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CHEERING AND APPLAUSE | 0:00:16 | 0:00:18 | |
G'day. I'm Adam Hills. Welcome to Monumental, | 0:00:18 | 0:00:23 | |
the panel show about Northern Ireland hosted by an Australian. | 0:00:23 | 0:00:26 | |
Tonight, two teams will celebrate the North in all its glorious glory | 0:00:26 | 0:00:29 | |
and wonderful weirdness, and as always, the team on my right | 0:00:29 | 0:00:32 | |
is led by a man who's so famous, he's known by only one name. | 0:00:32 | 0:00:35 | |
No, it's not like Pele, or Madonna, | 0:00:35 | 0:00:37 | |
or Sooty - it's Jimeoin. | 0:00:37 | 0:00:39 | |
APPLAUSE | 0:00:39 | 0:00:42 | |
Joining him is a comedian and actor | 0:00:42 | 0:00:44 | |
who once played a crackhead, alcoholic pimp - | 0:00:44 | 0:00:46 | |
that was one hell of a production of Hamlet. | 0:00:46 | 0:00:48 | |
Please welcome Michael Smiley. | 0:00:48 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:54 | |
Alongside Michael and Jimeoin this week, from BBC3's sitcom Dead Boss | 0:00:54 | 0:00:57 | |
and the 2012 So You Think You're Funny winner, | 0:00:57 | 0:01:00 | |
the dead funny Aisling Bea! | 0:01:00 | 0:01:01 | |
APPLAUSE | 0:01:01 | 0:01:03 | |
Taking on the Jimeoin trio is a Dublin-born comedian | 0:01:05 | 0:01:07 | |
who recently presented a documentary about conspiracy theories, | 0:01:07 | 0:01:10 | |
though it's rumoured he used a stunt double | 0:01:10 | 0:01:12 | |
and was down the pub with Elvis and Princess Diana. | 0:01:12 | 0:01:14 | |
Please welcome Andrew Maxwell. | 0:01:14 | 0:01:16 | |
APPLAUSE | 0:01:16 | 0:01:18 | |
With him is a comedian who's been on Sketchy and Dave's One Night Stand, | 0:01:18 | 0:01:22 | |
who can do this with his boob! | 0:01:22 | 0:01:24 | |
It's Micky Bartlett! | 0:01:25 | 0:01:27 | |
APPLAUSE | 0:01:27 | 0:01:28 | |
Joining Andrew and Micky tonight is tonight's Monumental guest, | 0:01:28 | 0:01:31 | |
to whom who we'll pay a very special tribute later. | 0:01:31 | 0:01:34 | |
It's a radio and TV legend from a place he christened "Stroke City", | 0:01:34 | 0:01:37 | |
the man, the legend, that is Gerry Anderson! | 0:01:37 | 0:01:40 | |
CHEERING AND APPLAUSE | 0:01:40 | 0:01:43 | |
My role in all this is to be the independent Aussie judge, | 0:01:44 | 0:01:47 | |
but I have spent enough time here | 0:01:47 | 0:01:49 | |
to know that my favourite saying in the world | 0:01:49 | 0:01:51 | |
is something you only ever hear here, which is, "Your man". | 0:01:51 | 0:01:55 | |
No-one else in the world says, "Your man". | 0:01:55 | 0:01:57 | |
First time I heard that, I thought I owned a person. | 0:01:57 | 0:01:59 | |
"Where were you last night?" "We were having pints." | 0:01:59 | 0:02:02 | |
"Who was there?" "Oh, your man came in." "I have a man?!" | 0:02:02 | 0:02:05 | |
It's that, and "You know yourself." | 0:02:05 | 0:02:09 | |
Brilliant. Cos that can go at the end of any sentence. | 0:02:09 | 0:02:11 | |
"Excuse me, how do I get to the cinema?" "You go left, you go right, | 0:02:11 | 0:02:14 | |
"you go left again. Sure, you know yourself." | 0:02:14 | 0:02:16 | |
You know when someone mentions directions, and they go, | 0:02:16 | 0:02:19 | |
"There's a turn-off to Strabane. Don't take that." | 0:02:19 | 0:02:23 | |
You go, "Well, why did you mention it?" | 0:02:23 | 0:02:25 | |
It's ruined it now. The satnav. | 0:02:25 | 0:02:27 | |
All the great misdirection stories of comedy lore - ruined. | 0:02:27 | 0:02:30 | |
I think Irish satnav should just go, | 0:02:30 | 0:02:32 | |
"At the next intersection, turn left. Sure, you know yourself." | 0:02:32 | 0:02:37 | |
There's always that legacy from the Troubles. | 0:02:37 | 0:02:39 | |
People say, "Go down to the left, where the factory used to be..." | 0:02:39 | 0:02:43 | |
APPLAUSE | 0:02:43 | 0:02:45 | |
Time now for the first round, which is Wish They Were One Of Us, | 0:02:47 | 0:02:50 | |
in which honorary Northern Irish status is conferred upon | 0:02:50 | 0:02:53 | |
those our panel deem worthy enough. | 0:02:53 | 0:02:55 | |
I'm going to start with Jimeoin. | 0:02:55 | 0:02:56 | |
Who do you think should be Northern Irish? | 0:02:56 | 0:02:59 | |
William Shakespeare, | 0:02:59 | 0:03:00 | |
just because he would have to rewrite all the scripts. | 0:03:00 | 0:03:03 | |
It would be, "To be not to be, | 0:03:03 | 0:03:05 | |
"that is the question, so it is." | 0:03:05 | 0:03:07 | |
-(BROAD BELFAST ACCENT) -Twelfth Night! | 0:03:08 | 0:03:10 | |
I'd love to see The Merchant Of Venice | 0:03:13 | 0:03:15 | |
standing in the middle of Belfast with a Telegraph, | 0:03:15 | 0:03:18 | |
going, "Swelly Tele!" Remember them? | 0:03:18 | 0:03:20 | |
"Tele up! Tele up!" I remember now. | 0:03:20 | 0:03:22 | |
"Sixth Tele", wasn't it? It was the sixth edition of the Tele, | 0:03:22 | 0:03:25 | |
so it was, "Sixth Tele-o!" | 0:03:25 | 0:03:26 | |
That's all stopped now. It's a thing of the past. People would go... INCOMPREHENSIBLE VENDOR CALL | 0:03:26 | 0:03:31 | |
That was a guy who used to be in the Cornmarket. | 0:03:31 | 0:03:33 | |
There was another guy in Victoria Street, he used to go... | 0:03:33 | 0:03:36 | |
DIFFERENT VENDOR CALL | 0:03:36 | 0:03:39 | |
A blind man could tell where he was by the call of the Telegraph guy. | 0:03:39 | 0:03:43 | |
"Oh, I'm in Castle Street. Yeah." VENDOR CALL | 0:03:43 | 0:03:45 | |
Then you'd see them in the Crown having a pint, going... | 0:03:45 | 0:03:48 | |
-WELL-SPOKEN VOICE: -..I thought today was very slow, did you? | 0:03:48 | 0:03:51 | |
Andrew, who would you like to nominate to be Northern Irish? | 0:03:52 | 0:03:55 | |
Vladimir Putin. | 0:03:55 | 0:03:56 | |
Just, Vladimir Putin looks like a very scary Belfast dad! | 0:03:59 | 0:04:04 | |
You know I mean? He's always topless, killing bears. | 0:04:04 | 0:04:07 | |
"Ding-dong!" | 0:04:07 | 0:04:08 | |
"Hello, is Catherine there?" | 0:04:08 | 0:04:10 | |
"Aye. C'mon through. I'm just skinning a bear. | 0:04:10 | 0:04:14 | |
"Right there, how long you been hanging around here? | 0:04:14 | 0:04:16 | |
"You been sniffing around my daughter, you dirty wee bastard? | 0:04:16 | 0:04:21 | |
"Eh? You want to join the Putin family, do you? | 0:04:21 | 0:04:23 | |
"You wee skinny dickback! Hey?" | 0:04:23 | 0:04:26 | |
Michael Smiley, who would you nominate? | 0:04:28 | 0:04:30 | |
-Janet Street Porter. -Really? | 0:04:30 | 0:04:33 | |
Yeah, because she would fit perfectly in here | 0:04:33 | 0:04:35 | |
because she's a very opinionated woman who never shuts up. | 0:04:35 | 0:04:38 | |
LAUGHTER AND APPLAUSE | 0:04:38 | 0:04:40 | |
I remember Brian Keenan said | 0:04:40 | 0:04:42 | |
the Northern Irish people were wired for transmission, not reception. | 0:04:42 | 0:04:46 | |
I have yet to meet a woman of Northern Ireland who goes, | 0:04:47 | 0:04:51 | |
"Ach, do you know, I don't really know." | 0:04:51 | 0:04:53 | |
I've a Northern Irish friend and she puts her finger in front of me | 0:04:55 | 0:04:58 | |
as if, "I'll tell you when you can speak now," going, | 0:04:58 | 0:05:00 | |
"Hi, how have you been? Have you been all right? | 0:05:00 | 0:05:03 | |
"Cos I was looking at your Facebook, know what I mean. It's fine. Yeah." | 0:05:03 | 0:05:06 | |
"OK, so Brian, you know..." She'll kind of silence me with her finger. | 0:05:06 | 0:05:09 | |
-You get your window. That's your window, it's gone. -Yeah. It's gone. | 0:05:09 | 0:05:13 | |
All right, Gerry, | 0:05:13 | 0:05:14 | |
who would you like to nominate for Northern Irish status? | 0:05:14 | 0:05:16 | |
I thought Rob Brydon, | 0:05:16 | 0:05:18 | |
because he's got that kind of puzzled air about him, | 0:05:18 | 0:05:20 | |
you know, he doesn't really know if he's been accepted or not, | 0:05:20 | 0:05:23 | |
cos a lot of us have that from Northern Ireland, | 0:05:23 | 0:05:26 | |
and also, he's from Wales, which of course is a strange place | 0:05:26 | 0:05:31 | |
as far as Northern Irish people are concerned. | 0:05:31 | 0:05:33 | |
Nobody from Northern Ireland has ever gone to Wales. | 0:05:33 | 0:05:36 | |
You know the way, in times gone by, | 0:05:36 | 0:05:38 | |
"I went to Scotland to pick potatoes." | 0:05:38 | 0:05:40 | |
"I went to England to work in a car factory." | 0:05:40 | 0:05:42 | |
Nobody ever said, "I went to Wales to go down a mine." | 0:05:42 | 0:05:44 | |
Nobody goes to Wales, they go to England. | 0:05:44 | 0:05:46 | |
Some people, when they say, "I'm going to go to Australia", | 0:05:46 | 0:05:49 | |
nobody ever says, "I'm going to go to New Zealand." They don't say that. | 0:05:49 | 0:05:52 | |
-Not even Australians. -They don't? | 0:05:52 | 0:05:55 | |
So Wales is kind of like New Zealand, | 0:05:55 | 0:05:58 | |
in the way that nobody wants to go there. | 0:05:58 | 0:06:01 | |
I just like the idea of one Welshman living here in Belfast. | 0:06:01 | 0:06:04 | |
He's enjoying the show. "Ha-ha, this is half tidy! | 0:06:04 | 0:06:06 | |
"That's some quite funny stuff... | 0:06:06 | 0:06:08 | |
"What? What did we do?" | 0:06:08 | 0:06:11 | |
"I've never known such a diatribe against my people!" | 0:06:12 | 0:06:17 | |
That's what I love about the Welsh. When something's good, it's tidy. | 0:06:17 | 0:06:20 | |
When something's very good, it's half tidy. | 0:06:20 | 0:06:23 | |
And nobody's interested in what they do. Nobody's interested... | 0:06:25 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:30 | |
It's a weird thing. | 0:06:31 | 0:06:33 | |
I just, I really hope that the Welsh tourism board hire you | 0:06:33 | 0:06:39 | |
after tonight and it's just an ad of you going, | 0:06:39 | 0:06:42 | |
"Wales - no-one cares what they do." | 0:06:42 | 0:06:44 | |
Aisling, who would you like to nominate to be Northern Irish? | 0:06:46 | 0:06:49 | |
I would like to nominate myself. | 0:06:49 | 0:06:51 | |
I just think I'd get taken more seriously | 0:06:51 | 0:06:53 | |
if I had a Northern Irish accent | 0:06:53 | 0:06:55 | |
because I, um, I live in England, and if I go into somewhere | 0:06:55 | 0:06:58 | |
and I'm like, "Hello, I'd like to make a reservation, please," | 0:06:58 | 0:07:01 | |
what they hear in their head is... | 0:07:01 | 0:07:03 | |
-BROAD IRISH ACCENT: -.."You know when you've a wart on your hand, | 0:07:03 | 0:07:06 | |
"if when you rub a potato on it and you put that in the garden | 0:07:06 | 0:07:08 | |
"and you say a prayer to Jesus | 0:07:08 | 0:07:10 | |
"and in the morning, if there's a full moon, the wart will be gone!" | 0:07:10 | 0:07:13 | |
Micky, I do need a nomination from you. | 0:07:15 | 0:07:18 | |
I would actually love to have Madonna, cos I would love to hear | 0:07:18 | 0:07:21 | |
what Madonna songs sounded like if she was from here. | 0:07:21 | 0:07:23 | |
If she was from one of the areas in Belfast, | 0:07:23 | 0:07:25 | |
it would be, "Papa don't exist!" | 0:07:25 | 0:07:27 | |
And then you could see her on her balcony, just going, | 0:07:29 | 0:07:32 | |
"Don't cry for me, wee Katrina!" | 0:07:32 | 0:07:36 | |
I think it would be brilliant. | 0:07:36 | 0:07:37 | |
We did a thing on the radio one time | 0:07:37 | 0:07:39 | |
about Irish girls' names in popular song titles, | 0:07:39 | 0:07:43 | |
to which the winner was Briege Over Troubled Waters. | 0:07:43 | 0:07:47 | |
All right, at the end of the first round, | 0:07:47 | 0:07:49 | |
I am giving the points to Andrew's team! | 0:07:49 | 0:07:51 | |
We come now to Town Challenge. | 0:07:54 | 0:07:55 | |
In this round, we showcase Northern Ireland's smaller places | 0:07:55 | 0:07:58 | |
in the hope of turning them from tourist lukewarm spots | 0:07:58 | 0:08:01 | |
into tourist piping-hotspots. Jimeoin's team, you're first. | 0:08:01 | 0:08:04 | |
I'll give you some lesser-known facts about a Northern Irish town. | 0:08:04 | 0:08:07 | |
You need to name the town. Fact number one. | 0:08:07 | 0:08:10 | |
Visitors to this town can enjoy | 0:08:10 | 0:08:12 | |
Northern Ireland's only outdoor pole dancing event. | 0:08:12 | 0:08:15 | |
It's just actually a Polish person dancing. | 0:08:15 | 0:08:18 | |
Oh, so it's nothing crude. | 0:08:18 | 0:08:20 | |
You know the way Polish people look like us, but at the same time... | 0:08:20 | 0:08:24 | |
-You know the way you can't... -They do. -But they don't have | 0:08:24 | 0:08:26 | |
those facial expressions people from Northern Ireland have. | 0:08:26 | 0:08:29 | |
You don't see Polish people doing that... | 0:08:29 | 0:08:32 | |
They just don't do that, do they? | 0:08:33 | 0:08:35 | |
All right, your second fact. | 0:08:37 | 0:08:38 | |
Lord Sugar's former sidekick on The Apprentice, Margaret Mountford, | 0:08:38 | 0:08:41 | |
was born in this town. | 0:08:41 | 0:08:43 | |
Oh, that clears it up. | 0:08:43 | 0:08:45 | |
Here's your third fact. | 0:08:45 | 0:08:46 | |
In 2003, this town won "Best Kept Large Town In Ireland". | 0:08:46 | 0:08:50 | |
In 2004, it won "Best Kept Medium Town". | 0:08:50 | 0:08:53 | |
What are we talking about here? Lack of litter? That sort of thing? | 0:08:54 | 0:08:57 | |
Yes, it's more than half tidy. | 0:08:57 | 0:08:59 | |
-WELSH ACCENT: -More than half tidy, it'll be an absolutely barry spot. | 0:08:59 | 0:09:02 | |
I'm still thinking of the outdoor pole dancing... | 0:09:02 | 0:09:04 | |
Would pole-dancing be a reference to a place like Scarva, | 0:09:04 | 0:09:07 | |
Drumcree or places like that? | 0:09:07 | 0:09:09 | |
Would it be something to do with that sort of thing? | 0:09:09 | 0:09:11 | |
-Do they get about in a G string? -No, these flags up poles. | 0:09:11 | 0:09:14 | |
-It could be a maypole. Maybe it's... -Oh! | 0:09:14 | 0:09:17 | |
AUDIENCE MURMURS | 0:09:17 | 0:09:18 | |
Ooh, look at that. Wow. | 0:09:18 | 0:09:19 | |
Sorry, did everybody just win a toaster? | 0:09:19 | 0:09:22 | |
What's happening here? | 0:09:22 | 0:09:23 | |
-MICHAEL: -A lovely wee town. My hometown, Holywood, lovely wee town. | 0:09:23 | 0:09:27 | |
Michael Smiley, it is indeed Holywood! | 0:09:27 | 0:09:29 | |
APPLAUSE | 0:09:29 | 0:09:31 | |
High-five, Michael! | 0:09:31 | 0:09:32 | |
Here's Andrew's team's challenging town challenge. | 0:09:35 | 0:09:38 | |
-Here's your first fact. -Here we go. | 0:09:38 | 0:09:40 | |
Local myth and legend has it that a resident of this town in the 1700s | 0:09:40 | 0:09:43 | |
lived once, but was buried twice. | 0:09:43 | 0:09:46 | |
I'll give you a clue with that. | 0:09:48 | 0:09:50 | |
She was buried whilst semi-conscious. | 0:09:50 | 0:09:52 | |
She was brought back to life | 0:09:52 | 0:09:54 | |
when grave robbers tried to cut her wedding ring off. | 0:09:54 | 0:09:57 | |
Where has someone been buried semiconscious in Northern Ireland? | 0:09:57 | 0:10:01 | |
LAUGHTER | 0:10:02 | 0:10:04 | |
Here's your second fact. | 0:10:05 | 0:10:07 | |
The boxer known as The Belfast Spider was born in this town. | 0:10:07 | 0:10:10 | |
In 1889, he fought an 80-round match to a draw. | 0:10:10 | 0:10:13 | |
It was the longest match ever fought under Queensbury Rules. | 0:10:13 | 0:10:17 | |
AISLING: What's the Queensbury Rules? | 0:10:17 | 0:10:19 | |
Queensbury Rules are, you know, gloves and all the basic rules. | 0:10:19 | 0:10:22 | |
I thought it was no gloves. Isn't that Queensbury Rules? | 0:10:22 | 0:10:24 | |
-No, it's with gloves. -No gloves. | 0:10:24 | 0:10:26 | |
-With gloves. -No gloves! -Yes, gloves! | 0:10:26 | 0:10:28 | |
This swimsuit that they used to wear, and a moustache. | 0:10:29 | 0:10:32 | |
Gloves, though! Gloves! | 0:10:34 | 0:10:36 | |
Oh, there was gloves? Oh, fair enough. | 0:10:36 | 0:10:39 | |
You give up an argument easily, don't you? | 0:10:40 | 0:10:42 | |
Here is your final fact. | 0:10:42 | 0:10:44 | |
A gardening implement associated with this town | 0:10:44 | 0:10:47 | |
is often used as local slang to describe a person's unhappy face. | 0:10:47 | 0:10:51 | |
It's my home town of Lurgan. | 0:10:51 | 0:10:53 | |
-It is indeed Lurgan! -Lurgan. | 0:10:53 | 0:10:55 | |
APPLAUSE | 0:10:55 | 0:10:57 | |
-So what's the gardening implement? -A Lurgan spade. | 0:10:57 | 0:11:00 | |
-If people say you've got a face like a Lurgan spade... -Well used. | 0:11:00 | 0:11:03 | |
-It means you've got a long face, so it's a long spade. -Right. | 0:11:03 | 0:11:06 | |
And that thing about what foot you kick with, that we say here, | 0:11:06 | 0:11:10 | |
there's left-footed spades and right-footed spades, | 0:11:10 | 0:11:14 | |
and people of a Catholic persuasion would use one, | 0:11:14 | 0:11:16 | |
and people of a Protestant persuasion would use the other spade | 0:11:16 | 0:11:19 | |
because of an Ulster Scots thing and a native Irish thing. | 0:11:19 | 0:11:22 | |
They preferred this spade, so they'd say, "What foot do you kick with?" | 0:11:22 | 0:11:26 | |
The atheists actually dig with pogo sticks. | 0:11:26 | 0:11:28 | |
I think the clear winner of that round is Andrew's team. | 0:11:32 | 0:11:35 | |
The next round is called Monumentally Missed, | 0:11:37 | 0:11:39 | |
and it delves into Northern Ireland's past to ask | 0:11:39 | 0:11:42 | |
what long-departed custom, dish, expression, dirty magazine | 0:11:42 | 0:11:45 | |
or indeed anything, are you yearning for so much | 0:11:45 | 0:11:48 | |
you'd like to bring it back? Andrew, what would you like to bring back? | 0:11:48 | 0:11:51 | |
Boy racers. Rural young men | 0:11:51 | 0:11:53 | |
getting the smallest car they can get their hands on | 0:11:53 | 0:11:55 | |
and turning it into a spaceship. | 0:11:55 | 0:11:57 | |
The really, really good spacey ones | 0:11:59 | 0:12:02 | |
always have a weird blue light underneath them. | 0:12:02 | 0:12:05 | |
The weird blue light! For a long time, I was like, | 0:12:05 | 0:12:07 | |
"What the hell is that? Why have you got a blue light under it?" | 0:12:07 | 0:12:10 | |
And then I realised it was a community thing | 0:12:10 | 0:12:13 | |
cos they could drive into their estate | 0:12:13 | 0:12:15 | |
and everybody runs out and checks their 20s. | 0:12:15 | 0:12:18 | |
HE MOUTHS | 0:12:18 | 0:12:20 | |
Jimeoin, what would you like to bring back to Northern Ireland? | 0:12:20 | 0:12:23 | |
I'd like to bring back fluorescent light tubes. | 0:12:23 | 0:12:25 | |
You know that one in the kitchen, | 0:12:25 | 0:12:27 | |
you know the big long bulb that, you know, no-one ever changed. | 0:12:27 | 0:12:31 | |
It wouldn't just die, | 0:12:31 | 0:12:33 | |
it would just be sick for a while. | 0:12:33 | 0:12:36 | |
Going into the kitchen was like going into a nightclub with a strobe light. | 0:12:37 | 0:12:40 | |
You know the... | 0:12:40 | 0:12:41 | |
-I can do an impression of a healthy fluorescent light tube coming on. -Do one. Do one now. | 0:12:42 | 0:12:46 | |
LAUGHTER AND APPLAUSE | 0:12:50 | 0:12:53 | |
Micky, what would you like to bring back? | 0:12:55 | 0:12:58 | |
I want to bring back Tip Tops. | 0:12:58 | 0:13:00 | |
Tip Tops were a drink made out of paint thinner and diesel. | 0:13:00 | 0:13:04 | |
When we were kids, I had a friend who thought that Tip Tops were | 0:13:07 | 0:13:10 | |
a conspiracy from the government because he was convinced | 0:13:10 | 0:13:13 | |
that Tip Top, whoever made them | 0:13:13 | 0:13:15 | |
had found out exactly how much a thirsty child needs to be refreshed | 0:13:15 | 0:13:19 | |
and then subtracted that by 15%, | 0:13:19 | 0:13:22 | |
because although a Tip Top was a drink, you'd never, you were like... | 0:13:22 | 0:13:26 | |
Your eyeballs used to move trying to drink them, | 0:13:27 | 0:13:29 | |
you'd be all hyper and like... | 0:13:29 | 0:13:31 | |
No-o-o! | 0:13:34 | 0:13:35 | |
And then the best thing about Tip Tops were, when they were empty, | 0:13:37 | 0:13:40 | |
because I found as a child, it was hard to buy a motorbike at six, | 0:13:40 | 0:13:43 | |
so what you could then do was get your Tip Top | 0:13:43 | 0:13:45 | |
and wedge it in the back wheel of your bike | 0:13:45 | 0:13:47 | |
and then you'd go down the street, going, "Zzzzzzz!" | 0:13:47 | 0:13:51 | |
-They were brilliant. -Smiley, what would you like to bring back? | 0:13:51 | 0:13:54 | |
Old sayings, like, my ma used to say things like, | 0:13:54 | 0:13:57 | |
"Life's like wheelbarrow. It's always in front of you." | 0:13:57 | 0:14:01 | |
You know, stuff that made sense, you know what I mean, | 0:14:01 | 0:14:04 | |
and also, stuff that didn't make any sense, | 0:14:04 | 0:14:06 | |
like, "You're not as green as you're cabbage-looking." | 0:14:06 | 0:14:10 | |
You know? What does that mean? Another one my ma used to say was, | 0:14:10 | 0:14:14 | |
"If you got nothing nice to say about anybody, | 0:14:14 | 0:14:17 | |
"come and sit beside me." | 0:14:17 | 0:14:18 | |
My dad used to go for, | 0:14:20 | 0:14:21 | |
"Ah, you're a fly man but you can't shite on the ceiling." | 0:14:21 | 0:14:24 | |
-That sort of stuff. -I literally have no idea what you just said then. | 0:14:27 | 0:14:32 | |
Not a word of it! | 0:14:32 | 0:14:34 | |
I never used to understand Cockney rhyming slang, | 0:14:34 | 0:14:36 | |
and I remember Shane Ritchie had an ad for Daz, and he'd go, | 0:14:36 | 0:14:40 | |
"What are you going to use, Daz, or this other one? Use your loaf." | 0:14:40 | 0:14:44 | |
And we'd be sitting there, going, "Use your what? Use your loaf?" | 0:14:44 | 0:14:48 | |
And I went into my mother and my mother was like, | 0:14:48 | 0:14:50 | |
"Oh, Aisling, it's, you know, because they... | 0:14:50 | 0:14:53 | |
"It's Daz, so use... | 0:14:53 | 0:14:55 | |
"Daz has baking soda in it, and so does bread." | 0:14:55 | 0:14:59 | |
What would you bring back, Gerry? | 0:14:59 | 0:15:01 | |
I would bring back the leg tremor. | 0:15:01 | 0:15:03 | |
People used to go to dance halls in the '60s and '70s | 0:15:05 | 0:15:08 | |
and there were two types of people who used to go to those - | 0:15:08 | 0:15:11 | |
the people who stood and watched the band | 0:15:11 | 0:15:13 | |
and the other people who danced. And these people never mixed, | 0:15:13 | 0:15:16 | |
but every once in a while, the people who used to stand and watch the band, | 0:15:16 | 0:15:20 | |
they felt the need to meet women | 0:15:20 | 0:15:21 | |
and the only way you could meet women was to dance with them. | 0:15:21 | 0:15:24 | |
You couldn't go up to somebody and start talking to them. | 0:15:24 | 0:15:26 | |
They'd think you were a weirdo, so you'd have to ask somebody to dance | 0:15:26 | 0:15:30 | |
and there was this particular dance | 0:15:30 | 0:15:31 | |
that was formed and developed for people who didn't dance. | 0:15:31 | 0:15:34 | |
-It's called the leg tremor. Do you want me to show what it is? -Please. | 0:15:34 | 0:15:38 | |
CHEERING AND APPLAUSE | 0:15:38 | 0:15:42 | |
You stand like this, and you put your hands, and you go like that... | 0:15:42 | 0:15:45 | |
Can I show you the quickest dance in the world, the "let's go" dance? | 0:15:49 | 0:15:52 | |
CHEERING | 0:15:52 | 0:15:53 | |
You know when you're waiting for everyone to get ready, | 0:15:53 | 0:15:55 | |
and they're watching TV, and you have to try and get them out? | 0:15:55 | 0:15:58 | |
You do the "let's go" dance. Two moves, it's like... | 0:15:58 | 0:16:01 | |
"Come on, let's go." | 0:16:01 | 0:16:02 | |
APPLAUSE | 0:16:02 | 0:16:04 | |
At the end of that round, I'll award the points to Jimeoin's team. | 0:16:08 | 0:16:11 | |
APPLAUSE | 0:16:11 | 0:16:14 | |
All right, it's Mystery Monumental now. I'm going to introduce | 0:16:14 | 0:16:17 | |
our special overachieving guest from Northern Ireland. | 0:16:17 | 0:16:20 | |
I won't tell you what their monumental achievement was. | 0:16:20 | 0:16:23 | |
That's something our panellists have to work out. | 0:16:23 | 0:16:25 | |
So, let's meet tonight's Mystery Monumental guest, Kate! | 0:16:25 | 0:16:29 | |
MUSIC: "She's A Star" by James | 0:16:29 | 0:16:32 | |
APPLAUSE | 0:16:32 | 0:16:35 | |
All right, we are in the presence of greatness. | 0:16:35 | 0:16:38 | |
Kate here is not only a world record holder in something | 0:16:38 | 0:16:41 | |
but also the first and only Northern Irish woman to do it, | 0:16:41 | 0:16:44 | |
and it's really impressive. Does anyone want to have a guess? | 0:16:44 | 0:16:47 | |
JIMEOIN: Was it breaking men's hearts? | 0:16:47 | 0:16:49 | |
Aw! | 0:16:49 | 0:16:51 | |
GERRY: You look a bit like Katie Taylor, | 0:16:51 | 0:16:53 | |
so it reminds me, maybe it suggests | 0:16:53 | 0:16:56 | |
that you have something to do with martial arts. | 0:16:56 | 0:16:58 | |
-Would it be kickboxing or anything like that? -I wish. No. | 0:16:58 | 0:17:01 | |
All right, here is your first clue. | 0:17:01 | 0:17:03 | |
-Are you a sailor? -You are getting very close. | 0:17:07 | 0:17:09 | |
I will give you your next clue. Working in shifts, | 0:17:09 | 0:17:12 | |
Kate and her four female team-mates | 0:17:12 | 0:17:14 | |
were always travelling but couldn't get away from each other. | 0:17:14 | 0:17:17 | |
-AISLING: -Were they slaves on a ship? | 0:17:17 | 0:17:19 | |
Weirdly, you are getting closer. Here is your final clue. | 0:17:19 | 0:17:22 | |
Kate and her team had terrible trouble with wind. | 0:17:22 | 0:17:25 | |
-ANDREW: -It's a catamaran. | 0:17:25 | 0:17:28 | |
Or a Protestant. | 0:17:28 | 0:17:29 | |
And you're the first all-female Northern Irish catamaran crew | 0:17:32 | 0:17:35 | |
-to go around the world. -You are very, very close, Andrew Maxwell. | 0:17:35 | 0:17:39 | |
Halfway around the world! | 0:17:39 | 0:17:41 | |
JIMEOIN: Is the catamaran bit right? | 0:17:42 | 0:17:44 | |
No? On a raft? | 0:17:44 | 0:17:46 | |
-Jimeoin, you are getting closer, yes. -Really? -Keep going. | 0:17:46 | 0:17:49 | |
-Close to it. -Did it have a sale? | 0:17:49 | 0:17:52 | |
-No. -So like a canoe? No? | 0:17:52 | 0:17:54 | |
-AISLING: Surfboard. -So close! | 0:17:54 | 0:17:56 | |
-ANDREW: -Submarine! | 0:17:56 | 0:17:58 | |
You and three other hot chicks submarined around the world! | 0:17:58 | 0:18:03 | |
Because Michael Smiley came the closest, | 0:18:03 | 0:18:05 | |
I will give you the point because | 0:18:05 | 0:18:07 | |
Kate Richardson from Portadown holds the world record with her team | 0:18:07 | 0:18:10 | |
for being the first, fastest and only women ever to row the Atlantic! | 0:18:10 | 0:18:15 | |
CHEERING AND APPLAUSE | 0:18:15 | 0:18:17 | |
And that is a big achievement | 0:18:20 | 0:18:23 | |
because that's inland, | 0:18:23 | 0:18:24 | |
so if you start at Portadown, you've got to row across a lot... Right? | 0:18:24 | 0:18:28 | |
You've got to row across three counties, | 0:18:28 | 0:18:31 | |
and Donegal's hilly, | 0:18:31 | 0:18:33 | |
so you've got to row uphill, over the top. Well done. | 0:18:33 | 0:18:36 | |
Kate, how did you get involved in this? | 0:18:37 | 0:18:39 | |
Just by sheer chance, I just happened to meet the girl | 0:18:39 | 0:18:43 | |
who was organising and putting this all together, | 0:18:43 | 0:18:45 | |
and within 20 minutes of talking to her, | 0:18:45 | 0:18:48 | |
without any rowing experience or sea experience, I said, "OK, I'll do it!" | 0:18:48 | 0:18:52 | |
That happened to me organising a hen one time. | 0:18:52 | 0:18:54 | |
-How long did it take you to do it, to row? -It took us 45 days. | 0:18:54 | 0:18:58 | |
Do you think it would have been quicker | 0:18:58 | 0:19:00 | |
if they'd got someone with rowing experience? | 0:19:00 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:04 | |
Well, to be fair, | 0:19:04 | 0:19:06 | |
we actually smashed the previous record by seven days, so... | 0:19:06 | 0:19:08 | |
-Ah! -Ooh! | 0:19:08 | 0:19:11 | |
So eat that, you Aussie! | 0:19:11 | 0:19:13 | |
APPLAUSE | 0:19:13 | 0:19:15 | |
-JIMEOIN: -And were you seasick? | 0:19:19 | 0:19:21 | |
-Oh, yeah. -Did you chuck up? -Oh, yeah. | 0:19:21 | 0:19:23 | |
GERRY: What were the biggest waves you encountered? | 0:19:23 | 0:19:25 | |
50 foot, 60 foot waves. Pretty high. | 0:19:25 | 0:19:28 | |
We have footage of you trying to make a Pot Noodle during that trip. | 0:19:28 | 0:19:31 | |
-MICHAEL: -That's making me sick just looking at it. | 0:19:38 | 0:19:40 | |
-AISLING: -The Pot Noodle or the...? | 0:19:40 | 0:19:42 | |
That hat. | 0:19:42 | 0:19:44 | |
I've actually been that hammered making a Pot Noodle. | 0:19:45 | 0:19:48 | |
I don't have a question, but please just don't go anywhere. | 0:19:52 | 0:19:55 | |
LAUGHTER AND APPLAUSE | 0:19:57 | 0:20:01 | |
I tell you what, if you attempt this | 0:20:01 | 0:20:03 | |
with a group of all Northern Irish women, | 0:20:03 | 0:20:05 | |
you're going to have him in a dress turning up on day one. | 0:20:05 | 0:20:08 | |
-Would you like to do it? -Sorry? -Would you like to do it? | 0:20:09 | 0:20:12 | |
The...the boat thing? | 0:20:12 | 0:20:14 | |
LAUGHTER | 0:20:14 | 0:20:17 | |
Oh, I love it, man. His voice properly broke like a schoolboy. | 0:20:19 | 0:20:22 | |
"Oh, the boat thing!" | 0:20:22 | 0:20:23 | |
It's an amazing achievement. Congratulations. | 0:20:25 | 0:20:28 | |
A round of applause for Kate! | 0:20:28 | 0:20:30 | |
CHEERING AND APPLAUSE | 0:20:30 | 0:20:33 | |
The next round is all about those monumental and not-so-monumental moments | 0:20:33 | 0:20:36 | |
that have made the headlines here in Northern Ireland, | 0:20:36 | 0:20:39 | |
but can our panellists work out what those moments were | 0:20:39 | 0:20:41 | |
from the headlines alone? | 0:20:41 | 0:20:42 | |
Teams, get ready to buzz in. Here's your first headline. | 0:20:42 | 0:20:45 | |
BUZZER | 0:20:47 | 0:20:49 | |
Jimeoin. | 0:20:49 | 0:20:50 | |
-Reporter keeps finger on M button for too long. -No! | 0:20:50 | 0:20:53 | |
The spring has a stuttering start. | 0:20:53 | 0:20:55 | |
Oh, yes! The answer was snow, hail and wind in Fermanagh in May. | 0:20:55 | 0:21:00 | |
Next headline. | 0:21:00 | 0:21:01 | |
-BUZZER -Yes, Andrew. | 0:21:03 | 0:21:04 | |
Never shall mix. | 0:21:04 | 0:21:06 | |
In 1933, there was an attempt to charge farmers £3 per furlong | 0:21:06 | 0:21:10 | |
for telephone wire from pole to farm. | 0:21:10 | 0:21:13 | |
For some of you young people watching, | 0:21:13 | 0:21:15 | |
we need to define the words "furlong", | 0:21:15 | 0:21:17 | |
"telephone wire" and "farm". | 0:21:17 | 0:21:20 | |
Next headline. | 0:21:20 | 0:21:21 | |
BUZZER | 0:21:23 | 0:21:25 | |
That's obviously some kind of voyeurism thing going on! | 0:21:25 | 0:21:27 | |
It wasn't me, honestly! I wasn't there at the time. | 0:21:27 | 0:21:30 | |
-It was a guy who looks like me. -The answer was, | 0:21:30 | 0:21:32 | |
two Labradors appeared in court accused of worrying some hens. | 0:21:32 | 0:21:37 | |
There's nothing worse than a worried hen. | 0:21:37 | 0:21:39 | |
I do like the idea of a doggy, like, just five dogs lined up | 0:21:39 | 0:21:43 | |
and some hens walking in front of them, trying to pick which one. | 0:21:43 | 0:21:46 | |
ANDREW MAKES CHICKEN NOISES | 0:21:46 | 0:21:49 | |
So the next headline. | 0:21:57 | 0:21:58 | |
BUZZER | 0:22:00 | 0:22:02 | |
-Gerry. -Possible names for Bob Geldof's children. | 0:22:02 | 0:22:05 | |
That is a Stewartstown man who has strange-shaped hedges. | 0:22:06 | 0:22:09 | |
I bet you the peach is an arse. | 0:22:10 | 0:22:12 | |
"I'm cutting it into the shape of an arse, heh-heh! | 0:22:12 | 0:22:15 | |
"It's a peach! It's a peach, mammy!" | 0:22:15 | 0:22:17 | |
-Tough call. At the end of that round the points go to Andrew's team. -Yes! | 0:22:17 | 0:22:21 | |
APPLAUSE | 0:22:21 | 0:22:23 | |
OK, it's been great, but as ever, we've saved the best till last. | 0:22:23 | 0:22:26 | |
It's time to pay tribute to tonight's special guest | 0:22:26 | 0:22:28 | |
and when it comes to broadcasting, this guy wrote the book. | 0:22:28 | 0:22:32 | |
And I am about to read from it. | 0:22:32 | 0:22:34 | |
-Ah! -Oh! | 0:22:34 | 0:22:35 | |
This is Gerry's book, Surviving In Stroke City. | 0:22:35 | 0:22:37 | |
Available at all good bookshops. | 0:22:37 | 0:22:40 | |
Quote - "Sustaining a successful career in show business depends | 0:22:40 | 0:22:44 | |
"on one's ability to master the art of looking surprised and shocked | 0:22:44 | 0:22:47 | |
"at being told something that someone has already known for some time." | 0:22:47 | 0:22:51 | |
It's time to show us your best surprised face | 0:22:51 | 0:22:54 | |
cos the panellist getting Monumental status this week | 0:22:54 | 0:22:56 | |
-is the one, the only Gerry Anderson! -Oh, thank you! | 0:22:56 | 0:22:59 | |
CHEERING AND APPLAUSE | 0:22:59 | 0:23:02 | |
Now, Gerry, everybody knows you | 0:23:07 | 0:23:08 | |
as an award-winning radio and TV broadcaster | 0:23:08 | 0:23:11 | |
but Gerry first popped his performing cherry | 0:23:11 | 0:23:13 | |
playing in showbands. Have a look at this. | 0:23:13 | 0:23:15 | |
Oh, my God. | 0:23:16 | 0:23:18 | |
-Where are you? -Extreme right. | 0:23:18 | 0:23:19 | |
JIMEOIN: How did you make money in that band? There are way too many! | 0:23:19 | 0:23:24 | |
So what was it like being in a showband at the time? | 0:23:24 | 0:23:26 | |
It was terrible. Everybody who was in a showband didn't want to be in one | 0:23:26 | 0:23:30 | |
because anyone who was interested in music, | 0:23:30 | 0:23:32 | |
the last thing they should have done was join a showband. | 0:23:32 | 0:23:34 | |
I started to play guitar in my room, someone said, "He's good, why doesn't he play in a band?" | 0:23:34 | 0:23:38 | |
I said, "A band?" And I found myself on the stage. | 0:23:38 | 0:23:40 | |
It was the worst thing I ever did. I hated it, | 0:23:40 | 0:23:43 | |
and then everything I've ever done, | 0:23:43 | 0:23:44 | |
I've always ended up being in show business and I've never liked it. | 0:23:44 | 0:23:47 | |
Saying the words, "I never wanted to be in show business" | 0:23:47 | 0:23:50 | |
sitting on a giant yellow brick | 0:23:50 | 0:23:52 | |
has to be the best thing I've seen in my life! | 0:23:52 | 0:23:55 | |
So the next obvious place for a man who's used to this kind of lifestyle | 0:23:55 | 0:23:58 | |
-is of course BBC Radio Foyle. -Yes. | 0:23:58 | 0:24:01 | |
Good morning, housewives. And ladies. | 0:24:04 | 0:24:06 | |
ROOSTER SOUND EFFECT | 0:24:06 | 0:24:08 | |
And good morning, everyone else. What a wonderful day. | 0:24:08 | 0:24:12 | |
God's in his heaven, Elizabeth's on the throne | 0:24:12 | 0:24:15 | |
and the dole will open in two hours, so get up, get out... | 0:24:15 | 0:24:18 | |
LAUGHTER AND APPLAUSE | 0:24:18 | 0:24:21 | |
So what were your early days of radio like? | 0:24:23 | 0:24:26 | |
Oh, great, because I never wanted to be on the radio. | 0:24:26 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:31 | |
-This is a quote from your book. -Yes! -"I had what it took to be on radio. | 0:24:31 | 0:24:35 | |
"I could lie convincingly without apparent effort, fluently and live." | 0:24:35 | 0:24:39 | |
Not everybody can do that. It's a talent. | 0:24:39 | 0:24:43 | |
Now, your talent on the radio | 0:24:43 | 0:24:44 | |
won you a Gold Sony Award for Best Regional Broadcaster. | 0:24:44 | 0:24:47 | |
You're in the prestigious Radio Academy Hall Of Fame, | 0:24:47 | 0:24:50 | |
alongside greats like Sir Terry Wogan. | 0:24:50 | 0:24:52 | |
Uniquely, you're also proud to have topped a local poll in two categories, | 0:24:52 | 0:24:55 | |
-one - Northern Ireland's favourite radio personality. -Yes. | 0:24:55 | 0:24:59 | |
And the radio personality | 0:24:59 | 0:25:00 | |
people would most like to see removed from the airwaves. | 0:25:00 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:05 | |
I'm particularly proud of that one. | 0:25:05 | 0:25:07 | |
It wouldn't be long before you were called up to the big leagues. | 0:25:07 | 0:25:10 | |
-Radio 4 came calling. -Oh, yes! | 0:25:10 | 0:25:12 | |
Here's how some members of the Northern Irish public reacted | 0:25:12 | 0:25:15 | |
to the news that Gerry was leaving for London. | 0:25:15 | 0:25:17 | |
That's very sad to see him go, and he'll be missed. | 0:25:17 | 0:25:20 | |
My auntie likes him. She's mad about him, | 0:25:20 | 0:25:22 | |
but I'm not too keen on him, like. | 0:25:22 | 0:25:25 | |
LAUGHTER AND APPLAUSE | 0:25:25 | 0:25:28 | |
But you know, the fact that I was thoroughly despised | 0:25:29 | 0:25:32 | |
by a large proportion of the Radio 4 audience, I'm proud of it. | 0:25:32 | 0:25:36 | |
LAUGHTER | 0:25:36 | 0:25:38 | |
Then you moved onto TV. | 0:25:40 | 0:25:42 | |
-Now, I've seen a few clips of your many local TV shows. -Yeah. | 0:25:42 | 0:25:44 | |
-And your studio chat show Anderson On The Box. -Done here, yeah. | 0:25:44 | 0:25:47 | |
One of my favourites, especially how you interacted | 0:25:47 | 0:25:50 | |
with the audience and guests that you're interviewing. | 0:25:50 | 0:25:53 | |
For instance, what caught your eye the most about Catherine Zeta Jones? | 0:25:53 | 0:25:56 | |
She had the hairiest arms I've ever seen on a woman. | 0:25:56 | 0:26:00 | |
Now, I like that. | 0:26:00 | 0:26:02 | |
-You can't tell. -No, you can't tell. | 0:26:04 | 0:26:06 | |
No, TV's a wonderful thing. | 0:26:06 | 0:26:08 | |
It puts on ten pounds and removes all hair on your arms. | 0:26:08 | 0:26:11 | |
-You didn't want to play in a band. -No. | 0:26:13 | 0:26:14 | |
-You didn't want to be on radio. -No. | 0:26:14 | 0:26:16 | |
-Did you want to be on TV? -No. I didn't want to do any of that. | 0:26:16 | 0:26:19 | |
I just wanted to sit at home and look at the window. | 0:26:19 | 0:26:21 | |
Do you think maybe that's the secret of your success? | 0:26:21 | 0:26:24 | |
I don't have any success. | 0:26:24 | 0:26:26 | |
I have no idea. What I do is, I just try and... | 0:26:26 | 0:26:29 | |
Be yourself, you can't really be yourself, | 0:26:29 | 0:26:32 | |
because if you were yourself, you'd be sacked immediately. | 0:26:32 | 0:26:34 | |
It's the same thing I say to people if they ever ask me about radio, | 0:26:34 | 0:26:38 | |
"What's the secret of radio?" There is no secret. | 0:26:38 | 0:26:40 | |
What you do is, you be yourself. | 0:26:40 | 0:26:42 | |
If they don't like you, do something else, | 0:26:42 | 0:26:44 | |
but don't pretend to be something else. | 0:26:44 | 0:26:46 | |
-That's what I think. -Take that home, kids. | 0:26:46 | 0:26:48 | |
-APPLAUSE -Gerry, you're a national treasure, whether you like it not. | 0:26:48 | 0:26:52 | |
You have a career that 100 people would be proud of | 0:26:52 | 0:26:54 | |
and all that's left to hear | 0:26:54 | 0:26:55 | |
is a special tribute from a fellow North Coast hard rocking legend | 0:26:55 | 0:26:59 | |
who was very difficult to book, | 0:26:59 | 0:27:00 | |
but he has taken some time out from his busy touring schedule | 0:27:00 | 0:27:03 | |
to record this special message just for you. | 0:27:03 | 0:27:05 | |
Hello, Gerry. | 0:27:05 | 0:27:07 | |
LAUGHTER | 0:27:07 | 0:27:08 | |
Great news, I hear. They're giving you monumental status. | 0:27:08 | 0:27:12 | |
I just wanted to congratulate you on this great occasion. | 0:27:12 | 0:27:16 | |
Now, you were always there for me and I'll never forget it. | 0:27:16 | 0:27:20 | |
Yes, you were right there | 0:27:20 | 0:27:22 | |
in the front row of every concert that I did, | 0:27:22 | 0:27:25 | |
singing along with every song, and you knew all the words. | 0:27:25 | 0:27:29 | |
If I ever need a bass player, by the way, you'll be... | 0:27:29 | 0:27:33 | |
..the 11th person I'll call. Have a monumental night, Gerry. Cheers. | 0:27:34 | 0:27:40 | |
APPLAUSE | 0:27:40 | 0:27:42 | |
Ladies and gentlemen, I give you the man, the legend, Gerry Anderson, | 0:27:43 | 0:27:47 | |
-you are monumental. -Thank you. | 0:27:47 | 0:27:50 | |
CHEERING AND APPLAUSE | 0:27:50 | 0:27:52 | |
That brings us to the end of the show. | 0:27:53 | 0:27:55 | |
The scores were dead set even before that final round | 0:27:55 | 0:27:58 | |
but because you're monumental, you've tipped it over the edge. | 0:27:58 | 0:28:01 | |
Andrew's team have won the show! | 0:28:01 | 0:28:03 | |
CHEERING AND APPLAUSE | 0:28:03 | 0:28:07 | |
It's a big thanks to Jimeoin, Michael Smiley, and Aisling Bea! | 0:28:07 | 0:28:10 | |
APPLAUSE | 0:28:10 | 0:28:12 | |
Andrew Maxwell and Micky Bartlett! | 0:28:12 | 0:28:14 | |
APPLAUSE | 0:28:14 | 0:28:15 | |
-And the monumental Gerry Anderson! -Thank you. | 0:28:15 | 0:28:18 | |
CHEERING AND APPLAUSE | 0:28:18 | 0:28:20 | |
I've been Adam Hills, and you lovely people of Northern Ireland | 0:28:20 | 0:28:23 | |
have been truly monumental. Good night! | 0:28:23 | 0:28:25 | |
Subtitles by Red Bee Media Ltd | 0:28:52 | 0:28:55 |