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CHEERING AND APPLAUSE | 0:00:18 | 0:00:23 | |
Hello, and welcome to the show. | 0:00:30 | 0:00:34 | |
I'm Robert Webb. As we all know, I'm the cool one from Mitchell and Webb, | 0:00:34 | 0:00:37 | |
because I've been to five more gigs than David. | 0:00:37 | 0:00:40 | |
Yep. I've been to six. | 0:00:40 | 0:00:42 | |
On Noel's team... | 0:00:43 | 0:00:44 | |
# I see you driving round town with the girl I love... # | 0:00:44 | 0:00:47 | |
He released the song F You, but changed it to Forget You | 0:00:47 | 0:00:50 | |
so it could be played on the radio. If he thinks he can peddle that kind of filth here, | 0:00:50 | 0:00:54 | |
he can forget right off. | 0:00:54 | 0:00:55 | |
It's top pop mother-forgetter Cee Lo Green. | 0:00:55 | 0:00:58 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:02 | |
He's the popular presenter of Springwatch, but that's no use to us | 0:01:02 | 0:01:06 | |
so for the purposes of this show, he fiddles with animals. | 0:01:06 | 0:01:09 | |
It's nature's top animal sodomiser, Chris Packham. | 0:01:09 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:15 | |
On Phill's team tonight... | 0:01:16 | 0:01:18 | |
# Two lives, living two lives... # | 0:01:18 | 0:01:21 | |
He's been rapping for 16 years, writes his own songs, | 0:01:21 | 0:01:24 | |
and has achieved wide critical acclaim. | 0:01:24 | 0:01:26 | |
That's why he'll be outsold | 0:01:26 | 0:01:28 | |
by Cher Lloyd singing Chim-Chiminey Chim-Chiminey Chim-Chim-Cher-ee. It's Example. | 0:01:28 | 0:01:33 | |
CHEERING AND APPLAUSE | 0:01:33 | 0:01:34 | |
And a woman who, I'm told, absolutely killed it | 0:01:34 | 0:01:38 | |
on Michael McIntyre's Comedy Roadshow. | 0:01:38 | 0:01:40 | |
If only she'd killed him rather than it. | 0:01:40 | 0:01:42 | |
It's Andi Osho. | 0:01:42 | 0:01:44 | |
CHEERING AND APPLAUSE | 0:01:44 | 0:01:48 | |
So, we begin with What Have We pixellated? | 0:01:48 | 0:01:51 | |
Noel, Cee Lo and Chris, have a look at this. | 0:01:51 | 0:01:54 | |
# Stop calling, stop calling I don't want to... # | 0:01:54 | 0:01:57 | |
She likes the feel of animal flesh against her skin. | 0:01:57 | 0:01:59 | |
Put your cock away, Packham, it was only a dress. | 0:01:59 | 0:02:02 | |
It's barmier-than-a-barm-cake pop gentry Lady Gaga. | 0:02:02 | 0:02:06 | |
# Eh-eh-eh-eh-eh-eh-eh-eh-eh-eh-eh | 0:02:06 | 0:02:08 | |
# Stop telephoning me-eh-eh-eh-eh-eh-eh-eh-eh-eh-eh... # | 0:02:08 | 0:02:13 | |
That was Lady Gaga with Telephone, but what have we pixellated? | 0:02:14 | 0:02:19 | |
I love the fact that in that video, someone answers a baguette. | 0:02:19 | 0:02:23 | |
When a baguette's ringing... then what are you going to do? | 0:02:23 | 0:02:27 | |
If you leave it, it'll just go stale, so you've got to | 0:02:27 | 0:02:29 | |
pick it up, keep it fresh, keep talking to the baguette. | 0:02:29 | 0:02:32 | |
Now Noel has actually said that, within the month | 0:02:32 | 0:02:36 | |
Apple will bring out the iLoaf. | 0:02:36 | 0:02:38 | |
Good. Good iPun work there. | 0:02:39 | 0:02:43 | |
Apparently, you get quite bad signal droppage if you put cheese and pickle on it. | 0:02:43 | 0:02:47 | |
Chris is getting so close. | 0:02:47 | 0:02:50 | |
You can tell he's an animal watcher. | 0:02:50 | 0:02:52 | |
Chris, you are a leading expert on zoology | 0:02:58 | 0:03:00 | |
and you've been broadcasting wildlife programmes | 0:03:00 | 0:03:03 | |
for about 20 years and you've been all over the world | 0:03:03 | 0:03:06 | |
examining natural history. What, in your opinion, | 0:03:06 | 0:03:08 | |
is the most interesting animal you've ever slept with? | 0:03:08 | 0:03:12 | |
-It's difficult. -It's difficult, yes. | 0:03:15 | 0:03:17 | |
There's quite a few to choose from. It's not... | 0:03:17 | 0:03:20 | |
In a metaphorical sense, you know. | 0:03:20 | 0:03:23 | |
I hesitate to ask... Please continue. | 0:03:23 | 0:03:28 | |
Yeah, it was a tapir. | 0:03:28 | 0:03:30 | |
In front of Michaela Strachan, who did nothing to help. | 0:03:30 | 0:03:33 | |
Except film it. | 0:03:33 | 0:03:34 | |
She photographed it, yeah. | 0:03:34 | 0:03:36 | |
Are tapirs like half horse, half zebra? What are they? | 0:03:36 | 0:03:39 | |
About that long, actually. | 0:03:39 | 0:03:42 | |
-Is this an unhappy memory or are you absolutely fine? -Was it full penetration? | 0:03:43 | 0:03:46 | |
It wasn't penetrative, but it did climax. | 0:03:46 | 0:03:50 | |
-The thing is... -What do you tell the guy at the dry-cleaning that is? | 0:03:50 | 0:03:55 | |
"Oh, that's the usual tapir... ahem, stain." | 0:03:55 | 0:03:59 | |
That's insane. | 0:03:59 | 0:04:00 | |
Yeah, it was a tame tapir that had been hand-reared, and hand-reared... | 0:04:00 | 0:04:05 | |
Very lovingly. | 0:04:06 | 0:04:08 | |
I didn't hand-rear it, obviously. | 0:04:08 | 0:04:10 | |
Cos otherwise it'd just be revenge it's getting on you. | 0:04:10 | 0:04:14 | |
And what we call imprinted animals, | 0:04:14 | 0:04:16 | |
often, if they're reared from a very young age, | 0:04:16 | 0:04:18 | |
confuse humans with their parents, basically, | 0:04:18 | 0:04:21 | |
so it saw me as a female tapir, which is slightly disconcerting. | 0:04:21 | 0:04:25 | |
-Well... -And they have a very long tongue, | 0:04:25 | 0:04:27 | |
and what happened was, the tapir came out | 0:04:27 | 0:04:30 | |
and I was playing with its tongue... | 0:04:30 | 0:04:32 | |
Now, yeah... I hate to use the phrase "you were asking for it"... | 0:04:34 | 0:04:38 | |
I led it on. I led it on a bit. | 0:04:38 | 0:04:39 | |
OK. | 0:04:39 | 0:04:41 | |
They've got very long tongues, which they use | 0:04:41 | 0:04:43 | |
for wrapping around their foliage, | 0:04:43 | 0:04:45 | |
-bit like a giraffe... -I don't know, I've never done it with a giraffe either. | 0:04:45 | 0:04:50 | |
I think, you know, one of the great privileges of my job | 0:04:50 | 0:04:53 | |
is that you can be very tactile with animals. You can... | 0:04:53 | 0:04:56 | |
NOEL LAUGHS | 0:04:56 | 0:04:58 | |
Legally. Stop it. | 0:04:58 | 0:05:01 | |
So, once you've experienced this, at the end of the day, | 0:05:01 | 0:05:04 | |
would you rather it had been the tapir assault you were subjected to | 0:05:04 | 0:05:08 | |
or meerkat gangbang. | 0:05:08 | 0:05:10 | |
Yeah, a meerkat... I'd take the tapir, actually. | 0:05:12 | 0:05:14 | |
Size is important. | 0:05:14 | 0:05:16 | |
Cee Lo, are you regretting your decision to come here tonight? | 0:05:17 | 0:05:21 | |
Were you under the impression this was some kind of quiz? | 0:05:21 | 0:05:24 | |
Yes, yes, I was. We're on teams, I'm going to support him. | 0:05:24 | 0:05:28 | |
-I feel I should move us on. Now, Cee Lo, your new album is called Lady Killer. -Yes. -I just want to | 0:05:28 | 0:05:34 | |
dive straight in here and say I take a very dim view of killing ladies | 0:05:34 | 0:05:39 | |
and if you even start to think about killing a lady, | 0:05:39 | 0:05:43 | |
I'm going to become quite vexed. I'm an easy-going guy. | 0:05:43 | 0:05:46 | |
I'm adamant on this point. | 0:05:46 | 0:05:48 | |
Don't kill any of the ladies. | 0:05:48 | 0:05:51 | |
-Yes. -You promise? -I promise. -OK. Good lad. | 0:05:51 | 0:05:53 | |
Now, then, OK, so... | 0:05:56 | 0:05:58 | |
As if Cee Lo's going to kill a lady! He's wearing velour. | 0:05:58 | 0:06:01 | |
So, Lady Gaga, pixellation - thoughts? | 0:06:03 | 0:06:08 | |
All I can think about is you getting rogered by a tapir now. | 0:06:08 | 0:06:11 | |
And Michaela Strachan, I used to fancy her when I was at school. | 0:06:11 | 0:06:15 | |
-I did too. She was quite fit. -Yeah, she was, wasn't she? -For a bit. | 0:06:15 | 0:06:18 | |
Well, who's a charmer? | 0:06:20 | 0:06:23 | |
It was a dream team, actually, | 0:06:25 | 0:06:26 | |
-because you had Nutkins as well, didn't you? -Yeah. | 0:06:26 | 0:06:28 | |
I got his autograph when I was a little kid. | 0:06:28 | 0:06:30 | |
I went, "Mum, there's Terry off the telly!" and she went, | 0:06:30 | 0:06:33 | |
"Don't bother him. He's chatting to some grown-ups." | 0:06:33 | 0:06:35 | |
What was weird was I went up to him, and I was really young. | 0:06:35 | 0:06:38 | |
I was, I don't know, seven, and he was signing something for me, | 0:06:38 | 0:06:42 | |
but I was a bit nervous, and you know he got his finger bitten off | 0:06:42 | 0:06:46 | |
-by a... -Otter. -An otter? -Yeah. | 0:06:46 | 0:06:48 | |
-It's tough work... -That must have taken ages for an otter! | 0:06:48 | 0:06:51 | |
My mum nudged me and went, "Don't stare at Terry's missing finger!" | 0:06:53 | 0:06:58 | |
Really loud, though, so he could hear. It was embarrassing. | 0:06:59 | 0:07:03 | |
"We're sorry, Terry. He's staring at your missing finger." | 0:07:03 | 0:07:06 | |
You can't stare AT a missing finger. It's not there. | 0:07:06 | 0:07:09 | |
-So... -Gaga, Lady, pixellation, thoughts. | 0:07:11 | 0:07:15 | |
-Lady Gaga... -There's something in her hand, or she's holding | 0:07:15 | 0:07:18 | |
something onto her head or it's a sort of '30s hat. | 0:07:18 | 0:07:22 | |
I read somewhere that she was so afraid of getting a brain tumour, | 0:07:22 | 0:07:27 | |
she would have someone from her entourage | 0:07:27 | 0:07:29 | |
-hold the phone like this for her... -Really? -She's scared | 0:07:29 | 0:07:33 | |
of getting brain tumours. What a weird thing to be scared of. | 0:07:33 | 0:07:35 | |
I'm more scared of otters, to be honest. | 0:07:35 | 0:07:38 | |
-Tapirs. -I'm now more scared of tapirs. | 0:07:38 | 0:07:40 | |
Well, I don't know what it could be, really. | 0:07:40 | 0:07:42 | |
What do you think? It could be Terry Nutkins. | 0:07:42 | 0:07:46 | |
Finger. Terry Nutkins' missing finger. | 0:07:46 | 0:07:48 | |
-Hair made of Terry Nutkins finger! -Terry Nutkins' missing finger. | 0:07:48 | 0:07:52 | |
Shall we see if it's Terry Nutkins' missing finger? | 0:07:52 | 0:07:55 | |
# Eh-eh-eh-eh-eh-eh-eh-eh-eh-eh-eh | 0:07:56 | 0:07:58 | |
# Stop telephoning me-eh-eh-eh-eh-eh-eh-eh-eh-eh-eh... # | 0:07:58 | 0:08:02 | |
It is, in fact, we pixellated Diet Coke cans in her hair. | 0:08:02 | 0:08:06 | |
Earlier this year, Lee Ryan said he'd love to work with Lady Gaga. | 0:08:06 | 0:08:09 | |
Well, Lee, if she orders a carpet in the Thames Valley region | 0:08:09 | 0:08:12 | |
and has it fitted on Tuesday or Thursday, | 0:08:12 | 0:08:15 | |
that may just happen. | 0:08:15 | 0:08:16 | |
Phill, Example and Andi, have a look at this. | 0:08:16 | 0:08:20 | |
# Might be paranoid... # | 0:08:20 | 0:08:23 | |
If there are any Disney lawyers watching - | 0:08:23 | 0:08:25 | |
quick! Turn over to ITV now. | 0:08:25 | 0:08:27 | |
They're showing Donald Duck bumming Mickey Mouse. | 0:08:27 | 0:08:29 | |
It's sweet mediocrity-mongers, the Jonas Brothers. | 0:08:29 | 0:08:31 | |
# Paranoid... | 0:08:31 | 0:08:33 | |
# Yeah... # | 0:08:35 | 0:08:36 | |
That was the Jonas Brothers with Paranoid, | 0:08:40 | 0:08:42 | |
but what have we pixel-ar-tard? | 0:08:42 | 0:08:44 | |
The Jonas Brothers, who have not had sex. | 0:08:44 | 0:08:48 | |
-I believe so. -So they're all still virgins? All... | 0:08:48 | 0:08:51 | |
-How many of them? Three of them? -Well, one of them got married, | 0:08:51 | 0:08:55 | |
-so I think he's allowed by his own code. -Wow. | 0:08:55 | 0:08:57 | |
He probably shot his wife off like some kind of wife bazooka. | 0:08:57 | 0:09:01 | |
Probably! She would have been, like, slammed against the back wall. | 0:09:01 | 0:09:05 | |
-"Damn!" -You two are in a whole kind of comedy slapstick porn film. | 0:09:05 | 0:09:09 | |
And then it goes "boing!" and she goes "blook!" | 0:09:09 | 0:09:13 | |
"Dawhhrrr!" | 0:09:13 | 0:09:14 | |
There's just not enough amusing sound effects in porn. | 0:09:14 | 0:09:17 | |
-If once in a while, you got a... -HE SQUEAKS | 0:09:17 | 0:09:19 | |
HE HONKS | 0:09:19 | 0:09:21 | |
-Or just at the end... -SHE QUACKS A JAUNTY TUNE | 0:09:21 | 0:09:24 | |
Something like that. | 0:09:24 | 0:09:26 | |
A tapir just came into shot. | 0:09:26 | 0:09:29 | |
I don't understand the appeal of young men that won't have sex | 0:09:29 | 0:09:32 | |
to teenage girls, because surely, the teenage girls that... | 0:09:32 | 0:09:37 | |
Cos they're perfectly good at turning down men that are dying to have sex, | 0:09:37 | 0:09:40 | |
in my experience, so...yeah. | 0:09:40 | 0:09:43 | |
It was a long adolescence. | 0:09:43 | 0:09:46 | |
Do they have kittens? Like every time somebody has sex before marriage, a kitten dies? | 0:09:46 | 0:09:52 | |
I hope that's not true. | 0:09:53 | 0:09:55 | |
-Chris is not happy about that! | 0:09:55 | 0:09:57 | |
You can't just say stuff like that. | 0:10:00 | 0:10:02 | |
Chris got bitten by a vulture | 0:10:02 | 0:10:04 | |
but the brilliant thing was that it took so much of your hand... | 0:10:04 | 0:10:09 | |
It took a chunk and then swallowed it. | 0:10:09 | 0:10:11 | |
-It ate it. -But you did an impression. | 0:10:11 | 0:10:14 | |
They swallow by flicking it up like that and swallowing down. | 0:10:14 | 0:10:18 | |
When I started doing stand-up, I used to do an impression of a turtle eating a liquorice boot lace. | 0:10:18 | 0:10:23 | |
And when I saw you do that, I thought, "Yeah, I was scientifically correct!" | 0:10:25 | 0:10:31 | |
You like vultures but can I ask you about your attitude to pandas? | 0:10:33 | 0:10:37 | |
I believe you said we should abandon pandas because "they are an evolutionary cul-de-sac | 0:10:37 | 0:10:43 | |
"and I reckon we should pull the plug." | 0:10:43 | 0:10:45 | |
Look at that. Is there any chance you were rejected by a panda? | 0:10:45 | 0:10:51 | |
Shall we sexy him up a bit? What about this panda? | 0:10:51 | 0:10:54 | |
Is that doing it for you? You don't mind saving THAT panda? | 0:10:57 | 0:11:01 | |
The thing is, they cost an inordinate amount of money to keep going. | 0:11:01 | 0:11:06 | |
-And conservation... -How expensive is bamboo? | 0:11:06 | 0:11:11 | |
All they do is eat bamboo, stupid idiots. | 0:11:12 | 0:11:16 | |
-Yeah, but they're carnivores. -They eat meat? -They should but they've taken to eating bamboo | 0:11:16 | 0:11:22 | |
Their gut's not adapted to that. It's another evolutionary mistake. | 0:11:22 | 0:11:26 | |
Absolute wankers. | 0:11:26 | 0:11:28 | |
Example, | 0:11:30 | 0:11:31 | |
welcome to the show. | 0:11:31 | 0:11:33 | |
-May I call you Eg? -Yes, very clever. Very good. | 0:11:33 | 0:11:37 | |
It is very clever, because it's your joke, which I was trying to steal, which nobody laughed at, | 0:11:37 | 0:11:42 | |
-so who's laughing at whom, we don't know. -It's not a joke, it's my initials. | 0:11:42 | 0:11:47 | |
-My initials are Eg and...you know, Example. -That's how that all works. -Better than your name. | 0:11:47 | 0:11:53 | |
I'm delighted that I brought it up. | 0:11:53 | 0:11:55 | |
I've never seen anyone look more bemused. You're like... | 0:11:57 | 0:12:01 | |
Do we have any ideas of what is pixellated here? | 0:12:02 | 0:12:05 | |
I think it's George Alagiah and Martyn Lewis. | 0:12:05 | 0:12:08 | |
Let's see if you're right. | 0:12:08 | 0:12:10 | |
So...that was probably the wrong answer. | 0:12:18 | 0:12:21 | |
We pixellated two Mexican wrestlers, their faces clad in leather and bundled into a car. | 0:12:22 | 0:12:28 | |
That's how Christine Bleakley and Adrian Chiles leave the Daybreak studio every day. | 0:12:28 | 0:12:33 | |
Next up is the intros round. Noel and Cee Lo, here are yours for Chris. | 0:12:34 | 0:12:39 | |
Ah, dear. | 0:12:41 | 0:12:43 | |
You've got a bit of a panda vibe going on. | 0:12:43 | 0:12:46 | |
Earlier on you said you actually learnt to sing from listening to things around the house. | 0:12:46 | 0:12:52 | |
Just imitating other artists that I like, yeah. | 0:12:52 | 0:12:55 | |
Pretty cool. I thought you meant the kettle and the toaster. | 0:12:55 | 0:12:59 | |
That's not as interesting a fact. | 0:13:02 | 0:13:04 | |
I pictured you as a little boy going, "Ooooooooooo!" | 0:13:05 | 0:13:09 | |
Right. | 0:13:11 | 0:13:12 | |
Two, three, four... | 0:13:12 | 0:13:14 | |
# Bum, bum, ba do do do do | 0:13:14 | 0:13:16 | |
# Do do do da do do do | 0:13:16 | 0:13:18 | |
# Do do do da do do do | 0:13:18 | 0:13:20 | |
# Do do do da do do do | 0:13:20 | 0:13:23 | |
# Oooooo-ooooooo-oooooo | 0:13:23 | 0:13:26 | |
# Oooooo-ooooooo-oooooo | 0:13:26 | 0:13:29 | |
# Ba do do do do, boo boo, boo | 0:13:29 | 0:13:31 | |
-# Boop-boooo-doo-doo -# Ba do do do do, boo boo, boo | 0:13:32 | 0:13:34 | |
-# Boop-boooo-doo-dooo -# Ba do do do do, boo boo, boo | 0:13:34 | 0:13:36 | |
-# Boop-poooo-dooo -# Ba do do do do, boo boo, boo | 0:13:36 | 0:13:39 | |
-# Boop-poooo-dooo -# Ba do do do do, boo boo, boo | 0:13:39 | 0:13:41 | |
-# Bzzzzzzzzz. # -You look like you're trying so hard. | 0:13:41 | 0:13:44 | |
APPLAUSE | 0:13:44 | 0:13:47 | |
I've watched the programme and I never get these but that was Close To Me by the Cure. | 0:13:51 | 0:13:56 | |
It was indeed. Here's how it should have sounded. | 0:13:56 | 0:13:59 | |
MUSIC: "Close To You" by The Cure | 0:13:59 | 0:14:02 | |
Next intro, please. | 0:14:10 | 0:14:13 | |
Robert Smith got me laid when I was young. | 0:14:13 | 0:14:15 | |
Not...He didn't come round my house. | 0:14:17 | 0:14:20 | |
-I'm going to try and do my best for you again. -All right. | 0:14:21 | 0:14:24 | |
# Jing jing jing Ja-jing jing ja-jing jing | 0:14:24 | 0:14:28 | |
# Jing jing jing Ja-jing jing ja-jing jing | 0:14:28 | 0:14:31 | |
-# Jing jing jing Ja-jing jing ja-jing jing -# Ba-ba-ba-baaa | 0:14:31 | 0:14:35 | |
-# Jing jing jing Ja-jing jing ja-jing jing -# Ba-ba-ba-baaa | 0:14:35 | 0:14:38 | |
-# Jing jing jing Ja-jing jing ja-jing jing -# Ba-ba-ba-baaa | 0:14:38 | 0:14:41 | |
-# Jing jing jing Ja-jing jing ja-jing jing # -# Ba-ba-ba-baaa | 0:14:41 | 0:14:45 | |
-# Jing jing jing Ja-jing jing ja-jing jing... -Come on, Chris, you got it? | 0:14:45 | 0:14:49 | |
He's singing the words! | 0:14:49 | 0:14:52 | |
APPLAUSE | 0:14:52 | 0:14:54 | |
Noel's sounding a bit Dusty Springfield. | 0:14:55 | 0:14:58 | |
To be honest, I'd focus on HIM. | 0:14:58 | 0:15:01 | |
-I'm going to throw it over. Any ideas? -I'm clueless on this one. | 0:15:02 | 0:15:08 | |
Guys? | 0:15:08 | 0:15:09 | |
It sounds like # Da da dum, da-dum dum... | 0:15:09 | 0:15:13 | |
Yes, that's what they were doing. | 0:15:13 | 0:15:16 | |
If you can do that in words... | 0:15:16 | 0:15:18 | |
-I don't know if you've interpreted it as a lounge song. -Do you know? -Yes, it's Girl From Ipanema. -It is. | 0:15:18 | 0:15:25 | |
And here's how it should have sounded. | 0:15:25 | 0:15:27 | |
# "Girl From Ipanema" by Frank Sinatra | 0:15:27 | 0:15:30 | |
# Tall and tan and young and lovely...# | 0:15:40 | 0:15:43 | |
That was Girl From Ipanema by Frank Sinatra. | 0:15:43 | 0:15:45 | |
Interestingly, Sinatra didn't serve in WWII on account of a perforated eardrum. | 0:15:45 | 0:15:50 | |
Instead he stayed at home and protected his ear | 0:15:50 | 0:15:53 | |
by performing in front of a 72-piece band every night. | 0:15:53 | 0:15:58 | |
Despite his limited musical ability, he furthered his career | 0:15:58 | 0:16:00 | |
by getting into bed with one of the most ruthless, brutal godfathers... | 0:16:00 | 0:16:04 | |
Hang on, that's not Sinatra, that's Sinitta. | 0:16:04 | 0:16:08 | |
We also heard the Cure with Close To Me. | 0:16:13 | 0:16:16 | |
Robert Smith has said that Duran Duran were everything he hated about the 1980s. | 0:16:16 | 0:16:20 | |
So with the miners' strike, AIDS, the Falklands, Zeebrugge and Chernobyl, | 0:16:20 | 0:16:24 | |
it was Wild Boys that was the problem. | 0:16:24 | 0:16:27 | |
Phill and Example, here are yours for Andi. | 0:16:30 | 0:16:34 | |
-Here we go. -Yep. | 0:16:34 | 0:16:36 | |
OK. | 0:16:36 | 0:16:37 | |
It goes Bum-pa-dum pa-da-dabu-da-da-da-da-ta | 0:16:37 | 0:16:40 | |
Bum-pa-dum pa-da-dabu-da-da-da-da | 0:16:40 | 0:16:43 | |
DUM-pa-dum pa-da-dabu-da-da-dum | 0:16:43 | 0:16:45 | |
DUM-pa-dum pa-da-dabu-da-da-da-dum | 0:16:45 | 0:16:47 | |
# Da-da-da-da-da-da-da-da-da-da-da | 0:16:47 | 0:16:50 | |
# Da-da-da-da-da-da-da-da-da-da-da | 0:16:50 | 0:16:54 | |
# Da-da-da-da-da-da-da-da-da-dowwww | 0:16:54 | 0:16:57 | |
# Da-dow-dowww... | 0:16:57 | 0:16:58 | |
What he's doing sounds like Amy Winehouse, but it isn't, is it? | 0:16:58 | 0:17:02 | |
-Yeah, it sounds a bit like that. -It sounds like that but it isn't, that's why I'm saying it. | 0:17:02 | 0:17:06 | |
No, it isn't. No. | 0:17:06 | 0:17:07 | |
-Would you... -OK, there's going to be a lot more things it isn't. Let's crack through them. | 0:17:07 | 0:17:15 | |
-Is it Adam Ant? Am I allowed to ask that? -You're not a million miles off the era | 0:17:15 | 0:17:19 | |
but it's not Adam Ant. I might throw it over. | 0:17:19 | 0:17:22 | |
I'm throwing it over. It's thrown over. | 0:17:22 | 0:17:24 | |
I Want Candy, Bow Wow Wow. | 0:17:24 | 0:17:26 | |
Correct, sir! | 0:17:26 | 0:17:28 | |
Here's how it should have sounded. | 0:17:30 | 0:17:33 | |
MUSIC: "I Want Candy" by Bow Wow Wow | 0:17:33 | 0:17:35 | |
Mega and spiffing. Next intro, please. | 0:17:46 | 0:17:49 | |
# Dun-da-da-da-da-da-da Dun-da-da-da da-da-da | 0:17:51 | 0:17:54 | |
-# Dun-da-da-da-da-da-da Dun-da-da-da da-da-da -# Uh-ts uh-ts uh-ts uh-ts uh-ts | 0:17:54 | 0:17:58 | |
-# Dun-da-da-da-da-da-da Dun-da-da-da da-da-da -# Uh-ts uh-ts uh-ts uh-ts uh-ts | 0:17:58 | 0:18:02 | |
Is it a Eurovision song? | 0:18:02 | 0:18:04 | |
Oooh! | 0:18:04 | 0:18:06 | |
# Ooh-ah just a little bit... # | 0:18:06 | 0:18:07 | |
-That's it. -# Ooh-ah. # I don't have to sing it. It's Gina G, isn't it? -It is. | 0:18:07 | 0:18:12 | |
Here's how it should have sounded. | 0:18:13 | 0:18:16 | |
MUSIC: "Ooh... Ahh (Just A Little Bit)" by Gina G. | 0:18:16 | 0:18:20 | |
The boy here remembers things. | 0:18:20 | 0:18:22 | |
Not now! Not now, I'm in the zone! | 0:18:34 | 0:18:36 | |
So that was Gina G with Ooh... Ahh - brackets - (Just A Little Bit). | 0:18:38 | 0:18:43 | |
Gina G claims she was robbed of the Eurovision title in 1996. | 0:18:44 | 0:18:47 | |
To be fair, she was just pipped to the post by seven other countries, | 0:18:47 | 0:18:51 | |
including a Lithuanian transsexual singing Pee-Pee Poo-poo Disco Disco Baby Baby Sexy Hotpants. | 0:18:51 | 0:18:56 | |
Her records may not have sold well, but she earns a fortune from royalties. | 0:18:58 | 0:19:02 | |
Every time Eamonn Holmes is asked if he wants some cake, | 0:19:02 | 0:19:05 | |
"Ooh, ahh, just a little bit, ooh, ahh, a little bit more." | 0:19:05 | 0:19:08 | |
We also heard Bow Wow Wow with I Want Candy. | 0:19:14 | 0:19:17 | |
Bow Wow Wow achieved infamy when they featured | 0:19:17 | 0:19:19 | |
their underage lead singer topless on their album cover. | 0:19:19 | 0:19:23 | |
Unfortunately, BBC rules say we can't show records with a pair of tits on. | 0:19:23 | 0:19:27 | |
So you'll have to make do with this. | 0:19:27 | 0:19:29 | |
Round Three is the Identity Parade. | 0:19:35 | 0:19:38 | |
Noel, Cee Lo and Chris, how about some '70s 2 Tone ska? | 0:19:38 | 0:19:42 | |
For the audience only, here is The Selecter. | 0:19:42 | 0:19:45 | |
# It's just the same old show | 0:19:45 | 0:19:47 | |
# On my radio | 0:19:47 | 0:19:49 | |
# It's just the same old show | 0:19:49 | 0:19:50 | |
# On my radio | 0:19:50 | 0:19:51 | |
# It's just the same old show | 0:19:51 | 0:19:53 | |
# On my radio | 0:19:53 | 0:19:54 | |
# It's just the same old show | 0:19:54 | 0:19:56 | |
# On my radio, on my radio | 0:19:56 | 0:19:59 | |
# On my radio, on my radio... # | 0:19:59 | 0:20:01 | |
That was The Selecter with On My Radio. | 0:20:02 | 0:20:05 | |
But which of our line-up is singer Pauline Black? | 0:20:05 | 0:20:08 | |
Is it number one, On My Radio? | 0:20:08 | 0:20:10 | |
Number two, on my 'ead, son? | 0:20:10 | 0:20:12 | |
Number three, on a promise? | 0:20:14 | 0:20:16 | |
Number four, on Dave in six months' time? | 0:20:17 | 0:20:20 | |
Or number five, clearly on ketamine? | 0:20:20 | 0:20:23 | |
Do you think you've got any ideas? | 0:20:28 | 0:20:30 | |
I remember Pauline Black being very petite. | 0:20:30 | 0:20:33 | |
I thought I remembered her being really short and... | 0:20:33 | 0:20:36 | |
-And tiny. -Yeah. -Are you sure that wasn't a red squirrel? | 0:20:36 | 0:20:39 | |
Would number two just tip the brim back a bit? | 0:20:42 | 0:20:45 | |
Are we allowed to adjust the hat? | 0:20:45 | 0:20:48 | |
Maybe lean your head back a little bit... | 0:20:48 | 0:20:51 | |
-Get some scissors and cut the brim off a bit! -Maybe... | 0:20:51 | 0:20:54 | |
Maybe scurry up a tree? | 0:20:54 | 0:20:56 | |
You did a thing on... was it Springwatch? | 0:20:57 | 0:21:00 | |
Where you were dropping song titles when you were talking about animals. | 0:21:00 | 0:21:04 | |
-Was I imagining that? -No. | 0:21:04 | 0:21:06 | |
-Did you really do it? -I dropped Smiths song titles, then The Cure, | 0:21:06 | 0:21:09 | |
and then The Jesus And Mary Chain. The triumph was Killing An Arab... | 0:21:09 | 0:21:14 | |
-That's... How did you manage that? -Well, I got Kate | 0:21:15 | 0:21:18 | |
to end with the word "killing" at the end of one sentence, | 0:21:18 | 0:21:22 | |
and I began the next sentence with "An Arab stallion." That... | 0:21:22 | 0:21:26 | |
-NOEL: -Amazing! | 0:21:26 | 0:21:28 | |
-Yeah! -Ingenious. | 0:21:29 | 0:21:31 | |
What do you think, Cee Lo? | 0:21:35 | 0:21:36 | |
Who's got star quality? | 0:21:36 | 0:21:38 | |
-It's number two. -Do you think so? -Number two, do you think? | 0:21:38 | 0:21:41 | |
-I think so. -I think it's number three. | 0:21:41 | 0:21:44 | |
Number three?! | 0:21:44 | 0:21:45 | |
-I wish I had my bins! -You do need your... | 0:21:47 | 0:21:49 | |
I need my binoculars. | 0:21:49 | 0:21:51 | |
I didn't think Buzzcocks was a binoculars type of show. | 0:21:51 | 0:21:55 | |
What do we do in this situation? | 0:21:55 | 0:21:57 | |
-You're the captain. -You'll have to... -Yeah, you'll have to...you know. | 0:21:57 | 0:22:01 | |
-Have I got to pull rank? -Yeah. | 0:22:01 | 0:22:04 | |
Whatever happens, it's going to go badly for you, isn't it? | 0:22:04 | 0:22:07 | |
I know. I don't want to lose... | 0:22:07 | 0:22:10 | |
You've got a velour panda versus a tapir. | 0:22:10 | 0:22:12 | |
That's a hell of an evening. | 0:22:15 | 0:22:18 | |
-Do you know it's two? -I think so. | 0:22:18 | 0:22:21 | |
-So my heart tells me! -THEY LAUGH | 0:22:21 | 0:22:24 | |
OK. I'll go with you. But if you get it wrong, | 0:22:26 | 0:22:30 | |
-I will have to take away your bamboo. -OK. | 0:22:30 | 0:22:33 | |
Let's find out. Would the real Pauline Black please step forward? | 0:22:34 | 0:22:39 | |
APPLAUSE | 0:22:39 | 0:22:42 | |
Good work! | 0:22:42 | 0:22:44 | |
Still touring with The Selecter and with her memoirs out now, Pauline Black, ladies and gentlemen! | 0:22:44 | 0:22:50 | |
Phill, Example and Andi, what about some '70s punk rock? | 0:22:54 | 0:22:59 | |
For the audience only, here are Angelic Upstarts. | 0:22:59 | 0:23:02 | |
# Open the cage, let free the animals | 0:23:02 | 0:23:05 | |
# Running wild with hardened criminals | 0:23:05 | 0:23:08 | |
# No satisfaction, it's all frustrations | 0:23:08 | 0:23:11 | |
# The times are changing when you're... | 0:23:11 | 0:23:14 | |
# 13, 14 A teenage warning | 0:23:14 | 0:23:16 | |
# 15, 16 But nobody's listening | 0:23:16 | 0:23:19 | |
# 17, 18 Who takes the blame? | 0:23:19 | 0:23:22 | |
# 19, 20 The 20th century... # | 0:23:22 | 0:23:26 | |
That was Angelic Upstarts with Teenage Warning. | 0:23:26 | 0:23:30 | |
But which of our line-up is drummer Keith "Sticks" Warrington? | 0:23:30 | 0:23:34 | |
Is it number one, Teenage Warning? | 0:23:34 | 0:23:36 | |
Number two, Teenage Dirtbag? | 0:23:36 | 0:23:39 | |
Number three, teenagers beware? | 0:23:39 | 0:23:42 | |
Number four, Teenage Mutant Ninja Turtle? | 0:23:43 | 0:23:46 | |
Or number five, teenagesluts.com? | 0:23:47 | 0:23:50 | |
Drummers usually got good arms, so look for good arms. | 0:23:53 | 0:23:57 | |
That's all of them. | 0:23:57 | 0:23:58 | |
I think this is...it's basically the opposite of what we'd expect, | 0:23:59 | 0:24:03 | |
the one who's least what you'd expect. | 0:24:03 | 0:24:05 | |
He's grown up, he don't want all that teenage stuff. | 0:24:05 | 0:24:08 | |
He's like, "I'm a taxi driver now." | 0:24:08 | 0:24:10 | |
I can't say I would happily get into the taxi driven by any of these men. | 0:24:10 | 0:24:15 | |
I'd get in number two. | 0:24:15 | 0:24:18 | |
-You'd get in a taxi of number two? -Well, if he offered. | 0:24:18 | 0:24:21 | |
Example, you turned up today with a film crew. | 0:24:22 | 0:24:26 | |
-Yeah. -Explain. -I'm on this tour, I can only get round the country | 0:24:26 | 0:24:30 | |
using the help of my fans. | 0:24:30 | 0:24:32 | |
You've set yourself an improbable challenge? | 0:24:32 | 0:24:35 | |
Yeah, no, it's going quite well, actually. | 0:24:35 | 0:24:37 | |
Basically, someone sends you a message on Twitter, | 0:24:37 | 0:24:40 | |
"I'll drive you, you can stay at my house." | 0:24:40 | 0:24:42 | |
Then we look at the pictures and see who's fittest bird, and go there. | 0:24:42 | 0:24:46 | |
Do you think that murderers and that just put a picture of a fit bird up | 0:24:46 | 0:24:50 | |
and go, "He's coming!" | 0:24:50 | 0:24:52 | |
-Well... -"Any day now." -..if they didn't, they might do now. | 0:24:52 | 0:24:57 | |
Three's giving me evils. | 0:24:59 | 0:25:02 | |
That's very rock and roll. He's properly staring me down. | 0:25:02 | 0:25:06 | |
-Three looks like Santa in the summer. -No! | 0:25:06 | 0:25:08 | |
What's up with three's gloves? His Christmas wrapping present gloves. | 0:25:11 | 0:25:16 | |
-I think number two. CEE LO: -I like those gloves. | 0:25:18 | 0:25:20 | |
-Cos he looks like... -I... It's two or four. | 0:25:20 | 0:25:24 | |
Two. Two. We've got to pick someone, let's go with two. | 0:25:24 | 0:25:27 | |
Let's find out. Would the real Keith "Sticks" Warrington | 0:25:27 | 0:25:30 | |
please step forward? | 0:25:30 | 0:25:31 | |
APPLAUSE | 0:25:31 | 0:25:32 | |
Now drumming with the band Handheld from Gateshead, Keith "Sticks" Warrington! | 0:25:38 | 0:25:42 | |
And at the end of that round, oooh, oh, oooh-aah-ooh-aah. | 0:25:49 | 0:25:52 | |
Noel's team has three, whereas Phill's team has three. | 0:25:52 | 0:25:55 | |
So, we end with Next Lines. Phill's team, you go first. | 0:26:03 | 0:26:07 | |
Your time starts now. | 0:26:07 | 0:26:09 | |
Lady, take me high upon a hillside. | 0:26:09 | 0:26:11 | |
And do me proper. | 0:26:11 | 0:26:13 | |
No. High up where the stallion meets the sun. Barry Manilow, | 0:26:15 | 0:26:18 | |
-Could It Be Magic. -Oh, yes. | 0:26:18 | 0:26:20 | |
You don't have to be rich to be my girl. | 0:26:20 | 0:26:23 | |
-But it would help. -Oh, um... | 0:26:23 | 0:26:26 | |
-Don't have to be cool to rule my world. -Prince, Kiss. | 0:26:26 | 0:26:28 | |
It's close to midnight. | 0:26:28 | 0:26:31 | |
# It's close to midnight, something evil's lurking in the dark. # | 0:26:31 | 0:26:34 | |
Thriller, Michael Jackson. Tie me kangaroo down, sport. | 0:26:34 | 0:26:38 | |
Tie me kangaroo down. | 0:26:36 | 0:26:38 | |
Chris Packham, Tie Me Kangaroo Down, Sport. | 0:26:38 | 0:26:41 | |
You and me baby ain't nothing but mammals. | 0:26:41 | 0:26:43 | |
Let's do it like they do on the Discovery Channel. | 0:26:43 | 0:26:46 | |
Chris Packham, The Bad Touch. | 0:26:46 | 0:26:48 | |
Waiting round the bend. | 0:26:48 | 0:26:50 | |
-It's Chris Packham! -No. | 0:26:50 | 0:26:52 | |
I'll never be allowed back in a zoo. | 0:26:53 | 0:26:56 | |
END-OF-ROUND JINGLE | 0:26:57 | 0:27:00 | |
Noel's team, you need seven points to win. | 0:27:04 | 0:27:06 | |
And your time starts now. | 0:27:06 | 0:27:09 | |
Pack it up, pack it in. | 0:27:09 | 0:27:10 | |
-Let me begin. -House Of Pain, Jump Around. | 0:27:10 | 0:27:13 | |
I think you're crazy. | 0:27:13 | 0:27:14 | |
Possibly. | 0:27:14 | 0:27:16 | |
-Do you want another go? -I think you're crazy! | 0:27:16 | 0:27:20 | |
I just got a blowie from a dolphin! | 0:27:20 | 0:27:22 | |
Gnarls Barkley, Crazy. I guess he's an XBox and I'm more Atari. | 0:27:22 | 0:27:27 | |
I pity the fool. | 0:27:27 | 0:27:28 | |
But the way... | 0:27:28 | 0:27:29 | |
Oh, but the way you play your game ain't fair. Damn! It's my song! | 0:27:29 | 0:27:33 | |
-You did sing these? Good. -Yeah. | 0:27:33 | 0:27:35 | |
Hand in glove. | 0:27:35 | 0:27:37 | |
-And the sun shines out of your behind. -With Those Badgers, Chris Packham. | 0:27:37 | 0:27:41 | |
Wild horses. | 0:27:41 | 0:27:43 | |
Couldn't drag me away. | 0:27:43 | 0:27:45 | |
Chris Packham, Wild Horses. Love cats. | 0:27:45 | 0:27:48 | |
-Never touch them. -No, Chris, it's illegal. You do right. It's illegal. | 0:27:49 | 0:27:53 | |
END-OF-ROUND JINGLE | 0:27:53 | 0:27:54 | |
We lost. | 0:27:56 | 0:27:58 | |
Well, now. At the end of all that bit of television, | 0:28:00 | 0:28:04 | |
Phill's team has nine points, but Noel's team has ten points! | 0:28:04 | 0:28:08 | |
Thanks to Noel, Cee Lo and Chris, | 0:28:15 | 0:28:18 | |
Phill, Andi and Example. I've been Robert Webb. | 0:28:18 | 0:28:21 | |
This has been...fine. Good night. | 0:28:21 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:42 | 0:28:44 | |
E-mail [email protected] | 0:28:44 | 0:28:47 |