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APPLAUSE | 0:00:21 | 0:00:24 | |
Hello and welcome to Never Mind The Buzzcocks. I'm Lee Mack. | 0:00:31 | 0:00:35 | |
Actually, it says "Return of the Mack", but I won't say that, cos I don't know what it means. | 0:00:35 | 0:00:41 | |
Oh well, here we go. | 0:00:41 | 0:00:42 | |
On Noel's team tonight... | 0:00:42 | 0:00:44 | |
# I like everybody... # | 0:00:44 | 0:00:45 | |
The front man of the Hoosiers, who recently said he didn't want | 0:00:45 | 0:00:49 | |
their second album to sound like their first. | 0:00:49 | 0:00:51 | |
We can all agree on that! | 0:00:51 | 0:00:53 | |
-It's Irwin Sparkes. -CHEERING AND APPLAUSE | 0:00:53 | 0:00:56 | |
We never normally book reality stars on this show, | 0:01:00 | 0:01:03 | |
but every now and then, we find a diamond in the rough. | 0:01:03 | 0:01:06 | |
And then sometimes we're really stuck and have to book the rough. | 0:01:06 | 0:01:09 | |
From Pineapple Dance Studios, it's Andrew Stone. | 0:01:09 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:14 | |
And on Phill's team tonight... | 0:01:16 | 0:01:17 | |
a woman who proves that not winning the X Factor doesn't mean your career is over. | 0:01:17 | 0:01:22 | |
So if you're watching this, Journey South, Candy Rain, | 0:01:22 | 0:01:25 | |
Tappy, Eoghan Quigg, Same Difference, | 0:01:25 | 0:01:28 | |
the O'Connell Sisters, Dead Wife Guy and Singing Binman, | 0:01:28 | 0:01:31 | |
don't give up the dream. It's Diana Vickers. | 0:01:31 | 0:01:33 | |
CHEERING AND APPLAUSE | 0:01:33 | 0:01:34 | |
He's a comedian who suffers from OCD, | 0:01:36 | 0:01:38 | |
so just to make you feel comfortable, | 0:01:38 | 0:01:40 | |
I think you may have left the taps on back in your flat. | 0:01:40 | 0:01:43 | |
It's Jon Richardson. | 0:01:43 | 0:01:44 | |
APPLAUSE | 0:01:44 | 0:01:47 | |
So, we begin with Don't You Know Who I Am? | 0:01:49 | 0:01:51 | |
Noel, Irwin and Andrew, take a look. | 0:01:51 | 0:01:53 | |
# Every little thing that you say or do... # | 0:01:53 | 0:01:55 | |
She's a pop sensation who constantly changes her image, | 0:01:55 | 0:01:58 | |
though she now seems to have settled on orphan-snaffling, navvy-armed corpse. It's Madonna. | 0:01:58 | 0:02:03 | |
# I'm fed up I'm tired of waiting on you Every little thing... # | 0:02:03 | 0:02:09 | |
That was Madonna, with Hung Up. But what did she insist on during a recent flight? | 0:02:09 | 0:02:13 | |
Was it that, A - she only be served food cooked by her personal, macro-biotic chef? | 0:02:13 | 0:02:18 | |
B - that she have two kabala rabbis and a replica of the Ark of the Covenant on board? | 0:02:18 | 0:02:22 | |
Or C - she got to do the safety demonstrations for the rest of the passengers? Noel's team... | 0:02:22 | 0:02:28 | |
I was going to say she looks a bit like a mum, but my mum's in tonight, so that sounds weird. | 0:02:28 | 0:02:32 | |
Does she look like A mum or YOUR mum? | 0:02:32 | 0:02:34 | |
-Just...mums in general. -I'm not attacking. You look really defensive. I'm on your side. | 0:02:34 | 0:02:39 | |
What are you saying? That I fancy my own mum? That's weird! | 0:02:39 | 0:02:44 | |
Stop it! | 0:02:44 | 0:02:45 | |
-I fancy your mum. -I know. You're a freak though. | 0:02:45 | 0:02:48 | |
-I like young ladies, but she's kind of doing it for me at 50. -Really?! | 0:02:50 | 0:02:53 | |
I find someone who's that overtly sexual and has made a career | 0:02:53 | 0:02:57 | |
out of being that provocative really odd, | 0:02:57 | 0:02:59 | |
because I don't find her alluring. | 0:02:59 | 0:03:01 | |
-Really? -Would you prefer it if she wore grey trousers and had a moustache? | 0:03:01 | 0:03:05 | |
It would be different. | 0:03:05 | 0:03:07 | |
-She got thrown off a horse, didn't she? -Yeah. | 0:03:07 | 0:03:10 | |
What was she doing to it? | 0:03:10 | 0:03:11 | |
I think she said that paparazzi jumped out of a bush, | 0:03:11 | 0:03:14 | |
photographed her, and the horse stood up to get his photo taken. | 0:03:14 | 0:03:18 | |
She fell back into a bush and some wombles dragged her away. | 0:03:18 | 0:03:21 | |
They built a castle out of her leg-warmers. | 0:03:23 | 0:03:26 | |
I actually once... I used to work with horses, | 0:03:26 | 0:03:29 | |
-and I led a horse down the road... -PHILL: Did it drink? | 0:03:29 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
You know the horse's penis retracts, and when they have erections, they just come straight down and swing. | 0:03:34 | 0:03:40 | |
And it took out the wing mirror of a parked Ford Fiesta. | 0:03:40 | 0:03:43 | |
It did, honestly. | 0:03:43 | 0:03:44 | |
There is a phone call to the insurance I'd like to make! | 0:03:44 | 0:03:48 | |
We just covered mums and horse cocks in, like, two minutes! | 0:03:48 | 0:03:52 | |
-We just go straight in! -Andrew, it says here that you have danced with Madonna. | 0:03:52 | 0:03:57 | |
I haven't danced with Madonna, no. | 0:03:57 | 0:04:00 | |
Oh, sorry, it says you've danced TO Madonna. | 0:04:00 | 0:04:02 | |
-Have you danced with Madonna? -No. I've danced for Kylie. -Kylie. | 0:04:04 | 0:04:08 | |
Also with Britney Spears and Christina Aguilera. | 0:04:08 | 0:04:11 | |
-Yeah. -But it's not just women. You've also danced with Tina Turner. -I've SUNG with... | 0:04:11 | 0:04:16 | |
I've sung with Tina Turner. | 0:04:16 | 0:04:17 | |
Were you both pissed at karaoke? | 0:04:17 | 0:04:19 | |
Were you singing with Tina before Starman or during...? | 0:04:19 | 0:04:23 | |
-Yeah, before I formed the group. -Before the group. | 0:04:23 | 0:04:26 | |
-Does everybody know...Starman? -Starman, yes. | 0:04:26 | 0:04:28 | |
-New album out soon? -We're working on it - we've got a Christmas release. | 0:04:28 | 0:04:31 | |
-Is there a snowman in the video? -Do you want to be in it? -I'll be the snowman. | 0:04:31 | 0:04:35 | |
You would be the most terrifying snowman ever! | 0:04:35 | 0:04:38 | |
Standing at the back with an icy erection... | 0:04:38 | 0:04:41 | |
"It's a carrot!" | 0:04:41 | 0:04:42 | |
The kids will ask, "Is that a snowman?" Mum and Dad will say, | 0:04:42 | 0:04:45 | |
"No it's a crow that's turned to being a rent boy." | 0:04:45 | 0:04:48 | |
-So, what was the answer? -Let's go with A. | 0:04:50 | 0:04:53 | |
Whoa, whoa - wait a second! | 0:04:53 | 0:04:55 | |
I'm the captain. Don't get all dancey on my ass! | 0:04:55 | 0:04:59 | |
I don't think the bloke on the Titanic ever said that. | 0:04:59 | 0:05:02 | |
-LONDON ACCENT: -"I'm the captain! Don't get all..." | 0:05:02 | 0:05:04 | |
It's you, you make me go Cockney cos you're a northern greengrocer. | 0:05:04 | 0:05:08 | |
You bring it out of me. | 0:05:08 | 0:05:09 | |
Noel told me in 1998 that I look like a 1940s greengrocer. | 0:05:09 | 0:05:15 | |
He did, honestly. | 0:05:15 | 0:05:17 | |
When I think of you, you are holding aubergines. | 0:05:17 | 0:05:20 | |
"I hope you've got enough coupons for these, Mrs Jackson. They're a very rare vegetable indeed." | 0:05:23 | 0:05:28 | |
"No, we ain't got none of that chocolate. No, we ain't. No, we ain't." | 0:05:28 | 0:05:32 | |
So, you think it's A and you think it's A, don't you? | 0:05:32 | 0:05:35 | |
Wait a second, I reckon it was the thing where she did the demonstration. | 0:05:35 | 0:05:39 | |
The safety demonstration for the rest of the passengers? | 0:05:39 | 0:05:42 | |
-She's a right show-off. -You really want that. | 0:05:42 | 0:05:44 | |
I think she did a forward roll, got inside a sick bag and then passed out the sweets so your ears don't pop. | 0:05:44 | 0:05:50 | |
There might be a slight legal issue with saying, | 0:05:50 | 0:05:53 | |
"Sit down, I'll do the safety bit, don't worry. I'd drive it too!" | 0:05:53 | 0:05:56 | |
It would be the only time I would watch it though. | 0:05:56 | 0:05:59 | |
No-one watches it, but if Madonna was doing it, I would. | 0:05:59 | 0:06:02 | |
What would she wear? | 0:06:02 | 0:06:04 | |
She'd have to wear the regulation uniform otherwise she wouldn't be taken seriously. | 0:06:04 | 0:06:08 | |
People would go, "You'd better watch this." | 0:06:08 | 0:06:11 | |
"Nah, it's only Madonna. She's not in the regulation uniform. | 0:06:11 | 0:06:15 | |
"I'm just going to carry on throwing these tiddly-winks in the corner." | 0:06:15 | 0:06:19 | |
-I've got a pun that the audience might hate. -Shit pun, coming up! | 0:06:21 | 0:06:24 | |
So if Madonna did do the announcement, do you think she would do it on easyJet | 0:06:24 | 0:06:28 | |
or...Like A Virgin? | 0:06:28 | 0:06:30 | |
GROANS AND APPLAUSE | 0:06:30 | 0:06:32 | |
Yes! | 0:06:34 | 0:06:36 | |
Have you decided on an answer? | 0:06:38 | 0:06:40 | |
-Be more authoritative. -Who, me? -No, the bloke at the back, I've got a lazy eye(!) | 0:06:40 | 0:06:45 | |
I'm like one of those liberal teachers - | 0:06:50 | 0:06:53 | |
I let the kids do what they want, you know? | 0:06:53 | 0:06:55 | |
Yeah, we're saying A. | 0:06:55 | 0:06:57 | |
Er, that is the correct answer. | 0:06:57 | 0:07:00 | |
APPLAUSE | 0:07:00 | 0:07:02 | |
The answer is A. Madonna insisted on having her personal chef on board | 0:07:06 | 0:07:10 | |
to prepare her a strictly macro-biotic meal. | 0:07:10 | 0:07:13 | |
At one point, the chef asked her, "Mutton or lamb?" | 0:07:13 | 0:07:15 | |
Though I think he already knew the answer. | 0:07:15 | 0:07:18 | |
She booked a single ticket on the way out, | 0:07:19 | 0:07:21 | |
but added a child's seat for the return, | 0:07:21 | 0:07:24 | |
in case she fancied some retail therapy. | 0:07:24 | 0:07:26 | |
Phill, Diana and Jon, have a look at this. | 0:07:28 | 0:07:30 | |
Who said Last Of The Summer Wine was over? | 0:07:32 | 0:07:34 | |
It's Compo, Cleggy, Foggy and Mick Jagger. | 0:07:34 | 0:07:37 | |
Those crematorium-shunning national treasures otherwise known as the Rolling Stones. | 0:07:37 | 0:07:42 | |
# The phone kept ringing | 0:07:42 | 0:07:44 | |
# And we made sweet love... # | 0:07:47 | 0:07:51 | |
That was the Rolling Stones with Rain Fall Down, and your question - | 0:07:54 | 0:07:57 | |
what do they insist on, wherever they play? | 0:07:57 | 0:08:00 | |
Is it, A - nothing in the band buffet contains anything, quote, "Bigger than a snooker ball"? | 0:08:00 | 0:08:05 | |
B - they refuse to play in a venue if a circus has been there before them? | 0:08:05 | 0:08:09 | |
Or C - at 10am GMT, the crew and the band must sit down together and watch Homes Under The Hammer? | 0:08:09 | 0:08:16 | |
-LAUGHTER -Phill's team. | 0:08:16 | 0:08:18 | |
IMITATING MICK JAGGER: "That house is never worth that, man. No way that house is worth that! | 0:08:18 | 0:08:23 | |
"Guy's mental." | 0:08:23 | 0:08:25 | |
-Never seen it, it's wasted on me. -I've never seen it either. | 0:08:27 | 0:08:31 | |
Ten minutes of entertainment, crammed into an hour. | 0:08:31 | 0:08:34 | |
So, nothing bigger than a snooker ball in the buffet? | 0:08:34 | 0:08:38 | |
So it could be touch-and-go with a Scotch egg. | 0:08:38 | 0:08:41 | |
-Unless you mush it. -Mush it? -Mush it up. | 0:08:41 | 0:08:44 | |
I'm actually becoming vaguely aroused by Diana's idea | 0:08:44 | 0:08:48 | |
of the Scotch egg smoothie. Tell me more. | 0:08:48 | 0:08:51 | |
Well, you know... I mean... | 0:08:51 | 0:08:52 | |
-Put a Scotch egg in a blender... -Yeah. -..add some milk and... -Bada-bing, bada-boom. -I'm in. | 0:08:52 | 0:08:58 | |
-I'm in. -See? | 0:08:58 | 0:08:59 | |
-Do you have anything that you ask for? -I do - I like chocolate, I like a kettle. | 0:08:59 | 0:09:04 | |
-YORKSHIRE ACCENT: "Nothing smaller than a football?" -No! | 0:09:04 | 0:09:07 | |
Sorry, but could we just have a look at Diana's mic, cos it's making her sound very northern. | 0:09:07 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:14 | |
It needs to be turned down - the northern thing. | 0:09:14 | 0:09:17 | |
Diana, can I just ask you a question? | 0:09:17 | 0:09:19 | |
You are a beautiful woman, talented actress, brilliant musician... | 0:09:19 | 0:09:23 | |
Do you think God gave you that accent just to balance it up a bit? | 0:09:23 | 0:09:26 | |
I know! I do! | 0:09:26 | 0:09:28 | |
I know, I know. It is a shame, isn't it? | 0:09:32 | 0:09:35 | |
You can tell you've been in London for a while - | 0:09:35 | 0:09:37 | |
you're acting everything out cos no-one can understand you! | 0:09:37 | 0:09:41 | |
I feel a need to defend the north. | 0:09:41 | 0:09:42 | |
I feel I should chip in and say, "Well, I've read a Dostoyevsky." | 0:09:42 | 0:09:46 | |
Please don't. | 0:09:46 | 0:09:48 | |
You had to do it in a southern accent then in case you got your head kicked in. | 0:09:48 | 0:09:51 | |
So, Diana, have you been watching the X Factor? | 0:09:51 | 0:09:54 | |
-Briefly, yes. -Who beat you in your year? -Alexandra Burke. | 0:09:54 | 0:09:58 | |
Oh, he's good(!) | 0:09:58 | 0:09:59 | |
I follow popular culture. ..You came second? | 0:10:01 | 0:10:04 | |
No, I didn't, no. Then JLS. And then Eoghan Quigg. | 0:10:04 | 0:10:08 | |
-Eoghan Quigg. -Yeah, and then... -Weren't you dating him? -No. We were very good friends. | 0:10:08 | 0:10:13 | |
Oh yeah. So you were dating him, yeah? | 0:10:13 | 0:10:15 | |
I know this might sound immature, but did you do that? | 0:10:15 | 0:10:18 | |
LAUGHTER | 0:10:18 | 0:10:21 | |
-Is that too immature? -Do you think you could put a burger in the blender as well and do a burger smoothie? | 0:10:21 | 0:10:26 | |
I tell you what's great. Pot Noodle sandwich, have you ever had that? | 0:10:26 | 0:10:30 | |
-Yeah, amazing. -You drain out all the liquid, you put it on white bread, you fold it over. The best. | 0:10:30 | 0:10:37 | |
As you well know, because we lived together. | 0:10:37 | 0:10:40 | |
I remember how much of a heathen I was - we were in the kitchen and I said, "Is this jazz?" | 0:10:40 | 0:10:45 | |
And you said, "It's classical music, Lee." | 0:10:45 | 0:10:47 | |
You did say to me music ended for you after, what was it, Spandau Ballet? | 0:10:50 | 0:10:54 | |
You went, "It's never going to get any better than that." | 0:10:54 | 0:10:57 | |
-LAUGHTER -You think that's funny, do you? | 0:10:57 | 0:11:01 | |
-# Thank you for coming home I'm sorry that... # -Stop! -Come on! | 0:11:02 | 0:11:07 | |
So, what's your answer, please? | 0:11:07 | 0:11:10 | |
Maybe if they've already had dinner, | 0:11:10 | 0:11:12 | |
they don't want to be tempted by anything bigger than a snooker ball before they go on stage. | 0:11:12 | 0:11:17 | |
They might get really bloated. | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:22 | |
I'm still thinking about the meat smoothies, I'm going to be honest. | 0:11:22 | 0:11:26 | |
-Snooker ball food. -You're going for that? | 0:11:26 | 0:11:28 | |
-Yeah. -Wrong. | 0:11:28 | 0:11:29 | |
It's B - the Stones refuse to play at a venue after a circus has been in town | 0:11:29 | 0:11:33 | |
as Mick Jagger claims he had an allergic reaction to elephant dung at a Canadian arena. | 0:11:33 | 0:11:37 | |
And circus animals won't perform after the Rolling Stones, | 0:11:37 | 0:11:41 | |
because they're allergic to pensioner piss. | 0:11:41 | 0:11:43 | |
Keith Richards recently published his autobiography, featuring some of his favourite memories. | 0:11:43 | 0:11:48 | |
He's just waiting for someone to fill in the gaps between 1945 and this afternoon. | 0:11:48 | 0:11:52 | |
And at the end of that round, Noel's team has one point. Phill is yet to score. | 0:11:52 | 0:11:57 | |
CHEERING AND APPLAUSE | 0:11:57 | 0:12:01 | |
Next up, it's the intros round. Noel and Andrew, here are yours for Irwin. | 0:12:05 | 0:12:09 | |
Oh! Thank you. | 0:12:09 | 0:12:11 | |
Let's do it. Let's do this. | 0:12:11 | 0:12:14 | |
..two, three, four. Oom tish, oom tish... | 0:12:14 | 0:12:17 | |
Could be anything. | 0:12:17 | 0:12:19 | |
LAUGHTER AND APPLAUSE | 0:12:19 | 0:12:22 | |
What I'm doing is just background noise. Just listen to him. | 0:12:26 | 0:12:30 | |
Andrew's giving it all that definitely heterosexual pizzazz. | 0:12:30 | 0:12:33 | |
OK. | 0:12:33 | 0:12:35 | |
One, two, three, four... | 0:12:35 | 0:12:36 | |
Oom tish, oom tish! | 0:12:36 | 0:12:39 | |
Don't look at me. ..Oom tish, oom tish! | 0:12:39 | 0:12:43 | |
-HIGH PITCHED: -Doop-doop, doop-doop, doo-doo, doop-doop... | 0:12:43 | 0:12:46 | |
Sorry, I think my phone's going. | 0:12:46 | 0:12:48 | |
LAUGHTER | 0:12:48 | 0:12:50 | |
Doop-doop... | 0:12:50 | 0:12:52 | |
Hello? Is that Noel's mum? Yeah, I'll be round at six. | 0:12:52 | 0:12:55 | |
Doo-doo-doo-doo-doo doop-doop Doop-doop... | 0:12:55 | 0:13:00 | |
I'm very OCD - I made sure it was back on the hook. | 0:13:00 | 0:13:02 | |
It sounded like nothing ever recorded by man. | 0:13:02 | 0:13:05 | |
I don't know - it's not you, it's my ears. | 0:13:05 | 0:13:07 | |
This is the point where I watch the TV, screaming at it, "You idiot! | 0:13:07 | 0:13:11 | |
-"It's so obvious!" -Well, can we have an answer? | 0:13:11 | 0:13:14 | |
-Come on! It's obvious. -It's not, but is it the Luniz? | 0:13:14 | 0:13:18 | |
It's actually Gorillaz, Melancholy Hill. | 0:13:18 | 0:13:20 | |
And this is how it should have sounded. | 0:13:20 | 0:13:22 | |
SONG PLAYS | 0:13:22 | 0:13:24 | |
That's good actually. | 0:13:26 | 0:13:28 | |
# Up on melancholy... # | 0:13:34 | 0:13:35 | |
OK. Here's your next one. | 0:13:35 | 0:13:37 | |
-Oh, this one should be all right. -I need to prepare for this one. | 0:13:37 | 0:13:41 | |
I've been told to ask you, Andrew, what's a triple threat? | 0:13:41 | 0:13:44 | |
Someone who can sing, dance and act, coming for you. | 0:13:44 | 0:13:48 | |
Threat?! I wouldn't like to be in a fight with you! | 0:13:48 | 0:13:50 | |
"You want a fight with me? Fight with my mate Andrew!" | 0:13:50 | 0:13:53 | |
-CAMP VOICE: -"I can sing, I can dance and I can act!" | 0:13:53 | 0:13:57 | |
"So just back off!" | 0:13:57 | 0:13:59 | |
I think "coming for you" is the biggest threat. | 0:14:02 | 0:14:04 | |
Or over you? | 0:14:04 | 0:14:06 | |
Oh, come on! | 0:14:06 | 0:14:08 | |
You've let yourself down, you've let this young lady down, | 0:14:08 | 0:14:12 | |
you've let the audience down, Noel's mum... | 0:14:12 | 0:14:15 | |
I usually let Noel's mum down. | 0:14:15 | 0:14:17 | |
LAUGHTER AND GROANS | 0:14:17 | 0:14:20 | |
Oh, come on! I'm sorry, Mrs Fielding. | 0:14:21 | 0:14:24 | |
-My mum's in - that's not even funny! -I know, that's why I'm saying it! | 0:14:24 | 0:14:27 | |
-Is your dad in? -Yeah! He's next to her! | 0:14:27 | 0:14:30 | |
He's going to come looking for me singing, dancing and acting later! | 0:14:30 | 0:14:34 | |
# What did you say about my wife? # | 0:14:34 | 0:14:37 | |
APPLAUSE | 0:14:37 | 0:14:38 | |
"He's got the jazz hands out!" | 0:14:38 | 0:14:40 | |
APPLAUSE | 0:14:40 | 0:14:43 | |
-Are you all finished? -I've done my insults. Away you go. | 0:14:43 | 0:14:47 | |
All right, lobster shirt. | 0:14:47 | 0:14:49 | |
Wah-wow, a-ning-ning-ning... | 0:14:50 | 0:14:53 | |
Noo-noo-noo... | 0:14:53 | 0:14:54 | |
Doo-doo-doo... | 0:14:54 | 0:14:57 | |
Ba-da-da-da-da-daaaaa! | 0:14:57 | 0:14:59 | |
Ba-da-da-da-da-daaaaa! | 0:14:59 | 0:15:01 | |
Ba-da-da-da-da-daaaaa! | 0:15:01 | 0:15:02 | |
Ba-da-da-da-da-daaaaa! | 0:15:02 | 0:15:04 | |
Ba-da-da-da-da-daaaaa! | 0:15:04 | 0:15:06 | |
HIGH PITCHED SHRIEKS | 0:15:06 | 0:15:08 | |
SHRIEKS AND SCREAMS | 0:15:08 | 0:15:11 | |
MANIC LAUGHTER | 0:15:11 | 0:15:14 | |
AUDIENCE LAUGHS AND APPLAUDS | 0:15:14 | 0:15:17 | |
I didn't have anything to do, so I thought I'd pretend to be a witch. | 0:15:21 | 0:15:25 | |
Is it...Abba? | 0:15:25 | 0:15:27 | |
Maybe. | 0:15:27 | 0:15:28 | |
Come on, Irwin, give me the answer. | 0:15:28 | 0:15:30 | |
-He wants it again and again. -Give me the answer, Irwin. | 0:15:30 | 0:15:34 | |
Ooh! | 0:15:34 | 0:15:35 | |
-IRWIN HUMS TO HIMSELF -Give me the answer! | 0:15:35 | 0:15:37 | |
Irwin, GIVE ME the answer! GIMME the answer! | 0:15:37 | 0:15:40 | |
GIMME the answer! | 0:15:40 | 0:15:43 | |
-This is painful. -GIMME the answer! GIMME... | 0:15:43 | 0:15:46 | |
I don't know it! | 0:15:46 | 0:15:48 | |
Gimme... Gimme... | 0:15:48 | 0:15:50 | |
Gimme... | 0:15:50 | 0:15:53 | |
Just gimme, gimme...the answer! | 0:15:53 | 0:15:55 | |
I don't... | 0:15:55 | 0:15:57 | |
-Is it Gimme! Gimme! Gimme!? -Yes! | 0:15:57 | 0:16:03 | |
APPLAUSE | 0:16:03 | 0:16:05 | |
-Ah, God! -Actually, it's wrong. The answer is Take A Chance On Me. | 0:16:08 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
And here's how it should have sounded. | 0:16:16 | 0:16:18 | |
SONG BEGINS TO PLAY | 0:16:18 | 0:16:19 | |
I don't remember this bit. | 0:16:19 | 0:16:22 | |
FAMILIAR PANPIPE INTRO PLAYS | 0:16:22 | 0:16:25 | |
That bit before... | 0:16:25 | 0:16:27 | |
I thought it sounded like a laughing witch, so I thought I'd do that. | 0:16:27 | 0:16:30 | |
# Half past twelve... # | 0:16:30 | 0:16:34 | |
There's nothing like a laughing witch in it. At all. | 0:16:34 | 0:16:37 | |
So that was Gimme! Gimme! Gimme! by Abba. | 0:16:37 | 0:16:39 | |
After years of relentless emotional torment and sexual harassment, | 0:16:39 | 0:16:43 | |
Abba's Agnetha finally caved in and married her persistent stalker. | 0:16:43 | 0:16:47 | |
So, you keep plugging away, Adrian Chiles. | 0:16:47 | 0:16:50 | |
We also heard Gorillaz, with Melancholy Hill. They don't do many interviews, | 0:16:50 | 0:16:54 | |
because it's too expensive and difficult to animate a full conversation. | 0:16:54 | 0:16:58 | |
Much like the Saturdays. | 0:16:58 | 0:16:59 | |
LAUGHTER AND GROANS | 0:16:59 | 0:17:02 | |
Phill and Diana, here are yours for Jon. | 0:17:02 | 0:17:05 | |
-Do we have to stand, yeah? -Yes, we do, Diana Vickers. -I'm very excited. | 0:17:05 | 0:17:09 | |
-What, about standing? -Yes. | 0:17:09 | 0:17:11 | |
"I'm a simple northern girl with simple wishes. | 0:17:12 | 0:17:15 | |
"I wish I could go to London and stand." | 0:17:15 | 0:17:17 | |
-LAUGHTER -Well tonight, your dreams come true! | 0:17:17 | 0:17:21 | |
# This is my moment... # | 0:17:21 | 0:17:25 | |
-Thank you very much. -If you're lucky, you can do some holding too. | 0:17:25 | 0:17:29 | |
I know! Two for one! | 0:17:29 | 0:17:31 | |
LAUGHTER | 0:17:31 | 0:17:34 | |
-THEY CONFER -Yeah. -Just do that. -Yeah. | 0:17:34 | 0:17:37 | |
Right. One, two, three. | 0:17:37 | 0:17:41 | |
Nah-nah! | 0:17:41 | 0:17:42 | |
Bom-bom-bom-bom-bom-bom... | 0:17:42 | 0:17:44 | |
Nah-nah! | 0:17:43 | 0:17:44 | |
Bom-bom-bom-bom-bom-bom... | 0:17:44 | 0:18:00 | |
Nah-nah! | 0:17:45 | 0:17:47 | |
Bom-bom-bom-bom-bom-bom... | 0:17:47 | 0:17:48 | |
Nah-nah, nah-nah! | 0:17:47 | 0:17:50 | |
Is that the ice cream van? | 0:17:50 | 0:17:51 | |
Nah-nah! | 0:17:51 | 0:17:53 | |
Dum, dum, da-now... | 0:17:53 | 0:17:56 | |
Dum, dum, da-now... | 0:17:56 | 0:17:58 | |
Dum, da-na-now... | 0:17:58 | 0:18:00 | |
You need to stop doing that. | 0:18:00 | 0:18:01 | |
-What, the mimey piano? -No, you're good! | 0:18:01 | 0:18:04 | |
-What was she doing? -My hip thrusting. -Making me not watch that. | 0:18:04 | 0:18:07 | |
Is it the song that has the lyric, "Don't need no credit card to ride this train"? | 0:18:09 | 0:18:13 | |
Yes, that's good, but it's not Spot The Fragment Of Lyric! | 0:18:13 | 0:18:17 | |
Much as I wish it were! | 0:18:17 | 0:18:20 | |
-What's the title? -I can't do it with you all looking at me! | 0:18:20 | 0:18:23 | |
Nobody look at Jon. Look the other way and he'll get it. Watch this. | 0:18:23 | 0:18:26 | |
They don't do this on Ready, Steady, Cook - | 0:18:26 | 0:18:29 | |
just you next to the chef going, "What are you making?!" | 0:18:29 | 0:18:32 | |
So, is there any cabbage in this? | 0:18:34 | 0:18:36 | |
-How about some lettuce? -Oh, God, this is horrible! | 0:18:38 | 0:18:42 | |
Addicted To Love? | 0:18:44 | 0:18:46 | |
No, unfortunately, it's The Power Of Love. | 0:18:46 | 0:18:50 | |
-Oi! -You've got to hand it over. -OK, pretend I didn't say that. | 0:18:50 | 0:18:53 | |
Oh, no! | 0:18:53 | 0:18:55 | |
No, that's the wrong answer. Noel, do you know it? | 0:18:55 | 0:18:59 | |
Is it Addicted To Love? | 0:18:59 | 0:19:00 | |
No, it's not Addicted To Love! | 0:19:00 | 0:19:03 | |
Yeah, it's The Power Of Love! | 0:19:03 | 0:19:05 | |
It's The Power Of Love, and this is how it should sound. | 0:19:05 | 0:19:09 | |
"THE POWER OF LOVE" PLAYS | 0:19:09 | 0:19:12 | |
# Might as well admit it I'm addicted to love... # | 0:19:12 | 0:19:15 | |
# Might as well admit it I'm addicted to love... # | 0:19:16 | 0:19:19 | |
# Might as well... # Come on! # ..addicted to love... | 0:19:19 | 0:19:22 | |
# Addicted to...love. # | 0:19:22 | 0:19:24 | |
-# Power of love... # -Don't do that bit! | 0:19:24 | 0:19:27 | |
OK, here we go. I've got confidence in you in this one. | 0:19:27 | 0:19:31 | |
-I feel you're going to get this one. -Yeah? -One, two, three, four... | 0:19:31 | 0:19:36 | |
Da-da-da-da-da-da-da-da da-da-da-da-da... | 0:19:36 | 0:19:39 | |
Batman! | 0:19:39 | 0:19:40 | |
LAUGHTER AND APPLAUSE | 0:19:40 | 0:19:44 | |
-Oh, I enjoyed that! -Oh, no! | 0:19:46 | 0:19:48 | |
PHILL: You're going to do it again. | 0:19:50 | 0:19:52 | |
-I'm not. -You are. | 0:19:52 | 0:19:53 | |
Listen, everyone. I'm telling you now as the referee, we don't do that again. | 0:19:53 | 0:19:57 | |
And the same applies to you, audience. | 0:19:57 | 0:20:00 | |
Don't look at him. | 0:20:01 | 0:20:03 | |
Da-da-da-da-da-da da-da-da-da-da... | 0:20:03 | 0:20:06 | |
Batman! | 0:20:06 | 0:20:08 | |
I'm so sorry. That's definitely it now. If I did it again, | 0:20:08 | 0:20:12 | |
-that would be childish. -Yes. | 0:20:12 | 0:20:14 | |
I'm not an idiot. | 0:20:14 | 0:20:15 | |
You get the laugh twice, but three, that would be pushing it. | 0:20:15 | 0:20:19 | |
Here we go. | 0:20:19 | 0:20:20 | |
Da-da-da-da-da-da da-da-da-da-da... | 0:20:20 | 0:20:23 | |
THEY STOP | 0:20:23 | 0:20:24 | |
LAUGHTER | 0:20:24 | 0:20:27 | |
-AUDIENCE MEMBER: -Batman! | 0:20:28 | 0:20:30 | |
LAUGHTER | 0:20:30 | 0:20:33 | |
That's your fault for pausing. | 0:20:37 | 0:20:39 | |
Lee, that was my fault. I put the Riddler on the guest list. | 0:20:39 | 0:20:43 | |
-Chung-chung! -Wah! | 0:20:45 | 0:20:46 | |
-Chung-chung! -Wah! | 0:20:46 | 0:20:48 | |
Catwoman! | 0:20:48 | 0:20:51 | |
-Dum-dum -Wah! | 0:20:51 | 0:20:52 | |
Oh... wah... | 0:20:52 | 0:20:54 | |
Da-da-da-da-da-da-da... | 0:20:54 | 0:20:56 | |
It's not Blur, is it? | 0:20:56 | 0:20:58 | |
-Ah! Ah! Ah! Ah! -What did you say? -Blur? | 0:20:58 | 0:21:01 | |
Which song? | 0:21:01 | 0:21:02 | |
Country House? | 0:21:04 | 0:21:06 | |
Oh, so close. It's Blur, with Batman. | 0:21:06 | 0:21:08 | |
You're right, and it sounds like this. | 0:21:11 | 0:21:14 | |
SONG PLAYS | 0:21:14 | 0:21:17 | |
# And so the story begins... | 0:21:25 | 0:21:28 | |
# City dweller, successful fella... # | 0:21:28 | 0:21:30 | |
Blur, with Country House. The song famously went head-to-head with the Oasis single, Roll With It, | 0:21:30 | 0:21:35 | |
in one of the greatest music battles ever. | 0:21:35 | 0:21:37 | |
We'd seen nothing like it, until Starman went up against the meat raffle at the Crown and Anchor. | 0:21:37 | 0:21:42 | |
And if you don't want to see the result, look away now. | 0:21:42 | 0:21:46 | |
We also heard The Power Of Love by Huey Lewis and the News. | 0:21:54 | 0:21:58 | |
Huey Lewis and the News sued Ray Parker Jr over similarities | 0:21:58 | 0:22:01 | |
between the Ghostbusters theme and their song, I Want A New Drug. | 0:22:01 | 0:22:05 | |
I don't know if you've ever seen two homeless people | 0:22:05 | 0:22:08 | |
fighting over an empty crisp packet, but it was a bit like that. | 0:22:08 | 0:22:12 | |
Round three is the Identity Parade. | 0:22:12 | 0:22:13 | |
Noel, Irwin and Andrew, how about some '90s Irish indie? | 0:22:13 | 0:22:16 | |
For the audience only, here are the Frank and Walters. | 0:22:16 | 0:22:20 | |
# There are times I get distracted, girl | 0:22:20 | 0:22:23 | |
# By the ways and workings of this world | 0:22:23 | 0:22:27 | |
# But I think of you as my life's shrine | 0:22:27 | 0:22:31 | |
# And I'm glad that I'm yours and you're mine... # | 0:22:31 | 0:22:41 | |
That was the Frank and Walters with After All, | 0:22:41 | 0:22:45 | |
but which one of our line-up is singer and bassist, Paul Linehan? | 0:22:45 | 0:22:50 | |
Is it number one, Frank and Walters? | 0:22:50 | 0:22:52 | |
Number two, Frankenstein? | 0:22:52 | 0:22:54 | |
Number three, Franks but no Franks? | 0:22:54 | 0:22:58 | |
Number four, frank and open discussion about your future? | 0:22:58 | 0:23:02 | |
Or number five, total and utter franker? | 0:23:02 | 0:23:05 | |
Number five looks like a frightening Viking. | 0:23:06 | 0:23:09 | |
-He's seen pain. -Frightening? As opposed to those un-frightening ones who used to rape and pillage? | 0:23:09 | 0:23:15 | |
I think it's not number two. | 0:23:15 | 0:23:17 | |
I don't know. I can't tell if he's looking at me, but I think he hates me. | 0:23:17 | 0:23:21 | |
Number three has got a bit of a twinkle. | 0:23:21 | 0:23:23 | |
-Yeah. -I reckon number three could have been in a band. | 0:23:23 | 0:23:26 | |
Number one is so wiry it's hurting my eyes. | 0:23:26 | 0:23:29 | |
Look at his elbows! | 0:23:29 | 0:23:31 | |
You could have a crab's eye out with them. | 0:23:31 | 0:23:33 | |
I think he looks like a perfect advert for Diet Tango. | 0:23:36 | 0:23:39 | |
-I think it's number three. -You're going for number three? | 0:23:41 | 0:23:45 | |
Would the real Paul Linehan please step forward? | 0:23:45 | 0:23:48 | |
CHEERING AND APPLAUSE | 0:23:49 | 0:23:52 | |
Yes, still recording and touring with the Frank and Walters, | 0:23:53 | 0:23:57 | |
ladies and gentlemen, Paul Linehan. | 0:23:57 | 0:23:58 | |
Phill, Jon and Diana, what about some classic reggae? | 0:24:05 | 0:24:08 | |
For the audience only, here is Dawn Penn. | 0:24:08 | 0:24:10 | |
# No, no, no | 0:24:10 | 0:24:16 | |
# You don't love me and I know now... # | 0:24:16 | 0:24:22 | |
That was Dawn Penn with No, No, No, | 0:24:28 | 0:24:30 | |
but which of our line-up is Dawn Penn? | 0:24:30 | 0:24:32 | |
Is it number one, Dawn Penn? | 0:24:32 | 0:24:34 | |
Number two, Dawn do that? | 0:24:34 | 0:24:37 | |
Number three, Dawn of the dead? | 0:24:37 | 0:24:39 | |
Number four, Dawn, Dawn, deeper and Dawn? | 0:24:39 | 0:24:43 | |
Or number five, up at the crack of Dawn? | 0:24:43 | 0:24:46 | |
-Phill's team. -It's number two. -Is it number two? -It's number two. | 0:24:47 | 0:24:51 | |
-Diana, what do you...? -Don't ask Diana, she doesn't know. | 0:24:51 | 0:24:55 | |
It's number two. I'm very excited. It's number two. | 0:24:55 | 0:24:58 | |
-Very eager. -Do you think it's number two? | 0:24:58 | 0:25:00 | |
It's number two. It's number two. | 0:25:00 | 0:25:03 | |
-Number two? -It's number two. It's number two. | 0:25:03 | 0:25:05 | |
I'm going to have to push you. What are you going for? | 0:25:05 | 0:25:08 | |
Jon, you don't seem to have offered an opinion, but what do you think? | 0:25:08 | 0:25:12 | |
I think it's five, but I don't want to cause a fuss. | 0:25:12 | 0:25:15 | |
-You definitely want two? -Number two, reggae legend, Dawn Penn. | 0:25:15 | 0:25:19 | |
OK, let's find out. | 0:25:19 | 0:25:20 | |
More than any other show I've ever watched in the history of British television, | 0:25:20 | 0:25:25 | |
do I want this to be wrong. | 0:25:25 | 0:25:26 | |
Would the real Dawn Penn please step forward? | 0:25:26 | 0:25:29 | |
CHEERING AND APPLAUSE | 0:25:32 | 0:25:35 | |
With her brand new album out now, ladies and gentlemen, Dawn Penn. | 0:25:37 | 0:25:41 | |
CHEERING AND APPLAUSE | 0:25:41 | 0:25:45 | |
So, we have Phill on three points and Noel on three points. | 0:25:48 | 0:25:51 | |
So, we end with Next Lines. Phill, you go first. Your time starts now. | 0:25:54 | 0:25:59 | |
"Slowly walking down the hall." | 0:25:59 | 0:26:01 | |
"Faster than a cannon ball." | 0:26:01 | 0:26:02 | |
"Faster than Cannon and Ball," but I'll give it. | 0:26:02 | 0:26:05 | |
"Look at you and me, honey bee." | 0:26:07 | 0:26:08 | |
"Now whoopsie-daisy." | 0:26:08 | 0:26:10 | |
-Oh dear, what have you done? Yes, by Diana Vickers. My Wicked Heart. -Indeed, yeah - out now. | 0:26:10 | 0:26:16 | |
-"Return of the Mack." -Yes it is. | 0:26:16 | 0:26:18 | |
-"Return of the Mack..." -Oh! | 0:26:18 | 0:26:21 | |
"McBurger, McFlurry..." | 0:26:21 | 0:26:22 | |
"McBurger"? It's not an advert for Big Macs! | 0:26:22 | 0:26:25 | |
"Return of the Mack, oh and I'll have fries with that." We don't do adverts! | 0:26:25 | 0:26:29 | |
We're trying to break this northern stereotype. | 0:26:29 | 0:26:32 | |
"Oh, aye, I'll have a cheeseburger and fries and an apple pie." | 0:26:32 | 0:26:36 | |
Once again, Mark Morrison, Return of the Mack. | 0:26:36 | 0:26:39 | |
"You and your 28,000 friends..." | 0:26:39 | 0:26:41 | |
I know this. "YouTube, Facebook, MySpace, IM..." | 0:26:41 | 0:26:46 | |
"I'm talking about YouTube, Facebook, MySpace, im..." | 0:26:46 | 0:26:49 | |
-What does "im" mean? -I am! Im. What? | 0:26:49 | 0:26:54 | |
Sorry, did I just have a blackout during that sentence? | 0:26:56 | 0:26:59 | |
END-OF-ROUND JINGLE | 0:26:59 | 0:27:02 | |
Noel's team, you need seven to win, and your time starts now. | 0:27:07 | 0:27:11 | |
"People try to put us d-down..." | 0:27:11 | 0:27:12 | |
-"Talkin' bout my generation." -Oh, close. "Talkin' bout my sick Alsatian." | 0:27:12 | 0:27:16 | |
Er, no, it's not. "I like everybody..." | 0:27:17 | 0:27:19 | |
-"Not everybody likes me." -The Hoosiers. | 0:27:19 | 0:27:21 | |
-"Now and then, my knees go weak..." -"My feet become alive, alive, alive." | 0:27:21 | 0:27:25 | |
-Starman. -Go for it! -Out this Christmas. | 0:27:25 | 0:27:27 | |
"I can't dance, I can't sing..." | 0:27:27 | 0:27:30 | |
"The only way I...er..." | 0:27:30 | 0:27:33 | |
Genesis. "I'm just standing here selling everything." | 0:27:33 | 0:27:35 | |
"He's got a pineapple on his head." | 0:27:35 | 0:27:38 | |
-"He's got a pineapple on his head." -Yes, Jason Lee. | 0:27:38 | 0:27:40 | |
"Agadoo-doo..." | 0:27:40 | 0:27:41 | |
-"Push pineapple, shake a tree." -Black Lace. | 0:27:41 | 0:27:44 | |
"Agadoo-doo..." | 0:27:44 | 0:27:45 | |
Er... | 0:27:45 | 0:27:46 | |
HE MOUTHS | 0:27:46 | 0:27:49 | |
"Push, er, stir..." | 0:27:49 | 0:27:50 | |
-"A stew." -Yeah. | 0:27:50 | 0:27:51 | |
"Push pineapple, grind coffee." | 0:27:51 | 0:27:54 | |
"To the left..." | 0:27:54 | 0:27:55 | |
"To the right, jump up and down..." | 0:27:55 | 0:27:57 | |
It was. By? | 0:27:57 | 0:27:59 | |
-Black Lace? -No, Sgt Aled Rowlands of the Royal Welsh Brigade. | 0:27:59 | 0:28:02 | |
-"Goodbye, Mr A..." -END-OF-ROUND JINGLE | 0:28:02 | 0:28:05 | |
CHEERING AND APPLAUSE | 0:28:05 | 0:28:07 | |
So, that's the end of the show. | 0:28:10 | 0:28:11 | |
Phill's team has 9, but Noel's team has 11! | 0:28:11 | 0:28:14 | |
CHEERING AND APPLAUSE | 0:28:14 | 0:28:16 | |
Thanks to Phill, Jon and Diana, Noel, Andrew and Irwin. | 0:28:21 | 0:28:24 | |
This has been Never Mind The Buzzcocks. Good night! | 0:28:24 | 0:28:27 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:57 | |
E-mail [email protected] | 0:28:57 | 0:29:00 |