Browse content similar to The New Me. Check below for episodes and series from the same categories and more!
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Well, hello to you, my old chums. | 0:00:02 | 0:00:04 | |
What a veritable thrill to see you all again. Particularly you, cheeky! | 0:00:04 | 0:00:07 | |
Let me get you up to speed. | 0:00:07 | 0:00:09 | |
Previously in my life, the gorgeous Gary upped his sticks to Hong Kong. | 0:00:09 | 0:00:14 | |
Which I've been fine about. I mean, I don't think it's weird making fruit friends. | 0:00:14 | 0:00:19 | |
Things only ever went wrong when I was with Gary anyway. | 0:00:20 | 0:00:23 | |
-This is the place, come on! -Woo-hoo! | 0:00:24 | 0:00:27 | |
Ooh, it looks great! | 0:00:27 | 0:00:29 | |
Say nothing. Shush, please. | 0:00:36 | 0:00:39 | |
No, I'm fine. | 0:00:39 | 0:00:41 | |
Tired, but that's because I've been sleeping on a lilo because my bed broke. Too much action! | 0:00:41 | 0:00:45 | |
MUSIC: "Reach For The Stars" by S Club 7 | 0:00:45 | 0:00:47 | |
And if I have been down, I definitely turned a corner last night. | 0:00:54 | 0:00:58 | |
SHE SINGS DRUNKENLY # Is there any way that I can say | 0:01:01 | 0:01:05 | |
# That you're... SHE SCREECHES | 0:01:05 | 0:01:08 | |
It's too high, Daniel, and it's unnaturally high for a man. | 0:01:09 | 0:01:15 | |
Right, let's jolly on with the show. | 0:01:15 | 0:01:17 | |
-Hello, Stevie. -Oh, dear. | 0:01:29 | 0:01:31 | |
Oh, your new stock keeps bringing in these posh girls. | 0:01:33 | 0:01:36 | |
-Are you disparaging Stevie's boutique corner? -No...maybe. | 0:01:36 | 0:01:41 | |
I don't know what disparaging means. | 0:01:41 | 0:01:43 | |
-Mocking. -Oh, then yes. | 0:01:43 | 0:01:45 | |
"Yah, I'm going to see Hugo, Wills, Milly, Billy and Bella so need a new trinkety necklace." | 0:01:45 | 0:01:52 | |
Hello. | 0:01:53 | 0:01:55 | |
Are you making fun of me? | 0:01:55 | 0:01:56 | |
No, no, what do you mean? | 0:01:56 | 0:01:58 | |
This is how I speak. | 0:01:58 | 0:02:00 | |
So, do you need any help? | 0:02:00 | 0:02:03 | |
It's quite tricky. | 0:02:03 | 0:02:06 | |
Anything you'd like to try on? | 0:02:06 | 0:02:08 | |
No, fine, thanks. | 0:02:08 | 0:02:11 | |
Have you looked in the mirror recently? | 0:02:12 | 0:02:15 | |
Come on, you've got to get your act together, Miranda. Stop wallowing. | 0:02:15 | 0:02:18 | |
-I have stopped wallowing. I've told you, I've moved on. -Good. | 0:02:18 | 0:02:22 | |
So you won't want to see Gary's postcard that came this morning. | 0:02:22 | 0:02:26 | |
A lovely postcard written in Gary's lovely, fair hand. | 0:02:26 | 0:02:31 | |
-Oh, dear! Do you concede? -Yes, I concede. -Thank you. | 0:02:33 | 0:02:38 | |
"Hey, really enjoying life out here so far. | 0:02:38 | 0:02:41 | |
"Plans all a bit up in the air. Thinking of you all. Love G." | 0:02:41 | 0:02:45 | |
That's it? After three months he sends me that? | 0:02:45 | 0:02:50 | |
Right, well, forget him. Seriously. | 0:02:50 | 0:02:51 | |
-Good girly. -I will move on. I will be a new me. | 0:02:51 | 0:02:55 | |
Get fit, lose weight. | 0:02:55 | 0:02:57 | |
A new me shall reigneth. | 0:02:57 | 0:02:59 | |
Like a phoenix emerging from the ashes of my old life and flapping off. | 0:02:59 | 0:03:04 | |
Behold! I am woman. And Phoenix. Both. | 0:03:04 | 0:03:07 | |
But not in a mutanty way. | 0:03:07 | 0:03:09 | |
And yes, I have indeed lost my train of thought. | 0:03:09 | 0:03:13 | |
Oh, no, it's Tilly. | 0:03:13 | 0:03:14 | |
Buongiorno peeps. Ugh, Stevie, looks like there's a tramp in the shop. | 0:03:14 | 0:03:20 | |
Where? Oh, the tramp is me. | 0:03:20 | 0:03:24 | |
You have majorly let yourself go. Slackarooni cheese. | 0:03:24 | 0:03:27 | |
So, Queen Kong, I bring good tidings of great joy. | 0:03:27 | 0:03:31 | |
Stinky Von Tusse is in town and she wants to luncheonate at the new Sushi place. Will you come? | 0:03:31 | 0:03:36 | |
It's going to be tremendulent. | 0:03:36 | 0:03:39 | |
Stinky was the most brillo head girl ever. | 0:03:39 | 0:03:43 | |
Once...do you remember? | 0:03:43 | 0:03:46 | |
She Immacked a squirrel! | 0:03:47 | 0:03:50 | |
It was the funniest thing. | 0:03:51 | 0:03:54 | |
You'll come, you'll come? | 0:03:54 | 0:03:55 | |
No hush, no hush, no hush, no hush up, you have to come. | 0:03:55 | 0:03:59 | |
So I don't look the saddo in front of Stinkles. Yes! | 0:03:59 | 0:04:02 | |
OK, I am now going to power walk back to the orifice. | 0:04:02 | 0:04:06 | |
Cha, cha cha, cha cha, kerpow! | 0:04:06 | 0:04:09 | |
You've got to be more assertive, Miranda. What about the new you? | 0:04:09 | 0:04:14 | |
She'll start on Monday. | 0:04:14 | 0:04:16 | |
Don't judge me with your little eyes, I've been very depressed. | 0:04:16 | 0:04:20 | |
(SHE SOBS) I've been very depressed! | 0:04:20 | 0:04:23 | |
Look at the state of me. | 0:04:24 | 0:04:26 | |
Watching telly all day with friends made of fruit. | 0:04:26 | 0:04:30 | |
Are you enjoying it, Gordon? | 0:04:30 | 0:04:31 | |
I look like a tramp. I've got to go to Tilly's lunch, Gary's gone. | 0:04:34 | 0:04:38 | |
I suppose it couldn't get worse. | 0:04:39 | 0:04:41 | |
Darling, I've left your father and I'm coming to live with you. | 0:04:41 | 0:04:45 | |
Oh, Mum. Not again? | 0:04:46 | 0:04:48 | |
He's bound to crawl back tomorrow. It's nude fondue night. | 0:04:48 | 0:04:53 | |
Don't worry, darling, you won't even notice I'm here. | 0:04:54 | 0:04:58 | |
Guaranteed I'll be so irritated I'll have to leave in under 30 seconds. | 0:04:58 | 0:05:01 | |
Set your watches... go. | 0:05:01 | 0:05:04 | |
-Have you been cutting your own hair? -Three seconds, already annoyed. | 0:05:04 | 0:05:06 | |
And look at all this. You should have a bath, then get some air, | 0:05:06 | 0:05:12 | |
have a lovely what I call walk. | 0:05:12 | 0:05:15 | |
It IS a walk. | 0:05:15 | 0:05:17 | |
-Mum... -Sorry, won't interfere. | 0:05:17 | 0:05:20 | |
-If she calls the remote controls a silly name... -You'll have to show me how to work these. | 0:05:20 | 0:05:23 | |
-Who needs three doobries? -Right! That's it. Why's it so annoying? 20 seconds. | 0:05:23 | 0:05:30 | |
Doobries! | 0:05:30 | 0:05:32 | |
So, forget Monday, look, I'm starting now. | 0:05:34 | 0:05:39 | |
Are you ready to speak to Heather? | 0:05:39 | 0:05:40 | |
-Please go ahead. -What have you done today to make you feel proud? | 0:05:40 | 0:05:46 | |
-Heather, Miss Heather Small, hello to you. -Hello. | 0:05:47 | 0:05:49 | |
Today I have begun the new me. | 0:05:49 | 0:05:53 | |
Mum and Tilly won't know what's hit them. | 0:05:53 | 0:05:55 | |
I'm going to be the kind of woman who | 0:05:55 | 0:05:58 | |
leaps out of bed and just does that, and their hair looks perfect. | 0:05:58 | 0:06:02 | |
They then grab a home made muffin out of their Cath Kidston polka dot biscuit tin | 0:06:02 | 0:06:07 | |
and head to work, wearing trainers at the bottom of a skirt suit to show off they've power walked in. | 0:06:07 | 0:06:14 | |
They have pot plants that don't die on them. | 0:06:14 | 0:06:16 | |
Their fruit bowl isn't full of three-week-old rotting pears because they actually eat the fruit. | 0:06:16 | 0:06:22 | |
They have day bags, evening bags and a clutch. | 0:06:22 | 0:06:25 | |
They just grab a wheatgerm smoothie in between work because that's enough | 0:06:25 | 0:06:29 | |
to keep them going, even though at lunch they jogged, and enjoyed it, | 0:06:29 | 0:06:34 | |
because they don't have flesh that moves independently to their main frame. | 0:06:34 | 0:06:39 | |
And finally, they have easy access to pens to finish a crossword | 0:06:39 | 0:06:43 | |
at a bar where the man they decided to take as a lover the night before | 0:06:43 | 0:06:48 | |
says to them, "Hey, last night was great." | 0:06:48 | 0:06:51 | |
You know, I'll be that kind of woman. | 0:06:51 | 0:06:53 | |
-Yeah, good luck with that. -Darling, I'm doing a whites wash, | 0:06:53 | 0:06:57 | |
if your pants are dirty, pop them off, I'll pop them in. | 0:06:57 | 0:07:00 | |
Right, well, that's not the best of starts. | 0:07:04 | 0:07:08 | |
She'll have to go, but don't worry, the new me shall still reigneth. | 0:07:08 | 0:07:12 | |
Look at her forming before your very eyes. | 0:07:12 | 0:07:15 | |
Now excuse me, I'm off to have sushi with Tilly and Stinky and my new trinkety necklace. | 0:07:15 | 0:07:23 | |
A cha cha cha, a cha ch cha. | 0:07:23 | 0:07:26 | |
A cha cha cha. Ooh yeah! | 0:07:26 | 0:07:29 | |
POSH ACCENT: Eight down. | 0:07:32 | 0:07:34 | |
"Remove vehicles, reversing at back of depot." | 0:07:34 | 0:07:37 | |
Oh, well that could be van...lorry. | 0:07:37 | 0:07:40 | |
Hang on, I know this. I can so get this. | 0:07:40 | 0:07:44 | |
-It's... -Sub-tract, of course. -Of course, of course. | 0:07:44 | 0:07:48 | |
Right, let's eat. It all looks edible von guzzlebucket. | 0:07:48 | 0:07:51 | |
-I'm starvington stations. -Yup, Hungelos McMungelos. | 0:07:51 | 0:07:55 | |
Stinky, do you remember the time that I got locked in the boot... | 0:08:20 | 0:08:23 | |
-PHONE RINGS -I'm sorry. Bear with, bear with, bear with... | 0:08:26 | 0:08:29 | |
Oh, fabulasmic. | 0:08:29 | 0:08:31 | |
VIP invite to scoffulate dans la cite. | 0:08:31 | 0:08:35 | |
-So, Queen Kong, what news with you? -Just focusing on my business. | 0:08:35 | 0:08:40 | |
We do trinkets and nicknaks now. | 0:08:40 | 0:08:45 | |
This is one of ours. | 0:08:45 | 0:08:47 | |
Gorge, and are we lucksville in love? | 0:08:47 | 0:08:50 | |
Actually, I did get a postcard from an old beau, Gary, this morning. | 0:08:52 | 0:08:57 | |
PHONE RINGS | 0:08:57 | 0:08:59 | |
Oh, bear with, bear with, bear with... | 0:08:59 | 0:09:01 | |
"Call now for a new tariff breakdown." | 0:09:06 | 0:09:10 | |
Oh, dear. | 0:09:10 | 0:09:11 | |
Sounds like you've lost him to his travels. | 0:09:11 | 0:09:15 | |
That's fine, because I'm totally... can I have it back? I'm so over him. | 0:09:15 | 0:09:18 | |
-You're so not over him. -I am. -She's so not over him. | 0:09:18 | 0:09:21 | |
I am. I'm a whole new me. | 0:09:21 | 0:09:24 | |
Oh, no! I'm stuck. | 0:09:24 | 0:09:25 | |
Sorry, sorry. | 0:09:30 | 0:09:32 | |
-Just undo it at the back. -I can't. I'm so sorry, sorry. | 0:09:36 | 0:09:39 | |
Excuse me, I'm going to actually have to mount your travelator. | 0:09:46 | 0:09:49 | |
Oh, Queen Kong, you're such a dweeb. | 0:09:49 | 0:09:51 | |
Hello, afternoon. | 0:09:52 | 0:09:54 | |
I've unhooked. | 0:09:54 | 0:09:56 | |
Sorry about this, sorry, sorry. | 0:09:56 | 0:09:59 | |
I'll just finish the circuit. Saves walking. | 0:09:59 | 0:10:03 | |
-Utterly mortifying. -Sorry about that. Can I...? Whilst I'm here. | 0:10:03 | 0:10:08 | |
Hello again. | 0:10:09 | 0:10:11 | |
Right, where were we? | 0:10:11 | 0:10:12 | |
-Leaving. -Quick. | 0:10:12 | 0:10:15 | |
I could wolf a gateau but just a peppermint tea for me. | 0:10:17 | 0:10:22 | |
Yah, I could scoffulate a puddington but just a skinny cap, please. | 0:10:22 | 0:10:26 | |
I could inhale a mealy vanilly but, um... | 0:10:26 | 0:10:33 | |
just a crumble, please. | 0:10:34 | 0:10:37 | |
You still feeling bad about Gary? | 0:10:37 | 0:10:39 | |
Can people stop asking me that? I'm fine. | 0:10:39 | 0:10:41 | |
Good cos there's a new chef arriving any minute. | 0:10:41 | 0:10:44 | |
-I was going to tell you. -Really? | 0:10:44 | 0:10:46 | |
Well, d'you know, that's good. | 0:10:46 | 0:10:48 | |
Now I know Gary's not coming back. | 0:10:48 | 0:10:51 | |
Good, gone are the days where I pathetically make an idiot of myself over some hunky chef. | 0:10:51 | 0:10:56 | |
That must be him. | 0:10:56 | 0:10:57 | |
MUSIC: Main Theme from Top Gun | 0:10:58 | 0:11:01 | |
-Clive, can you switch that music off? -Sorry. | 0:11:14 | 0:11:17 | |
-Hi. Clive, is it? -Yes, nice to meet you at last. | 0:11:17 | 0:11:21 | |
-Girls. -Hola. | 0:11:21 | 0:11:24 | |
Hello. | 0:11:24 | 0:11:26 | |
Why am I curtseying? | 0:11:26 | 0:11:28 | |
I've just got to keep going now. | 0:11:29 | 0:11:31 | |
How do you do? | 0:11:32 | 0:11:34 | |
SHE FARTS | 0:11:37 | 0:11:39 | |
Sorry. | 0:11:42 | 0:11:44 | |
Sorry. That was my dog. | 0:11:45 | 0:11:47 | |
-What was? -That noise. | 0:11:47 | 0:11:49 | |
-I thought that was a chair scraping. -It was. | 0:11:49 | 0:11:51 | |
Then what was your dog? | 0:11:51 | 0:11:53 | |
I don't have a dog. | 0:11:53 | 0:11:55 | |
-You said the noise was your dog. -It might have been YOUR dog. | 0:11:55 | 0:12:00 | |
-I don't have a dog. -Well, stop saying you do. | 0:12:00 | 0:12:03 | |
Right, so everyone, this is Danny. | 0:12:05 | 0:12:09 | |
# I got chills, they're multiplying | 0:12:09 | 0:12:12 | |
# And I'm losing control. # | 0:12:12 | 0:12:15 | |
I always get Danny from Grease with the bike leathers, the accent. | 0:12:15 | 0:12:20 | |
# You better shape up | 0:12:20 | 0:12:22 | |
# Cos I need a man | 0:12:22 | 0:12:24 | |
# And my heart is set on you | 0:12:24 | 0:12:27 | |
# You're the one that I want, You're the one I want... # | 0:12:29 | 0:12:31 | |
We've stopped. | 0:12:31 | 0:12:33 | |
# The one I need, oh, yes, indeed. # | 0:12:33 | 0:12:36 | |
Sorry, it's a weirdly hard tune to stop. # You're the one that I want... I'm off again. | 0:12:36 | 0:12:41 | |
# Oo-oo-ooh, honey. # | 0:12:41 | 0:12:44 | |
Look, there's a thing... | 0:12:44 | 0:12:46 | |
Stevie, Stevie, Stevie, Stevie, Stevie. | 0:12:50 | 0:12:55 | |
-I'm with much news, which I shall now birth. -Ready to receive, caller. | 0:12:55 | 0:12:58 | |
A new chef has arrived at the restaurant who you could happily compare to some kind of god, | 0:12:58 | 0:13:03 | |
and he would be very much in the running for the new me to take as her lover. | 0:13:03 | 0:13:08 | |
But the new me is currently worse than the old me. | 0:13:08 | 0:13:11 | |
-This is not possible. -I farted in front of him, | 0:13:11 | 0:13:13 | |
blamed it on an imaginary dog and sung in his face. | 0:13:13 | 0:13:16 | |
I give up. | 0:13:18 | 0:13:19 | |
-Maybe you should try that life coach again. -No, thanks. | 0:13:19 | 0:13:23 | |
Imagine your anxieties filling the balloon. | 0:13:24 | 0:13:28 | |
My anxieties are everywhere. Save yourselves! | 0:13:33 | 0:13:37 | |
Right, I'm going to start a spring clean, even though it is what I call, November. | 0:13:37 | 0:13:43 | |
-And are you getting a new bed? We can't both sleep on the lilo. -Maybe one of us should leave. | 0:13:43 | 0:13:50 | |
Where would you go? Don't worry, if nude fondue doesn't make your father want me back | 0:13:50 | 0:13:55 | |
then he'll be desperate for my kinky quiche. | 0:13:55 | 0:13:58 | |
Do you want me to get you a bed? | 0:13:59 | 0:14:01 | |
No, I'll get my own bed, thank you. | 0:14:01 | 0:14:04 | |
-Don't forget your keys. -I'm not six! | 0:14:04 | 0:14:07 | |
I forgot my keys! | 0:14:12 | 0:14:13 | |
Don't panic, we'll force her out, what does she hate? | 0:14:16 | 0:14:20 | |
I don't know. I'm too depressed to think straight. | 0:14:20 | 0:14:23 | |
Ghosts, she hates ghosts. But how could that work? | 0:14:23 | 0:14:28 | |
Don't worry about me. I'll just be fine, | 0:14:28 | 0:14:31 | |
I'll just... | 0:14:31 | 0:14:32 | |
Yeah, this is nice. | 0:14:35 | 0:14:37 | |
-If you like the bed, there's an offer, free duvet... It's 15 tog. -Tog. | 0:14:38 | 0:14:44 | |
It's a funny word, isn't it? | 0:14:44 | 0:14:46 | |
Yes, suppose it is. | 0:14:46 | 0:14:48 | |
Oh, those look fun. | 0:14:51 | 0:14:54 | |
-All you'd need would be a ball pool to land in for mornings to be a total joy. -Ball pool! | 0:14:54 | 0:15:00 | |
-Yeah, they're great for kids. -Yes, I wasn't thinking for me. | 0:15:04 | 0:15:08 | |
I was, I was. | 0:15:08 | 0:15:10 | |
-This is a nice one. -Try it. | 0:15:10 | 0:15:13 | |
I'll just help this gentleman. | 0:15:13 | 0:15:15 | |
It's got a lovely rigid frame. | 0:15:15 | 0:15:18 | |
-The bed, not the gentleman. -Get off! | 0:15:18 | 0:15:22 | |
-Excuse me, could you tell me what tog these duvets are? -Oh, I don't... | 0:15:24 | 0:15:30 | |
-Well, 15 tog. -And do the beds come ready assembled? -I have no idea. | 0:15:30 | 0:15:33 | |
-Stop asking me questions. -Well, there's no need for that attitude. | 0:15:33 | 0:15:38 | |
Excuse me, are you the manager? | 0:15:38 | 0:15:41 | |
-This woman has been quite rude. -I'm not being... | 0:15:41 | 0:15:43 | |
Don't argue with the customer. Must be the new girl. I'm so sorry, I'll sort this out myself. | 0:15:43 | 0:15:48 | |
-Where's your name badge? -Actually, there's been... | 0:15:48 | 0:15:50 | |
This must be you. | 0:15:50 | 0:15:52 | |
-I need... -Don't argue back, I need you down the warehouse now, they're over-stretched. | 0:15:52 | 0:15:57 | |
-But... -Come on, hurry up! | 0:15:57 | 0:15:58 | |
I think this has got a bit out of hand. | 0:16:04 | 0:16:08 | |
So, have you got a boyfriend, Sandy? | 0:16:09 | 0:16:12 | |
Sandy, that's me. | 0:16:12 | 0:16:14 | |
I don't know. | 0:16:14 | 0:16:17 | |
Does Sandy have a boyfriend? I'd know, wouldn't I, being Sandy? | 0:16:17 | 0:16:20 | |
Does Sandy have a boyfriend? | 0:16:20 | 0:16:23 | |
-No, she doesn't. -Good. | 0:16:23 | 0:16:25 | |
Cos we were all saying yesterday, we should, like, totally renounce men. Do you know what I'm saying? | 0:16:25 | 0:16:30 | |
I do know what you're sayin', sounds great. I've caught her accent. | 0:16:30 | 0:16:35 | |
Renouncing men... Bring it on, my sisters. | 0:16:35 | 0:16:40 | |
Yeah, cos we don't need males. In't that right? | 0:16:40 | 0:16:44 | |
In't that just right, though, innit? Yeah, I've had enough of men...innit. | 0:16:44 | 0:16:49 | |
-That's it. Go, girl. -Oh, do you want me to go? | 0:16:49 | 0:16:53 | |
Oh, I see. Sorry, you go, girl. No, I go. Go me. | 0:16:53 | 0:16:57 | |
Cos I'm saying to myself this, Sandy, I was saying, Sandy, you, | 0:16:57 | 0:17:02 | |
my girl, will not be pushed around no more. | 0:17:02 | 0:17:05 | |
-D'you know what I mean? -I do, yes, because I just said it. | 0:17:05 | 0:17:10 | |
What are you doing back here? | 0:17:10 | 0:17:12 | |
-I'm Sandy. -No, you're not. -Says who? -I do. -Oh, do you now, you diddly doo? | 0:17:12 | 0:17:18 | |
I've gone Irish. | 0:17:18 | 0:17:19 | |
I think you should leave. | 0:17:20 | 0:17:22 | |
Not before I show you the bed that I want, and at a staff discount. | 0:17:22 | 0:17:27 | |
Never let them push you round, girls, yeah? | 0:17:27 | 0:17:29 | |
-D'you get me? -Go me. Go Sandy. | 0:17:29 | 0:17:32 | |
Where have you been? | 0:17:36 | 0:17:38 | |
I did a four-hour shift at the bed shop. | 0:17:38 | 0:17:41 | |
But more importantly I have discovered my inner Sandy. | 0:17:41 | 0:17:45 | |
-Yo, girlfriend. -I already like Sandy. | 0:17:45 | 0:17:49 | |
She's wicked. And she says, well I say, we, I, am renouncing men. | 0:17:49 | 0:17:55 | |
I'm renouncing men. Amen. | 0:17:55 | 0:17:57 | |
-A man. -A man! Sorry. | 0:17:57 | 0:18:00 | |
-I see. A man. Hello. -Hi. | 0:18:00 | 0:18:03 | |
Clive said you worked here? Nice shop. | 0:18:03 | 0:18:06 | |
Thanks. Do you like my trinkets? | 0:18:06 | 0:18:08 | |
Not a euphemism. | 0:18:08 | 0:18:09 | |
I'm looking for someone to show me around. | 0:18:12 | 0:18:15 | |
Clive also said you're the only single lady in town. | 0:18:15 | 0:18:17 | |
Well, I'm also sing... | 0:18:17 | 0:18:20 | |
-Yeah, that's me. -Because you're renouncing men? | 0:18:21 | 0:18:25 | |
-Ah, yes. -OK. That's a shame. | 0:18:25 | 0:18:29 | |
What are you doing? You can't renounce him! | 0:18:31 | 0:18:34 | |
I can't suddenly un-renounce, he'll think I'm odd and confused. | 0:18:34 | 0:18:37 | |
Which I am, but we must hide this. | 0:18:37 | 0:18:41 | |
Sandy isn't odd and confused. Go get your Danny. | 0:18:41 | 0:18:44 | |
-Oh! Sandy and Danny. And if you don't go for it, I'll whip out my allure. -Don't even... | 0:18:44 | 0:18:50 | |
-Now, I don't like getting a no. -I'd say yes. | 0:18:50 | 0:18:54 | |
Are you renouncing all men? What if I asked you out tonight? | 0:18:56 | 0:18:58 | |
I would say, you are officially renounced but there is a clause | 0:18:58 | 0:19:03 | |
in my renouncement that says this. If somebody is new to an area, | 0:19:03 | 0:19:09 | |
and asks a woman out on the first night, the aforementioned woman | 0:19:09 | 0:19:14 | |
mentioned heretofore is obliged, nay commanded, nay must accept. | 0:19:14 | 0:19:21 | |
-That's a good clause. I like a headstrong, independent woman. -Well, hello. | 0:19:21 | 0:19:27 | |
My last girlfriend lived with her mom. Pretty freaky, huh? | 0:19:27 | 0:19:31 | |
Miranda, I've washed your control pants. | 0:19:31 | 0:19:35 | |
That should suck it all back in. | 0:19:35 | 0:19:38 | |
-This is my cleaner. -Well, excuse me. | 0:19:38 | 0:19:41 | |
-(He's asking me out.) -FOREIGN ACCENT: Well, hello, | 0:19:41 | 0:19:42 | |
I am cleaner. Miss Penelopia. | 0:19:49 | 0:19:54 | |
-And where are you from? -Poland? | 0:19:56 | 0:19:59 | |
And I was coming down because I needed polish. | 0:20:00 | 0:20:05 | |
Imagine. I am Polish, and I forgot my polish. | 0:20:05 | 0:20:08 | |
-OK, so I'll see you later. 6.30? -Lovely. | 0:20:11 | 0:20:16 | |
Ooooh! | 0:20:21 | 0:20:22 | |
-Mum, make sure you're out of the flat tonight. -Why because he might come back? | 0:20:22 | 0:20:28 | |
He might! He might! OH, HE MIGHT! | 0:20:28 | 0:20:31 | |
Hurry up, he's downstairs. I can't believe you slept all afternoon. | 0:20:33 | 0:20:37 | |
I just meant to try my new bed. One size tights does not fit all. | 0:20:37 | 0:20:42 | |
Oh, yes, I forgot to say. | 0:20:48 | 0:20:51 | |
There's a massive goat in my sitting room and you just forgot to say. | 0:20:52 | 0:20:58 | |
It's good, isn't it? | 0:20:58 | 0:21:00 | |
You said your mum hates goats. | 0:21:00 | 0:21:04 | |
Ghosts. | 0:21:05 | 0:21:07 | |
I said ghosts. Who has any strong opinions on goats? | 0:21:07 | 0:21:12 | |
I did think it was odd. | 0:21:14 | 0:21:16 | |
And you didn't check before, how? | 0:21:16 | 0:21:19 | |
Don't worry, I am going out, I just bought a few more things to spruce... | 0:21:19 | 0:21:23 | |
GOAT BLEATS | 0:21:23 | 0:21:25 | |
Scary, isn't it? Grrr, a goat. | 0:21:25 | 0:21:30 | |
-KNOCK ON DOOR -Hello? | 0:21:30 | 0:21:31 | |
Quick! | 0:21:31 | 0:21:33 | |
Hello! | 0:21:36 | 0:21:37 | |
Hi. Are you all ready? | 0:21:37 | 0:21:41 | |
Yes. Let me just grab my clutch... clutch bag. | 0:21:41 | 0:21:45 | |
Good word, clutch. Isn't it? | 0:21:47 | 0:21:49 | |
Yeah, clutch. | 0:21:49 | 0:21:52 | |
-BLEATING -What was that? | 0:21:52 | 0:21:54 | |
M-m-m-m-me, I'm so excited. | 0:21:54 | 0:21:57 | |
M-m-m-m-m! Shall we go? | 0:21:57 | 0:22:00 | |
W-w-w-w-wait for me-e-e-e! | 0:22:04 | 0:22:07 | |
# Tell me more, tell me more...! # | 0:22:09 | 0:22:12 | |
Wow, what a beautiful place. | 0:22:12 | 0:22:14 | |
Wow! | 0:22:14 | 0:22:15 | |
-Can I use your loo? -It's through there. | 0:22:15 | 0:22:19 | |
Did you make these? What do you use? | 0:22:22 | 0:22:25 | |
Umm... Flour, food... | 0:22:25 | 0:22:29 | |
hobs...nobs. | 0:22:30 | 0:22:32 | |
-Nutmeg. -Nutmeg. | 0:22:32 | 0:22:35 | |
OH! | 0:22:35 | 0:22:37 | |
I'm a nut for nutmeg. | 0:22:37 | 0:22:39 | |
-Mum, what are you doing here? -Sorry. I didn't think he'd come back. Your father's changed the locks. | 0:22:41 | 0:22:46 | |
Not interested. Quick, get in the bedroom. | 0:22:46 | 0:22:50 | |
Hello. Do you want to take a seat? | 0:22:52 | 0:22:56 | |
-Drink? -Scotch if you have one. | 0:22:56 | 0:22:58 | |
I have to say I think I got you all wrong. | 0:22:58 | 0:23:03 | |
-Use the nice tumblers. -What? | 0:23:03 | 0:23:07 | |
Use the nice tumblers... I said to myself. | 0:23:07 | 0:23:12 | |
OK. | 0:23:12 | 0:23:13 | |
Get out! | 0:23:13 | 0:23:15 | |
-There you go. -Thanks. | 0:23:15 | 0:23:17 | |
-I'm glad you came out tonight. -Yes, me too. | 0:23:17 | 0:23:21 | |
One doesn't always feel in the mood to renounce, hence the unrenouncement clause. | 0:23:28 | 0:23:34 | |
Can I get another Scotch? | 0:23:38 | 0:23:41 | |
There you go. | 0:23:41 | 0:23:43 | |
Wow. You seem to have everything under control. | 0:23:44 | 0:23:47 | |
That's very sexy. | 0:23:47 | 0:23:49 | |
Sorry, I'll have to stop you there. | 0:23:50 | 0:23:53 | |
Oh, that's disappointing. You're quite something. | 0:23:53 | 0:23:57 | |
-So they say. -Can I call you? -Sure, you've got my number. | 0:23:57 | 0:24:02 | |
Ciao. | 0:24:02 | 0:24:03 | |
He is in my palm. | 0:24:04 | 0:24:07 | |
# It's raining men, hallelujah | 0:24:08 | 0:24:11 | |
# It's raining men, amen | 0:24:11 | 0:24:15 | |
# I'm gonna go out, I'm gonna let myself get | 0:24:16 | 0:24:19 | |
# Absolutely soaking wet | 0:24:20 | 0:24:24 | |
# It's raining men, hallelujah | 0:24:24 | 0:24:27 | |
# It's raining men... # | 0:24:27 | 0:24:29 | |
To mock or belittle, nine letters. | 0:24:52 | 0:24:55 | |
Disparage. | 0:24:55 | 0:24:57 | |
Who are you? | 0:25:00 | 0:25:02 | |
Hey. Last night was great. | 0:25:03 | 0:25:05 | |
I did it! | 0:25:06 | 0:25:08 | |
Not so much a dweeb now. | 0:25:08 | 0:25:11 | |
Although there was one thing that was missing. | 0:25:11 | 0:25:14 | |
Gary! | 0:25:16 | 0:25:18 | |
Hi. | 0:25:19 | 0:25:20 | |
Hello. | 0:25:28 | 0:25:30 | |
-Gary sent the postcard after he got there but it only just arrived. -Sorry. | 0:25:30 | 0:25:35 | |
And now I'm feeling teary because I've been thinking about him for months. Why's he suddenly back? | 0:25:35 | 0:25:41 | |
I think he said he got the sack. Really? | 0:25:41 | 0:25:43 | |
-We need to find out his situation. -Yes, but what do I do about... | 0:25:43 | 0:25:46 | |
-Listen, I've been let go. Gary's contract's still open. -Gary's got his job back! | 0:25:46 | 0:25:51 | |
-But if I'm staying, I don't want this to be awkward. -Awkward? This? Awkward? | 0:25:51 | 0:25:56 | |
Who's awkward? Funny word, awkward. | 0:25:56 | 0:25:59 | |
Something awkward about the word awkward. | 0:26:00 | 0:26:03 | |
Clutch! | 0:26:04 | 0:26:06 | |
No, sorry I'm cazh... | 0:26:06 | 0:26:09 | |
You're acting weird. | 0:26:09 | 0:26:11 | |
Ask Gary if he has a girlfriend. | 0:26:11 | 0:26:14 | |
So, what does your girlfriend think of you leaving Hong Kong? | 0:26:14 | 0:26:17 | |
-I don't have a girlfriend. -Gary was telling me about this job in Birmingham. | 0:26:17 | 0:26:22 | |
-I might check it out if that's cool. -Of course. This was only... | 0:26:22 | 0:26:25 | |
Ask if Gary's considered the jobs in Birmingham? | 0:26:25 | 0:26:27 | |
-Have you considered the joggers, that you might burn in them? -Backfired. | 0:26:27 | 0:26:32 | |
I'd better go, I have a hunch I might have got in the middle of something here. | 0:26:32 | 0:26:37 | |
BOTH: Us? No, no we're just friends. | 0:26:37 | 0:26:40 | |
-He's only just got back from Hong Kong. -Right. | 0:26:40 | 0:26:43 | |
Goodbye. | 0:26:43 | 0:26:44 | |
-So, things have changed a bit. -It's just the new me. | 0:26:49 | 0:26:54 | |
Miranda, I think that goat ate your bunion insole. | 0:26:54 | 0:26:59 | |
Excuse me, we need to talk about the damage to this man's restaurant. | 0:27:00 | 0:27:04 | |
-That's her. -I'm Sandy, stop impersonating me or I'll report you. | 0:27:04 | 0:27:09 | |
Kid's ball pool for Miranda? | 0:27:09 | 0:27:12 | |
Welcome back. | 0:27:12 | 0:27:14 | |
I think I preferred the old you anyway. | 0:27:15 | 0:27:18 | |
Come here. | 0:27:18 | 0:27:20 | |
-Ball pool? -Yes. Follow me. | 0:27:22 | 0:27:25 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:17 | |
E-mail [email protected] | 0:28:17 | 0:28:20 |