Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | 0:00:03 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:20 | 0:00:24 | |
Yes, and welcome to Never Mind The Buzzcocks | 0:00:31 | 0:00:35 | |
with the kingpin of the car game, the big dog pitbull, | 0:00:35 | 0:00:38 | |
your boy, Westwood. | 0:00:38 | 0:00:40 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:42 | |
Now I'm going to pimp the Buzzcocks Westwood style. | 0:00:42 | 0:00:48 | |
DRUM MACHINE | 0:00:48 | 0:00:51 | |
Thank you. | 0:00:52 | 0:00:54 | |
Now, riding out on Uncle Phill's team tonight... | 0:00:55 | 0:00:59 | |
He can't do backflips like Aston, | 0:00:59 | 0:01:03 | |
but he's the tallest one in JLS. | 0:01:03 | 0:01:06 | |
Tall enough to reach the top shelf at a service station. | 0:01:06 | 0:01:09 | |
He's JLS porn provider, my man Marvin. | 0:01:09 | 0:01:15 | |
She's an end-of-the-pier comedienne. | 0:01:19 | 0:01:22 | |
In fact, so far at the end, she fell off and broke her arm. | 0:01:22 | 0:01:25 | |
It's the finalist bird and comedienne, Holly Walsh. | 0:01:25 | 0:01:30 | |
And in Dr Noel's team... | 0:01:32 | 0:01:34 | |
He's the godfather of grime, | 0:01:34 | 0:01:37 | |
he's seen more grime than Amy Winehouse's downstairs flannel. | 0:01:37 | 0:01:43 | |
And that's nasty. It's my man Wiley. What's up? Good to have you here. | 0:01:43 | 0:01:47 | |
From the opera scene, where they don't rap the words, they sing them | 0:01:50 | 0:01:57 | |
like someone's grabbing their nutsack. | 0:01:57 | 0:02:00 | |
It's crazy, it'll never take off, here's Russell "The Voice" Watson! | 0:02:00 | 0:02:06 | |
APPLAUSE | 0:02:06 | 0:02:08 | |
So let's get it cracking with Round One. | 0:02:08 | 0:02:13 | |
# Woo! Woo! That's the sound of the police! # | 0:02:13 | 0:02:15 | |
You still here, Wiley? Now... | 0:02:15 | 0:02:18 | |
Uncle Phill... | 0:02:19 | 0:02:20 | |
Marvin and Holly, I want you to check this out. | 0:02:20 | 0:02:24 | |
# Baby, I like it The way you move on the floor | 0:02:24 | 0:02:27 | |
# Baby, I like it Come on and give me some more | 0:02:27 | 0:02:31 | |
# Oh, yes, I like it... # | 0:02:31 | 0:02:34 | |
Enrique Iglesias with I Like It. | 0:02:34 | 0:02:38 | |
But how did some water-skis get him in trouble with the Miami police? | 0:02:38 | 0:02:44 | |
Now, Uncle Phill, I know you've got Marvin here | 0:02:44 | 0:02:48 | |
and he is definitely in the top four of JLS. | 0:02:48 | 0:02:51 | |
But to be honest, he's not the full package. | 0:02:51 | 0:02:54 | |
So what we've got is a sub bench full of JLS. | 0:02:54 | 0:02:59 | |
Ladies, please! | 0:02:59 | 0:03:01 | |
CHEERING AND APPLAUSE | 0:03:01 | 0:03:03 | |
Fantastic. | 0:03:03 | 0:03:04 | |
Now what's going to happen, when you hear this noise... | 0:03:04 | 0:03:07 | |
KLAXON | 0:03:07 | 0:03:09 | |
..there's going to be a substitution, not out of your choice. | 0:03:09 | 0:03:12 | |
Got to swap musical chairs, that's what's going to happen. | 0:03:12 | 0:03:15 | |
What happens if one of us sustains a serious injury? | 0:03:15 | 0:03:18 | |
-Do we get to sub with a member of JLS? -Like falling off the end of a pier, love? | 0:03:18 | 0:03:22 | |
-How is your arm? -It's a bit bent. -A bit bent? -Yeah. | 0:03:22 | 0:03:26 | |
Is it metal now? | 0:03:26 | 0:03:27 | |
It's largely metal, yeah. | 0:03:27 | 0:03:29 | |
You should have got a claw. | 0:03:29 | 0:03:31 | |
That's the NHS for you. If I'd gone private, I would have had a drill on my arm. | 0:03:31 | 0:03:35 | |
-That would be wicked. -What actually happened to you? I don't understand. Were you pushed? | 0:03:35 | 0:03:41 | |
You know this Worthing Birdman Festival? People try and fly. I tried to do that. | 0:03:41 | 0:03:45 | |
-I was in a homemade helicopter... -Unsuccessful? | 0:03:45 | 0:03:48 | |
Did not work out. | 0:03:48 | 0:03:50 | |
Do you know what, Wiley? The homemade ones usually are. | 0:03:50 | 0:03:53 | |
-Mr Iglesias. Know anything about him? -I think he's quite attractive. -What?! | 0:03:56 | 0:04:00 | |
I think he's quite attractive. | 0:04:00 | 0:04:01 | |
And also he's who I model my fringe on. | 0:04:01 | 0:04:04 | |
He actually sounded like he'd been sucking on helium before he did the performance. | 0:04:04 | 0:04:11 | |
-That's a specific tip a lot of pop stars use. That's right, yeah? -Remarkable. | 0:04:11 | 0:04:16 | |
Performance-enhancing drugs amongst the pop music world is mainly helium and kick in the balls. | 0:04:16 | 0:04:21 | |
I go for the simple nut crush, it's much easier. | 0:04:21 | 0:04:25 | |
-Do you crush your own or do you have a roadie? -I have an official nut crusher. | 0:04:25 | 0:04:29 | |
Do you know what's funny about this video? I don't know if you saw, | 0:04:31 | 0:04:34 | |
but there's a girl in this video in a pink bikini. | 0:04:34 | 0:04:37 | |
Oh, right. Her? | 0:04:37 | 0:04:39 | |
-Yes. -She seems to be having a lovely time. | 0:04:39 | 0:04:42 | |
That girl there... | 0:04:42 | 0:04:44 | |
She was in our video, The Club Is Alive. | 0:04:44 | 0:04:47 | |
-There were loads of girls there and we had this professional pole-dancing girl, right? -Where's this going now? | 0:04:47 | 0:04:53 | |
Director was like, "Any girls here that want to jump up on the pole..." | 0:04:53 | 0:04:57 | |
You've never seen someone move... | 0:04:57 | 0:04:59 | |
Maybe she just wants to be a fireman. | 0:04:59 | 0:05:01 | |
-JLS, I really respect your game at the moment, you've put out a range of condoms. -Yes. | 0:05:01 | 0:05:09 | |
We launched our own charity, the JLS Foundation, so for us, young role models, | 0:05:09 | 0:05:14 | |
our demographic is between 16 and 24 so we thought we'd do something good and spread a good message. | 0:05:14 | 0:05:19 | |
So for a lot of young guys, when they lose their virginity, | 0:05:19 | 0:05:23 | |
the last face they see is yours. | 0:05:23 | 0:05:25 | |
I mean, I have my own range, you know I have my own range of condoms. | 0:05:27 | 0:05:30 | |
Of... OK. | 0:05:30 | 0:05:32 | |
Slap it up, there. | 0:05:32 | 0:05:34 | |
Do you know what? I think seeing your face is the best form of contraception. | 0:05:38 | 0:05:43 | |
LAUGHTER AND APPLAUSE | 0:05:43 | 0:05:45 | |
Thank you. | 0:05:45 | 0:05:47 | |
Marvin, your girlfriend is Rochelle from The Saturdays. | 0:05:48 | 0:05:51 | |
-It is indeed. -Have you ever had sex with an Aston condom on to give him a chance? | 0:05:51 | 0:05:56 | |
-Aston can create his own chances quite easily. -With your girlfriend. | 0:05:58 | 0:06:02 | |
That'd be wrong, man. | 0:06:03 | 0:06:06 | |
There's enough Saturdays anyway, so Aston can... | 0:06:06 | 0:06:09 | |
That's the way to look at it! | 0:06:09 | 0:06:11 | |
They're like buses, another one will be along in a minute. | 0:06:11 | 0:06:15 | |
So what happened with Enrique Iglesias? Why did he get in trouble? | 0:06:15 | 0:06:20 | |
OK, so, Enrique Iglesias, obviously Spanish, during the World Cup, | 0:06:20 | 0:06:24 | |
made a bet with all of his mates in Miami and said, | 0:06:24 | 0:06:27 | |
"If Spain win the World Cup, I'll go on a Jet Ski naked... | 0:06:27 | 0:06:31 | |
-Yeah? -"..through the beach in Miami." | 0:06:31 | 0:06:34 | |
Obviously Spain won the World Cup, police found out and then they said to him he couldn't do it. | 0:06:34 | 0:06:39 | |
And that is the right answer. Can we have a round of applause, please? | 0:06:39 | 0:06:43 | |
APPLAUSE | 0:06:43 | 0:06:45 | |
Enrique water-skied butt naked in celebration of Spain's World Cup win. | 0:06:45 | 0:06:52 | |
Back in 2008, Enrique appeared on Loose Women. | 0:06:52 | 0:06:56 | |
The women found it very moving - there wasn't a dry seat in the house. | 0:06:56 | 0:07:01 | |
KLAXON | 0:07:04 | 0:07:05 | |
Substitution change! | 0:07:05 | 0:07:06 | |
APPLAUSE | 0:07:06 | 0:07:10 | |
-Dr Noel... -Hello. -..Russell and my good man Wiley. | 0:07:13 | 0:07:16 | |
I want you to check this out. | 0:07:16 | 0:07:18 | |
# Papa's got a brand new bag... # | 0:07:18 | 0:07:20 | |
Since his death, his gutsy funk is now stronger than ever. | 0:07:20 | 0:07:26 | |
It's that dead soul guy, James Brown. | 0:07:26 | 0:07:29 | |
# Papa's got a brand new bag. # | 0:07:34 | 0:07:37 | |
James Brown with Papa's Got A Brand New Bag. | 0:07:40 | 0:07:43 | |
But what I want to know is why did he get in trouble with the law | 0:07:43 | 0:07:47 | |
at an insurance seminar back in 1988? | 0:07:47 | 0:07:51 | |
-Papa's got a brand new bag. -He was early in the game. | 0:07:51 | 0:07:54 | |
We've got bags for life now, we don't need James Brown's. | 0:07:54 | 0:07:57 | |
He's unbelievable, isn't he? He wears capes, I love that, I like to wear a cape. | 0:07:59 | 0:08:04 | |
He's got pointy shoes. I think I might be trying to be the white James Brown. | 0:08:04 | 0:08:08 | |
-You've got the same hairstyle as James Brown as well. Back in the day. -Who? Me? | 0:08:08 | 0:08:12 | |
-Yeah, you. -That is a liberty. | 0:08:12 | 0:08:14 | |
That's like an auntie's hair, what are you on about? | 0:08:16 | 0:08:20 | |
I was out the other week, about a month ago, | 0:08:21 | 0:08:24 | |
and Noel Gallagher came up to me and went... I had a cape on and he went, | 0:08:24 | 0:08:27 | |
"It's not the fact you've got a fucking cape on, mate, it's the fact it's a Tuesday." | 0:08:27 | 0:08:33 | |
-If you look at us as a group of individuals, it's quite bizarre, really. -Yeah. | 0:08:36 | 0:08:40 | |
-Yeah. -You mean where would these people ever have met? -Exactly! | 0:08:40 | 0:08:44 | |
I know. It's quite weird, it's like we're different decades. | 0:08:44 | 0:08:48 | |
Different lifetimes! | 0:08:48 | 0:08:50 | |
-You look like my accountant. -Thank you. | 0:08:50 | 0:08:53 | |
And his solicitor. | 0:08:53 | 0:08:55 | |
Can I say one thing? He looks like my lawyer. | 0:08:55 | 0:08:59 | |
Without fail. | 0:08:59 | 0:09:00 | |
You've got the same suit. Different tie. | 0:09:00 | 0:09:03 | |
You look like my mum. | 0:09:03 | 0:09:05 | |
His mum IS hot, shut your mouth. | 0:09:11 | 0:09:13 | |
Wiley, I heard you're scared of foxes, is this true? | 0:09:14 | 0:09:18 | |
-Oh, my God... -You had a video, Wearing My Rolex, you didn't turn up cos there was foxes in it. | 0:09:18 | 0:09:23 | |
Do you know what it was, Tim? I actually saw the foxes | 0:09:23 | 0:09:27 | |
and I thought, "You know what? I'm going leave here and let the foxes do the video for me." | 0:09:27 | 0:09:31 | |
They looked better than me that day, they actually... | 0:09:31 | 0:09:34 | |
got styled better than I looked, so I let them do it for me. | 0:09:34 | 0:09:37 | |
Has that ever happened to you, JLS? | 0:09:37 | 0:09:40 | |
Has Louis ever made you do something that you didn't want to do? | 0:09:40 | 0:09:43 | |
-How did James Brown... -I think I know this. | 0:09:51 | 0:09:53 | |
I think what happened was James Brown tried to do | 0:09:53 | 0:09:57 | |
an insurance job on his own place. | 0:09:57 | 0:10:00 | |
Set fire to his own cape and boots. | 0:10:00 | 0:10:03 | |
-Tried to get the money back on the insurance. -That's what he's tried to do. He's sped off | 0:10:03 | 0:10:09 | |
-and he's on the chase. -Yes? | 0:10:09 | 0:10:11 | |
-And then the police have shot his tyres out. -Interesting. | 0:10:11 | 0:10:14 | |
-And they've gone on him. They went on him. -Interesting Wiley thought of that one, | 0:10:14 | 0:10:19 | |
cos that's entirely wrong. | 0:10:19 | 0:10:20 | |
You got any ideas? | 0:10:20 | 0:10:23 | |
No. As his lawyer, I deny that accusation. | 0:10:23 | 0:10:25 | |
Was there a firearm involved in it? | 0:10:27 | 0:10:29 | |
Did he shoot a fox? | 0:10:29 | 0:10:31 | |
I'm going to have to tell you. | 0:10:31 | 0:10:34 | |
James Brown stormed out of the insurance seminar with a pistol and a shotgun, | 0:10:34 | 0:10:38 | |
complaining that someone had used his toilet without permission. | 0:10:38 | 0:10:42 | |
I don't blame him. | 0:10:42 | 0:10:44 | |
Stay off my throne, you suckers. | 0:10:44 | 0:10:46 | |
SILENCE | 0:10:46 | 0:10:48 | |
No-one's laughing, I don't understand. | 0:10:48 | 0:10:50 | |
LAUGHTER | 0:10:50 | 0:10:51 | |
-Am I losing my touch? -I think they thought there was going to be an extra nugget on the end. | 0:10:51 | 0:10:56 | |
That was the fucking nugget... | 0:10:56 | 0:11:00 | |
If you put a sound effect on the end, we'd know it was the end, | 0:11:00 | 0:11:03 | |
and they'd just go for it. | 0:11:03 | 0:11:04 | |
It's because you've got off-beat timing. | 0:11:04 | 0:11:06 | |
In what way? | 0:11:06 | 0:11:08 | |
Just like normal comedians go, da-da-da-da-da-da...DA-DA! | 0:11:08 | 0:11:11 | |
You go, ba-do-di-ba-da-bo-da! | 0:11:11 | 0:11:13 | |
Next up, it's the Intros round! | 0:11:19 | 0:11:22 | |
Uncle Phill, I'm here to pimp your team, so I need the whole of JLS | 0:11:22 | 0:11:27 | |
to help you out, come up, guys. | 0:11:27 | 0:11:28 | |
I'm having my team pimped. | 0:11:28 | 0:11:30 | |
APPLAUSE | 0:11:30 | 0:11:33 | |
Good luck, guys. | 0:11:33 | 0:11:35 | |
That's for Phill. | 0:11:37 | 0:11:38 | |
Thank you. I have here a piece of paper from Tim Westwood. | 0:11:38 | 0:11:42 | |
You got enough help with you, have you? | 0:11:42 | 0:11:44 | |
Look at you, you're like Fagin up there. | 0:11:44 | 0:11:47 | |
-OK? -Yep. | 0:11:49 | 0:11:51 | |
1, 2, 3, 4... | 0:11:51 | 0:11:53 | |
1... On 4! | 0:11:53 | 0:11:56 | |
I thought you were going to start with the bass. All right! | 0:11:56 | 0:12:02 | |
Yeah, yeah, yeah! (Fucking idiots!) | 0:12:02 | 0:12:05 | |
Here we go. | 0:12:09 | 0:12:10 | |
# Doo-di-di-doo di-di-doo-di-di-doo-di-di-doo... | 0:12:10 | 0:12:13 | |
# 1, 2, 3, 4! | 0:12:13 | 0:12:15 | |
-MIMICS TRUMPET -# Do-do-do-do-do-do-do-do | 0:12:15 | 0:12:17 | |
# Do-do-do-do-do-do-do-do | 0:12:17 | 0:12:19 | |
# Do-do-do-do-do-do-do-do | 0:12:19 | 0:12:21 | |
# Do-do-do-do-do-do-do-do | 0:12:21 | 0:12:24 | |
# Do...do...do-do-do-do-do-do... # | 0:12:24 | 0:12:27 | |
I have no idea what Marvin's contribution to that was. | 0:12:30 | 0:12:32 | |
I was bass with Phil! | 0:12:32 | 0:12:34 | |
-I dunno. -Oh, really? -Yeah. | 0:12:34 | 0:12:36 | |
NOEL: Oh. I think I do know. | 0:12:36 | 0:12:38 | |
Shall I throw it over? | 0:12:38 | 0:12:40 | |
I know what it is but I can't remember what it's called. | 0:12:40 | 0:12:45 | |
It's Paolo Nutini, right? | 0:12:45 | 0:12:47 | |
Yeah? | 0:12:47 | 0:12:48 | |
SINGLE DRUMBEAT | 0:12:48 | 0:12:49 | |
It's about stationery. | 0:12:51 | 0:12:53 | |
Lead In My Pencil. | 0:12:53 | 0:12:56 | |
Exactly. | 0:12:56 | 0:12:58 | |
Lead In My Pencil. | 0:12:58 | 0:13:00 | |
I'm back in the game! | 0:13:00 | 0:13:02 | |
Here's how it should have sounded. | 0:13:02 | 0:13:04 | |
INTRO "Lead In My Pencil" by Paolo Nutini | 0:13:04 | 0:13:07 | |
The next intro, please! | 0:13:14 | 0:13:15 | |
1, 2, 3, 4... | 0:13:15 | 0:13:17 | |
# Ba-bom ba-ba-bom | 0:13:17 | 0:13:19 | |
# Ba-bom ba-ba-bom | 0:13:19 | 0:13:22 | |
-HIGH-PITCHED, ASCENDING: -# Da-da-da-da-da-da-da-da... | 0:13:22 | 0:13:25 | |
# ..bom-bom-bom... | 0:13:25 | 0:13:27 | |
-HIGH-PITCHED, DESCENDING: -# Da-da-da-da-da-da-da-da... | 0:13:27 | 0:13:29 | |
# ..bom ba-bom-bom... # | 0:13:29 | 0:13:31 | |
Is it...erm... | 0:13:31 | 0:13:33 | |
Is it Grace Jones? | 0:13:33 | 0:13:36 | |
Is it pardon? | 0:13:36 | 0:13:37 | |
Is it Grace Jones? | 0:13:37 | 0:13:39 | |
N-n-not as such. | 0:13:39 | 0:13:40 | |
Oh, it's not, um... OK, it's not, then. | 0:13:40 | 0:13:43 | |
We're throwing it over. | 0:13:43 | 0:13:44 | |
It's Grandmaster Flash. | 0:13:44 | 0:13:46 | |
It's either The Message or Rapper's Delight. | 0:13:46 | 0:13:49 | |
So good! | 0:13:49 | 0:13:50 | |
DRUM BEATS | 0:13:50 | 0:13:52 | |
Here's how it should have sounded. | 0:13:52 | 0:13:55 | |
INTRO "The Message" by Grandmaster Flash | 0:13:55 | 0:13:58 | |
So that was Grandmaster Flash with The Message. | 0:14:06 | 0:14:09 | |
Grandmaster Flash is the reason I got into hip-hop. | 0:14:09 | 0:14:12 | |
If it wasn't for him, I could have been an assistant manager in a bank in Norwich. | 0:14:12 | 0:14:17 | |
I'd probably have a company car by now. | 0:14:17 | 0:14:19 | |
-Dr Noel. -Hello. | 0:14:19 | 0:14:22 | |
Because Uncle Phill had JLS, | 0:14:22 | 0:14:25 | |
I've got something even better. | 0:14:25 | 0:14:27 | |
I've got Pat Sharp! | 0:14:27 | 0:14:29 | |
APPLAUSE AND CHEERING | 0:14:29 | 0:14:31 | |
Russell! | 0:14:34 | 0:14:36 | |
What happened to the mullet?! | 0:14:39 | 0:14:40 | |
It was all business at the front and all party at the back! | 0:14:40 | 0:14:43 | |
-Now it's all business! -DRUM BEATS | 0:14:43 | 0:14:46 | |
Pat's here to help you with the intros. | 0:14:50 | 0:14:52 | |
-Come on, Pat. -Here is your intros. -Thank you. | 0:14:52 | 0:14:55 | |
My pleasure. | 0:14:55 | 0:14:57 | |
You ready? | 0:14:57 | 0:14:59 | |
1, 2, 3, 4... | 0:14:59 | 0:15:01 | |
# Bloum, bloum | 0:15:01 | 0:15:03 | |
# Bloum-bloum-bloum-bloum | 0:15:03 | 0:15:06 | |
# Ahhhhhhhhhhh Ahhhhh-ah-ah-ah-ahhhhhhh | 0:15:06 | 0:15:12 | |
-# Wak-wa-wa Wa-wa-waaa... -Mm-mm-mm... # | 0:15:12 | 0:15:17 | |
Pat! | 0:15:17 | 0:15:18 | |
# Ahhhhhhhhhhh Ahhhhh-ah-ah-ah-ahhhhhhh... # | 0:15:18 | 0:15:24 | |
Come on, Pat, join in, man! It's your last chance to save your career! | 0:15:24 | 0:15:27 | |
-# Waaaaa-wa-wa-wa-wa... -MM-MM-MM-MM-MM-MM-MM! # | 0:15:27 | 0:15:32 | |
Oh, wow. Sorry. | 0:15:32 | 0:15:33 | |
# Ahhhhhhhhhhh Ahhhhh-ah-ah-ah-ahhhhhhh... # | 0:15:33 | 0:15:35 | |
-That was a joke, Pat. -SINGLE DRUMBEAT | 0:15:35 | 0:15:39 | |
-I'm lost. I'm lost. -Are we throwing it over? | 0:15:39 | 0:15:41 | |
-Let him have a guess! -Let me have one guess. | 0:15:41 | 0:15:44 | |
Let's Get Ready To Rumble! | 0:15:44 | 0:15:45 | |
Walsh knows. | 0:15:46 | 0:15:48 | |
I think it's The Specials. | 0:15:48 | 0:15:50 | |
Ghost Town? | 0:15:50 | 0:15:52 | |
Yes! Oh, she's good! | 0:15:52 | 0:15:53 | |
She is good. | 0:15:53 | 0:15:55 | |
This is how it should have sounded. | 0:15:55 | 0:15:58 | |
INTRO "Ghost Town" by The Specials | 0:15:58 | 0:16:01 | |
-I should've known that, shouldn't I? -Listen... | 0:16:05 | 0:16:09 | |
# MM-MM-MM-MM-MM-MM-MM! # | 0:16:09 | 0:16:12 | |
Can we have the next intro, please? | 0:16:14 | 0:16:17 | |
-There you go. -Thank you. -You look like you're about to do a best man's speech. | 0:16:17 | 0:16:22 | |
I'm ready. | 0:16:22 | 0:16:23 | |
1, 2, 3, 4. | 0:16:23 | 0:16:25 | |
I'd like to thank you all for coming this afternoon, specially the bride, | 0:16:25 | 0:16:29 | |
and the bridegroom, it's been an incredible day. We're all pissed and we're going home now. Thanks, bye. | 0:16:29 | 0:16:35 | |
1, 2, 3, 4. | 0:16:41 | 0:16:43 | |
-# Boo-boo-chh! Boo-boo-chh! -BEEP! | 0:16:43 | 0:16:46 | |
-# Boo-boo-chh! Boo-boo-chh! -BEEP! | 0:16:46 | 0:16:49 | |
-# Boo-boo-chh! Boo-boo-chh! -BEEP! | 0:16:49 | 0:16:51 | |
-# Boo-boo-chh! Boo-boo-chh! -BEEP! | 0:16:51 | 0:16:54 | |
-# Boo-boo-chh! Boo-boo-chh! -BEEP! | 0:16:54 | 0:16:56 | |
-# Boo-boo-chh! Boo-boo-chh! -BEEP! # | 0:16:56 | 0:16:59 | |
-Bass! -# Mak-mak-ma! | 0:16:59 | 0:17:02 | |
It's not We Will Rock You, is it? | 0:17:03 | 0:17:05 | |
No. It could be in another lifetime. | 0:17:05 | 0:17:08 | |
We have got the three stages of Freddie Mercury here. | 0:17:09 | 0:17:13 | |
Hmmm... It's not Ant And Dec, is it? | 0:17:13 | 0:17:17 | |
OK. Are we going to pass it over? | 0:17:19 | 0:17:22 | |
We are passing it over. | 0:17:22 | 0:17:23 | |
Is it Cypress Hill? | 0:17:23 | 0:17:26 | |
You are so good, Holly, baby. | 0:17:26 | 0:17:28 | |
Insane In The Membrane. | 0:17:28 | 0:17:30 | |
Oh! She is so good! Here's how it should have sounded. | 0:17:30 | 0:17:32 | |
Make some noise for Holly! | 0:17:32 | 0:17:34 | |
INTRO "Insane In The Brain" by Cypress Hill | 0:17:34 | 0:17:37 | |
-# BEEP! # -She's good if she got that. I'm not going to lie, she's good. | 0:17:37 | 0:17:41 | |
I'd like to say thank you to Pat Sharp. | 0:17:41 | 0:17:43 | |
APPLAUSE AND CHEERING | 0:17:43 | 0:17:45 | |
Really good to see you, man. | 0:17:45 | 0:17:47 | |
-Good work. -So that was Cypress Hill with Insane In The Brain. | 0:17:49 | 0:17:54 | |
We also heard Ghost Town by The Specials. | 0:17:54 | 0:17:56 | |
The band is still very relevant today. | 0:17:56 | 0:17:58 | |
Just ask Chris Moyles. | 0:17:58 | 0:18:01 | |
He loves hearing The Specials. | 0:18:01 | 0:18:03 | |
But then again, he loves most things on the menu. | 0:18:03 | 0:18:07 | |
LAUGHTER | 0:18:07 | 0:18:10 | |
NOEL: I like that joke. | 0:18:10 | 0:18:12 | |
No button for me. | 0:18:12 | 0:18:14 | |
I like Chris. | 0:18:14 | 0:18:16 | |
Really? SINGLE DRUMBEAT | 0:18:16 | 0:18:19 | |
-At the end of that round, Uncle Phill's team - 3! -SINGLE DRUMBEAT | 0:18:24 | 0:18:29 | |
Dr Noel's team - 3! | 0:18:29 | 0:18:32 | |
APPLAUSE AND CHEERING | 0:18:32 | 0:18:35 | |
Round Three is the Identity Parade. Uncle Phill, | 0:18:40 | 0:18:44 | |
what about some '70s progressive rock? For the audience only, | 0:18:44 | 0:18:49 | |
here is the Gordon Giltrap Band. | 0:18:49 | 0:18:52 | |
That was the Gordon Giltrap Band with Fear Of The Dark. | 0:19:15 | 0:19:19 | |
But which of our line-up is Gordon Giltrap? | 0:19:19 | 0:19:23 | |
Is it number one - Giltrap? | 0:19:23 | 0:19:26 | |
Number two - bear trap? | 0:19:26 | 0:19:30 | |
Number three - clap trap? | 0:19:30 | 0:19:33 | |
Number four - Von Trapp? | 0:19:34 | 0:19:36 | |
Or number five - shut your trap, I'm doing the ID Parade! | 0:19:38 | 0:19:42 | |
It's like a line-up for God! | 0:19:45 | 0:19:47 | |
KLAXON BLARES | 0:19:49 | 0:19:50 | |
Substitution, substitution, substitution! | 0:19:50 | 0:19:52 | |
CHEERING AND APPLAUSE | 0:19:52 | 0:19:55 | |
I think they look like a line-up of Father Christmases. | 0:19:59 | 0:20:02 | |
If you got number three, you would feel ripped off! | 0:20:02 | 0:20:05 | |
-I think it's... -You look like Luna from the Harry Potter books, "Hello!" | 0:20:06 | 0:20:11 | |
-Luna Lovegood? -You read Harry Potter? -I read the Harry Potter books. | 0:20:11 | 0:20:15 | |
-Do all of you? -Just JB! | 0:20:15 | 0:20:18 | |
Can we throw it to JB to identify... | 0:20:18 | 0:20:20 | |
He can only identify number two. He is obsessed with Harry Potter. | 0:20:20 | 0:20:23 | |
This is the thing I wasn't expecting to find out, | 0:20:23 | 0:20:26 | |
that he, when he's supposed to be using his own brand of condoms to pleasure the groupies | 0:20:26 | 0:20:31 | |
is actually going, "Oh, no! Dumbledore, I can't believe you did that!" | 0:20:31 | 0:20:35 | |
Number one is just staring me out. | 0:20:39 | 0:20:42 | |
It's just straight at me, he hasn't blinked once. | 0:20:43 | 0:20:46 | |
I'm going to try and take him off you. | 0:20:49 | 0:20:51 | |
Let's... Sub in, sub in! Sub in the stare! | 0:20:53 | 0:20:56 | |
-I think we've got him. I think it's five. -Yeah, I think it's five. | 0:20:56 | 0:21:00 | |
-Five actually... -He looks like he's made a lot of money and had a lot of prosperity and wealth. | 0:21:00 | 0:21:05 | |
Well, number five, even if it's not you, sir, | 0:21:05 | 0:21:07 | |
those young men think highly of you! | 0:21:07 | 0:21:09 | |
Number five please, big dog. | 0:21:10 | 0:21:12 | |
Let's find out - would the real Gordon Giltrap please step forwards? | 0:21:12 | 0:21:18 | |
Yes! CHEERING AND APPLAUSE | 0:21:18 | 0:21:20 | |
With a joint album with Rick Wakeman out now, | 0:21:24 | 0:21:27 | |
Gordon Giltrap, ladies and gentlemen! | 0:21:27 | 0:21:29 | |
Rock on, dude! | 0:21:30 | 0:21:33 | |
-Dr Noel. -Hello. | 0:21:35 | 0:21:37 | |
How about some '90s R&B? | 0:21:37 | 0:21:40 | |
For the audience only, here is Innocence. | 0:21:40 | 0:21:44 | |
# A natural thing | 0:21:44 | 0:21:46 | |
# I don't have to prove it | 0:21:46 | 0:21:48 | |
# A natural thing | 0:21:48 | 0:21:51 | |
# We're making out, we know we're right | 0:21:51 | 0:21:53 | |
# A natural thing | 0:21:53 | 0:21:55 | |
# Time is on our side | 0:21:55 | 0:21:58 | |
-# Coming on -Keep coming on so strong. # | 0:21:58 | 0:22:03 | |
That was Innocence with Natural Thing. | 0:22:03 | 0:22:05 | |
But which of our line-up is singer Gee Morris? | 0:22:05 | 0:22:10 | |
Is it number one - Gee Morris? | 0:22:10 | 0:22:13 | |
Is it number two - F off. | 0:22:13 | 0:22:16 | |
Is it number three - Z-list? | 0:22:16 | 0:22:20 | |
Is it number four - C sharp? | 0:22:20 | 0:22:23 | |
Or is it number five - see Pat Sharp! | 0:22:23 | 0:22:26 | |
APPLAUSE | 0:22:26 | 0:22:28 | |
We've got to be sensible here, lads. | 0:22:32 | 0:22:35 | |
What do you mean - not pick number five? | 0:22:35 | 0:22:38 | |
It feels so right, though, to pick number five. | 0:22:40 | 0:22:43 | |
No matter what anyone says, I am going to say it's number five. | 0:22:43 | 0:22:47 | |
Russell, you've done plenty of duets in your time, haven't you? | 0:22:48 | 0:22:52 | |
-Yes, yes. -Have you ever thought about teaming up with the king of grime? | 0:22:52 | 0:22:56 | |
-Yes. -Dizzee Rascal. -Yes. | 0:22:56 | 0:22:58 | |
AUDIENCE: Oooh! | 0:22:58 | 0:23:00 | |
Oooh! | 0:23:00 | 0:23:02 | |
SINGLE DRUMBEAT | 0:23:02 | 0:23:04 | |
-Would you do a... -Four or two, it could be. | 0:23:04 | 0:23:07 | |
-What do you think? -I think it's number five. | 0:23:07 | 0:23:10 | |
Would you do... | 0:23:10 | 0:23:11 | |
Believe it or not, back in 1999, I did a duet with Sean Ryder. | 0:23:13 | 0:23:19 | |
-Really? -That was quite an experience. | 0:23:19 | 0:23:21 | |
I shouldn't say this, but I do occasionally do impersonations and... | 0:23:21 | 0:23:27 | |
-You do a Ryder? -We actually... Yeah. | 0:23:27 | 0:23:30 | |
We actually struggled to get certain bits from him | 0:23:30 | 0:23:32 | |
so I did the vocals and his manager came up to us afterwards and he says, | 0:23:32 | 0:23:38 | |
"Tell you what - that's the best our Sean's sounded for about 10 years!" | 0:23:38 | 0:23:43 | |
Do Nessun Dorma as Sean Ryder. | 0:23:45 | 0:23:47 | |
I'll be Bez. | 0:23:47 | 0:23:48 | |
So it'll be something like - | 0:23:55 | 0:23:56 | |
-MANCUNIAN ACCENT: -# Nessun dorma, nessun dorma | 0:23:56 | 0:24:02 | |
# Tu pure, o Principessa | 0:24:02 | 0:24:07 | |
# Nella tua fredda stanza. # | 0:24:07 | 0:24:11 | |
CHEERING AND APPLAUSE | 0:24:11 | 0:24:13 | |
Fantastic. | 0:24:16 | 0:24:17 | |
-Can we make a positive decision here? -Five. | 0:24:18 | 0:24:22 | |
Are you... No, that weren't positive. | 0:24:22 | 0:24:25 | |
-Let's be sensible. -All right. | 0:24:26 | 0:24:28 | |
-It's either four or two. -Or five. | 0:24:28 | 0:24:31 | |
-Can I just remind you of the scores at this stage? -Yeah, what are the scores? | 0:24:34 | 0:24:37 | |
-You are one behind. -Really? | 0:24:37 | 0:24:39 | |
OK, number five. | 0:24:39 | 0:24:41 | |
It's what we call in the business an insistent gag. | 0:24:43 | 0:24:45 | |
It needs your button. | 0:24:47 | 0:24:49 | |
SINGLE DRUMBEAT | 0:24:49 | 0:24:50 | |
Number four! | 0:24:50 | 0:24:52 | |
-Are we saying four? -Yeah, we are. | 0:24:52 | 0:24:54 | |
Let's find out. Would the real Gee Morris please put her best foot forward? | 0:24:54 | 0:25:00 | |
Go on, Pat! | 0:25:02 | 0:25:04 | |
Go on, Pat! | 0:25:04 | 0:25:05 | |
CHEERING AND APPLAUSE | 0:25:06 | 0:25:09 | |
And we're all looking forward to her new material - | 0:25:12 | 0:25:15 | |
out soon, probably next year. | 0:25:15 | 0:25:16 | |
Gee Morris, ladies and gentlemen. | 0:25:16 | 0:25:18 | |
So we end with Next Lines. | 0:25:23 | 0:25:26 | |
Noel's team, you are first! | 0:25:26 | 0:25:29 | |
SINGLE DRUMBEAT | 0:25:29 | 0:25:30 | |
And your time starts now. | 0:25:30 | 0:25:33 | |
Here's a little song I wrote. | 0:25:33 | 0:25:38 | |
You might want to sing it note for note. | 0:25:35 | 0:25:38 | |
Insane in the membrane. | 0:25:38 | 0:25:42 | |
Insane in the brain. | 0:25:40 | 0:25:42 | |
Interview on the TV, I'm laughing. | 0:25:42 | 0:25:45 | |
WILEY MUMBLES QUIETLY | 0:25:45 | 0:25:47 | |
Is this one yours? | 0:25:49 | 0:25:50 | |
All right. Interview on the TV, I'm laughing... | 0:25:50 | 0:25:53 | |
Interview on the TV, I'm laughing. | 0:25:53 | 0:25:56 | |
Might see me...uh... | 0:25:56 | 0:25:59 | |
I missed my own song, you're... Killing Me Softly! | 0:25:59 | 0:26:02 | |
-Never Mind The Buzzcocks. -Yes! | 0:26:02 | 0:26:04 | |
-I'll make your... -I'll make your household laugh when I do my casting. | 0:26:04 | 0:26:09 | |
Wiley with MJ Cole From The Drop. | 0:26:09 | 0:26:12 | |
Barcelona! | 0:26:12 | 0:26:16 | |
It was the first time that we met. | 0:26:13 | 0:26:16 | |
Number five, Pat Sharp. | 0:26:16 | 0:26:18 | |
END-OF-ROUND JINGLE | 0:26:18 | 0:26:20 | |
Phill's team, you need four points to win, | 0:26:21 | 0:26:24 | |
three points to draw or two points to lose. | 0:26:24 | 0:26:28 | |
OK. Thanks for doing that. I'm going to play two subs now. | 0:26:28 | 0:26:34 | |
-KLAXON BLARES -Can I sit in the middle? | 0:26:34 | 0:26:36 | |
I'm really shit at this, by the way. | 0:26:40 | 0:26:42 | |
Your time starts now. | 0:26:43 | 0:26:45 | |
-Is that your thing, to wear the hat? -Yeah, do you like it? | 0:26:45 | 0:26:48 | |
-Yeah, I just didn't realise that was a thing. -Oh, yeah. | 0:26:48 | 0:26:51 | |
-You know, it just gets me girls, you know? -Really? | 0:26:51 | 0:26:54 | |
-WILEY: -What's going on over there? | 0:26:54 | 0:26:56 | |
This is like every bus stop I was ever in. | 0:26:56 | 0:26:58 | |
I said, a hip-hop. | 0:27:06 | 0:27:09 | |
-ALL: -Hip-hop. | 0:27:08 | 0:27:09 | |
The hippie to the hip, hip-hop. | 0:27:09 | 0:27:11 | |
You don't stop, you rock it to the bang bang... | 0:27:11 | 0:27:13 | |
Sugarhill Gang, Rapper's Delight. | 0:27:13 | 0:27:15 | |
Do you remember the good old days? | 0:27:15 | 0:27:20 | |
No. | 0:27:18 | 0:27:20 | |
The Specials, Ghost Town. | 0:27:21 | 0:27:23 | |
Day two, I can't help but think of you. | 0:27:23 | 0:27:26 | |
-Day two, can't... -Was the same as day two. Day four, I fell in love with you. | 0:27:26 | 0:27:30 | |
-Thank you. But what happened to day three? -Day three was the same as day two. | 0:27:30 | 0:27:34 | |
Oh, I though you were just saying that. JLS, Love You More. | 0:27:34 | 0:27:37 | |
Day four, I fell in love with you. | 0:27:37 | 0:27:42 | |
Day five, you spent it with me. | 0:27:40 | 0:27:42 | |
Sixth day, knocked me off my feet. Day seven... | 0:27:42 | 0:27:44 | |
You're taking my questions! JLS, Love You More. | 0:27:44 | 0:27:47 | |
-KLAXON BLARES -Oh, change over. Sub, sub, sub! | 0:27:47 | 0:27:49 | |
CHEERING AND APPLAUSE | 0:27:49 | 0:27:52 | |
-END-OF-ROUND JINGLE -Let's go, team. Oh! | 0:27:53 | 0:27:56 | |
The final scores - | 0:28:00 | 0:28:01 | |
-Uncle Phill's team - eight, sir. -Thank you. | 0:28:01 | 0:28:05 | |
Dr Noel's team - | 0:28:07 | 0:28:09 | |
-seven. -Oh, no! | 0:28:09 | 0:28:11 | |
CHEERING AND APPLAUSE | 0:28:11 | 0:28:14 | |
Thanks to Uncle Phill, Holly and JLS. | 0:28:17 | 0:28:19 | |
Not forgetting Dr Noel, Russell and my man, Wiley. | 0:28:23 | 0:28:26 | |
And, of course, number five - Pat Sharp! | 0:28:26 | 0:28:29 | |
This has been Never Mind The Buzzcocks. | 0:28:32 | 0:28:34 | |
We're out of here. One. | 0:28:34 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 |