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This programme contains some strong language. | 0:00:02 | 0:00:10 | |
APPLAUSE AND CHEERING | 0:00:21 | 0:00:26 | |
He's the star of the British hip-hop scene. | 0:00:26 | 0:00:28 | |
He's won MOBOs, Brit awards, | 0:00:28 | 0:00:31 | |
Ivor Novellos. | 0:00:31 | 0:00:33 | |
He's sold one and a half million albums, | 0:00:33 | 0:00:35 | |
and he's never been to Scunthorpe! | 0:00:35 | 0:00:39 | |
It's you're host, Tinie Tempah! | 0:00:39 | 0:00:43 | |
APPLAUSE AND CHEERING | 0:00:43 | 0:00:45 | |
Good evening, and welcome to the party. | 0:01:01 | 0:01:04 | |
On Noel's team tonight, | 0:01:04 | 0:01:07 | |
she's a singer who cites Mariah Carey and Whitney Houston | 0:01:07 | 0:01:10 | |
as her major influences. | 0:01:10 | 0:01:12 | |
Here to make outrageous demands and have an on-screen breakdown, | 0:01:12 | 0:01:16 | |
it's Pixie Lott. | 0:01:16 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:19 | |
Our next guest is so new we haven't got any footage. | 0:01:22 | 0:01:27 | |
Instead, here are people with similar names. | 0:01:27 | 0:01:30 | |
It's not Jimmy Page, its' not Joanna Page, it's not even Elaine Paige. | 0:01:30 | 0:01:33 | |
It's comedian Joey Page. | 0:01:33 | 0:01:35 | |
APPLAUSE AND CHEERING | 0:01:36 | 0:01:38 | |
And on Phill's team tonight... | 0:01:38 | 0:01:40 | |
He's a rapper from Fulham, so presumably his 8 Mile | 0:01:42 | 0:01:45 | |
is that lovely stretch of pubs near the river in Hammersmith. | 0:01:45 | 0:01:49 | |
It's Example. | 0:01:49 | 0:01:50 | |
APPLAUSE AND CHEERING | 0:01:50 | 0:01:52 | |
He's a Geordie comic, | 0:01:55 | 0:01:57 | |
and luckily, now Frankie Cocozza is off the X Factor, | 0:01:57 | 0:02:00 | |
he's been able to get his hair back. | 0:02:00 | 0:02:02 | |
It's Chris Ramsey. | 0:02:02 | 0:02:03 | |
APPLAUSE AND CHEERING | 0:02:03 | 0:02:05 | |
All right, that's enough, that's enough! | 0:02:09 | 0:02:11 | |
Right, so we're going to start with Guess Who. | 0:02:11 | 0:02:13 | |
I'm going to show you a picture in which we've morphed together | 0:02:13 | 0:02:16 | |
two well-known faces from the world of music. | 0:02:16 | 0:02:19 | |
The teams have to tell me who those faces belong to. | 0:02:19 | 0:02:22 | |
Phill's team first. Whose faces have we morphed? | 0:02:22 | 0:02:26 | |
It does look a little like | 0:02:26 | 0:02:28 | |
Richard Branson's got so much money now | 0:02:28 | 0:02:30 | |
he's just bought tits. | 0:02:30 | 0:02:32 | |
Is no-one going to comment on the weirdness of that beginning? | 0:02:33 | 0:02:38 | |
-I might actually keep this, I might sell some more records. -Absolutely. | 0:02:38 | 0:02:41 | |
That was the first time I saw an all-black audience | 0:02:41 | 0:02:44 | |
-on Never Mind The Buzzcocks as well. -LAUGHTER | 0:02:44 | 0:02:47 | |
APPLAUSE | 0:02:47 | 0:02:50 | |
So this is... | 0:02:50 | 0:02:51 | |
It's Mariah Carey, because I recognise the tits. | 0:02:51 | 0:02:54 | |
It gave me a nightmare for my worst ever Christmas, | 0:02:54 | 0:02:58 | |
when it was just me and my uncle. | 0:02:58 | 0:03:00 | |
That's me and you, Joey! | 0:03:01 | 0:03:03 | |
I'm so rubbish at telling proper jokes that my hat fell off. | 0:03:03 | 0:03:07 | |
That's why he cleans my chimneys! | 0:03:07 | 0:03:09 | |
PHILL: We have here Mariah Carey, | 0:03:11 | 0:03:13 | |
and I believe the other half is Lou Reed, Tinie Tempah. | 0:03:13 | 0:03:17 | |
Let's see if you're right. | 0:03:17 | 0:03:18 | |
You're absolutely right, Phill. It's Lou Reed and Mariah Carey. | 0:03:20 | 0:03:23 | |
APPLAUSE | 0:03:23 | 0:03:25 | |
-Wait, here's another question for you. -Yeah. | 0:03:25 | 0:03:27 | |
Which of those two played a concert just for dogs | 0:03:27 | 0:03:30 | |
at the Sydney Opera House? | 0:03:30 | 0:03:32 | |
-Did they at least have their owners? -They couldn't turn up on their own? | 0:03:32 | 0:03:36 | |
Oh, I don't know. | 0:03:36 | 0:03:37 | |
If the ushers were all trained dog whisperers you'd have probably been fine. | 0:03:37 | 0:03:40 | |
Have you never dog-whispered, Tinie Tempah? | 0:03:40 | 0:03:43 | |
-I haven't ever dog-whispered, Phill. -Put jam on your bollocks they'll do anything you want, like. | 0:03:43 | 0:03:48 | |
I think it is Mariah. | 0:03:48 | 0:03:49 | |
Thinking about it, she sings really, really high. | 0:03:49 | 0:03:52 | |
-EXAMPLE: -She has a lot of octaves. -Dogs only hear really high frequencies. | 0:03:52 | 0:03:57 | |
Yeah, dogs and bats. Mariah sings like that | 0:03:57 | 0:03:59 | |
so she doesn't bump into the furniture. | 0:03:59 | 0:04:01 | |
I don't think Lou Reed cares about dogs, I don't think he knows what's going on anymore. | 0:04:01 | 0:04:05 | |
I saw him on Jools Holland and at the end of the song he took his guitar off, like that. | 0:04:05 | 0:04:09 | |
And he had his arm in the air and the camera panned to Jools for about five minutes, | 0:04:09 | 0:04:13 | |
so when it panned back to Lou Reed he still had his arm... | 0:04:13 | 0:04:16 | |
Jools was like, "OK, Lou, you can put your arms down now!" | 0:04:16 | 0:04:20 | |
Lou Reed, everybody! | 0:04:20 | 0:04:22 | |
-It's got to be Mariah Carey. -Is that your final answer? | 0:04:24 | 0:04:26 | |
Would she not have had mad demands? | 0:04:26 | 0:04:28 | |
Like she wanted them all shaved, or something? | 0:04:28 | 0:04:31 | |
Do the dogs have to be a certain temperature? | 0:04:31 | 0:04:33 | |
Do the dogs have to be 36 degrees? | 0:04:35 | 0:04:36 | |
-How will you find out the dog's temperature? -You stick your finger up its bum. | 0:04:36 | 0:04:40 | |
I'm fairly sure, Example, that you put a thermometer up its arse, but if you've got that ability... | 0:04:40 | 0:04:46 | |
It would've been those really small dogs, so you could put five in and kept them as gloves. | 0:04:46 | 0:04:50 | |
-AUDIENCE: Ohhh! -What's wrong? | 0:04:54 | 0:04:55 | |
We don't advocate that. | 0:04:55 | 0:04:57 | |
We are going to show a picture of you like that. | 0:04:57 | 0:04:59 | |
I'll be like this... | 0:04:59 | 0:05:00 | |
It's worse when the dog lands on your finger. | 0:05:03 | 0:05:05 | |
I think if you got that up a dog's bum that's bad, | 0:05:05 | 0:05:08 | |
but if a dog backs into your finger... | 0:05:08 | 0:05:11 | |
that's not acceptable. | 0:05:11 | 0:05:12 | |
You could claim it was an accident. | 0:05:12 | 0:05:14 | |
"Oh, what a doing, it fell into me lubed-up finger. Oh!" | 0:05:14 | 0:05:18 | |
-I need an answer. -Tinie Tempah, we think it's Mariah Carey. | 0:05:18 | 0:05:21 | |
You're absolutely wrong, guys, believe it or not. | 0:05:21 | 0:05:23 | |
AUDIENCE: Ohhh! | 0:05:23 | 0:05:25 | |
Lou Reed and his wife played a 20-minute set | 0:05:25 | 0:05:27 | |
especially composed for dogs, right? | 0:05:27 | 0:05:30 | |
The crowd were licking their bollocks, sniffing each other's arses, | 0:05:30 | 0:05:33 | |
shagging everything that moves and shitting everywhere. | 0:05:33 | 0:05:36 | |
It was very much reminiscent of an N-Dubz gig, right? | 0:05:36 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:40 | |
APPLAUSE | 0:05:40 | 0:05:42 | |
Can we say that? | 0:05:42 | 0:05:43 | |
I'll be all right, I'll be all right. | 0:05:43 | 0:05:45 | |
-NOEL: -Dappy sounds a bit like a dog. | 0:05:45 | 0:05:47 | |
I once gauged his temperature. | 0:05:47 | 0:05:50 | |
I imagine if you do do that to Dappy the hat comes off. | 0:05:50 | 0:05:53 | |
LAUGHTER | 0:05:53 | 0:05:56 | |
I'm going to have to move you on. Noel's team, take a look at this. | 0:05:56 | 0:05:59 | |
Wow. | 0:05:59 | 0:06:00 | |
That looks quite scary, doesn't it? | 0:06:02 | 0:06:05 | |
I'm a Goth, I quite fancy that girl. | 0:06:05 | 0:06:07 | |
She's lost a contact lens, I'll tell you that. | 0:06:07 | 0:06:11 | |
It came out when I measured her...temperature! | 0:06:11 | 0:06:13 | |
Is it Keha, but they forgot to blend it with anyone? | 0:06:13 | 0:06:18 | |
I'm so old I thought she was cold Quiche. | 0:06:18 | 0:06:21 | |
LAUGHTER | 0:06:21 | 0:06:23 | |
Apparently Keha gets turned on by coins. | 0:06:23 | 0:06:25 | |
-That is a fact, she said that. -CHRIS: How would you find that out? | 0:06:25 | 0:06:29 | |
When you can't be bothered to carry change around, | 0:06:29 | 0:06:31 | |
you put it in a cup on the side. | 0:06:31 | 0:06:33 | |
And I saw her climbing up and she sort of... | 0:06:33 | 0:06:35 | |
had her fingers in it. She was like that, "Ooh, ooh." | 0:06:35 | 0:06:38 | |
-You know Keha, don't you? -When I was about 16 we were writing songs together. | 0:06:39 | 0:06:43 | |
When was that, last month? | 0:06:43 | 0:06:46 | |
I'm 20 now, I'm a big girl. | 0:06:46 | 0:06:47 | |
I feel so much like the Child Catcher right now. | 0:06:47 | 0:06:52 | |
I'll be giving you two a lift home tonight. | 0:06:52 | 0:06:55 | |
On your penny-farthing? | 0:06:55 | 0:06:58 | |
You're going to get a backy. | 0:07:02 | 0:07:05 | |
-She's American, right? -How do you know she's American? | 0:07:05 | 0:07:08 | |
Oh, she's got a dollar sign in her name. | 0:07:08 | 0:07:10 | |
Imagine if she was European and she had a euro for the E, | 0:07:10 | 0:07:14 | |
and that disappears in about two weeks' time... | 0:07:14 | 0:07:17 | |
and then she just goes, "Shhh..." | 0:07:17 | 0:07:20 | |
-So what was the question again? -Who were the two people? | 0:07:22 | 0:07:25 | |
Marilyn Manson and Keha. | 0:07:25 | 0:07:26 | |
So why didn't you say that at the beginning? | 0:07:26 | 0:07:29 | |
Tinie, have you got to be somewhere, mate? Do you want to just shove off? | 0:07:29 | 0:07:33 | |
Let's see if you're right. | 0:07:33 | 0:07:34 | |
Way! | 0:07:37 | 0:07:39 | |
APPLAUSE | 0:07:39 | 0:07:41 | |
You're absolutely right. It's Keha and Marilyn Manson. | 0:07:43 | 0:07:46 | |
But which one wears their own placenta around their neck? | 0:07:46 | 0:07:49 | |
The whole thing? Cos they're quite big, cos they've had a baby in them. | 0:07:49 | 0:07:52 | |
Bit like an inflated Space Hopper. | 0:07:52 | 0:07:56 | |
Do you think when Marilyn Manson goes to the opticians, | 0:07:56 | 0:08:00 | |
the optician goes, "OK, this eye now, please"? | 0:08:00 | 0:08:03 | |
And he goes, "G, D, E..." | 0:08:03 | 0:08:04 | |
"That's very good, Mr Manson, now the other eye." | 0:08:04 | 0:08:07 | |
HE GROWLS DEMONICALLY "Satan!" | 0:08:07 | 0:08:11 | |
"And how is it now?" | 0:08:13 | 0:08:15 | |
"G... | 0:08:15 | 0:08:16 | |
"B..." | 0:08:16 | 0:08:18 | |
APPLAUSE | 0:08:20 | 0:08:22 | |
I think we should go by photo evidence and say there could be something at the end of that chain. | 0:08:22 | 0:08:27 | |
Unless he's hiding it. | 0:08:27 | 0:08:29 | |
-Do you work for the FBI? -CHRIS: -What does placenta look like? | 0:08:29 | 0:08:33 | |
This is what it looks like. | 0:08:33 | 0:08:35 | |
AUDIENCE: Eugh! That is horrible! | 0:08:35 | 0:08:37 | |
-Do you know what, we got it for you, Pixie! -No! | 0:08:37 | 0:08:41 | |
No, no, no, no! | 0:08:41 | 0:08:43 | |
Aah! | 0:08:43 | 0:08:45 | |
What have I told you kids about throwing offal around the studio? | 0:08:45 | 0:08:50 | |
Now the bears are going to come. | 0:08:50 | 0:08:52 | |
-NOEL: -I reckon Marilyn Manson's too obvious, | 0:08:52 | 0:08:55 | |
so I reckon we should go for your friend, yeah? | 0:08:55 | 0:08:57 | |
-Are you happy with that? -I'm happy with that. -We're going to go for Quiche. | 0:08:57 | 0:09:01 | |
You're absolutely right, guys. The answer is Keha. | 0:09:01 | 0:09:04 | |
APPLAUSE AND CHEERING | 0:09:04 | 0:09:06 | |
So basically, guys, she claims that her mum found it in her basement, | 0:09:08 | 0:09:11 | |
crushed it up and made it into a necklace | 0:09:11 | 0:09:13 | |
that she wears to improve her psychic abilities. | 0:09:13 | 0:09:16 | |
She's convinced it works, and that she can read people's minds, | 0:09:16 | 0:09:20 | |
but I reckon they're mainly thinking, | 0:09:20 | 0:09:22 | |
"Why have you got a fucking placenta around your neck?" | 0:09:22 | 0:09:25 | |
Next up is my favourite part of the show, it's the intros round. | 0:09:25 | 0:09:28 | |
Phill and Example, here are yours for Chris. Remember... | 0:09:28 | 0:09:30 | |
-IN GEORDIE ACCENT: -..it's the title! -He's been doing this all day, it's unbelievable. | 0:09:30 | 0:09:35 | |
It's a lovely relaxing accent, you have to understand people enjoy it. | 0:09:35 | 0:09:38 | |
IN GEORDIE ACCENT: It's like putting on a favourite cardigan. | 0:09:38 | 0:09:43 | |
Just do a Geordie version for him. All right? | 0:09:43 | 0:09:46 | |
# Canny-canny canny-canny | 0:09:46 | 0:09:48 | |
# Canny-canny canny-canny | 0:09:48 | 0:09:50 | |
# Canny-canny canny-canny | 0:09:50 | 0:09:53 | |
# Canny-canny canny-canny # Canny-canny canny-canny | 0:09:53 | 0:09:55 | |
# Biker, Biker Grove! # | 0:09:55 | 0:09:57 | |
LAUGHTER | 0:09:57 | 0:09:59 | |
APPLAUSE AND CHEERING | 0:09:59 | 0:10:01 | |
If you don't get it, Pixie Lott's going to get it. I can sense that she knows! | 0:10:02 | 0:10:06 | |
-EXAMPLE: -She knows it! | 0:10:06 | 0:10:08 | |
-I feel like it's on an advert. -It probably has been on an advert. | 0:10:08 | 0:10:11 | |
-I'm sure you were in the advert -I wasn't in the advert. -All right, fair enough. | 0:10:11 | 0:10:15 | |
-It's the only one he wasn't in. -The only one he wasn't in! Look at you. | 0:10:15 | 0:10:18 | |
Whoa! Look at him making money, the twat! | 0:10:18 | 0:10:21 | |
Chris, if you don't get this I'm going to have to give it over to... | 0:10:21 | 0:10:24 | |
I know, I'm really sorry. | 0:10:24 | 0:10:26 | |
-Is that Girls Aloud or something? -No. | 0:10:26 | 0:10:28 | |
-Saturdays? IN GEORDIE ACCENT: -Sugababes? | 0:10:28 | 0:10:30 | |
-The title! -Is it something like Freak Like Me? -Yes, it's Freak Like Me! | 0:10:30 | 0:10:34 | |
-APPLAUSE AND CHEERING -Well done, Pixie Lott. | 0:10:34 | 0:10:36 | |
Well done, Noel's team. | 0:10:36 | 0:10:38 | |
You're absolutely right, Pixie. | 0:10:38 | 0:10:40 | |
Here's how it should have sounded, you Newcastle bunch of twats. | 0:10:40 | 0:10:43 | |
MUSIC: Freak Like Me By the Sugababes | 0:10:43 | 0:10:45 | |
# Let me lay it on the line... # | 0:10:47 | 0:10:51 | |
Keisha from the Sugababes | 0:10:51 | 0:10:52 | |
admitted in an interview that she'd never heard of The Doors. | 0:10:52 | 0:10:55 | |
This was of course rectified in 2009, | 0:10:55 | 0:10:57 | |
when she was shown one with an exit sign above it. | 0:10:57 | 0:11:00 | |
APPLAUSE | 0:11:00 | 0:11:03 | |
Ah, everyone's going to hate me after this. Next one. | 0:11:06 | 0:11:09 | |
# Doo-doo-doo-doo, doo-doo-doo-doo Doo-doo-doo-doo, doo-doo-doo-doo | 0:11:09 | 0:11:12 | |
# Doo-doo-doo-doo, doo-doo-doo-doo Doo-doo-doo-doo, doo-doo-doo-doo | 0:11:12 | 0:11:14 | |
# Doo-doo-doo-doo, doo-doo-doo-doo Doo-doo-doo-doo, doo-doo-doo-doo | 0:11:14 | 0:11:17 | |
# Doo-doo-doo-doo, doo-doo-doo-doo Doo-doo-doo-doo, doo-doo-doo-doo | 0:11:17 | 0:11:20 | |
# Doo-doo-doo-doo... # | 0:11:20 | 0:11:21 | |
Can I just shoot off, cos... | 0:11:21 | 0:11:23 | |
LAUGHTER | 0:11:23 | 0:11:24 | |
I think I just did. | 0:11:24 | 0:11:26 | |
-It's like a Carry On show tonight. -I know! What's happened? | 0:11:28 | 0:11:31 | |
It's your face, it's making everyone sexually excited. | 0:11:31 | 0:11:35 | |
-You can't just make your face into a lolly, it's ridiculous. -Don't do that. | 0:11:35 | 0:11:39 | |
Imagine loads of kids at an ice-cream van. | 0:11:39 | 0:11:43 | |
What are you going to get, a Tinie Tempah? | 0:11:43 | 0:11:45 | |
I've only got enough for a Tinchy Stryder! | 0:11:45 | 0:11:48 | |
It helps you to rap | 0:11:48 | 0:11:50 | |
and to rhyme. | 0:11:50 | 0:11:51 | |
# I'm on Never Mind The Buzzcocks In my... # | 0:11:51 | 0:11:55 | |
I haven't thought this through. | 0:11:55 | 0:11:57 | |
-What did you think it was? -I thought it was Tetris. | 0:11:59 | 0:12:02 | |
-Oh, I'd love to do Tetris. -I would. | 0:12:04 | 0:12:06 | |
# Bing bing-bing bing | 0:12:06 | 0:12:07 | |
# Bing bing-bing bing | 0:12:07 | 0:12:08 | |
# Bing bing-bing bing... # | 0:12:08 | 0:12:10 | |
-Tetris! -Yeah, well done. -I got it, one point. | 0:12:10 | 0:12:13 | |
# Bing bing-bing bing | 0:12:13 | 0:12:14 | |
# Bing bing-bing bing Bing bing-bing bing... # | 0:12:14 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:19 | |
APPLAUSE | 0:12:19 | 0:12:21 | |
Any ideas, Chris? | 0:12:21 | 0:12:23 | |
-No. -All right, Noel's team, what you saying? | 0:12:23 | 0:12:25 | |
-Is it in the same kind of vein, era... -EXAMPLE: -Not giving you any clues. | 0:12:25 | 0:12:29 | |
You think you're going to sit there like a sexy panda | 0:12:29 | 0:12:32 | |
and bat your little eyelashes at us | 0:12:32 | 0:12:34 | |
and we're going to tell you that it's Halo by Beyonce. | 0:12:34 | 0:12:36 | |
Well, we're not going to! | 0:12:36 | 0:12:38 | |
It's not Halo by Beyonce? | 0:12:38 | 0:12:40 | |
Yes, correct! | 0:12:40 | 0:12:41 | |
Pixie Lott! | 0:12:41 | 0:12:43 | |
APPLAUSE | 0:12:43 | 0:12:45 | |
Here's how it should've sounded though... | 0:12:45 | 0:12:48 | |
Hands in the air, everybody. | 0:12:48 | 0:12:50 | |
MUSIC: Halo By Beyonce | 0:12:50 | 0:12:51 | |
AUDIENCE CLAPS TO BEAT | 0:12:51 | 0:12:54 | |
So that was Beyonce with Halo. | 0:13:03 | 0:13:04 | |
Jay-Z was in the audience | 0:13:04 | 0:13:06 | |
during Beyonce's famous Glastonbury headline set. | 0:13:06 | 0:13:09 | |
He didn't catch much of the act though, because he was too busy | 0:13:09 | 0:13:12 | |
telling every person in the 175,000-strong crowd, | 0:13:12 | 0:13:15 | |
"I'm shagging that." | 0:13:15 | 0:13:18 | |
-That would've sounded better in your accent actually. -I'm shagging that. | 0:13:19 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:24 | |
APPLAUSE | 0:13:24 | 0:13:27 | |
He could've said it in a posh accent, it would've been much better. | 0:13:27 | 0:13:31 | |
He could've gone, "Yes, I'm making love to that beautiful woman. | 0:13:31 | 0:13:36 | |
"We're going home and we're making love. | 0:13:36 | 0:13:38 | |
"And making sure that she has an orgasm | 0:13:38 | 0:13:41 | |
"at least a fortnight before I do." | 0:13:41 | 0:13:43 | |
-Tinie, when you first came about, right? -Yeah. | 0:13:45 | 0:13:48 | |
I thought you were called Tony Tempah. | 0:13:48 | 0:13:50 | |
Did you? | 0:13:50 | 0:13:52 | |
Like a mafia boss. | 0:13:52 | 0:13:53 | |
If you want, I could be Tony Tempah, I could be like your hype man. | 0:13:54 | 0:13:58 | |
-Cos all they do is the last word, don't they? -Yeah. | 0:13:58 | 0:14:00 | |
So I reckon I could do that. | 0:14:00 | 0:14:02 | |
-# Yeah, yeah We'll bring the stars -out | 0:14:02 | 0:14:03 | |
-# We'll bring the women and the stars -out... # | 0:14:03 | 0:14:07 | |
LAUGHTER | 0:14:07 | 0:14:09 | |
APPLAUSE AND CHEERING | 0:14:09 | 0:14:13 | |
-We need to get you to Scunthorpe. -Yeah, what is it with Scunthorpe? | 0:14:13 | 0:14:17 | |
-You've been to Southampton but you've never been to Scunthorpe. -I've always wanted to go. | 0:14:17 | 0:14:22 | |
If you haven't been to Scunthorpe in the audience, can you please make some noise. | 0:14:22 | 0:14:26 | |
APPLAUSE AND CHEERING | 0:14:26 | 0:14:28 | |
So as you can see, it's pretty much the majority of people... | 0:14:28 | 0:14:31 | |
-JOEY: -I've got a plan, right? | 0:14:31 | 0:14:32 | |
I'm probably the only person on this show | 0:14:32 | 0:14:35 | |
that's ever been on it and still lived with their mum and dad, right? | 0:14:35 | 0:14:39 | |
But bear with me... Fuck off. Right? | 0:14:39 | 0:14:41 | |
What I was thinking was, after this, all bolt back to mine, right? | 0:14:41 | 0:14:44 | |
We can have an after-party in the conservatory. | 0:14:44 | 0:14:47 | |
My mum said it's all right as long as we... | 0:14:47 | 0:14:49 | |
don't wake her. She's got to work in the curtain shop in the morning. | 0:14:49 | 0:14:53 | |
And then we could just hire a coach and all go to Scunthorpe. | 0:14:53 | 0:14:57 | |
Do you really think it's as easy as that? | 0:14:57 | 0:14:59 | |
All right. Noel and Pixie, here are yours for Joey. | 0:14:59 | 0:15:02 | |
Can we do this in surround sound? | 0:15:02 | 0:15:05 | |
-One of you on each side. -Do you want to get in the middle? -OK. | 0:15:05 | 0:15:08 | |
Ready? | 0:15:08 | 0:15:10 | |
# Doo-doo Bah-bah | 0:15:10 | 0:15:12 | |
# Doo-de-loo-de-loo | 0:15:12 | 0:15:13 | |
# Bah-bah Bah-bah | 0:15:13 | 0:15:15 | |
# Doo-de-loo-de-loo | 0:15:15 | 0:15:17 | |
# Dun dun dun dun dun-dun dun dun dun | 0:15:17 | 0:15:20 | |
# Dun dun dun dun dun-dun | 0:15:20 | 0:15:22 | |
# Boom-boom | 0:15:22 | 0:15:23 | |
-# Bah-bah doo-doo -# Dun dun dun dun dun-dun dun dun dun | 0:15:23 | 0:15:27 | |
# Dun dun dun dun dun-dun | 0:15:27 | 0:15:30 | |
-Do you know what, I know it, but I can't say it. -Yes? | 0:15:30 | 0:15:36 | |
Phill's team. | 0:15:37 | 0:15:38 | |
Is it I Was Made For Loving You? | 0:15:38 | 0:15:40 | |
Correct! Well done, Chris. | 0:15:40 | 0:15:42 | |
APPLAUSE | 0:15:42 | 0:15:45 | |
It was Kiss, I Was Made For Loving You, | 0:15:45 | 0:15:47 | |
and here is how it should've sounded. | 0:15:47 | 0:15:49 | |
That was pretty good though, by the way. | 0:15:49 | 0:15:51 | |
MUSIC: I Was Made For Loving You By Kiss | 0:15:51 | 0:15:54 | |
So that was Kiss with I Was Made For Loving You. | 0:16:10 | 0:16:12 | |
Gene Simmons has the longest tongue in the music industry. | 0:16:12 | 0:16:16 | |
Apart from the one Louis Walsh has up Simon Cowell's arse. | 0:16:16 | 0:16:20 | |
LAUGHTER AND APPLAUSE | 0:16:20 | 0:16:22 | |
Come on, Horny Tempah. | 0:16:26 | 0:16:27 | |
Right, Joey. | 0:16:27 | 0:16:29 | |
Do you know what's going on, do you want your mummy? | 0:16:29 | 0:16:31 | |
She's in the curtain shop, she's coming to get you later. | 0:16:34 | 0:16:37 | |
I feel like I've just stumbled onto a school production of Oliver. | 0:16:37 | 0:16:41 | |
The reason I'm dressed like this is because I'm babysitting for Tim Burton's kids later. | 0:16:45 | 0:16:50 | |
APPLAUSE | 0:16:50 | 0:16:52 | |
# Doo-doo-doo-doo-doo Doo-doo-doo Doo-doo-doo... # | 0:16:54 | 0:16:57 | |
-Oh, I know it already. -# Doo-doo-doo-doo-doo Doo-doo-doo | 0:16:57 | 0:17:00 | |
-# Doo-doo-doo -# Ba-ba-deh-be-dah... # | 0:17:00 | 0:17:03 | |
If I get this wrong I've got to sleep in the dog bed tonight. | 0:17:03 | 0:17:07 | |
Where is the dog going to sleep? | 0:17:07 | 0:17:09 | |
On Example's finger! | 0:17:09 | 0:17:10 | |
APPLAUSE | 0:17:12 | 0:17:15 | |
Is it I'm On Fire by Kasabian? | 0:17:16 | 0:17:19 | |
Absolutely not. | 0:17:19 | 0:17:20 | |
-How did you mess that up? -It's Barbra Streisand. -What?! | 0:17:22 | 0:17:26 | |
Phill's team gets it. | 0:17:26 | 0:17:27 | |
-What is it?! -Barbra Streisand! | 0:17:27 | 0:17:29 | |
It was Duck Sauce and Barbra Streisand. | 0:17:29 | 0:17:31 | |
Here's how it should've sounded. | 0:17:31 | 0:17:33 | |
MUSIC: Barbra Streisand By Duck Sauce | 0:17:33 | 0:17:36 | |
# Barbra Streisand. # | 0:17:39 | 0:17:42 | |
Barbra Streisand thanks Liza Minnelli for her big break, | 0:17:44 | 0:17:47 | |
as she convinced her to ignore criticism that she looked funny. | 0:17:47 | 0:17:51 | |
Chin up, Example, things are going to be all right. | 0:17:51 | 0:17:55 | |
What are you doing?! Unbelievable. | 0:17:55 | 0:17:58 | |
Like one of those spoilt kids at a birthday party, | 0:17:58 | 0:18:00 | |
you broke your own toy and then swapped it with mine when I wasn't looking! | 0:18:00 | 0:18:04 | |
-I don't deserve a good one. -Oh, no! | 0:18:04 | 0:18:07 | |
Joey's that kid at the party that smells a bit weird and doesn't get picked up at the end. | 0:18:09 | 0:18:14 | |
There's always one as well, there's always one. | 0:18:18 | 0:18:21 | |
So Round Three is the identity parade. | 0:18:21 | 0:18:23 | |
Phill, Chris and Example, what about some '80s New Wave pop? | 0:18:23 | 0:18:27 | |
For the audience only, here is Adam Ant. | 0:18:27 | 0:18:30 | |
# Desperate | 0:18:30 | 0:18:33 | |
# But not serious | 0:18:33 | 0:18:36 | |
# Your kisses drive | 0:18:36 | 0:18:39 | |
# Me delirious... # | 0:18:39 | 0:18:43 | |
That was Adam Ant with Desperate But Not Serious. | 0:18:43 | 0:18:47 | |
But which of our line-up is trumpeter Tony Hughes? | 0:18:47 | 0:18:51 | |
Is it Number One, Desperate, But Not So Serious? | 0:18:51 | 0:18:54 | |
Is it Number Two, Desperately Seeking Susan? | 0:18:57 | 0:19:00 | |
Is it Number Three, Desperate For A Wee? | 0:19:01 | 0:19:04 | |
Is it Number Four, Desperate For A Cure? | 0:19:05 | 0:19:08 | |
Or is it Number Five, the Mayor of Scunthorpe. | 0:19:09 | 0:19:11 | |
LAUGHTER AND APPLAUSE | 0:19:11 | 0:19:15 | |
-What number are you? -I'm the answer. | 0:19:18 | 0:19:20 | |
To be fair, after being in the music industry, | 0:19:20 | 0:19:23 | |
being the Mayor of Scunthorpe is quite a cushy little job. | 0:19:23 | 0:19:26 | |
It's quite a leap that, isn't it? Playing trumpet for Adam Ant - | 0:19:26 | 0:19:30 | |
and also Mayor. | 0:19:30 | 0:19:31 | |
-A man of many talents. -He can speak as well! | 0:19:31 | 0:19:34 | |
We're not in Scunthorpe now, mate. You don't make the rules. Right? Shut up! | 0:19:34 | 0:19:39 | |
You don't talk to the Mayor like that. | 0:19:39 | 0:19:41 | |
APPLAUSE AND CHEERING | 0:19:44 | 0:19:46 | |
We're having a party at my mum and dad's. | 0:19:47 | 0:19:50 | |
You can come, but a couple of ground rules. | 0:19:50 | 0:19:52 | |
One, we've got to stay in the conservatory, | 0:19:52 | 0:19:54 | |
and B, not make too much noise because my mum's got to work. Want to come? | 0:19:54 | 0:19:58 | |
-And you'll come to Scunthorpe afterwards. -Defo. | 0:19:58 | 0:20:00 | |
Put me down as a "maybe". | 0:20:00 | 0:20:02 | |
-CHRIS: -Why should we visit Scunthorpe? | 0:20:02 | 0:20:05 | |
Is it better than Southampton? | 0:20:05 | 0:20:06 | |
Great town, Southampton, but greater still is Scunthorpe. | 0:20:06 | 0:20:10 | |
-LAUGHTER AND APPLAUSE -He's talking in riddles. | 0:20:10 | 0:20:14 | |
He's talking in riddles. | 0:20:14 | 0:20:16 | |
We'd love to have you up there. | 0:20:16 | 0:20:18 | |
-What's the biggest venue you've got? -The town hall. | 0:20:18 | 0:20:21 | |
What's on the board, what's the picture? | 0:20:21 | 0:20:24 | |
Scunthorpe! | 0:20:24 | 0:20:25 | |
Are you free to host next week? | 0:20:27 | 0:20:29 | |
You come up to Scunthorpe... | 0:20:29 | 0:20:33 | |
Can you do that bit of your song and just get him to say Scunthorpe when you're supposed to say it? | 0:20:33 | 0:20:37 | |
All right. I've been to Southampton, but I've never been to... | 0:20:37 | 0:20:41 | |
Scunthorpe. | 0:20:41 | 0:20:43 | |
APPLAUSE AND CHEERING | 0:20:43 | 0:20:46 | |
Best thing I've heard all day. | 0:20:46 | 0:20:49 | |
Phill, you'll have to give me an answer | 0:20:49 | 0:20:51 | |
-We'll go for four. -OK. Let's find out right now. | 0:20:51 | 0:20:53 | |
Will the real Tony Hughes please step forward? | 0:20:53 | 0:20:56 | |
Aaah! | 0:20:56 | 0:20:58 | |
APPLAUSE AND CHEERING | 0:21:00 | 0:21:03 | |
Now a successful businessman who plays trumpet on the side, | 0:21:03 | 0:21:07 | |
Tony Hughes, ladies and gentlemen! | 0:21:07 | 0:21:09 | |
APPLAUSE AND CHEERING | 0:21:09 | 0:21:13 | |
Tony Hughes, everybody! | 0:21:13 | 0:21:14 | |
Noel, Pixie and Joey, how about some Noughties boy-band pop? | 0:21:16 | 0:21:21 | |
For the audience only, | 0:21:21 | 0:21:22 | |
from Popstars: The Rivals, it's One True Voice. | 0:21:22 | 0:21:25 | |
# How can I be heard? | 0:21:25 | 0:21:28 | |
# In my heart I am a poet Don't know how to show it | 0:21:28 | 0:21:32 | |
# If only I had Shakespeare's way with words... # | 0:21:32 | 0:21:39 | |
That was One True Voice with Shakespeare's Way With Words. | 0:21:39 | 0:21:42 | |
But which one of our line-up is singer Jamie Shaw? | 0:21:42 | 0:21:45 | |
Is it Number One, Jamie Shaw? | 0:21:45 | 0:21:48 | |
Number Two, Geordie Shaw? | 0:21:48 | 0:21:50 | |
Number Three, Shaw For Men? | 0:21:52 | 0:21:54 | |
Number Four, Are you Shaw? | 0:21:55 | 0:21:57 | |
Or Number Five, Surely Not? | 0:21:58 | 0:22:01 | |
They were the ones who lost out to Girls Aloud. | 0:22:02 | 0:22:05 | |
Yeah, but I liked One True Voice. | 0:22:05 | 0:22:06 | |
Oh, Pixie! I know you've been living on a toadstool in a forest, | 0:22:06 | 0:22:10 | |
but fucking hell! | 0:22:10 | 0:22:12 | |
-Three of them have got flip-flops on. -Oh, yeah! | 0:22:14 | 0:22:17 | |
-JOEY: -That is not acceptable. | 0:22:17 | 0:22:19 | |
They must have worn flip-flops, or why would they be in flip-flops? | 0:22:19 | 0:22:22 | |
Athlete's Foot. | 0:22:22 | 0:22:26 | |
Not going to be Singer's Foot being in One True Voice, is it, Phill? | 0:22:26 | 0:22:31 | |
-Go on, touch them. -Am I allowed? -Go on, squeeze their nips. | 0:22:31 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:36 | |
-You absolutely are, go for it, Pixie. -I'll come with you. | 0:22:36 | 0:22:38 | |
Come on then, Beetlejuice, let's get this over with. | 0:22:38 | 0:22:41 | |
Let's skip like we're in the forest. | 0:22:41 | 0:22:43 | |
OK, what do you think? You give 'em a grope and see which one... | 0:22:45 | 0:22:48 | |
-This one is not...smiling! -No. | 0:22:48 | 0:22:51 | |
-CHRIS: -Kiss him. | 0:22:55 | 0:22:56 | |
Oh, my God! | 0:22:57 | 0:22:59 | |
AUDIENCE: Aw! He's not doing anything. | 0:23:01 | 0:23:03 | |
You give it a go. | 0:23:03 | 0:23:04 | |
-I think it's Number Two. -He is pretty handsome, isn't he? | 0:23:06 | 0:23:09 | |
Yeah, but he looks like he was successful for a bit | 0:23:09 | 0:23:12 | |
and then he didn't really know what to do after the band split up, | 0:23:12 | 0:23:16 | |
so he just went, "Yeah, I'm going to go travelling and shit." | 0:23:16 | 0:23:19 | |
-Don't you think that one looks like Olly Murs a bit? -Kind of. | 0:23:19 | 0:23:23 | |
-Give me your hat. -Olly Murs... -Actually... Yeah, that one. | 0:23:23 | 0:23:26 | |
APPLAUSE | 0:23:32 | 0:23:34 | |
I think it's Three, but I think he looks too young to have been in it years ago, | 0:23:36 | 0:23:39 | |
because it was quite a while ago. | 0:23:39 | 0:23:41 | |
LAUGHTER | 0:23:41 | 0:23:43 | |
Are we supposed to be spotting someone from Run-D.M.C. now? Has the game changed? | 0:23:46 | 0:23:51 | |
It's so Number Two. | 0:23:51 | 0:23:53 | |
Look how handsome Number Two is. | 0:23:53 | 0:23:54 | |
-If I was a manager... -You fancy him, don't you? -Yeah, a little bit. | 0:23:54 | 0:23:58 | |
What's it got to do with you?! | 0:23:58 | 0:24:01 | |
If I was a boy-band manager, and I was hanging around dark corners going, "Oh, hello, boys!" | 0:24:01 | 0:24:07 | |
"I need a boy band. Oh, Number Two, hello, I've got some flip-flops!" | 0:24:07 | 0:24:14 | |
We need a final answer. Pixie, what do you reckon it is? | 0:24:14 | 0:24:16 | |
I don't know if you're aware of this, but I am the captain of this ship. | 0:24:16 | 0:24:20 | |
You can't just come in here with your charisma and your cool, refreshing smile and easy charm. | 0:24:20 | 0:24:26 | |
And your millions of masks, trying to make friends with the audience. | 0:24:26 | 0:24:30 | |
I've been working here for three years! | 0:24:30 | 0:24:33 | |
All right, we'll give it to Pixie. | 0:24:33 | 0:24:35 | |
-OK, I think it's Three for some reason. -Let's find out. | 0:24:35 | 0:24:37 | |
Will the real Jamie Shaw please step forward. | 0:24:37 | 0:24:40 | |
CHEERING Yeah! Woo! | 0:24:41 | 0:24:44 | |
APPLAUSE | 0:24:44 | 0:24:46 | |
Now working as a supporting manager for the company that insures me, | 0:24:46 | 0:24:51 | |
-Jamie Shaw, ladies and gentlemen! -APPLAUSE | 0:24:51 | 0:24:53 | |
And at the end of that round, Phill's team has three, | 0:24:57 | 0:25:00 | |
and Noel's team has five. | 0:25:00 | 0:25:01 | |
APPLAUSE | 0:25:01 | 0:25:04 | |
And now, because at the ripe old age of 23 I have my first book out, | 0:25:06 | 0:25:10 | |
this final round is all about famous musical autobiographies. | 0:25:10 | 0:25:14 | |
I'll read some quotes and then from the options I give, | 0:25:14 | 0:25:16 | |
you have to guess whose book it's from. | 0:25:16 | 0:25:18 | |
Noel's team are in the lead, so you go first. The time starts now. | 0:25:18 | 0:25:23 | |
Was that Britney Spears or Marilyn Manson? | 0:25:28 | 0:25:31 | |
-That was Manson. -Correct. | 0:25:31 | 0:25:33 | |
After we had taken our clothes off, | 0:25:36 | 0:25:38 | |
it soon became clear that Gareth was very inexperienced. | 0:25:38 | 0:25:41 | |
Was that Katie Price or Simon Cowell? | 0:25:41 | 0:25:44 | |
It was Jordan. | 0:25:47 | 0:25:48 | |
Correct, Katie Price, Being Jordan. | 0:25:48 | 0:25:50 | |
Obviously when you sleep with someone, | 0:25:50 | 0:25:52 | |
you want them to tell everyone you're inexperienced. | 0:25:52 | 0:25:55 | |
Absolutely. That's a Jordan thing to do. | 0:25:55 | 0:25:57 | |
Whereas Simon Cowell kept his mouth shut, and I appreciate him for that. | 0:25:57 | 0:26:01 | |
Next one guys. | 0:26:01 | 0:26:02 | |
Was that our very own Phill Jupitus or Jack Dee? | 0:26:08 | 0:26:12 | |
I'm ashamed to say we've had many a bath together and I can't remember. | 0:26:12 | 0:26:17 | |
Too many bubbles, that's my excuse. | 0:26:17 | 0:26:19 | |
Let's go for Jack Dee. | 0:26:19 | 0:26:20 | |
Incorrect, it was Phill Jupitus | 0:26:20 | 0:26:22 | |
with Good Morning Nantwich. | 0:26:22 | 0:26:24 | |
END-OF-ROUND JINGLE | 0:26:24 | 0:26:27 | |
Phill's team, your time starts now. | 0:26:29 | 0:26:32 | |
Was that me or Cliff Richard? | 0:26:36 | 0:26:38 | |
-Sir Cliff Richard. -Incorrect! It was me, with My Story So Far. | 0:26:38 | 0:26:42 | |
-What do you do for the older female fans? -You have to buy the book to find out. | 0:26:42 | 0:26:45 | |
How have you got a book? You're 23, it should be a pamphlet. | 0:26:45 | 0:26:50 | |
Example, can you do a good Irish accent? | 0:26:50 | 0:26:53 | |
Oh, hello there, I'm Louis Walsh. | 0:26:53 | 0:26:55 | |
Perfect, well done. All right, when I say, "And said..." | 0:26:55 | 0:26:58 | |
You need to say, "Listen, dye your hair blonde for the next time Simon Cowell comes." | 0:26:58 | 0:27:03 | |
-All right. -"Louis took me to one side and said..." | 0:27:03 | 0:27:05 | |
"Listen, you got to dye your hair blonde for the next time Simon something..." | 0:27:05 | 0:27:09 | |
LAUGHTER AND APPLAUSE | 0:27:09 | 0:27:12 | |
Was that Olly Murs or Westlife? | 0:27:13 | 0:27:15 | |
-It's got to be Westlife. -Correct. Westlife, with Our Story. | 0:27:15 | 0:27:18 | |
"I dreamed I was on holiday and a crocodile was in my bathroom | 0:27:21 | 0:27:25 | |
"wearing my Converse trainers. | 0:27:25 | 0:27:27 | |
"I pushed him into a bath | 0:27:27 | 0:27:28 | |
"and the water was boiling and skin came off." | 0:27:28 | 0:27:32 | |
Was that Noel Fielding or Iggy Pop? | 0:27:32 | 0:27:34 | |
Ooh. | 0:27:34 | 0:27:35 | |
Have you ever worn Converse? You wear ladies' shoes, don't you? | 0:27:35 | 0:27:38 | |
How very dare you, Example? | 0:27:38 | 0:27:40 | |
-All right, Iggy. -Iggy Pop. | 0:27:42 | 0:27:43 | |
Incorrect, it was Noel Fielding, The Scribblings Of A Madcap Shambleton. | 0:27:43 | 0:27:47 | |
I like the name of that book. | 0:27:47 | 0:27:50 | |
END-OF-ROUND JINGLE | 0:27:50 | 0:27:53 | |
And the final scores are - Phill's team has six, | 0:27:55 | 0:27:57 | |
but this week's winners are Noel's team with eight! | 0:27:57 | 0:28:00 | |
APPLAUSE AND CHEERING | 0:28:00 | 0:28:02 | |
Thanks to Phill, Chris and Example, | 0:28:07 | 0:28:09 | |
Noel, Pixie and Joey. | 0:28:09 | 0:28:11 | |
This has been Never Mind The Buzzcocks, I've been Tinie Tempah. | 0:28:11 | 0:28:14 | |
I'm off to Southampton - | 0:28:14 | 0:28:15 | |
not Scunthorpe though, definitely Southampton. | 0:28:15 | 0:28:18 | |
Good night! | 0:28:18 | 0:28:19 | |
APPLAUSE AND CHEERING | 0:28:19 | 0:28:23 | |
Subtitles by Red Bee Media Ltd | 0:28:26 | 0:28:31 | |
E-mail [email protected] | 0:28:31 | 0:28:35 | |
HE MUMBLES | 0:28:48 | 0:28:50 | |
BANGING AND YELLING | 0:28:51 | 0:28:54 | |
To Scunthorpe, Driver. | 0:28:55 | 0:28:58 | |
TYRES SCREECH | 0:28:58 | 0:29:00 |