's Bristol! | 0:00:49 | 0:00:51 | |
CHEERING | 0:00:51 | 0:00:52 | |
-IN BRISTOL ACCENT: -All right, my babbers? | 0:00:52 | 0:00:55 | |
I met some locals today, including a man who came up to me and went, "Oh, my God, it's you! | 0:01:00 | 0:01:05 | |
"Gert Lush!" What? | 0:01:05 | 0:01:06 | |
"Gert Lush?" | 0:01:08 | 0:01:10 | |
I think you've got me mixed up with some kind of Norwegian person. | 0:01:10 | 0:01:14 | |
He said, "Can I get a photo? | 0:01:14 | 0:01:17 | |
"Can I get a photo, Mr McIntyre?" | 0:01:17 | 0:01:19 | |
Very polite. Very polite. "Can I get a photo, Mr McIntyre?" | 0:01:19 | 0:01:22 | |
I said, "yeah, OK." | 0:01:22 | 0:01:23 | |
I got in, it was only him, for one of those cuddly ones like that. | 0:01:23 | 0:01:27 | |
He went, "No, just of you." Quite creepy. | 0:01:27 | 0:01:30 | |
I had to stand there and went like this. | 0:01:30 | 0:01:32 | |
Then he held up the camera, it was a digital camera quite clearly the wrong way round. | 0:01:34 | 0:01:41 | |
You could see in the display his own confused face. | 0:01:41 | 0:01:46 | |
And behind it his actual confused face. | 0:01:46 | 0:01:48 | |
"Right, let me see how this works, then." | 0:01:48 | 0:01:51 | |
Then he took it, of his face, with a flash, thanked me and walked off. | 0:01:51 | 0:01:55 | |
"Thank you, Mr McIntyre, that's a proper job. A proper job." | 0:01:55 | 0:01:58 | |
I've spotted the wonderful Carol Vorderman sitting there. | 0:02:04 | 0:02:07 | |
Look at that! | 0:02:07 | 0:02:09 | |
Gert Lush! | 0:02:09 | 0:02:11 | |
It's Vorders! Are you local, Carol? | 0:02:13 | 0:02:15 | |
Where are you from? | 0:02:16 | 0:02:18 | |
-I've been in Bristol for three years. -You enjoying it, Carol? | 0:02:18 | 0:02:22 | |
-I love it. -You love it. She loves it, she likes it. | 0:02:22 | 0:02:25 | |
CHEERING | 0:02:25 | 0:02:27 | |
I met you once before. You probably don't remember. | 0:02:27 | 0:02:29 | |
I got in the lift with you, | 0:02:29 | 0:02:30 | |
and believe it or not you were standing at the numbers, | 0:02:30 | 0:02:33 | |
and you said "what floor?" | 0:02:33 | 0:02:34 | |
I thought, "If I can't make a joke in these circumstances, | 0:02:34 | 0:02:37 | |
"I'm not a comedian." | 0:02:37 | 0:02:40 | |
"I'll have one from the top and four from anywhere else, please, Carol." | 0:02:40 | 0:02:44 | |
Gert lush, it's Vorders! | 0:02:44 | 0:02:46 | |
CHEERING | 0:02:46 | 0:02:49 | |
What an absolute pleasure to welcome Deborah Meaden, a Dragon in the house! | 0:02:51 | 0:02:56 | |
There's a Dragon in the house. | 0:02:56 | 0:02:58 | |
How are you, Deborah? | 0:02:58 | 0:03:01 | |
Are you local, Deborah Meaden? | 0:03:01 | 0:03:03 | |
-Quite, Taunton. -Taunton, that's not far at all. | 0:03:03 | 0:03:07 | |
CHEERING | 0:03:07 | 0:03:09 | |
You're one of my favourite Dragons. I like it when you go, "So let me tell you where I'm at." | 0:03:09 | 0:03:14 | |
Do you say that when you pick up your mobile? | 0:03:14 | 0:03:16 | |
"I'm out." In fact, you should have that on your answerphone. | 0:03:19 | 0:03:22 | |
"Hi, it's Deborah Meaden, let me tell you where I'm at. I'm out." That would be lovely. | 0:03:22 | 0:03:27 | |
I hate those answerphones where you have an automated person, | 0:03:35 | 0:03:37 | |
and people just drop their name in the middle. | 0:03:37 | 0:03:39 | |
You need to know. It sounds shit! | 0:03:39 | 0:03:42 | |
"This is the Vodafone voicemail service for Dave, please leave your message..." | 0:03:42 | 0:03:47 | |
It's awful! Change it. | 0:03:47 | 0:03:49 | |
Do you think he's like that in real life? | 0:03:49 | 0:03:51 | |
"This is my husband Barry, he's an architect..." | 0:03:51 | 0:03:54 | |
I have an iPhone and it's so easy to break. | 0:03:56 | 0:03:59 | |
I just sort of put it down, it wasn't even a fall, it was just a little... | 0:03:59 | 0:04:03 | |
And it cracked, and I had to take it to the Apple shop, | 0:04:03 | 0:04:06 | |
where they have the most arrogant people I've ever met in my life. | 0:04:06 | 0:04:09 | |
They have their names, blue shirts and their names, and underneath it says "genius." | 0:04:09 | 0:04:14 | |
You're not a genius, you work in a shop! OK? | 0:04:14 | 0:04:17 | |
I do quite like the idea of people who work in shops | 0:04:17 | 0:04:20 | |
having an indicator of their level of intellect written on them. | 0:04:20 | 0:04:25 | |
That could certainly help me out. | 0:04:25 | 0:04:26 | |
Like in Currys, "Pete, can't read." At least I know now. | 0:04:26 | 0:04:29 | |
I like the PC adverts where they go, "I'm a PC, | 0:04:33 | 0:04:35 | |
"and this was my idea," | 0:04:35 | 0:04:38 | |
And they've got the one where there's this bloke on his own on the internet, | 0:04:38 | 0:04:44 | |
and then his wife comes in, | 0:04:44 | 0:04:45 | |
and it's this new feature where you can immediately hide what you're doing. | 0:04:45 | 0:04:50 | |
And he was "buying his wife an anniversary present." | 0:04:50 | 0:04:53 | |
"I'm a PC, and wank-hide button was my idea. Obviously." | 0:04:56 | 0:05:01 | |
OK, let's bring on my first guest. | 0:05:07 | 0:05:09 | |
I've been so looking forward to introducing this man, you're going to absolutely love him. | 0:05:09 | 0:05:13 | |
He's the next big thing, please welcome the fantastic Mr Sean Walsh is here! | 0:05:13 | 0:05:18 | |
Hello Bristol! | 0:05:29 | 0:05:31 | |
CHEERING | 0:05:31 | 0:05:33 | |
I come from Brighton, small town, lots of cafes, bit like Bristol, good for people-watching. | 0:05:33 | 0:05:38 | |
-Do you like people-watching? -Yes! | 0:05:38 | 0:05:40 | |
This is what I like to do in my time. I can't be bothered to do anything. | 0:05:40 | 0:05:43 | |
People-watching's brilliant. People-watching | 0:05:43 | 0:05:46 | |
is just sitting outside the cafe having a sip of coffee, | 0:05:46 | 0:05:49 | |
and thinking, "He looks like a dick." | 0:05:49 | 0:05:52 | |
You don't get this everywhere else. I go to London a lot, it's too hectic there. | 0:05:58 | 0:06:02 | |
You don't get a chance to people-watch in London. | 0:06:02 | 0:06:05 | |
The only chance you get to people-watch in London | 0:06:05 | 0:06:07 | |
is when you go down the escalators to the Underground. | 0:06:07 | 0:06:10 | |
It's brilliant, it's like hardcore people-watching. | 0:06:10 | 0:06:13 | |
You just stand there going "dick, dick, dick, dick, dick, | 0:06:13 | 0:06:18 | |
"I would!" | 0:06:18 | 0:06:19 | |
I like airports. | 0:06:27 | 0:06:28 | |
I don't mind airports, I like them, Better than train stations, because you've got the travelators. | 0:06:28 | 0:06:33 | |
You don't have to bother walking. | 0:06:33 | 0:06:36 | |
But you still do. Because you get to do the power walk. | 0:06:36 | 0:06:40 | |
It's brilliant, I love it. "I'm going to bloody have this! | 0:06:41 | 0:06:44 | |
"Forget the plane, we'll walk there, come on!" | 0:06:47 | 0:06:50 | |
Who are the people that don't use them? | 0:06:53 | 0:06:57 | |
You just speed past them, they're there going, "I don't like fun." | 0:07:01 | 0:07:05 | |
What are you doing? | 0:07:08 | 0:07:10 | |
And there's a warning now, this is ridiculous, there's a warning when you get towards the end, | 0:07:10 | 0:07:17 | |
when you get towards the end, and it's that woman that's everywhere, "Cashier number four, please." | 0:07:17 | 0:07:24 | |
This time she's worried. She says, "Caution." | 0:07:24 | 0:07:27 | |
I'm like, "What's going on here?" | 0:07:27 | 0:07:29 | |
"You are now approaching the end..." | 0:07:33 | 0:07:36 | |
I think, "God, I didn't think it was going to happen like this." | 0:07:36 | 0:07:39 | |
"..of the conveyor." Caution? | 0:07:44 | 0:07:47 | |
This thing is going one mile per hour from flat to flat. | 0:07:47 | 0:07:52 | |
"Jesus Christ, I forgot my helmet, save yourselves!" | 0:07:52 | 0:07:55 | |
Who's hearing this thing and going, | 0:07:57 | 0:07:58 | |
"Huh? Oh, God, yeah." | 0:07:58 | 0:08:01 | |
"I've got this. | 0:08:07 | 0:08:09 | |
"I don't think I can do it. | 0:08:09 | 0:08:12 | |
"When it comes to the end... Here we go." | 0:08:12 | 0:08:14 | |
But what's ridiculous is you know the reason they've had to put this announcement up | 0:08:23 | 0:08:27 | |
is because in the past, | 0:08:27 | 0:08:28 | |
some idiot HAS actually injured himself. | 0:08:28 | 0:08:32 | |
I reckon he was just standing there going "dick, dick, dick, I would." | 0:08:32 | 0:08:38 | |
I've been Sean Walsh, take care, goodnight. | 0:08:46 | 0:08:50 | |
Sean Walsh, ladies and gentlemen. Come on! Fantastic. | 0:08:53 | 0:08:57 | |
Ladies and gentlemen, if it isn't Nick Knowles. Nick Knowles! | 0:09:03 | 0:09:07 | |
CHEERING | 0:09:07 | 0:09:08 | |
Sending out an SOS! | 0:09:08 | 0:09:10 | |
Nick Knowles wasn't going to be here tonight, but he's staying in my hotel and you've been working... | 0:09:11 | 0:09:16 | |
I say working in the bar, you don't work in the bar. | 0:09:16 | 0:09:20 | |
I was writing in the bar and I just went over to Nick Knowles last night and said, | 0:09:20 | 0:09:24 | |
"Nick, will you come to my show?" | 0:09:24 | 0:09:26 | |
And he said, "Will you please promise me that you won't talk to me and take the piss out of me?" | 0:09:26 | 0:09:33 | |
Too late! So... | 0:09:33 | 0:09:36 | |
I'm kidding. Nick, you've been living in Bristol? | 0:09:36 | 0:09:39 | |
Only in the hotel. | 0:09:39 | 0:09:41 | |
You live in the hotel? | 0:09:41 | 0:09:42 | |
How long have you been living in the hotel? | 0:09:42 | 0:09:45 | |
On and off for about four years. | 0:09:45 | 0:09:47 | |
BEMUSED LAUGHTER | 0:09:47 | 0:09:49 | |
Nick, I hope you can feel from the reaction of the audience | 0:09:49 | 0:09:52 | |
that this isn't a normal way to live your life. | 0:09:52 | 0:09:55 | |
So you used to do up homes. That's what you do, isn't it? | 0:09:57 | 0:10:00 | |
It's one of the things I do. | 0:10:00 | 0:10:02 | |
I'd stand and watch other people do up homes, that's what I do. | 0:10:02 | 0:10:06 | |
And you're just like, "I will not take my work home with me. | 0:10:06 | 0:10:10 | |
"I'm going to live in a hotel!" | 0:10:10 | 0:10:12 | |
Do they know you're there? | 0:10:12 | 0:10:15 | |
Do you just stay in the bar, do you hide? | 0:10:15 | 0:10:17 | |
Is it like when people don't pay for train tickets, they just stay in the loo? | 0:10:17 | 0:10:21 | |
It's like when the ticket inspector comes... | 0:10:21 | 0:10:23 | |
I like ticket inspectors, because they know how to walk on trains because they do it for a living. | 0:10:25 | 0:10:31 | |
We don't know, we walk down a train and we're falling. | 0:10:31 | 0:10:34 | |
"Sorry. Excuse me." | 0:10:34 | 0:10:35 | |
But ticket inspectors, they're amazing. They move with the train. | 0:10:35 | 0:10:39 | |
"Tickets from Doncaster? | 0:10:40 | 0:10:43 | |
"Thank you." | 0:10:43 | 0:10:45 | |
WHISTLING AND APPLAUSE | 0:10:51 | 0:10:52 | |
Are you ready for my next guest? | 0:10:56 | 0:10:58 | |
CHEERING | 0:10:58 | 0:11:03 | |
This man is going to be a star. | 0:11:03 | 0:11:06 | |
Let's find out why. Mr Hal Cruttenden is here, ladies and gentlemen! | 0:11:06 | 0:11:11 | |
# I could be down, I could be blue I could be violet sky | 0:11:11 | 0:11:14 | |
# I could be happy I could be clappy | 0:11:14 | 0:11:16 | |
# I could be anything you like... # | 0:11:16 | 0:11:20 | |
Lovely to be here in Bristol. On Michael McIntyre's show. | 0:11:22 | 0:11:27 | |
I love Michael. I do. Because like me he's married with kids, and like me he's really quite camp, isn't he? | 0:11:27 | 0:11:34 | |
-Am I camper? -Yeah! | 0:11:34 | 0:11:38 | |
And he skips and shit! | 0:11:38 | 0:11:40 | |
I am married, I've been married ten years now, two kids. | 0:11:42 | 0:11:46 | |
Thank you, we're incredibly... | 0:11:46 | 0:11:50 | |
unhappy. | 0:11:50 | 0:11:52 | |
We married too soon, we only knew each other five-and-a-half months. | 0:11:53 | 0:11:57 | |
That was the gap between meeting and marrying. | 0:11:57 | 0:12:00 | |
People say you just know, and we just knew... | 0:12:00 | 0:12:02 | |
she was pregnant. | 0:12:02 | 0:12:04 | |
I didn't enjoy my wedding day. Most men don't. | 0:12:06 | 0:12:09 | |
Most men pretend they do, but most wedding days become the bride's day, don't they? It's her day. | 0:12:09 | 0:12:14 | |
I don't want to piss off the women here, but it's not your day. | 0:12:14 | 0:12:19 | |
It's two people's day, OK? | 0:12:19 | 0:12:21 | |
There's a man involved. | 0:12:21 | 0:12:23 | |
You look at a traditional wedding reception, all the jokes, | 0:12:23 | 0:12:26 | |
all the speeches take the piss out of the groom. | 0:12:26 | 0:12:28 | |
No-one is allowed to take the piss out of the bride, are they? Oh, no! | 0:12:28 | 0:12:34 | |
Not on her special day! | 0:12:34 | 0:12:38 | |
Who's wearing fancy dress pretending to be a virgin all day? | 0:12:41 | 0:12:44 | |
"No, ssh, she's a special flower." | 0:12:44 | 0:12:47 | |
Women get given away. Women are still given away on their wedding day. | 0:12:52 | 0:12:56 | |
That's incredibly offensive. | 0:12:56 | 0:12:57 | |
It's about women being possessions. | 0:12:57 | 0:12:59 | |
it reinforces that viewpoint of women as fragile, unable to look after themselves. | 0:12:59 | 0:13:04 | |
If anybody is fragile and unable to look after themselves in the modern world, | 0:13:04 | 0:13:10 | |
it's surely men, isn't it? | 0:13:10 | 0:13:13 | |
FEMALE CHEERING AND APPLAUSE | 0:13:13 | 0:13:19 | |
We should be given away by our mums, shouldn't we? | 0:13:19 | 0:13:21 | |
We should be dragged down the aisle by the ear, | 0:13:24 | 0:13:27 | |
going, "I don't want to grow up!" "You're bloody coming! Come on. | 0:13:27 | 0:13:31 | |
"Have you got clean pants on? Come on!" | 0:13:31 | 0:13:33 | |
I have two kids, two lovely girls. | 0:13:35 | 0:13:37 | |
I'm too self-obsessed to be a good dad, | 0:13:37 | 0:13:39 | |
too about me. Little Martha, my oldest, comes home from school, | 0:13:39 | 0:13:43 | |
she's like, "Daddy, today we learned about butterflies, and Miss..." | 0:13:43 | 0:13:46 | |
I'm going, "Martha, | 0:13:46 | 0:13:50 | |
"you haven't even asked about my day." | 0:13:50 | 0:13:53 | |
That's a little bit selfish, isn't it? | 0:14:01 | 0:14:03 | |
Little Grace, my little one, comes into our room at night going, | 0:14:03 | 0:14:07 | |
"Daddy, I can't sleep, I had a bad dream about a witch." | 0:14:07 | 0:14:10 | |
I take her into my office and I say "You know what, Grace, that witch, | 0:14:10 | 0:14:14 | |
"she's not real. OK? | 0:14:14 | 0:14:17 | |
"But look at those debts there. Yeah? | 0:14:17 | 0:14:20 | |
"Look at that bill, that bill's not been paid, no. | 0:14:23 | 0:14:26 | |
"Can you find a pension plan on this desk, Grace? | 0:14:26 | 0:14:30 | |
"Look for a pension plan? | 0:14:30 | 0:14:31 | |
"No, I don't bloody have one, how do you think I sleep at night?" | 0:14:31 | 0:14:35 | |
LAUGHTER AND APPLAUSE | 0:14:35 | 0:14:37 | |
Thank you very much, you've been an absolute delight, Bristol. I've been Hal Cruttenden, thank you. | 0:14:41 | 0:14:46 | |
Wonderful! Hal Cruttenden, ladies and gentlemen! | 0:14:50 | 0:14:54 | |
Wonderful. We love Hal Cruttenden. | 0:14:54 | 0:14:58 | |
I don't know if anybody saw this earlier in the year, | 0:15:01 | 0:15:04 | |
I read the bedtime story on CBeebies? Anybody see that? | 0:15:04 | 0:15:07 | |
CHEERING | 0:15:07 | 0:15:09 | |
I wish you hadn't. Maybe you don't know what I'm talking about. | 0:15:09 | 0:15:11 | |
Is it called CBarbers here? CBarbers! | 0:15:11 | 0:15:15 | |
Come on littl'uns, watch CBarbers. | 0:15:15 | 0:15:18 | |
For those of you unfamiliar, it is basically like Jackanory, | 0:15:18 | 0:15:21 | |
I did the bedtime stories for children on children's television. | 0:15:21 | 0:15:25 | |
I thought it would be nice to do for my children. They genuinely didn't care. | 0:15:25 | 0:15:28 | |
I was like, "Look, Daddy's on the telly reading stories." "I've heard that one!" | 0:15:28 | 0:15:32 | |
"But I'm on the TV." "I don't care, I don't care, I want another story." | 0:15:32 | 0:15:36 | |
I want to watch the other channel. | 0:15:36 | 0:15:38 | |
So I ended up possibly committing career suicide | 0:15:38 | 0:15:41 | |
by becoming a children's television presenter which was unavoidable. | 0:15:41 | 0:15:45 | |
If you're a children's television presenter there are rules, | 0:15:45 | 0:15:48 | |
you have to be involved in an activity before suddenly realising you're on TV. | 0:15:48 | 0:15:52 | |
You can't just start a show to the camera. | 0:15:52 | 0:15:55 | |
You have to be doing something before going, | 0:15:55 | 0:15:58 | |
"Oh, hello, I'm Michael." You can't just go straight into it. | 0:15:58 | 0:16:01 | |
I said to them I don't want to do that cos it's embarrassing. | 0:16:01 | 0:16:06 | |
"Sorry, you have to stick to the script." | 0:16:06 | 0:16:08 | |
Script? What script? I thought I was just reading a book. | 0:16:08 | 0:16:11 | |
No, there was a script. I had to talk to a penguin, a fluffy penguin, | 0:16:11 | 0:16:15 | |
I had to sit on a children's bed talking to a penguin | 0:16:15 | 0:16:18 | |
and go, "Hello, Mr Penguin, where have you been?" | 0:16:18 | 0:16:21 | |
"Oh, the Antarctic?" They said, "Cut!" | 0:16:21 | 0:16:24 | |
"What's the problem?" They said, "Can you let the penguin talk?" | 0:16:24 | 0:16:28 | |
"What are you talking about? It's a fluffy toy. | 0:16:28 | 0:16:30 | |
They said you need to leave gaps where the Penguin would be talking. | 0:16:30 | 0:16:34 | |
"Come on Michael, take it seriously." "All right, fine." | 0:16:34 | 0:16:37 | |
"Hello, Mr Penguin." | 0:16:37 | 0:16:39 | |
"Cut! Michael, can you not take the piss." | 0:16:48 | 0:16:50 | |
"Can you not interrupt Mr Penguin?" | 0:16:50 | 0:16:54 | |
APPLAUSE | 0:16:54 | 0:16:56 | |
So I had to take it seriously otherwise I'd be there all day. | 0:16:56 | 0:17:00 | |
"You went where? To the Antarctic?" Then I had to do the whole thing. | 0:17:00 | 0:17:03 | |
"Hello, I'm Michael and today's story is called Captain Flynn And The Pirate Dinosaurs." | 0:17:03 | 0:17:07 | |
If you want to have a laugh, it's on iPlayer. Extremely embarrassing. | 0:17:07 | 0:17:11 | |
I had to read five stories. I had to do the whole week. | 0:17:11 | 0:17:13 | |
You can tell as the week goes on I get more and more pissed off. | 0:17:13 | 0:17:16 | |
On Monday... "Hello!" By Friday, "All right... When am I going to get out of here?" | 0:17:16 | 0:17:20 | |
At the end you close the book and they were very serious about this, | 0:17:23 | 0:17:25 | |
they said look down the barrel of the camera and go, "Night-night, children." | 0:17:25 | 0:17:29 | |
Which is sweet cos it's the bedtime story. But as I say, | 0:17:29 | 0:17:32 | |
I have children, I have two children, | 0:17:32 | 0:17:34 | |
and night-night is simply not part of the putting to bed routine. | 0:17:34 | 0:17:41 | |
I'm nowhere near night-night when I put my children to bed. | 0:17:41 | 0:17:46 | |
This is an unrealistic interpretation of bedtime with children. | 0:17:46 | 0:17:50 | |
CHEERING | 0:17:50 | 0:17:52 | |
I start angry. I don't build to anger any more, | 0:17:52 | 0:17:56 | |
I used to build, now I start with, "Five minutes!" | 0:17:56 | 0:18:02 | |
And then bed! Don't you mess with me tonight. | 0:18:02 | 0:18:05 | |
Five minutes, I'll be back here in five minutes on the dot, | 0:18:05 | 0:18:09 | |
then you're going to bed. | 0:18:09 | 0:18:10 | |
That's just getting them into bed, then it just carries on. | 0:18:10 | 0:18:13 | |
Go to sleep! | 0:18:13 | 0:18:15 | |
Don't you mess with... Go to... Close your... | 0:18:15 | 0:18:17 | |
You have to remind him how it works. | 0:18:17 | 0:18:19 | |
Close your eyes... | 0:18:19 | 0:18:20 | |
and go to sleep! | 0:18:20 | 0:18:23 | |
You have no idea how exhausted I am and your mother is because of this. | 0:18:25 | 0:18:33 | |
Go to sleep! | 0:18:33 | 0:18:35 | |
You selfish, selfish little shit! | 0:18:35 | 0:18:41 | |
Close your eyes and go to sleep! | 0:18:41 | 0:18:46 | |
-CHEERING AND APPLAUSE -Enough is enough! | 0:18:46 | 0:18:48 | |
Do know that your mother and I haven't had sex in weeks because of this? | 0:18:49 | 0:18:53 | |
Do you know that sometimes she says to me in the afternoon, | 0:18:53 | 0:18:55 | |
"Maybe tonight Michael you'll get lucky when the kids are asleep." | 0:18:55 | 0:18:58 | |
You're never asleep! | 0:18:58 | 0:19:01 | |
Go to sleep! | 0:19:01 | 0:19:04 | |
Night-night. | 0:19:04 | 0:19:05 | |
APPLAUSE | 0:19:05 | 0:19:06 | |
That's pretty much how it goes. | 0:19:06 | 0:19:08 | |
Don't get me wrong, night-night is part of it, | 0:19:10 | 0:19:13 | |
it's just when they're already asleep. | 0:19:13 | 0:19:15 | |
You never love your children more than when they're unconscious but still breathing. | 0:19:15 | 0:19:20 | |
It's a lovely moment. | 0:19:20 | 0:19:22 | |
Look at my little man. Night-night, darling, Daddy's little soldier. | 0:19:22 | 0:19:26 | |
Aw, Daddy loves you. Darling, look at what we did. | 0:19:26 | 0:19:29 | |
Look what we made. | 0:19:29 | 0:19:32 | |
Aw, isn't he lovely? Night-night. | 0:19:32 | 0:19:35 | |
"I'm still awake." Go to sleep! | 0:19:35 | 0:19:37 | |
APPLAUSE AND CHEERING | 0:19:37 | 0:19:39 | |
Ladies and Gentlemen, are you ready for our next guest? | 0:19:43 | 0:19:46 | |
CHEERING | 0:19:46 | 0:19:47 | |
Please give all your love to one of the finest comedians in the country, | 0:19:47 | 0:19:51 | |
one of my favourites, let's find out why. Please welcome the wondrous Mr Mike Gunn is here! | 0:19:51 | 0:19:56 | |
# I feel good | 0:19:56 | 0:20:00 | |
# I knew that I would now | 0:20:00 | 0:20:04 | |
# I feel good... # | 0:20:04 | 0:20:06 | |
You're quite right, I don't look that funny. | 0:20:10 | 0:20:14 | |
I don't have to do this, I've got money, | 0:20:16 | 0:20:18 | |
admittedly all tied up in my parents' house. | 0:20:18 | 0:20:22 | |
Where there's a will there's a way. | 0:20:25 | 0:20:27 | |
You've thought of that, haven't you? | 0:20:29 | 0:20:31 | |
It's a nightmare, isn't it? | 0:20:31 | 0:20:33 | |
The constant waiting. | 0:20:33 | 0:20:35 | |
My mum's been dead for years but my dad, he's just clinging on. | 0:20:38 | 0:20:42 | |
I visit him, you have to visit them, don't you? | 0:20:45 | 0:20:48 | |
Especially in the cold weather, I pop in, open a few windows, bugger off. | 0:20:48 | 0:20:52 | |
APPLAUSE | 0:20:55 | 0:20:57 | |
Sometimes I go round and see him unexpectedly, you know... | 0:21:00 | 0:21:04 | |
Boo! | 0:21:04 | 0:21:06 | |
Don't judge me, I know it's wrong. I know it's wrong. | 0:21:09 | 0:21:12 | |
I can't help myself. | 0:21:12 | 0:21:14 | |
Whenever I see my dad buying anything I can't help thinking, | 0:21:14 | 0:21:18 | |
"I don't want that." | 0:21:18 | 0:21:20 | |
"What the hell am I going to do with that?" | 0:21:23 | 0:21:26 | |
A bath with a door in it. | 0:21:26 | 0:21:28 | |
It's rubbish as well, I've tried it, you open the door, all the water comes out. | 0:21:32 | 0:21:37 | |
That's never going to sell on eBay, is it? | 0:21:37 | 0:21:40 | |
I'm a married man, I'd like to talk a little bit about wedding dresses. | 0:21:40 | 0:21:44 | |
My wife spent a fortune on a wedding dress, complete waste of money in my mind, she's worn it once. | 0:21:44 | 0:21:49 | |
I've worn it more than she has. | 0:21:51 | 0:21:53 | |
Not only has she spent a fortune on it and worn it once, she's insisting on keeping it forever. | 0:21:55 | 0:22:00 | |
She's got it all wrapped up in tissue in a box under the bed | 0:22:00 | 0:22:03 | |
and I pulled it out other day and said, "Are we keeping this for ever?" | 0:22:03 | 0:22:06 | |
She went, "Yeah, it's romantic. Is it? OK. | 0:22:06 | 0:22:09 | |
Then she said, "It'd be really romantic if when I die I could be buried in it." | 0:22:09 | 0:22:14 | |
I said, "Well, you'd better hope you die of some kind of wasting disease." | 0:22:14 | 0:22:19 | |
GASPING AND APPLAUSE | 0:22:19 | 0:22:22 | |
"That's the only way you're ever going to get back into that. | 0:22:30 | 0:22:34 | |
"I could chuck it in on top if you want." | 0:22:34 | 0:22:37 | |
"You could wear it like a bib." | 0:22:40 | 0:22:42 | |
I'm divorced now obviously. | 0:22:48 | 0:22:50 | |
That's all from me. Thanks, good night. | 0:22:53 | 0:22:55 | |
CHEERING AND APPLAUSE | 0:22:55 | 0:22:58 | |
Wonderful. Mike Gunn, ladies and gentlemen! | 0:22:58 | 0:23:02 | |
Come on! We love Mike Gunn. | 0:23:02 | 0:23:04 | |
Ladies and gentlemen of Brizzel, are you ready for your headline act? | 0:23:07 | 0:23:10 | |
What an absolute honour and a pleasure it is to introduce | 0:23:13 | 0:23:16 | |
literally one of the best comedians there is. | 0:23:16 | 0:23:19 | |
I've been watching this man for years and he's one of the coolest people I've ever met | 0:23:19 | 0:23:22 | |
so please give all your love to the wonderful... Noel Fielding is here, ladies and gents. | 0:23:22 | 0:23:27 | |
CHEERING | 0:23:27 | 0:23:29 | |
Oh, Bristol, you cheeky little otters, how are you? | 0:23:47 | 0:23:52 | |
CHEERING | 0:23:52 | 0:23:54 | |
You're such a lively little bunch. | 0:23:55 | 0:23:58 | |
I'd love to leap in and suck all your heads like Chupa Chup lollies. | 0:23:58 | 0:24:02 | |
What a room, lovely room, it's like an enormous Guess Who board. | 0:24:04 | 0:24:08 | |
If everyone with a goatee beard and glasses could lean forward. | 0:24:11 | 0:24:15 | |
Imagine if I did the whole gig like this... | 0:24:17 | 0:24:20 | |
..and you all had to read my thoughts. | 0:24:28 | 0:24:31 | |
That way if it was a shit gig it'd be your own fault. | 0:24:36 | 0:24:39 | |
My nan's hands were so soft... | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:52 | |
That's not even it. | 0:24:54 | 0:24:56 | |
My nan's hands were so soft she once caught a bubble and her hands burst. | 0:24:56 | 0:25:01 | |
I was in the bath with my partner the other day and you know | 0:25:05 | 0:25:08 | |
what it's like, you think it'll be romantic but it never is. | 0:25:08 | 0:25:11 | |
Baths are too small and you end up fighting about who should sit at the end with the taps | 0:25:11 | 0:25:15 | |
and it just got really out of hand, it was ridiculous. | 0:25:15 | 0:25:18 | |
Then we'd splash each other with water, grabbing the soap dish... | 0:25:18 | 0:25:21 | |
then getting the shampoo, it got well out of order. | 0:25:21 | 0:25:24 | |
It was 45 minutes of a massive full-on fight. | 0:25:24 | 0:25:27 | |
Eventually my girlfriend came in and went, "I don't mind you and Geoff running a small business together..." | 0:25:27 | 0:25:32 | |
"..but this is ridiculous." | 0:25:34 | 0:25:35 | |
Oh, here's me, I'm coming in, I'm flying around the room, I'm a terrific bluebottle. | 0:25:41 | 0:25:47 | |
Here's me, I'm coming in the room, I'm flying all over the place, I'm flying in a figure-of-eight, | 0:25:47 | 0:25:52 | |
I'm doing a figure-of-eight, I'm going quite straight, I'm doing right angles, look at me, | 0:25:52 | 0:25:56 | |
it's like I'm orchestrating a map of Hampton Court maze but from an aerial perspective. | 0:25:56 | 0:26:00 | |
Here's me, I'm flying all around the house, I'm in the front room, | 0:26:00 | 0:26:04 | |
I'm in the back room, I'm in the kitchen, I'm landing on the fridge door. | 0:26:04 | 0:26:08 | |
Now I'm going back out again and I'm coming back in half an hour later and landing in exactly the same place. | 0:26:08 | 0:26:14 | |
Now I'm going out again, | 0:26:16 | 0:26:18 | |
I'm going out again, you don't know what's happening. | 0:26:18 | 0:26:21 | |
I've been gone ages this time, could be days, I've come back in and landed in exactly the same place. | 0:26:21 | 0:26:27 | |
It's doing your head in, you can't work it out, we'll never know if it really is the same place though | 0:26:27 | 0:26:31 | |
unless when I land on it you draw round my feet, then when I go away, | 0:26:31 | 0:26:34 | |
when I come back, we see if there's any overlap. | 0:26:34 | 0:26:39 | |
Here's me, I'm flying all around the place, I'm flying all around the place, now I'm in the distance. | 0:26:39 | 0:26:46 | |
Now I'm coming really close to your ear. | 0:26:46 | 0:26:50 | |
I'm in the distance, I'm in the distance, now I'm really close to your ear. You're like that. | 0:26:51 | 0:26:56 | |
If someone sees you, you have to go, "I thought it was a wasp." | 0:26:56 | 0:26:59 | |
When that person goes away and I give you a little look | 0:27:01 | 0:27:04 | |
as if to say we both knew full well that wasn't a wasp, that was a fly. | 0:27:04 | 0:27:09 | |
Here's me, I'm coming in... | 0:27:11 | 0:27:13 | |
I've got three hours of this. Here's me, I'm coming in, | 0:27:13 | 0:27:15 | |
there's you at your little desk, you're trying to do some writing, | 0:27:15 | 0:27:19 | |
perhaps you're at college, perhaps you're writing a novel, | 0:27:19 | 0:27:21 | |
I'm not sure but I keep just buzzing around your head and you don't know what's happening. | 0:27:21 | 0:27:25 | |
I'm buzzing around your head, you're getting really annoyed. | 0:27:25 | 0:27:28 | |
You can't concentrate, so you go over and open the window. | 0:27:28 | 0:27:32 | |
But you open the window in a way it's never been opened before in its entire career as a window in a house. | 0:27:32 | 0:27:38 | |
It has been opened so wide you're like that... | 0:27:38 | 0:27:42 | |
All the way to the top, no one's ever opened a window that wide before | 0:27:42 | 0:27:45 | |
and when I come in the room, as if I won't see that as a trap. | 0:27:45 | 0:27:50 | |
I can see 175 frames a second, my friend. | 0:27:50 | 0:27:53 | |
I can see when a window's been opened to its fullest. | 0:27:53 | 0:27:56 | |
You're sitting there at your desk, the window's open, I'll come towards it, come towards it, | 0:27:56 | 0:28:00 | |
come towards it, last minute I'll do a little turn off. | 0:28:00 | 0:28:03 | |
APPLAUSE | 0:28:03 | 0:28:04 | |
Here I come, here I come, I've actually gone through it. | 0:28:07 | 0:28:10 | |
You can't believe it, you've jumped up out of your desk, | 0:28:10 | 0:28:13 | |
you've slammed it shut, you think you've won, you're doing a victory dance, but I'm behind your head. | 0:28:13 | 0:28:18 | |
APPLAUSE AND CHEERING | 0:28:18 | 0:28:23 | |
Ladies and gentlemen, you've been amazing, it's been an amazing night. Thanks for having me. | 0:28:23 | 0:28:29 | |
Cheers, goodnight. Thank you! | 0:28:29 | 0:28:31 | |
APPLAUSE AND CHEERING | 0:28:31 | 0:28:33 | |
Noel Fielding, ladies and gentlemen. Marvellous! | 0:28:34 | 0:28:37 | |
Noel Fielding. Fantastic. | 0:28:38 | 0:28:40 | |
Let's hear it for all the acts. | 0:28:40 | 0:28:43 | |
Sean Walsh, what a legend! Sean Walsh. | 0:28:43 | 0:28:45 | |
CHEERING | 0:28:45 | 0:28:47 | |
The fantastic Hal Cruttenden was here. | 0:28:47 | 0:28:51 | |
CHEERING | 0:28:51 | 0:28:54 | |
Mike Gunn was here, wasn't he wonderful? | 0:28:54 | 0:28:56 | |
CHEERING | 0:28:56 | 0:28:58 | |
And the absolutely fantastic headline act Noel Fielding! | 0:28:58 | 0:29:03 | |
Thank you very much Bristol, goodnight. Thank you! | 0:29:03 | 0:29:06 | |
Subtitles by Red Bee Media Ltd | 0:29:16 | 0:29:19 | |
E-mail [email protected] | 0:29:19 | 0:29:23 |