Browse content similar to Three Little Words. Check below for episodes and series from the same categories and more!
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# Good morning, good morning! | 0:00:02 | 0:00:03 | |
# Sunbeams will soon smile through | 0:00:03 | 0:00:04 | |
# Good morning, good morning | 0:00:04 | 0:00:06 | |
# To you and you and you and you... # | 0:00:06 | 0:00:09 | |
Oh! Look, toast spoons! | 0:00:09 | 0:00:12 | |
Oh, I'm feeling good about today. It's got a sort of frisson about it. | 0:00:14 | 0:00:19 | |
So, news. | 0:00:19 | 0:00:20 | |
Mike and I are still together, all good, | 0:00:20 | 0:00:23 | |
but when he tells me he loves me, I freak out, can't say it back. | 0:00:23 | 0:00:26 | |
I love you. | 0:00:26 | 0:00:29 | |
Oh, well, well done and you're welcome and what a boost! | 0:00:29 | 0:00:32 | |
It's a fan hand forsooth, sir! | 0:00:33 | 0:00:35 | |
I need to workshop the issue with Stevie but we've fallen out. | 0:00:35 | 0:00:38 | |
Apparently I've ignored her since having a boyfriend. | 0:00:38 | 0:00:41 | |
Objection, my lord! | 0:00:41 | 0:00:43 | |
Although at disco karaoke finals... | 0:00:43 | 0:00:46 | |
MUSIC: "(I've Had) The Time Of My Life" from Dirty Dancing soundtrack | 0:00:46 | 0:00:51 | |
# So I'll tell you something | 0:00:51 | 0:00:55 | |
# This could be love | 0:00:55 | 0:00:58 | |
# Because... # | 0:00:58 | 0:01:00 | |
What else to impart? Mum's having a tennis club dinner tonight. | 0:01:01 | 0:01:05 | |
She doesn't want me there. Apparently I let her down last year. | 0:01:05 | 0:01:09 | |
Side bar, m'lord! | 0:01:09 | 0:01:11 | |
Oh, I'll serve drinks. | 0:01:11 | 0:01:13 | |
I don't know who this woman is. | 0:01:17 | 0:01:19 | |
Right! I declare this cheeky little day | 0:01:19 | 0:01:23 | |
ready and open for the business we call life! | 0:01:23 | 0:01:26 | |
Gary, look at you in your own restaurant. | 0:01:36 | 0:01:38 | |
Are you renaming it? | 0:01:38 | 0:01:40 | |
-What? "Gary's"? -What's wrong with Gary's? | 0:01:40 | 0:01:42 | |
Well, it's like a greasy spoon. | 0:01:42 | 0:01:44 | |
Yeah, it's like, it's like a chippy, Gary's, isn't it? | 0:01:44 | 0:01:46 | |
Yeah. No, seriously, what are you calling it? | 0:01:46 | 0:01:48 | |
-That's lovely, no, that's perfect. -It's very you. It's very you. | 0:01:52 | 0:01:55 | |
Manly, yeah. | 0:01:55 | 0:01:56 | |
Manly? Good, because now manning up to put sign up. | 0:01:56 | 0:01:59 | |
Good luck, man who gets nervous voting for Strictly | 0:01:59 | 0:02:02 | |
and is scared of mice and geese? | 0:02:02 | 0:02:03 | |
It's the hissing. They hiss. | 0:02:03 | 0:02:06 | |
Morning, Stevie, do you want to join? | 0:02:06 | 0:02:08 | |
Fine on my own. | 0:02:08 | 0:02:09 | |
Struggling to get on the stool, are we? | 0:02:10 | 0:02:12 | |
Pretending this isn't our second breakfast, are we? I won! | 0:02:12 | 0:02:16 | |
-Guys, I do not need this today! -Guys, I don't need this today! | 0:02:16 | 0:02:19 | |
Our family dog, my dog, Daisy, might have to be put down. | 0:02:19 | 0:02:22 | |
More importantly, hello, restaurant opening tonight? | 0:02:22 | 0:02:24 | |
More importantly? | 0:02:24 | 0:02:25 | |
OK, can we all just calm it, please? Everyone seems at odds. Just calm. | 0:02:25 | 0:02:29 | |
Do you know what my favourite three little words are? | 0:02:35 | 0:02:38 | |
All day breakfast. | 0:02:38 | 0:02:39 | |
I'm going to start doing it. | 0:02:41 | 0:02:42 | |
It's the best thing since sliced bread. It IS sliced bread. | 0:02:42 | 0:02:45 | |
Then it's toasted and an egg's popped on. | 0:02:45 | 0:02:47 | |
-Mike, please ask your girlfriend, who loves you so much she... -Well. | 0:02:47 | 0:02:51 | |
..ignores best friends, if she would for once share her pancakes? | 0:02:51 | 0:02:56 | |
Oh, sorry about this! Oh, no, I really am sorry. | 0:02:58 | 0:03:02 | |
I mean, if I could stop, I would. | 0:03:02 | 0:03:04 | |
Well, that is it. | 0:03:05 | 0:03:07 | |
I will show you how angry I am by my exit march. | 0:03:07 | 0:03:10 | |
See my physical anger! | 0:03:10 | 0:03:12 | |
Strutting like an ageing majorette, are we? | 0:03:13 | 0:03:17 | |
-I'm going to have to dash. I will see you later. -OK. | 0:03:17 | 0:03:20 | |
Mwah. I love you. | 0:03:20 | 0:03:22 | |
Oh! Well, um... | 0:03:22 | 0:03:23 | |
MAKES RINGING SOUND | 0:03:23 | 0:03:26 | |
Hello? | 0:03:26 | 0:03:27 | |
POWER TOOL WHIZZES | 0:03:29 | 0:03:30 | |
HE SCREAMS | 0:03:30 | 0:03:32 | |
Thank you, Mike. I don't need a man who cries about a dog to show me... | 0:03:33 | 0:03:36 | |
Actually Daisy's been with us for 15 years. | 0:03:36 | 0:03:38 | |
How do you turn this turn on? | 0:03:38 | 0:03:40 | |
It's not just me that's finding this erotic, is it? | 0:03:43 | 0:03:46 | |
Keep wielding, men! | 0:03:46 | 0:03:48 | |
Stevie, Stevie, Stevie, Stevie, Stevie... | 0:03:51 | 0:03:54 | |
Mike just told me he loved me again and I couldn't reply. | 0:03:54 | 0:03:57 | |
Talk to the face cos the hand ain't listening! | 0:03:57 | 0:03:59 | |
-It's the wrong way round. -Yeah. | 0:03:59 | 0:04:02 | |
Oh, come on, Stevie. I need you. | 0:04:02 | 0:04:04 | |
We're like a sofa and a little pouffe. | 0:04:04 | 0:04:06 | |
It's clean sheet night tonight. | 0:04:08 | 0:04:09 | |
Who am I going to change my duvet with? | 0:04:09 | 0:04:11 | |
We could play Sheet Over Head Guess What Fruit's Being Thrown At You? | 0:04:11 | 0:04:14 | |
You love that! | 0:04:14 | 0:04:15 | |
Delicious to talk to you, darling. Lots of love, bye! Ghastly woman. | 0:04:15 | 0:04:22 | |
Who is? | 0:04:22 | 0:04:24 | |
Still on speaker. She's still there, she's still there. | 0:04:24 | 0:04:27 | |
Ghastly woman I see before me... | 0:04:27 | 0:04:30 | |
Er, y-yes, Miranda! Ha-ha-ha! Bye, Belinda. | 0:04:30 | 0:04:34 | |
She's convinced that my tennis dinner | 0:04:36 | 0:04:38 | |
won't be nearly as good as hers last year. | 0:04:38 | 0:04:41 | |
Over my yoga-plated, flab-free, super firm, what-I-call buttocks. | 0:04:41 | 0:04:45 | |
Now, do you think that Mike would... | 0:04:45 | 0:04:48 | |
SHE SHRIEKS | 0:04:49 | 0:04:52 | |
What's happening? | 0:04:55 | 0:04:56 | |
Oh, Raymond Blanc! You look like you're doing Riverdance. | 0:04:56 | 0:05:00 | |
You'd be the same if your pin-up suddenly walked in. | 0:05:00 | 0:05:04 | |
-Is Gary Barlow here? -Is Theo Paphitis here? | 0:05:04 | 0:05:07 | |
BOTH: Theo Paphitis?! | 0:05:07 | 0:05:08 | |
I could ask Raymond to the dinner. | 0:05:12 | 0:05:14 | |
If I got a celeb to the do, in your face, Belinda! | 0:05:14 | 0:05:18 | |
Bonjour, Monsieur Blanc. | 0:05:18 | 0:05:21 | |
Bonjour, mademoiselle. | 0:05:21 | 0:05:23 | |
Erm, je suis avoir un soiree. | 0:05:25 | 0:05:29 | |
Je voudrais vous... tu? | 0:05:30 | 0:05:33 | |
Sorry. Spat! | 0:05:33 | 0:05:35 | |
Pour le mingling. | 0:05:37 | 0:05:40 | |
And I can give you a good function. | 0:05:40 | 0:05:43 | |
No, no, no, I don't mean... Unless... | 0:05:46 | 0:05:48 | |
Haw-hee-haw! | 0:05:48 | 0:05:51 | |
Pardon! | 0:05:51 | 0:05:52 | |
He's going. | 0:05:53 | 0:05:55 | |
Don't go stalking again! | 0:05:55 | 0:05:57 | |
I'll observe with binoculars at the minimum distance | 0:05:57 | 0:06:00 | |
as laid down by Barry Manilow's lawyers. | 0:06:00 | 0:06:03 | |
I presume you're still not speaking to me. | 0:06:05 | 0:06:07 | |
So, as your superior, | 0:06:07 | 0:06:09 | |
I would like you to send off this letter to British Gas. | 0:06:09 | 0:06:12 | |
Thanking you. | 0:06:12 | 0:06:13 | |
Tripped. I meant to. I meant to go up the stairs like this. | 0:06:14 | 0:06:18 | |
Right! OK, I can change a duvet cover on my own. | 0:06:21 | 0:06:25 | |
Don't need her help, it's fine. | 0:06:25 | 0:06:27 | |
Stevie! | 0:06:30 | 0:06:32 | |
I can't find the right corners! | 0:06:32 | 0:06:34 | |
Stevie! Be my friend again? | 0:06:36 | 0:06:39 | |
# If somebody's pulling a duvet cover on, she's the one... # | 0:06:39 | 0:06:42 | |
# She's the one-hoh-hon! # | 0:06:42 | 0:06:44 | |
Wallet, wallet, where, where, where, where? | 0:06:47 | 0:06:49 | |
Table, table, table. | 0:06:49 | 0:06:51 | |
Everyone's at odds, odds, odds! | 0:06:51 | 0:06:53 | |
Seriously now, Stevie, what happens if he says "I love you" again? | 0:06:53 | 0:06:56 | |
OK, this is code red. | 0:06:56 | 0:06:58 | |
Amber alert rising to pink, Dogger moving east, showers later. | 0:06:58 | 0:07:01 | |
That's the shipping forecast! | 0:07:01 | 0:07:03 | |
You! How do I tell someone I love them? | 0:07:03 | 0:07:06 | |
Oh, um, write it on a muffin and give it to him. | 0:07:06 | 0:07:08 | |
Well, even if I knew how to make a muffin, | 0:07:08 | 0:07:10 | |
I wouldn't have time to make a muffin. He's upstairs! | 0:07:10 | 0:07:13 | |
-I didn't know that! -Think! | 0:07:13 | 0:07:14 | |
Sorry I shouted. Crazy day. | 0:07:14 | 0:07:17 | |
Um, I... No, I'll tell you later. | 0:07:17 | 0:07:20 | |
-I love you. -Well, I, erm, I... | 0:07:20 | 0:07:23 | |
I... | 0:07:23 | 0:07:25 | |
# Eyes are to see with, noses are to smell with. # | 0:07:25 | 0:07:28 | |
That was your fault! | 0:07:33 | 0:07:35 | |
Right, help me workshop why I can't say I love you. | 0:07:35 | 0:07:38 | |
-Stay and hang. -No, I really should be... -STAY AND HANG! | 0:07:38 | 0:07:40 | |
Right, well, what springs to mind when I say, "what do you love?" | 0:07:40 | 0:07:44 | |
Good, liking this. Don't worry, Stevie, I've got a new friend. | 0:07:44 | 0:07:48 | |
Strutting like a toddler modelling Baby Gap, are we? | 0:07:50 | 0:07:53 | |
-Right. -OK, what do you love? | 0:07:54 | 0:07:57 | |
-Doughnuts. -Again, what was your first love? | 0:07:57 | 0:08:00 | |
Doughnuts. | 0:08:00 | 0:08:02 | |
More emotional. What makes your heart skip? | 0:08:02 | 0:08:04 | |
Doughnuts. | 0:08:04 | 0:08:05 | |
I think I know what this means. | 0:08:05 | 0:08:07 | |
You're not in love your boyfriend. It's only fair to split up with him. | 0:08:07 | 0:08:10 | |
What? What? You can't leave me with that! | 0:08:10 | 0:08:14 | |
Oh, my lovely Mike! I'm going to beanbag. | 0:08:14 | 0:08:18 | |
Stevie! Stevie! | 0:08:19 | 0:08:22 | |
Miranda? | 0:08:22 | 0:08:24 | |
-He said... -All right, calm. | 0:08:24 | 0:08:27 | |
Now, step back! I'm Miranda's number one workshopper. | 0:08:27 | 0:08:30 | |
She's emotionally constipated and I'm her metaphorical prune. | 0:08:30 | 0:08:33 | |
She's back. Love oo! | 0:08:34 | 0:08:36 | |
-Love oo! -Love oo! | 0:08:36 | 0:08:38 | |
BOTH: No! | 0:08:38 | 0:08:39 | |
Now, as this suggests, | 0:08:39 | 0:08:43 | |
Mike is not what makes your heart skip. | 0:08:43 | 0:08:45 | |
I mean you love him but you're not in love with him. | 0:08:45 | 0:08:48 | |
That's why you can't say it. I'm right, aren't I? | 0:08:48 | 0:08:52 | |
Yes. | 0:08:52 | 0:08:53 | |
Oh, my Marple! | 0:08:53 | 0:08:54 | |
Now, we need to work out how you'll end it. | 0:08:54 | 0:08:57 | |
-Can't she just tell him? -Just tell him? This guy! | 0:08:57 | 0:08:59 | |
Miranda can't be direct. It's a condition. | 0:08:59 | 0:09:02 | |
I call it Pushy Mother-itis and Acute Englishness-ness-ness-ness. | 0:09:02 | 0:09:07 | |
She had to write a letter to switch gas suppliers. | 0:09:07 | 0:09:10 | |
Too scared to ring. | 0:09:10 | 0:09:11 | |
They make me feel guilty. I end up signed to all protection plans | 0:09:11 | 0:09:14 | |
and offering them a place to stay if they ever visit from Mumbai. | 0:09:14 | 0:09:17 | |
I mean to be fair, Raj and Miri were very nice. | 0:09:17 | 0:09:19 | |
Oh, they were lovely. | 0:09:19 | 0:09:21 | |
I'm going to have to write Mike a letter, it's the only way. | 0:09:21 | 0:09:24 | |
BOTH: Too mean! Come on. Think and pace. | 0:09:24 | 0:09:26 | |
-No, I really should... -THINK AND PACE! | 0:09:26 | 0:09:28 | |
Well, we've run out of options. | 0:09:33 | 0:09:35 | |
-Well, I've written him that letter. -You can't send that. | 0:09:35 | 0:09:38 | |
Why can't you be less mimsy? | 0:09:38 | 0:09:41 | |
-What's going on? -She can't be direct because of a pushy mother. | 0:09:41 | 0:09:44 | |
THEY GASP She loves very much! | 0:09:44 | 0:09:47 | |
-That's my mother. -Oh, heavens above! | 0:09:47 | 0:09:50 | |
-Who is this? -BOTH: We don't know. | 0:09:50 | 0:09:52 | |
I'm not pushy. | 0:09:52 | 0:09:54 | |
Miranda, you are to drop everything and order Mike to help me tonight. | 0:09:54 | 0:09:57 | |
I can't find Raymond but Mike could get us news coverage for the dinner. | 0:09:57 | 0:10:01 | |
Isn't that Raymond Blanc? | 0:10:01 | 0:10:02 | |
Where? Where? Oh, get out of the way! | 0:10:02 | 0:10:07 | |
-What's going on? -We're workshopping | 0:10:09 | 0:10:11 | |
because she realises she doesn't love Mike. | 0:10:11 | 0:10:13 | |
Mike Owen! Mike Owen! | 0:10:13 | 0:10:15 | |
Mark Owen. I don't love Mark Owen. | 0:10:15 | 0:10:18 | |
Nor do I. I love Gary Barlow! | 0:10:18 | 0:10:20 | |
-That's Mike. -This is a nightmare! | 0:10:20 | 0:10:22 | |
-She loves Gary Barlow. -I love Mark Owen. | 0:10:23 | 0:10:25 | |
He loves Mark Owen. I love Robbie Williams. | 0:10:25 | 0:10:27 | |
We're setting up a Take That tribute band. | 0:10:27 | 0:10:30 | |
ALL: # Never forget where you're coming from... # | 0:10:31 | 0:10:35 | |
# Never pretend that it's all real. # | 0:10:35 | 0:10:38 | |
It's too much. | 0:10:38 | 0:10:40 | |
Right. I forgot I need a tie. I left one here. | 0:10:40 | 0:10:43 | |
And, er, we need to have a talk at some point. | 0:10:43 | 0:10:47 | |
Ah, but what does he need to talk about? | 0:10:47 | 0:10:50 | |
If I'm not mistaken he's got proposey eyes. | 0:10:50 | 0:10:53 | |
Don't be ridiculous, she's splitting up with him. | 0:10:53 | 0:10:55 | |
Oh, but I'm still mimsy. | 0:10:55 | 0:10:56 | |
The thought of telling him, he's so gorgeous. | 0:10:56 | 0:10:58 | |
And the other thing is... Well now it looks like I'm talking to no-one! | 0:11:01 | 0:11:04 | |
Mike, listen, I need to talk to you actually. | 0:11:06 | 0:11:09 | |
I love being with you but, erm, I just feel that I need a breather... | 0:11:09 | 0:11:14 | |
..Breeder. Breeder. Dog breeder. | 0:11:14 | 0:11:17 | |
Horses. Horse dogs. | 0:11:17 | 0:11:19 | |
I'm going to breed horse dogs. | 0:11:19 | 0:11:20 | |
Yeah. Dogs that you can ride. | 0:11:20 | 0:11:22 | |
Dog dressage. Neigh! Woof! | 0:11:22 | 0:11:25 | |
Sorry, I'm all over the place like soap in a shower. | 0:11:28 | 0:11:30 | |
Where is it? Where's the soap? Where has it gone? | 0:11:30 | 0:11:34 | |
Right, OK, hang on, it says it all there. | 0:11:35 | 0:11:39 | |
OK, well, it's a bold decision but I understand. | 0:11:41 | 0:11:47 | |
-You do? -Yeah, if you want to leave British Gas, it's your call. | 0:11:47 | 0:11:50 | |
Wrong letter! Wrong letter! | 0:11:50 | 0:11:52 | |
BOTH: Wrong letter! Wrong letter! | 0:11:52 | 0:11:54 | |
Follow him! Emergency walk! Go! | 0:11:54 | 0:11:57 | |
Mike. Mike. Hi, listen. | 0:12:04 | 0:12:07 | |
-You know you were talking about working abroad? -Mm-hmm? | 0:12:07 | 0:12:09 | |
-Well, maybe that's a good idea. -Oh, my... | 0:12:09 | 0:12:12 | |
I'm so sorry. | 0:12:12 | 0:12:13 | |
It's Raymond Blanc. I'm a massive fan! | 0:12:13 | 0:12:16 | |
My name's Michael Jackford... | 0:12:17 | 0:12:20 | |
Today was meant to be a good day, it had a frisson about it. | 0:12:27 | 0:12:31 | |
I should go. I don't even know why I'm still here. | 0:12:31 | 0:12:34 | |
-Hi. -Oh, are you OK? | 0:12:34 | 0:12:36 | |
Oh, stressed! Um, cooking, deliveries... | 0:12:36 | 0:12:39 | |
Rose is texting even though we're not together. | 0:12:39 | 0:12:42 | |
She still wants to come tonight. Listen, I really need your help. | 0:12:42 | 0:12:45 | |
Could you spare a few hours this afternoon? | 0:12:45 | 0:12:47 | |
-Yeah, sure, I'll come over later. -Oh, thank you, thank you! | 0:12:47 | 0:12:50 | |
Oh! And by the way, man has put up sign. | 0:12:51 | 0:12:55 | |
POWER TOOL WHIZZES | 0:12:55 | 0:12:58 | |
Don't laugh. | 0:12:58 | 0:12:59 | |
I wouldn't laugh. It's one of the reasons I love you. | 0:13:00 | 0:13:03 | |
What did you just say? | 0:13:03 | 0:13:05 | |
I just said "I love you" but I mean, just flippantly. Like I say it to you. | 0:13:05 | 0:13:08 | |
Well, that's where you're mistaken, my massive friend. | 0:13:08 | 0:13:11 | |
We say it in a silly way. Look, tell me you love me. | 0:13:11 | 0:13:14 | |
Love oo. | 0:13:14 | 0:13:16 | |
Please say you're finally getting this. What truly makes your heart skip? | 0:13:16 | 0:13:19 | |
Gary. | 0:13:21 | 0:13:22 | |
How do you see Mike? | 0:13:22 | 0:13:24 | |
There we go. | 0:13:25 | 0:13:27 | |
How do you see Gary? | 0:13:30 | 0:13:31 | |
MUSIC: "Relax" by Frankie Goes To Hollywood | 0:13:33 | 0:13:37 | |
THEY SNARL | 0:13:37 | 0:13:39 | |
Who do you love? | 0:13:44 | 0:13:47 | |
Gary. I'm in love with Gary! | 0:13:47 | 0:13:49 | |
Yes! I've waited three years for this. She said "I love you". | 0:13:49 | 0:13:52 | |
To who? | 0:13:52 | 0:13:53 | |
Gary. I love Gary! I'm in love with Gary! | 0:13:53 | 0:13:57 | |
Who's Gary? | 0:13:57 | 0:13:58 | |
THEY SING: # I'm on the top of the world looking down on creation... # | 0:13:58 | 0:14:03 | |
Who's Gary? | 0:14:03 | 0:14:04 | |
# And the only explanation I can find... # | 0:14:04 | 0:14:07 | |
I demand to know who Gary is! | 0:14:07 | 0:14:09 | |
-He's an old friend from uni. -She's always loved him. | 0:14:09 | 0:14:12 | |
-I want to tell him. Do you think he feels the same? -Of course he does! | 0:14:12 | 0:14:14 | |
The minute Mike told you he loved you, I clocked Gary's face. | 0:14:14 | 0:14:17 | |
# And the love that I've found... # | 0:14:17 | 0:14:19 | |
But wait, wait! You have to split up with Mike before you tell Gary. | 0:14:19 | 0:14:22 | |
-Oh, how? -Focus. Knock out your mimsy. | 0:14:22 | 0:14:25 | |
-Hope that's not a euphemism! -Concentrate! Love is at stake. | 0:14:25 | 0:14:29 | |
This is serious now! | 0:14:29 | 0:14:31 | |
I am a direct woman. | 0:14:32 | 0:14:34 | |
I am soft, strong and very, very long... No, that's loo paper! | 0:14:34 | 0:14:38 | |
-Hi, I got your text. -Great - listen, I need to speak to you. Um, OK. | 0:14:38 | 0:14:42 | |
Right, here is the thing, Mike. | 0:14:42 | 0:14:45 | |
You are an amazing man and a wonderful boyfriend, | 0:14:45 | 0:14:48 | |
but I have to end... | 0:14:48 | 0:14:49 | |
TEXT ALERT | 0:14:49 | 0:14:50 | |
Oh! Sorry. Oh, it's Dad. | 0:14:50 | 0:14:53 | |
Oh, no! Daisy's gone. Oh! | 0:14:53 | 0:14:56 | |
Sorry, I know she's only a dog, but I'm going to have to go. | 0:14:56 | 0:14:59 | |
-Sorry, what were you saying? -Oh, it's not important now. | 0:14:59 | 0:15:02 | |
Something about having to end. | 0:15:02 | 0:15:03 | |
Having to end a contract with BT and move to a new broadband package. | 0:15:03 | 0:15:08 | |
That's what you wanted to tell me? | 0:15:08 | 0:15:10 | |
It's been very difficult, Mike! | 0:15:10 | 0:15:12 | |
This is getting out of control. I'm having to act! | 0:15:14 | 0:15:17 | |
Aah, Mike, she's told you. | 0:15:19 | 0:15:21 | |
About moving to a new broadband package, yes! | 0:15:21 | 0:15:23 | |
-Oh, yes, yes, tough times. -Mike's upset because his dog just died just now. | 0:15:23 | 0:15:28 | |
-Oh, that is so annoying! Typical. Isn't that annoying? -Who's this? | 0:15:28 | 0:15:32 | |
BOTH: We don't know. | 0:15:32 | 0:15:34 | |
I was about to say it. I'm ready to explode, like an emotional balloon. | 0:15:34 | 0:15:38 | |
Calm, you don't need to tell Gary now. The only reason to panic was if Rose was getting her claws in. | 0:15:38 | 0:15:43 | |
-She's been texting! -He's not interested, so wait till Mike feels better! | 0:15:43 | 0:15:47 | |
Who's Rose? | 0:15:47 | 0:15:48 | |
-Is everything all right? -She's an emotional balloon because she's in love with Gary. | 0:15:48 | 0:15:53 | |
-Gary Barlow! She loves Gary Barlow. -I love Gary Barlow. | 0:15:53 | 0:15:56 | |
-That's Gary! -Why does it keep happening? -She loves Robbie Williams. | 0:15:56 | 0:16:00 | |
I love Mark Owen. We're a Take That Tribute band. | 0:16:00 | 0:16:04 | |
ALL: # Relight my fire... # | 0:16:04 | 0:16:06 | |
# Your love is my only desi... # | 0:16:06 | 0:16:09 | |
-Lovely. Miranda - just a quick one. -Yes, please! | 0:16:11 | 0:16:14 | |
I thought you were coming to help? You clearly didn't mean it, so you know what? | 0:16:17 | 0:16:20 | |
Don't bother, Rose is coming. | 0:16:20 | 0:16:21 | |
THEY SHRIEK | 0:16:21 | 0:16:22 | |
What?! | 0:16:22 | 0:16:24 | |
I couldn't love him more. Stupid Rose! | 0:16:28 | 0:16:31 | |
Now, I demand to know who Rose is. | 0:16:31 | 0:16:33 | |
BOTH: Gary's ex. Keep up! | 0:16:33 | 0:16:35 | |
Well, you have to tell Gary now. Rose can't get there first. | 0:16:36 | 0:16:39 | |
You can't miss the one thing that makes you happiest in the world. | 0:16:39 | 0:16:43 | |
If I had a chance with my Gary I'd have... | 0:16:43 | 0:16:45 | |
SHE SINGS: # One night, one night in heaven... # | 0:16:45 | 0:16:50 | |
-Oh, well. You have done yourself proud with this. -I know. | 0:16:50 | 0:16:54 | |
OK, I'm going to tell him. Febreze me out. | 0:16:54 | 0:16:57 | |
Oh, we're not open till seven, sorry. | 0:17:05 | 0:17:07 | |
-It's me. -Oh, hi. | 0:17:07 | 0:17:09 | |
Hi. Listen, I'm so sorry I let you down earlier | 0:17:09 | 0:17:12 | |
but by way of an apology I want to tell you that... | 0:17:12 | 0:17:16 | |
well, Gary, I know I've being seeing Mike, but I realise now that... | 0:17:16 | 0:17:20 | |
Gary Preston... | 0:17:21 | 0:17:23 | |
Oh, my. Miranda, I don't believe it. | 0:17:23 | 0:17:26 | |
Well, let me say it. | 0:17:26 | 0:17:28 | |
It's Raymond Blanc! | 0:17:28 | 0:17:29 | |
Raymond bloody Blanc! | 0:17:31 | 0:17:34 | |
I'll Michel Roux the day I ever met you! | 0:17:34 | 0:17:36 | |
Oh! That was quite clever, wasn't it? You keep messing up my life. | 0:17:36 | 0:17:41 | |
And I am hiding from a crazy woman. | 0:17:41 | 0:17:44 | |
Mr Blanc, Mr Blanc, hello, ooh, sorry, a bit starstruck, | 0:17:45 | 0:17:48 | |
it's actually my restaurant opening tonight, do you think you might be able to come? | 0:17:48 | 0:17:52 | |
Actually I'm looking for a restaurant to meet a friend tonight. | 0:17:52 | 0:17:55 | |
Amazing! | 0:17:55 | 0:17:57 | |
Non, non, non! | 0:17:57 | 0:17:59 | |
Raymond! | 0:17:59 | 0:18:02 | |
Come to mon tennis dinner! | 0:18:02 | 0:18:07 | |
I have no idea who this woman is. Such fun! | 0:18:07 | 0:18:13 | |
Ray ruddy White! | 0:18:14 | 0:18:17 | |
I have to get in there before Rose. | 0:18:17 | 0:18:19 | |
She romances Gary. She gets him with sweeping gestures. | 0:18:19 | 0:18:23 | |
BOTH: Think! | 0:18:23 | 0:18:24 | |
Ooh, you've got to out-Rose Rose. | 0:18:24 | 0:18:26 | |
Oh, yes! Romance is my area. | 0:18:26 | 0:18:29 | |
I'm thinking picnic, champers, doves. | 0:18:29 | 0:18:32 | |
Such is my allure, I naturally woo with every sense. | 0:18:32 | 0:18:36 | |
The smell of my skin, the touch of my clothes, | 0:18:36 | 0:18:39 | |
the sight of my cleavage. | 0:18:39 | 0:18:40 | |
Excuse me, I am the woo-er here! | 0:18:40 | 0:18:42 | |
Well, I thought you were desperate for my help, but do go on. | 0:18:42 | 0:18:45 | |
Fine, I will - I can do this, I can woo with my every sense. | 0:18:45 | 0:18:48 | |
The touch of my clothes, the, what was it? | 0:18:48 | 0:18:50 | |
The smell of my underwear, the sound of my cleavage. | 0:18:50 | 0:18:54 | |
OK, that's wrong. You do it! | 0:18:54 | 0:18:55 | |
-Meet Gary in the park in two hours. -This is the best day of my life! | 0:18:55 | 0:18:59 | |
Bit weird. | 0:18:59 | 0:19:01 | |
When did it get so hard to sit on the floor? | 0:19:03 | 0:19:06 | |
Hi! | 0:19:09 | 0:19:10 | |
What's all this? I thought I was meeting Stevie. | 0:19:10 | 0:19:12 | |
It's a gesture. From me. Not Stevie. | 0:19:12 | 0:19:16 | |
Well, that's very kind but I'm really busy. | 0:19:16 | 0:19:18 | |
Look, Gary, wait, wait. | 0:19:18 | 0:19:19 | |
Well, I thought you might need a break and I wanted to say I'm so sorry about not helping. | 0:19:21 | 0:19:27 | |
HE SIGHS | 0:19:27 | 0:19:28 | |
OK. All right. Thank you. | 0:19:28 | 0:19:30 | |
CLASSICAL MUSIC PLAYS | 0:19:32 | 0:19:34 | |
Can you hear music? | 0:19:34 | 0:19:36 | |
No. No. No, look, um, look down. | 0:19:39 | 0:19:42 | |
Look at this cream! | 0:19:42 | 0:19:43 | |
What? I don't want to look at... | 0:19:43 | 0:19:45 | |
Really closely, Gary. Oh, sorry. | 0:19:45 | 0:19:48 | |
Thank you. | 0:19:48 | 0:19:49 | |
Sorry. Sorry, cream nose. | 0:19:49 | 0:19:51 | |
GEESE SQUAWK | 0:19:55 | 0:19:57 | |
Where did the geese come from?! | 0:19:57 | 0:19:59 | |
Help! | 0:20:03 | 0:20:04 | |
Ooh, they are scary. | 0:20:05 | 0:20:07 | |
-Stevie! -I couldn't get doves! | 0:20:07 | 0:20:11 | |
Is this your idea of a joke? | 0:20:11 | 0:20:13 | |
They've gone. | 0:20:21 | 0:20:22 | |
GEESE SQUAWK | 0:20:22 | 0:20:23 | |
They're back! | 0:20:23 | 0:20:25 | |
Ooh, they are scary! | 0:20:26 | 0:20:28 | |
It's the hissing! | 0:20:28 | 0:20:30 | |
I was trying to tell you something. | 0:20:32 | 0:20:34 | |
Oh, Miranda, only you. Just tell me! | 0:20:34 | 0:20:37 | |
OK. Oh, I can't look at you! | 0:20:37 | 0:20:39 | |
What? Oh, this is important, isn't it? | 0:20:39 | 0:20:42 | |
Just let me just get this cream from out of my nose. | 0:20:42 | 0:20:45 | |
Hi. OK, listen. Here's the thing. | 0:20:49 | 0:20:52 | |
And I'm sorry I've been going about it in such a roundabout way, | 0:20:52 | 0:20:55 | |
particularly as I've never been so certain of anything in my life. | 0:20:55 | 0:20:59 | |
I am absolutely, ridiculously, | 0:21:00 | 0:21:03 | |
embarrassingly in love with you. | 0:21:03 | 0:21:07 | |
SHE SCREAMS | 0:21:07 | 0:21:09 | |
Oh! Mike! | 0:21:09 | 0:21:11 | |
And I was only going to say guess who? | 0:21:11 | 0:21:14 | |
-OK, what is it? -Moment's gone! | 0:21:14 | 0:21:16 | |
I've been waiting to hear that. | 0:21:16 | 0:21:17 | |
Well, it's lucky you were here then. Why were you here then? | 0:21:17 | 0:21:21 | |
-Oh, Mike, now, about my dinner. -Oh, mother! | 0:21:21 | 0:21:24 | |
Penny, there is something I need to ask Miranda's father. | 0:21:24 | 0:21:27 | |
Proposey eyes! | 0:21:27 | 0:21:28 | |
Oh, table! I've just laid that! | 0:21:28 | 0:21:30 | |
He wants to speak to your father. Oh, darling! | 0:21:30 | 0:21:33 | |
Oh, no! It's Rose. | 0:21:34 | 0:21:36 | |
Do something! | 0:21:36 | 0:21:38 | |
How does that help? | 0:21:43 | 0:21:45 | |
Well, I'm clearly in the way, I didn't realise you two were... | 0:21:45 | 0:21:48 | |
-Yeah. So, you know, bye. -Wait, I don't even know why she kissed me! | 0:21:48 | 0:21:52 | |
Well, it looked pretty passionate to me, you lingered. | 0:21:52 | 0:21:55 | |
Agreed m'lord, there was lingering. | 0:21:55 | 0:21:56 | |
-I thought there was lingering. -Who are you? | 0:21:56 | 0:21:58 | |
I don't know. | 0:21:58 | 0:21:59 | |
BOTH: You both lingered! | 0:22:01 | 0:22:02 | |
BOTH: We did not linger! | 0:22:02 | 0:22:04 | |
-Rose! -Miranda! | 0:22:05 | 0:22:06 | |
Sweeping out. | 0:22:06 | 0:22:09 | |
Oh, ice! | 0:22:09 | 0:22:10 | |
You know when you nearly go, I nearly went. | 0:22:10 | 0:22:12 | |
Oh, I've gone! | 0:22:12 | 0:22:13 | |
You kissed my Gary. | 0:22:15 | 0:22:16 | |
How would you like it if I kissed yours? | 0:22:16 | 0:22:18 | |
I'm going to get my own back and snog Gary Barlow. | 0:22:18 | 0:22:21 | |
-OK, that's never going to happen. -I was trying to get rid of her. | 0:22:21 | 0:22:23 | |
Well, you shouldn't have interfered. | 0:22:23 | 0:22:25 | |
Didn't want to but "Stevie, I can't cope, we're a sofa and a little pouffe". | 0:22:25 | 0:22:29 | |
Right, you, whatever your name is, | 0:22:42 | 0:22:44 | |
I bequeath you the status of my new best friend. | 0:22:44 | 0:22:46 | |
Oh, it's too much! | 0:22:46 | 0:22:48 | |
-Change the duvet with me, please. -Oh, now! | 0:22:48 | 0:22:51 | |
Darling, darling. Mike's just spoken to your father. He's going to propose. | 0:22:53 | 0:22:58 | |
You will say yes? | 0:22:58 | 0:22:59 | |
No, she can't marry a man she doesn't really love. | 0:22:59 | 0:23:01 | |
What she needs is someone who knows her and gets her. | 0:23:01 | 0:23:04 | |
What she needs is someone who doesn't know her | 0:23:04 | 0:23:06 | |
and will only know what he's getting when it's too late! | 0:23:06 | 0:23:09 | |
Am I here? I think I'm here. | 0:23:09 | 0:23:10 | |
Miranda? > | 0:23:10 | 0:23:12 | |
Hide, hide, hide! Hide. | 0:23:12 | 0:23:14 | |
Hide... Hi-de-hi! | 0:23:15 | 0:23:18 | |
Hi, can we talk? | 0:23:18 | 0:23:19 | |
Yeah, sure, um, what would you like to talk about? | 0:23:19 | 0:23:22 | |
I'm worried about the Greek economy. Discuss. | 0:23:22 | 0:23:25 | |
THEY GASP | 0:23:27 | 0:23:29 | |
SHE GASPS THEN SINGS | 0:23:29 | 0:23:34 | |
What are you doing? | 0:23:37 | 0:23:39 | |
Tying my shoelace. | 0:23:39 | 0:23:40 | |
-Phew! -Sugar! | 0:23:41 | 0:23:43 | |
-What? -Few sugars I shall make in your tea now for you. Yes. | 0:23:43 | 0:23:47 | |
Is that a barn owl? | 0:23:49 | 0:23:51 | |
Just forget about the tea. Will you just sit for one moment? | 0:23:54 | 0:23:57 | |
-You're so skittish today. -Like a little pony. | 0:23:57 | 0:24:00 | |
So listen, I know we've only been seeing each other for a few weeks | 0:24:02 | 0:24:05 | |
but I've been thinking about the future. | 0:24:05 | 0:24:08 | |
KNOCK AT DOOR | 0:24:08 | 0:24:09 | |
Hi, can I speak to Miranda, please? | 0:24:09 | 0:24:11 | |
-Yes. -Oh, hi, I'm from BT. I'm really sorry you're not happy at the moment. -Oh, listen, I did mean it. | 0:24:11 | 0:24:17 | |
It's not you, it's me, I just want to be with someone else. Bye. | 0:24:17 | 0:24:21 | |
-Yay, mimsy-less! -Disappointing! | 0:24:21 | 0:24:24 | |
What are you doing here? | 0:24:24 | 0:24:26 | |
They are here to wish me well, er, for letting go of BT. | 0:24:26 | 0:24:29 | |
So why were you in the bathroom? | 0:24:29 | 0:24:30 | |
We urgently needed the loo. We didn't go together. | 0:24:30 | 0:24:34 | |
-I went first. -I followed through. | 0:24:34 | 0:24:37 | |
OK. Bye then, guys. Thanks so much for coming. | 0:24:37 | 0:24:40 | |
Look, I don't know what's going on here but will you just listen to me before I burst? | 0:24:40 | 0:24:44 | |
-Wait, Mike, listen, I'm in love with... -I've taken a job in Africa. | 0:24:44 | 0:24:47 | |
What? | 0:24:48 | 0:24:49 | |
But I mean, after what you said at the restaurant, just say if you don't want me to go. | 0:24:49 | 0:24:52 | |
Oh, no, you must go, it's what you've always wanted. | 0:24:52 | 0:24:55 | |
-What were you..? You're in love with..? -In love with TalkTalk for my new ISP. | 0:24:55 | 0:24:59 | |
I have never known a family so emotional about service providers. | 0:25:01 | 0:25:05 | |
Oh, I'll miss you, Marple. | 0:25:05 | 0:25:07 | |
Oh, I'll miss you so much, Quirky, but let's talk, yeah? | 0:25:07 | 0:25:10 | |
Yeah. Bye. | 0:25:10 | 0:25:12 | |
Bye. | 0:25:13 | 0:25:14 | |
Alone again. | 0:25:23 | 0:25:24 | |
You've got me! | 0:25:24 | 0:25:26 | |
Why aren't you at the tennis club? | 0:25:33 | 0:25:34 | |
One glimpse of Belinda's smug face | 0:25:34 | 0:25:37 | |
that it was a celeb and press-free, mediocre event and I abandoned. | 0:25:37 | 0:25:41 | |
Oh, Raymond's here! Evening, Mr Blanc, thank you for coming. | 0:25:42 | 0:25:46 | |
Your table is over 'ere. | 0:25:46 | 0:25:47 | |
Pretend you're enjoying yourself for Gary. | 0:25:49 | 0:25:52 | |
FAKE LAUGHTER | 0:25:52 | 0:25:53 | |
What are you doing?! | 0:25:55 | 0:25:56 | |
We're creating ambience. | 0:25:56 | 0:25:58 | |
-Can you just stay out of it, please? -Why are you so angry with me? | 0:25:58 | 0:26:01 | |
Shush, Raymond is behind you! | 0:26:01 | 0:26:03 | |
I don't care about Raymond. He ruined my day. | 0:26:03 | 0:26:05 | |
And you ruined mine. The one day I needed your help. | 0:26:05 | 0:26:08 | |
Well, maybe I had urgent things to do. | 0:26:08 | 0:26:10 | |
What, like rehearse a Take That tribute band? | 0:26:10 | 0:26:12 | |
You know, there's always something with you, isn't there? | 0:26:13 | 0:26:16 | |
On the one day I was struggling and needed your help like you always do, | 0:26:16 | 0:26:19 | |
your issues are still more important although they very rarely are! | 0:26:19 | 0:26:22 | |
-They WERE more important! -Oh, what? | 0:26:22 | 0:26:25 | |
What was more important? | 0:26:25 | 0:26:26 | |
Splitting up with my boyfriend and telling you I'm completely | 0:26:26 | 0:26:29 | |
and utterly head over heels in love with you, I love you! | 0:26:29 | 0:26:32 | |
Oh, that's embarrassing. | 0:26:38 | 0:26:40 | |
Do something more embarrassing so it won't seem so embarrassing. | 0:26:41 | 0:26:45 | |
# I'm a little coconut, ugly and hairy | 0:26:47 | 0:26:50 | |
# But when you split me open I ooze milk and nut... # | 0:26:50 | 0:26:54 | |
No, that's worse. I have no idea who this woman is. | 0:26:55 | 0:27:00 | |
Right, I'm just going to flush myself down a plug hole. | 0:27:00 | 0:27:04 | |
You'll never guess who's here to meet Raymond. | 0:27:04 | 0:27:07 | |
Mr Gary Barlow, would you make an appearance at my tennis club dinner? | 0:27:19 | 0:27:24 | |
For you, anything. | 0:27:24 | 0:27:26 | |
Take that, Blanc, we've got Barlow! | 0:27:29 | 0:27:31 | |
Mr Gary Barlow. | 0:27:33 | 0:27:34 | |
I lingered! | 0:27:44 | 0:27:46 | |
Yes! | 0:27:46 | 0:27:48 | |
He didn't say it back, he could have said it back. | 0:27:50 | 0:27:53 | |
You've got me. | 0:27:53 | 0:27:55 | |
BOTH: Love oo. | 0:27:55 | 0:27:57 | |
And me. And our band. Take That's on karaoke. | 0:27:57 | 0:28:01 | |
# Whatever I said, whatever I did I didn't mean it | 0:28:03 | 0:28:08 | |
# I just want you back for good | 0:28:08 | 0:28:10 | |
# Want you back, want you back | 0:28:10 | 0:28:12 | |
# I want you back for good | 0:28:12 | 0:28:16 | |
# Whenever I'm wrong, just tell me the song and I'll sing it | 0:28:16 | 0:28:20 | |
# You'll be right and understood | 0:28:20 | 0:28:22 | |
# Want you back, want you back | 0:28:22 | 0:28:25 | |
# I want you back for good | 0:28:25 | 0:28:28 | |
# Unaware but underlined | 0:28:29 | 0:28:32 | |
# Figured out the story | 0:28:32 | 0:28:35 | |
# No, no, it wasn't good | 0:28:35 | 0:28:38 | |
# No, no... # | 0:28:38 | 0:28:41 | |
-You will have to leave at some point. -Yeah. | 0:28:41 | 0:28:43 | |
# I celebrated glory | 0:28:43 | 0:28:47 | |
# But that was not to be | 0:28:47 | 0:28:52 | |
# In the twist of separation | 0:28:52 | 0:28:55 | |
# You excelled at being free | 0:28:55 | 0:28:58 | |
# Can't you find a little room inside for me | 0:28:58 | 0:29:04 | |
# Whatever I said, whatever I did, I didn't mean it... # | 0:29:04 | 0:29:08 | |
Subtitles by Red Bee Media Ltd | 0:29:08 | 0:29:11 |