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NOEL, ECHOING: Blunt? You're not serious? | 0:00:02 | 0:00:04 | |
-PHILL: -No way can he do it. -He'll be rubbish. | 0:00:04 | 0:00:06 | |
-Blunt goes, or I go. -You're useless, Blunt... -No, no... | 0:00:06 | 0:00:09 | |
-Rubbish. -Rubbish. -Rubbish. -Rubbish. -Rubbish... -Rubbish. -Rubbish... | 0:00:09 | 0:00:12 | |
MUSIC: 'Ride of the Valkyries' by Richard Wagner | 0:00:12 | 0:00:15 | |
Whoa, Whoa, Whoa, Whoa! Whoa, Whoa, Whoa! | 0:00:21 | 0:00:26 | |
No, no, you misunderstand. We want you to host. | 0:00:26 | 0:00:28 | |
OK. That changes things. | 0:00:28 | 0:00:30 | |
Please welcome your host. | 0:00:56 | 0:00:58 | |
It's ex-military, multi-million album selling artist | 0:00:58 | 0:01:01 | |
and international playboy James Blunt! | 0:01:01 | 0:01:04 | |
APPLAUSE AND CHEERING | 0:01:14 | 0:01:16 | |
Good evening and welcome to the show. I am James Blunt, | 0:01:16 | 0:01:19 | |
and if you're going to throw a strop about it, | 0:01:19 | 0:01:21 | |
I suggest you switch over now. You're still here? | 0:01:21 | 0:01:24 | |
I'll begin. With team captain, Noel Fielding... | 0:01:24 | 0:01:27 | |
Hello. | 0:01:27 | 0:01:28 | |
..he recently claimed his album could | 0:01:28 | 0:01:30 | |
save the world from global recession. | 0:01:30 | 0:01:32 | |
To be fair, the first three tracks are called Slash Greece's Debt, | 0:01:32 | 0:01:36 | |
Impose Austerity Measures | 0:01:36 | 0:01:37 | |
and Recapitalise The IMF. It's Jamaican reggae star Sean Paul. | 0:01:37 | 0:01:42 | |
APPLAUSE AND CHEERING | 0:01:42 | 0:01:43 | |
Like Cheryl Cole, she's from South Shields. Like Cheryl Cole, | 0:01:46 | 0:01:49 | |
she's not a judge on the X Factor. But unlike Cheryl Cole, | 0:01:49 | 0:01:53 | |
she's not above appearing on this show. It's comedian Sarah Millican. | 0:01:53 | 0:01:56 | |
APPLAUSE AND CHEERING | 0:01:56 | 0:01:58 | |
And across the way with captain Phill Jupitus, | 0:02:01 | 0:02:05 | |
he's a drummer and star of this year's Strictly Come Dancing, | 0:02:05 | 0:02:08 | |
yet he's still best known as the other one out of McFly. | 0:02:08 | 0:02:11 | |
It's Harry Judd. | 0:02:11 | 0:02:13 | |
APPLAUSE AND CHEERING | 0:02:13 | 0:02:15 | |
He's the compere of the Horsebridge comedy club in Whitstable. | 0:02:17 | 0:02:20 | |
A man who needs no introduction, | 0:02:20 | 0:02:23 | |
if you're a regular of comedy clubs in Whitstable. | 0:02:23 | 0:02:26 | |
-It's comedian Matthew Crosby. -APPLAUSE AND CHEERING | 0:02:26 | 0:02:30 | |
So, we begin with Woop, Woop, That's The Sound Of The Police. | 0:02:33 | 0:02:37 | |
Noel, Sarah and Sean, take a look at this. | 0:02:37 | 0:02:41 | |
# I may be bad but I'm perfectly good at it... # | 0:02:41 | 0:02:44 | |
Her videos are so raunchy that when they come on, some men have | 0:02:44 | 0:02:48 | |
been known to switch over to the Adult Channel for a rest. | 0:02:48 | 0:02:50 | |
It's Rihanna. | 0:02:50 | 0:02:52 | |
# But chains and whips excite me | 0:02:52 | 0:02:56 | |
# Now come on, come on, come on... # | 0:02:56 | 0:02:58 | |
That was Rihanna with S&M, | 0:02:58 | 0:03:00 | |
but how did Rihanna get in trouble with the New York authorities? | 0:03:00 | 0:03:04 | |
Giving tattoos without a license, | 0:03:04 | 0:03:05 | |
being overly sexual with a traffic cone | 0:03:05 | 0:03:08 | |
-or feeding a hot dog to a police horse? -What a video. -Yeah! | 0:03:08 | 0:03:11 | |
I don't know what it means, but I've got an erection. | 0:03:11 | 0:03:14 | |
Is that sexy, then, is it? | 0:03:14 | 0:03:16 | |
Well, it doesn't do anything for me. I mean, I like bananas. | 0:03:16 | 0:03:21 | |
-Unless you're Adele. Apparently, Adele likes her. -Oh, in that way? | 0:03:21 | 0:03:25 | |
-Yeah, in that way. -Oh, really? OK. | 0:03:25 | 0:03:27 | |
I'm going to be interpreting tonight for these two! | 0:03:27 | 0:03:30 | |
You should know, because she's worked with you. | 0:03:30 | 0:03:32 | |
-You have an insight. -Oh, yeah, I know what she's all about. | 0:03:32 | 0:03:37 | |
-What is she about, what does that mean? -S&M. | 0:03:37 | 0:03:40 | |
-You know what I mean, it speaks for itself. -I'm more about M&S, I think. | 0:03:40 | 0:03:45 | |
I love M&S. Just for your bits, though, not for your main shop. | 0:03:47 | 0:03:52 | |
Sean, you had trouble with the police yourself. | 0:03:52 | 0:03:54 | |
-Not that I can recall. -Egypt? | 0:03:54 | 0:03:58 | |
-You were smoking a spliff up an Egyptian pyramid. -That was true. | 0:03:58 | 0:04:01 | |
-Yes, sir. -I'd only go up a pyramid if I thought it was a Toblerone. | 0:04:01 | 0:04:05 | |
I was always disappointed that pyramids up close were steps, | 0:04:07 | 0:04:11 | |
weren't they? Cos I imagined they'd be smooth. | 0:04:11 | 0:04:13 | |
And when I saw they were steps, I just thought, | 0:04:13 | 0:04:16 | |
"Oh, fuck that," and went straight home. | 0:04:16 | 0:04:18 | |
You'd brought your BMX as well, you were going to, "Waaay!," down it. | 0:04:18 | 0:04:22 | |
-Exactly. -So what did she do with the cone? | 0:04:22 | 0:04:25 | |
-Being overly sexual with a traffic cone is an option. -Overly sexual? | 0:04:25 | 0:04:28 | |
Like, is there an appropriate amount of sexual behaviour | 0:04:28 | 0:04:32 | |
towards a traffic cone? | 0:04:32 | 0:04:33 | |
Like, "That was a bit too much." I thought they were bigger. | 0:04:33 | 0:04:36 | |
Now I've seen it up close, it's probably feasible, isn't it? | 0:04:36 | 0:04:40 | |
LAUGHTER | 0:04:40 | 0:04:42 | |
What way would you put it in? | 0:04:42 | 0:04:45 | |
LAUGHTER | 0:04:45 | 0:04:47 | |
Sideways? | 0:04:47 | 0:04:50 | |
That is quite small. Sometimes when you're drunk, | 0:04:50 | 0:04:53 | |
you can sit on cones and have a rest while you eat your kebab, | 0:04:53 | 0:04:56 | |
but if you sat on that, it'd be straight up you. | 0:04:56 | 0:04:59 | |
I've heard of worse than being sexual with a cone. | 0:04:59 | 0:05:02 | |
Remember Sweaty Betty? | 0:05:02 | 0:05:03 | |
Sweaty Betty, who fit a bus inside? Know that song? | 0:05:03 | 0:05:05 | |
That was on your first album, right? LAUGHTER | 0:05:05 | 0:05:10 | |
-I need to push you for an answer, please. -Nice legs. -Very nice legs. | 0:05:10 | 0:05:15 | |
-Her legs are insured for £1 million. -Each leg? | 0:05:15 | 0:05:18 | |
I think just one. She's got a club foot, she can't be arsed with it. | 0:05:18 | 0:05:24 | |
What makes her legs so special, to be worth that amount of money? | 0:05:24 | 0:05:29 | |
-They're on backwards. -I bet they don't chafe at the top like mine do. | 0:05:29 | 0:05:34 | |
That's how you know you've got good legs, | 0:05:34 | 0:05:37 | |
when there's enough of them to meet. | 0:05:37 | 0:05:39 | |
-Didn't she get in trouble on a tractor or something? -On a tractor? | 0:05:39 | 0:05:44 | |
Oh, yeah, cos she's not got a tractor licence, has she? | 0:05:44 | 0:05:47 | |
Apparently, a scarecrow grassed her up. | 0:05:47 | 0:05:49 | |
APPLAUSE | 0:05:49 | 0:05:51 | |
Don't clap that, you idiots! That's a proper joke. I'm going home. | 0:05:51 | 0:05:55 | |
I'll give you the answers again. How did Rihanna get in trouble | 0:05:55 | 0:05:59 | |
with New York authorities? Giving tattoos without a licence, | 0:05:59 | 0:06:02 | |
being overly sexual with a traffic cone | 0:06:02 | 0:06:05 | |
or feeding a hot dog to a police horse? | 0:06:05 | 0:06:07 | |
-Go for your life. -I think the traffic cone. | 0:06:07 | 0:06:09 | |
-I'm with my team-mates. -You're pathetic and sordid. | 0:06:09 | 0:06:12 | |
Of course it's not. The correct answer is | 0:06:12 | 0:06:15 | |
she was giving tattoos without a licence. | 0:06:15 | 0:06:17 | |
LAUGHTER | 0:06:17 | 0:06:20 | |
Rihanna got in trouble with New York authorities | 0:06:20 | 0:06:22 | |
when she was found to have tattooed an umbrella on her tattoo artist | 0:06:22 | 0:06:26 | |
without a license. It's desperately sad when a talented singer becomes | 0:06:26 | 0:06:29 | |
associated with just one song. | 0:06:29 | 0:06:31 | |
# You're beautiful... # | 0:06:31 | 0:06:33 | |
I delivered that incredibly badly, I'm sorry. I know my weaknesses. | 0:06:33 | 0:06:37 | |
-I'm a singer. -Sort of. | 0:06:37 | 0:06:39 | |
LAUGHTER AND APPLAUSE | 0:06:39 | 0:06:42 | |
Phill, Harry and Matthew, have a look at this. | 0:06:45 | 0:06:49 | |
A woman whose face tells you one thing - | 0:06:49 | 0:06:52 | |
that the normal presenter is on holiday. | 0:06:52 | 0:06:54 | |
It's classically-trained rent-a-presenter Myleene Klass. | 0:06:54 | 0:06:58 | |
# I'll be there for you | 0:06:58 | 0:07:00 | |
# Pure and simple, going to be there... # | 0:07:00 | 0:07:02 | |
Myleene Klass with HearSay. But what did she once steal | 0:07:02 | 0:07:05 | |
from the Pope's summer residence? | 0:07:05 | 0:07:07 | |
Was it a piles cushion, a personalised toilet roll | 0:07:07 | 0:07:11 | |
or the Shroud of Turin? | 0:07:11 | 0:07:13 | |
Looks like they took it from my dressing room. They've got my face. | 0:07:13 | 0:07:17 | |
So, Myleene Klass, I never thought of her as a thieving type. | 0:07:18 | 0:07:22 | |
Or someone who has piles. | 0:07:22 | 0:07:24 | |
Well, no, cos she's had babies, and you get piles | 0:07:24 | 0:07:27 | |
-when you get pregnant, apparently. -Why's that? | 0:07:27 | 0:07:29 | |
I can only assume that the baby is in there going, | 0:07:29 | 0:07:32 | |
"Bam, bam, let me out, let me out!," punching away at the bottom. | 0:07:32 | 0:07:36 | |
-Hang on, it doesn't come out the bottom! -I don't know, I've no map! | 0:07:36 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:41 | |
Is this round going to be about obstetrics? | 0:07:41 | 0:07:43 | |
I have got a womb map if you want to borrow it. | 0:07:43 | 0:07:46 | |
-It's like an old treasure map. -"Go left at the cervix, aaar! | 0:07:46 | 0:07:51 | |
"And then you'll find the double-decker bus." | 0:07:51 | 0:07:54 | |
-NORTH-EAST ACCENT: -Double Decker! | 0:07:54 | 0:07:56 | |
-I'd rather hear her say "Toblerone". -Toblerone! | 0:07:56 | 0:08:00 | |
I'd like a Sarah Millican sat nav. | 0:08:00 | 0:08:02 | |
NORTH-EAST ACCENT: "Oh, don't go that way." | 0:08:02 | 0:08:04 | |
LAUGHTER | 0:08:04 | 0:08:06 | |
People always like it when I say "monkey risotto". | 0:08:06 | 0:08:11 | |
-And we got this from Ian Paisley's house. -I think I'd like somebody | 0:08:11 | 0:08:15 | |
I like on my toilet roll. Then you'd see them all the time. | 0:08:15 | 0:08:19 | |
Yeah, and then rub shit on their face. | 0:08:19 | 0:08:22 | |
-If they were a true friend, they'd take it. -That's true. | 0:08:22 | 0:08:27 | |
What about Turin Shroud bog paper? That'd be cool, wouldn't it? | 0:08:27 | 0:08:30 | |
If you just bought normal toilet paper | 0:08:30 | 0:08:32 | |
and all of a sudden Jesus's face started appearing! | 0:08:32 | 0:08:35 | |
-I'm putting that on eBay! -"A monkey making risotto?!" | 0:08:35 | 0:08:39 | |
Like Panini stickers! "Got, got, need, swap... | 0:08:41 | 0:08:45 | |
"Oh, a shiny!" Papal loo roll. It's not going to have his face on it? | 0:08:45 | 0:08:49 | |
It has little strips, and at the bottom it says, | 0:08:49 | 0:08:52 | |
"And now, wash-a your soul!" | 0:08:52 | 0:08:55 | |
Are you confusing the Pope with those Dolmio ads? | 0:08:55 | 0:08:58 | |
Didn't the Pope fall over? Someone pushed him over. | 0:08:58 | 0:09:02 | |
Didn't two of them fall over? Like skittles, one knocked the other over. | 0:09:02 | 0:09:07 | |
-The Pope hit a cardinal, he hit a bishop... -Eventually one of them | 0:09:07 | 0:09:10 | |
fell into a choirboy, and that was his alibi. | 0:09:10 | 0:09:13 | |
APPLAUSE AND CHEERING | 0:09:13 | 0:09:16 | |
-I'm going to push you for an answer. -Push us all you want, Tank Boy. | 0:09:19 | 0:09:23 | |
-Harry, come on. -I reckon it's the toilet paper. | 0:09:23 | 0:09:26 | |
-She's got a famous arse. -Your final answer? -Yeah. | 0:09:26 | 0:09:28 | |
You're correct. The answer was B. Myleene Klass claims she stole | 0:09:28 | 0:09:32 | |
some of the Pope's own branded toilet paper | 0:09:32 | 0:09:35 | |
and then gave individual sheets away as Christmas presents. | 0:09:35 | 0:09:41 | |
This incident that led to the creation of a famous tongue-twister. | 0:09:41 | 0:09:45 | |
"If there's no paper for the papal poo, | 0:09:45 | 0:09:47 | |
"then the pope has to pop to the shop." | 0:09:47 | 0:09:49 | |
Sean, shall we get you to try that? | 0:09:49 | 0:09:53 | |
If there's no paper for the papal poo, | 0:09:53 | 0:09:56 | |
then the pope has to pop to the shop. | 0:09:56 | 0:09:58 | |
-Ladies and gentlemen, Sean Paul. -APPLAUSE | 0:09:58 | 0:10:02 | |
-Sarah, can we hear it from you too? -If there's no paper for the papal... | 0:10:02 | 0:10:06 | |
LAUGHTER | 0:10:06 | 0:10:10 | |
If there's no paper for the papal poo, | 0:10:10 | 0:10:12 | |
then the pope has to pop to the shop. | 0:10:12 | 0:10:14 | |
APPLAUSE AND CHEERING | 0:10:14 | 0:10:19 | |
I was saying to Sean that I had a friend called Jason | 0:10:19 | 0:10:22 | |
who was from Jamaica. Girls used to go, "What's your name?," | 0:10:22 | 0:10:25 | |
and he used to go, "Jee-ay-sun." And then just immediately get laid. | 0:10:25 | 0:10:30 | |
And as they were walking off to his bedroom, I'd go, "I'm called Noel!" | 0:10:30 | 0:10:35 | |
Next up, it's the Intros round. | 0:10:35 | 0:10:38 | |
-Noel and Sean, here are yours for Sarah. -Yeah... | 0:10:38 | 0:10:43 | |
-Have you gone blank yet? -I've definitely gone blank. | 0:10:43 | 0:10:47 | |
You'll have to help me out. | 0:10:47 | 0:10:48 | |
# Er-nee-ner-nee | 0:10:48 | 0:10:51 | |
# Brr-nee-ner nee-ner | 0:10:51 | 0:10:55 | |
-# Brr, ner-nee-ner... # -I think you have to go higher-pitched. | 0:10:55 | 0:10:58 | |
-Slightly higher. -I know it's one of those really great... | 0:10:58 | 0:11:02 | |
What is it? Oh... | 0:11:02 | 0:11:03 | |
# Der-ner-ner... # | 0:11:03 | 0:11:05 | |
It's annoying. What is it? | 0:11:05 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:09 | |
I think I know it. I think it's Mr Blunt's song, You're Beautiful. | 0:11:09 | 0:11:13 | |
-Yay! -You're absolutely right. -APPLAUSE AND CHEERING | 0:11:13 | 0:11:17 | |
Here's how it should have sounded. | 0:11:20 | 0:11:21 | |
-MUSIC STARTS -That's enough! | 0:11:21 | 0:11:23 | |
So that was James Cucking Funt with You're Beautiful. | 0:11:23 | 0:11:27 | |
LAUGHTER | 0:11:27 | 0:11:29 | |
A six year-old girl came out of a coma after hearing that song | 0:11:29 | 0:11:32 | |
on hospital radio. It was a beautiful sight until she woke up, | 0:11:32 | 0:11:35 | |
leant forward and screamed, "Turn that shit off!" | 0:11:35 | 0:11:38 | |
LAUGHTER AND APPLAUSE | 0:11:38 | 0:11:43 | |
A lot of people took a dislike to You're Beautiful, but I ask you, | 0:11:43 | 0:11:47 | |
where would we be without that song? | 0:11:47 | 0:11:49 | |
I'm not sure about you, but I'd be in a much, much smaller house. | 0:11:49 | 0:11:52 | |
LAUGHTER AND APPLAUSE | 0:11:52 | 0:11:54 | |
Can we hear the next song, please? | 0:11:56 | 0:11:59 | |
# Da-nah... # Is that it? No? SEAN LAUGHS | 0:11:59 | 0:12:01 | |
Don't look at me like a sort of happier, friendlier Mr T! | 0:12:01 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:08 | |
# Da-neh-da-neh-da-neh-na | 0:12:10 | 0:12:13 | |
# Na-na-na-na-na-na-na | 0:12:13 | 0:12:15 | |
# Da-na-da-na-da-na-na | 0:12:15 | 0:12:17 | |
# Na-na-na-na-na-na-na-na-na | 0:12:17 | 0:12:20 | |
# BAH-NA-NA-NA-NA-NUH-NUH | 0:12:20 | 0:12:23 | |
# BA-NA-NA-NA-NA-NA-NA-NA-NA | 0:12:23 | 0:12:25 | |
# Ba-na-na-na-na-na-na-na-na | 0:12:25 | 0:12:28 | |
# wah-na-na-na-na-na-na-na | 0:12:28 | 0:12:30 | |
# Pet, like... # I was doing it in Geordie for you. | 0:12:30 | 0:12:33 | |
LAUGHTER | 0:12:33 | 0:12:35 | |
-Is quite repetitive, isn't it? -It's the intro. | 0:12:35 | 0:12:39 | |
Do you want to give it another go? | 0:12:39 | 0:12:41 | |
-Just with the actual tune! -I'm going to try it in Jamaican. | 0:12:41 | 0:12:45 | |
-I'm going to do it in Jamaican. -Give us a fighting chance! | 0:12:45 | 0:12:47 | |
Jaaay-sun's in the house! LAUGHTER | 0:12:47 | 0:12:51 | |
It doesn't matter. When you put these on, nothing really matters. | 0:12:51 | 0:12:54 | |
In these lenses, it's just a better quiz show than you can actually see. | 0:12:54 | 0:12:59 | |
What is the name I have to say? | 0:12:59 | 0:13:01 | |
-I'll wear these. -Jason. | 0:13:01 | 0:13:04 | |
NORTH-EAST ACCENT: All right, look here, then, | 0:13:08 | 0:13:10 | |
let's give it another go! Jason! | 0:13:10 | 0:13:13 | |
# Da-ra-da, da-ra-da... # | 0:13:13 | 0:13:16 | |
-# You're beautiful! # -With those glasses, Noel, | 0:13:18 | 0:13:20 | |
you look like my chemistry teacher. | 0:13:20 | 0:13:23 | |
I love the fact that you've got a chemistry teacher. | 0:13:23 | 0:13:27 | |
Have you come straight from school? | 0:13:27 | 0:13:30 | |
They've kept me back several years. | 0:13:30 | 0:13:33 | |
-How are we looking? -# Wa-na-na-na-na-na-na-na-na... # | 0:13:33 | 0:13:36 | |
That's my favourite bit. I like that it. | 0:13:36 | 0:13:40 | |
# Ah-na-na-na-na-na-na-na-na | 0:13:40 | 0:13:42 | |
# Ma-na-na-na-na-na-na-na-na-na | 0:13:42 | 0:13:44 | |
# Wa-na-na-na-na-na-na-na-na | 0:13:44 | 0:13:46 | |
# Ba-da-da-da-da-da da-da-da-na-na-na | 0:13:46 | 0:13:49 | |
-# Ba-na-na-na-na-na-na-na-na-na... # -Go on, then. | 0:13:49 | 0:13:51 | |
-ALL: -# Ba-na-na-na-na-na-na-na-na-na... # | 0:13:51 | 0:13:55 | |
We don't know. But we really like it. We'll be singing it all the way home. | 0:13:55 | 0:14:00 | |
-It is Stereophonics' Pick A Part That's New. -Oh. | 0:14:00 | 0:14:03 | |
-Here's how it should have sounded. -SONG PLAYS | 0:14:03 | 0:14:06 | |
I don't feel so bad now! | 0:14:10 | 0:14:11 | |
-# I've never been here before... # -So, that was Stereophonics | 0:14:18 | 0:14:22 | |
with Pick A Part That's New. | 0:14:22 | 0:14:23 | |
Kelly says that, despite his hard man image, he's actually very sensitive. | 0:14:23 | 0:14:28 | |
It's the opposite with me. Sure, I sang You're Beautiful, | 0:14:28 | 0:14:31 | |
but cross me and I will fuck you up. | 0:14:31 | 0:14:33 | |
Kelly from the Stereophonics? "People might see me as a hard man?" Who?! | 0:14:33 | 0:14:37 | |
He's like a hobbit in a leather jacket! | 0:14:37 | 0:14:40 | |
-Have you looked in the mirror recently? -You can talk! | 0:14:40 | 0:14:44 | |
I had to get you a rope ladder for the tank! | 0:14:44 | 0:14:50 | |
Kelly says the band got into music for drink and women. | 0:14:50 | 0:14:53 | |
Similarly, I got into music | 0:14:53 | 0:14:54 | |
-to appear on Sesame Street and Buzzcocks. -You did Sesame Street?! | 0:14:54 | 0:14:58 | |
-Yeah, baby. -Oh, man, what was that like? | 0:14:58 | 0:15:00 | |
He did the triangle song, it was amazing. | 0:15:00 | 0:15:02 | |
-Elmo and me, we're tight, thick as thieves. -Did you meet Elmo? | 0:15:02 | 0:15:05 | |
Absolutely. He was the one who called me to say, | 0:15:05 | 0:15:08 | |
-"Come on the show." -Have you been to Oscar the Grouch's trash can? | 0:15:08 | 0:15:11 | |
-No. -Some wild parties there, wild parties. | 0:15:11 | 0:15:14 | |
The only person that'd invite Blunty to a party would be the Count, | 0:15:14 | 0:15:17 | |
because he's the only one posh enough on Sesame Street. "Ah-ha-ha, | 0:15:17 | 0:15:21 | |
"how many people will I have to my party? One, one pop star, ah-ha!" | 0:15:21 | 0:15:27 | |
-Is Mr Snuffaluffagus Sesame Street? -Yeah, he was Big Bird's best friend. | 0:15:27 | 0:15:31 | |
-And he was imaginary or was he real? -I think they're all fake. | 0:15:31 | 0:15:35 | |
How dare you?! You'll be telling me Fraggle Rock wasn't real in a minute! | 0:15:35 | 0:15:40 | |
I used to get really frustrated with the elephant, because he'd turn up, | 0:15:40 | 0:15:44 | |
they'd go, "He was here!" When they'd look, he'd be gone. | 0:15:44 | 0:15:48 | |
I'd go, "But he WAS there!" | 0:15:48 | 0:15:49 | |
If only they had Sky+. Just rewound it, "There he was!" | 0:15:49 | 0:15:52 | |
Phill and Harry, here are yours for Matthew. | 0:15:52 | 0:15:56 | |
-Yeah. -OK. Right? | 0:15:56 | 0:15:59 | |
# Eeeeeeeeee | 0:15:59 | 0:16:00 | |
# Duh-dee-dee-dee-dee-dee | 0:16:00 | 0:16:03 | |
# Doo-doo-ga-ga, do-do-ga | 0:16:03 | 0:16:04 | |
# Doo-doo-ga-ga, doo-do-ga | 0:16:04 | 0:16:06 | |
# Doo-doo-ga-ga, do-do-ga | 0:16:06 | 0:16:07 | |
# Doo-doo-ga-ga, doo-do-ga | 0:16:07 | 0:16:08 | |
# Huh-huh-ha-haa, ha-huh-hah-huh. # | 0:16:08 | 0:16:12 | |
LAUGHTER | 0:16:14 | 0:16:17 | |
-Can we hear that one more time? I just need get into that. -OK. | 0:16:17 | 0:16:21 | |
I think you've been into this enough, from what I understand. | 0:16:21 | 0:16:24 | |
-Oh, you heard about that? -Yes. | 0:16:24 | 0:16:26 | |
I think the world has heard about you and your dirty penis. | 0:16:26 | 0:16:30 | |
LAUGHTER | 0:16:30 | 0:16:32 | |
Which I'm sure you keep scrupulously clean - | 0:16:32 | 0:16:36 | |
-I mean in the figurative sense. -I would like to assure our viewers | 0:16:36 | 0:16:40 | |
-that it's absolutely clean. -LAUGHTER | 0:16:40 | 0:16:42 | |
It's not dirty, that's just camouflage! | 0:16:42 | 0:16:45 | |
LAUGHTER AND APPLAUSE | 0:16:45 | 0:16:51 | |
I wish it was. You just naturally can't see it. | 0:16:51 | 0:16:55 | |
LAUGHTER AND APPLAUSE | 0:16:55 | 0:16:59 | |
# Eeeeeeeeeeee | 0:16:59 | 0:17:01 | |
# Duh-dee-dee-dee-dee-dee | 0:17:01 | 0:17:03 | |
# Doo-doo-ga-ga, do-do-ga | 0:17:03 | 0:17:04 | |
# Doo-doo-ga-ga, doo-do-ga... # | 0:17:04 | 0:17:06 | |
"Get off, James, get off! Stop it, Blunty, stop it!" | 0:17:06 | 0:17:12 | |
-I'm picturing a lady. -Picture some more. | 0:17:12 | 0:17:16 | |
-Me too. -So it's girls, it's girls singing together. | 0:17:16 | 0:17:19 | |
-Mmm! -I don't know why I'm doing this like I'm a medium, channelling this. | 0:17:19 | 0:17:25 | |
-Is it Beyonce? -No. | 0:17:25 | 0:17:28 | |
Shall we go over to Noel's team? Have you got a clue? | 0:17:28 | 0:17:31 | |
-I think Sarah knows. -She doesn't. | 0:17:31 | 0:17:35 | |
It was Pussycat Dolls' Beep. Here's how it should have sounded. | 0:17:35 | 0:17:39 | |
SONG PLAYS | 0:17:39 | 0:17:44 | |
# Huh-ha-huh-huh-huh | 0:17:44 | 0:17:45 | |
# Huh-ha-huh-ha | 0:17:45 | 0:17:48 | |
# Huh-ha-huh-huh-huh... # | 0:17:48 | 0:17:50 | |
I stand corrected, Harry. | 0:17:50 | 0:17:52 | |
-How many of them... -NOEL: Have you touched with your camouflaged penis?! | 0:17:54 | 0:17:57 | |
-20%. -20%! | 0:17:57 | 0:18:01 | |
LAUGHTER | 0:18:01 | 0:18:06 | |
Have you ever done it in a tank? | 0:18:06 | 0:18:08 | |
LAUGHTER | 0:18:08 | 0:18:12 | |
-Shall we have your next one? -What are we doing? | 0:18:12 | 0:18:15 | |
Oh, yeah, yeah. One, two, three, four.. | 0:18:15 | 0:18:17 | |
# Doo-doo-doo-doo, do-do-do-do-do | 0:18:17 | 0:18:20 | |
# Doo-doo-doo-doo-doo-do-de-do-de-do | 0:18:20 | 0:18:21 | |
# Doo-doo-doo-doo, do-do-do-do-do-do | 0:18:21 | 0:18:23 | |
# Doo-doo-doo-doo, do-do-do-do-do | 0:18:23 | 0:18:26 | |
# Doo-doo-doo-doo-doo-do-de-do-de-do | 0:18:26 | 0:18:28 | |
# Doo-doo-doo-doo, do-do-do-do-do-do | 0:18:28 | 0:18:30 | |
# Mm-chk, mm-chk, mm-chk. # | 0:18:30 | 0:18:31 | |
-I know this one. -Woo-hoo! | 0:18:31 | 0:18:33 | |
Yeah, I know, what a surprise! | 0:18:33 | 0:18:35 | |
You can do it, nerd Jesus! | 0:18:35 | 0:18:39 | |
OK. Is it La Roux, Bulletproof? | 0:18:39 | 0:18:41 | |
-You are absolutely correct. -Yes! | 0:18:41 | 0:18:44 | |
Here's how it should have sounded. | 0:18:44 | 0:18:46 | |
SONG PLAYS | 0:18:46 | 0:18:50 | |
-What's that? -That's her hair. -That's her quiff. | 0:18:50 | 0:18:52 | |
-Oh, yeah. -Cheat! -That was a little cheat. | 0:18:52 | 0:18:56 | |
And also, the drummer's a shark. | 0:18:56 | 0:19:00 | |
Scores. At the end of that round, Phill's team has three | 0:19:02 | 0:19:05 | |
-and Noel's team has one. -APPLAUSE | 0:19:05 | 0:19:10 | |
Round three is the Identity Parade. Noel, Sarah and Sean, | 0:19:14 | 0:19:17 | |
how about some late-'90s girl-group sex... Girl-group pop? | 0:19:17 | 0:19:22 | |
For the audience only, here is Vanilla. | 0:19:22 | 0:19:28 | |
# No way, no way | 0:19:28 | 0:19:30 | |
# Ma-na-ma-na | 0:19:30 | 0:19:32 | |
# No way, no way | 0:19:32 | 0:19:34 | |
# Ma-na-ma-na | 0:19:34 | 0:19:37 | |
# No way, no way | 0:19:37 | 0:19:40 | |
# Ma-na-ma-na | 0:19:40 | 0:19:42 | |
# Not today | 0:19:42 | 0:19:45 | |
# Don't get fresh with me. # | 0:19:45 | 0:19:47 | |
That was Vanilla with No Way, No Way. | 0:19:47 | 0:19:50 | |
But which one of our line-up is singer Frances Potter? | 0:19:50 | 0:19:53 | |
Is it number one, No Way, No Way? | 0:19:53 | 0:19:55 | |
Number two, No Way, Jose? | 0:19:55 | 0:19:58 | |
Number three, No Way Back? | 0:19:58 | 0:20:01 | |
Number four, No Way To Treat A Woman? | 0:20:01 | 0:20:04 | |
Or number five, No Way Of Knowing It Was A Bloke? | 0:20:04 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:10 | |
-You're a musician. -Yeah. I think so. | 0:20:10 | 0:20:14 | |
I know you smoke a bit, Sean Paul, but to not remember what your job is, | 0:20:14 | 0:20:20 | |
that is taking a habit a little too far! | 0:20:20 | 0:20:23 | |
"Sean, what you do?" "Let me just check on my passport. | 0:20:23 | 0:20:27 | |
"Yeah, I'm a musician." | 0:20:27 | 0:20:28 | |
Do the girls wait a long time while we're doing the rest of the show? | 0:20:30 | 0:20:34 | |
Cos I think a number two looks like she's been doodling. | 0:20:34 | 0:20:37 | |
LAUGHTER | 0:20:37 | 0:20:39 | |
Number three looks very confident. She's got her leg at a jaunty angle. | 0:20:39 | 0:20:44 | |
She's got a leg at a jaunty angle? | 0:20:44 | 0:20:46 | |
It's either at a jaunty angle or its false. | 0:20:46 | 0:20:50 | |
-And just badly fitted? -Yeah! I don't know, what do you think? | 0:20:50 | 0:20:54 | |
-I'm going with number two. -Number two? | 0:20:54 | 0:20:56 | |
I don't know what other job or occupation you could be in | 0:20:56 | 0:21:00 | |
with that kind of hair. I think you'd have to be in a band, don't you? | 0:21:00 | 0:21:04 | |
But maybe not this band. She might just be in a band, | 0:21:04 | 0:21:07 | |
and she's come for a nice day out. | 0:21:07 | 0:21:09 | |
-Number two looks quite coy. It could be number two. -Jaunty leg! | 0:21:09 | 0:21:13 | |
-You think it's jaunty leg? -I said number two, dude. | 0:21:13 | 0:21:16 | |
-I think number two as well. -Let's find out. | 0:21:16 | 0:21:18 | |
Would the real Frances Potter please step forward? | 0:21:18 | 0:21:21 | |
Agh! | 0:21:21 | 0:21:23 | |
Well done, Sarah. | 0:21:23 | 0:21:25 | |
APPLAUSE | 0:21:25 | 0:21:26 | |
Now working on a new dance track with T&R Productions, | 0:21:29 | 0:21:32 | |
Frances Potter, ladies and gentleman. | 0:21:32 | 0:21:34 | |
APPLAUSE | 0:21:34 | 0:21:39 | |
Phill, Matthew and Harry, what about some '80s synth pop? | 0:21:39 | 0:21:42 | |
For the audience only, here are the Mobiles. | 0:21:42 | 0:21:45 | |
# In and out it goes | 0:21:45 | 0:21:47 | |
# To show me it's cruel | 0:21:47 | 0:21:50 | |
# My trust in you | 0:21:50 | 0:21:52 | |
# Berlin is drowning me | 0:21:52 | 0:21:55 | |
# In and out my mind goes | 0:21:55 | 0:21:58 | |
# In and out it goes | 0:21:58 | 0:22:00 | |
# To show me it's cruel | 0:22:00 | 0:22:02 | |
# My trust in you | 0:22:02 | 0:22:04 | |
# Drowning in Berlin... # | 0:22:04 | 0:22:07 | |
That was the Mobiles with Drowning In Berlin, | 0:22:07 | 0:22:10 | |
but which of our line-up is keyboardist John Smithson? | 0:22:10 | 0:22:12 | |
Oh, shit, that's a cock-up. | 0:22:12 | 0:22:14 | |
Those girls weren't supposed to come here - | 0:22:14 | 0:22:16 | |
you're supposed to go in my dressing room. | 0:22:16 | 0:22:19 | |
I'll be through in a minute when I've got rid of these guys. | 0:22:19 | 0:22:22 | |
I'll be there shortly. | 0:22:22 | 0:22:23 | |
APPLAUSE | 0:22:25 | 0:22:29 | |
Sorry. | 0:22:29 | 0:22:31 | |
-Will you be sorting one of them out, just 20% of that lot? -We'll try. | 0:22:31 | 0:22:37 | |
I looked in his eyes then, you know what I saw? | 0:22:37 | 0:22:40 | |
"Tonight, 40%!" | 0:22:40 | 0:22:43 | |
OK, this is the real lot. | 0:22:43 | 0:22:45 | |
So, which of our line-up is keyboard player John Smithson? | 0:22:45 | 0:22:48 | |
-Are you taking this lot to your dressing room too? -This is all for you, baby. | 0:22:48 | 0:22:52 | |
So, which of our line-up is keyboard player John Smithson? | 0:22:52 | 0:22:56 | |
Is it number one, Drowning In Berlin? | 0:22:56 | 0:22:58 | |
Number two, Drowning His Sorrows? | 0:22:58 | 0:23:01 | |
Number three, Drowning In The Shallow End? | 0:23:01 | 0:23:05 | |
Number four, Drowning Cats In A Sack? | 0:23:05 | 0:23:09 | |
Or number five, Drowning Out The Voices In His Head? | 0:23:09 | 0:23:12 | |
LAUGHTER | 0:23:12 | 0:23:17 | |
Number five looks like the Milky Bar Kid's weird hard brother. | 0:23:17 | 0:23:20 | |
-Come on, let's work our way through. -Number five's too young. | 0:23:23 | 0:23:26 | |
-Too young? Good, OK. -Number one looks quite '80s, | 0:23:26 | 0:23:28 | |
quite kind of like he's maybe stuck in the '80s. | 0:23:28 | 0:23:32 | |
I think number three has got the look of a keen fisherman. | 0:23:32 | 0:23:37 | |
Number two looks a bit like a grown-up baby. | 0:23:37 | 0:23:40 | |
-Number two looks like a grown-up baby? -Yeah. | 0:23:40 | 0:23:43 | |
-As in, like, an adult? -LAUGHTER | 0:23:43 | 0:23:46 | |
They all look like adults. | 0:23:46 | 0:23:49 | |
Four's got a hot date or something, he's shuffling around a lot. | 0:23:49 | 0:23:52 | |
-He wants to leave. -It's cos he's standing next to number five. | 0:23:52 | 0:23:56 | |
-He's nervous. Hold it together, number five. -I think it's two. | 0:23:56 | 0:24:00 | |
Because he's popped his collar. He's got a much better jacket. | 0:24:00 | 0:24:03 | |
-He's brought his own. -And his shoes are shiny. | 0:24:03 | 0:24:06 | |
-He's just got pop star written all over him. -Who do you think, Sarah? | 0:24:06 | 0:24:09 | |
You can get a double smugness tonight. | 0:24:09 | 0:24:11 | |
I think it's two. | 0:24:11 | 0:24:13 | |
-You think it's two? -Yeah. | 0:24:13 | 0:24:14 | |
I can't not go with Millican. | 0:24:14 | 0:24:17 | |
Let's find out. Will the real John Smithson please step forward? | 0:24:17 | 0:24:22 | |
APPLAUSE | 0:24:22 | 0:24:25 | |
Still writing and composing for various artists, John Smithson, ladies and gentleman. | 0:24:25 | 0:24:29 | |
APPLAUSE | 0:24:29 | 0:24:33 | |
We end with Next Lines. Phill's team are in the lead, so you go first. | 0:24:33 | 0:24:37 | |
And your time starts now. | 0:24:37 | 0:24:41 | |
-"Cos I'm moving on up, moving on out." -# Moving on up... # | 0:24:41 | 0:24:43 | |
-"Time to break free?" -# Nothing can stop me. # -Yeah, exactly. | 0:24:43 | 0:24:47 | |
By M People, Moving On Up. "You can do all things that you like to do." | 0:24:47 | 0:24:50 | |
And then tomorrow, do the other 80%. | 0:24:50 | 0:24:54 | |
Pick A Part That's New, Stereophonics. | 0:24:54 | 0:24:56 | |
-"It only takes a minute, girl." -"To fall in love, to fall in love." | 0:24:56 | 0:25:00 | |
It Only Takes A Minute, Take That. "Goodbye, my lover, goodbye my friend." | 0:25:00 | 0:25:04 | |
No idea. Sorry. | 0:25:04 | 0:25:07 | |
"You're beautiful"? | 0:25:07 | 0:25:09 | |
LAUGHTER | 0:25:09 | 0:25:13 | |
-Is it, "You've been the one for me"? -Goodbye, My Lover, James Blunt. | 0:25:16 | 0:25:19 | |
See, there's another song. She knows the second song. | 0:25:19 | 0:25:23 | |
There was a second song? | 0:25:23 | 0:25:25 | |
-"Those three wise men..." -"You're beautiful." | 0:25:25 | 0:25:28 | |
LAUGHTER | 0:25:28 | 0:25:29 | |
Handing it over to Sarah. "Those three wise men..." | 0:25:29 | 0:25:33 | |
-Um, "Found the baby Jesus"? -LAUGHTER | 0:25:33 | 0:25:37 | |
-Something by the sea? -Semi. | 0:25:37 | 0:25:39 | |
"Semi by the sea"? What does that lyric mean? | 0:25:39 | 0:25:42 | |
-That they weren't very hard. -Right. | 0:25:42 | 0:25:44 | |
It is a semi-automatic rifle. | 0:25:46 | 0:25:49 | |
END OF ROUND JINGLE | 0:25:49 | 0:25:52 | |
Noel's team, you need six points to win. | 0:25:57 | 0:26:00 | |
-Six? Can't be done. -Your time starts now. | 0:26:00 | 0:26:03 | |
-"I like big butts and I cannot lie." -James Blunt? | 0:26:03 | 0:26:08 | |
No. No points. | 0:26:08 | 0:26:11 | |
"You other brothers can deny." I Like Big Butts, Sir Mixalot. | 0:26:11 | 0:26:15 | |
"My life is brilliant." | 0:26:15 | 0:26:18 | |
"You're beautiful." | 0:26:18 | 0:26:19 | |
"My life is pure"? | 0:26:19 | 0:26:22 | |
Absolutely spot-on. Well done. You're Beautiful, James Blunt. | 0:26:22 | 0:26:25 | |
I'm total teacher's pet! | 0:26:25 | 0:26:28 | |
"Well enough likkle girl dem bought they own dem got... | 0:26:28 | 0:26:32 | |
"de goody...goody." | 0:26:32 | 0:26:34 | |
-LAUGHTER -I'm going to try that again. | 0:26:34 | 0:26:37 | |
"Well enough likkle girl dem bought they own dem got de goody goody." | 0:26:37 | 0:26:40 | |
LAUGHTER | 0:26:40 | 0:26:42 | |
You make ragga sound like the shipping forecast. | 0:26:42 | 0:26:48 | |
"Wan thing mi tell, Sean Paul, wan shooby shooby." | 0:26:48 | 0:26:53 | |
"One ting mi haffi tell...dem Dutty...de woody woody." | 0:26:53 | 0:26:56 | |
One point for you. Like Glue, Sean Paul. | 0:26:56 | 0:26:58 | |
That was like the football scores! | 0:26:58 | 0:27:01 | |
"East Fife 4, Dem Shoogy Shoogy 3." | 0:27:01 | 0:27:05 | |
"Front way, back way, dutty K man have the shooby-shooby." | 0:27:09 | 0:27:13 | |
LAUGHTER | 0:27:13 | 0:27:15 | |
"Everton 2." | 0:27:15 | 0:27:16 | |
-"Virgin dem waan gimme and mi have to tooky tooky." -Absolutely. | 0:27:18 | 0:27:22 | |
I will translate. That was, | 0:27:22 | 0:27:24 | |
"Virgin dem waan gimme and mi have to tooky tooky." | 0:27:24 | 0:27:28 | |
Wow! | 0:27:28 | 0:27:30 | |
END OF ROUND JINGLE | 0:27:30 | 0:27:34 | |
So, the final score are, Noel's team have six, but Phill's team win | 0:27:37 | 0:27:41 | |
with seven, which means Phill's team are tonight's winners. | 0:27:41 | 0:27:45 | |
APPLAUSE | 0:27:45 | 0:27:48 | |
So that's thank you to Phill, Matthew and Harry, | 0:27:51 | 0:27:54 | |
Noel, Sean and Sarah. This has been Never Mind The Lovecocks, | 0:27:54 | 0:27:57 | |
I've been James Blunt. I'm off to see how many models | 0:27:57 | 0:28:00 | |
I can fuck in a tank... Fit in a tank. Goodnight. | 0:28:00 | 0:28:03 | |
APPLAUSE AND CHEERING | 0:28:03 | 0:28:06 | |
Oh, for God's sake! | 0:28:38 | 0:28:40 | |
Subtitles by Red Bee Media Ltd | 0:28:40 | 0:28:41 | |
E-mail [email protected] | 0:28:41 | 0:28:43 |