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-Call it. -Tails. | 0:00:02 | 0:00:02 | |
-Yes! -There you go. | 0:00:04 | 0:00:05 | |
-I'll have the D-man, Dynamo. -Yes! | 0:00:05 | 0:00:07 | |
OK, I've got to start strong. Cho. | 0:00:07 | 0:00:09 | |
I need someone with a beautiful voice. Beverly? | 0:00:09 | 0:00:13 | |
Oooh! I wanted Beverly. | 0:00:13 | 0:00:15 | |
-OK. Reggie. -Gotta be Reggie. -Yeah. | 0:00:15 | 0:00:18 | |
Sweet, OK. Two-a-side? | 0:00:18 | 0:00:19 | |
That's pretty even. | 0:00:19 | 0:00:21 | |
-All right. -Hey, guys... | 0:00:21 | 0:00:23 | |
Buxton! Post! | 0:00:23 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:54 | |
Hello, and welcome to the show. | 0:00:55 | 0:00:59 | |
I'm Adam Buxton, off of Adam and Joe, | 0:00:59 | 0:01:01 | |
and some films, and my BBC6 Music Radio Show. | 0:01:01 | 0:01:06 | |
If none of those ring any bells for you, just take my word for it. I am Adam Buxton, I swear to you. | 0:01:06 | 0:01:11 | |
Joining me tonight for some pop-based hilarity, on Noel's team: | 0:01:11 | 0:01:15 | |
She's not been on the show before. We should have booked her. | 0:01:15 | 0:01:19 | |
We would have booked her, | 0:01:19 | 0:01:21 | |
we could have booked her | 0:01:21 | 0:01:22 | |
but we didn't book her. But we have now, so it's fine. | 0:01:22 | 0:01:25 | |
It's British soul legend, Beverly Knight! | 0:01:25 | 0:01:27 | |
APPLAUSE | 0:01:27 | 0:01:31 | |
And Dynamo. He's the most talked about magician of his generation. | 0:01:33 | 0:01:38 | |
He can also clear a blocked drain, with no call out! | 0:01:38 | 0:01:41 | |
It's Dynamo, ladies and gentlemen. | 0:01:41 | 0:01:43 | |
APPLAUSE | 0:01:43 | 0:01:45 | |
And on Phil's team tonight: | 0:01:48 | 0:01:51 | |
She's an American comedian and recording artist whose | 0:01:51 | 0:01:55 | |
songs include, "Your Dick", "My puss" and "Eat Shit and Die." | 0:01:55 | 0:02:00 | |
Timeless songs that my mum used to sing to me when I was little. | 0:02:00 | 0:02:03 | |
It's Margaret Cho. | 0:02:03 | 0:02:05 | |
CHEERING | 0:02:05 | 0:02:07 | |
He's a well known actor, presenter and Radio 1 DJ. | 0:02:09 | 0:02:13 | |
And he's taken a day off from running | 0:02:13 | 0:02:15 | |
his very successful chain of wine bars. | 0:02:15 | 0:02:18 | |
It's Reggie Yates. | 0:02:18 | 0:02:19 | |
CHEERING | 0:02:19 | 0:02:23 | |
Now, Dynamo, before we kick off, | 0:02:25 | 0:02:27 | |
have you got anything cool you can show us? | 0:02:27 | 0:02:30 | |
You want me to start the show like this, yeah? | 0:02:30 | 0:02:32 | |
-Lay something cool on me! -Bev, I noticed you had some mints backstage. Do you have them here? | 0:02:32 | 0:02:37 | |
Yeah, I do. | 0:02:37 | 0:02:38 | |
Beef are we talking about here? | 0:02:38 | 0:02:40 | |
No, mints! | 0:02:40 | 0:02:42 | |
Do you want one? | 0:02:42 | 0:02:43 | |
Is that all right? | 0:02:43 | 0:02:44 | |
-Yeah. -Yeah? | 0:02:44 | 0:02:46 | |
Oh, don't do that! | 0:03:07 | 0:03:08 | |
Oh, my God! | 0:03:08 | 0:03:09 | |
Oh, flippin' heck! | 0:03:14 | 0:03:16 | |
APPLAUSE | 0:03:16 | 0:03:20 | |
If you don't like it, spit it out. | 0:03:24 | 0:03:25 | |
I think that trick could be improved if you did it with a Babybel. | 0:03:26 | 0:03:30 | |
-Babybels don't have a hole. -Donut? | 0:03:33 | 0:03:35 | |
Donut, that would work. | 0:03:35 | 0:03:37 | |
-Let me know when he starts ripping donuts out of his throat, I'm in. -You're down, yeah? | 0:03:37 | 0:03:41 | |
I always thought Never Mind the Buzzcocks was missing a trick | 0:03:41 | 0:03:45 | |
by not having bespoke radio style jingles | 0:03:45 | 0:03:47 | |
to explain each round. | 0:03:47 | 0:03:49 | |
So here's a bit of an AC/DC jingle for you right now. | 0:03:49 | 0:03:53 | |
# 2, 3, 4 | 0:03:53 | 0:03:54 | |
APPLAUSE | 0:04:11 | 0:04:14 | |
-Now That was cool! -I'm going to show you | 0:04:14 | 0:04:16 | |
a picture in which we've morphed together two well known faces from the world of music. | 0:04:16 | 0:04:21 | |
The teams have to tell me who those faces belong to, and then, what connects them. Noel's team, | 0:04:21 | 0:04:27 | |
who's been morphed? | 0:04:27 | 0:04:29 | |
Easy. We thought that was Rastamouse. | 0:04:29 | 0:04:33 | |
Do you do some voices for Rastamouse? | 0:04:36 | 0:04:38 | |
I am the voice of the mouse himself. | 0:04:38 | 0:04:41 | |
-No, no, it's not gonna happen. -You're not gonna do a bit of Rastamouse? He just pulled a Polo out of his neck! | 0:04:41 | 0:04:47 | |
Who wants to see Reggie? | 0:04:49 | 0:04:51 | |
-CHEERING -Come on! | 0:04:51 | 0:04:53 | |
Reggie, can I just say, if I was the voice of Rastamouse, | 0:04:54 | 0:04:57 | |
that would be my only voice! | 0:04:57 | 0:05:00 | |
-Have you seen the show? -Yes. | 0:05:01 | 0:05:02 | |
It's really up there. It's quite high, it's hard to get to. | 0:05:02 | 0:05:05 | |
Noel thinks it's a documentary. | 0:05:05 | 0:05:08 | |
I saw a mouse today as well, actually. | 0:05:08 | 0:05:11 | |
-Did he have locks? -He was a dubstep mouse. | 0:05:11 | 0:05:15 | |
You were saying the Rastafarians were a bit annoyed | 0:05:15 | 0:05:18 | |
cos a mouse is quite small. | 0:05:18 | 0:05:20 | |
They were vexed because | 0:05:20 | 0:05:21 | |
they said the mouse is like this little creature | 0:05:21 | 0:05:24 | |
and they were like, "It should be a lion! It should represent a lion!" | 0:05:24 | 0:05:28 | |
- Rastalion doesn't have the same ring. | 0:05:28 | 0:05:31 | |
- Are you really not going to do it? I'm dying to hear. - They'd all forgotten! | 0:05:31 | 0:05:34 | |
CHEERING DROWNS SPEECH | 0:05:34 | 0:05:36 | |
-Just say Never Mind The Buzzcocks in the style of Rastamouse. -Oh, God. | 0:05:36 | 0:05:40 | |
All right, just to prevent ruining it for any children, | 0:05:40 | 0:05:44 | |
-can I, like, hide my face? -Sure. | 0:05:44 | 0:05:47 | |
I'm going to turn around so you can't see me. Don't put me off. | 0:05:47 | 0:05:51 | |
It's like being at the urinal. I don't want you to look at me. | 0:05:51 | 0:05:55 | |
You know what's funny? | 0:05:55 | 0:05:56 | |
I can feel you wiggling a little bit cos you're trying not to laugh. | 0:05:56 | 0:06:00 | |
Yeah, that's right, "trying not to laugh". | 0:06:00 | 0:06:02 | |
I can't bloody do it! | 0:06:06 | 0:06:08 | |
Never... I can't do it! I can't do it. | 0:06:11 | 0:06:15 | |
I tried, I really did, I can't do it. I can't. Sorry, I'm sorry. | 0:06:15 | 0:06:18 | |
It's really easy to do it. | 0:06:18 | 0:06:19 | |
If you don't know it's coming then I'll just suddenly go... | 0:06:19 | 0:06:23 | |
-Give me a nudge. -.."MOUSE NOW!" And it's not a pressure situation at all. | 0:06:23 | 0:06:26 | |
-That's the deal. When there's no pressure on, I can deliver the mouse. -Yeah, OK. | 0:06:26 | 0:06:31 | |
When the pressure's not on, we can all "deliver the mouse". | 0:06:33 | 0:06:37 | |
So how are you getting on with that picture? | 0:06:39 | 0:06:42 | |
-He's a nice-looking chap, isn't he? -A bit like Jack Sparrow. | 0:06:42 | 0:06:45 | |
The words "Jack Sparrow" shouldn't be said in that accent. | 0:06:45 | 0:06:48 | |
-MIMICS YORKSHIRE ACCENT: -A bit like Jack Sparrow. | 0:06:48 | 0:06:51 | |
-It was quite beautiful. You're from Bradford, aren't you? -Yeah. | 0:06:53 | 0:06:58 | |
I had a friend from Bradford, and when something went wrong, he used to go... | 0:06:58 | 0:07:02 | |
-YORKSHIRE ACCENT: -"Oh, no, it's a horror show!" | 0:07:02 | 0:07:06 | |
-You said Jack Sparrow? -Yeah. -Do you think this is...? | 0:07:06 | 0:07:10 | |
It's Keith, right? | 0:07:10 | 0:07:11 | |
-I think that that might be Keith Richards. -I'm going to give you a clue just to help you along. -Go on. | 0:07:11 | 0:07:16 | |
This is a clue featuring the lyrics of one of the celebrities, | 0:07:16 | 0:07:21 | |
sung sort of in the style of the other one. | 0:07:21 | 0:07:23 | |
# Get out of the way, yo Get out of the way, yo | 0:07:23 | 0:07:26 | |
# Biggie Smalls just got dropped Little move pass the mac | 0:07:26 | 0:07:30 | |
# And let me hit him in his back | 0:07:30 | 0:07:31 | |
# Frank White needs to get spanked, right. # | 0:07:31 | 0:07:34 | |
Fantastic. | 0:07:34 | 0:07:37 | |
-You've got this, don't you? -2Pac. -It's 2Pac. -Pretty girly-eyed 2Pac. | 0:07:37 | 0:07:42 | |
-Keith Richards and 2Pac. -Yeah. -let's see if you're right. | 0:07:42 | 0:07:46 | |
-Yeah. -Look at that. -Absolutely right. -APPLAUSE | 0:07:49 | 0:07:52 | |
Keith Richards and 2Pac - the question is, what connects the two, though? | 0:07:52 | 0:07:58 | |
Well, their faces were fused. | 0:07:58 | 0:08:00 | |
-I have a physical clue for you. -Ah. | 0:08:00 | 0:08:05 | |
-Here we go. -Oh! Yeah. | 0:08:05 | 0:08:08 | |
Didn't Keith say that when his dad died, | 0:08:08 | 0:08:12 | |
he had his dad's ashes and he chopped out a line of his dad | 0:08:12 | 0:08:17 | |
and snorted a line of his dad? | 0:08:17 | 0:08:19 | |
-No. -Don't look at me like I'm a sicko, I didn't do it! | 0:08:19 | 0:08:22 | |
-He talked about it in his book. -He chops out a line... | 0:08:22 | 0:08:25 | |
He says, "Oh, this has been blown out of all proportion. I did a tiny bit." | 0:08:25 | 0:08:29 | |
But where does Pac come into it, then? | 0:08:31 | 0:08:35 | |
-Was 2Pac committed? -I think you've pretty much got it. | 0:08:35 | 0:08:38 | |
-Both are linked to the misuse of cremated remains. -Oh, my God. | 0:08:38 | 0:08:42 | |
Keith Richards claims he snorted his father's ashes | 0:08:42 | 0:08:45 | |
while 2Pac's old crew, The Outlawz, | 0:08:45 | 0:08:49 | |
claimed they smoked his ashes at a memorial barbeque on the beach. | 0:08:49 | 0:08:53 | |
Good barbeque! | 0:08:53 | 0:08:55 | |
Phill's team, whose faces have we morphed here? | 0:08:56 | 0:08:59 | |
-Ooh! -I mean, I'm just, like... Looking at it sideways like this with all of the hair... | 0:08:59 | 0:09:06 | |
To me it just looks like porn. | 0:09:06 | 0:09:07 | |
-I assure you, that is wrong for porn. -Yeah. | 0:09:07 | 0:09:13 | |
Here's a clue featuring the lyrics of one of those celebrities, | 0:09:13 | 0:09:16 | |
delivered sort of in the style of the other. | 0:09:16 | 0:09:18 | |
# What you gonna do with all that junk? | 0:09:18 | 0:09:21 | |
# All that junk inside your trunk | 0:09:21 | 0:09:23 | |
# I'm gonna get get get you drunk | 0:09:23 | 0:09:25 | |
# Get you love drunk off my hump. # | 0:09:25 | 0:09:28 | |
Innit. | 0:09:28 | 0:09:31 | |
APPLAUSE | 0:09:31 | 0:09:34 | |
I don't remember there being an "innit," on the original version of My Humps. | 0:09:34 | 0:09:38 | |
This is the remix. | 0:09:38 | 0:09:39 | |
It's obvious, it's Fergie cos that was the song, My Humps. | 0:09:41 | 0:09:44 | |
-So it's Fergie. -Whoever the other person is looks quite hip hop - there's a hat, there's a chain. | 0:09:44 | 0:09:48 | |
Soon as I saw that tiny moustache I can't help | 0:09:48 | 0:09:51 | |
but be reminded of a young man that sat next to me | 0:09:51 | 0:09:54 | |
on a number of occasions on this very Quiz. | 0:09:54 | 0:09:58 | |
Is it Dappy from N-Dubz? | 0:09:58 | 0:10:00 | |
Fergie and Dappy, let's see if you're right. | 0:10:00 | 0:10:03 | |
There you go! | 0:10:06 | 0:10:07 | |
APPLAUSE | 0:10:07 | 0:10:09 | |
Absolutely right, it's Dappy and Fergie from the Black Eyed Peas | 0:10:09 | 0:10:14 | |
but the question is what connects the two. | 0:10:14 | 0:10:17 | |
-Oh, Lordy. -Well, think past times. | 0:10:17 | 0:10:20 | |
What do these amazing artists get up to | 0:10:20 | 0:10:22 | |
when they're not creating timeless sounds? | 0:10:22 | 0:10:24 | |
-Do you have a clue? -Yeah, I've got a bit of a clue. -Whip it out. | 0:10:29 | 0:10:32 | |
A delicious bit of fish. | 0:10:32 | 0:10:34 | |
Why did you give it to me like I'm going to chop it up? | 0:10:39 | 0:10:42 | |
-No! Oh! -Oh, mate. | 0:10:44 | 0:10:48 | |
Look at that, how am I going to get home and explain? | 0:10:50 | 0:10:52 | |
Yeah, I've been doing Buzzcocks, love. | 0:10:52 | 0:10:53 | |
So why does your breath and fingers... Anyway! Um... | 0:10:53 | 0:10:56 | |
-They're keen anglers? They're not? -Bongo. -Shut up? | 0:11:00 | 0:11:04 | |
APPLAUSE | 0:11:04 | 0:11:06 | |
Oh, my God! | 0:11:08 | 0:11:09 | |
You're absolutely right, Phill, they are both keen fishermen. | 0:11:09 | 0:11:13 | |
Fergie is an ardent angler while Dappy loves carp fishing. | 0:11:13 | 0:11:17 | |
We actually have a picture of Dappy on the cover of Total Carp. | 0:11:17 | 0:11:20 | |
This is real, this is not mocked up. There he is... Uh... | 0:11:20 | 0:11:24 | |
-Look at the size of that thing! -Yeah, it's giant. | 0:11:28 | 0:11:30 | |
I is gonna need a bigger boat, you know what I mean? | 0:11:30 | 0:11:33 | |
Dappy grew up in Camden so presumably fell in love with | 0:11:33 | 0:11:37 | |
fishing when he caught his first condom-infested shopping trolley. | 0:11:37 | 0:11:42 | |
You have a bit of time to think about it, I'll just buffer. | 0:11:43 | 0:11:46 | |
APPLAUSE | 0:11:48 | 0:11:51 | |
Next up, it's the Intros Round. | 0:11:56 | 0:11:57 | |
Here's a little intro for you in a very modern synth-pop style. | 0:11:57 | 0:12:00 | |
Thank you very much. | 0:12:17 | 0:12:19 | |
APPLAUSE | 0:12:19 | 0:12:23 | |
Noel and Beverley here are yours for Dynamo. | 0:12:23 | 0:12:26 | |
OK. | 0:12:27 | 0:12:30 | |
Wow. | 0:12:30 | 0:12:32 | |
# Doo-la-loo-loo doo-doo-doo-doo, doo-la-loo-loo-loo da-doo-doo-do | 0:12:32 | 0:12:37 | |
# Doo-loo-loo-loo | 0:12:37 | 0:12:39 | |
# Say nothing at all! # | 0:12:39 | 0:12:41 | |
# Doo-la-loo-loo doo-doo-doo-doo, doo-la-loo-loo-loo da-doo-doo-do | 0:12:41 | 0:12:47 | |
# Doo-la-loo-loo | 0:12:47 | 0:12:48 | |
# Bip-bip-bip-ba-bippa | 0:12:48 | 0:12:50 | |
What? | 0:12:50 | 0:12:53 | |
I just felt like I was letting the side down. | 0:12:53 | 0:12:56 | |
I'm going to have to pass on that one I think. I can't... | 0:12:56 | 0:13:00 | |
You say you're going to pass on it and then you're going to bring | 0:13:00 | 0:13:03 | |
a coconut on, chop it in half and the answer's going to be... | 0:13:03 | 0:13:07 | |
Phill, would you like to? | 0:13:08 | 0:13:09 | |
You know the song. | 0:13:09 | 0:13:11 | |
# The female of the species is more deadly than the male. # | 0:13:12 | 0:13:15 | |
-Do the mouse! -Huh? | 0:13:17 | 0:13:19 | |
Never mind... I can't do it! | 0:13:19 | 0:13:22 | |
APPLAUSE | 0:13:22 | 0:13:24 | |
Sorry. | 0:13:24 | 0:13:25 | |
Reggie, you're absolutely right it was Space with | 0:13:25 | 0:13:27 | |
The Female of the Species. | 0:13:27 | 0:13:29 | |
-Next intro please. -Oh, yeah! | 0:13:29 | 0:13:31 | |
NOEL WHISTLES | 0:13:32 | 0:13:33 | |
# Do-do-da-do-do, do-do-da-do-do | 0:13:33 | 0:13:36 | |
# Do-do-da-do-do, do-do-da-do-do, do-da-dum-dum | 0:13:36 | 0:13:42 | |
# Do-do-da-do-do, do-do-da-do-do. # | 0:13:42 | 0:13:44 | |
Magic Moments? | 0:13:44 | 0:13:46 | |
Very good, absolutely correct, Magic Moments by Perry Como. | 0:13:46 | 0:13:50 | |
This is how it should have sounded. | 0:13:52 | 0:13:54 | |
MUSIC PLAYS | 0:13:54 | 0:13:57 | |
Now, this seems like a good point at which to ask you, Dynamo, | 0:14:02 | 0:14:06 | |
perhaps if you could provide us with another magic moment. | 0:14:06 | 0:14:09 | |
-Do you want to see something that's quite freaky, yeah? -Yeah. | 0:14:09 | 0:14:12 | |
Watch this. | 0:14:12 | 0:14:13 | |
ALL: Oh! | 0:14:18 | 0:14:20 | |
Oh, no. | 0:14:20 | 0:14:21 | |
But have you seen this? | 0:14:23 | 0:14:24 | |
APPLAUSE | 0:14:29 | 0:14:34 | |
-Wow! -Yeah? Have you seen this? | 0:14:34 | 0:14:37 | |
Prepare to be amazed! | 0:14:40 | 0:14:42 | |
APPLAUSE | 0:14:46 | 0:14:47 | |
Phill and Margaret, here are your intros for Reggie. | 0:14:49 | 0:14:52 | |
OK, OK. | 0:14:54 | 0:14:56 | |
# Danga-nanga-nanga-nanga-nanga danga-nanga-nanga-nanga-nanga | 0:14:56 | 0:15:02 | |
# Baddaw, daddaw, baddaw, daddaw! # | 0:15:02 | 0:15:09 | |
Wow. She's going. Wow! | 0:15:09 | 0:15:12 | |
-Um, sorry! -No? Not going to happen. | 0:15:12 | 0:15:16 | |
Um, Noel's team? | 0:15:16 | 0:15:17 | |
Is it Pinball Wizard, The Who? | 0:15:17 | 0:15:19 | |
Pinball Wizard by The Who, absolutely correct! | 0:15:19 | 0:15:21 | |
APPLAUSE | 0:15:21 | 0:15:25 | |
Well done, here is how it should have sounded. | 0:15:25 | 0:15:27 | |
MUSIC PLAYS | 0:15:27 | 0:15:32 | |
Windmill! | 0:15:32 | 0:15:34 | |
Next one please, Phill. | 0:15:40 | 0:15:41 | |
OK. | 0:15:41 | 0:15:43 | |
# Bum-bum-bum, bum-bum-bum, bum-bum-bum | 0:15:43 | 0:15:45 | |
# Neeyow-yeeow | 0:15:45 | 0:15:48 | |
# Neeyow-yeeow | 0:15:48 | 0:15:51 | |
-# Doo-doo-doo-deeyow -# Neeyow-yeeow. # | 0:15:51 | 0:15:53 | |
Oh, no! | 0:15:53 | 0:15:55 | |
# Neeyow-yeeow # | 0:15:55 | 0:15:57 | |
# Beeyow-chicka-wow | 0:15:57 | 0:15:59 | |
# Neeyow-yeeow | 0:15:59 | 0:16:00 | |
# Neeyow-yeeow! # | 0:16:02 | 0:16:04 | |
Sorry, I was really into it. | 0:16:05 | 0:16:07 | |
-Oh no! Nah, I've got nothing! -To be fair, we're not very good. | 0:16:08 | 0:16:12 | |
It sounded like I was waiting for a cat to finish abusing itself. | 0:16:15 | 0:16:19 | |
Noel, Beverley, Dynamo, any ideas? | 0:16:20 | 0:16:22 | |
BOTH: Rastamouse! | 0:16:22 | 0:16:25 | |
Do the mouse! | 0:16:25 | 0:16:27 | |
Never mind... No! | 0:16:27 | 0:16:29 | |
Each time he gets a little further along. | 0:16:31 | 0:16:33 | |
-I'm lost. Totally. -Bon Jovi? -Oh! -Yeah, was it Bon Jovi? | 0:16:34 | 0:16:39 | |
-I knew I knew it! -Do the mouse, come on! -I'll just do my own voice. | 0:16:41 | 0:16:45 | |
I can't, sorry. | 0:16:45 | 0:16:47 | |
LAUGHTER AND APPLAUSE | 0:16:47 | 0:16:52 | |
-Bon Jovi, but which track? -The something Glory? -Blades! | 0:16:52 | 0:16:57 | |
Yeah, Blades of Glory by Jon Bon Jovi. | 0:16:59 | 0:17:01 | |
Jon Bon Jovi says his ideal partner would wear blue jeans, | 0:17:06 | 0:17:09 | |
cowboy boots and have voluptuous breasts. | 0:17:09 | 0:17:12 | |
In other words, Simon Cowell. | 0:17:12 | 0:17:14 | |
We also heard The Who with Pinball Wizard. | 0:17:16 | 0:17:19 | |
Pete Townsend says that he's now almost completely stone deaf | 0:17:19 | 0:17:22 | |
which is a shame - not only might it end his musical career, | 0:17:22 | 0:17:25 | |
he also won't hear his wife coming up the stairs when he's using the internet. | 0:17:25 | 0:17:29 | |
Right, it's time for the Mystery Line-Up round | 0:17:31 | 0:17:33 | |
and I've got a little jingle for you in the popular | 0:17:33 | 0:17:36 | |
Cajun pop-country style that's rapidly overtaking dubstep I think you'll find. | 0:17:36 | 0:17:42 | |
A song about the vicissitudes of fame there. | 0:18:03 | 0:18:06 | |
Noel, Dynamo and Beverley, | 0:18:06 | 0:18:07 | |
how about some early British jazz-funk for you. | 0:18:07 | 0:18:11 | |
For the audience only, here is Light of the World. | 0:18:11 | 0:18:14 | |
# Freedom came my way one day | 0:18:14 | 0:18:18 | |
# And I started out of town | 0:18:18 | 0:18:22 | |
# They say they wanna bring me in guilty | 0:18:22 | 0:18:25 | |
# For the killing of the deputy | 0:18:25 | 0:18:29 | |
# So I shot, I shot him down | 0:18:29 | 0:18:34 | |
# But I say, hey! # | 0:18:34 | 0:18:39 | |
That was Light of the World with I Shot the Sheriff, but, | 0:18:39 | 0:18:42 | |
which one of our line-up is singer and lead guitarist Nat Augustin? | 0:18:42 | 0:18:47 | |
Is it, number one, I shot the sheriff? | 0:18:47 | 0:18:51 | |
Number two, I shot JR? | 0:18:51 | 0:18:53 | |
Number three, I shot my own porn film? | 0:18:55 | 0:18:56 | |
Number four, I shot my wife and kids? | 0:18:59 | 0:19:01 | |
Or number five, I shat my pants? | 0:19:03 | 0:19:05 | |
Noel's team. | 0:19:07 | 0:19:09 | |
I think number two, cos he's holding like a firm gaze. | 0:19:09 | 0:19:13 | |
-That's what I thought. -Come on, Merlin, you can do better than that. | 0:19:13 | 0:19:16 | |
Easily number three, look at his stance. He doesn't give a shit. | 0:19:20 | 0:19:25 | |
-It could be number one. -Oh, thanks, it could be number one! | 0:19:27 | 0:19:29 | |
Say something funny and try and break him. | 0:19:29 | 0:19:33 | |
It's not as easy as that. | 0:19:33 | 0:19:34 | |
-Number 1's got the eyes, though, hasn't he? -Yeah. | 0:19:36 | 0:19:38 | |
He's got the eyes of a haunted... | 0:19:38 | 0:19:40 | |
old Russian lady. | 0:19:40 | 0:19:42 | |
What?! | 0:19:43 | 0:19:45 | |
I'm like Columbo - it looks like I don't know what I'm doing, | 0:19:47 | 0:19:50 | |
but it's all going on up here. | 0:19:50 | 0:19:52 | |
-Number 1. -What do you think? Number 1? | 0:19:52 | 0:19:55 | |
-I think number 1. -I'll follow you. -Going for number 1? | 0:19:55 | 0:19:57 | |
-Yeah, number 1. -Let's find out. -They said it. | 0:19:57 | 0:20:00 | |
Would the real Nat Augustin please step forward? | 0:20:00 | 0:20:03 | |
There he is, number 2. | 0:20:05 | 0:20:07 | |
-You see?! -APPLAUSE | 0:20:07 | 0:20:09 | |
Now gigging as a solo artist, | 0:20:11 | 0:20:13 | |
and with a new album from Light Of The World out soon, | 0:20:13 | 0:20:16 | |
Nat Augustin, ladies and gentlemen! | 0:20:16 | 0:20:17 | |
CHEERS AND APPLAUSE | 0:20:17 | 0:20:21 | |
Phill, Reggie and Margaret, would you like a slice of '90s UK garage? | 0:20:22 | 0:20:29 | |
-You betcha! -Yeah! | 0:20:29 | 0:20:30 | |
OK. For the audience only, here are Artful Dodger. | 0:20:30 | 0:20:34 | |
# Ooh, you're moving too fast and I don't think it's right | 0:20:34 | 0:20:38 | |
# I'm not giving you my love tonight | 0:20:38 | 0:20:42 | |
# Now, ooh, you're moving too fast | 0:20:42 | 0:20:44 | |
# Better sit back, relax | 0:20:44 | 0:20:46 | |
# I'm not giving up no love tonight... # | 0:20:46 | 0:20:49 | |
That was Artful Dodger with Movin' Too Fast, | 0:20:49 | 0:20:52 | |
but which of our line-up is vocalist Romina Johnson? | 0:20:52 | 0:20:56 | |
Is it number 1... | 0:20:56 | 0:20:57 | |
Movin' Too Fast? | 0:20:57 | 0:20:59 | |
Number 2... | 0:20:59 | 0:21:00 | |
Movin' To France? | 0:21:00 | 0:21:02 | |
Number 3... | 0:21:02 | 0:21:04 | |
Movin' Back In With Her Parents? | 0:21:04 | 0:21:06 | |
Number 4... | 0:21:07 | 0:21:08 | |
Movin' Me To Tears? | 0:21:08 | 0:21:11 | |
Or number 5... | 0:21:11 | 0:21:13 | |
Movin' Performance In Holby City Last Week. Well Done. | 0:21:13 | 0:21:16 | |
Phill's team. | 0:21:19 | 0:21:20 | |
Um, Reggie. | 0:21:20 | 0:21:21 | |
It's not 4. She's too young. Definitely not 4. | 0:21:21 | 0:21:24 | |
Um, 3 looks really angry, so it might be her. | 0:21:24 | 0:21:27 | |
She's got that, "What you talkin' about that bitch for?" in her eyes. | 0:21:27 | 0:21:32 | |
-2 looks crossest, I think. -She does. -And just for 2... | 0:21:32 | 0:21:35 | |
..do the mouse. | 0:21:36 | 0:21:37 | |
-AS RASTAMOUSE: -Never Mind De Buzzcocks. | 0:21:39 | 0:21:41 | |
CHEERS AND APPLAUSE | 0:21:41 | 0:21:46 | |
-I'm getting a 1 vibe. -I'm getting a 1 vibe. | 0:21:47 | 0:21:50 | |
OK. We think it's 1. | 0:21:50 | 0:21:51 | |
-WHISPERS: -I don't! | 0:21:51 | 0:21:52 | |
Would the real Romina Johnson please step forward? | 0:21:52 | 0:21:55 | |
Oh! | 0:21:55 | 0:21:57 | |
Yes, it is. | 0:21:57 | 0:21:58 | |
With her album, Soul River, out now, | 0:21:58 | 0:22:02 | |
Romina Johnson, ladies and gentlemen! | 0:22:02 | 0:22:04 | |
Thank you very much. | 0:22:04 | 0:22:06 | |
So, we end with a round based on my pet subject, YouTube comments. | 0:22:09 | 0:22:14 | |
This is a kind of missing words round based on real YouTube comments | 0:22:14 | 0:22:18 | |
that we have found. | 0:22:18 | 0:22:20 | |
Phill's team, | 0:22:20 | 0:22:21 | |
this appeared underneath the video for Baby by Justin Bieber. | 0:22:21 | 0:22:25 | |
A beautiful lesbian. | 0:22:27 | 0:22:29 | |
-NOEL: -Fish finger with hair? | 0:22:30 | 0:22:31 | |
Here is what it actually said. | 0:22:34 | 0:22:35 | |
What?! | 0:22:39 | 0:22:41 | |
He's a crack attic. | 0:22:41 | 0:22:42 | |
Here's a comment that was left under one of your videos, Margaret. | 0:22:42 | 0:22:46 | |
Big wood. | 0:22:49 | 0:22:50 | |
That is not bad. | 0:22:50 | 0:22:51 | |
-Very good, Reggie, you're getting into the swing of things. -Ahh, nice! | 0:22:54 | 0:22:58 | |
Thanks! | 0:22:58 | 0:23:00 | |
Margaret, this was another comment left under one of your videos. | 0:23:00 | 0:23:04 | |
I've got it! | 0:23:07 | 0:23:09 | |
"Whoever dislikes this video is an intricate charcoal drawing of a..." | 0:23:09 | 0:23:13 | |
Er, let's reveal the answer. | 0:23:14 | 0:23:17 | |
It's one of the worst kind of faces there is! | 0:23:23 | 0:23:26 | |
Reggie, this is a comment that appeared under | 0:23:27 | 0:23:30 | |
a video of you at work. | 0:23:30 | 0:23:31 | |
A meanny bo beeny stupid face? | 0:23:36 | 0:23:39 | |
Let's reveal it. | 0:23:39 | 0:23:41 | |
APPLAUSE | 0:23:47 | 0:23:51 | |
Noel's team, this comment was left underneath | 0:23:53 | 0:23:56 | |
a Britney Spears video, Gimme More. | 0:23:56 | 0:23:58 | |
Errugh! | 0:24:00 | 0:24:02 | |
That's the emoticon at the end, there. | 0:24:02 | 0:24:04 | |
Gellyhair. | 0:24:07 | 0:24:09 | |
Gellyhair45, the 45th of the Gellyhair Clan! | 0:24:09 | 0:24:12 | |
"My discarded pubes"? | 0:24:14 | 0:24:16 | |
Oh, that's not too far from the truth. | 0:24:16 | 0:24:18 | |
Let's reveal it. | 0:24:18 | 0:24:20 | |
I like that Gellyhair said, "I'm going to call myself Gellyhair1. | 0:24:24 | 0:24:28 | |
"Oh, taken. | 0:24:28 | 0:24:29 | |
"Gellyhair2? Oh... This is getting..." | 0:24:29 | 0:24:31 | |
GELLYHAIR27! SWEET CHRIST! | 0:24:31 | 0:24:33 | |
Here is a comment that was left underneath a video of you, | 0:24:35 | 0:24:39 | |
Dynamo, performing. And this was left by Gerybaboona. | 0:24:39 | 0:24:43 | |
He says... | 0:24:44 | 0:24:45 | |
Wizard? | 0:24:48 | 0:24:50 | |
A new Paul Daniels? | 0:24:51 | 0:24:53 | |
Genius. | 0:24:55 | 0:24:56 | |
"Sutin"?! | 0:25:00 | 0:25:02 | |
APPLAUSE | 0:25:02 | 0:25:05 | |
"Oh, look at the skills on this guy. He's a alien or sutin!" | 0:25:05 | 0:25:10 | |
"That's Gerybaboona! | 0:25:12 | 0:25:14 | |
"He always can spot a alien or sutin." | 0:25:14 | 0:25:17 | |
I think Gerybaboona could've done justice | 0:25:19 | 0:25:21 | |
to those Pete Townshend jokes. | 0:25:21 | 0:25:24 | |
"He what? He can't hear 'is wife coming up | 0:25:24 | 0:25:26 | |
on the internet, what or sutin?!" | 0:25:26 | 0:25:29 | |
Here's another comment that was left underneath your video, Dynamo. | 0:25:35 | 0:25:39 | |
Well, that's... That's Gerybaboona again! | 0:25:49 | 0:25:53 | |
"You are the only peopl on planet made from...sutin." | 0:25:55 | 0:26:00 | |
Let's have a look. | 0:26:01 | 0:26:03 | |
APPLAUSE | 0:26:11 | 0:26:12 | |
People actually write that stuff?! | 0:26:17 | 0:26:20 | |
Come on, these are the intelligent ones. | 0:26:20 | 0:26:23 | |
Here's a comment that appeared underneath | 0:26:23 | 0:26:25 | |
the video for Shoulda, Woulda, Coulda by Beverley Knight. | 0:26:25 | 0:26:29 | |
And it was left by Makenna1, who says, simply... | 0:26:29 | 0:26:32 | |
what? | 0:26:32 | 0:26:34 | |
"Sutin!" | 0:26:35 | 0:26:37 | |
-It is... -"Shit sperm." | 0:26:39 | 0:26:41 | |
APPLAUSE | 0:26:44 | 0:26:47 | |
-Please don't let him near me! -You're traumatising her! | 0:26:47 | 0:26:50 | |
Oh, my God! | 0:26:54 | 0:26:57 | |
He'll be in the front row of your next concert, I imagine. | 0:26:57 | 0:27:00 | |
-Oh, my God. -"HI! | 0:27:00 | 0:27:02 | |
"It's me or sutin." | 0:27:02 | 0:27:04 | |
Now, the scores at the end of that round are five-all, | 0:27:06 | 0:27:09 | |
so it's a draw, teams. OK? | 0:27:09 | 0:27:13 | |
APPLAUSE | 0:27:13 | 0:27:15 | |
That means it's a tie-break situation, | 0:27:15 | 0:27:17 | |
so I'm going to show you a home-made clip. | 0:27:17 | 0:27:19 | |
Count how many Mobies there are in this clip. | 0:27:19 | 0:27:23 | |
Go! | 0:27:23 | 0:27:24 | |
# Moby, Moby, Moby | 0:27:24 | 0:27:27 | |
# Moby, Michael Stipe | 0:27:27 | 0:27:28 | |
# Moby-moby | 0:27:28 | 0:27:30 | |
# Moby, Moby, Michael Stipe | 0:27:30 | 0:27:33 | |
# Michael Stipe, Michael Stipe | 0:27:33 | 0:27:34 | |
# Moby-Moby, Michael Stipe | 0:27:34 | 0:27:36 | |
# Moby-Moby, Moby, Michael Chiklis | 0:27:36 | 0:27:39 | |
# Bruce Willis, Bruce Willis, Bruce Willis | 0:27:39 | 0:27:42 | |
# Michael Chiklis, Moby-Moby | 0:27:42 | 0:27:43 | |
# Michael Stipe, Michael Chiklis | 0:27:43 | 0:27:45 | |
# Heston Blumenthal! # | 0:27:45 | 0:27:46 | |
APPLAUSE | 0:27:48 | 0:27:51 | |
Might have been thrown by Blumenthal at the end, there, | 0:27:55 | 0:27:58 | |
but how many Mobies did you count? | 0:27:58 | 0:28:01 | |
Phill. | 0:28:01 | 0:28:02 | |
12. | 0:28:02 | 0:28:04 | |
You're going for 12. | 0:28:04 | 0:28:05 | |
Noel's team? | 0:28:05 | 0:28:06 | |
-14. -14. | 0:28:06 | 0:28:08 | |
The correct answer was 15, so, Noel, you were closest there with 14, | 0:28:08 | 0:28:13 | |
which means that you are tonight's winners! | 0:28:13 | 0:28:15 | |
Noel's team, ladies and gentlemen! | 0:28:15 | 0:28:17 | |
CHEERS AND APPLAUSE | 0:28:17 | 0:28:20 | |
Thank you to Noel, Beverley and Dynamo. | 0:28:20 | 0:28:24 | |
Thank you very much to Phill, Reggie and Margaret. | 0:28:24 | 0:28:28 | |
This has been Never Mind The Buzzcocks. | 0:28:28 | 0:28:30 | |
I've been Adam Buxton. Goodnight! | 0:28:30 | 0:28:31 | |
CHEERS AND APPLAUSE | 0:28:31 | 0:28:34 | |
# One, two, three, four | 0:28:34 | 0:28:35 | |
# It's the end of the show | 0:28:35 | 0:28:37 | |
# It's the end of the show | 0:28:37 | 0:28:39 | |
# This is the final jingle for the end of the show | 0:28:39 | 0:28:42 | |
# Brought my Reg and Margaret | 0:28:42 | 0:28:44 | |
# Brought my Phill and Noel | 0:28:44 | 0:28:45 | |
# That way I keep Beverley and that kid, Dynamo | 0:28:45 | 0:28:48 | |
# I wanted this to go as the star of the show | 0:28:48 | 0:28:51 | |
# So I asked the producer but producer said no | 0:28:51 | 0:28:55 | |
# Your sessions are a shame | 0:28:55 | 0:28:56 | |
# But the jingles can go | 0:28:56 | 0:28:57 | |
# And I think we both know it's at the end of the show. # | 0:28:57 | 0:29:01 | |
Or sutin. | 0:29:01 | 0:29:02 | |
Cheerio! Thanks for having me! | 0:29:04 | 0:29:06 | |
Bye! | 0:29:06 | 0:29:07 | |
Ohh! | 0:29:08 | 0:29:10 | |
Oh! | 0:29:10 | 0:29:11 | |
It's a nice box. | 0:29:13 | 0:29:14 | |
Subtitles by Red Bee Media Ltd | 0:29:14 | 0:29:17 | |
Email [email protected] | 0:29:17 | 0:29:20 | |
# Think I'd better leave right now... # | 0:29:22 | 0:29:25 |