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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:27 | |
Hello, hello and welcome to the show. | 0:00:32 | 0:00:35 | |
I'm Juliette Lewis, your host for this evening. | 0:00:35 | 0:00:38 | |
Isn't this what you've always wanted? | 0:00:38 | 0:00:40 | |
Me, hosting a pop quiz? Well, tonight... | 0:00:40 | 0:00:43 | |
Yeah! Tonight, your dreams have come true. | 0:00:43 | 0:00:46 | |
Maybe they're my dreams. | 0:00:46 | 0:00:48 | |
Let the fun and the games begin. | 0:00:48 | 0:00:50 | |
Are you ready? | 0:00:50 | 0:00:51 | |
On Noel's team tonight is... | 0:00:51 | 0:00:54 | |
She famously sang, "When I grow up, I want to be famous, | 0:00:54 | 0:00:59 | |
"I want to be a star, I want to be in movies." | 0:00:59 | 0:01:02 | |
Failing that, she'll take a seat on a mediocre pop quiz. | 0:01:02 | 0:01:06 | |
It's Kimberly Wyatt. | 0:01:06 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:09 | 0:01:13 | |
He's one half of the funniest double act in showbiz, | 0:01:13 | 0:01:17 | |
unless you include Simon Cowell's man boobs, | 0:01:17 | 0:01:21 | |
it's Vic Reeves. | 0:01:21 | 0:01:23 | |
CHEERING AND APPLAUSE | 0:01:23 | 0:01:25 | |
And on Phill's team tonight... | 0:01:28 | 0:01:30 | |
# We say goodbye in the pouring rain... # | 0:01:30 | 0:01:32 | |
He's part of the synth-pop duo Hurts, | 0:01:32 | 0:01:35 | |
so he should fit right in on this show | 0:01:35 | 0:01:37 | |
because it's going to be painful. | 0:01:37 | 0:01:39 | |
It's Theo Hutchcraft. | 0:01:39 | 0:01:42 | |
CHEERING AND APPLAUSE | 0:01:42 | 0:01:44 | |
He's a Radio 1 DJ and a T4 presenter. | 0:01:47 | 0:01:50 | |
He couldn't be cooler if he was playing Hacky Sack on a skateboard with Roland Rat, | 0:01:50 | 0:01:56 | |
it's Nick Cowabunga Grimshaw. | 0:01:56 | 0:01:59 | |
CHEERING AND APPLAUSE | 0:01:59 | 0:02:02 | |
Cowabunga? | 0:02:02 | 0:02:04 | |
I don't know what I'm saying. | 0:02:04 | 0:02:06 | |
I'm sort of a puppeteer... | 0:02:06 | 0:02:08 | |
-No, I'm the puppet. No, that's not good. -LAUGHTER | 0:02:08 | 0:02:11 | |
You are the puppeteer and we are merely your puppets. | 0:02:11 | 0:02:14 | |
OK. I'll try to think that way. | 0:02:14 | 0:02:18 | |
Um... | 0:02:18 | 0:02:19 | |
So we begin with Don't You Know Who I Am? | 0:02:19 | 0:02:24 | |
Noel, Vic, Kimberly, take a look at this. | 0:02:24 | 0:02:26 | |
# I'm still standing | 0:02:26 | 0:02:27 | |
# Better than I ever did... # | 0:02:27 | 0:02:29 | |
He wanders around in tracksuits, loves football, | 0:02:29 | 0:02:31 | |
he says Saturday nights are all right for fighting. | 0:02:31 | 0:02:34 | |
If it wasn't for David Furnish, he'd be the straightest man in pop. | 0:02:34 | 0:02:38 | |
It's Elton John. | 0:02:38 | 0:02:40 | |
# ..I'm still standing | 0:02:41 | 0:02:43 | |
# Yeah, yeah, yeah... # | 0:02:43 | 0:02:45 | |
That was Elton John with I'm Still Standing, | 0:02:45 | 0:02:48 | |
but what did he demand while on tour in Germany in the '70s? | 0:02:48 | 0:02:52 | |
-Oh, that's easy. Carry on. -LAUGHTER | 0:02:52 | 0:02:56 | |
A, was it that he be allowed to speak German despite not being able to? | 0:02:56 | 0:03:01 | |
Was it B, that his agent do something about the weather? | 0:03:01 | 0:03:06 | |
Or, C, that everybody pretends they were in France? | 0:03:06 | 0:03:10 | |
A, B or C? What? | 0:03:10 | 0:03:12 | |
Every one of those is mental. | 0:03:12 | 0:03:14 | |
Like, there's not one that's normal. | 0:03:14 | 0:03:16 | |
-It's not your question. -It's an observation of the mentalness. | 0:03:16 | 0:03:20 | |
-I met Elton John once. -Did you? | 0:03:20 | 0:03:23 | |
-I went to his house. -No! | 0:03:23 | 0:03:25 | |
And he's got a swimming pool with like a pair of specs, | 0:03:25 | 0:03:29 | |
one with salt water and one with fresh water. | 0:03:29 | 0:03:32 | |
One with cod in it and one with trout. | 0:03:32 | 0:03:35 | |
Anyway... | 0:03:35 | 0:03:37 | |
Honestly, I can't... | 0:03:37 | 0:03:38 | |
In his recent autopsy, it was discovered that he's got no bones in his legs. | 0:03:38 | 0:03:45 | |
Which makes that video a bit redundant, if you ask me. | 0:03:45 | 0:03:49 | |
Also, apparently, he taught a sort of lemur to fire peaches at him out of a tennis ball machine. | 0:03:51 | 0:03:57 | |
One knocked his house so he fired him. | 0:03:57 | 0:04:01 | |
And that... | 0:04:01 | 0:04:02 | |
That lemur's now living in Croydon in... | 0:04:02 | 0:04:05 | |
er, a shopping centre. | 0:04:05 | 0:04:07 | |
-He also... -Oh, my God, yeah? -I don't know if anyone knows this, | 0:04:07 | 0:04:11 | |
but he lived in a haunted telephone box for many years, | 0:04:11 | 0:04:14 | |
which accounts for his style. | 0:04:14 | 0:04:17 | |
Juliette, you must have got an answer out of that lot? | 0:04:17 | 0:04:20 | |
-I can't believe... -LAUGHTER | 0:04:20 | 0:04:22 | |
So, that was all really fascinating. | 0:04:22 | 0:04:26 | |
But none of those answers were A, B and C. So... | 0:04:26 | 0:04:30 | |
But maybe Kimberly can throw some light on it because you met Elton John, right? | 0:04:30 | 0:04:36 | |
I did. I performed with Elton at an awards show. | 0:04:36 | 0:04:38 | |
He played the piano and I sat on the back dancing. | 0:04:38 | 0:04:41 | |
-On the back of the piano? -On the back of the bench. | 0:04:41 | 0:04:43 | |
On the back of the bench! | 0:04:43 | 0:04:45 | |
-Really? -On his back as he trotted around. | 0:04:45 | 0:04:48 | |
Did he have any bones in his legs? | 0:04:48 | 0:04:50 | |
-I don't know, he was sitting so I couldn't tell. -Exactly. | 0:04:50 | 0:04:53 | |
I assume that he does. | 0:04:53 | 0:04:55 | |
-Are your eyes real? -They are. | 0:04:55 | 0:04:57 | |
I grew 'em myself. | 0:04:57 | 0:04:59 | |
They're so green! It's frightening. | 0:04:59 | 0:05:01 | |
-They look like science-fiction eyes. -Yeah? | 0:05:01 | 0:05:04 | |
Yeah. | 0:05:04 | 0:05:06 | |
They actually penetrated through Noel to my hand then. | 0:05:06 | 0:05:09 | |
Special powers. | 0:05:09 | 0:05:11 | |
So, A, B or C, what do you guess? | 0:05:11 | 0:05:15 | |
I say, by watching the video, it would be C. | 0:05:15 | 0:05:18 | |
-Really? -I think it's B. -Really? | 0:05:18 | 0:05:20 | |
-I KNOW it's B. -What, his agent... | 0:05:20 | 0:05:22 | |
He tried to command the wind... when I was with him. | 0:05:22 | 0:05:26 | |
And when he was in Germany, he tried to command the wind there. | 0:05:26 | 0:05:30 | |
Kimberly has ridden his shoulder so I think Kimberly knows. | 0:05:30 | 0:05:34 | |
Wait... I don't know how to do this if somebody said B and somebody said C. | 0:05:34 | 0:05:38 | |
-Well, he said A. -I said A. | 0:05:38 | 0:05:40 | |
Vic, I'm going to say that you're a genius. And it is B. | 0:05:42 | 0:05:46 | |
You are correct, sir. | 0:05:46 | 0:05:48 | |
-CHEERING AND APPLAUSE -I've been to Elton's house. | 0:05:48 | 0:05:51 | |
The answer is B, while struggling to sleep one night, | 0:05:51 | 0:05:54 | |
he phoned his agent to demand that something be done about the wind outside. | 0:05:54 | 0:05:59 | |
Elton and David were saddened recently when there were told | 0:05:59 | 0:06:02 | |
they couldn't adopt a young Ukrainian child | 0:06:02 | 0:06:05 | |
because they were described as being too old. | 0:06:05 | 0:06:08 | |
Now, for those who don't speak Ukrainian, | 0:06:08 | 0:06:11 | |
"old" roughly translates as | 0:06:11 | 0:06:13 | |
"massively gay". So... | 0:06:13 | 0:06:15 | |
Sad. | 0:06:17 | 0:06:19 | |
Phill, Theo, and Nick, have a look at this. | 0:06:20 | 0:06:24 | |
# Why you so obsessed with me...? # | 0:06:24 | 0:06:27 | |
The UK hasn't seen much of this lady since she was a guest mentor on the X Factor. | 0:06:27 | 0:06:31 | |
Presumably it's because Cheryl Cole managed to have her deported. | 0:06:31 | 0:06:36 | |
It's Mariah Carey. | 0:06:36 | 0:06:39 | |
# ..Boy, you're losing You're losing your mind... # | 0:06:39 | 0:06:42 | |
That was Mariah Carey with Obsessed. | 0:06:42 | 0:06:46 | |
Now, my question for you is, what does she demand for her dog at her shows? | 0:06:46 | 0:06:52 | |
A, it only be bathed in mineral water? | 0:06:52 | 0:06:55 | |
B, her entourage stage a theatrical show for the dog's enjoyment? | 0:06:55 | 0:07:00 | |
Or C, someone dresses up as Mariah so the dog doesn't forget about her while she's on stage? | 0:07:00 | 0:07:07 | |
-All mental. -Again, every one is mental. | 0:07:07 | 0:07:09 | |
Can I just say the key word there was "delusional". It's the only word I picked out. | 0:07:09 | 0:07:14 | |
And she plays EVERY character. What is this? The beard was the weirdest. | 0:07:14 | 0:07:17 | |
-Look at her. -Look at the beard! -Yeah! | 0:07:17 | 0:07:20 | |
What it is, she demands puppies and kittens when she arrives in places. | 0:07:20 | 0:07:26 | |
-That can't be true. -What does she do? Go, "Puppy, great!" | 0:07:26 | 0:07:29 | |
Bin. Bin. | 0:07:29 | 0:07:31 | |
-Bin. -She doesn't kill them! | 0:07:31 | 0:07:35 | |
-It's not puppies or kittens, it's puppies AND kittens. -Yeah, they mix. | 0:07:35 | 0:07:39 | |
Surely they hate that? | 0:07:39 | 0:07:40 | |
They're fighty and pissy. | 0:07:40 | 0:07:42 | |
That's what she likes about it, the raw animal nature. | 0:07:42 | 0:07:46 | |
-Do you think they remind her of herself? -Maybe. -Fighty and pissy. | 0:07:46 | 0:07:50 | |
She saddles them up. Races kitten armies. | 0:07:53 | 0:07:57 | |
I always demand several otters bathed in turpentine whenever I turn up at World Of Sport. | 0:07:57 | 0:08:03 | |
I was in your dressing room, that's true. I thought they were slippers. | 0:08:05 | 0:08:10 | |
I have to interrupt because I am interested about what you do and your music | 0:08:10 | 0:08:14 | |
and I think it's incredible and you recorded a song with Kylie. | 0:08:14 | 0:08:18 | |
-We did. -How did that happen? She's incredible. -She's tiny. | 0:08:18 | 0:08:22 | |
They put a glass over her. | 0:08:22 | 0:08:26 | |
Got a postcard and slid it under. | 0:08:26 | 0:08:29 | |
-Smuggled her in the mail? What's the song she sings on? -Devotion. | 0:08:29 | 0:08:32 | |
I'd love it to be some sort of a fairy-tale, but we just wrote her a letter | 0:08:32 | 0:08:37 | |
that just said, "G-day. Are you up for it?" | 0:08:37 | 0:08:41 | |
She was like, "G'day. I'll do it." | 0:08:41 | 0:08:43 | |
I sent her a letter like that - nothing. | 0:08:43 | 0:08:45 | |
I suppose it's the Polaroids. | 0:08:45 | 0:08:48 | |
Who's the coolest person you've ever sung a duet with? | 0:08:49 | 0:08:53 | |
I'd have to say Lemmy from Motorhead. | 0:08:53 | 0:08:55 | |
That's amazing. | 0:08:55 | 0:08:58 | |
APPLAUSE | 0:08:58 | 0:08:59 | |
I can't classify it as a duet. | 0:08:59 | 0:09:01 | |
It was really I sang back-up on... | 0:09:01 | 0:09:03 | |
-SHE SHOUTS: -Kill By Death! | 0:09:03 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:06 | |
That's how it goes. | 0:09:06 | 0:09:08 | |
The wart - is it real or is it playdough? | 0:09:08 | 0:09:10 | |
That's Kylie, crouching. | 0:09:12 | 0:09:13 | |
PHILL LAUGHS | 0:09:13 | 0:09:18 | |
So, is it A, B or C? | 0:09:19 | 0:09:21 | |
-We're going to try the technique that worked so well for Team Fielding. -OK. | 0:09:21 | 0:09:26 | |
I think it's B. | 0:09:26 | 0:09:29 | |
-You might think it's something else. -I think it's A. | 0:09:29 | 0:09:31 | |
I want to go with the one, just because the fascinating situation of someone dressed up as her. | 0:09:31 | 0:09:36 | |
-So we each think it's something different. -A, B or C. | 0:09:36 | 0:09:40 | |
Is there a commander of this ship? | 0:09:40 | 0:09:42 | |
What's the rule book? | 0:09:42 | 0:09:44 | |
-It's you! -You're the commander! | 0:09:44 | 0:09:46 | |
Don't! Yes! The judge has spoken. | 0:09:46 | 0:09:51 | |
Somebody is right on this team. | 0:09:51 | 0:09:53 | |
APPLAUSE DROWNS SPEECH | 0:09:53 | 0:09:56 | |
What the fuck is it? It was number A. | 0:09:56 | 0:10:01 | |
-Yeah! -I was right. -Go, Grimmy. | 0:10:01 | 0:10:05 | |
So Mariah demands that her dog be bathed in mineral water. | 0:10:05 | 0:10:08 | |
That dog is so pampered. | 0:10:08 | 0:10:11 | |
I really feel for the guy she hired to sniff its arse and lick its balls. | 0:10:11 | 0:10:16 | |
That was me. That was me. | 0:10:18 | 0:10:20 | |
Next up, it's the intros round. | 0:10:21 | 0:10:26 | |
Noel and Kimberly, here are yours for Vic. | 0:10:26 | 0:10:30 | |
I love your teeth, you maniac! | 0:10:30 | 0:10:32 | |
You look like I'm about to sacrifice you in... LAUGHTER DROWNS SPEECH | 0:10:34 | 0:10:40 | |
whilst a simpleton looks on. | 0:10:40 | 0:10:43 | |
You look a bit like Prince William with them. | 0:10:45 | 0:10:48 | |
I don't know what you mean. | 0:10:48 | 0:10:50 | |
OK, do you want to count us in? | 0:10:52 | 0:10:54 | |
One, two, | 0:10:54 | 0:10:56 | |
three, four. | 0:10:56 | 0:10:57 | |
# Jing jing jing jinga Jing jing jing jinga | 0:10:57 | 0:11:00 | |
# Bom bom bom bom bom bom bom | 0:11:00 | 0:11:04 | |
# Ga-doo | 0:11:04 | 0:11:05 | |
-# Ba-doo -Donk, donk, donk, donk | 0:11:05 | 0:11:08 | |
-# Ba-doo -Donk, donk, donk, donk | 0:11:08 | 0:11:10 | |
# Chicka-chick chicka-chick chicka-chick ching. # | 0:11:10 | 0:11:13 | |
Is it the Small Faces? | 0:11:13 | 0:11:15 | |
I wish it was. | 0:11:16 | 0:11:17 | |
-I don't know who that was. What was that? -Do you want it again? | 0:11:18 | 0:11:22 | |
-Yeah, go on. -I thought we were quite good. -I do too. | 0:11:22 | 0:11:25 | |
# Dink dink-ah Dink dink dink dink-ah | 0:11:25 | 0:11:28 | |
# Dink dink dink | 0:11:28 | 0:11:29 | |
# Ba-doo, ba-doo | 0:11:29 | 0:11:32 | |
# Ba-doo-noo-noo-noo | 0:11:32 | 0:11:33 | |
# Chickata chickata chickata ching! # | 0:11:33 | 0:11:35 | |
It's a little fast. | 0:11:35 | 0:11:38 | |
It's sort of that song if they were doing crystal meth. | 0:11:38 | 0:11:40 | |
Do y'all have that out here? I'd slow it down a little. | 0:11:40 | 0:11:44 | |
We're phasing it out. | 0:11:44 | 0:11:47 | |
I think I know it. | 0:11:47 | 0:11:50 | |
-Is it the Kinks? -Ooh! | 0:11:50 | 0:11:52 | |
Am I in the right area? | 0:11:52 | 0:11:53 | |
NOEL MAKES A HIGH-PITCHED NOISE | 0:11:53 | 0:11:57 | |
You need to go a little bit forward. | 0:11:57 | 0:11:59 | |
-Forward? -Not too far. | 0:11:59 | 0:12:02 | |
# Chigga digga digga dum Da-doom doom doom | 0:12:02 | 0:12:06 | |
# Cig chig chig chigga... # | 0:12:06 | 0:12:09 | |
The Andrews Sisters. | 0:12:09 | 0:12:10 | |
Yeah! No. Who? | 0:12:10 | 0:12:12 | |
OK, pass it over to Phill's team. | 0:12:13 | 0:12:16 | |
-Can you take this? -Yes. | 0:12:16 | 0:12:18 | |
-Do you know what this song is? -No! | 0:12:18 | 0:12:21 | |
I think it's the theme to Birds Of A Feather. | 0:12:21 | 0:12:25 | |
# When we are far | 0:12:25 | 0:12:29 | |
# And far away | 0:12:29 | 0:12:31 | |
# What'll I do? # | 0:12:31 | 0:12:33 | |
Leave it out! | 0:12:33 | 0:12:35 | |
Is it? | 0:12:36 | 0:12:37 | |
No. | 0:12:37 | 0:12:39 | |
Do you give up? | 0:12:39 | 0:12:40 | |
Is it The Clash, London Calling? | 0:12:40 | 0:12:42 | |
You better believe it! | 0:12:42 | 0:12:44 | |
Over to you, it's a steal! | 0:12:44 | 0:12:47 | |
Here's how it should have sounded. | 0:12:48 | 0:12:51 | |
MUSIC: "London Calling" by The Clash | 0:12:51 | 0:12:55 | |
Ah, the bass. | 0:12:59 | 0:13:00 | |
# London calling... # | 0:13:00 | 0:13:03 | |
All right, next intro, next intro, please. What do you have for us? | 0:13:03 | 0:13:07 | |
-It goes downhill from here. -It does. | 0:13:07 | 0:13:09 | |
It's like a Time Lord dating site. "Looking for singles from the 1930s?" | 0:13:09 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:18 | |
"Freshly off the register, Harold is looking for a new soul mate." | 0:13:18 | 0:13:22 | |
And... | 0:13:25 | 0:13:26 | |
One, two, three, four... | 0:13:26 | 0:13:28 | |
# De-de-de... # | 0:13:28 | 0:13:31 | |
-# Dow-dow... # -I don't have it in me! | 0:13:31 | 0:13:33 | |
# Bow! De-de-de | 0:13:33 | 0:13:35 | |
# Da-dink dink dink dink | 0:13:35 | 0:13:36 | |
# Bow! | 0:13:36 | 0:13:38 | |
# Chinken-dink bah ba-da-dow | 0:13:38 | 0:13:40 | |
# That is nothing like it Bow da-duh whoo... # | 0:13:40 | 0:13:44 | |
Car Wash? | 0:13:44 | 0:13:46 | |
# ..Da-da-da-da-da-da-da... # | 0:13:46 | 0:13:48 | |
NOEL CAWS Whoo whoo-oo! | 0:13:48 | 0:13:51 | |
Somebody stop this before I cut my penis off and eat it! | 0:13:51 | 0:13:55 | |
Sounds a little bit like a dirty movie, what you guys are going for | 0:13:57 | 0:14:00 | |
-and that's not... -# Bom chicka wah-wah! # | 0:14:00 | 0:14:04 | |
Is it Bonkadelic? | 0:14:04 | 0:14:05 | |
I'll give you a clue. | 0:14:05 | 0:14:06 | |
It's a female singer | 0:14:06 | 0:14:08 | |
and she is a badass. | 0:14:08 | 0:14:10 | |
-Elaine Paige. -Yes. | 0:14:10 | 0:14:12 | |
LAUGHTER | 0:14:12 | 0:14:14 | |
The answer is Grace Jones. | 0:14:14 | 0:14:17 | |
# Pull to the bumper, baby. # | 0:14:17 | 0:14:20 | |
No-one would ever have got that, ever. | 0:14:20 | 0:14:23 | |
Here's how it should've sounded. | 0:14:23 | 0:14:25 | |
MUSIC: "Pull Up To The Bumper" by Grace Jones | 0:14:25 | 0:14:29 | |
VIC MIMES TO SONG'S BASS LINE | 0:14:29 | 0:14:34 | |
That was Pull Up To The Bumper, Baby, by Grace Jones. | 0:14:34 | 0:14:37 | |
The lyrics to the song go... | 0:14:37 | 0:14:38 | |
# Pull up to my bumper, baby In your large black limousine | 0:14:38 | 0:14:44 | |
# Pull up to my bumper, baby And drive it in between...? # | 0:14:44 | 0:14:49 | |
Hang on a minute, I think I'm spotting the subtext here. | 0:14:49 | 0:14:54 | |
I think Grace Jones want someone to crash a car into her asshole. | 0:14:54 | 0:14:59 | |
We also heard The Clash with London Calling. | 0:15:00 | 0:15:05 | |
The cover for London Calling famously features the band | 0:15:05 | 0:15:08 | |
smashing up a guitar on stage and is one of the most iconic images in rock and roll. | 0:15:08 | 0:15:13 | |
Nothing will match it until N-Dubz smashes up Dappy. | 0:15:13 | 0:15:17 | |
-Phill's team, you better shape up. -Yes, madam. | 0:15:17 | 0:15:21 | |
-Here are yours, I'm giving you the intros, let's make it happen. -OK. | 0:15:21 | 0:15:27 | |
My team is quite strong, so this is going to be difficult. | 0:15:27 | 0:15:30 | |
I don't have any fake teeth to make this funny, but mine are pretty funny already. Have a go on yours? | 0:15:30 | 0:15:35 | |
-What are you talking about? -Oh. | 0:15:35 | 0:15:37 | |
One, two, three, four... | 0:15:39 | 0:15:41 | |
# Dow, dow-dow-dow, dow | 0:15:41 | 0:15:45 | |
# Dow, dow-dow-dow Dow-dow, dow-dow-dow-dow | 0:15:45 | 0:15:50 | |
# Dah-dah, dow-dow Dow, dow-dow | 0:15:50 | 0:15:53 | |
# Da-da-dow, dow-dow Da-da, dow-dow | 0:15:53 | 0:15:58 | |
-I can hear it in my head! Sorry. -Tell me the answer, then. | 0:15:58 | 0:16:01 | |
I'm not. | 0:16:01 | 0:16:02 | |
I've got absolutely no idea. I tried not to look at you, to like just... | 0:16:02 | 0:16:06 | |
I get a lot of that! | 0:16:06 | 0:16:09 | |
-I liked it, but I don't know what it is. -You guys take it. | 0:16:09 | 0:16:12 | |
Do you know the answer? | 0:16:12 | 0:16:13 | |
You Shook Me All Night Long! | 0:16:13 | 0:16:15 | |
Yes, people! | 0:16:15 | 0:16:17 | |
Here is how it should've sounded. | 0:16:21 | 0:16:23 | |
MUSIC: "You Shook Me All Night Long" by AC/DC | 0:16:23 | 0:16:27 | |
You're on it! | 0:16:27 | 0:16:29 | |
Yes, that was pretty good, actually. Sorry, guys. | 0:16:32 | 0:16:34 | |
Can I get on this and do a little bit of...? Sorry. | 0:16:34 | 0:16:39 | |
Yeah, dude, you know this move? | 0:16:39 | 0:16:42 | |
I'm sorry. | 0:16:43 | 0:16:44 | |
OK. Next intro, please. | 0:16:54 | 0:16:57 | |
OK. | 0:16:57 | 0:16:59 | |
# Ba-ba-ba, ba-ba-ba-ba Ba-ba-ba, ba-ba | 0:17:00 | 0:17:08 | |
# Doo, doo, doo! | 0:17:08 | 0:17:10 | |
# Ba-ba-ba, ba-ba-ba-ba Ba-ba-ba, ba-ba | 0:17:10 | 0:17:12 | |
# Chicky, chicky Ba-ba-ba, ba-ba-ba-ba... # | 0:17:17 | 0:17:21 | |
-That was good, wasn't it? -Everybody knows it, but you. | 0:17:21 | 0:17:27 | |
You know cos you've got it there. | 0:17:27 | 0:17:30 | |
Well, no, it's because I'm a little older than you and I know when this song came out. | 0:17:30 | 0:17:34 | |
What year? Then maybe I'll be able to work it out. | 0:17:34 | 0:17:37 | |
Oh, OK, well, I was ditching junior high and hanging out in my room, | 0:17:37 | 0:17:43 | |
-alone. I spent a lot of time there... -What were you doing? | 0:17:43 | 0:17:46 | |
And I was listening to this song and it was on the radio and it was 1986. | 0:17:49 | 0:17:54 | |
Ah. It's good, because I was two. | 0:17:54 | 0:17:57 | |
Noel's team? | 0:17:57 | 0:18:01 | |
Rock Me Amadeus. Falco. | 0:18:01 | 0:18:02 | |
# Baby, baby, do, do me, rock me. # | 0:18:02 | 0:18:07 | |
Here's how it should have sounded. | 0:18:07 | 0:18:10 | |
MUSIC: "Rock Me Amadeus" by Falco | 0:18:10 | 0:18:13 | |
HE MUMBLES | 0:18:19 | 0:18:22 | |
-There you go. -What was that bit? | 0:18:22 | 0:18:23 | |
That was Falco with Rock Me Amadeus. | 0:18:23 | 0:18:27 | |
Falco was planning a comeback in 1998, when he crashed into a bus and died. | 0:18:27 | 0:18:33 | |
As comebacks go, it's still better than Blue's. | 0:18:33 | 0:18:37 | |
Round three is the identity parade. | 0:18:39 | 0:18:43 | |
Noel, Vic and Kimberley, how about some Latin American beats? | 0:18:43 | 0:18:47 | |
For the audience only, here are Kid Creole And The Coconuts. | 0:18:47 | 0:18:52 | |
# Oh, Annie | 0:18:56 | 0:18:58 | |
# I'm not your daddy | 0:18:59 | 0:19:01 | |
# Oh, Annie | 0:19:04 | 0:19:07 | |
# I'm not your daddy. # | 0:19:08 | 0:19:10 | |
That was Kid Creole And The Coconuts with Annie, I'm Not Your Daddy. | 0:19:10 | 0:19:14 | |
But which one of our line-up is percussionist Coati Mundi? | 0:19:14 | 0:19:19 | |
Is it number one, Coati Mundi? | 0:19:19 | 0:19:23 | |
Number two, Happy Mondays? | 0:19:23 | 0:19:26 | |
Number three, Man Friday? | 0:19:26 | 0:19:29 | |
Number four, one of The Saturdays? | 0:19:29 | 0:19:33 | |
Or number five, see you next Tuesday? | 0:19:33 | 0:19:36 | |
Hey! | 0:19:39 | 0:19:40 | |
I'm going to give it over to you guys, since you're winning. So you have any guesses? | 0:19:42 | 0:19:47 | |
-Yes, I have. -You saw them recently. | 0:19:47 | 0:19:50 | |
I've seen Kid Creole And The Coconuts recently at a campsite. | 0:19:50 | 0:19:54 | |
I did, I saw them. They were on. | 0:19:58 | 0:20:00 | |
Were they staying in a tent? | 0:20:00 | 0:20:02 | |
They were performing in a tent at the campsite. | 0:20:02 | 0:20:05 | |
Coati Mundi, the midget bongo player, was there | 0:20:05 | 0:20:11 | |
and I know him, I can see him. He's actually been staring me out, | 0:20:11 | 0:20:16 | |
because he knows that I nicked his tent pegs. | 0:20:16 | 0:20:19 | |
He knows it was me that let his tent down in the night. | 0:20:20 | 0:20:25 | |
-Did you graffiti his fly sheet? -Look at him, staring. | 0:20:25 | 0:20:28 | |
-Can you see him? -Yes. -Number two. -I know. | 0:20:28 | 0:20:30 | |
-Can you see him staring me out? -I can. | 0:20:30 | 0:20:34 | |
Not only did I lay his tent pegs down, I nicked his bongos as well. | 0:20:34 | 0:20:38 | |
And used them as a toilet. | 0:20:38 | 0:20:40 | |
Can we get this over with, because he's been staring me out, he's bugging me? | 0:20:41 | 0:20:46 | |
-Let's find out. Will the real... -Wait a sec, wait a sec! | 0:20:46 | 0:20:51 | |
-Whoa! -Let's find out... | 0:20:53 | 0:20:54 | |
My bus has already gone. | 0:20:54 | 0:20:58 | |
-Who have you said? -Number two, of course it's number two. | 0:20:58 | 0:21:02 | |
Coati Mundi, and I'm sorry that I nicked your tent pegs and your bongos. | 0:21:02 | 0:21:08 | |
It's got to be number two. Look at his moustache, like a horseshoe. | 0:21:08 | 0:21:14 | |
Let's find out. Would the real Coati Mundi please step forward? | 0:21:14 | 0:21:20 | |
Hey! | 0:21:20 | 0:21:24 | |
Woo! | 0:21:24 | 0:21:26 | |
With his new album, Coati Mundi's Dancing For The Cabana Code In The Land Of Boo-Hoo. | 0:21:27 | 0:21:33 | |
Coati Mundi, ladies and gentlemen. | 0:21:33 | 0:21:36 | |
CHEERING AND APPLAUSE | 0:21:36 | 0:21:39 | |
Phill, Nick, Theo, what about some '80s R&B jazz-funk? | 0:21:44 | 0:21:48 | |
-My favourite. -For the audience only, here is Nu Shooz. | 0:21:48 | 0:21:51 | |
# You got something that I can't live without | 0:21:51 | 0:21:57 | |
# Happiness is so hard to find | 0:22:00 | 0:22:08 | |
# Hey, baby Tell me what is on your mind. # | 0:22:09 | 0:22:17 | |
That was Nu Shooz with I Can't Wait. | 0:22:17 | 0:22:20 | |
Which one of our line-up is singer Valerie Day? | 0:22:20 | 0:22:23 | |
Is it number one, Nu Shooz? | 0:22:23 | 0:22:26 | |
Number two, old loafers? | 0:22:26 | 0:22:30 | |
Number three, UGG boots? | 0:22:30 | 0:22:34 | |
Number four, verruca socks? | 0:22:34 | 0:22:37 | |
Or number five, load of old cobblers? | 0:22:37 | 0:22:42 | |
-Um, OK, do you guys have a guess? -It looks like a meeting of dinner ladies, which is interesting. | 0:22:42 | 0:22:47 | |
Which is a nice thing because one of you isn't and we're going to pick the one that's not. | 0:22:49 | 0:22:53 | |
You're implying that four of them are! | 0:22:53 | 0:22:56 | |
One of them is staring at me so bad. | 0:22:56 | 0:22:57 | |
I think you'll find the five of them are staring at you now! | 0:22:57 | 0:23:03 | |
Number two looks like she's going to kill me. Look at that. | 0:23:03 | 0:23:06 | |
Number two looks like Courtney Love. | 0:23:07 | 0:23:11 | |
Like, in a compliment, I like her. | 0:23:11 | 0:23:13 | |
In a good way. | 0:23:13 | 0:23:15 | |
I love this song. | 0:23:15 | 0:23:17 | |
I love this song, this is another one of my 1986... | 0:23:17 | 0:23:21 | |
-When you're in your room on your own? -Smoking lots of pot, OK? Sorry, I did. | 0:23:21 | 0:23:26 | |
I think it's maybe one, three or five. | 0:23:26 | 0:23:32 | |
-Could you do like a sort of early, is it '80s or '90s? -'86, 1986. | 0:23:33 | 0:23:38 | |
Like '80s sort of moves for us now? | 0:23:38 | 0:23:40 | |
It's not two. | 0:23:40 | 0:23:43 | |
I think it's three. | 0:23:44 | 0:23:47 | |
Three, me. | 0:23:47 | 0:23:49 | |
OK, I honestly am such a big fan of Nu Shooz and this song and the singer and I want to find out. | 0:23:49 | 0:23:56 | |
Would the real Valerie Day please step forward? | 0:23:56 | 0:24:00 | |
Still performing with Nu Shooz and with a new album, | 0:24:06 | 0:24:09 | |
Pandora's Box, out now, Valerie Day, ladies and gentlemen. | 0:24:09 | 0:24:13 | |
CHEERING AND APPLAUSE | 0:24:13 | 0:24:16 | |
And at the end of that round, the scores are Noel's team - four. | 0:24:22 | 0:24:26 | |
Woo! | 0:24:26 | 0:24:28 | |
Phill, with two! | 0:24:28 | 0:24:30 | |
So we end with next lines. | 0:24:38 | 0:24:40 | |
Noel's team, are you, er, fudging sickles? Let me try that again... | 0:24:40 | 0:24:45 | |
Shish kebabs? | 0:24:45 | 0:24:48 | |
Flipping, er, high fives? | 0:24:48 | 0:24:51 | |
-You do know we're live tonight, don't you? -Oh, my dear. | 0:24:51 | 0:24:54 | |
You should do Children In Need. | 0:24:54 | 0:24:57 | |
I'm really getting that this show is the blind leading the blind. Is that what we're here to learn? | 0:24:57 | 0:25:03 | |
-It looks like it, doesn't it? -Yes. | 0:25:03 | 0:25:05 | |
Thank you, Vic. We end with next lines. | 0:25:07 | 0:25:10 | |
Noel's team are in the lead, so you go first and your time starts now! | 0:25:10 | 0:25:16 | |
Your time starts now! | 0:25:20 | 0:25:22 | |
# I'm so dizzy My head is spinning... # | 0:25:22 | 0:25:26 | |
NOEL: # Like a whirl... # | 0:25:28 | 0:25:29 | |
VIC MUMBLES INCOHERENTLY | 0:25:29 | 0:25:31 | |
# Telephone, but... | 0:25:31 | 0:25:33 | |
# Want to telephone, but... # | 0:25:33 | 0:25:35 | |
Like a whirlpool, it never ends. | 0:25:35 | 0:25:37 | |
Yes! Thank you, Noel. | 0:25:37 | 0:25:39 | |
That's right, that's what I said. | 0:25:39 | 0:25:40 | |
# Don't you wish your girlfriend... # | 0:25:42 | 0:25:46 | |
Was hot like me? | 0:25:44 | 0:25:46 | |
Don't you wish your girlfriend could... | 0:25:46 | 0:25:50 | |
Kimberley, you know this! | 0:25:50 | 0:25:51 | |
Freak like me! | 0:25:51 | 0:25:53 | |
Yes, yes, she was a freak! | 0:25:53 | 0:25:55 | |
Glaciers fall, but still won't leave you. | 0:25:57 | 0:26:00 | |
Is this yours? This you again? | 0:26:00 | 0:26:03 | |
-Concentrate, green eyes. -Yes. | 0:26:03 | 0:26:05 | |
SHE HUMS | 0:26:06 | 0:26:09 | |
I need sound so I can see you! | 0:26:09 | 0:26:12 | |
That is Her Majesty & The Wolves. | 0:26:12 | 0:26:14 | |
Is this going all right? I don't know. | 0:26:14 | 0:26:17 | |
Welcome to Shooting Stars. | 0:26:17 | 0:26:23 | |
Welcome, whoever you are. | 0:26:20 | 0:26:23 | |
Yes, Vic Reeves, Shooting Stars theme song, you freaks! | 0:26:23 | 0:26:28 | |
# We're the kids in America! # | 0:26:28 | 0:26:33 | |
Whoa-oh! | 0:26:31 | 0:26:33 | |
-Did someone win? Oh... -APPLAUSE | 0:26:33 | 0:26:37 | |
-I think you're doing really well. -Thank you, Noel. | 0:26:39 | 0:26:42 | |
I'm liking your performance immensely. | 0:26:42 | 0:26:45 | |
OK, you know what, it's just encouraging the creepy, so... | 0:26:45 | 0:26:49 | |
Phill's team, you need eight points to win, your time starts now. | 0:26:50 | 0:26:56 | |
And then a hero comes along... | 0:26:56 | 0:27:00 | |
With the strength to carry on. | 0:26:58 | 0:27:00 | |
Yes! Mariah Carey, Hero. Oh, it's... | 0:27:00 | 0:27:02 | |
I listen to it sometimes, don't look at me like that. | 0:27:02 | 0:27:05 | |
Sometimes when I'm feeling low, I put it on. Carry on. | 0:27:05 | 0:27:11 | |
Oh, it's such a perfect day. | 0:27:11 | 0:27:17 | |
Such a perfect day. | 0:27:14 | 0:27:17 | |
I'm glad I spent it with you. | 0:27:15 | 0:27:17 | |
Yes! Lou Reed, Perfect Day. | 0:27:17 | 0:27:19 | |
-Back in black. -I don't know the next line. | 0:27:19 | 0:27:22 | |
I hit the fucking sack! | 0:27:22 | 0:27:24 | |
AC/DC, Back In Black. | 0:27:24 | 0:27:26 | |
I don't like them. Next question. | 0:27:26 | 0:27:29 | |
She's got a story to tell and it won't take long. | 0:27:31 | 0:27:38 | |
Show me on the puppet what he did wrong. | 0:27:34 | 0:27:38 | |
APPLAUSE | 0:27:38 | 0:27:41 | |
You were so close. It's a song I wrote off my last record, | 0:27:44 | 0:27:48 | |
Terra Incognita. So many different ways it all went wrong, so there you go. | 0:27:48 | 0:27:52 | |
Personal ditty. | 0:27:52 | 0:27:55 | |
END-OF-ROUND JINGLE | 0:27:55 | 0:27:58 | |
It's the end of our show. | 0:28:03 | 0:28:06 | |
Noel, you won with nine! | 0:28:08 | 0:28:09 | |
You lost with eight! | 0:28:09 | 0:28:11 | |
So close! | 0:28:14 | 0:28:18 | |
So close. | 0:28:21 | 0:28:23 | |
You guys, in this game, truly everybody wins. | 0:28:24 | 0:28:28 | |
Thanks to Phill, Nick and Theo, Noel, Kimberley and Vic. | 0:28:28 | 0:28:32 | |
This has been Never Mind The Buzzcocks, what the fuck did I just do? | 0:28:32 | 0:28:37 | |
Good night! Woo! | 0:28:37 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:28:49 | 0:28:51 | |
Email [email protected] | 0:28:51 | 0:28:54 |