Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Are you talking to me? I'm talking to you. | 0:00:03 | 0:00:07 | |
I'm a lion. No, I'm a tiger. | 0:00:07 | 0:00:10 | |
I'm a liger. | 0:00:10 | 0:00:12 | |
You ready for me, Buzzcocks? Are you ready for Will Young? | 0:00:12 | 0:00:15 | |
RARRRR! Come on! | 0:00:15 | 0:00:17 | |
Maybe we should come back in ten minutes? | 0:00:17 | 0:00:21 | |
-You're naughty! -WILL GIGGLES | 0:00:21 | 0:00:23 | |
Oh! Who's the daddy? | 0:00:23 | 0:00:25 | |
This programme contains some strong language. | 0:00:27 | 0:00:32 | |
APPLAUSE | 0:00:49 | 0:00:51 | |
Hello, and welcome to the show. | 0:00:57 | 0:01:00 | |
On Phill's team tonight, | 0:01:00 | 0:01:02 | |
she's a permanent fixture on The X Factor, | 0:01:02 | 0:01:05 | |
just like Louis Walsh's bewildered look, | 0:01:05 | 0:01:08 | |
it's '80s pop star and keeper of Simon Cowell's secrets, | 0:01:08 | 0:01:11 | |
-Sinitta! -APPLAUSE | 0:01:11 | 0:01:15 | |
He's a comedian who once performed a 36-hour-straight gig, | 0:01:20 | 0:01:23 | |
so he's well prepared for tonight's show recording, | 0:01:23 | 0:01:26 | |
it's Mark Watson. | 0:01:26 | 0:01:27 | |
APPLAUSE | 0:01:27 | 0:01:30 | |
And on Noel's team tonight, | 0:01:31 | 0:01:35 | |
he's a successful DJ and record producer, | 0:01:35 | 0:01:37 | |
and he's doing incredibly well, considering he's only two and half. | 0:01:37 | 0:01:40 | |
It's Toddla T. | 0:01:40 | 0:01:42 | |
APPLAUSE | 0:01:42 | 0:01:45 | |
# To you and me, baby | 0:01:45 | 0:01:48 | |
# Sweet memories, baby... # | 0:01:48 | 0:01:50 | |
He's a comedian famed for his kooky and outlandish dress sense | 0:01:51 | 0:01:55 | |
and his surreal comic outlook. | 0:01:55 | 0:01:57 | |
We thought we'd get a spare in case Noel breaks. It's Paul Foot. | 0:01:57 | 0:02:01 | |
CHEERING AND APPLAUSE | 0:02:01 | 0:02:05 | |
Before we get started, I think we should all know | 0:02:05 | 0:02:08 | |
a little more about me. As well as being a pop star, | 0:02:08 | 0:02:11 | |
I'm also an amateur ornithologist and twitcher, which is true. | 0:02:11 | 0:02:15 | |
Basically, I love birds and I love to draw birds, | 0:02:15 | 0:02:18 | |
so I brought one to show you. | 0:02:18 | 0:02:20 | |
This is one of my drawings. | 0:02:20 | 0:02:22 | |
Wow, is that an emu? | 0:02:22 | 0:02:24 | |
No, it's actually a helmeted guinea fowl, | 0:02:24 | 0:02:27 | |
-which are indigenous to Africa. -Is this really happening? | 0:02:27 | 0:02:30 | |
Has this been discussed beforehand? | 0:02:30 | 0:02:32 | |
No, I just thought I'd bring them along. | 0:02:32 | 0:02:34 | |
Damn it, I had a shit-hot picture of an ostrich and I haven't brought it. | 0:02:34 | 0:02:37 | |
Since I'm sharing, would any of you like to share | 0:02:37 | 0:02:39 | |
anything that perhaps the audience don't know? Sinitta? | 0:02:39 | 0:02:42 | |
-Interesting hobbies? -Yeah. | 0:02:42 | 0:02:44 | |
I practise Tweeting with my left hand, so I don't get funny... | 0:02:44 | 0:02:48 | |
I do the same thing, but with something different. | 0:02:48 | 0:02:52 | |
I love drawing, so we start with a round called Pop Goes The Easel. | 0:02:52 | 0:02:55 | |
Our team captains will pick a story about a music star | 0:02:55 | 0:02:59 | |
and they have to relay that story to their teams | 0:02:59 | 0:03:02 | |
through the medium of drawing. | 0:03:02 | 0:03:04 | |
Noel's team, you're up first, so, Noel, come and pick up an envelope. | 0:03:04 | 0:03:08 | |
-I have three for you to choose from. -Thanks. | 0:03:08 | 0:03:11 | |
You've chosen number two. | 0:03:11 | 0:03:13 | |
Have a look and take your place by the blackboard. | 0:03:13 | 0:03:16 | |
For the audience at home, here is that story. | 0:03:16 | 0:03:18 | |
If you don't want to know, look away now. | 0:03:18 | 0:03:21 | |
Well, that's easy(!) | 0:03:27 | 0:03:29 | |
Look at me, I'm like the weirdest Rolf Harris you've ever seen. | 0:03:29 | 0:03:33 | |
Good view of that jumper. | 0:03:35 | 0:03:38 | |
All right! Look at your tie, it doubles up as a cheese board. | 0:03:38 | 0:03:42 | |
Any idea who that is? | 0:03:45 | 0:03:47 | |
-He's sitting at some... -Drums? -Yeah! | 0:03:47 | 0:03:50 | |
I can give you a clue - | 0:03:50 | 0:03:51 | |
he appeared in a famous video with Pamela Anderson. | 0:03:51 | 0:03:56 | |
-Tommy Lee. -Yes! OK. Well, that's the easy bit. | 0:03:56 | 0:04:00 | |
Just say what you see. | 0:04:00 | 0:04:02 | |
-Is that a feather? -Yeah. -A feather and a book. | 0:04:02 | 0:04:04 | |
In a vacuum, they would both fall at the same speed. | 0:04:04 | 0:04:07 | |
He did an experiment to show that, without air resistance, | 0:04:07 | 0:04:11 | |
everything falls with the same gravitational acceleration. | 0:04:11 | 0:04:14 | |
What did he write? | 0:04:14 | 0:04:15 | |
The Bible? | 0:04:15 | 0:04:17 | |
-He wrote a... -A letter? -Yeah, see, it's not that difficult! | 0:04:17 | 0:04:21 | |
You went to Oxford, what are you playing at?! | 0:04:21 | 0:04:25 | |
I didn't study all this stuff, did I? | 0:04:25 | 0:04:27 | |
In Paul's defence, Noel, they are allowed to use words | 0:04:27 | 0:04:30 | |
when they do lectures at Oxford, rather than just drawing. | 0:04:30 | 0:04:35 | |
OK. Right, so he wrote a letter to... | 0:04:35 | 0:04:38 | |
To the sea. He wrote a letter to the ocean saying, "Dear Ocean, | 0:04:38 | 0:04:42 | |
"please stop getting bigger and bigger and swallowing up | 0:04:42 | 0:04:45 | |
"those Pacific islands. | 0:04:45 | 0:04:46 | |
"You cover two thirds of the world, that's enough." | 0:04:46 | 0:04:50 | |
-You're very close. He wrote a letter to... -Sea World? | 0:04:50 | 0:04:54 | |
-He wrote to Sea World. -And what did he write about? | 0:04:54 | 0:04:57 | |
He wrote about the fact that they keep dolphins and don't look after them properly. | 0:04:57 | 0:05:01 | |
-Something bigger than a dolphin. -Whale? -What kind of whale? | 0:05:01 | 0:05:05 | |
Blue whale. | 0:05:05 | 0:05:08 | |
It's a...whale. | 0:05:08 | 0:05:09 | |
-Killer whale. -Yes! | 0:05:09 | 0:05:12 | |
Why has he got a big penis? It wasn't how it kills people, is it? | 0:05:12 | 0:05:15 | |
I never knew that. You learn something all the time! | 0:05:15 | 0:05:20 | |
Tommy Lee wrote a letter to Sea World | 0:05:20 | 0:05:23 | |
about a killer whale and what? | 0:05:23 | 0:05:26 | |
-Oh, that's a pool. -That's a cow's vagina. | 0:05:26 | 0:05:30 | |
-What, it's got two holes? -It went wrong. | 0:05:30 | 0:05:32 | |
That's the first time I've ever seen anyone on a TV show | 0:05:32 | 0:05:36 | |
go wrong trying to draw a cow's vagina. | 0:05:36 | 0:05:39 | |
Is it ejaculating or having a wee? | 0:05:39 | 0:05:42 | |
-It's coming. -Yeah! | 0:05:42 | 0:05:43 | |
Into...a vagina? | 0:05:43 | 0:05:47 | |
Yes, that's it! | 0:05:47 | 0:05:49 | |
CHEERING AND APPLAUSE | 0:05:49 | 0:05:51 | |
The worrying thing is, you were kind of right. | 0:05:51 | 0:05:54 | |
Earlier this year, Tommy Lee wrote an angry letter to Sea World, | 0:05:54 | 0:05:57 | |
complaining about the way | 0:05:57 | 0:05:59 | |
they artificially inseminate killer whales. | 0:05:59 | 0:06:01 | |
He claimed they obtained sperm by forcibly masturbating males | 0:06:01 | 0:06:05 | |
using a cow's vagina. | 0:06:05 | 0:06:07 | |
Pretty easy to draw that, isn't it?! | 0:06:07 | 0:06:11 | |
In 2011, Tommy Lee revealed | 0:06:11 | 0:06:12 | |
he knew he could never keep up with Ozzy Osbourne's crazy antics | 0:06:12 | 0:06:16 | |
when he caught the wild man of rock smearing his own excrement | 0:06:16 | 0:06:19 | |
on the walls of his hotel room. If you think that's bad, | 0:06:19 | 0:06:21 | |
you should try sharing a dressing room with Dame Judy Dench. | 0:06:21 | 0:06:25 | |
I thought that was very good. | 0:06:25 | 0:06:27 | |
I couldn't even have explained that in words. | 0:06:27 | 0:06:30 | |
You could have brought Tommy Lee in here and a cow's vagina | 0:06:30 | 0:06:33 | |
and I still would have had trouble explaining that concept. | 0:06:33 | 0:06:36 | |
How did he know? Maybe he plots them on a chart - like, position of killer whales | 0:06:36 | 0:06:40 | |
and positions of cow's vagina and sees when they go near each other. | 0:06:40 | 0:06:44 | |
He's got an alarm when they get too close. "WHAA! WHAA!" | 0:06:44 | 0:06:47 | |
And he writes a letter. I've read his book, I mean, | 0:06:47 | 0:06:50 | |
how did he write a letter?! | 0:06:50 | 0:06:51 | |
Phill's team, you're up next. Please come and pick an envelope. | 0:06:51 | 0:06:55 | |
-Oh. -That one, that one, that one. | 0:07:00 | 0:07:02 | |
Phill's chosen story number three, so please take to the floor, | 0:07:04 | 0:07:07 | |
and for the audience, here is the story. | 0:07:07 | 0:07:10 | |
If you don't want to know, look away now. | 0:07:10 | 0:07:12 | |
Remember, it's the person that the story relates to first, | 0:07:16 | 0:07:20 | |
and then the story. | 0:07:20 | 0:07:22 | |
-Who has a ponytail like that? -Iggy Pop? | 0:07:22 | 0:07:24 | |
-Yeah, yeah, yeah. Is it Iggy Pop? -No. | 0:07:24 | 0:07:26 | |
Good, so we know it's not Iggy Pop. | 0:07:26 | 0:07:29 | |
There's a particular hairstyle. | 0:07:29 | 0:07:32 | |
-Oh, it's the bloke from Status Quo. -Ah! -Quite a girly name, I'd say. | 0:07:32 | 0:07:35 | |
Amanda. | 0:07:35 | 0:07:38 | |
I've just received a bit of help from Noel. It's Francis. | 0:07:38 | 0:07:41 | |
Francis Rossi of Status Quo. | 0:07:41 | 0:07:44 | |
-What do you think is happening? -Kissed a baby monkey? | 0:07:44 | 0:07:48 | |
OK. We're building the elements, so we've got... | 0:07:48 | 0:07:51 | |
-Francis Rossi of Status Quo kissed... -A baby... | 0:07:51 | 0:07:54 | |
You know that he's kissed a baby and perhaps something has happened. | 0:07:54 | 0:07:58 | |
Normally you kiss someone and a baby is what happens afterwards. | 0:07:58 | 0:08:02 | |
-Embryos. -They do look like embryos, or rice puddings. -Eggs. | 0:08:02 | 0:08:05 | |
That is one of those things where you hit it | 0:08:05 | 0:08:07 | |
and it tells you how strong you are. | 0:08:07 | 0:08:09 | |
Kissed a baby and had to have a sperm test | 0:08:09 | 0:08:11 | |
because someone said she was pregnant. | 0:08:11 | 0:08:13 | |
Yeah, is it paternity? | 0:08:13 | 0:08:15 | |
-Are they germs? -Ah! -Yeah! Germs, germs. | 0:08:15 | 0:08:19 | |
Germs! I'm going to keep shouting "Germs" till we get points. | 0:08:19 | 0:08:23 | |
-Kissed a baby... -With germs! | 0:08:23 | 0:08:26 | |
-Yeah, and so...? -He got sick. | 0:08:26 | 0:08:27 | |
Yes, that's it. | 0:08:27 | 0:08:29 | |
APPLAUSE | 0:08:29 | 0:08:31 | |
Goodness. Visibly exhausted by standing up for that long! | 0:08:31 | 0:08:35 | |
This is another true story. | 0:08:35 | 0:08:37 | |
In 2004, Status Quo had to cancel a show in Plymouth | 0:08:37 | 0:08:40 | |
after Francis Rossi - is the name - | 0:08:40 | 0:08:44 | |
picked up a virus, kissing a baby at a signing. | 0:08:44 | 0:08:47 | |
The band were really upset because they love playing in Plymouth. | 0:08:47 | 0:08:51 | |
Over there, they're only 20 years out of date. | 0:08:51 | 0:08:53 | |
That was a little bit easier than Tommy Lee's Sea World | 0:08:53 | 0:08:58 | |
cow-vagina odyssey that I had to draw! | 0:08:58 | 0:09:01 | |
And at the end of that round, | 0:09:01 | 0:09:03 | |
Noel's team has two and Phill's team has two. | 0:09:03 | 0:09:05 | |
APPLAUSE | 0:09:05 | 0:09:08 | |
Next up, it's the Intros Round, and to mark it, | 0:09:11 | 0:09:14 | |
-here is another drawing of a bird that I did. -He seems so delighted. | 0:09:14 | 0:09:19 | |
-Oh, what is that? -It's a white stork. -Why did you give it horns? | 0:09:19 | 0:09:23 | |
I actually started off drawing an antelope, | 0:09:23 | 0:09:25 | |
and then I added on the stork. | 0:09:25 | 0:09:27 | |
Once you'd given it beak, you felt there was no way back. | 0:09:27 | 0:09:30 | |
I can give you an interesting fact about storks as well. | 0:09:30 | 0:09:33 | |
They shit on their legs to keep themselves cool. | 0:09:33 | 0:09:36 | |
It's not really cool though, is it? Not in that way. | 0:09:36 | 0:09:40 | |
If anything, it can raise your overall temperature, | 0:09:40 | 0:09:43 | |
because you feel a bit flustered when you've shat on your legs. | 0:09:43 | 0:09:46 | |
Noel and Paul, here are yours for Toddla T, | 0:09:46 | 0:09:49 | |
and remember, it's the title of the song that we're after. | 0:09:49 | 0:09:53 | |
Oh, dear! | 0:09:53 | 0:09:54 | |
Just thinking about Paul. | 0:09:54 | 0:09:55 | |
The last thing he listened to was Ella Fitzgerald. | 0:09:55 | 0:09:58 | |
Who did you say your favourite is? | 0:09:58 | 0:10:00 | |
Bach. | 0:10:00 | 0:10:01 | |
Bach, and Sibelius is my second favourite. | 0:10:02 | 0:10:05 | |
-I don't know any of these ones. -Good luck! | 0:10:07 | 0:10:09 | |
Go on, go. | 0:10:09 | 0:10:11 | |
# Chp, tsch, chp, tsch | 0:10:11 | 0:10:13 | |
# Tsh, tsh, t-tsh, t-tsh, t-tsh, t-tsh | 0:10:13 | 0:10:17 | |
# T-tsh, t-tsh... # | 0:10:17 | 0:10:19 | |
I've lost my rhythm now! | 0:10:19 | 0:10:21 | |
Oh, no, I've got it. | 0:10:21 | 0:10:23 | |
# Ta-tsh, ta-tsh, ta-WAH | 0:10:23 | 0:10:25 | |
# Chp, tsh, chp, tsh | 0:10:25 | 0:10:27 | |
# Chp, chp, chp, HAH | 0:10:27 | 0:10:29 | |
# Be-dedum, bede-dedum, dede-dada | 0:10:29 | 0:10:34 | |
# Bada-baba, baba-dadadam | 0:10:34 | 0:10:36 | |
# Hoo-pow, doo-dow | 0:10:36 | 0:10:38 | |
# Babada, mm-badada, baba-dadada | 0:10:38 | 0:10:40 | |
# Hoo-cha | 0:10:40 | 0:10:42 | |
# Baba-da, dada-dada | 0:10:42 | 0:10:44 | |
# Ch-cha, ch-cha... # | 0:10:44 | 0:10:47 | |
It's a bit boring, isn't it, the drum? | 0:10:47 | 0:10:49 | |
-It's just repetitive. I thought I'd add a bit to it. -Jazz it up. | 0:10:49 | 0:10:53 | |
# Ch-cha, ch-cha... # | 0:10:53 | 0:10:54 | |
It didn't make it much easier! | 0:10:54 | 0:10:57 | |
Is it an R'N'B song? Apart from him, obviously. | 0:10:57 | 0:11:00 | |
-No idea. -No ideas? Shall I throw it over to Phill's team? | 0:11:01 | 0:11:04 | |
It's more based on Noel's input than Paul's, | 0:11:04 | 0:11:07 | |
but I think it sounded a bit like Raspberry Beret. | 0:11:07 | 0:11:09 | |
-Correct. -CHEERS AND APPLAUSE | 0:11:09 | 0:11:12 | |
It was partly because of the way Noel did it, | 0:11:14 | 0:11:16 | |
and it's famous for having a different rhythm | 0:11:16 | 0:11:19 | |
each time you hear it. | 0:11:19 | 0:11:20 | |
It's a very adaptable tune, I think. So many rhythms go with it. | 0:11:20 | 0:11:24 | |
-You were correct. Shall we hear how it actually goes? -Yes. | 0:11:24 | 0:11:27 | |
MUSIC: "Raspberry Beret" by Prince | 0:11:29 | 0:11:31 | |
# Ch, ch... # | 0:11:31 | 0:11:33 | |
It's this bit. | 0:11:33 | 0:11:34 | |
# HAH | 0:11:34 | 0:11:36 | |
# HAH | 0:11:38 | 0:11:39 | |
# HAH! # | 0:11:42 | 0:11:43 | |
# I was workin' part time in a five-and-dime... # | 0:11:46 | 0:11:50 | |
You can see what I was trying to do. | 0:11:50 | 0:11:53 | |
It was the hand bit! | 0:11:53 | 0:11:54 | |
CHEERS AND APPLAUSE | 0:11:54 | 0:11:56 | |
That was Prince with Raspberry Beret. | 0:11:59 | 0:12:01 | |
In 2010, Prince wrote a song called Purple And Gold, | 0:12:01 | 0:12:05 | |
inspired by a football game between Minnesota and Dallas. | 0:12:05 | 0:12:08 | |
I can understand that - | 0:12:08 | 0:12:09 | |
I once went to see Middlesbrough versus Bolton | 0:12:09 | 0:12:12 | |
and wrote Leave Right Now. | 0:12:12 | 0:12:14 | |
Moving swiftly on, next one, please. | 0:12:16 | 0:12:18 | |
Right, in this one, | 0:12:18 | 0:12:19 | |
try to look a little less like you're operating an imaginary train! | 0:12:19 | 0:12:22 | |
You get a bit closer to him. | 0:12:24 | 0:12:25 | |
I think he's really getting a lot out of what you're doing! | 0:12:25 | 0:12:28 | |
# Dz-ddz-dzdz-dz-dz-zah! # | 0:12:28 | 0:12:30 | |
-That's in the song - it's in it! -That's the intro? | 0:12:30 | 0:12:33 | |
-Then you've got to do your bit. -Right. | 0:12:33 | 0:12:35 | |
You can't just leave me like this. You're not supposed to leave me exposed, you know? | 0:12:35 | 0:12:39 | |
Can you wink so I know when to come in? | 0:12:39 | 0:12:41 | |
I'll do this. When the silence gets a bit awkward, you start. | 0:12:41 | 0:12:45 | |
I'm worried this band could split up. | 0:12:46 | 0:12:49 | |
This feels wrong, doing it like this. It feels like I'm... | 0:12:49 | 0:12:52 | |
Not like a lap-dancer, like I'm a sort of lap...drummer. | 0:12:52 | 0:12:56 | |
"Would you like a little...drum?" | 0:12:56 | 0:13:00 | |
# Dzoo-dzoo-dzoo-RAH! # | 0:13:00 | 0:13:03 | |
You're not supposed to laugh. | 0:13:03 | 0:13:04 | |
You're supposed to be sexually excited by that. | 0:13:04 | 0:13:08 | |
# Dsh-dsh-dsh, oo-rah | 0:13:08 | 0:13:09 | |
# Dv-dv-dv-dv-dv-dv, nndv | 0:13:09 | 0:13:11 | |
# Doo doo doo doo doo doo doo | 0:13:11 | 0:13:12 | |
# Lala doo doo doo doo | 0:13:12 | 0:13:14 | |
# Lala doo doo doo doo | 0:13:14 | 0:13:16 | |
# A-doo doo doo doo doo doo doo | 0:13:16 | 0:13:17 | |
# Doodloodloo, tsch! # | 0:13:17 | 0:13:19 | |
It's at the end. And then into the... main verse, I suppose. | 0:13:19 | 0:13:23 | |
-That is JUST the intro to the song. What a song! -What a song. | 0:13:25 | 0:13:29 | |
I mean, most people would be happy with that as the whole song. | 0:13:29 | 0:13:32 | |
Do you want to hazard a guess? | 0:13:32 | 0:13:34 | |
Tinie Tempah, Pass Out. | 0:13:34 | 0:13:35 | |
That's it. You got it. | 0:13:35 | 0:13:37 | |
APPLAUSE | 0:13:37 | 0:13:40 | |
Very well done. | 0:13:40 | 0:13:42 | |
Let's hear how it should have sounded. | 0:13:42 | 0:13:45 | |
MUSIC: "Pass Out" by Tinie Tempah | 0:13:45 | 0:13:48 | |
Where's your bit?! | 0:13:48 | 0:13:50 | |
# Doo doo doo doo doo | 0:13:50 | 0:13:52 | |
# Doo doo doo... # | 0:13:52 | 0:13:53 | |
# Doo doo... # | 0:13:53 | 0:13:54 | |
-You forgot that bit, didn't you? -Which bit? | 0:13:54 | 0:13:57 | |
Oh, I forgot that bit. | 0:13:57 | 0:13:58 | |
# Yeah, yeah, we bring the stars out... # | 0:13:58 | 0:14:01 | |
What was that? | 0:14:01 | 0:14:02 | |
So, that was Tinie Tempah with Pass Out. | 0:14:02 | 0:14:05 | |
Tinie Tempah claims he once had sex in a cinema. | 0:14:05 | 0:14:08 | |
Stupid, really, cos he missed the bit where Schindler makes his list. | 0:14:08 | 0:14:12 | |
-I had sex in a Grundon bin once. -What? | 0:14:14 | 0:14:17 | |
A what? | 0:14:17 | 0:14:18 | |
Grundon... You know, those large wheelie bins. | 0:14:18 | 0:14:21 | |
Now you're talking, Will! | 0:14:21 | 0:14:23 | |
Why have you kept this from us? | 0:14:23 | 0:14:25 | |
Those bloody pictures of birds - we could've started with this! | 0:14:25 | 0:14:28 | |
Did you bring the top down for a private moment? | 0:14:28 | 0:14:30 | |
"Let's get serious..." | 0:14:30 | 0:14:32 | |
Phill and Sinitta, here are yours for Mark. | 0:14:33 | 0:14:36 | |
And remember, it's the title of the song we're after. Thank you. | 0:14:36 | 0:14:40 | |
Beautiful Sinitta. | 0:14:40 | 0:14:42 | |
# Eeeeeeeee | 0:14:42 | 0:14:43 | |
# Eeur-ur | 0:14:43 | 0:14:44 | |
# Ee-dur | 0:14:44 | 0:14:46 | |
# Sssss | 0:14:46 | 0:14:47 | |
-# Babadamananamanow -Dur-deh | 0:14:47 | 0:14:49 | |
-# Dabadamananamanow -Dur-neh | 0:14:49 | 0:14:51 | |
-# Dabadamananamanow -Wow-weh | 0:14:51 | 0:14:53 | |
-# Dabadamananamanow -Mow-meh | 0:14:53 | 0:14:54 | |
Is it The Killers' song Dabadamananamanow? | 0:14:54 | 0:14:57 | |
-Is that your guess? -No. | 0:14:57 | 0:15:00 | |
-She wears quite slinky outfits. -Yes. | 0:15:00 | 0:15:03 | |
Does she? Oh, it's a sexy song. | 0:15:03 | 0:15:05 | |
-Mmm. -You should have said! So the sort of thing you might listen to | 0:15:05 | 0:15:08 | |
while getting with someone in a bin? | 0:15:08 | 0:15:11 | |
When you were in the bin, Will, did you decorate the bin with, | 0:15:11 | 0:15:15 | |
like, paintings of birds with the horns? | 0:15:15 | 0:15:18 | |
I had sex in a bottle bank once, cos I care about the planet. | 0:15:18 | 0:15:21 | |
Not about your local community, though. That ruined my evening. | 0:15:22 | 0:15:26 | |
Well, nearly every song these days is by Rihanna. Is it Rihanna? | 0:15:28 | 0:15:32 | |
It's a good guess, but it's not the right guess. | 0:15:32 | 0:15:34 | |
-So, Noel's team...? -Is it Sibelius's Third Symphony? | 0:15:34 | 0:15:38 | |
-It is actually Nicole... -Whoa, whoa! -Sorry. -MARK: -..Scherzinger! | 0:15:38 | 0:15:41 | |
Don't throw it over and give it to the spaniel! | 0:15:41 | 0:15:44 | |
He's not going to know, is he? | 0:15:44 | 0:15:46 | |
Might as well ask that envelope! | 0:15:47 | 0:15:49 | |
-I've got a strong feeling it might be Nicole Scherzinger now. -Oh. | 0:15:49 | 0:15:53 | |
Based on the fact that you said "Nicole". | 0:15:53 | 0:15:55 | |
You are right. And what's the song? | 0:15:55 | 0:15:58 | |
Is it Let's Have Loads Of Sex by Scherzinger? | 0:15:58 | 0:16:01 | |
-The song's called Poison. -Ah! | 0:16:01 | 0:16:02 | |
We should perhaps hear how it goes. | 0:16:02 | 0:16:05 | |
MUSIC: "Poison" by Nicole Scherzinger | 0:16:05 | 0:16:08 | |
That was Nicole Scherzinger with Poison. | 0:16:17 | 0:16:19 | |
During Nicole's debut as a judge on the US X Factor, | 0:16:19 | 0:16:22 | |
a man exposed himself to the judging panel. | 0:16:22 | 0:16:25 | |
Simon Cowell acted swiftly | 0:16:25 | 0:16:26 | |
and put him straight through to the judges' houses. | 0:16:26 | 0:16:30 | |
Next one, please. | 0:16:30 | 0:16:32 | |
# Bom, bom, bom, bom, bom, bom, bom, bom | 0:16:32 | 0:16:34 | |
# Da-nana, da-nana-nana | 0:16:34 | 0:16:37 | |
# Da-dana, da-naNA, da-nana-nana | 0:16:37 | 0:16:40 | |
# Der-nerner | 0:16:40 | 0:16:42 | |
# Der-nerner, der-nerner | 0:16:42 | 0:16:46 | |
# Ner, NERR, ner... # | 0:16:46 | 0:16:48 | |
Ooh, that was an E-flat there. Ooh! | 0:16:48 | 0:16:50 | |
-How about a guess? -It sounded a lot like Bohemian Rhapsody to me. | 0:16:53 | 0:16:57 | |
I'm afraid that is incorrect. Noel's team. | 0:16:59 | 0:17:03 | |
Well, it sounded like a gavotte of some sort. | 0:17:03 | 0:17:06 | |
# Da-dada, da-nana-nana... | 0:17:07 | 0:17:10 | |
-ALL: -# Der-nerner, dada-nerner-nerner | 0:17:10 | 0:17:13 | |
# Bom, bom, bom, bom | 0:17:13 | 0:17:14 | |
# Der-nerner, der-nerner, nerr | 0:17:14 | 0:17:17 | |
-# Doodloodloodloodl -Oi! # | 0:17:17 | 0:17:20 | |
-Played at a lot at weddings. -The organ! | 0:17:20 | 0:17:22 | |
I'm going to Leave Right Now! | 0:17:22 | 0:17:24 | |
-"The organ"?! -You play it at weddings! | 0:17:24 | 0:17:26 | |
Was it The Organ? | 0:17:26 | 0:17:28 | |
You are correct. It was indeed The Organ. | 0:17:28 | 0:17:30 | |
-No, it wasn't The Organ! -It wasn't The Organ! | 0:17:30 | 0:17:32 | |
It was actually Neil Diamond, Sweet Caroline. | 0:17:32 | 0:17:35 | |
Shall we have a listen? | 0:17:35 | 0:17:36 | |
-MUSIC: "Sweet Caroline" by Neil Diamond -Oh, it is an organ! | 0:17:36 | 0:17:40 | |
Ah. | 0:17:40 | 0:17:41 | |
Yeah. | 0:17:41 | 0:17:43 | |
It's most definitely pop. | 0:17:43 | 0:17:46 | |
Is it pop? | 0:17:46 | 0:17:47 | |
# Where it began | 0:17:50 | 0:17:53 | |
# I can't begin... # | 0:17:54 | 0:17:56 | |
They did it well, but you don't normally hear the start, | 0:17:56 | 0:17:58 | |
just the sing-along bit and someone vomits on your shoes. | 0:17:58 | 0:18:01 | |
-# Sweet Caroline... # -Yeah. | 0:18:01 | 0:18:02 | |
-# Da-da, ohh... # -Exactly! | 0:18:02 | 0:18:05 | |
-# Good times... # -So when you said | 0:18:05 | 0:18:07 | |
it plays at weddings, you mean later, not in the church? | 0:18:07 | 0:18:09 | |
No, sorry. | 0:18:09 | 0:18:10 | |
Oh. | 0:18:10 | 0:18:12 | |
I see. | 0:18:12 | 0:18:14 | |
At the end of that round, | 0:18:14 | 0:18:15 | |
Noel's team has three and Phill's team have three. | 0:18:15 | 0:18:18 | |
CHEERS AND APPLAUSE | 0:18:18 | 0:18:21 | |
Phew! I'm getting hot under the collar | 0:18:23 | 0:18:25 | |
and that's because it's Round Three, | 0:18:25 | 0:18:27 | |
my favourite round, which is the Identity Parade. | 0:18:27 | 0:18:30 | |
And this week, in honour of it being ten years | 0:18:30 | 0:18:32 | |
since I won Pop Idol, it's a talent-show special. | 0:18:32 | 0:18:35 | |
And Noel, Toddla T and Paul, | 0:18:35 | 0:18:37 | |
how about some Popstars The Rivals auditionees? | 0:18:37 | 0:18:41 | |
For the audience only, here are the Cheeky Girls. | 0:18:41 | 0:18:43 | |
# We are the Cheeky Girls | 0:18:43 | 0:18:45 | |
# We are the Cheeky Girls | 0:18:45 | 0:18:47 | |
# You are the Cheeky Boys | 0:18:47 | 0:18:49 | |
# You are the Cheeky Boys | 0:18:49 | 0:18:50 | |
# We are the Cheeky Girls | 0:18:50 | 0:18:52 | |
# We are the Cheeky Girls | 0:18:52 | 0:18:54 | |
# You are the Cheeky Boys | 0:18:54 | 0:18:56 | |
# You are the Cheeky Boys... # | 0:18:56 | 0:18:58 | |
Cheeky, cheeky! | 0:18:58 | 0:19:00 | |
That was the Cheeky Girls with Touch My Bum, | 0:19:01 | 0:19:03 | |
but which of our line-up is Cheeky Girl Gabriela Irimia? | 0:19:03 | 0:19:07 | |
Is it number one, Cheeky Girl? | 0:19:07 | 0:19:11 | |
Number two, Cheeky Chappie? | 0:19:11 | 0:19:13 | |
Number three, Cheeky Cow? | 0:19:14 | 0:19:17 | |
Number four, Cheeky One After The Show? | 0:19:17 | 0:19:21 | |
Or number five, Chico Time? | 0:19:21 | 0:19:23 | |
Have a guess. | 0:19:23 | 0:19:25 | |
Did the Cheeky Girls disappear and then come back as Jedward? | 0:19:25 | 0:19:30 | |
-Just different hairstyles! -Yeah. | 0:19:30 | 0:19:33 | |
When you did your jokes, number three sort of laughed in the way | 0:19:33 | 0:19:36 | |
that showed she was maybe not used to having jokes made. | 0:19:36 | 0:19:39 | |
-I don't think she's in show business. -Number three's got a cheeky stance. | 0:19:39 | 0:19:43 | |
Number three is like an accountant. When she heard the joke, "Oh, I've heard a joke. | 0:19:43 | 0:19:46 | |
"I'm not used to it - normally, | 0:19:46 | 0:19:48 | |
"I'm sitting there with my admin, sorting out the VAT. | 0:19:48 | 0:19:51 | |
"Oh, I heard a joke, a bit of a laugh, you know, in the studio. | 0:19:51 | 0:19:53 | |
"A bit of fun, you know?" | 0:19:53 | 0:19:55 | |
-Did one of them go out with a politician? -Lembit Opik. -He bought me two gin and tonics once. | 0:19:55 | 0:19:59 | |
Not in a gay way, just, you know... | 0:19:59 | 0:20:01 | |
What, and you woke up in a bin? | 0:20:01 | 0:20:04 | |
How do you buy someone a gin and tonic in a gay way? | 0:20:05 | 0:20:08 | |
EFFEMINATE TONE: Oh, excuse me... | 0:20:08 | 0:20:10 | |
LAUGHTER DROWNS SPEECH | 0:20:10 | 0:20:13 | |
"That's £2.50." Ooh, there you are! | 0:20:16 | 0:20:19 | |
Sounds like something out of Are You Being Served! | 0:20:21 | 0:20:23 | |
How did Lembit Opik buy you a gin and tonic? | 0:20:23 | 0:20:25 | |
AGGRESSIVE TONE: Oi, mate! | 0:20:25 | 0:20:28 | |
Gin and tonic for this bloke, right? There you are. | 0:20:28 | 0:20:31 | |
There you have it, mate. Drink it up or I'll smash the glass in your face. | 0:20:31 | 0:20:35 | |
I'm off to have sex with a woman! | 0:20:35 | 0:20:38 | |
-GEEKILY: -"Oh, do you want a gin and tonic?" | 0:20:44 | 0:20:47 | |
MUFFLED: "Oh, do you want a gin and tonic?" | 0:20:49 | 0:20:51 | |
That's how a ventriloquist dummy would do it. | 0:20:51 | 0:20:53 | |
MUFFLED: "Oh, do you want a gin and tonic?" | 0:20:53 | 0:20:55 | |
"Oh, yes, please, I'd love a gin and tonic!" | 0:20:55 | 0:20:57 | |
We could actually do an act where you are my ventriloquist dummy. | 0:20:57 | 0:21:01 | |
Come on. Sit here. | 0:21:01 | 0:21:03 | |
OK. | 0:21:05 | 0:21:07 | |
-You've got to speak, you fucking idiot. -Oh! | 0:21:11 | 0:21:14 | |
I thought you were a genuine ventriloquist... Oh, I see. | 0:21:14 | 0:21:18 | |
-Where do you think my hand is?! -So what you're saying is I just speak... | 0:21:18 | 0:21:23 | |
-Yeah! -..and you just sit there. | 0:21:23 | 0:21:24 | |
That's the benefit of having a real person instead of a puppet! | 0:21:24 | 0:21:28 | |
-I see what you mean - that's the advantage. -Right, after three. | 0:21:28 | 0:21:31 | |
MUFFLED: I don't think it's number five, cos she doesn't seem very interested in the proceedings. | 0:21:31 | 0:21:36 | |
She was just looking away into the distance, | 0:21:36 | 0:21:39 | |
thinking about her former lover from many years ago | 0:21:39 | 0:21:41 | |
who betrayed her in the Seychelles. | 0:21:41 | 0:21:45 | |
Well, not really in the Seychelles. | 0:21:45 | 0:21:46 | |
They were supposed to go to the Seychelles, | 0:21:46 | 0:21:49 | |
but he abandoned her at Gatwick Airport. | 0:21:49 | 0:21:51 | |
You've got such a bony arse, it's unbelievable! | 0:21:52 | 0:21:55 | |
Get off, cos your arse is boring a hole through my kneecap. | 0:21:55 | 0:21:58 | |
Back to the matter at hand. | 0:21:59 | 0:22:02 | |
Which one of the five is one of The Cheeky Girls? | 0:22:02 | 0:22:06 | |
Number four is quite tall for show business. | 0:22:06 | 0:22:09 | |
-I think it's number three. -You're going with number three? -Yes. | 0:22:09 | 0:22:12 | |
-Final answer? -Yeah. -OK, let's find out. | 0:22:12 | 0:22:14 | |
Would the real Gabriela please step forward? | 0:22:14 | 0:22:17 | |
Yeah! | 0:22:17 | 0:22:19 | |
APPLAUSE | 0:22:19 | 0:22:23 | |
Still being a cheeky girl, Gabriela Irimia, ladies and gentlemen. | 0:22:23 | 0:22:28 | |
Phill, Sinitta and Mark, | 0:22:32 | 0:22:33 | |
what about some soul from an X Factor runner-up? | 0:22:33 | 0:22:36 | |
For the audience only, here is Andy Abraham. | 0:22:36 | 0:22:39 | |
# Please, please, you've got to make it clear | 0:22:39 | 0:22:42 | |
-# Show me what's been going on -What's been going on | 0:22:42 | 0:22:47 | |
# So get out of this place | 0:22:47 | 0:22:49 | |
# And let's stand face to face | 0:22:49 | 0:22:51 | |
# Need your love now | 0:22:51 | 0:22:52 | |
# I can't bear to lose it all | 0:22:52 | 0:22:54 | |
# So hang up | 0:22:54 | 0:22:56 | |
# Baby, get over here | 0:22:56 | 0:22:59 | |
# Tell me what's been going on... # | 0:22:59 | 0:23:03 | |
That was Andy Abraham with Hang Up, | 0:23:03 | 0:23:05 | |
but which of our line-up is Andy Abraham? | 0:23:05 | 0:23:09 | |
Is it number one, Hang Up? | 0:23:09 | 0:23:11 | |
Number two, Hang In There? | 0:23:11 | 0:23:13 | |
Number three, Hang About, Weren't You In X Factor? | 0:23:14 | 0:23:18 | |
Number four, Hanging With The Wrong Crowd? | 0:23:18 | 0:23:22 | |
Or number five, Hang The Agent For Getting Me This Gig? | 0:23:22 | 0:23:25 | |
-Phill's team. -He was on the X Factor? | 0:23:25 | 0:23:27 | |
You're the go-to girl for this, surely? | 0:23:27 | 0:23:29 | |
-You must know who Andy is. -Mmm-hmm. | 0:23:29 | 0:23:31 | |
There's no point in me and him guessing - we've no idea. | 0:23:31 | 0:23:33 | |
Actually, the trouble is, I remember him from the X Factor. | 0:23:33 | 0:23:36 | |
-Do you really? -Yeah. -Is it only me who doesn't know? | 0:23:36 | 0:23:39 | |
Yeah, you've got to guess. | 0:23:39 | 0:23:40 | |
Would it help if I got on your lap like he did? | 0:23:40 | 0:23:43 | |
-Both get on my lap. -OK. | 0:23:43 | 0:23:44 | |
That just looks like you're going to ask them what they want for Christmas. | 0:23:46 | 0:23:50 | |
-I hope so! -Mark, have you been a good little boy? -This is weirdly sexual. | 0:23:50 | 0:23:54 | |
I didn't expect this when I started this. | 0:23:54 | 0:23:56 | |
The way he rubbed me and said, "Have you been good?" | 0:23:56 | 0:23:58 | |
It's very difficult, actually, this. | 0:23:58 | 0:24:01 | |
Oh, I've got something in my sack for you. | 0:24:01 | 0:24:03 | |
-Quite nice, this, isn't it? -Yeah. -Cosy. | 0:24:05 | 0:24:07 | |
It's a bonus whether we get this - we're getting to know each other. | 0:24:07 | 0:24:10 | |
-We're going to get it. -I'm going to push you for an answer. | 0:24:10 | 0:24:13 | |
Push me all you want, bin boy, you're a dirty little thing! | 0:24:13 | 0:24:17 | |
CHEERING AND APPLAUSE | 0:24:17 | 0:24:20 | |
-Do you have an idea who it might be? -I think it's number two. | 0:24:20 | 0:24:23 | |
-Would I be correct? -You're in the right ballpark, you're within five. | 0:24:23 | 0:24:27 | |
Andy, number three, how are you? | 0:24:28 | 0:24:30 | |
That does spoil the suspense a little bit, I think! | 0:24:30 | 0:24:34 | |
-And that, Sinitta, is why you were never on Morse! -Oh. | 0:24:34 | 0:24:38 | |
-Your guess as a team is number three? -Number three. | 0:24:38 | 0:24:40 | |
That's based on the fact | 0:24:40 | 0:24:42 | |
Sinitta knows Andy Abraham personally, and it's him. | 0:24:42 | 0:24:44 | |
It's all very well you saying it is Andy, | 0:24:44 | 0:24:47 | |
but I think number two. I like him! | 0:24:47 | 0:24:49 | |
Number two, tell me about yourself, big fella! | 0:24:49 | 0:24:52 | |
Number two, would you like to come back to my bin? | 0:24:52 | 0:24:55 | |
Will the real Andy Abraham please step forward? | 0:24:57 | 0:25:00 | |
SINITTA MIMICS DRUM ROLL | 0:25:00 | 0:25:02 | |
-Oh, here we go. -I know this man. Hello. | 0:25:05 | 0:25:07 | |
Number two, give me some love. Number two, don't leave me hanging! | 0:25:07 | 0:25:11 | |
Number two, come on. Yes! | 0:25:11 | 0:25:13 | |
CHEERING AND APPLAUSE | 0:25:13 | 0:25:14 | |
My boy! My boy! | 0:25:16 | 0:25:18 | |
Four! Come on, four! | 0:25:20 | 0:25:23 | |
With a new album out next year, Andy Abraham, ladies and gentlemen. | 0:25:31 | 0:25:35 | |
And at the end of that round, Noel's team has four | 0:25:42 | 0:25:47 | |
and Phill's team has four. | 0:25:47 | 0:25:49 | |
CHEERING AND APPLAUSE | 0:25:49 | 0:25:51 | |
Keeping with today's bird theme... | 0:25:53 | 0:25:55 | |
You forgot about that, didn't you, with all the talk about Grundons? | 0:25:55 | 0:25:58 | |
-We end up with a round called Birdsong. -Oh. | 0:25:58 | 0:26:01 | |
It's a draw, so Phill's team will go first, and your time... | 0:26:01 | 0:26:05 | |
starts now. Complete the song title - Beatles, Free As A? | 0:26:05 | 0:26:09 | |
-ALL: Bird. -Correct. | 0:26:09 | 0:26:11 | |
True or false - a stork will often cool itself by shitting on its own legs? | 0:26:11 | 0:26:14 | |
-We believe it's true. -It's true! | 0:26:14 | 0:26:16 | |
Name the pop star disguised as a bird in the picture. | 0:26:16 | 0:26:19 | |
-Good lord. That's Geri Halliwell. -Correct. And for a bonus point, can you name the bird? | 0:26:19 | 0:26:24 | |
-Is it a kestrel? -It's not, it's a willow ptarmigan. -Damn it! | 0:26:24 | 0:26:28 | |
-And the Latin for that is Lagopus lagopus. -Of course it is. | 0:26:28 | 0:26:31 | |
Name the pop star disguised as a bird. | 0:26:31 | 0:26:33 | |
How many pop stars | 0:26:33 | 0:26:34 | |
- disguise themselves as birds?! - How weird. | 0:26:34 | 0:26:37 | |
-Quick! -Lady Gaga. -Yes, and for a bonus point, can you name the bird? | 0:26:37 | 0:26:41 | |
-It is a heron. -It is a heron! -Yes! -Complete the song title - Seal, Fly Like A? | 0:26:41 | 0:26:44 | |
-ALL: Bird! -Eagle! | 0:26:44 | 0:26:46 | |
CHEERING AND APPLAUSE | 0:26:46 | 0:26:50 | |
Noel's team, you need six points to win. Your time starts now. | 0:26:52 | 0:26:55 | |
Complete the song title - Nelly Furtado, I'm Like A? | 0:26:55 | 0:26:59 | |
-Bird. -Correct. | 0:26:59 | 0:27:01 | |
Name the pop star disguised as a bird in the picture. | 0:27:01 | 0:27:04 | |
-Madonna. -Yes! And for a bonus point, can you name the bird? | 0:27:05 | 0:27:09 | |
-Yeah, is it a yellow tit? -It's a blue tit. -Oh, fuck off! | 0:27:09 | 0:27:12 | |
It's got a yellow chest! | 0:27:12 | 0:27:14 | |
True or false - California condors can fly ten miles | 0:27:14 | 0:27:17 | |
without flapping their wings. | 0:27:17 | 0:27:19 | |
-False. -True. -Which one? -Overrule, it's true. -It is true! | 0:27:19 | 0:27:23 | |
Name the half-human, half-bird pop act - something Eyed Cherry. | 0:27:23 | 0:27:27 | |
Eagle. | 0:27:27 | 0:27:28 | |
Yes, correct. | 0:27:28 | 0:27:31 | |
APPLAUSE | 0:27:31 | 0:27:33 | |
Final scores! | 0:27:33 | 0:27:35 | |
So, the final scores - Noel's team have eight | 0:27:35 | 0:27:38 | |
and Phill's team have nine. | 0:27:38 | 0:27:41 | |
So Phill's team are tonight's winners. | 0:27:41 | 0:27:43 | |
CHEERING AND APPLAUSE | 0:27:43 | 0:27:45 | |
APPLAUSE DROWNS SPEECH | 0:27:45 | 0:27:47 | |
Thanks to Phill, Sinitta, Mark, Noel, Paul and Toddla T. | 0:27:47 | 0:27:50 | |
This has been Never Mind The Buzzcocks. | 0:27:50 | 0:27:53 | |
You will find me in the nearest Grundon bin. Goodnight. | 0:27:53 | 0:27:56 | |
CHEERING AND APPLAUSE | 0:27:56 | 0:27:59 | |
"Isn't Sinitta beautiful? I wish I could be Sinitta." | 0:28:05 | 0:28:09 | |
# So macho | 0:28:12 | 0:28:13 | |
# He's got to be so macho | 0:28:13 | 0:28:17 | |
# He's got to be big and strong | 0:28:17 | 0:28:20 | |
# Enough to turn me on | 0:28:20 | 0:28:24 | |
# He's got to have | 0:28:24 | 0:28:26 | |
# Big blue eyes | 0:28:26 | 0:28:28 | |
# Be able to satisfy | 0:28:28 | 0:28:32 | |
# He's got to be big and strong | 0:28:32 | 0:28:35 | |
# Enough to turn me on | 0:28:35 | 0:28:38 | |
# I'm tired of taking the lead | 0:28:41 | 0:28:44 | |
# I want a man who will dominate me... # | 0:28:44 | 0:28:46 | |
-That was a good show. -Yeah, not bad. I quite enjoyed that. -Yes. | 0:28:46 | 0:28:50 | |
# Take care of my every need... # | 0:28:50 | 0:28:53 | |
Is that Will Young dressed as Sinitta? | 0:28:53 | 0:28:56 | |
Yeah, I think it is. | 0:28:56 | 0:28:58 | |
Hmm. | 0:28:58 | 0:29:00 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 | |
E-mail [email protected] | 0:29:03 | 0:29:06 |